Auction: Venue

1
Est 1887
AUCTION
Tuesday 17th June 2008 at 6.00pm
VENUE
James Adam Salerooms
26 St Stephen’s Green , Dublin 2
Ireland
SALE CODE
This sale may be referred to as 4065 in all correspondence
CATALOGUE
€10.00
or at www.adams.ie
Viewing :
at adam’s 26 st stephen green, Dublin 2.
Sunday, 15th June 2.00pm - 5.00pm

Monday, 16th June 9.30am - 5.00pm
Tuesday, 17th June 9.30am - 5.00pm

Contemporary & Modern Art, 17th June 2008

EXPLANATION OF CATALOGUING TERMS
The following terms used in this catalogue have the meanings as ascribed,
and are made subject to the conditions of sale as printed in this catalogue.
1. Jack Butler Yeats RHA

In our qualified opinion a work by the artist.
2. Attributed to Jack Butler Yeats RHA

In our opinion a work of the period which may in part or whole be by the
artist’s hand.
3. Style of Jack Butler Yeats RHA

In our opinion a work of the period and style of the artist, but not by the artist.
4. J B Yeats
In our opinion a work not of the period or by the artist.
5. After Jack B Yeats

In our opinion a work which is a copy of a work by the artist.
6. Signed
In our opinion the work is signed by the artist.
7. Bears Signature
In our opinion the works bears a signature which may be that of the artist
8. Dated
The work is dated and in our opinion was executed at or about this date.
Contacts for this sale
Brian Coyle FIAVI FRICS James O’Halloran FIAVI Stuart Cole MIAVI
Chairman Managing Director Director
j.ohalloran@adams.ie s.cole@adams.ie
David Britton BBS ACA Jane Beattie BA MRICS Nick Nicholson MIAVI
Director Associate Director Consultant
d.britton@adams.ie j.beattie@adams.ie n.nicholson@adams.ie
Eamon O’Connor BA Kieran O’Boyle BA HDip Caroline Kevany BA Dip

Associate Director Fine Art Department Fine Art Department
e.oconnor@adams.ie k.oboyle@adams.ie caroline@adams.ie
Est 1887
26 St Stephens Green , Dublin 2

Tel +353 1 6760261 Fax +353 1 6624725
info@adams.ie www.adams.ie
4
INFORMATION FOR PURCHASERS
1. Estimates
These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective purchasers.
They are approximate prices which are expected, are not definitive and are subject to revision.
2. Paddle Bidding
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recommended
to register on viewing days.
3. Payment, Delivery and Purchasers Premium

Wednesday 18th June 2008, 10.00am - 1.00pm and 2.00pm -5.00pm. Under no circumstances will delivery of purchases be given whilst the auction is in
progress. All purchases must be paid for and removed from the premises not later than 5pm on Wednesday 18th June 2008. Auctioneers commission on
purchasers is charged at the rate of 15% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque vouched to the satisfaction of the auctioneers,
prior to sale. Purchasers wishing to pay by credit card (Visa & Mastercard) may do so, however, it should be noted that such payments will be subject to
an administrative fee of 1.85% on the invoice total. American Express is subject to a charge of 3.65% on the invoice total. Please contact our accounts
department prior to sale with your payment queries. Artists Resale Rights (Droit de Suite) is NOT payable by purchasers.
4. VAT Regulations
All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is
inclusive of VAT. This is not recoverable by any VAT
registered buyer.
5. Please note that imperfections are not stated.
6. Absentee Bids
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone. However,
these services are subject to special conditions see conditions of sale in this catalogue. All arrangements for absentee bidding must be made before 5pm
on the day prior to sale.
7. These paintings are being sold under our Conditions of Sale which are printed in our main catalogue or are available on request.
Est 1887
5
1 Henry Moore (1898-1986)

Seated Figure (1973)
Lithograph, 33.7 x 28cm

Signed and numbered 25/75
€1000 - 1500

6
2 Lynn Chadwick (1914-2003)

Abstr act Composition
Lithograph, 50 x 65cm
Signed, dated 1965 and numbered 29/70
€400 - 600
Est 1887
7
3 John Piper (1905-1992)

Untitled
Provenance: Hillsboro Fine Art, Dublin
€750 - 1000

8
4 Felim Egan (b.1952)

Still Hanging
Mixed method print, 90 x 89cm

Signed, inscribed with title and numbered 6/16
€1500 - 2000
5 Michael Farrell (1940-2000)

Serpent in a Bottle
Signed, dated ‘80 and numbered 119/150
€300 - 500
Est 1887
9
6 Victor Pasmore (1908-1998)

Points of Contact No 1
(from Tr ansformation)
Colour silkscreen, 46.5 x 46.5cm

Signed with initials, numbered VII/X and dated (19)70
Marlborough Graphics, Pub.
€500 - 600

10
7 J.P. Donleavy (b.1926)

Self Portr ait
Ink and watercolour on paper, 38 x 26.5cm

Signed and dated 1990
€1500 - 2000
8 J.P. Donleavy (b.1926)

Lady Wearing A Hat
Ink and watercolour on paper, 24 x 29.5cm

Signed
€1000 - 2000
Est 1887
11
9 Bernard Dunstan (20th/21st Century)

Model Resting (1984)
Pastel, 27 x 29cm
Signed with initials
Provenance: Agnew’s, London
€1000 - 2000

12
10 Antoni Tapies (Spanish, b. 1923)

Suite Montseny 9
Etching with aquatint, 12.5 x 9.5cm

Provenance: With Alan Cristea Gallery, Lon-

don and Waddington Gallery, London,1993.
€250 - 350
11 John O’Reilly (b.1976)

Red Drill
Oil on canvas, 25 x 30cm

Signed with initials verso
€300 - 400
Est 1887
13
12 Michael K ane (b.1935)

Interior with Figure in a chair
Oil on card, 21 x 20.5cm

€500 - 800

14
13 Keith Haring (1958-1990)

New Year Greetings, 1988
Lithograph, 25.5 x 20.5cm

Signed and dated ‘88 in pencil
€600 - 800
14 Patrick Scott HRHA (b.1921)

Christmas Greeting Card, 1986
Screenprint, 23.5 x 19.5cm

Signed and dated ‘86 and numbered 19/60
Inscribed verso
€350 - 450
Est 1887
15
15 Alice Hanr atty (b.1939)

Joyce with Mother and Wife
Mixed media, 69 x 87cm

Signed
€1500 - 2000

16
16 Mark Balakjian (b.1940)

Deadend
Mezzotint, 56.5 x 50.8cm

Numbered 28/30
€800 - 1200
17 Ludmila Korol (b.1965)

Abstr act

Signed
€600 - 800
Est 1887
17
18 Brian Maguire (b.1951)

Lost Man
Mixed media, 56 x 53.5cm

Signed and dated ‘90
€2000 - 3000

18
19 Dorothy Cross (b.1956)

Lady
Mixed media/drawing, 53 x 54cm

Provenance: Hendriks Gallery,

Dublin, where purchased by the
present owner in July 1984
€300 - 400
20 Ronald King (20th/21st Century)

Nun

Signed and inscribed ‘artist’s proof. nun’
€200 - 400
Est 1887
19
21 Charles Cullen (b.1939)

Self
Charcoal, 44 x 32cm
Signed, inscribed with title and dated Nov ‘95
€400 - 600

20
22 Michael O’Dea RHA (b.1958)

Percy Place One Night (Nov 1983)

Signed and inscribed with title verso
Provenance: Taylor Galleries, Dublin
€400 - 600
23 Leslie MacWeeney (b.1936)

Head
Ink, 42 x 26cm
Signed
Provenance: The Dawson Gallery, Dublin
€400 - 600
Est 1887
21
24 Mike Fitzharris (b.1952)

Low Tide
Oil on board, 60 x 75cm
Signed
€3000 - 5000

22
25 Jennifer Kingston (20th/21st Century)

