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HISTORICAL INFORMATION
ON CENTRAL VIRGINIA,
WRITTEN, PRINTED AND
PUBLISHED BY ALFRED PERCY.
The p o l i c y o f t h i s p r e s s i s t h e d i s t r i b u t i o n
o f accu rate, in te r e s tin g , m o d e ra te ly -p rice d h i s
t o r i c a l i n f o r m a t i o n on V i r g i n i a i n g e n e r a l and
C e n tra l V irg in ia in p a r t i c u l a r
We b e l i e v e t h q t a f u l l d i s c l o s u r e o f t h e
p a s t w ill d e f i n i t e l y e s t a b l i s h C en tral V irg in ia
a s h a v i n g had a f a r more i m p o r t a n t p l a c e i n th e
e a r l i e r , f o r m a tiv e b u i l d i n g up o f t h i s n a t i o n than
h a s been r e a l i z e d h e r e t o f o r e .
B o th t h e a r e a and t h e e r a h a v e been p a s s e d
o v e r n e g l e c t e d i n good p a r t due to t h e asump-
tio n t h a t n o th in g ev er happened in our q u ie t,
h i l l country.. T h is h a b i t o f n e g l e c t i n t h e p a s t
h a s come down t o many o f u s t o - d a y who w ork
a t research.
The i n t e r e s t i n g h i s t o r y i s h e r e a l l about u s
i f we can d i g i t o u t and p r e s e n t i t to th e p u b l i c .
I t i s i m p o r t a n t f o r two r e a s o n s : ( 1 ) The t r u e
p r e s e n t a t i o n and s tu d y o f t h e p a s t i s v i t a l in
p r e p a r i n g f o r th e f u t u r e , (N ote: T h i s l i t t l e t r u t h
h a s n e v e r been a d e q u a t e l y u n d e r s t o o d by our p r e
s e n t h e a d s o f governm ent. )
(2) A s e c t i o n o f th e c o u n tr y , r e a l i z i n g t h a t
i t was o n c e i m p o r t a n t i n t h e p a s t , m a y r e - e x a m in e
i t s p r e s e n t s i t u a t i o n and s e t a b o u t im p ro v in g i t .
THE DEYIL
in The
Old Dominion
Bj
A lfre d Percy
A Fact A r tic le
And Two
S h o rt S t o r i e s
On E a rly
19th C entury
R e lig io n .
1952
Percy P re ss
E l o n Road,
M adison H e ig h ts ,
Vi r g i n i a .
The DECORATIONS on t h e c o v e r a n d c h a p t e r
h e a d i n g s o f t h i s book a r e t h e work o f th e a r t i s t
and c e r a m i s t j P e t e r W illia m s o f A n h e rstj Va. T h is
a r t w ork was o r i g i n a l l y e x e c u t e d f o r t h e book
F i e d m o n t A p o c a l y p s e by t h i s w r i t e r a n d h a s been
r e a r r a n g e d f o r T h e D e v i l I n The O l d D o m i n i o n . .
C o p y r i g h t 1952 by A l f r e d P e r c y
A ll r i g h t s re se rv e d .
P r i n t e d and P u b l i s h e d by P e g a n d A l f r e d P e r c y j
Elon Roadj M adison H e ig h ts ., V i r g i n i a .
M is s M a r j o r i e L i t c h f o r d j
E d ito ria l A ssista n t.
CONTENTS
Page
A S to ry j
F i c t i o n on F a c t j
A m herst C o u n ty j
1802
— pj
h e t a l l o l d man waved h i s r i g h t aim g r a c e
f u l l y b u t f o r c e f u l l y . The t a p e r i n g f i n g e r s
t w i s t e d i n t o a f i s t a n d h e shook i t c : t h e two
e l e g a n t j b e l a c e d gentlem en s t a n d i n g on t h e p o r c h .
A p r e a c h e r j b e n t upon t h e n e c e s s a r y work o f t h e
Lord., d i d n o t l i k e b e i n g th w a r t e d ----- e s p e c i a l l y
when a l l h e w anted was a t e n - a c r e s e c t i o n o f v i r
g in f o r e s t on a c r e e k b o tto m f o r a c a m p - m e e tin g
g ro u n d .
"H ere i t i s in th e p r o g r e s s i v e y e a r o f
1802; t h e G r e a t R e v iv a l t o awaken t h e s p i r i t o f
t h e n a t i o n i s s w e e p in g t h e c o u n t r y and y e t you_,
suhj won' t even s h a r e y o u r woods w i t h t h e L o rd "
H is gray e y e s w ere a ngry; h i s tem per was in
d a n g e r o f r e a l l y e x p l o d i n g . The R e v e r e n d Aaron
C r a b t r e e swung h i s n a g a ro u n d and l o p e d down th e
driv e ., t h e t a i l s o f h i s b o t t l e - g r e e n c o a t f l o p
p i n g up and down w i t h t h e m o tio n o f th e h o r s e .
W hile s t i l l w i t h i n e a r s h o t h e o v e r h e a r d th e
y o u n g e r man l a u g h d e r i s i v e l y and p a s s a rem ark
t h a t v e r g e d upon t h e r i b a l d . H is f a t h e r r e p l i e d :
" T h a t ' l l dOj G e o r g e ! C r i t i c i z i n g e v e n a
c r a z y ., f i e l d p r e a c h e r who p r a c t i s e s w h a t h e
p r e a c h e s a b o u t th e B i b l e d o e s n ' t l i e w e ll in y o u r
mouth who t h i n k n o t h i n g o f c o v e t i n g what b e lo n g s
to thy n e i ghbor. "
P a r s o n C r a b t r e e h a d moved o u t o f m i d d l e - a g e
and h i s g r i z z l e d h a i r showed i t . He was t a l l and
h i s d r a b b r e e c h e s a n d r i d i n g b o o t s on l e g s t h a t
seemed t o lo o p a r o u n d t h e h o r s e a c c e n t u a t e d h i s
t h i n n e s s . But i f anyone th o u g h t he was a w e a k lin g
o r t h a t age h a d f a d e d h i s s t r e n g t h th e y c e r t a i n l y
h a d n o t ta k e n a good lo o k a t h i s e y e s. Gray e y e s
t h a t were in t u r n m e rry ; shrewd o r glow ing w ith a
f i r e ti\a t was c l o s e to f a n a t i c i s m .
Such was t h e c a s e a s h e t u r n e d i n t o th e h ig h
road m u t t e r i n g and mumbling to h i m s e l f ; o c c a s io n
a l l y p u l l i n g a t h i s l o n g n o s e a s though he
s m e lle d s o m e th in g u n p l e a s a n t ,
He groaned: " I t s u r e i s t h e t r u t h ■t h a t • t h i s
i s a p o o r s e c t i o n o f V i r g i n i a f o r th e w o rsh ip o f
God. HoWj oh L o rd j am I j Thy s e r v a n t s g o in g to
g e t a c h a p e l b u i l t h e r e f o r w o r s h ip i n Thy Glo
r i o u s Name much l e s s a cam p-m eeting ground? L ord
h a v e m e rc y upon t h e s e s i n n e r s and make 1em s e e
t h e Li g h t ! "
P arson C ra b tre e had sp en t th e y e a rs s in c e
th e R e v o lu tio n in c r a c k i n g tough r e l i g i o u s n u t s .
The o n ly t h i n g h e a s k e d o f any community was to
be a llo w e d t o get one f o o t p l a n t e d and he and th e
Lord would do t h e r e s t . But h e r e h e c o u l d n ' t even
g e t t h e f i r s t f o o t down.
The o l d e r gentlem anj h e h a d j u s t i n t e r v i e w e d
u n s u c c e s s f u l l y j was named George M oreland, Sr. He
was a p l a n t e r o f m eans i n t h i s p a r t o f A m herst
County and owned t h e v i r g i n j t i m b e r - c o v e r e d c r e e k
b o tto m c o v e t e d by t h e P a r s o n f o r a c a m p - m e e tin g
g r o u n d . T h i s new i d e a o f h o l d i n g a r e l i g i o u s
camp m e e t i n g i n an open f o r e s t h a d j u s t r e a c h e d
V i r g i n i a . I t h a d f i r e d Aaron C r a b t r e e w i t h t h e
dream o f p r e a c h i n g to t h o u s a n d s i n s t e a d o f t h e
hun d re d o r s o . t h a t c o u ld get in a c o u n tr y c h a p e l.
C h a r a c t e r i s t i c o f th e P arson he had p ic k e d t h i s
G o d l e s s d e s e r t in w h ich to r e v i v e a g r e e n ,
re lig io u s o a sis.
A round t h e n e x t bend a c r o s s r o a d s came in
s i g h t . Aaron u n c o n s c i o u s l y s h i f t e d h i s w e ig h t a
l i t t l e t o t h e r i g h t a s though t o make m ore f r e e
f o r q u i c k u s e t h e i n v i s i b l e T w o-edged Sword o f
th e L o rd h e alw ays went armed w ith . The i n v i s i b l e
n u t c r a c k e r was in h i s s a d d l e - b a g s . The sword was
a needy im plem ent now; h e was a p p r o a c h in g a tavern.
