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DOWNLOADED MUSIC (Mixed) KV 417: I. Allegro 00:06:29 Horn Concerto No.


2 in E-Flat Major, KV 417: II. Andante
00:09:49 Horn Concerto No. 2 in E-Flat Major,
LA SONNAMBULA (Bellini, Vincenzo) [Amina: KV 417: III. Rondo: Allegro 00:13:22 Horn
Anna Moffo Il conte Rodolfo: Plinio Clabassi Concerto No. 3 in E-Flat, KV 447: I. Allegro
Teresa: Anna Maria Anelli Elvino: Danilo Vega 00:20:02 Horn Concerto No. 3 in E-Flat, KV
Lisa: Gianna Galli Alessio: Guido Mazzini Un 447: II. Romance: Larghetto 00:23:59 Horn
notaro: Giuseppe Nessi Dir: Bruno Bartoletti. Concerto No. 3 in E-Flat, KV 447: III. Allegro
Film 1956] 00:27:49 Concerto movement in E Major, KV
494a: I. Allegro 00:36:51 Horn Concerto No. 1
Mozart, WA. HORN CONCERTOS (About this in D Major, KV 412: I. Allegro 00:41:40 Horn
Album: Mozart excelled in all areas of Concerto No. 1 in D Major, KV 412: II. Rondo:
composition, and his horn concertos – despite Allegro 00:45:45 Horn Concerto in E-Flat
making up a very modest part of his total Major, KV 370b/371: I. Allegro 00:53:06 Horn
output – still reside among the finest Concerto in E-Flat Major, KV 370b/371: II.
achievements in the horn literature. The Rondeau: Allegro 00:59:06 Horn Concerto No.
composer became acquainted with the mellow 4 in E-Flat Major, KV 495: I. Allegro 01:06:47
sonorities of the instrument from an early age, Horn Concerto No. 4 in E-Flat Major, KV 495:
courtesy of his friend Joseph Leutgeb, who II. Romance: Andante 01:11:13Horn Concerto
had been employed by the Hofkapelle in No. 4 in E-Flat Major, KV 495: III. Rondo:
Salzburg. It was not until the remaining 10 Allegro 01:15:18 Horn Concerto No. 1 in D
years of his life, however, that Mozart finally Major, KV 412: I. Allegro) [Artists: Herman
set to work on his six concertos for horn. Apart Jeurissen (horn),Netherlands (Chamber
from K370b/371, which represents the Orchestra),Roy Goodman (conductor)
composer’s first attempt at writing a horn [Brilliant Classics]
concerto and whose musical content differs
markedly from that of the later ones – there Beethoven, Ludwig van. 9 SYMPHONIES
are no ‘hunting effects’ in the rondo and the (Complete) [Artist: Staatskapelle Dresden,
first movement is more declamatory in style Herbert Blomstedt (conductor) Beethoven’s
than lyrical – it seems that all of the works nine symphonies – composed between 1800
were composed for Leutgeb, who was often a and 1824 – are true cornerstones of the
target of Mozart’s mockery and teasing. classical canon. Marking an irrefutable turning
Though the numerous points of harmonic, point in the history of music, they transformed
melodic and structural correspondence audiences’ expectations of the symphony and
between the pieces suggest that Mozart did influenced the genre’s future development
not take this genre especially seriously, the through their experimental, dramatic and
works still delight the listener for their gaiety, expressive weight. Conductors have long
lightness of touch and warmth of been drawn to the profundity of these works: a
orchestration. It is therefore a shame that only complete cycle of Beethoven symphonies is
three of the six pieces remain complete, a viewed as one of the ultimate challenges in
resulting combination of more pressing work, the repertoire, and the performances in this
lost manuscripts and the composer’s untimely set are undoubtedly among the greatest to
death. Jeurissen, the soloist on this recording have been recorded, illuminating the skill of
and principal horn player of the Residentie the Staatskapelle Dresden and Herbert
Orchestra in The Hague, has taken it upon Blomstedt, one of the most distinguished
himself, based on analyses of similar conductors of the 20th and 21st centuries.
passages in other works by Mozart, to work 00:00:00 Symphony No. 1 in C, Op. 21: I.
up all of these fragments into playable, Adagio molto – Allegro con brio 00:09:03
practical versions. The results are laudable, Symphony No. 1 in C, Op. 21: II. Andante
and Jeurissen’s passion for the works is cantabile con moto 00:17:36 Symphony No. 1
evident from his highly accomplished, in C, Op. 21: III. Menuetto & Trio: Allegro
charismatic playing. Hungary. Tracklist: molto e vivace 00:21:02 Symphony No. 1 in C,
00:00:00 Horn Concerto No. 2 in E-Flat Major, Op. 21: IV. Finale: Adagio – Allegro molto e
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vivace 00:27:21 Symphony No. 3 in E-Flat, 9 in D Minor, Op. 125 ‘CHORAL’: I. Allegro ma
Op. 55 ‘EROICA’: I. Allegro con brio 00:42:24 non troppo, un poco maestoso 05:14:06
Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: Symphony No. 9 in D Minor, Op. 125
II. Marcia funebre: Adagio assai 00:59:11 ‘CHORAL’: II. Molto vivace – Presto 05:27:54
Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: Symphony No. 9 in D Minor, Op. 125
III. Scherzo & Trio: Allegro vivace 01:05:01 ‘CHORAL’: III. Adagio molto e cantabile –
Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: Andante moderato – Tempo I – Andante
IV. Allegro molto – Poco andante – Presto moderato – Adagio – Lo stesso tempo
01:16:50 Symphony No. 2 in D, Op. 36: I. 05:44:19 Symphony No. 9 in D Minor, Op. 125
Adagio molto – Allegro con brio 01:29:56 ‘CHORAL’: IV. Presto – Allegro assai – Presto
Symphony No. 2 in D, Op. 36: II. Larghetto – Recitativo – Allegro assai – Allegro assai
01:42:30 Symphony No. 2 in D, Op. 36: III. vivace (alla marcia) – Andante maestoso –
Scherzo & Trio: Allegro 01:46:37 Symphony Adagio ma non troppo ma divoto – Allegro
No. 2 in D, Op. 36: IV. Allegro molto 01:53:30 energico e sempre ben marcato – Allegro ma
Symphony No. 4 in B-Flat, Op. 60: I. Adagio – non tanto Presto – Maestoso – Prestissimo]
Allegro vivace 02:05:40 Symphony No. 4 in B-
Flat, Op. 60: II. Adagio 02:16:12 Symphony
No. 4 in B-Flat, Op. 60: III. Menuetto: Allegro ROMANTIC PIANO CONCERTOS (Vol. 1)
vivace – Trio: Un poco meno allegro 02:22:03 [The perfect starting point for exploring
Symphony No. 4 in B-Flat, Op. 60: IV. Allegro Romantic piano music. It features historic
ma non troppo 02:29:14 Symphony No.5 in C recordings of a truly excellent standard,
Minor, Op. 67: I. Allegro con brio 02:37:19 including Blumental with the Vienna
Symphony No.5 in C Minor, Op. 67: II. Symphony Orchestra under Helmuth
Andante con moto 02:48:41 Symphony No.5 Froschauer, the Orchestra of Radio
in C Minor, Op. 67: III. Allegro 02:57:34 Luxembourg with Pierre Cao accompanying
Symphony No.5 in C Minor, Op. 67: IV. French pianist Dosse, Boehm with the
Allegro – Presto 03:06:37 Symphony No. 6 in Westphalian Symphony Orchestra under
F, Op. 68 ‘PASTORAL’: I. Allegro ma non Siegfried Landau, and Antal Doráti conducting
troppo (Erwachen heiterer Empfindungen bei the Royal Philharmonic Orchestra with Ilse
der Ankunft auf dem Lande) 03:16:08 von Alpenheim. This 40 CD set contains a
Symphony No. 6 in F, Op. 68 ‘PASTORAL’: II. wealth of 19th century piano concertos written
Andante molto mosso (Szene am Bach) by composers who for some reason or other
03:28:49 Symphony No. 6 in F, Op. 68 have been neglected by history, so called
‘PASTORAL’: III. Allegro – sempre più stretto “minor masters” who may have lost the battle
– In tempo d’allegro – Tempo I – Presto against the giants but nevertheless wrote very
(Lustiges Zusammensein der Landleute) attractive, impressive and brilliant concertos
03:34:33 Symphony No. 6 in F, Op. 68 for the piano (which in many cases was “their”
‘PASTORAL’: IV. Allegro (Gewitter, Sturm) instrument). To name just a few: Hummel,
03:38:16 Symphony No. 6 in F, Op. 68 Field, Czerny, Cramer, Ries, Clementi,
‘PASTORAL’: V. Allegretto (Hirtengesang, Thalberg, Moscheles, Litolff, Kalkbrenner,
frohe und dankbare Gefühle nach dem Sturm) Lyapunov, Balakirev, Medtner, Glazunov,
03:48:07 Symphony No. 7 in A, Op. 92: I. Henselt, Moszkowski, Scharwenka and many
Poco sostenuto – Vivace 04:01:38 Symphony more, over 60 composers! Most of the
No. 7 in A, Op. 92: II. Allegretto 04:11:36 recordings come from the rich and unique
Symphony No. 7 in A, Op. 92: III. Presto – VOX catalogue, featuring such excellent
Assai meno presto 04:21:21 Symphony No. 7 pianists as Michael Ponti, Felicja Blumenthal,
in A, Op. 92: IV. Allegro con brio 04:30:34 Hans Kann, Martin Galling, Jerome Rose,
Symphony No. 8 in F, Op. 93: I. Allegro vivace Roland Keller and many more. John Baptist
e con brio 04:40:37 Symphony No. 8 in F, Op. Cramer: 00:00:00 Piano Concerto No. 5 in C
93: II. Allegretto scherzando 04:44:33 Minor, Op. 48: I. Allegro maestoso 00:14:25
Symphony No. 8 in F, Op. 93: III. Tempo di Piano Concerto No. 5 in C Minor, Op. 48: II.