Down the Reef, Subsea
Oil on canvas laid on board, 54 x 43cm
€800 - 1200
26 Eugene Worr all (20th/21st Century)

Pond Near Durrow

Signed
Eugene Worrall studied Fine Art at Dun

Laoghaire College of Art and Design. He
has exhibited extensively and his work is
in many private collections in Ireland and
abroad. He is currently painting plein air
landscapes in Ireland and France.
€600 - 800
Est 1887
23
27 Richard Kingston RHA (1922-2003)

Causeway No. 47
€6000 - 8000

24
28 Brian McIlvenny (20th/21st Century)

Porte de Maroc
Lith print, 26.5 x 26.5cm

Signed, inscribed, dated 2007 and numbered 69/150
These photographs are individually hand-printed by award winning

photographer Brian McIlvenny, Ireland’s leading specialist in lith
printing. This is an alternative chemical process that produces true
monochrome photographic prints. This highly distinctive technique is
unpredictable, ensuring that each limited edition lith print is unique.
€300 - 400
29 Brian McIlvenny (20th/21st Century)

Terr aza
Lith print, 27.5 x 26.5cm

Signed, inscribed, dated 2007 and numbered 38/50
€300 - 400
Est 1887
25
30 Stephanie Rew (b.1971)

On the Stool
Signed, inscribed with title and dated 2003 verso
Rew was born in England in 1971. She graduated in 1994 from Duncan of Jordanstone Col-
lege of Art in Dundee, Scotland. Since then she has exhibited extensively in London and
Glasgow. Her work can be found in many collections throughout the UK, including the
Royal Bank of Scotland, as well as private collections in Australia and the United States
€3500 - 4500
26
31 Eleanor McCaughey (20th/21st Century)

Tea Party
Oil on canvas, 101.5 x 81cm

Signed
€1500 - 2000
Est 1887
27
32 Eleanor McCaughey (20th/21st Century)

The Nervous Watcher

Signed
€1500 - 2000

28
33 Philip Hoye (20th/21st Century)

View on to Abbey Street
Pencil, 52 x 36cm
€400 - 500
34 American School

Tr acks At Gr and Centr al
Etching, 26.5 x 32cm

Signed and inscribed
€200 - 400
Est 1887
29
35 Philip Hoye (20th/21st Century)

Gr anby Row

€1000 - 1500

30
36 Sean Molloy (20th/21st Century)

View of Sandycove
Watercolour, 14 x 18cm
Signed
Born in Lancashire, England, Sean Molloy moved

to Ireland in the early 70s. He began painting in
his late teens and started exhibiting during the late
80s. In 1989 some of his watercolours were pub-
lished as limited edition prints by Matthew Ryan
(Thurles). During the early 90s, Sean received
private commissions from the UK and Ireland.
Towards the end of the decade, he returned to the
UK where, following a course at the Slade School,
he studied painting in the University of Brighton
and the Glasgow School of Art. Since 2001, he
has been based in Ireland and has exhibited with
several galleries, including the Kings Road Gal-
lery in London and the Solomon Gallery, Dublin.
€200 - 300

View of Greystones
Signed
€200 - 300
Est 1887
31
38 Terence P. Flanagan RUA PRUA (b.1929)

Cattle Resting in a River Landscape
Signed
€3000 - 5000

32

View of Sandymount
Signed
€200 - 300

Old Harbour Howth
Signed
€200 - 300
Est 1887
33
41 Brian Ferr an RHA RUA (b.1940)

Horde 5

Signed
€2500 - 3500

34
42 Carmel T. Madigan (b.1961)

Veiled Landscape
Acrylic on Russian Linen, 59 x 90cm

Signed with monogram and dated ‘07, inscribed verso
€1500 - 2500
43 Celia Richard (20th/21st Century)

Nesting Season

€200 - 300
Est 1887
35
44 Richard Gorman (b.1946)

Untitled 2000
Gouache on handmade washi paper, 65 x 49cm

Signed with initials
€700 - 1000

36
45 Liam O’Broin, (b.1944)

Figure II
€150 - 200
46 Oliver Comerford (b.1967)

Driver

€800 - 1200
Est 1887
37
47 John Shinnors (b.1950)

Studio Figure Study
Acrylic and pastel on paper, 37 x 36cm

Signed
€6000 - 8000

38
48 Donal O’Sullivan (b.1945)

Group Portr ait
Graphite on paper, 36 x 63cm
Signed
€200 - 300
49 Donald Hounam (b.1948)

Donal O’Sullivan - Two Heads
Pencil, 43 x 33cm
Provenance: Exhibited and purchased

at Donald Hounam and Michael War-
ren Exhibition, Lad Lane Gallery, Dub-
lin, November 1980, catalogue no. 12.
€300 - 400
Est 1887
39
50 Tom Climent (b.1970)

The Great Bath II
Mixed media on paper laid on board, 58 x 82.5cm

Signed verso
€700 - 1000

40
51 Dame Elisabeth Frink R A (1930-1993)

Jason and the Golden Fleece
Etching, 55 x 73cm
Dame Elisabeth Frink was born in Thurlow, Suffolk in 1930. Having

studied at The Guildford School of Art and Chelsea School of Art,
where she was taught by Bernard Meadows, she went on to teach at
St Martins School of Art and the Royal College of Art in London.
Elisabeth Frink was one of Britains leading post war sculptors and her
achievments were recognised in 1969 when she was awarded a CBE
and again in 1982 when she was made a Dame of the British Empire.
The following four prints come from the Children of
the Gods series. They depict stories from Greek mythol-
ogy such as the tragedy of Laos and Oedipus killing his fa-
ther and the tale of Jason & the Golden Fleece.
€600 - 800
52 As the previous lot , numbered 46/70
€600 - 800
€600 - 800
Est 1887
41

Hades
Etching, 55 x 73cm
€600 - 800
€600 - 800
56 As the previous lot, numbered 58/70
€600 - 800

42

Laos and Oedipus
Etching, 55 x 73cm
€600 - 800
€600 - 800
Est 1887
43

Hermes
Etching, 55 x 73cm
€600 - 800
60 As the previous lot, numbered , 61/70
€600 - 800

44
61 Bea Orpen (1913-1980)

Dunes
Watercolour, 35.5 x 46cm (14 x 18.5”)

Signed
€500 - 700
62 Maurice Desmond (b.1944)

Lietuva IV
Acrylic on board, 31 x 43.5cm
Signed, also signed and inscribed verso
€300 - 500
Est 1887
45
63 Cecily Brennan (b.1955)

Iveagh Mound II
Watercolour on paper, 31 x 21.5cm

Signed, inscribed and dated ‘80 verso
Taylor Gallery label verso
€1000 - 1500
46
64 Rod Coyne (b.1967)

Seaspr ay Southwest

Signed, inscribed verso
€1200 - 1400

Avoca Coppermine

Signed, inscribed verso
€700 - 900
Est 1887
47
66 Louise Newman (b.1960)

Summer on the Barrow
Acrylic on board, 75 x 75cm

Signed verso
Louise Newman began her studies at San Jose State University, California. After returning to Ireland in 1992 she went on to receive
a National Diploma and Degree in Fine Art from I.A.D.T. She has exhibited her work at venues nationwide including the
Galway Arts Centre, West Cork Arts Centre and the Hallward Gallery. She appeared on R.T.E. Open House in collaboration
with The Irish Arts Review in The Emerging Artist of the Year Competition 2004 and her work was highlighted at the Eigse Carlow
Arts Festival in 2005. Her work is in the collections of the Ministry of Defence, the European Patent Office Munich, Irish Credit Unions
and most recently her work was purchased by the Bank of Ireland.
€1200 - 1600

48
67 Martin Gale RHA (b.1949)

The Field
€1200 - 1500
68 Peter Collis RHA (B.1929)