T h is t a v e r n h a d a s p l e n d i d l o c a t i o n h e r e on
t h e l i t t l e r i d g e w here t h e E ast-W est r o a d c r o s s e d
t h a t r u n n i n g N o r t h a n d S o u th . I t w o u ld a l s o be
a f i n e p l a c e f o r a c h a p e l , Aaron ■t h o u g h t , w h e re
p e o p l e , s e e i n g t h e b e a u t i f u l Blue Ridge b a r r i e r , .
w ould be m i n d f u l o f t h e Magesty o f A lm ighty God.
The t a v e r n s p r a w l e d a t t h e n o r t h e a s t e r n
c o m e r w ith wagon sh e d s, a w arehouse and a s t o r e
h o u s e s c a t t e r e d on t h e o t h e r r o a d c o r n e r s u n d e r
l a r g e t r e e s as y e t l e a f l e s s in t h e e a r l y s p r i n g .
J u s t b e y o n d ■t h e t a v e r n was a g r o v e o f t r e e s in
t h e c e n t e r o f w hich b o i l e d a f o u n t a i n t h a t gave
th e p l a c e i t s name.
The F o u n ta in h a d a f i v e s y a r d f o r t e g u e s t s
e n t e r t a i n m e n t , and a s t h e P a is o n roue up men were
b o w lin g t h e b a l l s . H i s e y e s gleam ed f o r t h e o l d .
man e n jo y e d t h e game a s w e ll a s t h e next,, though
h e dam ned i t p r o f e s s i o n a l l y b e c a u s e t o o many
gambled a t i t and gam bling was m o r ta l s i n .
He swung down a t t h e h o r s e b lo c k g i v i n g t h e
r e i n s to a N egro s t a b l e h and. A n o th e r h o r s e was
b e in g l e d to t h e b lo c k .
A l a r g e man came from t h e porch., b o o te d and
w e a r in g d r a b b r e e c h e s somewhat s i m i l i a r t o t h o s e
o f t h e P a r s o n . They w ere a b o u t t h e same a g e b u t
t h i s man was e r y b r o a d o f beam., n o t so t a l l and
p o s s e s s e d a stomach t h a t bu lg e d c o m f o r ta b ly .
''obody b u t an i n n k e e p e r c o u l d l o o k l i k e th a t
th o u g h t t h e P a r s o n .
"Come i n j s i r , come i n ! 11 s a i d t h e man,
h e a r t i l y . , " I 'm o f f to a t t e n d to a p i e c e o f
b u s i n e s s t h a t ' l l k e e p me t h e n ig h t., s i r ., b u t my
w i f e w i l l s e e t h a t y o u ' r e w e l l c a r e d f o r . We
k e e p a good c l e a n house., s i r . I r a B e a to n w ar
ran ts th a t."
"T hank you., B r o t h e r B e a to n . I h o p e b u s i
n e s s i s g o o d , " t h e P a rso n r e p l i e d .
" F a i r to m i d d l i n ' . , s i r , f a i r t o m i d d l i n ' ,
t h a n k you! " t h e l a n d l o r d s a i d . , s m i l i n g . "Of
c o u r s e , t ' w a s b e t t e r when we h a d so many f o l k s
m o v in g s o u t h t o l i v e . On t h e o t h e r h a n d t h e r e
a r e a g r e a t many V i r g i n i a n s m o v in g w e s t t h e s e
d a y s . I vow, s i r , i t lo o k s l i k e everybody in t h e
Commonwealth i s b e n t on c r o s s i n g th e m o u n t a i n s . "
" Y o u ' v e a v e r y p l e a s a n t l o c a t i o n , Mr.
B eaton, " t h e P a r s o n s a i d . He p o i n t e d a c r o s s t h e
r o a d . " T hat c o r n e r o v e r t h e r e by t h e wagon s h e d
i s e x a c t l y t h e p l a c e f o r a c h a p e l . Wonder you
f o l k s d o n ' t b u i l d one and g e t a p r e a c h e r . "
The l a n d l o r d g r u n t e d h i s way up on h i s
h o r s e . S e t t l i n g h i m s e l f in h i s s a d d l e h e s a i d
w ith a n o t a b l e l a c k o f e n th u sia n :
>
"We a i n 1t much f o r p r a y i n ' h e r e a b o u t s . Sort
o f f i g g e r t h e Q u a k e r s a few m i l e s S o u t h do
e n o u g h f o r u s a l l . A c h a p e l w o u ld be bad f o r
b u s i n e s s , w hat w i t h t h e way some p a r s o n s d o n ' t
t a k e i t k i n d l y when t h e boys g e t a l i t t l e happy.
Then and ----- Are you a p r e a c h e r , s i r ? "
"I am, suhj " C r a b t r e e r e p l i e d , h i s solemn
face h id in g h is la u g h te r.
"No harm m e a n t. P a r s o n , no harm m e a n t ! "
B e a to n s a i d h u r r i e d l y . " M i l l i e , oh M i l l i e ! " A
handsome d a r k - e y e d g i r l o f a b o u t tw e n ty came to
t h e m a in doorw a y. "The b e s t o f t h e h o u s e f o r
t h i s g e n t l e m a n , my d e a r . Good—d a y , s i r ! " He
w he e le d h i s h o r s e and ro d e away r a p i d l y .
C r a b t r e e p ic k e d up h i s s a d d le - b a g s and
j o i n e d t h e g i r l on t h e p o r c h . Sw eeping o f f h i s
b a t t e r e d o l d t r i - c o m e r e d h a t h e bowed.
"A f i n e e s t a b l i s h m e n t you h a v e h e r e . M iss
B eato n ."
"Mrs. N ot M i s s . I ' m h i s w i f e , s i r . " She
g ig g led .
" W e l l , t h e r e ' s n o t h i n g w ro n g w i t h y o u r
h u s b a n d 's t a s t e . " h e r e p l i e d s m i l i n g .
As th e su p p e r h o u r n e a r e d t h e l a r g e taproom
became a p l a c e o f m e rry a c t i v i t y . T h e p l a y e r s de
s e r t e d th e fiv e sy a rd fo r th e tav ern w hile o th e rs
r o d e o r w a lk e d i n from n e a r b y fa rm s. T h e re w ere
se v e ra l tr a v e le r s as w ell. A parade o f serv a n ts
w e n t in and o u t o f t h e k i t c h e n d o o r a c r o s s t h e
room from t h e main e n t r a n c e . On t h e l e f t o f t h i s
f r o n t d o o r was a d o o r l e a d i n g i n t o t h e p a r l o r .
The b a r s t r e t c h e d a c r o s s t h i s w a l l w i t h a d o o r
midway a l o n g f o r s e r v i c e d i r e c t from t h e b a r t o
p a rlo r.
T h is h a d been t h e f i r s t warm week i n s p r i n g
and what w i t h b e in g S a tu r d a y n i g h t a s w e l l , t h e
ta p room w ould be more crowded th a n u s u a l . A f t e r
d a rk t h e r e would be a f r o l i c .
''T h e y 'r e a l l bound t o be i n a s i n f u l s t a t e . "
t h e P a rso n m u t t e r e d t o h i m s e l f a s h e a t e h i s meal
in t h e c o m e r o f t h e room. "A ll d u r i n g t h i s h a r d
w i n t e r t h e y 'v e been sh u t in w ith t h e i r e v i l
th o u g h ts . Need a good o l d - t i m e stamping,, s h o u t i n g
m eetin g to r e l i e v e th e p r e s s u r e o f e v i l s p i r i t s
b e f o r e th e y b o i l o v e r an d t h e s e f o l k s g e t to
sin n in g . I f I could g et th e s e s in n e r s i n t e r e s t e d
i n r e l i g i o n m aybe o l d M o r e l a n d w o u ld s e e t h e '
L i g h t a n d l e a s e me t h a t c r e e k —b o tto m g r o v e f o r
G o d 's g l o r i o u s w ork. B e t t e r h o l d o f f a l i t t l e , ,
th e y a i n ' t f i n i s h e d e a t i n g . "
He chewed on t h i s and th e ham t h o u g h t f u l l y .
He c o u l d n ' t g e t t h a t g r o v e o f h u g e t r e e s a l o n g
t h e c r e e k out o f h i s mind. He c o u ld s e e t h e p l a t
form u n d e r them w i t h c l e a n s t r a w a r o u n d on t h e
ground b e s i d e i t f o r th e k n e e l i n g j r e p e n t i n g s i n
n e r s . H is mind p i c t u r e d th r o n g s o f e a g e r p i l g r i m s
sw a y in g t o t h e s o u n d o f h i s v o i c e a s h e s p r e a d
t h e Word and smote t h e d e v i l .
Loud l a u g h t e r from t h e b a r c a u s e d t h i s
v i s i o n to f a d e .
