Winet, Kristin. “Stephanie Elizondo Griest: 1971-,” in American Writers Series XXVIII, edited collection with Dr. Jay Parini. Charles Scribner’s Sons, Fall 2017, pp. 97-110.
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GRIEST
(1974—)
Kristin Winet
Sreraayae Etzzonoo Gruest likes to tell the story
of her great-great-uncle Jake, an intrepid wan-
derer who saw all of the United States with his
Jegs hanging off the edge of a freight train, This
story is usually followed by stories of her father,
‘who drummed his way around the world with the
United States Navy Band, and then of her
‘cousins, a pair of freedom-loving cowboys who
chased cattle all across the deserts of South
| Texas. According to Griest, what these men in
_ her family have in common is that their stories
represent the wanderlust that is encoded into her
DNA and that actively—and persistently—
“pumps through {her} veins” (100 Places, p. xii)
Straddling the line between reportage and mem-
‘ir, a Tine she declares is arbitrary, Griest’s work
echoes this lifelong desire to satisfy the wander
lust she was born with, to better understand the
complexities of post-Communist countries and
places going through immense social change, and
to bring to light the magnificent and the ordinary
ina complex, globalized world
Griest's joyful sense of humor and colloquial
yet academically curious style resonate in the
books that have established this Chicana feminist
A the forefront of literary travel journalisma. In
Addition to her three travel books, published
between 2004 and 2010, her journalism, which
‘as appeated in such diverse magazines and liter-
‘ary joumals as The Believer, Florida Review,
Poets & Writers, Texas Observer, and Latina
Magazine, showcases the dexterity of her work
And her ability to cross the gentes of memoir,
Teportage, and literary journalism almost
Seamlessly, With a wide audience and a political
hinds focused almost exclusively on exploring
feminist issues, advocating for free speech, and
——day-she turned thisty, she knew it-was time to
97
investigating the way democracy enhances (and
sometimes stifles) lives across the world, she
shines most when she is able to weave together
her own adventurous travel tales with the lives
and experiences of the people she meets and
beftiends along the way.
In her first book, Around the Bloc: My Life
in Moscow, Beijing, and Havana (2004), she
openly admits her fear of remaining either
unknown or stuck for life in her hometown of
Corpus Christi, Texas, citing a terrifying dream
in which she wakes up at twenty-five “roaming
Mary Carroll High’s halls in [her] letterman
jacket and getting plastered in the ‘Taco Bell park-
ing lot for fun” (p. xi). In Mexican Enough: My
Life Between the Borderlines (2008), she admits
that even after she spent her twenties on four dif-
ferent continents, she still couldn't sit still: the
(again) quit her day job, cram everything she
‘owned into storage, and ravage her savings ac-
count (p. 4). In her guidebook, 100 Places Every
Woman Should Go (2007), she reaffirms this real-
ity by reminding her readers that although she
has explored two dozen countries and all but four
USS. states, she still aches for more (p. xiii.
‘Though her work often seeks to give voice to
the voiceless and explore the wider world of
social justice issues through her journalism, she
is never personally removed from the people and
places she writes about; in fact, she is an integral
part—and voice—of the stories she tells, wres-
ing with her own wanderlust and her desire to
rival the stories of her male ancestors. This is the
context from which Griest enters the wider world
of travel journalism, and why she starts many of
her travel narratives by addressing this wander-
i
jSTEPHANIE ELIZONDO
GRIEST
lust, She has always felt a need to legitimize and
explain the gnawing: she is both an uneneum-
bered female wanderer (most of her belongings
fit into her backpack) and an observant feminist
journalist, falling in love, time and time again,
with places around the globe that people had least
expected her to love. This gives her work a
certain immediacy and credibility, simultaneously
legitimizing her penchant for social activism and
the reasons she is committed to telling her own
stories and giving voice (o the voiceless. Her
journalism actively reflects this. Her part-memoir,
part-reportage blend of travel writing places her
directly in the center while observing the issues
of revolution, empire, and colonialism as they
unfold around her and directly inform her life
experience—and stoke her fire for adventure, for
a life story she believes to be worth telling
Griest’s work is also an important contribu
tion 10 the world of travel journalism because she
offers a welcome voice to the otherwise male-
dominated field she desperately desired to enter
In many ways, her books differ from much
mainstream travel journalism—and that of her
male predecessors in particular—simply because
she is fueled by a lifelong desire to fully under-
stand how she fits in with the intrepid men of her
past and to figure out how, as a biracial woman
With Mexican roots who grew up calling herself
white, she fits into the wider global tapestry of
individuals whose lives are marked by migration,
exile, and belonging. This tension—how to ap-
preciate her home roots more thoroughly while
also stroking her wanderlust—both fueled
‘ests original desire to become a travel
journalist and now serves as a countemarrative to
the many travel tales of women of privilege
divorcing themselves from their material posses:
sions and personal commitments in exchange for
travel. For this reason, her subject position as a
biracial woman of mixed heritage continues to
resonate with the many women travelers who
face similar dilemmas between staying home and
traveling abroad—and provides welcome alterna
as
tives to more traditional narratives. Therefore,
‘a much-needed voice in the field of womer
travel journalism, Griest offers us a compelli
perspective.
98.
BIOGRAPHY
tephanie Elizondo Griest was born on June 6,
1974, in Corpus Christi, Texas, a place that has
become a touchstone in her books as the place
from which she constantly escapes and returns,
Al her life, having barely left the confines of
this Texas city on the Gulf of Mexico, Griest
grew up wondering if she, too, could participate
in—and even rival—the stories of the males in
the family. Having grown up in a place that she
claims held nothing more for her than strip
centers, shopping malls, and a relatively unevent-
ful high schoo! life, she knew that she needed to
find the kind of life that suburban America could
not satisfy. When the time came to make impor
tant life decisions upon graduation, she realized
that if she didn’t seek an alternative reality for
herself, she would likely, for instance, end up
buying all of her jewelry from a booth at the
mall rather than from its country of origin
(Around the Bloc, p. xi). In other words, she was
terrified that she would never be able to rival the
stories her male ancestors could tell around the
dinner table and at family holidays. As she writes
in the preface to The Best Women's Travel Writ-
ing 2010, she would never be able to start a
conversation like “that time in Burkina Faso” or
that time “in Marrakech . ..” (p. xv). This
thread—rationalizing and legitimizing her trav
els—permeates all of Griest’s travel books,
emphasizing her need to make her presence
known and to stand as tall as her traveling
ancestors.
This dream started to materialize for her dur-
ing her senior year in high school, when she ap-
plied for and was chosen to attend a prestigious
journalism conference in Washington, D.C., that
featured a keynote address by a top CNN cor
respondent who had covered both the fall of the
Berlin Wall and the recent collapse of the Soviet
Union. Having considered the idea of becoming
a journalist for most of her young life, she
decided she had to go to the conference, so she
raised some money, talked her mother out of het
frequent flyer miles, and boarded a plane for the
first time in her life, Listening to the keynol®
speaker, she realized the trajectory of her life
didn't have to begin and end in South Texas; she
could become an international journalist. Griest
a