The Barrow at Athy
Oil on board, 14 x 25.5cm

Artist’s label verso
Exhibited: The Frederick Gal-

lery, March 1997, Cat. No. 15
€1500 - 2000
Est 1887
49
69 Michael B. McAuley (b.1938)

West Window
Tempera on board, 49.5 x 30cm

Signed
€800 - 1200

50

Coal Harbour, Dun Laoghaire
Signed
€800 - 1200
71 Trevor Geoghegan (b.1946)

Saddlestone Near Lisdoonvarna,
Co. Clare
Acrylic on board, 15 x 20.5cm

Signed, also signed, inscribed and dat-
ed 1998 on artist’s label verso
€400 - 600
Est 1887
51

Cliff Paths, Giants Causeway
Watercolour, 44.5 x 65.5cm

Signed
€1200 - 1800

52
73 Nancy Wynne Jones (b.1922)

Farm House
Hand-coloured print, 12 x 18.5cm

Together with another
Nancy Wynne Jones (b.1922)
Abstract Composition
Hand-coloured print, 11.5 x 15.5cm
Both mounted on original greeting cards

from the artist. Photocopy of such verso
[2]
€300 - 400
74 John Br atby (1928-1992)

Weald Farm
Signed
€600 - 800
Est 1887
53
75 John Virtue (b.1947)

Landscape 207
Oil on canvas, 30.4 x 40.4cm
Signed, inscribed and dated 1992/93 verso
John Virtue was appointed as “The Sixth National Gallery Associate Artist” in 2004 in recognition
of his long standing engagement with the European landscape painting tradition. The resultant
works from this period were exhibited at The National Gallery, London, March-June 2005
€1000 - 2000
54
76 Sir Fr ank Br angwyn R A

(British 1867-1956)

Jewish Men
Etching, 8.5 x 15.5cm

Signed
€150 - 250
77 Norman Stevens (1937-1988)

House

Signed, inscribed, dated 1972
and numbered 23/35
€150 - 200
Est 1887
55
78 Charles Harper RHA (b.1943)

Talking
Ink and watercolour on handmade paper, 22.5 x 30cm

€1500 - 2000

56
79 Joel Fisher (American, b.1947)

Apogr aph
Ink on hand made paper, 14 x 14cm
Provenance: Oliver Dowling, Dublin, whence

purchased by Dr & Mrs J.B. Kearney, September 1977
€150 - 200
80 Leopoldo Novoa (20th/21st Century)

White Print

Provenance: Hendriks Gallery, Dublin
€300 - 500
Est 1887
57
81 José de Guimar àes (Portuguese, 1939)

Abstr act
Gouache on handmade paper, 16 x 16cm

Signed
€800 - 1200

58
82 Maoja Van Dam (20th/21st Century)

Hospital Scene
Etching, 25 x 29cm
Signed, inscribed with title, dat-
ed March 1974 & No. 10/20
Dawson Gallery label verso
€100 - 150
83 Ron Brooks Kitaj (1932-2007)

Robert Duncan (1971)

€400 - 600
Est 1887
59
84 Fr ank Auerbach (German, b.1931)

Julia (From six etchings of heads)
Etching, 13.5 x 15cm

Signed, inscribed with title, dated (19)81 and numbered 21/50
€800 - 1200

60
85 Pauline Bewick RHA (b.1935)

R ainforest
Watercolour and pen, 21.5 x 34cm
Signed, inscribed and dated Jan ‘90
€1000 - 1500
86 Pauline Bewick RHA (b.1935)

Cat
Signed and inscribed ‘artist’s proof’
€400 - 600
Est 1887
61
87 Victor Vasarely (1908-1997)

Untitled
Signed and Numbered 52/138
€600 - 800

62
88 Maurice Pierse (20th/21st Century)

Coningbeg
Acrylic on canvas, 48 x 99cm

Signed
€1000 - 1500
89 Martin Collins (20th Century)

Tr á Bawn
Watercolour, 55.5 x 38.5cm

Provenance: Exhibited and purchased at

Martin Collins Exhibition of Watercolours,
Lad Lane Gallery, Dublin, 1978, catalogue no. 13
€300 - 400
Est 1887
63
90 Jackie Mitchell (20th/21st Century)

Coliemore Pit Stop
Acrylic on canvas, diptych, 30 x 30cm each panel

€1200 - 1600

64
91 Michael Coleman (b.1951)

Untitled 1978

Signed MC78
Oliver Dowling label verso
€500 - 800
92 Denis Farrell (b.1963)

From my Studio Window
Oil on canvas (unstreched) mount-

ed on board, 50 x 62cm
€300 - 500
Est 1887
65
93 Louise O’Brien (20th/21st Century)

Coadjutors’ Coach

Signed
€2000 - 3000

66
94 Louis Le Brocquy HRHA (b.1916)

Head of Strindberg
€1800 - 2200
Est 1887
67
95 Louis Le Brocquy HRHA (b.1916)

Study of Samuel Beckett
Aquatint, 38.5 x 39.5cm

€2500 - 3500
68
96 Charlie Flanagan (b.1947)

Landscape
Acrylic on canvas, 18.5 x 28.5cm

€450 - 550
97 Charlie Flanagan (b.1947)

Red Tulips
Signed and dated Aug ‘97
€450 - 550
Est 1887
69
98 Rosemary McLoughlin (b.1945)
Black Tulips in a Glass Vase
Acrylic on board, 41 x 51cm (16 x 20”)

Signed
€1000 - 1500

70
99 Stephen Cullen (b.1959)

Figures on a Beach

€300 - 400
100 Phil Kelly (b.1950)

Green Bar
Oil on paper, 71.5 x 56cm
Signed
€400 - 600
Est 1887
71
101 Maurice Pierse (20th/21st Century)

Dun Laoghaire Boats
Acrylic on canvas, 50.5 x 76cm

Signed
€1000 - 1500

72
102 Irene E. Mills (20th Century)

Oil in board, 40 x 50cm

Signed, also signed and dated verso 1956
€300 - 500
103 Nor ah McGuinness HRHA (1901-1980)

Dublin Bay
Lithograph, 30.5 x 51cm (12 x 20”)

Signed, inscribed and numbered 10/75
€300 - 500
Est 1887
73
104 R ay Carroll (20th Century)

Crucifixion

Signed
€500 - 800

74
105 Evelyn Street (20th Century)

Still Life Prepared

Signed with monogram
€400 - 600
106 Maria Quigley (20th Century)

Lemons
Signed on the edge of the stretcher and dated 2006
€50 - 100
Est 1887
75
107 Janet Cruise Halpin (20th/21st Century)

White Park Bay
Mixed media with oil on Fabriano paper, 36 x 49cm

€1200 - 1800

76
108 Willie Evesson (20th/21st Century)

Until he met at Glenmalure
Oil on board, diptych, 60 x 50cm each

€3000 - 4000
109 John Kingerlee (b.1936)

Conviction
Mixed media on paper, 22 x 30cm

Signed with monongram
Provenance: The Leinster Gallery, Dublin
€1500 - 2000
Est 1887
77
110 Janet Cruise Halpin (20th/21st Century)

Road Across Sally Gap
Mixed media with oil on Fabriano paper, 36 x 49cm

€1200 - 1800

78
111 Mary Donnelly (20th/21st Century)

Gorse Among the Bushes
Oil on tracing paper, 42.5 x 31cm

Signed
€200 - 300
112 Eugene Conway (b.1965)

Athy
Oil on canvas, 20 x 24.5cm

Signed
Exhibited: The Molesworth Gallery, April 2002
€300 - 500
Est 1887
79
113 Tim Goulding (b.1945)

Blazing Hills

€600 - 800

80
114 Marie Carroll (20th/21st Century)

Early Morning, Heuston Station

Signed
Exhibited: The Royal Hibernian Academy

Annual Exhibition 2000, Cat. No. 69
€1500 - 2000
115 Marie Carroll (20th/21st Century)

