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Unisoni Trasparenti

Ofer Pelz
Flute, Clarinet, Bassoon, Violin, Violoncello & Electronics

Commissioned by Meitar Ensemble


Ensemble
There are some events that are stopping the samples or generating a real
Flute time effect on the clarinet.
Clarinet in Bb
Bassoon The dynamics in the score are intentional dynamics and not the absolute
Violin result. This is especially important in some special playing technics, as
Violoncello molto flautando; if a Forte is written, the player should move the bow
Electronics (Max concert Patch) quicker but the absolute result is soft.

Notes Duration: 14 minutes Ca

Symbols in score
The Electronic part should be played in a volume that is balanced with
the ensemble. Once the volume of the electronics is fixed, it should not be General
changed during the performance, because in the samples themselves there
are volume changes from to , but in the other hand a technician Crescendo da niente; Diminuendo al niente
should control the balance of the ensemble and the electronics. The
clarinet should be separately connected to the computer using the Max Expressive Crescendo in its end
Patch as he is the only treated in real time.
The ensemble should be very lightly amplified in a way that the Gradual progression from one playing mode to
electronics and the ensemble are in balance and coming out from the same another (in those examples; from Sul tasto to Sul
speakers. The ensemble should know the soundtrack so that they can use ponticello and from a pitch to air sound).
cues from the samples that are marked in the score.
The Max/Msp Patch provided should be uploaded with the samples given, ; accelerando ; rallentando
in an increasing order. The samples should be played one after the other. A
technician, that is familiar with the score, activates the samples and takes , , etc. Vibrato types e.g. Very slow, fast
cues or gives them. The samples are marked by- [1-39.3‘] ,[ 2-1:13.1‘]
etc. In this manner the first number refers to the sample should be # quater tone higher; # quater tone lower; b quater
activated, and the second number after the hyphen for the duration of the tone higher
sample. For example – sample no. 1 is 39 seconds, sample no. 2 is 1
minute and 13 seconds and so on. Some of the samples are over lapping Fast tremolo (woodwinds - flatterzung)
each other.
The electronic part is written in score, at some cases accurately and at
others only as signs or entry marks.
Strings The highest possible note. The finger should
nearly press the bridge. Not a defined pitch and a
relatively soft result.
Press half way the string. (as in natural
harmonics) In some cases it creates a natural Son écrasé - the bow is pressing extremely hard
harmonic and in others a noise. The string number with a slow movement. One should hear the hair
is indicated. sound of the bow and not a pitch.

Artificial harmonic that only produces noise and Woodwinds


not a pitch (when it is written normally, it does
obviously produce harmonics) Air sound

In combination with molto flaut. The player is Pitch mixed with air sound
doing a squared motion with the bow; molto SP
and then slides to a molto ST position. The result Slap tongue (cl.); pizz. (fl.)
is nearly without any pitch.
Play and sing (fl.). (importance which note)
Flaut. There is a distinction between a “normal”
Molto flaut. flautando and molto flautando. In the second the Key slaps
bow is extremely light, barely touches the
string.
T.ram (fl.)
Bartok pizz. with completely chocked strings.

Multiphonics (cl. , bsn.) the fingering is indicated.


Flute sound - molto sul tasto - the bow is close to
the left hand on the neck. (Can be performed only
on the II and the III strings.) Multiphonic with moving fundamental (fl.)

Jumping Con legno battuto. Naturally bounce the


wooden side of the bow on the string. Jet whistle (fl.)
Unisoni Trasparenti
Full Score 1
!A "
! q= ca. 120 !
! ( ( ( ( ( ( (
Flute '
$ % $
.-$ $ 0 .-$ $ -$ $ 0 0 $ -$ $ .-$ -$ $ -$ -$ 0 . &$ (blow $ .$ $ $ .$ $ $ $ .$ .$ $ $
)

/& & & & & & & & & & 1 ' &/& 0 & & & & 0 0 & & & & & & & 0 &/& & & 0 & 0 0 & - -$ 0 - -$ 0 /-$ - -$ 0 0 -$ - -$ - -$ - -$ - -$ 0 0/-$ - -$ 1 -$ - -$ 1 -$ -$ - -$ - /-$ - 0
) (blow noise+pitch) )
.
noise)
. . . .
' /- - - - - -
N 1
. . . . . . .
Clarinet in Bb
s.t. . - - 3 3 3 3
f p pp
2
*
"
f sf pp

Bassoon ( ( ( ( ( ( (
! ( ( ( ( ( ( (
Violin '

*
Violoncello
" ( ( ( ( ( ( (
15'
( ( ( ( (
electronics +

! # ! $ ! &
! ! ! % ! !
! ,
4'
,
1 &/& & & 1
8

Fl. ' ( ( ( ( ( ( ( 5 ( 4 ( (

.- - ' :
f

0/-$ -$ -$ -$ -$ -$ -$ -$ -$ -$ .-$ -$ -$ -$ - 1 /3 '


8.- / .-
', 0/-/- 0 -8- 8- /-/- 1 1 ' 1 ' 8- 06- - 08- 1 - 1 ' - - 1'
. . . .-
7, . -6-8-(7 -
- - &'
' -1 4 9 - - - -6- - - 4
/ -
# f.
( - - 8- .
Cl.
- - 6- - /-
7
f f . fpp f ppp mf

4'
mf

* , ,
Bsn.
" ( ( ( ( ( ( ( 5 ( ( ( (

! ,
)
! III" ,
' ( ( ( ( 4 5 ; ;' 5 ( ( ( (
!
Vln.
mf

4' 1'
* , , /pizz.
- 1
Vc.
" ( ( ( ( ( ( ( 5 ( 4 ( (
pp

1 & /& & &


,
)
,
2'

( ( ( ( ( 5 ;
6'
5 ( 4 (
elc. +

2 3
Full Score 3

" ! " < (blow noise) !


! ! ! % . / & . / & .$ (blow
$ $ $ .-$ $ $ $ $ !
! & & 8&/& - /- - 8-
noise+pitch)
20
/ 8- /- - -
Fl. ' ( ( ( ( ( 0 0 0

3$ / .- - / - - -6- / .- 8 - / - 8.-6-8 - / - - 8-/ .- - 6-6.-8- .- / - - / - -/ .- 8 - 6- 8.-6-8-6- .- / - - / .- - / - 8.- / - - -/ .- 8 - / - -


f

5 6,6, ,8, 1 (
69
mf
/- - 6-8-6- - 6 - 8 - . - 6- 6-
Cl. ' 0 0- 0 0 0 0 0 0 0 0 0
fp mf cresc.
f
*
"
Bsn. ( ( ( ( ( (

! + ) ;
molto flaut.
ST
( ( ( ( (
(I

Vln. '
p f

*
Vc.
" ( ( ( ( ( (

elc. + 8' 5' 5' 7'

4 5

! # !
! ! !
sing and play sing and play

!
.- 6-8-
-" -"6-"-"1 ' 6-8-"6-" -"6-" 8-" -"/-" '
26 N
( ( ( 4 0 5 ( -1 5 4
N
Fl. '
. . . . .
' '
' - 6-:6- '
$ % .- 8 - / - - .8 - / - - . 7 .- 8 - / - - / -
f
$
f cresc.
$ / / 7 6- 8 - / - 8 -
1'
- ( - -
$ $ $ $ $ $ $ $ $ $ $ $ $00
) )
- 6- (
-6- 8-6- -/ - 6- 8- - 6- - 8-
/-$ 8- -$ - -$ .- -$ - -$ - -$ - -$ & & & &/& & & $ -$ -$ - -$ - -$ - -$ .- -$ - /-$ - - - -
6 -
Cl. ' 0 0 0 -: 1 0 -: 0 8-: 6- 0 -: 1
.
fp
. .p . . . . f
f cresc.