He h e a r d M i l l i e B e a to n s a y : " K i s s e s ? No
k i s s e s ! What do you t h i n k I m a r r i e d I r a f o r ? "
"We was w o n d e m 'j " d r a w le d a fa r m e r d r e s s e d
in homespun.
"I g u e s s y o u th m u st be served., " t h e P a r s o n
s a i d to h i m s e l f j a n g r i l y . "But L o rd i t ought n o t
to be a t t s n p t e d by an o l d man. "
She p r o b a b l y h a s a r i g h t h a r d t i n e o f i t , h e
th o u g h t. P e o p l e a r e to o w o r l d l y m in d e d , i o r~ f r e e
sp e a kin g L e t th e m f i n d t h e L o r d a n d t h e y ’ l l
r e a l i z e t h e r e a r e m ore w o r t h w h i l e t h i n g s i n l i f e .
7
He s ig h e d . These f o l k s d i d n ' t lo o k l i k e th e y
w e re s e a r c h i n g f o r t h e L ord o r a n y t h i n g e l s e but
a good tim e .
H is a d v e r s a r y o f th e a fte rn o o n ., t h e p l a n t e r
G eorge M o r e la n d j and h i s son e n t e r e d . The s i g h t
o f them i r r i t a t e d C r a b t r e e f u r t h e r .
'Oh Godi I s i t wrong t h a t I c o v e t my n e ig h
b o r 1& c l o s e i f i t be f o r Thy woTk? " h e s i l e n t L y
. ,, e l o f hi ; S u p e r io r .
The y o u n g man., a dandy i n d r e s S j w i t h h i s
l i g h t h a i r n e a t l y c l u b b e d went d i r e c t l y t o t h e
b a r . The f a t h e r j o i n e d some companions f o r a game
of cards a t a corner ta b le .
Aaron C r a b t r e e made h i s way t o t h e b a r . I t
was h i g h tim e h e d i d some t a l k i n g . M i l l i e Beaton
was s m i l i n g and l i s t e n i n g t o G eorge M orelandj J r .
N o t i n g t h e l o o k o f l o n g i n g i n t h e y o u n g m a n 's
e y e s t h e P a r s o n f e l t doubly c e r t a i n t h a t r e l i g i o n
was n e e d e d h e r e .
With a n im b le l e a p he was on t h e b a r counter.
One hand h e l d a l a r g e w atch. He r a i s e d i t f o r a l l
t o se e .
" W e l l j " h e m u se d t o h i m s e l f j w a i t i n g f o r
th e m t o c e n t e r t h e i r a t t e n t i o n . "B etw e e n t h i s
w a tc h a n d my b o t t l e - g r e e n c o a t t h e y ' l l t h i n k I 'm
a t r a d e r . The L ord u n d e r s t a n d s t h e r e must be some
t r i c k e r y even in a good c a u s e . "
He s t o o d w ith one lo n g f i n g e r p o i n t i n g l i k e
a m a g i c i a n ' s wand a t t h e w a tc h r e f l e c t i n g t h e
s o f t c a n d l e - l i g h t a n d t h e r u d d i e r glow from t h e
f i r e . V o ic e s subsided., p e o p le s t a r e d ----- even t h e
c a rd p la y e r s g la n c e d over t h e i r c a rd s a t th e
unaccustom ed s i l e n c e in t h e room.
T he d e e p t o n e s o f t h e P a r s o n ' s p r e a c h i n g
v o i c e b e l l e d o u t s l o w l y t l i k e t h e gang of doom:
"Watch! W atch! W atch o u t f o r t h e f i r e s o f h e l l
8
t h a t w i l l be y o u r l o t i f you d o n ' t r e c o g n i z e t h e
L o r d J e h o v a h a n d r e p e n t o f y o u r s i n s . Y our tim e
s h a l l come a n d you s h a l l f a c e t h e f o r k s i n t h e
ro a d . One way l e a d s upward to G lory and th e o t h e r
i n t o th e f i e r y p i t . Which f o rk w i l l . y o u take? Why
t h e one t o t h e p i t w i t h t h e m o lte n b r i m s t o n e to
b u m y o u r l i g h t s and l i v e r s b e c a u s e you h a v e no
c h u r c h t o p o i n t o u t t o you t h a t b e t t e r r o a d o f
l i f e ; no v i c a r o f God t o show you t h e e r r o r o f
y o u r w a y s . T he n o i s e I h e a r o u t s i d e o f t h i s
b u i l d i n g now i s t h e f l a p p i n g o f t h e d e v i l ' s w ing
a s h e h o v e r s p e e p i n g i n t h e w i n d o w ----- j u s t
wai t i n g -----"
"W hat's he w a i t i n ' f o r ? " A v o ic e i n t e r r u p t e d
" T h a r 's p l e n t y l i q u o r f o r a l l . "
The P a r s o n g l a r e d down a t t h e d r u n k e n wag
a n d h i s f i n g e r sh o t o u t a t t h e man l i k e a s t r i k
in g snake. H is v o i c e r o s e above t h e l a u g h t e r .
"I h a t e to s e e anyone in t h i s b e a u t i f u l la n d
r i s k t h e p u n ish m e n t o f t h e Lord by such m ockery.
S in n e r s such as you a r e f i t f u e l f o r t h e f i r e .Y o u
need p r a y e r . You n e e d a chapel where you can meet
t o w o rsh ip . You need th e work t o b u i l d t h e c h a p e l
in o r d e r to p r o v e you can work f o r so m e th in g be
s i d e s your s e l f i s h s e l v e s .
"You n e e d a cam p -m e e tin g g ro v e down by t h e
c r e e k w h e re t h o u s a n d s may m eet w i t h you t o a s k
f o r f o r g i v e n e s s o f s i n . I s h a l l h e l p you b u i l d
t h e d w e l l i n g o f t h e L o rd . You must h a v e i t f o r I
se e . among you t h o s e on t h e v e r g e o f h e l l . I s e e
i n t h e i r e y e s , shame; I know o f t h e s i n t h a t i s
in t h e i r h e a r t s . R e p e n t!"
He p a u s e d t o p o i n t and g l a r e a t some o f th e
d r u n k e s t . Aaron n o t e d f e a r on some o f t h e i r f a c e s
b u t n o t enough. Too many were g r i n n i n g a t him a s
i f he w ere some form o f amusement. But a s l o n g a s
t h e r e was f e a r in a t l e a s t a few o f t h e s e h e a r t s
h e h a d som ething t o work on.
P a r s o n C r a b t r e e h a d come by e x p e r i e n c e t o
know t h a t w h e r e a s many d i d n ' t h a v e t h e p r o p e r
f e a r o f t h e L o rd th e y h a d a s t r o n g s u p e r s t i t i o u s
r e s p e c t f o r th e powers o f t h e d e v i l .
Yes suhj h e was a t l e a s t g e t t i n g somewhere.
I f h e c o u l d k e e p i t up l o n g enough t o f r i g h t e n
m ore o f th a n w i t h t h e l u r k i n g shadows h e a n d t h e
L o r d would trium ph.
As h e a g a i n la u n c h e d h i s campaign o f f e a r a
wagon d ro v e u p o u t s i d e and a l o t o f young p e o p l e
b u r s t i n t o t h e t a p room. F i d d l e s a n d b a n j o e s ap
p e a r e d a n d t h e s t r a i n s o f " O le V i r g i n i e N e v e r
T i r e s . , " d ro w n e d o u t t h e P a r s o n ' s v o i c e . H ands
c la p p e d and t h e s q u a r e d a n c in g began.
C r a b t r e e knew when h e was l i c k e d . He c o u ld
o n l y f i l e away i n h i s m ind t h e f a c e s o f t h o s e he
h a d s e e n w e a k e n i n g a n d g e t t o w o r k o n th e m
a n o t h e r tim e .
"Oh Lord! " h e p r a y e d s i l e n t l y . , " f o r g i v e Thy
s e r v a n t f o r h i s f a i l u r e and g iv e him th e s t r e n g t h
t o c o n t i n u e t o p l y Thy s w o r d t h a t t h e w i c k e d
s h a ll p erish or re p e n t."
U nseen by t h e m e r r im a k e r s h e w ent i n t o t h e
v a c a n t p a r l o r a d j o i n i n g t h e t a p room t h e r e to
l i c k s h i s wounds and remake h i s p l a n s .
I t was a s o r t o f o d d s a n d e n d s room. Some
t i m e s u s e d a s a p r i v a t e d i n i n g room o r f o r p r i
v a t e p a r t i e s . T h e re was a s o f a on t h e p o rc h s i d e
o f t h e room , a d e e p c h a i r on t h e o t h e r a n d a
f l o u r b a r r e l in t h e f a r c o r n e r by t h e s e r v i c e
d o o r t h a t l e d d i r e c t l y t o t h e b a r . A lo w f i r e
b u rn e d in t h e f i r e p l a c e .