The National Museum, Kildare Street

Signed
€1000 - 1500
Est 1887
81
116 Norman Teeling (b.1944)

Lady in an Interior

Signed
€1000 - 1500
117 Norman Teeling (b.1944)

Lady in a Conservatory

Signed
€1000 - 1500

82
118 Colin Crotty (20th/21st Century)

Double Figure
€800 - 1200
Est 1887
83
119 Colin Crotty (20th/21st Century)

Interior Figure

Signed on the stretcher
€600 - 800

84
120 Felim Egan (b.1952)

Upstream
Etching, 27 x 18cm
Signed, inscribed, dated ‘94 and numbered 1/16
€500 - 700
121 Dermot McCarthy (b.1948)

Man of the West

Signed and dated 78
€300 - 500
Est 1887
85
122 Naomi Brosnan (b.1970)

Dissolution
Oil on linen, 122 x 71cm

Signed
€3000 - 4000

86
123 Sergey Talichkin (b.1978)

Symphony of Nature
€2000 - 3000
124 John Schwatschke (b.1943)

Communitarians

Signed and dated 2006 verso
€2000 - 3000
Est 1887
87
125 Sergey Talichkin (b.1978)

Skellig Islands, Kerry

€2000 - 3000

88
126 Jim Halligan (20th/21st Century)

Sunlight on the Estuary

Signed
€350 - 450

Evening Hillside Study

Signed
€350 - 450
Est 1887
89
128 Patrick Cashin (b.1965)

Skellig Island at Night

Signed, signed also verso
€800 - 1200

90
129 Eamonn Robbins (20th/21st Century)

Portr ait of James Joyce
Signed
Eamonn Robbins lives and paints in Dublin and is a

regular exhibitor at the Royal Hibernian and Royal
Ulster Academies. He has won a number awards
including the Emer Gallery prize at the RUA 2003
exhibition held in the Ulster Museum Belfast.
€300 - 400
130 Eamonn Robbins (20th/21st Century)

Portr ait of Myles Na gCopaleen
Signed
€300 - 400
Est 1887
91
131 Brian Smyth (b.1967)

Recollections

Signed and dated 2008 verso
€2000 - 2500

92
132 Paula Pohli (20th/21st Century)

Ar an Labyrinthian Walk
Linoprint, 39 x 29cm
€350 - 450
133 Paula Pohli (20th/21st Century)

On Line
Linoprint, 14.5 x 23cm

€180 - 220
Est 1887
93
134 Vanessa Donoso-Lopez (b.1978)

Everybody Likes Horses

€1500 - 2000
134A Kevin Holland (20th/21st Century)
he’s after leaving
Stainless Steel, 81.5cm high

Signed
€1500 - 2000

94

I Don’t Mind How You Paint My Soul But Get My Tie Correct
Etching and lithograph, 58.5 x 50cm

€500 - 700
Est 1887
95

James Joyce & Picasso au Café De Flore
Etching and lithograph, 65 x 61cm

€600 - 800
96
137 R aymond Piper HRHA RUA (1923-2007)

Clare Street
Pencil, 27 x 36.5cm
Signed, inscribed and dated 1957
€400 - 600
138 R aymond Piper HRHA RUA (1923-2007)

Portr ait of George Campbell
Pencil, 48.5 x 31cm
Signed, inscribed and dated 1971
€400 - 600
Est 1887
97
139 Robert Ballagh (b.1943)

View of the Examination Hall, Trinity
College

Signed, dated 1982 and numbered 117/300
€600 - 800

98
140 Carmel Mooney (20th Century)

Seascape, Rossbeigh, Co. Kerry

Signed
€300 - 500
141 Carmel Mooney (20th Century)

Two Summer Bloom

Signed
€250 - 350
Est 1887
99

Looking Toward Blackhead (Burren)

Signed, also signed, inscribed and dated 1997 verso
€2000 - 3000

100
143 Eric Patton (1925-2004)

Scottish Coastline

Signed
€800 - 1200
144 Gladys MacCabe HRUA ROI FRSA (b.1918)

Flowers In A Glass Jar
Watercolour on paper, 41 x 30.5cm

Signed
€800 - 1200
Est 1887
101
145 Martin Gale RHA (b.1949)

The Glen

Exhibited: Taylor Gallery, Dublin
€2000 - 3000

102
146 Dennis Orme Shaw (b.1946)

Irish cottages

Signed
€800 - 1200
147 Dennis Orme Shaw (b.1946)

Galway Hookers
Oil on canvas, 50.5 x 61 cm

Signed
€800 - 1200
Est 1887
103

Looking Towards Dublin from R athmore
Oil on panel, 30.5 x 61cm

Signed
€1500 - 2000

104
149 Julian Friers RUA (b.1956)

Ducks by the Pond

Signed
€800 - 1200

Woodland, Bluebell Study

Signed
€350 - 450
Est 1887
105

South of Florence; Soft Light Edge of
Florence
Acrylic on panel, a pair, 13.5 x 23.5cm each

Signed
(2)
€1500 - 2000 Contemporary & Modern Art, 17th June 2008

106
152 Eugene Worr all (20th/21st Century)

Coffee Cup I

Signed
€300 - 400
153 Mary T. Carberry (20th/21st Century)

Apples
Oil on canvas board, 19 x 23cm

Signed
€350 - 450
Est 1887
107
154 Martin Bernon (b.1966)

Bolus Chair

Signed
€800 - 1200
155 Brian Merry (20th/21st Century)

Andalusian Rider
Watercolour and conté, 48 x 38cm

Signed
€300 - 500

108
156 Ros Harvey (20th Century)

Inishmeane
Signed
This painting was illustrated in Donegal

Islands by Ros Harvey and Wallace Clark.
A copy of this book accompanies the lot.
€700 - 1000
157 Adrienne Dooling (20th Century)

A set of five landscape studies
Watercolours, 8.6 x 34cm each

(5)
€1500 - 2000
Est 1887
109
158 Neal Greig (20th/21st Century)

Lough Conn, Co. Mayo

Signed, inscribed and dated 2008 verso
€3000 - 3500

110
159 Greta Bowen (1880-1981)

Memory of Lake Killarney

Signed
€1000 - 1500
160 Greta Bowen (1880-1981)

Cattle Mart
Oil on paper, 26 x 37cm
€1000 - 1500
Est 1887
111
161 Leo Toye (b.1940)

Woodland

€1000 - 1500

112
162 George Dunne (b.1945)

Abstr acted Landscape
Mixed media on board, 30 x 38cm

€300 - 400
163 John Moore (20th Century)

Undercurrent
Oil on canvas
€300 - 500
Est 1887
113
164 Henry McGr ane (20th/21st Century)

Kildare Hunt

Signed
€800 - 1200
165 Henry McGr ane (20th/21st Century)

Silver And Glass

Signed
€1500 - 2000

114
166 Sergej Sviatchenko (b.1952)

The Green Magical Time IX

Signed
€400 - 600
167 Sergej Sviatchenko (b.1952)

The Green Magical Time X

€400 - 600
Est 1887
115
168 Debor ah Donnelly (20th/21st Century)

Lady Br acknell

Signed
€600 - 800
169 Ruby (20th/21st Century)

Delinquents
Signed and dated 4.99
€400 - 600

116

Roundwood Reservoir

€300 - 400
171 John Evans (20th/21st Century)

Dublin 1984
Hand-print from transparency, 24 x 19cm

1 of an edition of 10
€200 - 250
Est 1887
117
172 Aoife Power (20th/21st Century)

Lua an

€400 - 600
173 Brian Palm (b.1957)

Percy Place

€1200 - 1600

118
174 Iseult Reid (20th/21st Century)

Olympia Theatre
Mixed Media, 38.5 x 29cm

Signed
€150 - 250
175 Conor Doonan (b.1971)

Round the Next Corner

Signed
€300 - 500
Est 1887
119
176 Leon Kossoff (20th/21st Century)