Menuetto 04:49:20 Symphony No. 8 in F, Op. Larghetto 00:21:11 Piano Concerto No. 5 in C
93: IV. Allegro vivace 04:57:11 Symphony No. Minor, Op. 48: III. Rondo à l’hongroise Carl
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Czerny: 00:29:59 Divertissement de concert, Andante con moto 00:50:56 Piano Concerto
Op. 204 Ferdinand Ries: 00:44:43 Piano No. 4 in E Major, Op. 110: III. Rondo. Allegro
Concerto No. 3 in C-Sharp Minor, Op. 55: I. moderato ma con brio Carl Maria Von Weber:
Allegro maestoso ( Ries) 00:59:34 Piano 00:57:53 Piano Concerto No. 1 in C Major,
Concerto No. 3 in C-Sharp Minor, Op. 55: II. Op. 11: I. Allegro 01:14:13 Piano Concerto
Larghetto 01:04:37 Piano Concerto No. 3 in No. 1 in C Major, Op. 11: II. Adagio 01:32:25
C-Sharp Minor, Op. 55: III. Rondo. Allegretto Piano Concerto No. 1 in C Major, Op. 11: III.
Muzio Clementi 01:15:14 Piano Concerto in C Presto 01:45:43 Piano Concerto No. 2 in E-
Major: I. Allegro con spirit 01:24:58 Piano Flat Major, Op. 32: I. Allegro moderato
Concerto in C Major: II. Adagio e cantabile, 01:53:08 Piano Concerto No. 2 in E-Flat
con grande espressione 01:31:42 Piano Major, Op. 32: II. Adagio 02:02:11 Piano
Concerto in C Major: III. Presto John Field: Concerto No. 2 in E-Flat Major, Op. 32: III.
01:38:13 Piano Concerto No. 2 in A-Flat Rondo. Presto 02:22:58 Konzertstück in F
Major, H.31: I. Allegro moderato 01:55:04 Minor, Op. 79 Robert Volkmann: 02:35:14
Piano Concerto No. 2 in A-Flat Major, H.31: II. Konzertstück in C Minor, Op. 42 Adolf von
Poco adagio 01:58:35 Piano Concerto No. 2 Henselt: 02:39:22 Piano Concerto in F Minor,
in A-Flat Major, H.31: III. Allegro moderato Op. 16: I. Allegro patetico 02:46:05 Piano
innocente Johann Nepomuk Hummel: Concerto in F Minor, Op. 16: II. Larghetto
02:08:01 Piano Concertino in G Major, Op. 73: 02:57:03 Piano Concerto in F Minor, Op. 16:
I. Allegro moderato 02:16:52 Piano Concertino III. Allegro agitato Ferdinand Hiller: 03:05:42
in G Major, Op. 73: II. Andante grazioso Konzertstück for Piano and Orchestra, Op.
02:21:05 Piano Concertino in G Major, Op. 73: 113 Frédéric Chopin: 03:14:09 Allegro de
III. Rondo Ignaz Moscheles: 02:25:45 Piano concert in A Major, Op. 46] (Brilliant Classics)
Concerto in G Minor, Op. 58: I. Allegro
moderato 02:37:40 Piano Concerto in G ROMANTIC PIANO CONCERTOS (Vol. 3)
Minor, Op. 58: II. Adagio 02:42:18 Piano [Moritz Moszkowski: 00:00:00 Piano Concerto
Concerto in G Minor, Op. 58: III. Allegro in E Major, Op. 59: I. Moderato 00:11:36
agitato Ferdinand Hiller: 02:51:18 Piano Piano Concerto in E Major, Op. 59: II.
Concerto No. 2 in F-Sharp Minor, Op. 69: I. Andante 00:19:42 Piano Concerto in E Major,
Moderato, ma con energia e con fuoco Op. 59: III. Scherzo. Vivace 00:26:46 Piano
02:58:08 Piano Concerto No. 2 in F-Sharp Concerto in E Major, Op. 59: IV. Allegro
Minor, Op. 69: II. Andante espressivo deciso Xaver Scharwenka: 00:36:01 Piano
03:04:01 Piano Concerto No. 2 in F-Sharp Concerto No. 2 in C Minor, Op. 56: I. Allegro
Minor, Op. 69: III. Finale. Allegro con fuoco 00:53:14 Piano Concerto No. 2 in C Minor,
Henry Litolff: 03:09:05 Concerto symfonique Op. 56: II. Adagio 01:01:49 Piano Concerto
No. 3 in E-Flat Major, Op. 45: I. Allegro No. 2 in C Minor, Op. 56: III. Allegro non
03:19:22 Concerto symfonique No. 3 in E-Flat troppo Joachim Raff: 01:09:43 Piano Concerto
Major, Op. 45: II. Scherzo 03:24:04 Concerto in C Minor, Op. 185: I. Allegro 01:20:36 Piano
symfonique No. 3 in E-Flat Major, Op. 45: III. Concerto in C Minor, Op. 185: II. Andante
Andante 03:30:19 Concerto symfonique No. 3 quasi larghetto 01:28:33 Piano Concerto in C
in E-Flat Major, Op. 45: IV. Furioso] (Brilliant Minor, Op. 185: III. Finale. Allegro Mihály
Classics) Mosonyi: 01:37:18 Piano Concerto in E Minor:
I. Allegro moderato, II. Adagio con moto, III.
ROMANTIC PIANO CONCERTOS (Vol. 2) Allegro Bernhard Stavenhagen: 01:56:38
[Friedrich Kalkbrenner: 00:00:00 Piano Piano Concerto No. 1 in B Minor, Op. 4: I.
Concerto No. 1 in D Minor, Op. 61: I. Allegro Sehr energisch und lebhaft 02:06:50 Piano
maestoso 00:13:20 Piano Concerto No. 1 in D Concerto No. 1 in B Minor, Op. 4: II. Adagio
Minor, Op. 61: II. Adagio molto 00:20:33 Piano 02:15:58 Piano Concerto No. 1 in B Minor,
Concerto No. 1 in D Minor, Op. 61: III. Rondo. Op. 4: III. Erstes Zeitmaß. Sehr
Vivace Johann Nepomuk Hummel: 00:29:58 leidenschaftlich Felix Mendelssohn: 02:21:43
Piano Concerto No. 4 in E Major, Op. 110: I. Concerto for Violin and Piano in D Minor,
Allegro pomposo e spirituoso 00:44:11 Piano MWV O 4: I. Allegro 02:40:17 Concerto for
Concerto No. 4 in E Major, Op. 110: II. Violin and Piano in D Minor, MWV O 4: II.