The P a r s o n j n e e d i n g t h e s o l a c e o f tobacco.,
s t o o p e d by t h e f i r e t o gT ate sa n e o f a t w i s t i n t o
dO
s n u f f . He took a h e a r t y p in c h and a f t e r a sh u d d e r
a n d a s n e e z e s e t t l e d down in a c h a i r . He s i g h e d
g u s t i l y . The b a t t l e w i t h t h e d e v i l seemed n e v e r -
e n d in g .
He th o u g h t back o v e r h i s m a n e u v e r in g o f t h e
e v e n i n g and a d m i t t e d h e h a d u s e d t h e w rong t a c -
t i c s ----- a v e r y weak app ro a c h .
" b o r d ! " h e s a i d o u t lo u d . "Thy s e r v a n t i s a
ja c k a s s ! He a llo w e d h i m s e l f to be l u l l e d i n t o an
a m b itio u s dream o f b r i n g i n g h a p p in e s s to th e many
a t a camp m e e t i n g b e f o r e he had g o t t e n h o l d o f so
much a s an in c h o f ground.
"Thy w o r k e r i n t h e V i n e y a r d ham m ered to o
n a r a en t h e s i n s o f t h o s e who h o v e n 1t s e n s e
e n o u g h t o know t h e y a r e s i n n i n g . A s e n s i b l e
p r e a c h e r would h a v e made h i m s e l f l i k e d f i r s t ; , and
th e n w ien h e h a d t h e i r a t t e n t i o n . , s t r u c k m ig h ty
blows w ith t h e Sword. Lord., I s h a l l mend my ways."
C r a b t r e e was gloom y a n d r e s t l e s s . A l o u d
y e l l from t h e t a p room b r o u g h t t h e r e a l i z a t i o n
th a t i t w a s n 't h i s s u b s id in g angry h e a r t b e a ts
t h a t made him f e e l t h a t t h r o b b i n g movement. The
f l o o r was in r h y th m ic movement from t h e sta m p in g
f e e t o f t h e d a n c e r s . Through t h e c l o s e d d o o r s ,
th ro u g h th e w alls., by way o f t h e f l o o r beams came
th e m u f f l e d m u sic , t h e b e a t o f c l a p p i n g ha nds, th e
tram pj tromp o f f e e t a l l f u s e d in sound and move
m e n t. I t s t i r r e d a man. In t h e n e x t room p e o p l e
w ere g i v i n g th e m s e lv e s up to th e jo y s o f th e
d a n c e . A l l to o w e l l Aaron C r a b t r e e and t h e L o rd
b o th knew t h a t in t h e s t r e s s o f t h i s em otion men
a n d women c o u l d f o r g e t t h e m s e l v e s . T h e r e was
d a n g e r in t h i s .
Suddenly t h e P a r s o n began s i n g i n g and c l a p
p i n g h i s h a n d s . The w ords w e r e t h o s e o f a hymn
but rh y th m ic b e a t was t h a t of t h e da nc e . H is r i c h
—
11
b a r i t o n e v o i c e became l o u d e r a s th o u g h t o drown
o u t t h e d a n c in g ., t o h e l p b l i n d o u t o f h i s m ind
t h e s i g h t s o f d ru n k e n n e s s and w a n to n n e ss h e p i c
t u r e d a s t a k i n g p l a c e in t h e n e x t room-----o f men
and woman on t h e v e r g e o f s i n .
A b r u p tly h e stopped; s a t down.
"Maybe t h e i r d a n c i n g w o u l d n ' t be so bad.,
Lordj i f t h e y ' d mix i t w ith a l i t t l e s i n g i n g wor
s h i p . T h a t w ould h e l p keep them in l i n e . T h in g s
in l i f e a r e so c l o s e t o g e t h e r i t ' s h a r d t o t e l l
j u s t when and w here a p a r s o n h a s s t r a y e d o f f th e
p a t h . He shook h i s h e a d and added: "A man m ig h t
a s w e l l be d ead i f h e g e t s so o l d h e c a n ' t l e a r n
so m e th in g new. "
He w a s b u s y m u l l i n g t h i s o v e r i n h i s
th o u g h t s when t h e main d o o r o f t h e p a r l o r opened
n o i s e l e s s l y a l i t t l e way a n d t h e n c l o s e d . T h is
w as r e p e a t e d s h o r t l y a f t e r w a r d . The P a r s o n
g la n c e d a ro u n d from h i s deep c h a i r in tim e to s e e
two f i g u r e s m erge i n t o o n e . S h o u ld h e l e a v e ? he
w o n d e r e d . He s t a y e d a n d f e l t u n c o m f o r t a b l e . I t
was a l l to o o b v io u s t h a t n e i t h e r t h e man n o r t h e
women knew he was t h e r e . He h e a r d t h e s o f a cre a k
a s th e y s a t down.
"You m ust make up y o u r mind now, M i l l i e ! " a
m a n 's v o i c e s a i d . The P a rso n c o u l d j u s t h e a r th e
w ords above t h e m u sic . "W e 'll go t o K a in tu c k . I f
I r a w a n ts a d i v o r c e h e can g e t o n e . What do you
c a r e ? W e ' l l be t o g e t h e r i n a n o t h e r c o u n t r y j my
s w e e t. But we must h u r r y b e c a u s e P apa s a i d some
t h i n g t h i s a f t e r n o o n t h a t shows he i s s u s p i c i o u s .
He m ight do som ething t o s to p u s . . I d o n ' t want to
s t a y h e r e a n d be b o s s e d a r o u n d . I w a n t l a r g e
h o l d i n g s o f my own and you to s h a r e them w ith me."
"Oh George! Be p a t i e n t j u s t a l i t t l e lo n g e r ! "
s h e r e p l i e d . "Near t h e end of. n e x t week I r a goes
12
g i n n i n g t o w is h h e h a d n e v e r s e e n t h i s A m herst
C o u n ty ; h e h a d b e e n a f a i l u r e h e r e from e v e r y
a n g l e . No! No! That w o u l d n 't do. For a p a r s o n to
adm it f a i l u r e was t o be unw orthy t o w i e l d e i t h e r
t h e sword o r t h e n u t c r a c k e r . A f t e r a l l t h i s was
war a g a i n s t th e d e v i l and no h o l d s b a r r e d .
He s t i r r e d j s a t u p r i g h t ; b u t t h e c o u p le was
s t i l l o b liv io u s.
From t h e t a p room came s h o u t s o f g r e e t i n g :
"Welcome h o s t ! " "G lad you g o t back i n tim e f o r
th e f r o l i c , I r a . "
The v o i c e o f t h e l a n d l o r d boomed o u t : "I
m i s s e d my man, f o l k s . S u r e i s good t o g e t back
to enjoy t h e fun w ith y o u . "
T h e re was a s u b t l e change in t h e s i l e n c e o f
t h e p a r l o r . Now t h e r e was a s t u n n e d e x p e c t a n c y .
No one moved. I n t h e dim l i g h t t h e P a r s o n c o u l d
s e e f e a r in th e r i g i d p o se o f th e c o u p le and
im agined t h e dawning f r i g h t on t h e i r f a c e s .
M i l l i e was t h e f i r s t to throw o f f t h e t r a n c e .
"Q u ic k ! G et i n t h a t b a r r e l . , G e o rg e ! H e ' s
c om ing h e r e t o l e a v e h i s w r a p s . " G e o r g e d a s h e d
o v e r and sc ra m b le d in to th e b a r r e l . M i l l i e
slammed down th e l i d .
She t u r n e d to f i n d t h e P a rso n s t a n d i n g t h e r e
h i s s to n y e y e s g i v i n g o f f s p a r k s .
The m a in d o o r o p e n e d w id e a n d I r a B e a to n
s te p p e d i n t o t h e room. M i l l i e k i s s e d him.
"T h is i s a s u r p r i s e ., IrOj " sh e s a i d . "I h a v e
been show ing P a r s o n C r a b t r e e t h e l i t t l e p a r l o r .
I s e e no harm i n h i s u s i n g i t f o r a q u i e t m eet
ing., now a n d t h e n j o f p e o p l e i n t e r e s t e d i n h i s
good w o r k s . "
" W h y ----- e r ------- y e s , M i l l i e . , d e a r ., b u t I
am s u r e t h e good P a rso n w i l l h o l d h i s m e e tin g s in
m id—m o r n in g when t h e r e w o n 't be a s many i n t h e
14
He g la n c e d a t t h e t a v e r n k e e p e r a nd s a i d in
a l o u d c a r r y i n g v o ic e :
"Mr. B e a to n , sufi, I am h e r e on G o d 's v i c a r
on e a r t h and no p r e a c h e r w o rth h i s s a l t w i l l u s e
t h i s room f o r w o rsh ip u n t i l y o u r h o u s e i s p u rg e d
o f m o r t a l s i n and s h a m e ."
The c h a t t e r in t h e t a p room slow ed down and
s to p p e d . L aughing, t h e p e o p le crowded to t h e open
door.