*
Bsn.
" ( ( ( ( ( ( (

! ( ( ( ( ( ( (
Vln. '
.6 ; ; .; ; . ; ; .; ; 6 ; . ; ; . ; ; . ; .; ;
flaut.

;6 ; ;
ST
! I" SP

* ; ; ; ; ; ; ; ; ; ; ;; ; ; ; ;
arco

" 05 ( ( ( (
!
Vc.
p f
-2' - - -- -10' - - -
( ( 5 1 5 5 5
elc.
+ -
6 7
4 Full Score

.- ' -'gliss, & ! &>&


! /-' - ! ! . !??%
$
.
B
' 08- 1 6- 1 1 -"0 1 ' /-" 8- - 1 4 1 ' 6- -' 0$A$A/$A /& '
33
-- . T.ram

Fl. ' - 1 1 -05 06- 1 ( 5 5 5 1 /- - - 0 5 BBB 1 5 1


. . "
. . . . . 8 $: B
' 8- '
,. .
-7 6 9
f
p p f f p
6 - 6 - 8 - - 6 -
mf

- /- - - - / - -'
0 -' - -:6- 1 6- &
:0 : : 8-: 6- - 1 4 - 6- - .
Cl. '
:
- 0 8- / - :
- / :
- 8- ( B B/B B : 6- -8- - 5 ( 0 -' C1 5 1-1
f
-
f

6- &
fp f f
mp f

1' 5'
,
3

* -
Bsn.
" ( ( ( ( ( ( 5 5 1 -6- ( 5

!
1' 1 '' 1 -- 1 ! III-"
6-:
mf
, -
mp arco
pizz. pizz. pizz. arco

Vln. ' ( 5 1 -: 5 ( ( ( 5 1 6- 6- 5 5 5 - -' 5 1 - D 01


C
4
-: 6 -: f mf f
p
f
mf f

5 1 '' #- 1 5 4'
, 6- ;'
pizz.
arco flaut
*
pizz.

"
( ( 4 ( ( ( 5 4 5 @ 1 ! I"
pizz.

#
-
Vc.
f f f p

5 5 5
6' 9'
elc.
+ 6'

8 9 10

! $ % $
% $ &
! $ !
! 6-: ' /-$/-$ -$ -$ -$ -$ -$ -$ & & & & 5 $ $$ $
) )

/&/& & & & & & & /&/& & & & -$ - -$ .- - -$ 0 -$ - -$ 0 5
6.- - - 6- &
42
/- -E E- 0 4
Fl. ' 6- - : - 4 .
4 5
6-
5
. pp . . . . .
! !%
/ -: '
$
f ff p f

$ $ $ $ $ $ $ $ $ $ $ $ $
f mf f
$

/-$ - -$ - -$ - - -$ - -$ - -$ - -$ - - /-$ 0 - -$ - -$ - - & & & & & & & & /& & & & & & & & & & & 0 5
-:
)
. . . - -6- 0 5 6-
' /- - - & 5 - - - - - 6- 6- 0 (
Cl.
. . . . . . . .
ff
= .:
- -&&
p pp f mf f
/-
4'
* : -
Bsn.
" 0- ( ( ( ( 4
mp

!
f mf

F ! III" molto flaut.


6-
0 - - 1 - -- - 1 /- - - /- /- - 0 1 5
c.l.battuto N
( 1 /;/; ; ; ; ; ; ; ; ; ; ; ; ; ( 4 5 6- -
3

' ; .
. . . 6-
Vln.
f
mf f pp mf 3

-F -
pp ppp

1 *.- ' .- - - - -D --- -- -


; F /- /-
pizz.

@ .
arco SP
3
" 0 0- 5 4 ( ( 4
# mf
Vc.

mf f pp f

33 2'
elc.
+ 4 5 1 14'
5 5 3 4 5 1 -13'- - -

11 12 13
Full Score 5

& " !
! ! ! .-
! 1' 0&&&&&&&&&&&5 . /- $ 6-
48 T.ram pizz.

- $ $
Fl. ' 5 5 5 4 4 5 4 5 1
$
N
mf . .
# $ %
- /-
f
$
f

- & 1 - - -8-6- .- 6- - - - - - - - - 0 -$ $ $ $ $ $ $$
mp

-$6- -$ - -$ -$ - -$ - -$ - -$ - - -$ & & & & & & & 1


f p )

1 6.- 6-
5 f

' 6- 6- 0 6- 1
-6-
-- 4 ---0 0 5
# ff mp . . . . . ! / -
Cl.
. - - 6-
&
f p subito pp p f

/- - -
/
f mf
mf f

* 4 -$ -$ $ 00
- -flz.
"
3
5 ( 5 0 5 1 (
- $ # 0
Bsn.

=
00 0
p

!
f mf f

gliss. 0
sf ! III"
1 ''
pp
pizz. arco

Vln. ' 6-
- - - 5 5 5 ( 5 5 - 6- -- 5 5 - -/- -6- ;
-
- f

-
.; ; ; ; . ; .; ; ; ; .; ; ; ; .; ; ; ; ; ; .; ; ; ; ; ;
f
molto flaut. alto ST SP
- - 6.-6 - 6-6-8- -
- 1'
; ; ;
ff ord.
! I" pizz. arco
*
"
( 5 5 5 1 /- - 4
gliss.
@ *
!
Vc.
mf f f mp

4 33 5 1 - -
2' 1'
elc.
+ - - - - - - - -
3 - - - - -
3
14 15

" ! &
! ! !
! $A /. 1 '
------ . 1 ' 5 1 6- - - - - - & '
53
-' -
pizz. 3 3 pizz.

' 1 0 4 5 4 4 1 4 0 --6- 5 ( ( (
# fpp
Fl.

$
f f mp f

1' - -6- -- .- - -- - 0 -$ -$ -$ -$-$-$1 6-6- - -- -- - 1 ' 5


f
) ) )
6- - 8- -(7
3
6- 9 .
Cl. ' 5 0 6- -8- -6- /- /-6- 6- -- - - - - - 5 6-6- - - - - - -- - - 05 06- -6- 1 ten. 8- 1 5 4 (
. . . f fpE mf p

----------- -
mf f pp mf 5 p f

/- - -8- - /-
5

* / - - -8- - - - /- / -
"
Bsn. 0 1 0 1 ( ( ( ( ( (

'
0 0 // ;3'
arco

!
mp f

1 -0 -06- -
;-
00
ST ord.
pizz. flaut.3

1-
3

Vln. ' ; 1 4 ( 4 ---------1 ( 4 ( (


# # mf
-
-
* 13 ' --
f 3 mf ppp
mf f

-
pizz.
vib

"
Vc. ( ( ( ( ( ( (
mp f

5'
9 9
4 5 1
2' 7'
+
3' 7'
elc.

