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RECONSIDERING Aa = NESS (chp 28 ay! [es DE DISSENY Bs DESIGN TECHNOL Srey } amare), oo v ft Approach = gy Slow Design Nanotechnology Wikielty Smart Home —— Control system 4 Systemic design PTET elect ‘Smart Car Interface Beat Control system Creativity Cultural density Digital signage Digital visuel language — E-bike Emergency intervention Gas barrier interaction Interaction design interface Mallifiestion Mutant intervention Nanotechnoleay Sensorial qualities Slow design ‘Smart car ' ‘smart city, ' Smarthome ‘Smart light Social innovation Soft approach systemic design Temporary intervention Testintervention Urban acupuncture Wikicity einen eeu Reger euiee sc Beker oli acl acs “The direct benefits of incorporating citizens into the creative process include potentially better results, facilitated development, wider intervention acceptance and the creation of a sense of community” Belinda Tato and Jose Luis Vallejo are founding partners of ecosistema urbano, founded in 2000. ecosistema urbano Is an innovative agency focused on understanding the city as ‘8 complex phenomenon, from a unique vantage point taking Into account architecture, urban planning, engineering and sociology. The agency has also created @ communication platform that leverages new communication technologies te develop social networks and manage online channels focused on the subject of creative urban sustainability ‘ecosistema urbano has received many international awards. ‘( Open source urban planning for augmented citizens Open source urban planning has to be understood not as focusing on physical aspects of cities, but as approaching their transformation by understanding the behaviours and the social processes of the citizens and exploring alternatives to reconciliate them with physical realities designed in response to former social structures and ways of life. Architecture students who studied in Spain in the 1990s were taught by the top active professionals of that time. They envisaged and built infrastructure and basic facilities such as hospitals, libraries, sports centres, cultural centres, auditoriums ete. The architectural production of that period is a dictionary of sound architecture from which one can draw the discipline’s keys to successful planning, designing and building from a wealth of superb examples, We studied and breathed architecture, our references were always architectural in nature and our lives were circumscribed to circles of architects. Soon thereafter, greater contact with a society that was undergoing transfor- ‘mation at breakneck pace put an end to the monolithic consensus surrounding the discipline and its limits started getting blurrier. Today, we cannot fathom talking about cities without the input of other professionals, such as engineers, sociologists, economists, geographers etc., sharing views and work tools in a collective conversation that uses cities — living, mutant, unencompassable and inherently complex organisms - as their game board. Real-time connectivity, ubiquity and unlimited access to huge flows of in- formation and knowledge have all changed the rules of the game. Information is infinitely more accessible than ever before, but it also mutates more rapidly, becoming obsolete almost instantly. Currently, the office is our home; computers are the work tool par excellence; and mobile phones are external prostheses of our brains or the gateway to our most public profile. The boundaries between our public and private lives are dissolving, Citizens are shifting away from being consumers towards becoming prosumers, producing ideas, knowledge, information and content. The bound-