He h e s i t a t e d u n t i l t h e y h a d q u i e t e d down.
Tnose who h a d been u n a b l e to g e t to t h e doorway
b a n k e d a r o u n d o u t s i d e , some s t a n d i n g on t i p t o e
to see over th e heads o f th e o th e rs .
"This a f t e r n o o n you t o l d me you k e p t a c le a n
h o u s e , " t h e P a r s o n c o n t i n u e d . "That may be what
y o u t h i n k . " H i s v o i c e r o s e l o u d e r . "I s a y t h a t
t h i s i s a h o u s e o f e v i l t h i n k i n g . The d e v i l and
h i s m in io n s l u r k in a l l t h e s h a d o w s ."
He w a lk e d o v e r and s to o d by t h e b a r r e l .
"Where t h e r e i s e v i l t h i n k i n g t h e r e w i l l be
e v i l d o i n g . " H is to n e o f v o i c e now was m enacing,
a s w ith h i s h a n d on t h e l i d o f t h e b a r r e l J r e said:
■” ou do n o t b e l e i v e me? You want e v id e n c e ? "
He p a u s e d t o l o o k a t t h e s i l e n t , p u z z l e d
p e o p le . The lo n g f i n g e r o f h i s r i g h t hand p o i n t e d
t o t h e b a r r e l l i d 1 ic h w i t h h i s l e f t h e r a i s e d
and g e n t l y thumped back in p l a c e .
"You s h a l l h a v e y o u r e v i d e n c e , f o r t h e s i n
f u l s p i r i t o f t h e d e v i l can h i d e a nyw here. He i s
h i d i n g h e r e in t h i s b a r r e l . " ;
He s n a t c h e d o f f t h e l i d . A g h a s t l y , w h i t e ,
w ild -e y e d .c re a tu re sh o t out o f th e b a r r e l as
th o u g h i m p e l l e d by s p r i n g s . The P a r s o n h a d n ' t
c o u n te d on t h i s w h ite d w r a i t h o f a human.
However, h e p a u se d h a r d l y a sec o n d b e f o r e he
shout ed:
" S a t a n 1 S a t a n ! The g h o s t o f e v i l s i n a n a
shame' 11 H is v o ic e sounded f r a n t i c .
The d e s p e r a t e - f i g u r e , s e e i n g a l l o f those
i n t e r e s t e d p e o p l e c r o w d e d in t h e m ain doorw ay
oodged a r o u n d t h e b a r r e l y a n k e d open th e s e r v i c e
ioox a n d r a n a l o n g b e h i n a t h e b a r t o v / a r d t h e
k i t c h e n d o o r in t h e t a p room. Those in t h e r e a r
saw t h e g h o s t d i s a p p e a r i n t o t h e k i t c h e n . A
woman scream ed *
From t h e k i t c h e n came y e l l s and t h e c o l o r e d
c o o k ' s h i g h - p i t c h e d v o i c e s h r i e k e d : " F o re Gawd
H i t ' s a han't ! "
One o f t h e b i b b l e r s r e e l e d to t h e back w in
dow and f o r e v e r a f t e r w a r d sw ore h e h a d b een in
tim e t o s e e t h e g h a s t l y f i g u r e o f s i n f l o a t o u t
o f t h e k i t c h e n and o v e r t h e y a r d to d i s a p p e a r in
t h e p a l e l i g h t , o f t h e t h i n moon b e f o r e i t h a d
even r e a c h e d t h e woods beyond „
- a r s h b r e a t h i n g o f men a n d t h e h y s t e r i c a l
s o b s o f women b r o k e t h e h e a v y s i l e n c e t h a t f o l
low ed B u dde nly t h e P a r s o n ' s v o i c e c u t t h r o u g h
l i k e a d e a th k n e ll, ° e w alked o v e r to t h e d o o r t o
s t a n a in t h e l i g h t from th e t a p room. As he spoke
h e f e l t t h a t God h a d g iv e n him h i s f o o t h o l d h e r e
a n a who was h e t o a r g u e w ith t h e d i v i n e ways o f
h i s m a ste r? •
The s k e p t i c s w ere a t a d i s a d v a n t a g e and i t
was t o o good a chance f o r t h e s a l v a t i o n o f t h e i r
s i n f u l s o u l s f o r him to p a s s u p . E very w ord h e
hammered home b ro u g h t d e e p e r f e a r t o th e f e a r f u l
t h e d o u b t f u l and t h o s e une a sy a t h e a r t .
W hile p l a y i n g upon t h e i r e m o tio n s a s though
each was a s t i i n g o f a h a r p s i c h o r d he w atched th e
p l a n t e r j G e o ig e M o re la n d . T h e r e was no f e a r in
h r . F o re la n d * s e y e s n o r d i d he wear t h e look o f
a s k e p t i c ; t h e r e was no u n c e r t a i n t y and no d o u b t.
i7
"Thank th e L ord f o r t h a t " j t h e P a r s o n th o u g h t.
"He h a s n ' t m is s e d h i s son y e t . I must g e t o v e r to
him a t r u e u n d e r s t a n d i n g o f th e s i t u a t i o n . "
As f o r t h e m a j o r i t y o f t h e o th e r s ,, h e c o u ld
t e l l by t h e t e n s e lo o k on t h e i r faces., t h e i r deep
c o n c e n t r a t i o n j t h a t th e y n o t o n l y b e l e i v e d in
g h o s ts but th o u g h t they had j u s t seen one.
F o r a s e c o n d he f e l t a r e t u r n i n g , tw in g e o f
c o n s c ie n c e which was f o llo w e d by r e a s o n . Could h e
h e l p i t i f th e y t h o u g h t G eorge Moreland., J r . . , a
r e a l g h o s t? Ghost o r not., i f G eorge w a s n ' t gen
u i n e e v i d e n c e o f e v i l h e ' d s u r e l y do u n t i l some
t h i n g more e v i l came a l o n g . With a c l e a r e d c ons
c i e n c e t h e o l d man p u t e v e r y t h i n g he had i n t o th e
b u s i n e s s a t hand.
H i s d e e p r i c h v o i c e was g o o d f o r e i t h e r
s i n g i n g o r p r a y i n g and h e ch o se p r a y e r now.. J u s t
a s h o r t p r a y e r b u t a p o w e r f u l one; a n d when t h e
"A m en!" s o u n d e d t h r o u g h o u t t h e t a v e r n , p e o p l e
r a i s e d f e a r - s t r i c k e n e y e s t o w onder w hat w ould
h i t them n e x t But t h e P arson, knew he w a s n 't go
i n g t o h i t th a n w ith a n y t h i n g ,
H is v o i c e became c o n v e r s a t i o n a l j f r i e n d l y ,
b u t l i k e any good m o u n ta in s q u i r r e l h u n t e r ., he
was s t i l l c a l l i n g h i s s h o t s
"FolkSj I t h in k th e f i r s t t h i n g t o do now i s
t o th a n k B r o t h e r George M oreland who i s g o in g to
le n d u s te n a c r e s o f c r e e k bottom f o r e s t l a n d f o r
a c am p-m eeting ground. Yes., suh; we c e r t a i n l y do
a p p r e c i a t e h i s k i n d a c t* S o r t o f f e e l l i k e i t ' s
t h e f i r s t s t e p t o k e e p t h a t g h o s t from t a k i n g
some human form we m ig h t a l l know W ill you be
good enough t o say few words.. B r o th e r M o re la n d ? "
"W hy -----a h -------yeSj P a r s o n C r a b tr e e ., " Mr.
M oreland r e p l i e d though t f u l l y j h i s v o i c e a l i t t l e
h o a r s e . " I t m ig h t be p o s s i b l e ; s i r ; y o u ' l l n e e d
48
a s much a s tw e n ty a c r e s . You p i c k y o u r l o c a t i o n
a n d I ' l l h a v e my h a n d s bush o u t c r o a d i n t o t h e
p l a c e , i f y o u w i l l p r e a c h t o th e m o n c e i n a
w h ile-"
"Whyj su h j I ' l l be p r o u d t o a n d t h a n k you
k i n d l y l " The P a r s o n ' s e y e s f i l l e d and h i s v o i c e
choked up a l i t t l e . "My f r i e n d s , t h i s i s a happy.,
m e l t i n g day f o r me. I f e e l t h a t we a r e on t h e way
t o t h e G lo r y o f t h e L o r d and t h e b a n is h m e n t o f
t h e d e v i l . A f t e r B r o th e r Beaton h a s wet o u r w his
t l e s w i t h d r i n k s on t h e h o u s e t h e m u s i c i a n s
s h o u l d g e t b a c k t o work so a s we can a i l do a
1 i t t l e s i n g i n g ."