16 17 18 19
6 Full Score

& !
! !
!
C
1 4'
-6.- -6- . 8- . -6- .-6- . - -/-/- - 8- 0/- - 8-
61

1 -$
Fl. ' ( ( ( 5 1 - - 0 -6- 6- 6- - - - 0/- 8- /-6- 8- 8- 0 5
. -
pp f mp
.-6- 8.- .-/- - . - .- /.- - - 8.-/- -/- 8.-/- - 8.-/- -/-
1 4'
.-
mf

' 3$ ' 4 1 -/- 0 -/- 1 /- -/- -/- -6-6-6- 5 4 ( 0 0


Cl.

.- / - 8 - / .-
3

- .- 8 - / - - - .-
f mf f p mf mp

- 6 - - -
*
Bsn.
" ( ( ( ( ( 5 01 5 4
mf

!
.-
ord.
! III" -/-/- -
6- 0 -/- 8- 0- 4 ;
SP SP

13 '
Vln. ' ( 5 ( ( 4 4 5
mp

129
pppp mf f

1'
mf
9
arco
* 9 9
"
pizz.
( ( ( ( 5 4
# 1 --
Vc.
pp p
ff
elc. + 3'
3' 35'

20 21

! /-"" -" /-"/-/-"/- - 6- 1 ' -6-6- - -6- - -/- 0 -8- 0 -6- 5 ' - - - -6- 0 - - 06 - 6- 0 - - -6- 0 - - 6- - - - -6- - - -6- 0 1 8-/-/-"-"6-"0
68

" "
T.ram

Fl. '
/ - 0 4 1 6 - 6-
6-
6-: 8$
#f
-$ .- ' - .- ' -' -' -' .
f f mf
.- -' . 6-
8.-/- - 8.- /- - .- - - 6-6- 8.-/- /- .- - /- - - 6- - 6- 8- 8s.t. N -
.
' ' ' '
. 6- 6 - 8-
8- '
0 0 1 1 1 0 1 1 1 5 1 0 0
-' /-'
Cl. '

$
$ -$ - &' &
mf f mf mp

$
/-$ ' -$ 5 8-$ ' -$ 1 -$ 1 6-$ -
* -
"
3

Bsn. ( ( ( ( 5

8 -SP' -
p 3

! 8-/-/-
mp

/- 1' -- -6- 5 6- - - - -6- 5


ST N

Vln. ' /-8- 05 ;/; ; ; ; 0 1 5 5 ;/; ; ; ; - 5 4 5 4 5 5


/-
8- '
mf f
f np
-----
.-
* 4
pizz arco c.l.battuto

" 5 1 - ( ( 4 5 4 4
pizz
Vc. 6- '//3
;
mf mf f f

elc. + 4
Full Score 7

! 8-/- -6- 1 8-/- -6- 1 8-/- 0 -6- 8-/- -6- 8- -/- 1


8- /- #
-6- 0 -6- 8-/- 06- 8- /- 0 -6. 0 8-/- -6- 8- -/- 0 - / 0 - 0 -6- 8-/- 6- 0 8- '
74
/.
pizz.
N
Fl. ' . /. .

-' -' 6- ' 6. 6- ' 6- ' 6- '


mp

- - . - 6- 6- 6- 6. 6- 6- -
6. .0 8- 8- 8- 6. 8- 6- 8-
Cl. ' 1 0 0 1 0 - 0 1 -' 0 0 6- 0 1 0 0 0 -
- - 6- -
& & - &' &' 6& & - ---
8- -
* 1 /- - /- 1 C 8- /- -8-(7 /- - - 8-6- - 6- 8- -
"
Bsn. 4 4 4 5 0 5 -
-
!
mf f f
- - - - -
0
mf
-'
-0
- - - - - - 0 F3
arco SP
8- 6-
pizz pizz
-

00
pizz arco arco ord.
6- -
arco

' 1 - 5 0 5 0 5 0 6- - - - - - - G 1 5
c.l.b c.l.b
3
SP

-
Vln.
3
-F ' arco ord.
f

06- '
mf
/3 -
0 8# - 7 00
ff pp f

' 0 0 0 0 -'
"' 1 /-; ' 6-0 6-0 6-0
6-
arco arco c.l.b
*1 5 4 1 5 0
pizz
@
pizz c.l.b
Vc. - - - - - - - 8- - - - - - 3
f mf pp pp f ff f
f

* 5 5 1'
3'
elc. 43'

22 23

*
!
!
25''

!
1 ''4
D
' '
Fl. ' 3 '- - - - - - - - 1 '4
,
'3'
' --2- - -2-2-,
0 ''4 '3 '
' 1-1- -1- -1-, ,
79
Fl.
!
Fl.

ffp fp
,
fp

' 3 ''6- -6- - 0 -6- -6- 0 ''4 0 ''4


3 '''/- - - - - - - - , ' 6- - - - - - -,
'3 ' 0 ''4
, Cl. Cl.

!
Cl.

6-6- 6-6- 6-6- 6- fp


6-6- 6-6- fp

5' 5' 5'


ffp

* D
"
Bsn. * 5 Bsn.
*
ppp pp

! 3' - - - - , ,' ,
' ' - - - 0 ''4 '3 '6-
' -.- -.- - 1 ''4
,
'3 '' 1- -1- -1- 1 '4
SP
Vln. Vln.
D !
Vln.

Vc. 1 - / - 1 - / - 1 - / - 1 - / - 1 -,
ffp
,
fp fp

-- ----, - - - - - -,
@ 3 '
' 1 ''4 @ 3 '' 0 ''4 @ 3 '' 1 ''4
SP

"
*
Vc.

!
Vc.
fp
ffp fp
,
elc. *
8 Full Score

E
!
! pizz.
SP

!*
0/-; '' 08-; '' -; '' -; -; -; -; 0/-; -; -; -; -; -; -;8-; - -; - -; -; -;
noise sound, there is sometimes a pitch but not regulary

4' 0/- ' 0 -' - 3 '


, 7
0/-; '' -; 1 /-; -; -; 0 -; 0 -; '' -;
; ;
80 pizz. arco (the notes are not to be played precicly)

-; ' /-E; 0 3
arco ST
! III"
"
Vc. ( 4 - 6- /- 0 4 ' 4 ;
9 69 8- - 9 - - mp
f
* ,
(
5 5 5 0
14' 1:14'

24 25

!
!
! ! III"
93 SP
( ( ( ( ( 0 0 0 0 1 0 0 0
Vln. '
/- - 8- -/-/-8-6 - 6- -8-/- -8-6- - -6-6-8- - - - - -' - - - - - - - -
1 ;! ; / ; ; 8 ; 6 ; ; 6 ; / ; 8 ; 8 ; ; pp; 6 ; ;cresc.6 ; - 8 - 6 -
molto SP (most of the notes
/;

'
arco are ment to be without pitch)
/9
/- 9
6; ;' 0/; 0 ; 6; 1; 01; ' ; 1 1; ; ;1; ;1;8; 0 ; ; /; ; 6; 8;8; /; ; 6; 8;8; 0 ; 8; ; ; 6; 06; 8; ; ; ; 06; ; ; ; ; /; 8;6; ; ;/; ;6;: ;8; 8; /;8; ; 1 6; 0 ; 0
; /; 8;/; ;6;8; 0/; ;/;
pizz. molto vib.