The Booking Hall

Signed, inscribed, dated (19)82 and numbered 89/100
€500 - 600
177 Bryan Westwood (1930-2000)

Chambers Pillar in its Vallery (1992)

Signed with initial ‘W’
Provenance: Australian Galleries, Collingwood
€800 - 1200

120
178 Ger ald Davis (1938-2005)

Echoes Of Godot

€400 - 600
179 Antonia Caffrey

Satans Chicks
Mixed media on paper 41x30cm

€350 - 450
Est 1887
121
180 Gr aham Knuttel (b.1954)

Seated Female Nude
Oil and canvas, 122 x 91cm

Signed
€2000 - 3000
181 Gr aham Knuttel (b.1954)

King and Queen;
A pair of portr ait busts
Papier maché, 142cm high and 126cm high
€3000 - 4000

122
182 Valda Sterne (21st Century)

Cascade
Oil on canvas, 1m x 70cm

Signed
€600 - 800
183 Celia Richard (20th/21st Century)

Pnomh Penn
French born Celia Richard has been liv-

ing and working in Ireland for over ten years.
She recently enjoyed a successful solo exhibi-
tion comprising 45 works in total at the Iontas
Art Centre, Castleblayney, Co. Monaghan.
€200 - 300
Est 1887
123
184 Yona Shiryan Caffrey (20th/21st Century)
Yellow Vase on Red
Acrylic on paper, 41x29cm
€350 - 450
185 Yona Shiryan Caffrey (20th/21st Century)

Black vase
Arcrylic on paper 41x29cm

€350 - 450

124
186 Pervaneh Matthews (20th Century)

Tom
Signed
€450 - 550
187 R amie Leahy (20th/21st Century)

Ferriter’s Castle, Ballyferriter, Co. Kerry

Signed
€1000 - 1500
188 Carmel Flynn (20th/21st Century)

Still Life with Flowers and Fruit
Signed
€200 - 300
Est 1887
125
189 John Kingerlee (b.1936)

Watercolour, 20.4 x 8cm

Signed with monogram and dated (19)84
€1000 - 1500
190 Sunday B. Morning after Andy Warhol

(1928 - 1987)

The Blue Marilyn
Silkscreen, 90 x 88.5 cm
€300 - 400
191 George Walsh (b.1939)

Celtic Reflections
Mixed media and collage, 52 x 77.5cm

Signed
€400 - 600

126
192 Gr aphic Studio, Dublin

A portfolio containing four prints
by Patrick Hickey, John Kelly, Leslie
MacWeeney and Anne Yeats based on ‘Nuchal’
by Thomas Kinsella, December 1970
Each print signed and numbered 5/65
€200 - 400
193 Luciano Guarnieri

Skies of Ireland (1971)
A portfolio containing 14 col-

our lithographs, 44.5 x 58.5cm
Signed, numbered XVI from a reserved edition
of 25 abd numbered 1/200 of the main edition
€400 - 600
Est 1887
127
194 Dennis H. Osborne (20th Century)

Female Figure Study, Standing
Graphite, 32.5 x 25cm

Signed
€150 - 250

Male Figure Study, Seated
Graphite, 22 x 19.5cm
Signed
€250 - 350

128

A collection of four works;
Three Figure Studies, 22.5 x 13cm,

22.5 x 13cm, 27 x 11cm
A Study Of A Shoe, 16 x 23cm
Graphite
Signed
[4]
€300 - 400
197 Portuguese School, 20th Century

Whitewashed patio with dogs at the gate,
Almancil
Signed indistinctly with initials ‘MR’
Dated 1982 and numbered 30/90
€80 - 120
Est 1887
Est 1887
General Terms and Conditions of Business
The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and
conditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.
DEFINITIONS AND GENERAL CONDITIONS In the opinion of the Auctioneer probably a work of the artist.
Definitions ‘Studio of/Workshop of ’

In the opinion of the Auctioneer a work executed in the studio of the artist and possibly under his supervision.
1. In these conditions the following words and expressions shall have the following meanings:
‘Auctioneer’ – James Adam & Sons. ‘Circle of ’;

In the opinion of the Auctioneer a work of the period of the artist and showing his influence.
‘Auctioneer’s Commission’ – The commission payable to the Auctioneer by the buyer and seller as specified in conditions 13
and 25. ‘Follower of ’;
In the opinion of the Auctioneer a work executed in the artist’s style yet not necessarily by a pupil.
‘Catalogue’ – Any advertisement, brochure, estimate, price list or other publication.
‘Manner of ’;
‘Forgery’ – A Lot which was made with the intention of deceiving with regard to authorship, culture, source, origin, date, age or In the opinion of the Auctioneer a work executed in artist’s style but of a later date.
period and which is not shown to be such in the description therefore in the Catalogue and the market value for which at the date
of the auction was substantially less than it would have been had the Lot been in accordance with the Catalogue description. ‘*’;
None of the terms above are appropriate but in the Auctioneer’s opinion the work is a work by the artist named.
‘Hammer Price’ – The price at which a Lot is knocked down by the Auctioneer to the buyer.
‘Lot’ – Any item which is deposited with the Auctioneer with a view to its sale at auction and, in particular, the item or items
described against any Lot number in any Catalogue.
GENERAL CONDITIONS
‘Proceeds of Sale’ – The net amount due to the seller being the Hammer Price of the Lot after deducting the Auctioneer’s
Commission thereon under condition 25 the seller’s contribution towards insurance under condition 26, such VAT as is charge-
able and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising. Auctioneer Acting as Agent
3. The Auctioneer is selling as agent for the seller unless it is specifically stated to the contrary. The Auctioneer as agent for the
‘Registration Form or Register’ – The registration form (or, in the case of persons who have previously attended at auctions seller is not responsible for any default by the seller or the buyer.
held by the Auctioneer and completed registration forms, the register maintained by the Auctioneer which is compiled from such
registration forms) to be completed and signed by each prospective buyer or, where the Auctioneer has acknowledged pursuant
to condition 12 that a bidder is acting as agent on behalf of a named principal, each such bidder prior to the commencement Auctioneer Bidding on behalf of Buyer
of an auction. 4. It is suggested that the interests of prospective buyers are best protected and served by the buyers attending at an auction.
However, the Auctioneer will, if instructed, execute bids on behalf of a prospective buyer. Neither the Auctioneer nor its
‘Sale Order Form’ – The sale order form to be completed and signed by each seller prior to the commencement of an auction. employees, servants or agents shall be responsible for any neglect or default in executing bids or failing to execute bids.
‘Total Amount Due’ – The Hammer Price of the Lot sold, the Auctioneer’s Commission due thereon under condition 13, such
VAT as is chargeable and any additional interest, expenses or charges due hereunder. Admission to Auctions
5. The Auctioneer shall have the right exercisable in its absolute discretion to refuse admission to its premises or attendance at
‘V.A.T.’ – Value Added Tax. its auctions by any person.
Cataloguing Practice and Catalogue Explanations Acceptance of Bids

6. The Auctioneer shall have the right exercisable in its absolute discretion to refuse any bids, advance the bidding in any manner
2. Terms used in Catalogues have the following meanings and the Cataloguing Practice is as follows: it may decide, withdraw or divide any Lot, combine any two or more Lots and, in the case of a dispute, to put any Lot up for
auction again.
The first name or names and surname of the artist;
In the opinion of the Auctioneer a work by the artist.
Indemnities
The initials of the first name(s) and the surname of the artist; 7. Any indemnity given under these conditions shall extend to all actions, proceedings, claims, demands, costs and expenses
In the opinion of the Auctioneer a work of the period of the artist and which may be in whole or in part the work of the artist. whatever and howsoever incurred or suffered by the person entitled to the benefit of the indemnity and the Auctioneer declares
itself to be a trustee of the benefit of every such indemnity for its employees, servants or agents to the extent that such indemnity
The surname only of the artist; is expressed to be for their benefit.
In the opinion of the Auctioneer a work of the school or by one of the followers of the artist or in his style.
The surname of the artist preceded by ‘after’; Representations in Catalogues