B r o t h e r B e a to n t o o k o n e lo o k a t t h e many
p e o p l e in t h e t a v e r n and h i s f a c e fro z e * He d i d
n o t lo o k t h e g e n i a l h o s t b u t r a t h e r l i k e a man
who s e e s h i s l i f e ' s b lo o d flo w in g av.-ay
" T h a t'll p le a su re us g re a tly P a rso n ," sa jd
L i l l i e s m i l i n g up a t , h e r husband* "W e 'll show o u r
a p p r e c i a t i o n f o r y o u r good work t h a t w i l l b r i n g
t h o u s a n d s h e r e f o r t h e m e e t i n g s w o n ' t we, I r a
dear? "
A m i r a c l e to o k p l a c e upon t h e h o s t ' s f a c e -
"Thous------ — S i t r i g h t down, f o l k s , and speak up-
J u s t name i t and w e ' l l f e t c h it! "
P a r s o n Aaron C r a b t r e e s i g h e d w i t h r e l i e f ,
mopped h i s brow, and o f f e r e d up a s i l e n t p r a y e r :
"Oh L ord I thank Thee f o r coming t o t h e a i d
o f Thy s o r e l y p r e s s e d s e r v a n t. I th a n k Thee f o r
p u ttin g in to th e s e f o l k 's h e a r ts th e w illin g n e s s
t o a c c e p t Thy m e rc y . Thou h a s t , w ith T h in e i n f i
n i t e wisdom, shown me how to b e g in Thy work and
w ith Thy sword b e s i a e me I am com fo rte d . Oh L ord
"Amen ! "
The End
THE DEVIL
in The
Old Dominion
The B asic
H i s t o r i c a l F a c ts
About th e E a rly
19th Century
R e lig io u s
Si t u a t i o n .
20
o - d a y j t h e r e a r e few p e o p le who w i l l b e l e i v e
A f te r th e p a s s in g of th e s t a t u t e s o f r e l i
g i o u s fre e d o m j a n d t h e d i v o r c i n g o f c h u r c h and
s t a t e , t h e .A nglican C h u rc h , s u f f e r i n g from t h e
t a i n t o f b e in g o f f i c i a l l y English,, was v e r y much
d i s o r g a n i z e d . The a d h e r e n t s o f t h e E p i s c o p a l
f a i t h w ere t r y i n g t o r e b u i l d in th e new o r d e r o f
th in g s., but th e p r e a c h e r s o f th e E v a n g e lic a l
T hree d i d n o t o f f e r th e n a id j com fort and a d v ic e .
They w ere o f t h e o p i n i o n t h a t th e c o u n t r y yrauld
be b e t t e r o f f i f t h e former members o f t h e Church
of England became members in good s t a n d i n g o f th e
M e th o d is t B a p t i s t o r P r e s b y t e r i a n denom inations"
They a c t e d a c c o r d i n g l y a n d w ent a b o u t c h a s i n g
down t h e E p is c o p a l s a n s w ith a s much f i e r y z e a l a s
they fought t h e d e v i l . In some r e l i g i o u s minds i t
a l l seamed to be t h e same cha se .
The 4b th C e n t u r y was u s h e r e d in w i t h s i n
im a g in e d in e v e r y form from h a r d - h o o v e d j t a i l -
w a g g in g d e v i l s l u r k i n g b e h i n d e a c h bush t o t h e
i n t e r p r e t a t i o n o f p a s s i n g c lo u d shadows a s e v i l
t h in k in g .
T h e r e was some t r u t h in i t a l l The m o r a le
and m o r a l s o f t h e c o u n tr y h a d dro p p e d decide-. '
For a l l o f our b i g t a l k we w ere a l i t t l e new no
t i o n c h a r r i n g an u n c e r t a i n course* we were b l u s
t e r i n g and a f r a i d . A ll o f t h i s was a g r e a t a i d to
t h e d e v i l whom some o f t h e more s u p e r s t i t i o u s
t h o u g h t h a d t a k e n t h e e a r t h l y form o f Thomas
Jefferson.
E ver s i n c e t h e R e v o lu tio n t h e t h r e e grow ing
. E v a n g e lic a l D e n o m in a tio n s h a d r e a l i z e d t h e n e e d
f o r t h e r e v i v a l o f r e l i g i o u s f e e l i n g in t h e
c o u n t r y . O f t e n t h e t h r e e h e l d j o i n t m e e t i n g s to
p r e s e n t a s t r o n g f r o n t a g a i n s t t h e i r common ene
m ie s. They o b t a i n e d c o n v e r ts but th e y ware h a n d i -
c a p e d by n o t b e i n g a b l e to r e a c h enough p e o p l e .
22
c i r c u l a t i o n and tu rn e d in to th e l o c a l p a s tu r e s
o f t h i s county.
T h is becam e a p ro b le m to t h e M e t h o d i s t
C h u r c h a u t h o r i t i e s . How c o u l d t h e y c o n t i n u e to
f i g h t t h e d e v i l and s i n V irg in ia i f th e ir best
b a c h e l o r o r a t o r s , th o u g h p r o o f a g a i n s t th e
f e m i n i n e w i l e s in t h e r e s t o f t h e c o u n t r y , su c
cumbed in t h i s c o u n ty ? F i n a l l y th e y a r r i v e d a t
t h e o n e p o s s i b l e s o l u t i o n . They ro u n d e d up some
o f t h e i r o l d e s t o r a t o r s ----- men t i m e - t e s t e d in
a v o id in g th e s u b t l e a t t r a c t i o n s of fem in in e
w o r s h ip p e r s .
T h a t t h e r e i s no monument t o t h e l a d i e s o f
t h i s c o u n ty commemorating t h e i r s u c c e s s in c ap
t u r i n g and m a r r y in g t h e s e o l d e s t M e th o d is t m in is
t e r s i s c h a r a c t e r i s t i c o f V i r g i n i a m odesty in
f a i l i n g t o p r e s e r v e a c h ie v e m e n ts .
L i f e was p a r t i c u l a r l y h a r d in th o s e days fo r
t h e i t i n e r a n t , camp m e e t i n g s p e c i a l i s t s a n d t h e
c i r c u i t r i d e r s . K eeping t h e i r com mittments in a l l
k i n d s o f w e a th e r was a j o b t h a t r e g u i r e d s t r e n g t h
o f m in d a n d b o d y , e n e r g y a n d f a i t h . They r o d e
t h e i r h o r s e s t o d e a t h a n d h a d t o c o n t i n u e on
f o o t . They w ere o f t e n h u n g ry a n d c o l d . They h a d
t o p a r r y i n s u l t s w i t h t h e im p io u s; a n d s t r u g g l e
t o e s t a b l i s h i n t e r e s t in s e c t i o n s t h a t gave th a n
t h e c o l d s h o u ld e r s i f n o t a c t u a l h a r d r o c k s .
They h a d t o be q u i c k t o t u r n d i s a d v a n t a g e
i n t o a d v a n ta g e . I n t h i s book t h e l e a d o f f s t o r y ,
• "God and t h e Qnost" i s ba se d upon an in e c iie n t t h a t
a c t u a l l y h a p p e n e d in a n o t h e r t a v e r n in a n e a r b y
c o u n ty ." T h e Two-Edged S w o rd " is a l s o b a se d upon
fa c tu a l records.
With an e y e f o r t h e m ain c h a n c e i t was n o t
u n u s u a l , e s p e c i a l l y b e f o r e a nd a ro u n d 1800, f o r a
p r e a c h e r to a r r i v e a t a t a v e r n on S a tu r d a y n i g h t .
37
when a d a n c e was s c h e d u le d . They h a v e been kno^/n
t o e n t e r i n t o t h e fun., f r o l i c a n d h i t a s h o t a
buck in t h e s q u a r e d a n c i n g a s any o n e e l s e . Then
a t t h e p s y c h o l o g i c a l momenti d u r i n g a m u sic break
o r som ething., l e a d them i n t o a r y t h m i c hymn and
em otion s t i r r i n g p r a y e r ----- t h e ta v e r n t e m p o r a r i
l y b e c a m e a c h a p e l a n d t h e fun., f r o l i c a n d
d r i n k i n g was o v e r f o r t h e ev e n in g .
As h e r e t o f o r e in tim a te d ., t h e m e n ta l h o r iz o n
o f many o f t h e s e men may h a v e been l i m i t e d ., b u t
th e y had s t r e n g t h o f c h a r a c t e r , s p i r i t and a l o v e
o f God t h a t seems be yond b e l i e f now. R e g a r d l e s s
o f t h e m e th o d s th e y u s e d th e y a c h i e v e d t h e g o a l
o f im p r o v in g t h e m o ra lS j m anners and r e l i g i o n o f
th e - c o u n tr y . Oar n a t i o n i s b e t t e r o f f f o r t h e i r
h a v in g l i v e d and c h a s e d th e d e v i l .
•They h a v e g i v e n a r i c h t o n e t o o u r h i s t o r y
i f we d i d b u t know i t . T h e r e i s much i n th is
h i s t o r y t h a t we may soon n eed.
The End
REFERENCE
W i l l i a m B. B e n n e t t ’ s M e m o r i a l s i n M e th o d is m ,
R ichm ond, 1871
L o r e n z o Dow, B e a r e r o f The Word,
By C h a r l e s Coleman S e l l e r s , M i n t o n - B a l c h & Co.