"'
7
//)9
* ! III"
3'
Vc.
f mp cresc.

4'
f
elc. * 7'
50'

26 27

# !
! !
!
F
- 0 -- - 1 '
N

1)
102
;
Vln. ' -- -6-/- -0 ; ; ; ; 0; ; ; ; ; ; 0 ; ; ; ; ; ; ; ; ; ; ;6;/; 0/; ; 0; ;6; 0; 0; ; ; ; ; 0 6; /; 0; ; ; 06; ; ; ; ; 0 ; 0 ------ 0 -- 0 -- - - 0 - ( ( ( (
f mf mf
!!!!!!!!! ! ! !! !! ! ! !!!!! !! ! !!! !!!!! ! ;
8; ; ;;HHHHHHHHH H H HH HH H H HHHHH HH H HHH HHHHH H ;;;;; ;
; ; 8; ; ; ;; ; ; ; ; ; ;1;
;/;8; 0/; ;; 0; 1' 4'
* ;6; )= 0 -'
molto vib.

"
8; 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ( * (
pizz.
'
9
Vc. (no pitch)
f mf mf f
the highest note possible. molto flaut.
the result is something inbeetween a extremmy high note and a noise.

elc. * 50'
15'

28 29
Full Score 9

! - - -
113 q=100

Fl. ' ( ( ( ( ( ( ( ( ( ( ( ( 5 - /- 3 1
mf cresc. espress.

Cl. ' ( ( ( ( ( ( ( ( ( ( ( ( ( 4' -

' - '/ - - /-'


a tempo

-' -
- 3 3 - /- - 6- -
* - -: 1 ' 4 6- 6& 6-/- -6-8-6 - - 3 - 8 - -/-
5 1' 8- - - - - /- ' - C - C /- - '
ad libitum

"
/9
-&
( ( ( ( 4
#f 8.3
fp #
Bsn.
3 mf cresc. espress.

!
fp mf
fp

Vln. ' ( ( ( ( ( ( ( ( ( ( ( ( ( (

/- ' - 3
vib N
--
slow vib.
*
arco

"
/3 4 ( 4 ( ( ( ( ( ( (
pizz. pizz.

9 3 -
# #
-- 9 3
Vc.
. f
fp f f

elc. * 9'

30

" !
- /-'
! 8 9. !
! /- ' 7 7 -' -.- 1- / .- -/- /-
8- '
- /- - .- 3' /- -$/-$ $ $ /-$
127

5 /-7 3
1- 8- 6 - - . -
5 - - 5 1 5
3
Fl. ' - - 8- - /- 8- -

- ' - -/ - - - ' & 5 8- '/ - - /- 8 - ' - - 7 3 /-' 3


fmp
-' -' 3 /-
-$6 -$ / -$ $
/- 6- 0 - 1 6- - 08- 3
-- C- - 1 - - 0 - /- 0 - -' 0 0 -1 - 1 0 -' -
5
' -' - 6- - - -$
Cl.
3 fmp
f cresc. espress.

- -/- - - - - -' -' 63 - -' -' 3' - 6- '


-' - -.- ' - 6- '
/3 - - - - /- .-
* - 83 3 - 8- 6- 0
"
Bsn. 3 /- 3' C C - /- - --
3

!
f mp

4'
SP c.l. batuto

' ( ( ( ( ( ( 1 (
Vln.
----
p

*
Vc.
" ( ( ( ( ( ( ( (
elc.
* ( ( ( ( ( ( ( (
10 Full Score

! I /3' ! E- - '. E-
135 !
- ! ! q=80 - - -' / 3 -/-' 3 J - - -' 9 9 3'
! - - - - 6- ' - 6- - 3 .3 -' - /9
1' 1' D
- 6- 3 - ,
Fl. ' 5 4 D 5
# ff
- /-' - 3 J - - -' / E- 3' ,
f f
-' -E
mf
-' 6- - - 8- - - - -' / 3 9 9
' ( 1 C 1C 4 5
3 -6- -
-6- - -6- -8- - f #
Cl.
3 9
- ' - - - -6- 3
f mf ff

/- 9 - - - - -/- 3 - ' - - 6- - ' - -/3 - - -/- 9


* 8- 6- ' C - ' -'
6- - - - -' J
C C C ,
" - 6- -' 1 - - ' 8 - 3'
f
5
9 9
f #
Bsn.
E E
5' , 5' , 5' , , 5 , ' 6 E, , ' E, 6 6 5 ' ff
f mf

5' , 15 ' 5'


! ;3 '' ;3'' 33 '' ;3'' ;- 1; '' ;3 ;-'' 66;- 6;- '' ;- )9 )9 ;3 '' ,
;3 ''
;- ;-
13
' ( ( 5 1 -- ;- 5
ff # fff
C
5 , ' 6 E, , ' E, 6 6 5'
Vln.

65 ' 6, 65 ' , 5' , ,


5' , 65 ' 65 '
mp cresc.

66;3 '' 66;- 6;3 '' ;- '' 66;- 6 ;- '' ;- )9 )9 ;3'' ,


;3'' ;3 '' ;- 6; ' ' ;- ;3
6 3' 66;3 '
; ;-
arco
*
Vc.
" ( ( 5 1 -C
ff #
5
mp cresc.

4' 1' 1' 4'


fff
* ( (
6'
,
5 5 1 5 5 4 G0 5
50' 5' 7' 7' 5' 3'
11'
elc.

31 32 33 34 35 36 38
*
37

& !
$
-$ $ -$8 - 0-
G
! !
!
1 0- ' 1 -$ /-$ -
flz.

00
147
q=120 Tempo primo
9 9
00
( ( 5 ( 5
flz
Fl. '
!
.- 6.- . 8.-
p mf

6- 9 9
mf

- - - -$ -$ -$
( 5 5 6- 6- 6- 8- ( 0 -1 5
3 3
'
6- - - - - - 6-6-8- - - 6 - - /- - - / - -
Cl.

!
-$ - -$ -$
mf p mf

/- /- /&
-- 6- -
mp
/- --
- - /- 0 /- - 0 1'
8- -/- 0/- - 08- 4 - 6 - 6-
* 1 -6- 0 1 8-
"
Bsn. ( 5 0 /- 1 /- 6- ( 05 5 1
mf p 5
mf
f
mp

! /-/- - - - - - - -
ST

( ( 5 1 0 5 5 ( ( (
- / - -0
Vln. '

0 - - 1-
mf mp pp

; -6- -6- -6- -6- ) 6)


- 6 - 6-6-6-
00
flaut.
! III"
*
con sord.

"
;
-0'
( 4 5 5 4 1 4 1
SP
Vc. 6; 8- '
3 mf
f ppp mp pp
elc. * 0 5' 5 5
20'
5 5 1:14'

39 40 41
Full Score 11
H $
$ % 9) /-
!
$
)
)

-$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ & & & & & & & & & & & &
154

Fl. ' 4 & & &&5 4 4 5 1


fp ! pp mf mp
%
00
$ $
00 6 30
)

-$ / -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ / -$ -$ -$ -$ -$ -$ & & & & & & & & &


flz
( 5 4 4
&/& & &
flz
'
30
Cl.