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Adagio 02:49:29 Concerto for Violin and Piano troppo 01:09:18 Piano Concerto in D-Flat
in D Minor, MWV O 4: III. Allegro molto Major, Op. 6: II. Andante 01:17:39 Piano
02:58:09 Piano Concerto in A Minor, MWV O Concerto in D-Flat Major, Op. 6: III. Allegro
2: I. Allegro. 03:12:15 Piano Concerto in A non assai Hermann Goetz: 01:26:16 Piano
Minor, MWV O 2: II. Adagio 03:22:09 Piano Concerto No. 2 in B-Flat Major, Op. 18: I.
Concerto in A Minor, MWV O 2: III. Finale, Mäßig bewegt, II. Mäßig langsam 01:47:06
allegro ma non troppo] (Brilliant Classics) Piano Concerto No. 2 in B-Flat Major, Op. 18:
III. Langsam, IV. Lebhaft Carl Reinecke:
ROMANTIC PIANO CONCERTOS (Vol. 4) 01:55:44 Piano Concerto No. 1 in F-Sharp
[Franz Liszt: 00:00:00 Malédiction in E Minor, Minor, Op. 72: I. Allegro 02:06:41 Piano
S. 121 Eugen D'Albert: 00:14:11 Piano Concerto No. 1 in F-Sharp Minor, Op. 72: II.
Concerto No. 2 in E Major, Op. 12 Hans Von Adagio, ma non troppo 02:12:39 Piano
Bronsart: 00:29:45 Piano Concerto in F-Sharp Concerto No. 1 in F-Sharp Minor, Op. 72: III.
Minor, Op. 10: I. Allegro maestoso 00:42:38 Finale. Allegro con brio Felix Mendelssohn:
Piano Concerto in F-Sharp Minor, Op. 10: II. 02:19:56 Capriccio brillant in B Minor, Op. 22
Adagio ma non troppo 00:50:06 Piano Josef Rheinberger: 02:30:56 Piano Concerto
Concerto in F-Sharp Minor, Op. 10: III. Allegro in A-Flat Major, Op. 94: I. Moderato 02:42:51
con fuoco Franz Berwald: 00:57:00 Piano Piano Concerto in A-Flat Major, Op. 94: II.
Concerto in D Major: I. Allegro con brio, II. Adagio pathetico 02:49:50 Piano Concerto in
Andantino, III. Allegro molto Charles Henri A-Flat Major, Op. 94: III. Finale. Allegro
Valentin Alkan: 01:15:05 Concerto da camera energico Anton Rubinstein: 02:59:02 Piano
No. 2 in C-Sharp Minor Robert Schumann: Concerto No. 4 in D Minor, Op. 70: I.
01:21:49 Konzertstück in G Major, Op. 92 Moderato assai 03:10:22 Piano Concerto No.
Joachim Raff: 01:35:46 Ode au printemps in 4 in D Minor, Op. 70: II. Andante 03:19:03
G Major, Op. 76 Franz Liszt: 01:48:46 Piano Concerto No. 4 in D Minor, Op. 70: III.
Totentanz, S. 126 Simon Mayr: 02:03:58 Allegro Sigismond Thalberg: 03:28:14 Piano
Piano Concerto No. 1 in C Major: I. Allegro Concerto in F Minor, Op. 5: I. Allegro
moderato 02:12:21 Piano Concerto No. 1 in C maestoso 03:39:36 Piano Concerto in F
Major: II. Andante grazioso 02:18:05 Piano Minor, Op. 5: II. Adagio 03:43:11 Piano
Concerto No. 1 in C Major: III. Rondo Albert Concerto in F Minor, Op. 5: III. Rondo.
Roussel: 02:21:30 Piano Concerto in G Major, Allegro] (Brilliant Classics)
Op. 36: I. Allegro molto 02:25:23 Piano
Concerto in G Major, Op. 36: II. Adagio ROMANTIC PIANO CONCERTOS (Vol. 5)
02:33:54 Piano Concerto in G Major, Op. 36: [Nikolai Medtner: 00:00:00 Piano Concerto
III. Allegro con spirit Gabriel Pierné: 02:38:35 No. 3 in E Minor, Op. 60: I. Con moto,
Piano Concerto in C Minor, Op. 12: I. Allegro largamente 00:12:35 Piano Concerto No. 3 in
02:46:51 Piano Concerto in C Minor, Op. 12: E Minor, Op. 60: II. Interludium. Allegro molto
II. Scherzando 02:51:42 Piano Concerto in C sostenuto, misterioso, III. Finale. Allegro molto
Minor, Op. 12: III. Final. Allegro un poco Mili Balakirev: 00:30:18 Piano Concerto No. 2
agitato] (Brilliant Classics) in E-Flat Major: I. Allegro non troppo 00:43:30
Piano Concerto No. 2 in E-Flat Major: II.
ROMANTIC PIANO CONCERTOS (Vol. 5) Adagio, III. Allegro risoluto Sergei Lyapunov:
[Piotr Ilyich Tchaikovsky: 00:00:00 Piano 01:01:58 Rhapsody on Ukrainian Themes,
Concerto No. 3 in E-Flat Major, Op. 75: I. Op. 28 Édouard Lalo: 01:18:22 Piano
Allegro brillante 00:14:23 Piano Concerto No. Concerto in F Minor: I. Lento – Allegro
3 in E-Flat Major, Op. 75: II. Andante 00:23:56 01:30:19 Piano Concerto in F Minor: II. Lento
Piano Concerto No. 3 in E-Flat Major, Op. 75: 01:37:14 Piano Concerto in F Minor: III.
III. Finale. Allegro maestoso 00:31:50 Concert Allegro Alexander Glazunov: 01:43:34 Piano
Fantasy in G Major, Op. 56: I. Quasi rondo. Concerto No. 2 in B Major, Op. 100 George
Andante mosso 00:46:40 Concert Fantasy in Jacob Gershovitz Gershwin: 02:03:00 Piano
G Major, Op. 56: II. Contrastes. Andante Concerto in F Major: I. Allegro 02:15:44 Piano
cantabile Christian Sinding: 00:59:55 Piano Concerto in F Major: II. Andante con moto
Concerto in D-Flat Major, Op. 6: I. Allegro non 02:26:58 Piano Concerto in F Major: III.
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Allegro agitato Samuel Barber: 02:34:04 Tchaikovsky, Peter. THE COMPLETE


Piano Concerto Op. 38: I. Allegro BALLETS (Swan Lake, Sleeping Beauty,
appassionato 02:48:33 Piano Concerto Op. Nutcracker) [Swan Lake, Op. 20, Pt. 1: I.
38: II. Canzone. Moderato 02:56:22 Piano Introduction. Moderato assai 00:03:07 Swan
Concerto Op. 38: III. Allegro molto Edward Lake, Op. 20, Pt. 1: II. Scène. Allegro giusto
MacDowell 03:02:40 Piano Concerto No. 2 in 00:06:09 Swan Lake, Op. 20, Pt. 1: III. Valse.
D Minor, Op. 23: I. Larghetto calmato Tempo di valse 00:13:26 Swan Lake, Op. 20,
03:14:46 Piano Concerto No. 2 in D Minor, Pt. 1: IV. Scène: Entrance of Pages. Allegro
Op. 23: II. Presto giocoso 03:19:40 Piano moderato 00:17:34 Swan Lake, Op. 20, Pt. 1:
Concerto No. 2 in D Minor, Op. 23: III. Largo – V. Pas de trois. Intrada (Allegro moderato)
Molto allegro Amy Beach: 03:27:11 Piano 00:20:26 Swan Lake, Op. 20, Pt. 1: V. Pas de
Concerto in C-Sharp Minor, Op. 45: I. Allegro trois. Andante sostenuto 00:24:18 Swan Lake,
moderato 03:44:27 Piano Concerto in C- Op. 20, Pt. 1: V. Pas de trois. Allegro semplice
Sharp Minor, Op. 45: II. Scherzo. Vivace – Presto 00:25:32 Swan Lake, Op. 20, Pt. 1:
03:49:56 Piano Concerto in C-Sharp Minor, V. Pas de trois. Prince (Moderato) 00:26:52
Op. 45: III. Largo 03:54:14 Piano Concerto in Swan Lake, Op. 20, Pt. 1: V. Pas de trois.