In the opinion of the Auctioneer a copy of the work of the artist. 8. Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuineness, source,
‘Signed’/’Dated’/’lnscribed’; origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer
In the opinion of the Auctioneer the work has been signed/dated/inscribed by the artist. nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot
must exercise and rely on their own judgment and opinion as to such matters.
‘With Signature’/’with date’/’with inscription’;
In the opinion of the Auctioneer the work has been signed/dated/inscribed by a person other than the artist.
9. The headings of the conditions herein contained are inserted for convenience of reference only and are not intended to be part
‘Attributed to’; of, or to effect, the meaning or interpretation thereof.
CONDITIONS WHICH MAINLY CONCERN THE BUYER
(f ) To retain that Lot or any other Lot purchased by the buyer whether at the same or any other auction and release
The Buyer same to the buyer only after payment to the Auctioneer of the Total Amount Due.
12. The buyer shall be the highest bidder acceptable to the Auctioneer who buys at the Hammer Price. Any dispute which may
arise with regard to bidding or the acceptance of bids shall be settled by the Auctioneer. Every bidder shall be deemed to act as (g) To apply any sums which the Auctioneer received in respect of Lots being sold by the buyer towards settlement of
principal unless the Auctioneer has prior to the auction, acknowledged in writing that a bidder is acting as agent on behalf of the Total Amount Due.
a named principal. (h) To exercise a lien on any property of the buyer in the possession of the Auctioneer or whatever reason.
Commission Liability of Auctioneer and Seller

13. The buyer shall pay the Auctioneer a commission at the rate of 15%, exclusive of vat, of the Hammer Price payable in 19. Prior to auction ample opportunity is given for the inspection of the Lots on sale and each buyer by making a bid acknowl-
respect of any Lot. edges that he has, by exercising and relying on his own judgment, satisfied himself as to the physical condition, age and Catalogue
description of each Lot (including but not restricted to whether the Lot is damaged or has been repaired or restored). All Lots
are sold with all faults and imperfections and errors of description. None of the seller, the Auctioneer nor any of their employees,
Payment servants or agents shall be responsible for any error of description or for the condition or authenticity of any Lot. No warranty
14. Unless credit terms have been agreed with the Auctioneer before the auction the buyer of a Lot shall pay to the Auctioneer whatsoever is given by the seller or Auctioneer or by any of their employees, servants or agents in respect of any Lot and any
within one (1) day from the date of the auction the Total Amount Due. Notwithstanding this, the Auctioneer may, in its sole condition or warranty express or implied by statute or otherwise is hereby specifically excluded.
discretion, require a buyer to pay a deposit of 25% of the Total Amount Due at the conclusion of the auction.
The Auctioneer may apply any payments received by a buyer towards any sums owing from that buyer to the Auctioneer on any Forgeries
account whatever regardless of any directions of the buyer or his agent in that regard whether express or implied. 20. Any amount paid by a buyer in respect of a Lot which, if it is proved within three (3) years of the date of the auction at which
it was purchased, to have been a Forgery shall be refunded to the seller subject to the provisions hereof, provided that:
The Auctioneer shall only accept payment from successful bidders in cash or by the bidder’s own cheque. Cheques drawn by
third parties, whether in the Auctioneer’s favour or requiring endorsement, shall not be accepted. (a) The Lot has been returned by the buyer to the Auctioneer within three (3) years of the date of the
auction in the same condition in which it was at the time of the auction together with evidence proving that it is a
Forgery, the number of the Lot and the date of the auction at which it was purchased;
Reservation of Title
15. Notwithstanding delivery or passing of risk to the buyer the ownership of a Lot shall not pass to the buyer until he has paid (b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and market-
to the Auctioneer the Total Amount Due. able title to the Lot free from any third party claims;
FURTHER PROVIDED THAT the buyer shall have no rights hereunder if:
Collection of Purchases (i) The description of the Lot in the Catalogue at the time of the auction was in accordance with the then generally
16. The buyer shall at his own expense collect the Lot purchased not later than (2) days after the sale etc (2) days after the date accepted opinion of scholars or experts or fairly indicated that there was a conflict of such opinion;
of the auction but (unless credit terms have been agreed with the Auctioneer pursuant to condition 14) not before payment to
the Auctioneer of the Total Amount Due. (ii) The only method of establishing at the time of the auction in question that the Lot was a Forgery would have been
by means of scientific processes which were not generally accepted for use until after the date of the auction or which
The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away were unreasonably expensive or impractical.
within seven (2) days after the date of the auction.
The buyer’s sole entitlement under this condition is to a refund of the actual amount paid by him in respect of the Lot. Under no
The purchased Lot shall be at the buyer’s risk in all respects from the earlier of the time of collection or the expiry of one (1) day circumstances shall the Auctioneer be liable for any damage, loss (including consequential, indirect or economic loss) or expense
from the date of the auction. Neither the Auctioneer nor its employees, servants or agents shall thereafter be liable for any loss or suffered or incurred by the buyer by reason of the Lot being a Forgery.
damage of any kind howsoever caused while a purchased Lot remains in its custody or control after such time.
The benefit of this condition shall be solely and exclusively for the buyer and shall not be assignable. The buyer shall for the
purpose of this condition be the person to whom the original invoice in respect of the sale of the Lot is made.
Packaging and Handling of Purchased Lots
17. Purchased Lots may be packed and handled by the Auctioneer, its employees, servants or agents. Where this is done it is
undertaken solely as a courtesy to buyers and at the discretion of the Auctioneer. Under no circumstances shall the Auctioneer, Photographs
its employees, servants or agents be liable for damage of any kind and howsoever caused to glass or frames nor shall the 21. The buyer authorises the Auctioneer at any time to make use of any photographs or illustrations of the Lot purchased by the
Auctioneer be liable for the errors or omissions of, or for any damage caused by, any packers or shippers which the Auctioneer buyer for such purposes as the Auctioneer may require.
has recommended.
Non-Payment or Failure to Collect Purchased Lots