! 3
- 8 - -6- -$ 6-$
mf
8 - -
pp pp

* - - 6- - -6- - 6- -
mf

Bsn.
" D 01 5 4 ( ( ( 4 5 1
-
/ 6 con sord. /5
3 f

! /)
mp

/;3 E E- /E- 0/- '


ord.

-E '
Vln. ' / 9 4 - /- - -/- - - 1 0 -/- - 0 -/-/- - - - - 0 /- - 08- - 0/- - 0 0/- - -8-/- - 8-/- - 08-/- -
- 8- . 8- . . /-8- . . /- . /-
/6
ppp
/5
p . . . 3 # f mp cresc.
.
8- /- -/- -
ord. p

/- ' - 5
- / - -/-8 - / - - -8 - / -
mp

Vc. ' /)
6- 1 - 1 0 6-6- - 0 - - - @0 /- -
" /9
4 * 4 1 8- - 1 5 1
/;3 8-
mp mp
ppp p
elc. *

3
-3 3'
! 8.- - - 6- .- .- 9
6- 0 6-6- 0 8- 6- 8- 06- .- 1 '
160

0 -/- - -/- -
0
Fl. ' 4 5 4 5
mp mf`

- - -
f
69 63 3
1' -6- 8- -6- - 8-
5

' ( 1 - - -6- - 0 - - -6- 8- 0 -6- 8- 5 4


. . . .- 6-
Cl.

&' .& .& .& & .& &'


mp mf`
f

00 07
-.0
* C
flz

"
flz.
1 ( ( 5 1
30 #
Bsn.
3 -' 3 ff

!
6-
fp

1
fp
- 0
arco
-
pizz.
0
Vln. ' /- - -8-/- - - -
- 6- 0 -6- 0 - 0 - - - - 0 - 0
- /- - .6-6- 8- 6-6 - 8- 6- - 6- .6-6 - 6- - - 0 -
6- - . 6- 0 -
6- - 6- 0 -8- 6- .6- - .6-6 - 8-6- 1 - - 1 0 .-/- - 06- - 08-6- 1
0 0 8- 0 0
. . /- . . 6- . 6- . . . . - . . 8- . . . . .
. .
- 06- ' 1 1
- -
f

00
-/- - -
@ -/- 6- 6-6- 1 .-/-8- 0 -6- 06- 06.-8- -6- 0
pizz. senza sord. pizz.

"
30
1 1 4 5 4 1 1
arco
*
c.l.batutto

6 -
-'
----- - -
#f -
Vc.
3 f
fp
3
elc.
* 1 3'

42
12 Full Score

8- /- 8- -
! - /- - /- 1
6-
- 8- / - -/ . 8- 8- - 6- 8- 6- 8 - 8- - 6- 8- 8- -. - -
0 - 6- 8- /- - 6- 8- 1 0 6- 8- - 6- 6- 8.
166

Fl. ' 1 8- - 0 8- - 8- 1 0 8. 1 1 6- 0

6- ' 6- ' 6- ' 6- ' 6- '


f cresc.

- - - .
st. - 6- - .st. - 6. 6- 6-
6. st. .
st.
6st.. .
st.
8- 8-
' 1 0 0 1 0 0 6- 0 1 0 0 1 0 0 6- 0 1 6- ' 0
st.

-
Cl.
- 6- 6- -
-
f cresc.

6 - - - 8- -6 -
0 0
-
* 0 6- 8- - 8 - 1 &
6-0 30
7
" -0
flz.

Bsn. 4 ( 1 5 6- - 1 4
6- ' .- - .- ' -- 6- - -- - - 6arco
-- 6- 6- - 6- - 6-6-
mf f p f

!
fp mf f

1'
---
-- 0 0
C C
pizz.
--- pizz.

Vln. ' 4 0 1 0 0 0 1 1 1 5 0 01
1-
senza sord.

- 1 ;- '' .1 ;-
; '' .1 ;- .1 ;- .1 ;- .1 ;-
--
.
8- -
mp subito

1 1- 1 '
8- 8- -
arco getato arco getato
- ;- ;- ;-
f cresc.

1' /- - - @ 1 ' 1'


f

* 1 /- /- - /- /- - /- /- - -
0-
arco pizz. ord.

"
ord.
1 1 * 4 @ 1 1 0
- -
8-
Vc.

mp f f mf

* 7
9'
elc.

43

*
& ! Ipoco rall.
! ! . . .&/ & & .& & /& .&/ & & /.&/ & &
- - -
! /& & & & &
1 /& 1' 0 / & / & & & 1 & / &/ & 0 & & 0 & & & 1
6- . - - 6- 8- 6-8- - 6- - -- -- - /-
171

0 /.
T.ram

Fl. ' 0 6- 0 6- 0 0 -1 5 00 1 1 0
. -
/ $:
. . .
6- ' 6- ' 6.
dim.-----------------------------------
ff f
6. 6- 6- 6- 6- 6- .
add exagerated key noise mp p

1' 0/& 0 & & & & 0 0 & & & & & & & & /& & & & & 0 .& & & & & & 5 &/& & & 0 0 & & & .& & & &
8- 8- 8-
st. 3

6- '
5

1 0 1 1 1 5 1
st. st.

'
6- ' . . . . .
Cl.

ff fp add exagerated key noise / -


: p / -:
5 p
6- - /-
0 0
dim.-----------------------------------

-0' & 06& & & & & & .& & & & & 1 ' .& 0 .&
& & & 0 0 & & & & & & & 0 &6& & & 0 -: 0 0 & & & 0 & & 0
3'0
- 0 /- - /-8- 0 - /- 0 -
6&
. .
flz.
* 1
"
1 /- 1 5
. . . .
Bsn.

6- ' - 6- - -6- - - f 6-
mf mp ff p add exagerated key noise
-
! 1 6-
1 -- 0 13 .9
ss. dim.-----------------------------------

0 0 0 0 0
gli
0 1 -01 5 63
arco molto flaut.
9
' -
Vln.
-
.1 ;- ''
a squared motion with the bow

.1 ;- .1 ;- .1 ;-
ff f (only intentional)

/ - - / .-
.
1' 1 0 * -0'
do not synchronise the bows movements

@ 1
arco N

"
- 0 /- - /- - 0 - /- 0 - 1 1 5
molto flaut. do not synchronise the bows movements
Vc.
. /9 a squared motion with the bow 9 9
f ff f (only intentional)
dim.-----------------------------------
elc.
* 54'

44
Full Score 13

! / & 0/.& & & & & & & 1 .& & & & 0 /.& / & 1 0 .& & & & .& & & & & 1 1 /&/& & & & 1 & & & & 0 /& /& & & & 0 - 0 0 & & & & 1 ' /&/& & 1 /& & & & & & & & & & & 0 0 & & & 1 /&/& & 1 ' & & & 1 0 .& & &
q=70
.
177 T.ram T.ram

Fl. ' :
p 8$
/- . . . / $: . . . . . .
.& & 0 0 0 & 0 & 0 &
& & & & & & & 1 0 & & & & 0 & & & & & 0 0/& & & 1 & & & 1 & & & & & /& & 1 5 0 && &0&&0 1 /& & & 1 & & & & & & & 1
.5 . . .
5

0 0 4
& &
Cl. ' / /
-: . . . . . . . . /& & & .
& 6 & / & & & & 8&
. .
mp p

& & /.& /& & & & & & & 0/.&/& & & & & & & & & & 5
p

& &8& & 0 4


. .
* 6& & & 0 0 & & & & & & & & & 0 6& & & 1 & & &' & & & & & & 1 & & 6& & & 0 & & & & & & 5 0 & & & 6& &
. . .
5
. 6 6
Bsn.
" . . . . . . .
! I " 98 5 ' ' ' ' ; ; ; ; /; ' ' ! I "; ; ; ; ' ; / ; ; ; ; ; ; ;
; ; ; ; ; ; ; ; ; ; ; ; ; I" ; ; ; ; ; ; ; ; ' ; ; ; ! I"
mf mp
/ /
! 6- 13 '
!
! ;II" ; ! ;II"
.
3 83 molto flautando
ss
g li
alto ST ! II"
Vln. '

! I;" ; ; ; ' ; ; '' ! ;I " ; ; ;' ; ; '' ! ;I " '' ; ;' ; ; ; ;;;
alto ST 3 3 3 3
p pp

! II;" ; ;; ; ;
p
gliss.