C-Sharp Minor, Op. 45: IV. Allegro con Allegro 00:28:00 Swan Lake, Op. 20, Pt. 1: V.
scioltezza] (Brilliant Classics) Pas de trois. Coda (Allegro vivace) 00:29:50
Swan Lake, Op. 20, Pt. 1: VI. Pas de deux.
Bach, Johann Sebastian. THE VIOLIN Intrada (Tempo di valse) 00:31:35 Swan Lake,
CONCERTOS (Composer: Johann Sebastian Op. 20, Pt. 1: VI. Pas de deux. Andante
Bach Artists: Emmy Verhey (violin), Camerata 00:37:12 Swan Lake, Op. 20, Pt. 1: VI. Pas de
Antonio Luco, Rainer Kussmaul (violin), Henk deux. Tempo di valse 00:38:57 Swan Lake,
Rubingh (violin), Thomas Hengelbrock (violin), Op. 20, Pt. 1: VI. Pas de deux. Intrada
Amsterdam Bach (Soloists) About this album: (Tempo di valse) 00:40:57 Swan Lake, Op.
Available as a separate release: all concertos 20, Pt. 1: VI. Pas de deux. Pas d’action
for 1 violin by Bach. They are BWV 1041 and (Andantino quasi moderato - Allegro) 00:43:50
1042: the well-known concertos. BWV1052, Swan Lake, Op. 20, Pt. 1: VII. Scène. Dusk
1056 and 1064 are reconstructions. The latter falls 00:44:46 Swan Lake, Op. 20, Pt. 1: VIII.
one being for three violins. Soloists are among Danse des coupes (Polonaise) 00:50:28 Swan
others Emmy Verhey and Rainer Kussmaul. Lake, Op. 20, Pt. 1: IX. Finale. Swan Theme
Tracklist: 00:00:00 Violin Concerto in A Minor, (Andante) 00:53:15 Swan Lake, Op. 20, Pt. 2:
BWV 1041: Allegro 00:03:52 Violin Concerto I. Scène. Swan Theme (Moderato) 00:59:46
in A Minor, BWV 1041: Adagio 00:10:23 Violin Swan Lake, Op. 20, Pt. 2: II. Scène. Allegro
Concerto in A Minor, BWV 1041: Allegro moderato - Moderato - Allegro vivo 01:03:37
00:14:22 Violin Concerto in E Major, BWV Swan Lake, Op. 20, Pt. 2: III. Danses des
1042: Allegro 00:22:05 Violin Concerto in E cygnes 01:05:34 Swan Lake, Op. 20, Pt. 2: IV.
Major, BWV 1042: Adagio 00:28:47 Violin Danses des petits cygnes 01:07:02 Swan
Concerto in E Major, BWV 1042: Allegro assai Lake, Op. 20, Pt. 2: V. Pas d’action. Second
00:31:42 Violin Concerto in D Minor, BWV Dance of the Queen (Andante) 01:15:06 Swan
1052: Allegro 00:39:20 Violin Concerto in D Lake, Op. 20, Pt. 2: VI. Tempo di valse
Minor, BWV 1052: Largo 00:46:22 Violin 01:16:47 Swan Lake, Op. 20, Pt. 2: VII. Coda.
Concerto in D Minor, BWV 1052: Presto Allegro vivace 01:18:28 Swan Lake, Op. 20,
00:54:14 Violin Concerto in G Minor, BWV Pt. 2: VIII. Scène finale. Swan theme
1056: Allegro 00:57:37 Violin Concerto in G (Moderato) 01:21:36 Swan Lake, Op. 20, Pt.
Minor, BWV 1056: Andante 01:00:52 Violin 3: I. Scène. Danse de fançailles (Allegro
Concerto in G Minor, BWV 1056: Allegro assai giusto) 01:24:23 Swan Lake, Op. 20, Pt. 3: II.
01:04:30 Concerto for 3 violins, strings & b.c. Scène. La sortie des invités et la valse
in D Major, BWV 1064: Allegro 01:10:23 01:29:17 Swan Lake, Op. 20, Pt. 3: III. Scène.
Concerto for 3 violins, strings & b.c. in D Allegro - Allegro giusto 01:31:03 Swan Lake,
Major, BWV 1064: Adagio 01:15:35 Concerto Op. 20, Pt. 3: IV. Pas de six. Intrada
for 3 violins, strings & b.c. in D Major, BWV (Moderato assai) 01:33:00 Swan Lake, Op.
1064: Allegro) [Brilliant Classics] 20, Pt. 3: IV. Pas de six. Variation 1 (Allegro)
6

01:34:07 Swan Lake, Op. 20, Pt. 3: IV. Pas de 66, Pt. 1: III. Entrée d’Aurore 03:07:45 The
six. Variation 2 (Andante con moto) 01:37:27 Sleeping Beauty, Op. 66, Pt. 1: IV. Pas
Swan Lake, Op. 20, Pt. 3: IV. Pas de six. d’action. Rose Adage 03:14:18 The Sleeping
Variation 3 (Moderato) 01:38:14 Swan Lake, Beauty, Op. 66, Pt. 1: IV. Pas d’action.
Op. 20, Pt. 3: IV. Pas de six. Variation 4 Variation d’aurore 03:17:44 The Sleeping
(Allegro) 01:39:18 Swan Lake, Op. 20, Pt. 3: Beauty, Op. 66, Pt. 1: IV. Pas d’action. Coda
IV. Pas de six. Variation 5 (Moderato - Allegro 03:20:16 The Sleeping Beauty, Op. 66, Pt. 1:
semplice) - Coda (Allegro molto vivace) IV. Pas d’action. Finale 03:27:07 The Sleeping
01:42:54 Swan Lake, Op. 20, Pt. 3: V. Dance Beauty, Op. 66, Pt. 2: I. Entr’acte – Scène
hongroise. Czárdás 01:46:40 Swan Lake, Op. 03:29:50 The Sleeping Beauty, Op. 66, Pt. 2:
20, Pt. 3: VI. Danse russe 01:51:21 Swan II. Colin-maillard 03:30:52 The Sleeping
Lake, Op. 20, Pt. 3: VII. Danse espagnole Beauty, Op. 66, Pt. 2: III. Scène 03:35:09 The
01:53:49 Swan Lake, Op. 20, Pt. 3: VIII. Sleeping Beauty, Op. 66, Pt. 2: IV. Pas
Danse napolitaine 01:56:23 Swan Lake, Op. d’action 03:40:22 The Sleeping Beauty, Op.
20, Pt. 3: IX. Mazurka 02:00:28 Swan Lake, 66, Pt. 2: V. Variation d’Aurore 03:42:00 The
Op. 20, Pt. 3: X. Scène. Allegro - Valse - Sleeping Beauty, Op. 66, Pt. 2: VI. Panorama
Allegro vivo 02:04:20 Swan Lake, Op. 20, Pt. 03:44:08 The Sleeping Beauty, Op. 66, Pt. 2:
4: I. Entr’acte. Moderato 02:06:53 Swan Lake, VII. Entr’acte 03:50:51 The Sleeping Beauty,
Op. 20, Pt. 4: II. Scène. Allegro non troppo Op. 66, Pt. 2: VIII. Entr’acte symphonique “Le
02:09:42 Swan Lake, Op. 20, Pt. 4: III. Sommeil” – Scène 03:57:05 The Sleeping
Danses des petits cygnes. Moderato 02:15:04 Beauty, Op. 66, Pt. 2: IX. Finale 03:57:52 The
Swan Lake, Op. 20, Pt. 4: IV. Scène. Allegro Sleeping Beauty, Op. 66, Pt. 3: I. Marche
agitato 02:18:22 Swan Lake, Op. 20, Pt. 4: V. 03:59:56 The Sleeping Beauty, Op. 66, Pt. 3:
Scène finale. Andante II. Pas de caractère ”Le Chat botté et La
Chatte blanche” 04:02:27 The Sleeping
02:25:18 The Sleeping Beauty, Op. 66, Beauty, Op. 66, Pt. 3: III. Pas de quatre
Prologue: I. Introduction 02:28:02 The 04:04:39 The Sleeping Beauty, Op. 66, Pt. 3:
Sleeping Beauty, Op. 66, Prologue: II. March IV. Pas de deux. Entrée 04:05:45 The
02:32:27 The Sleeping Beauty, Op. 66, Sleeping Beauty, Op. 66, Pt. 3: IV. Pas de
Prologue: III. Scène dansante 02:36:51 The deux. Adagio 04:10:29 The Sleeping Beauty,
Sleeping Beauty, Op. 66, Prologue: IV. Pas de Op. 66, Pt. 3: IV. Pas de deux. Variation 1
Six. Entrée 02:37:28 The Sleeping Beauty, 04:11:32 The Sleeping Beauty, Op. 66, Pt. 3:
Op. 66, Prologue: IV. Pas de Six. Adagio IV. Pas de deux. Variation 2 04:13:17 The
02:41:30 The Sleeping Beauty, Op. 66, Sleeping Beauty, Op. 66, Pt. 3: IV. Pas de
Prologue: IV. Pas de Six. Variation 1 deux. Coda 04:14:37 The Sleeping Beauty,
(Candide) 02:42:39 The Sleeping Beauty, Op. Op. 66, Pt. 3: IV. Pas de deux. Polacca
66, Prologue: IV. Pas de Six. Variation 2 04:18:40 The Nutcracker, Op. 71, Pt. 1: I.
