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Alireza Motevaseli

April 2016

piece for
4 Timpanies SOLO
Abbreviations:
get to the highest note as much as possible while gliss up .

get to the lowest note as much as possible while gliss down

poco a poco getting fast the rhythm in the figure as much as possible

poco a poco getting slow the rhythm in the figure as much as possible

New Technique suggested by me:


get the mallet in hand from the center of it like a Flip -Flop
raise your hand up to the center area of drum and start to trill
you see both side of mallet wool and wood contact with the surface
it can cuase that you hear both sound ,soft and hard sound by mixing
this 2 diffrent kind of mallet in the same time with the same mallet in just one hand

play on the sides of selected drum ,each one you desire ,there is no diffrence
duration about 1' a Piece for 4 Timpanies (solo)
Alireza Motevaseli


Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
April 2016
e=144 e=e + G.P.
> > >> > > > <
? 5 œ#œ œbœ œ 6 œœbœ#œ >œ œ>œ œ>œ 5 b!> gli 1 3

s.
8 8 8 2
s
>
Timpanies
E Bb G# D J
f sfz fff

molto accel.
h=60
> > > >>
j
? 3 œ œ œ bœ #œ œ œ bœœ œ œœ#œ œ b‰œ œ œ œ œ#œœ œ œ œ œ œ#œ
?
5

Timp. 2 Œ Œ Ó Œ ‰ Œ ‰
niente p cresc.

<
? œœœbœ#œœbœœœœbœœœœœœœ#œœœœœœœœœ œœbœœœ#œœœœœbœœœœœœœœ#œœœœœœœœœ 2
8

Timp.
Œ ‰ Œ ‰ Œ ‰ Œ ‰ Œ ‰J 4
fff


? 2 >œ œ œbœ 5 ‰ >œ œ œbœ ‰ ‰ œ œbœ 3 ‰ œ œ#œ œbœ œ ˙˙Y ™™ >Y
? >>*
˙˙ ™™
> > >
10 sempre marcato

Timp. 4 >>8 >> J >> 4 J


più p mf

>Y >Y +
? b#˙˙ ™™ ˙ ™™ 5 >¿ ¿ ¿ ¿ ¿ ‰ >¿ 7 ‰ >¿ ‰ ¿ >¿ >¿ ¿ ‰ 5
15 G.P. play on the timapni sides

-
∑ 8
Timp. ˙ gliss. J 8 8
f
>
? 5 ‰ ¿ ¿ >¿ ¿ ¿ >¿ 3 œ œ >œ bœ#œ >œ œ œ >œ bœ#œ œ œ œ
?
20 G.P.
Timp. 8 ∑ 8
nienteppp

√™ √ 
> > > >
? œbœ#œbœœ œ œ œbœ#œ œ œ œœ œœbœ#œbœœ œ œ bœœJ œ ≈ œJ œ ≈ -
#œ 1 ™
25
œ œ
‰ ≈J ≈ ≈J ‰ R R≈≈J ≈
gliss.
gliss.

Timp.
> > > > > >
fff sfzfff

Copyright © 2016 April

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