* 3 C C
! II"
C
Vc.
" 9 3 molto flautando '
3 3 3 3
p pp p

elc. *

*
& !
! !
! &6&6 & 6& &6& &
.
0 /& &/& & & & & & 1 & & & 0 - 4 1 ' /&/& & 0 - 5 0/&/& & 1 & & 5 5 ' 6& ' 6& & &
. .
' /& 1 6& 6&8& & 04
183

6& &
T.ram T.ram
5 4 4 6 ( (
6$
T.ram

6- . /$
$
.
Fl.
. . . .
p:

/& & 1 0 & & & &/& & & & 0 & & & 5 0 & & & &/& & & & 0 & & & 4 & /& & & & & 5
.
mp

' 4
/ & /& & & & /.$
4 ( 5 0 1 5 ( (
. . . . .
Cl.

. .
* /&/& 0 & & & & 00.& & & & & & & 5 /& 0 00 .&/& & 0 & & 0 5 ./& . & /.&/& & & & .& & & ./& &
5 5

0/& & 1 & 5 1 '/& & 0


. . . pp

" /- 4 0 4 ( ( ( (
.
Bsn.

:9+/ ; '
5

; ; ;' ;' ; ; ;' ! I" /; ; ; ; ' ; ; ; ; ; ; ; /; ; ' ; ; ; ;! ' ;! ' ;! '


(dim)----------------------
p

! I " ;! ;! H! ;! ;! H!
! ! ;II" ; ;' ; ; ; 0
! II" alto SP
(
Vln. ' the highest note possible, the finger is closest to the bridge possible. molto flaut.

;! '
3 3 the result is something inbeetween a extremmy high note and a noise.

; ; ; ' ; ; '' ;! ''


pp

; ;; ; H! alto SP ;! H! ;! ;!
;; <
! II" ! IV" H!
C ! I"
"' (
*
molto flautando

3'
Vc. 7
I 3 3
pp 6- 9 do a very short break between
(dim)---------------------- pppp the movements.

elc.
* 5 5
18'

45
2
14 Full Score
J
! & # ! " !
201 ! ! vib. ! ! ! !
! 1 1-$7 3$ ' 1 G 6-$8-$6-$03 - -$/-$8-$ - - 9
3$ -$ 1
(
6- '
7 - $ $ 3
pizz.

&' &' &' &' &' & & &' &' &' &' & &
. B
non vib.
q=70

0
( ( ($ ($ ($
' -$ - -$ - -$ - B B B 05 5 5 ( 4
!
Fl.

9 9
p f

1-
ppp p f ppp

9 9 33 33
5 1-
9 9 3
' 19
3
69 9 4 7 1
s.t.
( ( 4 5 5 5 5 4 9 9 3 4
Cl. 9 . 3 3 - 9 9 3
/& & !
$ $ & & 6& & 6 & 8&
6& &6 &
pp p mf

6&8& &
6& ' &
p p

* /9 9 9 3
" ( 4 C 1 ( ( 4 1 5 5 5 4
=
> non vib. !
;! ' H! ;! '
Bsn.
pp

!
mf f

/9 9
5 ' 1-7 - 00
-
-

;'
non flaut.
5 -' 1 4 1 5 5 5 4 4
)
SP
7
molto flaut.
Vln. '
!
c.l. battuto

! ; ; ; ;
gliss molto flaut.
6.- - - - !
ppp
p mp ppp

00 00 00 4
c.l. battuto p
! IV" f alto SP
*
" 4 0 ( 15 4 ( 4
non flaut. molto flaut.
molto flautando pizz. arco molto flautando

.- # 9 9 3 3 9 3
Vc.

-
89 9
non vib.

ppp ! mf f
pp p pp =
* 9
9
9 18' 5 5 0 5 5 5 5 5 5 5 -- 9
18'
9
9 9
stop 6' 7'
elc. stop
- 9 9
46 47 48 49 50 !
51

& ! I ! &
19 ! .9
/- - :/+ - 9
! !K !3 !
! $ $
1$ $ 5 $
212
69 3' 3 /3 - 3 /-
8- - /- /- / - - 6-
Fl. ' 4 4 ( slow vib. faster vib.
5 ( ( ( - /-
-
-
p

3' 1-
mf p

5 & $ 3'
6 -- 9 9 9 9 9
4'
9 9
mp mf f mf
9 9 9
5 169 9 1 6-- 9 9
' 4 1-
4 ( ( ( 9 9 3' 9 9
Cl.
9 9 9
$ 3$ 3$ 8 3
mf mf
p pp p mp

- 9 9 3'
oxx/xxo

4'
4 Bb
*
" ( ( 4 5 5 ( ( ( /3B" 9B""9B 3B""3B
# mf
vib
/ pp3B"3B 9B 3B
Bsn.

/-
p pp p mp

! 4'
molto flaut.

5' 5'
p

1 6- .- 1- 69 9 9
1$ $ ' 1$ ' $ $ 1$ ' $ 1- 3
flaut. son flute- alto ST ST

Vln. ' ( 04 7 ( - 9 3
pizz. arco
5 -
#
-
very slow vib.
- 3 9 9 3' ! III" p molto flaut.

/- '
mf

5' 7 00 5 .$ $ '
f alto SP

$
pp ppp
* $ $ $
ST

"
molto flaut.

1- 3
son flute- alto ST
( 5 ( ( 4 3 -
non flaut.
vib.

3 3 9 9 3' C
#p
Vc.
! III" p mf
pp

* 3' 3' 3'


3' 3'
9
3'
( ( ( -- 9
17'
1 33 5 5 1
3' 3'
14' 20'
9 9
3'
3 - 9
elc.
9
stop

52 53 54 55
Full Score 15

& ! - & 1- !
slow stretch of the pitch

- 6- -
gliss.