18. If a buyer fails to pay for and/or collect any purchased Lot by the dates herein specified for payment and collection the CONDITIONS WHICH MAINLY CONCERN THE SELLER
Auctioneer shall, in its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to
exercise one or more of the following rights or remedies without further notice to the buyer:
Auctioneer’s Discretion
(a) To issue court proceedings for damages for breach of contract; 22. With regard to the sale of any Lot the Auctioneer shall have the following powers exercisable solely in the discretion of the
Auctioneer:
(b) To rescind the sale of that Lot or any other Lots sold to the buyer whether at that or at any other auction;
(i) To decide whether to offer any Lot for sale or not;
(c) To resell the Lot or cause it to be resold whether by public auction or private sale. In the event that there is a
deficiency between the Total Amount Due by the buyer and the amount received by the Auctioneer on such resale (ii) To decide whether a particular Lot is suitable for sale by the Auctioneer and, if so, to determine which auction, the
after deduction of any necessary expenses the difference shall be paid to the Auctioneer by the buyer. Any surplus place and date of sale, the conditions of sale and the manner in which such sale should be conducted;
arising shall belong to the seller.
(iii) To determine the description of any Lot in a Catalogue.
(d) To store (whether at the Auctioneer’s premises or elsewhere) and insure the
purchased Lot at the expense of the buyer. (iv) To decide whether the views of any expert shall be obtained and to submit Lots for examination by any such
experts.
(e) To charge interest on the Total Amount Due at the rate of 2% over and above the base rate from time to time of
Bank of Ireland or if there be no such rate, the nearest equivalent thereto as determined by the Auctioneer in its (v) To determine what illustration of a Lot (if any) is to be included in the Catalogue.
absolute discretion from the date on which payment is due hereunder to the date of actual payment.
Payment of Proceeds of Sale
28. The Auctioneer shall remit the Proceeds of Sale to the seller not later than thirty (30) days after the date of the auction, provided
however that, if by that date, the Auctioneer has not received the Total Amount Due from the buyer then the Auctioneer shall remit
23. The seller warrants to the Auctioneer and to the buyer that he is the true owner of the Lot or is legally authorised to sell the the Proceeds of Sale within seven (7) working days after the date on which the Total Amount Due is received from the buyer. If
Lot on behalf of the true owner and can transfer good and marketable title to the Lot free from any third party claims. As regards credit terms have been agreed between the Auctioneer and the buyer the Auctioneer shall remit to the seller the Proceeds of Sale
Lots not held by the Auctioneer on its premises or under its control the seller warrants and undertakes to the Auctioneer and the not later than thirty (30) days after the date of the auction unless otherwise agreed by the seller.
buyer that the Lot will be available and in a deliverable state on demand by the Auctioneer or buyer. The seller shall indemnify
the Auctioneer and the buyer or any of their respective employees, servants or agents against any loss or damage suffered by any of If before the Total Amount Due is paid by the buyer the Auctioneer pays the seller an amount equal to the Proceeds of Sale then
them in consequence of any breach of the above warranties or undertakings by the seller. title to the Lot shall pass to the Auctioneer.
If the buyer fails to pay the Auctioneer the Total Amount Due within fourteen (14) days after the date of the auction, the
Auctioneer shall endeavour to notify the seller and take the seller’s instructions on the course of action to be taken and, to the extent
that it is in the sole opinion of the Auctioneer feasible, shall endeavour to assist the seller to recover the Total Amount Due from the
Reserves buyer provided that nothing herein shall oblige the Auctioneer to issue proceedings against the buyer in the Auctioneer’s own name.
24. Subject to the Auctioneer’s discretion, the seller shall be entitled prior to the auction to place a reserve on any Lot. All reserves If circumstances do not permit the Auctioneer to take instructions from the seller or, if after notifying the seller, it does not receive
must be agreed in advance by the Auctioneer and entered on the Sale Order Form or subsequently be confirmed in writing to the instructions within seven (7) days, the Auctioneer reserves the right, and is hereby authorised by the seller at the seller’s expense,
Auctioneer prior to auction. This also applies to changes in reserves. A reserve may not be placed upon any Lots under IR£100 in to agree special terms for payments of the Total Amount Due, to remove, store and insure the Lot sold, to settle claims made by
value. The reserve shall be the minimum Hammer Price at which the Lot may be sold by the Auctioneer. A reserve once in place or against the buyer on such terms as the Auctioneer shall in its absolute discretion think fit, to take such steps as are necessary to
may only be changed with the consent of the Auctioneer. A commission shall be charged on the ‘knock-down’ bid for Lots which collect monies due by the buyer to the seller and, if necessary, to rescind the sale and refund money to the buyer.
fail to reach the reserve price. Such commission shall be 5% of the ‘knock-down’ bid. This commission and any VAT payable
thereon must be paid before removal of the Lot after the auction. The minimum commission hereunder shall be IR £25. The
Auctioneer may in its sole discretion sell a Lot at a Hammer Price below the reserve therefore but in such case the Proceeds of Sale
to which the seller shall be entitled shall be the same as they would have been had the sale been at the reverse.
Payment of Proceeds to Overseas Sellers
Unless a reserve has been placed on a Lot in accordance with the provisions set out above such Lot shall be put up for sale without 29. If the seller resides outside Ireland the Proceeds of Sale shall be paid to such seller in Irish Punts unless it was agreed with the
reserve. seller prior to the auction that the Proceeds of Sale would be paid in a currency (other than Irish Punts) specified by the seller in
which case the Proceeds of Sale shall be paid by the Auctioneer to the seller in such specified currency (provided that that currency
In the event that any reserve price is not reached at auction then for so long as the Lot remains with the Auctioneer and to the is legally available to the Auctioneer in the amount required) calculated at the rate of exchange quoted to the Auctioneer by its
extent that the Lot has not been re-entered in another auction pursuant to condition 31 the seller authorises the Auctioneer to sell bankers on the date of payment.
the Lot by private treaty at not less than the reserve price. The Auctioneer shall ensure that in such a case those conditions herein
which concern mainly the buyer shall, with any necessary modification, apply to such sale.
Charges for Withdrawn Lots

30. Once catalogued, Lots withdrawn from sale before proofing/publication of Catalogue will be subject to commission of 5% of
Commission the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred
25. The seller shall pay the Auctioneer commission at the rate of 10% on the Hammer Price of all Lots sold on behalf of the seller by the Auctioneer in relation to the Lot. If Lots are withdrawn after proofing or publication of Catalogue they will be subject to a
at Irish Art Sales and 12.5% on the Hammer Price of all Lots sold on behalf of the seller at Fine Art, Wine and Militaria Sales commission of 10% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and
together with V.A.T. thereon at the applicable rate. The seller authorises the Auctioneer to deduct from the Hammer Price paid by any expenses incurred by the Auctioneer in relation to the Lot. All commission hereunder must be paid for before Lots withdrawn
the buyer the Auctioneer’s Commission under this condition; VAT payable at the applicable rates and any other amounts due by the may be removed.
seller to the Auctioneer in whatever capacity howsoever arising. The seller agrees that the Auctioneer may also receive commission
from the buyer pursuant to condition 13.
Unsold Lots
31. Where any Lot fails to sell at auction the Auctioneer shall notify the seller accordingly and (in the absence of agreement between
Insurance the seller and the Auctioneer to the contrary) such Lot may, in the absolute discretion of the Auctioneer, be re-entered in the next
26. Unless otherwise instructed by the seller, all Lots (with the exception of motor vehicles) deposited with the Auctioneer or put suitable auction unless instructions are received from the seller to the contrary, otherwise such Lots must be collected at the seller’s
under its control for sale shall automatically be insured by the Auctioneer under the Auctioneer’s own fine arts policy for such sum expense within the period of thirty (30) days of such notification from the Auctioneer.
as the Auctioneer shall from time to time in its absolute discretion determine. The seller shall pay the Auctioneer a contribution
towards such insurance at the rate of 1% of the Hammer Price plus VAT. If the seller instructs the Auctioneer not to insure a Lot Upon the expiry of such period the Auctioneer shall have the right to sell such Lots by public auction or private sale and on such
then the Lot shall at all times remain at the risk of the seller who undertakes to indemnify the Auctioneer and hold the Auctioneer terms as the Auctioneer in its sole discretion may think fit. The Auctioneer shall be entitled to deduct from the price received for
harmless against any and all claims made or proceedings brought against the Auctioneer of whatever nature and howsoever and such Lots any sums owing to the Auctioneer in respect of such Lots including without limitation removal, storage and insurance
wheresoever occurring for loss or damage to the Lot. The sum for which a Lot is covered for insurance under this condition shall expenses, any commission and expenses due in respect of the prior auction and commission and expenses in respect of the
not constitute and shall not be relied upon by the seller as a representation, warranty or guarantee as to the value of the Lot or that subsequent auction together with all reasonable expenses before remitting the balance to the seller. If the seller cannot be traced
the Lot will, if sold by the Auctioneer, be sold for such amount. Such insurance shall subsist until such time as the Lot is paid for the balance shall be placed in a bank account in the name of the Auctioneer for the seller. Any deficit arising shall be due from the
and collected by the buyer or, in the case of Lots sold which are not paid for or collected by the buyer by the due date hereunder seller to the Auctioneer. Any Lots returned at the seller’s request shall be returned at the seller’s risk and expense and will not be
for payment or collection such due date or, in the case of Lots which are not sold, on the expiry of seven (7) days from the date on insured in transit unless the Auctioneer is so instructed by the seller.
which the Auctioneer has notified the seller to collect the Lots.
Auctioneer’s Right to Photographs and Illustrations