(Coulante. Fleur de Farine) 02:43:14 The Overture 04:22:02 The Nutcracker, Op. 71, Pt.
Sleeping Beauty, Op. 66, Prologue: IV. Pas de 1: II. The Christmas Tree 04:26:05 The
Six. Variation 3 (Miettes qui tombent) 02:44:27 Nutcracker, Op. 71, Pt. 1: III. March 04:28:26
The Sleeping Beauty, Op. 66, Prologue: IV. The Nutcracker, Op. 71, Pt. 1: IV. Children’s
Pas de Six. Variation 4 (Canari qui chante) Galop - Arrival of the Guests 04:30:55 The
02:44:59 The Sleeping Beauty, Op. 66, Nutcracker, Op. 71, Pt. 1: V. Dance Scene -
Prologue: IV. Pas de Six. Variation 5 Arrival of Drosselmeyer 04:36:53 The
(Violente) 02:46:15 The Sleeping Beauty, Op. Nutcracker, Op. 71, Pt. 1: VI. Scene -
66, Prologue: IV. Pas de Six. Variation 6 (La Grandfather’s Dance 04:43:41 The
Fée des Lilas) 02:47:22 The Sleeping Beauty, Nutcracker, Op. 71, Pt. 1: VII. The Magic Spell
Op. 66, Prologue: IV. Pas de Six. Coda Begins 04:50:29 The Nutcracker, Op. 71, Pt.
02:49:01 The Sleeping Beauty, Op. 66, 1: VIII. The Battle Between the Nutcracker
Prologue: IV. Pas de Six. Finale 02:57:39 The and the Mouse King 04:53:59 The Nutcracker,
Sleeping Beauty, Op. 66, Pt. 1: I. Scène Op. 71, Pt. 1: IX. Scene in the Pine Forest
03:00:45 The Sleeping Beauty, Op. 66, Pt. 1: “Journey through the Snow” 04:57:40 The
II. Valse 03:05:45 The Sleeping Beauty, Op. Nutcracker, Op. 71, Pt. 1: X. Waltz of the
7

Snowflakes 05:04:05 The Nutcracker, Op. 71, the greatest works in European culture. In this
Pt. 2: XI. The Magic Castle 05:07:55 The recording, however, we are introduced to
Nutcracker, Op. 71, Pt. 2: XII. Clara & the Mozart the ‘trailblazer’: the first composer in
Prince - XIII. Divertissement 05:12:28 The history to take wind instruments seriously.
Nutcracker, Op. 71, Pt. 2: XIV. Chocolate. Whereas his colleagues were inclined to
Spanish Dance 05:13:39 The Nutcracker, Op. employ the so-called Harmonie merely to
71, Pt. 2: XV. Coffee. Arabian Dance 05:17:03 reinforce the general sonority, Mozart took it
The Nutcracker, Op. 71, Pt. 2: XVI. Tea. upon himself to exploit the character of each
Chinese Dance 05:18:10 The Nutcracker, Op. of these instruments, endowing them with a
71, Pt. 2: XVII. Trepak 05:19:19 The much more individualistic, distinctive role – as
Nutcracker, Op. 71, Pt. 2: XVIII. Dance of the soloists, in the orchestra or in chamber music,
Mirlitons 05:21:41 The Nutcracker, Op. 71, Pt. the subject of this engaging release. Such
2: XIX. Mother Gigogne and the Clowns writing is evident in the Quartet for oboe and
05:24:32 The Nutcracker, Op. 71, Pt. 2: XX. strings, a work of wide leaps and brilliant
Waltz of the Flowers 05:31:14 The passages that was composed for the
Nutcracker, Op. 71, Pt. 2: XXI. Pas de Deux. Mannheim virtuoso Friedrich Ramm, and the
Dance of the Prince and the Sugar-Plum Fairy Flute Quartet in D – written for the highly
05:35:44 The Nutcracker, Op. 71, Pt. 2: XXI. accomplished amateur musician Ferdinand
Pas de Deux. Variation 1, Tarantella 05:36:28 Dejean and in which the principal voice,
The Nutcracker, Op. 71, Pt. 2: XXI. Pas de equipped with pearling runs in the first
Deux. Variation 2, Dance of the Sugar-Plum movement, is treated with great care,
Fairy 05:38:44 The Nutcracker, Op. 71, Pt. 2: displaying nothing of the composer’s
XXI. Pas de Deux. Coda 05:40:10 The supposed aversion to the instrument. Both
Nutcracker, Op. 71, Pt. 2: XXII. Finale. Final works are milestones of their respective
Waltz and Apotheosis] (Brilliant Classics) genres, and they are joined on this recording
by three pieces originally composed for
Tchaikovsky, Peter. PIANO CONCERTOS 1 & 2 mechanical organ (and arranged for this
(Artists: Derek Han (piano), St. Petersburg recording by flautist Markus Brönnimann),
Philharmonic Orchestra, Paul Freeman originally commissioned by Count Deym to be
(conductor) About this Album: This release used as accompaniment for a newly erected
features two piano concertos by Tchaikovsky: mausoleum in Vienna. Among these, the
Concerto No. 1 and No. 2. Brilliant Fantasia in F minor K608 stands out as the
performance by Derek Han, accompanied by most intense and dramatic, combining
St. Petersburg Philharmonic under the baton rigorous harmonic invention with memorable
of Paul Freeman. Tracklist: 00:00:00 Piano melody, polyphonic complexity and
Concerto No. 1 in B-Flat Minor, Op. 23: compositional virtuosity. Brönnimann’s
Allegro non troppo e molto maestoso; allegro suggestion as to a possible comparison with
con spirito 00:19:23 Piano Concerto No. 1 in the works of the American-born composer
B-Flat Minor, Op. 23: Andantino semplice; Conlon Nancarrow, as mentioned in the
Prestissimo 00:25:49 Piano Concerto No. 1 in booklet note, reveals just how forwardthinking
B-Flat Minor, Op. 23: Allegro con fuoco this music was for its time. At hand to perform
00:32:42 Piano Concerto No. 2 in G Major, these works is Ensemble Pyramide, a group
Op. 44: Allegro brillante 00:53:01 Piano whose diverse repertoire ranges from
Concerto No. 2 in G Major, Op. 44: Andante Baroque to 21st century and whose recital
non troppo) [Brilliant Classics] programmes are often based around the
juxtaposition between new and old. Based in
Mozart, WA. THE CHAMBER MUSIC (Artists: Zurich and awarded the city’s cultural stipend
Ensemble Pyramide, Markus Brönnimann ‘Werkjahr für Interpretation’ in 2006, its
(flute), Barbara Tillmann (oboe), Ulrike Jacoby recordings for radio and on CD (which take in
(violin), Muriel Schweizer (viola), Anita Jehli labels such as Naxos and Ars Musici) are
(cello) For many Mozart is more ‘perfector’ complemented by an active recording
than ‘innovator’, a composer who drew on an schedule throughout Europe. 00:00:00
already extant vocabulary to create some of Quartet in F Major, K. 370: I. Allegro 00:07:03
8

Quartet in F Major, K. 370: II. Adagio 00:10:05 Trio 01:57:04 Symphony No. 12 in G, K110:
Quartet in F Major, K. 370: III. Rondeau. IV. Allegro 01:59:02 Symphony No. 13 in F, K.