226 ! ! ! !
/- - -
! /- - - 3
/- L
6- 8- - 1 ' $$ $ $$ $
3 gliss. 1- -$ - - -$ - 0 -$ -$ -$ -$ ' 5 -$ - - -$ - 0 -$ -$ -$ -$ ' 0 $0 1 5
-$ -$ -$6 -$ -$ -$ - 6 -$
slow stretch of the pitch T.ram

Fl. ' 3' 3' - 1 5


# mp . . . . $
1 3' 3' $ 9 9
- 8- -$6-$ 1 -$ -$ -$ -$ 0 -$ -$ - ' 5
f p mf p subito
-
13 ' 3'
9 6- 6- 8- 9 9
19
9 6-
3'
5

' ( 5 5 6- 9
Cl.
9 3' . . .
3$ ' 3$ ' .-
mf mf p subito p
3' 63 -
pp
6- 3 6- 6- 8- - -'
* 6- 8- - 6- -
oxx/xxo

" 1 5 1
" " 33B""3B
//33BB"3B 9
9BB"9B
Bb

B
Bsn.

3' 3'
p mf

3' 13 63 '
mf f p pp

- /3 3' -
!
flaut

gl
1 0 0 - 0

iss
Vln. '
SP

1! ; ; / ; ; 8 ; 6 ; ; 6 ; / ; 8 ; 8 ; ; ; 6 ; ; /;6 ; -/-8 - 6 - 8- -6- -8-6 -

.
)
f (only the intention is F the result is P)
p subito

.- - / - - /0- 3' ; ;
* 3' 00 @0 00 00
molto flaut. SP molto flaut.
------
3 - - -----
/ - 0 0
flaut.. SP

" 1;
- - - ---- -- *
;/; ; 8;6; ;6;/;8; 8;
. -

gl
iss
.
Vc.

.
pp p subito ppp

333 ''' 1'


17'
pp mf p
5 5 --- 9 5 5
36'
elc.
+ 9
9
56 57

13 ' . -$
-$ -$ $ $
-$(7
!
M
Fl. ' $ $ $ 0 $ $ 0 $ $ $ 0 $ $ 1
' ,
-$ -$6 -$ 0 - - 0 -$ -$ /-$ ' -$
234

3$ ' 6-8- $ $'


T.ram

--- -- --- -- 1 5 ( ( 1
. . . . . $ $ . !
.9
9
ppp pp p

$
6-$8-$6-$ -$ - -$ -$8-$ -$6 -$ $ $
9 ,
5 13$' 4 (
.9 .9
6 - 8 - 8 -$ & '
Cl. '
9 3
ppp pp $ $ ! - 3'
9
p

&' & & 6& ' & & & & 6$ 4'
* ,
" 4 ( ( ( 5
#
Bsn.

>= H'' )
p 3 f p

! ) ) ,
molto flautando

- 13
K
' 6- - 8- /- - 8- 6- - - 6- 6- 8- - 1 H ( ( (
!
Vln.
very quite gliss, sounds not clear, harmonics.
pppp

)
pp

* ; 0 ; 6; /; 6; 0 - /- 8- - 6- 0 8- - /- /- 8- 6- 6- - 8- /- ; ,
"
( ( ( ( 4
13
non vib.
; '
!
Vc.
pp ppp pp
9 ,
( ( 9
9
16'
elc.
+ 9'
9
58 59
16 Full Score

3$ 3$ $ - -8- -
! - - 6- 6-8- 0 4
242

Fl. ' 1 4 1 & 0 &' & & & & & & 0 & & 5
. ... . . ff
$$$$$$$$ $
f

6- - - - - - - - - - - - - - - - - - -
f

1 '' 5
mf mf
9 9
Cl. ' 9 9
( 5 - -- 5 6& ' .& .& ' 6.& .& & .& &' .& ff&'
0
- --
- -
6- - 8- 6- -8
mf f
-
1' 5 4 1' 4' 0 &'
* 4 8- 8- .& .& .& & .& &' .&
" 5 -- ( -- 4
Bsn.
-/- - -/- -
p f ff

!
mf f

1'
pp
6- '' -6- 0 5
s.p. flaut. son écrasé

' 3 .3 - - - 3 .3 - - - - - - -
1 5 5
6-8- -
-1
6- - -
- 1 0 5 1 1 1 1 1 5

ss.
-

gli
Vln.
.
pp
. . . ppp mf f
mf f

"'
- 1 '' 5 *1 /- - - -8- - - - - -
3'
1 1 5 1 5 1 1 1
vib flaut. son écrasé 3
Vc.
9 - - - - 9 /9
ppp mp pp subito
? mf f
elc.
+
stop
5 1 37'

60 61

* Wait untill full decay of the electronics


and make a very short break before next movement.

%
!
40''

$
!
!
N
3 '' K 0 ''4
, ,
248

-E . -E -E .-E -E
Fl. ' ( 0 0
% !
1, $
3 '' - ''4
9 K,
pp

Cl. ' 69
9 /- - - -
0 - - 0
E E
. !
/ .-$ -$ -$ .$ / -$ $ %
pp subito

$
pp

' 0 ''4
- - ,
* 3 '
"
Bsn. 0
!
!
pp subito

,
3 '' /; ''4
flaut.
flaut.

13 '
Vln. ' 5 0 ; 0
9 . ; ; . ; ; ;
!
.,
3'
pp pp

9 .; 1 ; ; 1 ; ; .; 1 ; ; 1 ; ;
3 '' 0 ''4
flaut.
flaut.
* 5
Vc.
" 0
pp pp
!
elc.
+
3
Full Score 17
O
! $ ! I " !
! q=75 % ! ! ! !
! 5' $ 0 /- 8- - 5
251

6 - - -/-/- - 8 - - -$8-$ - -$
' ( ( ( 1 5 -/- -/- -6-8- 0 - - -/- 8-6- 8- 5 - - - 0
Fl.
3 -/- -/- - 6 - 8-/- -6 - /- D
- ' .- - ' .- 6.- - 8.-(7 - - ' .- - ' .- - - - p pp subito pp

-$ -$ -$/-$/- -6 - -8- -8-6- 06 - 8-6- 5


C C C . N 8-
' 1 7 1 5 5 0
Cl.
60- 3 - - - - -6- 8-/-8- - - 6- - - - - 8-/-8- - - - -6- 8-6 - 6- -8-
0 mp.
f.z

- ' .- - ' .- .- -(7 - .- - ' .- - ' - ' -( - - '


f 3
pp
pp subito
.
.- - - 9 3
* C C C C
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!
F F7 F7 F F F L F F F F7 F
' - -' -'
3

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molto flaut. SP

- ' .- - .- ' -' -'


Vln. ' 7
3 - - .- .3 9 3
ff
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molto flaut.

*
Vc.
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3 - - - 3 3 3 -
C ppp subito
ff 3 3

( ( ( (
+
2:57'
9
elc.

62

! # I !
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258

Fl. ' 0 D 5 5 1 -8- /- -8-


8- 8-/- - - -
p mp nf mp

' - -6- - - - 1 /-8- -6- - - - 8- 6 - 6- - 08- - 8 - - 06- - -6-6-6- 5 -/- - /-8- 0 - -/- -8- 0/- - /- -8- 1 -/- - /-8- 0 - -/- -8- 0/- - /- -8- 1 - - -/- - 8- /- - 6- -8-8- 1
Cl.
- - - 8- - - 8-
p mp p
.
*
"
Bsn. ( ( ( ( ( (

! 0
83 ' -0
ord.
Vln. ' 9 9 3 3 9 9

)= )= :8+ 3 )
fppp pp
9
00
SP
3 3' - ord.