P e g g y Dow’ s J o u r n a l ,
The J o u r n a l o f L o r e n z o Dow, Bound Works, 1881
D ia ry o f John E a rly . B e g i n n i n g i n Vol. 33 Va. Mag.
o f H i s t o r y and r u n n i n g i n s e r i e s through 8
v o lu m e s.
B io g rap h ical S k e tc h o f B ishop Jo h n E a r l y
By R i v e s C h i l d s , K a n dolph-M ac on H i s . P a p e r s .
A M e t h o d i s t S a i n t , L i f e o f B i s h o p Asbury
By H e r b e r t A s b u r y , K n o l f , 1927
38
Rev. W i l l i a m H e n r y P 'o o t e ’ s S k e t c h e s o f V i r g i n i a , 2nd
S eries, P h ilad e lp h ia , 1856-
Peak s. o f O t t e r P r e s b y t e r i a n C hurch, s e e a b o v e and
12 Va. 417.
A S k e tc h H i s t o r y o f H at C reek ( P r e s b y t e r i a n ) Church,
1742-1854, By W i l l i a m I r v i n .
H i s t o r y o f th e 1 s t P r e s b y t e r i a n Church o f L ynchburg,
By Mary E l i z a b e t h K i n n i e r B r a t t o n .
R e co llec tio n s o f a L o n g L ife , Je re m ia h B ell J e t e r ,
. Hi chmond, 1891
L i f e o f J . B. J e t e r , by W i l l i a m H. H a t c h e r ,
B a l t i m o r e , 1886
The Two P a r s o n s , by G e o r g e Wythe M u n fo rd , Richmond.
H i s t o r y o f The R i s e . a n d P r o g r e s s o f t h e B a p t i s t s In
V irg in ia , by R o b e r t H. S e m ple , Richm ond, 1810.
The V i r g i n i a B a p t i s t P r e a c h e r s , By Jam es B. T a y l o r .
T h i s work i s i n s e r i e s : R ichm ond, 1838, P h i l a
d e lp h ia , 1859, e tc .
F o r m ore p a r t i c u l a r d o c u m e n t a t i o n r e f e r e n c e is
h e r e b y made t o t h e D o c u m e n t a t i o n S e c t i o n o f P i e d m o n t
A p o c a l y p s e by t h i s w r i t e r .
THE
TWO-EDGED
SWORD
A S to ry
F i c t i o n on F a c t
Lyn c h b u r g
& B edford
Coun t y
1813
40
\ \ a r t h a S t . J o h n was s t i r r e d by t h e l o v e l y
Jf \m au v e l i g h t s t e a l i n g o v e r th e V i r g i n i a
Piedmont h i l l s in t h e l a t e O c to b e r a f t e r n o o n . The
m o u n ta in s beyond had a c o l d e r look which t o l d h e r
p l a i n l y t h a t th e y e llo w c h e s tn u t le a v e s had
f a l l e n a n d t h e o a k s w e r e brown i n s t e a d o f r e d
o r b r o n z e . M a r t h a ' s home was f u r t h e r up t h e
Jam es River., c l o s e r to t h e m o u n t a i n s .
Of c ourse., s h e c o u l d s p e n d t h e w i n t e r h e r e
i n L y n c h b u r g w i t h h e r u n c l e . T h a t w ould be m ore
fun b e c a u s e many o f t h e men h a d n o t y e t l e f t f o r
t h e f i g h t i n g in t h i s se c o n d war w i t h E n g la n d .
She s i g h e d . T h a t w ould n o t be f a i r to h e r
fa th e r ., e s p e c i a l l y as sh e was o n l y now r e t u r n i n g
from s i x m onths o f b a lls., fun and f r o l i c in P h i l a
d e l p h i a . , W a s h in g to n City., and Richmond. I t h a d
been an e x p e n s iv e t r i p and M artha knew h e r f a t h e r
was worried., what w ith t h e war and t h e bad grow-
41
i n g se a so n t h i s y e a r . T hat meant v e ry l i t t l e t o
bacco money.
She g l a n c e d a t t h e n e c k l a c e i n h e r h a n d .
That too r e p r e s e n t e d t h e to b a c c o money o f two men
in t h e Army. I t was a l s o p r o o f o f h e r p e r s u a s i v e
pow e rs. R ecently., H enry H a r r i s o n and James Ken-
n e r l e y had p a i d h e r a g r e a t d e a l o f a t t e n t i o n in
Richm ond. So much t h a t b e f o r e s h e r e a l i z e d i t
th e y w ere w e ll i n t o t h e formal p r e p e r a t i o n s f o r a
d u e l . M a r th a h a d g l a d l y r i s k e d b e i n g c o n s i d e r e d
u n c o n v e n tio n a l to p u t a s t o p to i t . She c o n v in c e a
them th e y w e re i n u n i f o r m t o f i g h t t o s a v e o u r
s h o r e s from B r i t i s h i n v a s i o n r a t h e r than s h o o t i n g
a t each o t h e r o v e r h e r . They c o o le d down., c h ip p e d
i n and bou g h t h e r t h e n e c k l a c e . Though h e r d a r k
. l o v e l i n e s s d i d n o t n e e d su c h e m b e l l i s h m e n t sh e
was p r o u d o f t h i s g i f t .
M a rth a t u r n e d from t h e window and i t s v ie w
o f t h e town., r i v e r a n d t h e h i l l s a n d to o k t h e
l i t t l e b la c k r i d i n g cap from h e r deep brown c u r l s .
Though t a l l f o r a g i r l h e r movements a s sh e b e n t
down t o l i g h t a k i n d l e r from t h e open f i r e w ere
q u ic k and g r a c e f u l . In th e c a n d l e - l i g h t h e r d a rk
e y e s seemed r a t h e r w i d e - s p a c e d a b o v e h e r th in .,
s l i g h t l y - a r c h e d n o s e . The b la c k boots., th e snug-
f i t t i n g r i d i n g h a b it., b la c k w ith gold f r o g s on t h e
cloak., were becoming to h e r .
She h e a r d t h e f r o n t d o o r th u d s h u t and was
g l a d she had w a i t e d t o g r e e t U ncle George b e f o r e
g o in g u p s t a i r s t o c h a n g e h e r c l o t h e s .
The n e x t m o m e n t a d eep., v i b r a n t v o i c e
c a l l e d from t h e h a l l :
" I s God in t h i s h o u s e ? "
"Vhc on e a r t h ? " sh e s a i d a lo u d j s t a r t l e d .
Again t h e voice., l o u d e r : " I s t h e r e r e l i g i o n
in th is , home?"
42
As M a r th a s t a r t e d tow ard t h e l i b r a r y d o o r ,
i t swung w i d e . A l a r g e j b l o n d man p r a c t i c a l l y
f i l l e d t h e doorway. H is b u f f b r e e c h e s w ere o f ex
c e l l e n t q u a l i t y a s was h i s d a r k blue,, w e l l - c u t
c o at.
"Come i n j s i r ., " s a i d M a r th a , p l e a s e d w i t h
w hat s h e saw.
"Young l a d y j I a s k e d a q u e s t i o n . Does God
d w e l l i n t h i s hom e?" He s p o k e m ore s o f t l y now.
M a rth a was b o th i n t e r e s t e d and p u z z l e d by a
man w h o s e s p e e c h a n d a c t i o n s w e r e t h o s e o f a
t r a v e l l i n g p r e a c h e r y e t w hose l o o k s a n d d r e s s
i n d i c a t e d a g e n t l e m a n o f m e a n s.
"I d o n ' t t h i n k we a r e u n g o d l y h e r e j " s h e
r e p l i e d , i r r i t a t e d a t h i s a u d a c i t y . "W ouldn't i t
be m ore f i t t i n g . , s ir ., to u s e t h e d o o r k n o c k e r
f i r s t to p r e p a r e p e o p le fo r y o u r v i s i t ? "
The y o u n g man w as p l a i n l y d i s c o n c e r t e d .
"Why s u r e l y you know a man o f God h a s t h e r i g h t
o f e n t r y anyw here! " He sp o k e q u i e t l y a s h e came
o v e r a n d l o o k e d i n t e n t l y i n t o h e r e y e s . "You
h a v e th e lo o k o f a l a d y h i g h l y b o m . I wonder i f
y o u r e y e s show t h e g u i l t o f a s i n n e r o r an
u n b e l i e v e r? "
As w e l l s c h o o l e d a s M a rth a was in h a n d l i n g
c o n v e r s a t i o n w i t h men she c o u ld o n l y s t a r e back
a t him a s t o n i s h e d . P r e a c h e r o r no p r e a c h e r t h i s
handsome gentlem an was e i t h e r c r a z y o r drunk.