Allegro 00:14:46 Adagio and Allegro in F 112: I. Allegro 02:04:18 Symphony No. 13 in
Minor K. 594 (Adagio - Allegro - Adagio) F, K. 112: II. Andante 02:07:28 Symphony No.
00:24:54 Andante in F Major, K. 616 00:32:18 13 in F, K. 112: III. Menuetto & Trio 02:09:40
Fantasia in F Minor, K. 608 (Allegro - Andante Symphony No. 13 in F, K. 112: IV. Molto
- Tempo primo) 00:41:40 Quartet in D Major, Allegro 02:12:02 Symphony No. 14 in A, K.
K. 285: I. Allegro 00:48:49 Quartet in D Major, 114: I. Allegro moderato 02:19:49 Symphony
K. 285: II. Adagio 00:51:41 Quartet in D Major, No. 14 in A, K. 114: II. Andante 02:24:12
K. 285: III. Rondeau. Allegretto) [Brilliant Symphony No. 14 in A, K. 114: III. Menuetto &
Classics] Trio 02:27:45 Symphony No. 14 in A, K. 114:
IV. Molto allegro 02:32:32 Symphony No. 15
Mozart, WA. THE COMPLETE SYMPHONIES in G, K. 124: I. Allegro 02:37:57 Symphony
(Vol. 1) [Tracklist: 00:00:00 Symphony No.1 in No. 15 in G, K. 124: II. Andante 02:42:33
E-Flat, K. 16: I. Molto allegro 00:05:57 Symphony No. 15 in G, K. 124: III. Menuetto &
Symphony No.1 in E-Flat, K. 16: II. Andante trio 02:44:47 Symphony No. 15 in G, K. 124:
00:11:01 Symphony No.1 in E-Flat, K. 16: III. IV. Presto 02:46:57 Symphony No. 16 in C, K.
Presto 00:12:41 Symphony No. 4 in D, K. 19: 128: I. Allegro maestoso 02:51:36 Symphony
I. Allegro 00:15:04 Symphony No. 4 in D, K. No. 16 in C, K. 128: II. Andante grazioso
19: II. Andante 00:18:51 Symphony No. 4 in 02:57:01 Symphony No. 16 in C, K. 128: III.
D, K. 19: III. Presto 00:22:03 Symphony in F, Allegro 03:01:05 Symphony No. 17 in G, K.
K. 19 A: I. Allegro assai 00:27:07 Symphony 129: I. Allegro 03:07:23 Symphony No. 17 in
in F, K. 19 A: II. Andante 00:31:50 Symphony G, K. 129: II. Andante 03:12:52 Symphony
in F, K. 19 A: III. Presto 00:33:22 Symphony No. 17 in G, K. 129: III. Allegro 03:15:46
No. 5 in B-Flat, K. 22: I. Allegro 00:36:07 Symphony No. 20 in D, K. 133: I. Allegro
Symphony No. 5 in B-Flat, K. 22: II. Andante 03:23:01 Symphony No. 20 in D, K. 134: II.
00:38:13 Symphony No. 5 in B-Flat, K. 22: III. Andante 03:28:51 Symphony No. 20 in D, K.
Molto allegro 00:39:41 Symphony No. 6 in F, 135: III. Menuetto & Trio 03:32:56 Symphony
K. 43: I. Allegro 00:45:12 Symphony No. 6 in No. 20 in D, K. 136: IV. Allegro 03:38:45
F, K.43: II. Andante 00:50:25 Symphony No. 6 Symphony No. 21 in A, K. 134: I. Allegro
in F, K. 43: III. Menuetto & trio 00:52:23 03:45:55 Symphony No. 21 in A, K. 135: II.
Symphony No. 6 in F, K. 43: IV. Allegro Andante 03:51:10 Symphony No. 21 in A, K.
00:56:14 Symphony No. 45 in D, K. 45: I. 136: III. Menuetto & Trio 03:54:26 Symphony
Molto allegro 00:58:52 Symphony No. 45 in D, No. 21 in A, K. 137: IV. Allegro 03:59:32
K. 45: II. Andante 01:00:50 Symphony No. 45 Symphony No. 22 in C, K. 162: I. Allegro assai
in D, K. 45: III. Menuetto & trio 01:04:34 04:03:07 Symphony No. 22 in C, K. 163: II.
Symphony No. 45 in D, K. 45: IV. Molto Andantino grazioso 04:06:04 Symphony No.
allegro 01:07:18 Symphony No. 8 in D, K. 48: 22 in C, K. 164: III. Presto assai 04:07:57
I. Allegro 01:11:47 Symphony No. 8 in D, K. Symphony No. 23 in D, K. 181: I. Allegro
48: II. Andante 01:15:23 Symphony No. 8 in spiritoso 04:13:17 Symphony No. 23 in D, K.
D, K. 48: III. Menuetto & Trio 01:19:16 182: II. Andantino grazioso 04:15:16
Symphony No. 8 in D, K. 48: IV. Molto Allegro Symphony No. 23 in D, K. 183: III. Presto
01:22:46 Symphony No. 9 in C, K. 73: I. assai 04:17:27 Symphony No. 27 in G, K. 199:
Allegro 01:25:56 Symphony No. 9 in C, K. 73: I. Allegro 04:24:05 Symphony No. 27 in G, K.
II. Andante 01:29:38 Symphony No. 9 in C, K. 199: II. Andantino grazioso 04:28:55
73: III. Menuetto & Trio 01:32:42 Symphony Symphony No. 27 in G, K. 199: III. Presto
No. 9 in C, K. 73: IV. Molto Allegro 01:34:58 04:35:09 Symphony No. 28 in C, K. 200: I.
Symphony No. 10 in G, K. 74: I. Allegro – Allegro spiritoso 04:42:27 Symphony No. 28 in
Andante 01:40:23 Symphony No. 10 in G, K. C, K. 200: II. Andante 04:50:11 Symphony No.
74: II. Allegro 01:42:40 Symphony No. 12 in 28 in C, K. 200: III. Menuetto & Trio 04:54:30
G, K. 110: I. Allegro 01:49:01 Symphony No. Symphony No. 28 in C, K. 200: IV. Presto
12 in G, K. 110: II. Andante 01:53:03 05:00:00 Symphony No. 30 in D, K. 202: I.
Symphony No. 12 in G, K. 110: III. Menuetto & Molto allegro 05:05:59 Symphony No. 30 in D,
9

K. 202: II. Andantino con moto 05:11:10 Symphony No. 34 in C, K. 338: I. Allegro
Symphony No. 30 in D, K. 202: III. Menuetto & vivace 02:55:51 Symphony No. 34 in C, K.
Trio 05:15:27 Symphony No. 30 in D, K. 202: 338: II Andante di molto più tosto allegretto
IV. Presto] (Brilliant Classics) 03:02:39 Symphony No. 34 in C, K. 338: III.
Allegro vivace 03:08:46 Symphony No. 35 in
Mozart, WA. THE COMPLETE SYMPHONIES D, K. 385 ‘Haffner’: I. Allegro con spirito
(Vol. 2) [Tracklist: 00:00:00 Symphony in D, K. 03:14:57 Symphony No. 35 in D, K. 385
111A: I. Allegro assai 00:03:30 Symphony in ‘Haffner’: II. Andante 03:20:53 Symphony No.
D, K. 111A: II. Andante grazioso 00:04:49 35 in D, K. 385 ‘Haffner’: III. Menuetto
Symphony in D, K. 111A: III. Presto 00:06:13 03:23:57 Symphony No. 35 in D, K. 385
Symphony No. 18 in F, K. 130: I. Allegro ‘Haffner’: IV. Presto 03:28:13 Symphony No.
00:13:50 Symphony No. 18 in F, K. 131: II. 31 in D, K. 297 ‘Paris’: I. Allegro assai
Andantino grazioso 00:20:44 Symphony No. 03:36:43 Symphony No. 31 in D, K. 297
18 in F, K. 132: III. Menuetto 00:23:11 ‘Paris’: II. Andante 03:42:25 Symphony No. 31
Symphony No. 18 in F, K. 133: IV. Molto in D, K. 297 ‘Paris’: III. Allegro 03:46:34
allegro 00:30:51 Symphony No. 19 in E-Flat, Symphony No. 36 in C, K. 425 ‘Linz’: I. Adagio
K. 132: I. Allegro 00:35:07 Symphony No. 19 – Allegro con spirito 03:57:16 Symphony No.
in E-Flat, K. 133: II. Andante 00:41:59 36 in C, K. 425 ‘Linz’: II. Andante 04:06:38
Symphony No. 19 in E-Flat, K. 134: III. Symphony No. 36 in C, K. 425 ‘Linz’: III.