Recision of Sale 32. The seller authorises the Auctioneer to photograph and illustrate any Lot placed with if for sale and further authorises the
27. If before the Auctioneer has paid the Proceeds of Sale to the seller the buyer proves to the satisfaction of the Auctioneer that Auctioneer to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time in
the Lot sold is a Forgery and the requirements of condition 20 are satisfied the Auctioneer shall rescind the sale and refund to the its absolute discretion (whether or not in connection with the auction).
buyer any amount paid to the Auctioneer by the buyer in respect of the Lot.
A O
Auerbach, Frank 84 Friers, Julian 149 O’Brien, Louise 93
Frink, Dame Elisabeth 51-60 O’Broin, Liam 45
B O’Dea, Michael 22
Balakjian, Mark 16 G O’Reilly, John 11
Ballagh, Robert 139 Gale, Martin 67, 145 Orpen, Bea 61
Bernon, Martin 154 Geoghegan, Trevor 71, 142, 148, 151 Orme Shaw, Dennis 146, 147
Bewick, Pauline 85, 86 Goulding, Tim 113 Osborne, Dennis 195, 196
Bowen, Greta 159, 160 Gorman, Richard 44 O’Sullivan, Donal 48
Brangwyn, Sir Frank 76 Greig, Neal 158
Bratby, John 74 P
Brennan, Cecily 63 H Palm, Brian 173
Brosnan, Naomi 122 Hanratty, Alice 15 Pasmore, Victor 6
Halligan, Jim 126, 127, 150 Patton, Eric 143
C Haring, Keith 13 Pierse, Maurice 88, 101
Caffrey, Antonia 179 Harper, Charles 78 Piper, John 3
Caffrey, Yona 184, 185 Harvey, Ros 156 Piper, Raymond 137, 138
Carberry, Mary 153 Holland, Kevin 134A Pohli, Paula 132, 133
Carroll, Marie 114, 115 Hounam, Donald 49 Power, Aoife 172
Carroll, Ray 104 Hoye, Philip 33, 35
Cashin, Patrick 128 Q
Chadwick, Lynn 2 Quigley, Maria 106
Climent, Tom 50 K
Coleman, Michael 91 Kane, Michael 12 R
Comerford, Oliver 46 Kelly, Phil 100 Reid, Isseult 174
Collins, Martin 89 King, Ronald 20 Rew, Stephanie 30
Collis, Peter 68 Kingerlee, John 109 Richard, Celia 43, 183
Conway, Eugene 112 Kingston, Jennifer 25 Robbins, Eamonn 129, 130
Coyne, Rod 64, 65, 170 Kingston, Richard 27 S
Cross, Dorothy 19 Kitaj, Ron Brooks 83 Scott, Patrick 14
Crotty, Colin 118, 119 Knuttel, Graham 180, 181 Schwatschke, John 124
Cruise Halpin, Janet 107, 110 Korol, Ludmila 17 Shinnors, John 47
Cullen, Charles 21 Smyth, Brian 131
Cullen, Stephen 99 L Sterne, Valda 182
Leahy, Ramie 187 Stevens, Norman 77
D Le Brocquy, Louis 94, 95 Street, Evelyn 105
Davis, Gerald 178
De Guimaraes, Jose 81 M T
Desmond, Maurice 62 MacCabe, Gladys 144 Talichkin, Sergey 123, 125
Donleavy, J.P. 7, 8 MacWeeney, Leslie 23 Tapies, Antoni 10
Donnelly, Deborah 168 Madigan, Carmel 42 Teeling, Norman 116, 117
Donnelly, Mary 111 Maguire, Brian 18 Toye, Leo 161
Donoso-Lopez, Vanessa 134 Matthews, Pervaneh 186
Dooling, Adrienne 157 McAuley, Michael 69, 70, 72 V
Doonan, Conor 175 McCarthy, Dermot 121 Van Dam, Maoja 82
Dunne, George 162 McCaughey, Eleanor 31, 32 Vasarely, Victor 87
Dunstan, Bernard 9 McGuinness, Norah 103 Virtue, John 75
McGrane, Henry 164, 165
E McIlvenny, Brian 28, 29 W
Egan, Feilm 4, 120 McLoughlin, Rosemary 98 Walsh, George 191
Evans, John 171 Merry, Brian 155 Westwood, Bryan 177
Evesson, Willie 108 Mills, Irene 102 Worrall, Eugene 26, 152
Mitchell, Jackie 90 Wynne Jones, Nancy 73
F Molloy, Sean 36, 37, 39, 40
Farrell, Denis 92 Mooney, Carmel 140, 141
Farrell, Micheal 5, 135, 136 Moore, Henry 1
Ferran, Brian 41 Moore, John 163
Fisher, Joel 79
Fitzharris, Mike 24 N
Flanagan, Charlie 96, 97 Newman, Louise 66
Flanagan, T.P. 383 Novoa, Leopoldo 80

Auction: Venue

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1

Sunday, 15th June 2.00pm - 5.00pm

Contemporary & Modern Art, 17th June 2008

1. Jack Butler Yeats RHA

2. Attributed to Jack Butler Yeats RHA

3. Style of Jack Butler Yeats RHA

5. After Jack B Yeats

Eamon O’Connor BA Kieran O’Boyle BA HDip Caroline Kevany BA Dip

26 St Stephens Green , Dublin 2

INFORMATION FOR PURCHASERS

3. Payment, Delivery and Purchasers Premium

5. Please note that imperfections are not stated.

1 Henry Moore (1898-1986)

Lithograph, 33.7 x 28cm

Contemporary & Modern Art, 17th June 2008

2 Lynn Chadwick (1914-2003)

3 John Piper (1905-1992)

Provenance: Hillsboro Fine Art, Dublin

Contemporary & Modern Art, 17th June 2008

4 Felim Egan (b.1952)

Mixed method print, 90 x 89cm

5 Michael Farrell (1940-2000)

6 Victor Pasmore (1908-1998)

Colour silkscreen, 46.5 x 46.5cm

Contemporary & Modern Art, 17th June 2008

7 J.P. Donleavy (b.1926)

Ink and watercolour on paper, 38 x 26.5cm

8 J.P. Donleavy (b.1926)

Ink and watercolour on paper, 24 x 29.5cm

9 Bernard Dunstan (20th/21st Century)

Provenance: Agnew’s, London

Contemporary & Modern Art, 17th June 2008

10 Antoni Tapies (Spanish, b. 1923)

Etching with aquatint, 12.5 x 9.5cm

Provenance: With Alan Cristea Gallery, Lon-

11 John O’Reilly (b.1976)

Oil on canvas, 25 x 30cm

12 Michael K ane (b.1935)

Oil on card, 21 x 20.5cm

Contemporary & Modern Art, 17th June 2008

13 Keith Haring (1958-1990)

Lithograph, 25.5 x 20.5cm

14 Patrick Scott HRHA (b.1921)

Screenprint, 23.5 x 19.5cm

15 Alice Hanr atty (b.1939)

Mixed media, 69 x 87cm

Contemporary & Modern Art, 17th June 2008

16 Mark Balakjian (b.1940)

Mezzotint, 56.5 x 50.8cm

17 Ludmila Korol (b.1965)

Oil on canvas, 50 x 50cm

18 Brian Maguire (b.1951)

Mixed media, 56 x 53.5cm

Contemporary & Modern Art, 17th June 2008

19 Dorothy Cross (b.1956)

Mixed media/drawing, 53 x 54cm

Provenance: Hendriks Gallery,

20 Ronald King (20th/21st Century)

Lithograph, 43.5 x 33cm

21 Charles Cullen (b.1939)

Contemporary & Modern Art, 17th June 2008

22 Michael O’Dea RHA (b.1958)

Mixed media, 45 x 50cm

Provenance: Taylor Galleries, Dublin

23 Leslie MacWeeney (b.1936)

Provenance: The Dawson Gallery, Dublin