*
Vc.
"
fppp pp

elc. +
18 Full Score

!
P
1 - /-/- 8-8--/-8- 0/- -/- -8-8- - - -6.- - 0 1' - - .- .- .- .$ '
264

Fl. ' 1 08- -6-6- 1 1 0 -6-8--6- 16- - 5 (


6 - 8 - 6 - 6--8-6 - /- - - - -- - 6 - - - - C
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mp f

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ppp

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3

30 30
3
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ST ord.
Vln. ' - 3 3 3 9
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) -F ' .- - - - 6.- .- .- .- .-
mp cresc. espress.
ord. F
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F -F .- .-
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3 3 3
mp cresc. espress.
5
7'
elc. +

* 63
& !
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9 9 3 -- - - - - -6 - - -' - 6- C - - 6- -8- -
ppp mp cresc. mp

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69 9 9 3

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ppp mp cresc.
.- - - .3 .- .- .- .- -( - .- - 3
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3 3 3 3 mf cresc. espress. 3

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Vc.
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C
--- - -- 3 -
C
-
C
3
9 3 3 3 3 3
mf mf cresc. espress.

elc. + 5 14'

64
Full Score 19

! 0 -' 06-6- 8- -6- ' - - /.-8-8-6-6-8- - - - 1 6- 8.- 6-6- -8-6- 08.- -6-6- 1 1 /- - - /- -8- - 0 - 1 '
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278
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. . .

8- ' 6- - - /- 06- -8- 0 -6- -8-6-C .- - - 6- - 0 - - -6- -8-/- - 1


p mf mp mf f mp
. . . .
' - 0 /- - 1 0 0 8-6- - - -
Cl.
/ - 6 - - 6- - - -8-6- 6- - - -6- -6- - - - 8.- - - - - - - 6- - /- -/- -6 - C
.
-' 1.- .3 .- .- .- .- - .- - '
mf f mp mf

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.7
.- -' .- - - -' .3 .- .- .-
* C
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Bsn. 1 1
3 3 3 3

! 3
F F F7 F F F F F F7
-'
F7 F7 F F F F7 F F F7
- 6- ' - -' -' -'
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3 3

- 83 - - - 63 - - 6- - -
-' .- - ' - .- ' -' -'
Vln. ' -
.3 .- 3 - - .- .3 .- .- .- .- .- .-
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*
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Vc.
C C C
3 3 3

elc. +

*
# !
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0 .-6-
283

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? f p
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mf f mp f

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' 6-8-6- - -8- 06.- - - - - - -8- - -6- - - - - 0 - /- - 8- /- - 6- 8-8-
1
-
0 - - 06- 6- - -C - - 8.- /- 6- - 06- - - - -8-6- 1 6- -
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3
f mp
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.7
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p

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f
F F3 F F F F F F F3 F F FF F7 F F F F F3 F F F FF F F
- -'
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Vln. ' 8- - - - - -
-- - - - - .- .- - - - - .- - - - .- - .- .- - -- - - - .- .- - - - - - - - - - - .3
gliss.

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gliss.

* -- - -
"
- - - - - - - - - - - - -- - - - -- - - - -
Vc.
C
3 3 3 3 3 3
f

elc. + 5 1 34'

65
20 Full Score

! & !
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! . $ $ @
-$ -$ - $
289

' - - - - $ $7 $ $ 3$ 1.3$ -$ 1.-$ '' 3$ -$ 6.-$ ' 3$ -$ ' 1.-$ $'


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mp p pp pppp

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3

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mp pp

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pppp

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p pp pppp

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Vln. ' 83 '
30 30 30
flaut.

13
- 3' - 3 (
9 - 9 3'
pp p pp ppp pppp

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3' ; ;'
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0
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00 flaut.
3 /9 3
0
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Vc. (
pp p pp ppp pppp

@
(
elc. +

66
4
Full Score 21

I & ! & I & ! ;


; ! !: ! ! ! ! ! T.ram
! 1- ' - 8- & & & & &&& B -&
5 ' AC 5
R
/& & &G1 5 1 &&&&1 /. 1 ' 5 /& & &G1 5 /- 1 ' 1
298 q=65 pizz. T.ram (inhale) jet whistle

5 5 0 1 5 5 4 0 0 5 1 - - - - -5 4
$ 3 3
Fl. ' 3
3 3 3 /$$$$$
&&&&5 1- 3'
1' 1- 3' 5 1' &
3 - 3 -
mf pp f mf mf p mf p pp f mf f mf pp

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s.t.
5 5 4 5 5 5 ( 1 05 5 4 5 5
vib.
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mf

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ppp pp mp

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6&
Bsn. 5 5 4 4 4 5 ( 5
3 3 3
ppp p pp mf pp pp ppp p p mp

1-
pizz. left hand
randomaly , every 2-5 seconds, pluck the chord withourt stopping the mouvement
' of the bow. bring the finger back in harmony position gradualy each time.

! ' 11;; '''' ;; ;; ''


E; ; E; ; E; ; 1 E; ; E; ; E; ' ; E; ''
! III"
; ; ; ; ; ; 1; ; ; ; ; ' ; ; '' ''4
E E
mp

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! II" molto flaut.

p 3 3
scodutura - la and re quater tone up
-
2-
pizz. left hand
* randomaly , every 2-5 seconds, pluck the chord withourt stopping the mouvement

E flaut.E;
! II" 2;
E; E; E; E; E; E;
2;
of the bow. bring the finger back in harmony position gradualy each time.

* 3 ''
! III" molto
; ; ; ; ; ; ; ''4
mp

Vc.
" scodutura - sol quater tone down
p

1;58'
elc. +
67

*
& I ! I & ! I
! ! ! ! ! ! pizz !
! $ -& -&
5 /& & & G 1 5 /. 1 ' 1 &&&&&&1 5 /& & & G 1 5 /. 1 ' 1
307 T.ram (inhale) T.ram (inhale)

3 3 3 1 - - - - -5 5 4 5 4 1 - - - - - -5 5 5 4
/$ $ $ $ $ /$ $ $ $ $ $
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13 3'
mf p f mf p mf f mf

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sfz fppp

* $ 1 &' & $ 1 & & &


ppp

0'
ppp ppp pp pp

Bsn.
" 4 ( ( $ 5 $ 5 4 5 5 5
mp p pp

elc.
+
22 Full Score

I & I ! "
! ! ; ! 1& & & & & 1&
! !
! B @
1 $ $ $ $ $ $ 5 5 1 AC 5
T.ram

5 /& & & G 1 5 - - - - - 1 1 6- 0 ' 5 0 ' 1 ' 4'


,
315 jet whistle T.ram
( ( 5 1 4 5 5 (
1- - - - - - /$ $ $ $ $
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3 3 - - - -
$ pp -----
p f mf
pp ! $$$$$
/ppp

13 13 @
5 5 13 &&&&5 13 4'
,'
1'
3 -
' 1 0 3 5 5 ( 0 - 4 (
. 3 3 .- 3 - $ $
Cl.
3 ! .
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mf pp fppp pppp

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Bsn.
" 5 4 1 1 4 ( 5 4 5 5 (

!
3 3 3

1 E; @
p mp ppp p pp ppp pp ppp

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,
3
vln.
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@
2;
pppp

vlc. ,
* ( 5 4 5 5 (
!
pppp

elc. +
2008-2009