Menuetto 00:46:04 Symphony No. 19 in E- Menuetto 04:09:49 Symphony No. 36 in C, K.
Flat, K. 135: IV. Allegro 00:50:11 Symphony 425 ‘Linz’: IV. Presto 04:17:46 Symphony No.
No. 25 in G Minor, K. 183: I. Allegro con brio 40 in G Minor, K. 550 (Second version with
01:01:15 Symphony No. 25 in G Minor, K. clarinets): I. Molto allegro 04:25:18 Symphony
184: II. Andante 01:07:23 Symphony No. 25 in No. 40 in G Minor, K. 550 (Second version
G, Minor, K. 185: III. Menuetto 01:10:45 with clarinets): II. Andante 04:35:19
Symphony No. 25 in G, Minor, K. 186: IV. Symphony No. 40 in G Minor, K. 550 (Second
Allegro 01:18:04 Symphony No. 24 in B-Flat, version with clarinets): III. Menuetto 04:39:0
K. 182: I. Allegro spiritoso 01:22:21 Symphony Symphony No. 40 in G Minor, K. 550 (Second
No. 24 in B-Flat, K. 182: II. Andantino version with clarinets): IV. Allegro assai
grazioso 01:25:01 Symphony No. 24 in B-Flat, 04:45:45 Symphony No. 39 in E-Flat, K. 543:
K. 182: III. Allegro 01:28:13 Symphony No. 26 I. Adagio – Allegro 04:59:42 Symphony No. 39
in E-Flat, K. 184: I. Molto presto 01:31:30 in E-Flat, K. 543: II. Andante 05:11:18
Symphony No. 26 in E-Flat, K. 184: II. Symphony No. 39 in E-Flat, K. 543: III. Presto
Andante 01:34:36 Symphony No. 26 in E-Flat, 05:19:27 Symphony No. 38 in D, K. 504
K. 184: III. Allegro 01:37:15 Symphony in D ‘Prague’: I. Adagio – Allegro 05:30:43
K196: I. Allegro molto 01:39:52 Symphony in Symphony No. 38 in D, K. 504 ‘Prague’: II.
D K196: II. Andantino grazioso 01:42:33 Andante con moto 05:38:45 Symphony No. 38
Symphony in D K196: III. Allegro 01:45:14 in D, K. 504 ‘Prague’: III. Menuetto 05:42:39
Symphony No. 29 in A, K. 201: I. Allegro Symphony No. 38 in D, K. 504 ‘Prague’: IV.
moderato 01:55:32 Symphony No. 29 in A, K. Allegro 05:51:08 Symphony No. 40 in G
201: II. Andante 02:05:51 Symphony No. 29 in Minor, K. 550 (Second version with clarinets):
A, K. 201: III. Menuetto 02:09:00 Symphony I. Molto allegro 05:58:36 Symphony No. 40 in
No. 29 in A, K. 201: IV. Allegro con spirito G Minor, K. 550 (Second version with
02:16:22 Symphony No. 32 in G, K. 318: I. clarinets): II. Andante 06:08:30 Symphony No.
Allegro spiritoso 02:19:32 Symphony No. 32 in 40 in G Minor, K. 550 (Second version with
G, K. 318: II. Andante 02:22:14 Symphony clarinets): III. Menuetto 06:12:20 Symphony
No. 32 in G, K. 318: III. Primo tempo 02:24:14 No. 40 in G Minor, K. 550 (Second version
Symphony No. 33 in B-Flat, K. 319: I. Allegro with clarinets): IV. Allegro assai 06:19:23
assai 02:31:36 Symphony No. 33 in B-Flat, K. Symphony No. 41 in C, K. 551 ‘Jupiter’: I.
319: II. Andante moderato 02:36:13 Allegro vivace 06:31:05 Symphony No. 41 in
Symphony No. 33 in B-Flat, K. 319: III. C, K. 551 ‘Jupiter’: II. Andante cantabile
Menuetto 02:38:53 Symphony No. 33 in B- 06:41:20 Symphony No. 41 in C, K. 551
Flat, K. 319: IV. Allegro assai 02:48:19 ‘Jupiter’: III. Menuetto 06:45:44 Symphony No.
10

41 in C, K. 551 ‘Jupiter’: IV. Molto allegro] (1770-1827) - Complete Symphonies /


(Brilliant Classics) Overtures : New MASTERING of the
Lengendary recordings by Doctor Wilhelm
ELEKTRA (Strauss, Richard) [Klytämnestra FURTWÄNGLER Symphony No.1 in C Major,
.......... Gusta Hammer Elektra ................ Erna Op.21 / 1952, Vienna Adagio molto - Allegro
Schlüter Chrysothemis ....... Annelies Kupper con brio (00:00) Andante cantabile con moto
Aegisth ............ Peter Markwort Orest (07:52) Menuetto (15:15) Adagio - Allegro
................. Robert Hager The Tutor .......... molto e vivace (19:11) Symphony No.2 in D
Gustav Neidlinger The Confidante ........ Major, Op.36 / 1948, London Adagio molto -
Elisabeth Schwier Overseer ........... Claire Allegro con brio (25:28) Largetto (35:40)
Autenrieth The train-bearer ........ Käthe Lange Scherzo - Allegro & Trio (46:53) Allegro molto
Young servant ...... Fritz Göllnitz Old servant (50:58) Beethoven Symphony No.3 In E Flat,
........ Hermann Siegel Maids Maria von Op. 55 ‘’Eroica’’ / 1952, Vienna Allegro Con
Ilosvay; Hedy Gura; Martina Wulf; Lisa Brio (57:55) Marcia Funebre (1:14:03)
Bischof; Senta Mirtsch Hamburg Staatsoper Scherzo (1:31:24) Finale - Allegro Molto
Eugen Jochum - June 1944] (1:37:57) Symphony No.4 in B Flat Major,
Op.60 / 1952, Vienna Adagio - Allegro Vivace
THE GREAT AMERICAN SONGBOOK (1:50:13) Adagio (2:00:47) Menuetto - Allegro
(Marilyn Horne. Carl Davis) [American Vivace Trio_Un Poco Meno Allegro (2:12:34)
Songbook : 1- Beautiful Dreamer (00:00) Allegro Ma Non Troppo (2:18:34) Symphony
Stephen Foster arr. Colin Mattews 2- Jeanis No.5 In C Minor, Op. 67 / 1954, Vienna
with Light Brown Hair (3:36) Stephen Forster Allegro Con Brio (2:26:07) Andante Con Moto
arr. David Matthews,Harp : Osian Ellis 3- If (2:34:42) Allegro (2:46:03) (Finale) Allegro
You've Only Got a Moustache (8:00) Stephen (2:52:06) Symphony no.6 in F major op.68
Foster arr. David Cullen 4- Camptown Races ‘’Pastoral'' » / 1952, Vienna (Live) 1.Allegro
(11:05) Stephen Foster arr. David Cullen 5- ma non troppo (3:01:50) Awakening of
Sometimes I Feel like a Motherless Child cheerful feelings upon arriving in the country
(13:24) Trad. Arr. Carl Davis 6- I've Just Come Eveil des sentiments joyeux en arrivant à la
from the Fountain (18:08) Trad. Arr. Carl campagne 2.Andante molto mosso (3:13:42)
Davis 7- The Lord's Prayer (19:39) Alfred By the brook Au bord du ruisseau 3.Allegro
Malotte arr. Carl Davis 8- Shenandoah (23:37) (3:27:09) Merry gathering of country folk
Trad. Arr. Carl Davis 9- Billy Boy (26:48) Trad. Joyeuse réunion de paysans 4.Allegro
Arr. David Matthews 10- Go 'Way from my (3:37:07) Thunderstorm L’orage et le
Window (28:41) John Jacob Niles arr. David Tonnerre 5.Allegretto (3:37:15) Shepherd’s
Cullen Five Songs from "Old American Songs" song. Happy and thankful feelings after the
arr. Copland Simple Gifts (32:12) Ching-a- storm Chant pastoral. Sentiments de bonheur
ring-Chaw (34:00) Long Time Ago (35:37) I et de reconnaissance après l’orage Symphony
Bought Me a Cat (38:57) At the River (41:16) no.7 in A major, op.92 / 1950, Vienna Poco