He c o n t i n u e d : "What r e l i g i o n do you f o llo w ,
ma'm? "
"Why ----- why my p e o p l e h a v e a l w a y s b e e n
Epi s c o p a l e a n . "
"You w i l l f i n d o n l y c o l d c o m f o r t i n t h a t
r e l i g i o n ! " h e s a i d e m p h a t i c a l l y . Then h i s v o i c e
became low a n d p l e a d i n g . "You r e a l l y s h o u l d a sk
t o b e s a v e d a n d know t h e j o y s o f b e c o m i n g a
43
I n h e r own be droom a t P i v e r h i l l a t l a s t j
M artha S t . John t u r n e d o v e r i n h e r mind t h e f u r
t h e r c o n t r a s t i n g in fo rm a tio n she had g a th e re d
a b o u t t h e young p r e a c h e r .
A dozen t im e s s i n c e y e s t e r d a y a f t e r n o o n she
h a d t o l d h e r s e l f s h e h a t e d hiirij d e s p i s e d him f o r
t h e b r a s s y b r u t e h e ' w a s . A dozen t i m e s m ore a
p iq u e d c u r i o s i t y had ask ed a dozen d i s c r e e t
q u e s t i o n s and r e c e i v e d many a nsw ers:
T h is m orning when h e r f a t h e r met h e r a t t h e
b i g g a t e on t h e e d g e o f t h e i r own f o r e s t s h e
c o u l d h a r d l y w a i t f o r o l d M e d d ie t o t r o t h i s
h o r s e o u t o f e a r s h o t b e f o r e q u e s t i o n i n g him.
H is f a c e had w r in k le d i n t o a m is c h ie v o u s
g rin :
45
He lo o k e d a t h e r a n d s a i d h e s i t a n t l y . , s o f t l y :
"I d i d n o t mean t o be c r u e l t o th e h o r s e . I
j u s t d i d n ' t t h in k o f him. M y -----my th o u g h ts were
e ls e w h e r e . M y -----my th o u g h ts were on yoUj I 11
"How c o u l d t h e y be? Y o u 'v e o n l y s e e n me
o n c e b e f o r e . " M a rth a w ondered why sh e s a i d t h i s .
I t was so o b v io u s and t r i t e .
She l o o k e d a t him w i t h what h e t h o u g h t was
t h e f r a n k ; l e v e l g l a n c e o f a woman e x p e c t i n g an
a n s w e r t o a q u e s t i o n . A c t u a l l y i t was a woman
w a i t i n g b r e a t h l e s s l y f o r h i s n e x t words.
That he was now shy made M artha more s u r e o f
h e r s e l f ; gave back some o f h e r l o s t s e l f - c o n f i
d e n c e . He was i l l - a t - e a s e i n t h e s t i f f s t r a i g h t
b a c k e d c h a i r h e h a d s e l e c t e d . M a r th a f e l t t h i s
b e s t f o r t h e moment; s h e c o u l d watch t h e c a n d l e
l i g h t f l i c k e r o v e r h i s f a c e w h i l e h e r f a c e was
m o r e i n t h e shadow . B ut t h e g i r l h a d - f b r g o t te n
t h e f i r e l i g h t t h a t g a v e a glow t o h e r e y e s a n d
b r o u g h t o u t t h e warm t o n e s o f h e r e b a r e arms and
t h r o a t above t h e lo w - c u t gown.
"That once was enough to show m eyour w o r ld -
lin e s S ; your n eed f o r rep en tan ce; " he s a id f i n
a l l y . "What a l o v e l y woman you w ould be i f you
w o u ld a c c e p t t h e l o v e o f God a n d d e d i c a t e y o u r
l i f e t o Him! Oh what work we c o u ld do t o g e t h e r in
H is V ineyard! "
He l o o k e d a t h e r a n d h i s w hole s o u l s e a n e d
to p l e a d w ith h e r th ro u g h h i s b lu e e y e s.
She d i d n o t show h e r l e t - d o w n f e e l i n g ; b u t
t h i s was c e r t a i n l y t h e u n e x p e c t e d . I f t h i s was
lo v e - m a k in g i t was beyond h e r v a r i e d e x p e r i e n c e .
But i t d i d n ' t l e s s e n t h e d e s i r e t h a t had r e t u r n e d
t o p la g u e h e r . The P a r s o n ' s u n u su a l method c a u se d
a t e a s i n g imp w i t h i n h e r t o w h i s p e r i d e a s f o r
unusual r e p l i e s .
55
".Do,! h a v e t o be a M e th o d is t to be l o v e l y
S i r ? Why c a n ' t I j u s t s t a y an E p i s c o p a l e a n , o r
b e c o m e a P r e s b y t e r i a n , a n d s t i l l k e e p a few
f e m in in e a t t r a c t i o n s ? "
She l e a n e d a g a i n s t th e back o f t h e s o f a and
th a s o f t l i g h t f e l l upon th e c u rv e of h e r
b reasts.
I n f u r i a t e d h e j u m p e d t o h i s f e e t . The
h e s i t a n t boy who h a d been t r y i n g to speak o f lo v e
gave way to t h e m i l i t a n t p a r s o n .
"You a r e n ' t l o v e l y now. You f l a u n t t h e e v i
dence o f y o u r s i n by t h e s c a n t y c l o t h e s you wear.
The d e v i l h a s c o n t r o l o f y o u , m a k in g you tempt,
men w ith h i d e o u s p a s s i o n . Y o u -----you tempt j e s s '
Ch Godj have mercy upon me! Keep me from, t h i n k i n g
e v i l ! Cuench t h e f i r e s o f t h e f l e s h and t h e de
s i r e s t h a t s o r e b e s e t Thy hum ble s e r v a n t ! D riv e
away from t h i s woman t h e e v i l t h a t h a s t a k e n
p o s s e s s i o n o f h e r and c l o t h e h e r in r ig h te o u s n e s s !
Oh God Above, g u i d e h e r t o b e l i e f i n C h rist,
o u r R ed e e m e r, a n d s a v e h e r from t h e p a t h down
she h a s s t a r t e d 1"
James, h i s v o i c e h o a r s e ,w a s n e a r c r y i n g now.
When h e came t o a b e w i l d e r e d p a u s e , M a rth a
said q u ie tly :
"My God i s an u n d e r s t a n d i n g God. He knows
t h a t i f two young p e o p le meet and f i n d th e m se lv e s
a t t r a c t e d to e a c h o t h e r i t i s n o t in i t s e l f
s i n f u l . I f ----- i f c e r t a i n t h o u g h t s a n d d e s i r e s
t r a n s p i r e in o ne f o r t h e o t h e r . My God d o e s n o t
say t h e o t h e r i s a t f a u l t , i s s i n f u l . "
H er v o i c e sunk t o a w h i s p e r a s she c o n t i n
u e d on: "He d o e s n o t c a u s e me t o f i n d an e x c u s e ,
on which to blame t h i s d e s i r e . My God i s lo v e and
mercy, f o r g i v e n e s s a n d u n d e r s t a n d i n g . He d o e s n ' t
t r y t o f r i g h t e n me w ith t h r e a t s o f th e d e v i l ana
56
th e f i r e s of h e ll because of th e l i t t l e th in g s
t h a t a r e n ' t s i n s b u tj maybe., j u s t m i s u n d e r s t a n d
i n g s . H i s l o v i n g k i n d n e s s shows me w here I h a v e
been wrongj j u s t a s He i s showing me t h i s moment.
J u s t a s ------------- "
"Stop! Blasphemy! You p r o f a n e t h e name o f
God! Who a r e you t o say t h e s e th in g s ? What do you
know o f H i s k i n d n e s s and m e rc y j you who a r e o f
t h e p i t ? You who can be s a v e d o n ly by f a l l i n g a t
t h e f e e t o f t h e B l e s s e d S a v io u r a n d b e g g in g f o r
m e rc y ; b e g g i n g f o r t h e r i g h t t o r e p e n t a n d a s k
f o r f o r g i v e n e s s o f y o u r s i n s ! U n t i l you dOj t h i s
i s a house o f h e l l in which I w i l l n o t s t a y . "
He s to rm e d o u t o f t h e room l e a v i n g t h e g i r l
s t a r i n g a t t h e f l i c k e r i n g flam es o f th e f i r e .
As t h e o u t e r d o o r slammed., M a rth a S t . John
f e l t a w i l d e l a t i o n . G r i e f James h a d by h i s v e r y
w ords a n d a c t s a d m i t t e d h i s l o v e . He w ould come
bac k . He w o u l d ' t e l l h i m s e l f - t h a t i t was t o con
v e r t her., t o sa v e h e r so u l; but h e would ccme.
From o u t o f d o o r s came t h e r a p i d h o o f - b e a t s
o f a , g a l l o p i n g h o r s e . As t h e sound became f a i n t e r
i t c a r r i e d away w ith i t h e r e l a t i o n .
" P o o r ■h o r s e ! " sh e muimuredj r i s i n g . Then., a
moment l a t e r . , a s s h e saw b e y o n d t i m e a n d t h e
y e a r s : "And poorj p o o r me1 "
The End.