16- You're a Grand Old Flag (44:42) George sostenuto - Vivace (3:46:38) Allegretto
M.Cohan , arr. Carl Davis 17-When Johnny (3:59:36) Presto (4:09:54) Allegro con brio
Comes Marching Home (48:30) Trad. Arr. (4:18:35) Symphony No.8 in F-Dur, Op.93 /
David Matthews 18- God Bless America 1948, Stockholm (live) Allegro Vivace E Con
(50:34) Irving Berlin arr. Carl Davis 19- I Didn't Brio (4:25:34) Allegretto Scherzando (4:33:27)
Raise my Boy to be a Soldier (53:41) Tempo Di Menuetto (4:38:02) Allegro Vivace
Bryan/Piantadosi, arr. Carl Davis 20- Battle (4:43:54) ‘’Fidelio’’ Overture, Op.62 / 1953,
Hymn of the Republic (56:06) Trad. Arr. Carl Vienna (4:51:30) ‘’Leonore’’ Overture n°3,
Davis Singer : Marilyn Horne English Op.72a / 1953, Vienna (4:58:05) ‘’Coriolan
Chamber Orchestra Conductor : Carl Davis Overture, Op.62 / 1947, Vienna (5:13:15)
Stéréo recording in 1985 Label : Decca] ‘’Leonore’’ Overture n°2, Op.72 / 1954, Berlin
(Classical Music/Reference Recording) (5:21:50) Symphony No.9 in D minor, Op.125
/ 1951, Bayreuth (Live) Allegro ma non troppo,
Beethoven, Ludwig van. THE COMPLETE un poco maestoso (5:37:44) Molto vivace
SYMPHONIES (Ludwig Van Beethoven (5:55:34) Adagio molto e cantabile (6:07:37)
11

Presto - « O Freunde, nicht diese Töne » - Tonnerre 5.Allegretto (3:29:48) Shepherd’s


Allegro assai (6:27:14) ; (6:34:12) Vienna song. Happy and thankful feelings after the
Philharmonic Orchestra Berlin Philharmonic storm Chant pastoral. Sentiments de bonheur
Orchestra Stockholm Philharmonic Orchestra et de reconnaissance après l’orage Orchestre
Bayreuth Festival Chorus and Orchestra Lamoureux **Symphony of the Air Igor
Soprano : Elisabeth Schwarzkopf Contralto : MARKEVITCH Mono and Stéréo recordings in
Elisabeth Höngen Tenor : Hans Hopf Bass : 1956-61 Remastering in 2017 by AB Label :
Otto Edelmann Wilhelm FURTWÄNGLER Deutsche Grammophon & Philips (Japanese
Mono recordings : New mastering in 2017 by edition) [Reference Recording]
AB Label : EMI/WARNER (Japanese edition)
[Reference Recording] Beethoven, Ludwig van. SYMPHONY No. 9 in D
minor, op. 125 (Choral) [1.Allegro ma non troppo,
DIE WALKURE (Wagner, Richard) un poco maestoso (00:00) 2.Molto vivace
[Brünnhilde : Martha Mödl Sieglinde : Leonie (16:45) 3.Adagio molto e cantabile (27:20)
Rysanek Wotan : Ferdinand Frantz Siegmund 4.Presto - « O Freunde, nicht diese Töne » -
: Ludwig Suthaus Fricka : Margarete Klose Allegro assai (45:20 ; 51:35) Sopran : Irmgard
Hunding : Gottlob Frick Wiener Seefried Alt/Contralto : Maureen Forrester,
Philharmoniker Wilhelm FURTWÄNGLER Ernst Haefliger Tenor : Dietrich Fischer-
Mono recording in 1954, at Vienna New Dieskau Chor der St. Hedwigs-Kathedrale
mastering in 2017 by AB Label : EMI / WMG] Berliner Philharmoniker Ferenc Fricsay Stéréo
(Reference Recording) recording in 1958 Dokumente : Deutsche
Grammophon] (Reference Recording)
Beethoven, Ludwig van. OVERTURES,
SYMPHONIES 5, 8, 1, 3, 6 & 9. Overture Beethoven, Ludwig van. SYMPHONY No. 3 in
_Coriolan_, Op. 62 (00:00) Overture Eb major, op. 55 (Eroica) [1.Allegro con brio
_Fidelio_, Op. 72b (08:08) Overture _Leonore (00:00) 2.Marcia funebre (adagio assai) 14:50
#3 Overture, Op. 72a (14:55) Overture 3.Scherzo (allegro vivace) 30:20 4.Finale
_Egmont_, Op. 84 (28:35) Overture _Die (allegro molto) 35:56 Concertgebouw
Weihe des Hauses_, Op. 124 (37:47) Sinfonie Orchestra, Amsterdam Pierre Monteux Stéréo
Nr.5 C-Moll, Op.67 Allegro Con Brio (49:24) recording in 1962 Label : Philips Although the
Andante Con Moto (56:59) Scherzo. Allegro two first Symphonies are still under the
(1:06:36) Allegro (1:11:53) Sinfonie Nr.8 F- Haydnian style, ‘’the new way’’ advocated by
Dur, Op.93 Allegro Vivace E Con Brio Beethoven starts with the ‘Eroica’ Symphony
(1:20:20) Aleegretto Scherzando (1:29:51) (1803-04), which was written to celebrate the
Tempo Di Menuetto (1:33:33) Allegro Vivace French Revolution, Beethoven wished to pay
(1:37:53) Symphony No. 1 in C major, Op.21 a tribute to its glory through Bonaparte, the
Adagio molto - Allegro con brio (1:45:24) triumphant leader of obscurantism and
Andante cantabile con moto (1:54:29) tyranny. He even thought that he shared a
Menuetto_ Allegro molto e vivace (2:00:02) common destiny with him, his coronation
Adagio - Allegro molto e vivace (2:03:26) broke the composer’s hope, who decided to
Symphony #3 In E Flat Major, Op. 55 ‘’Eroica’’ change the original title. Then the ‘’Bonaparte
** Allegro Con Brio (2:09:37) Marcia Funebre_ Symphony’’ became the ‘’Heroic Symphony
Adagio Assai (2:24:17) Scherzo_ Allegro composed to celebrate the memory of a great
Vivace (2:39:53) Finale_ Allegro Molto man’’. The Romantics interpreted the Hero as
(2:45:21) Symphony no.6 in F major op.68 « a man who lives a conflict with his
Pastoral » 1.Allegro ma non troppo (2:57:02) environment because of his destiny. The initial
Awakening of cheerful feelings upon arriving Allegro, an imposing development of a
in the country Eveil des sentiments joyeux en musical unit based on a major triad, is a
arrivant à la campagne 2.Andante molto typical case of the Beethovenian musical
mosso (3:08:44) By the brook Au bord du technic? Dramatic and moving, the Marcia
ruisseau 3.Allegro (3:20:32) Merry gathering funebre is an emotive plea for pacifism.
of country folk Joyeuse réunion de paysans According to Igor Markevich, the final
4.Allegro (3:25:55) Thunderstorm L’orage et le Variations are ‘’to the Marcia funèbre what
12

resurrection is to death’’. Jean-Jacques Velly] Cello Suite n°4 in E flat major BWV 1010
(Reference Recording) Suite pour Violoncelle n°4 en mi bémol majeur
BWV 1010 8-Preludium (18:04) 9-Allemande
Beethoven, Ludwig van. SYMPHONY No. 7 in (23:58) 10-Courante (27:56) 11-Sarabande
A major, op. 92 (1.Poco sostenuto - Vivace (31:22) 12-Bourée I (36:24) 13-Bourée II
(00:00) 2.Allegretto (11:27) 3.Presto (19:35) (39:17) 14-Gigue (41:25) Cello Suite n°5 in C
4.Allegro con brio (28:02) Bayerisches minor BWV 1011 Suite pour Violoncelle n°5
Staatsorchester (Orchestre d’Etat de Bavière) en ut mineur BWV 1011 15-Prélude (44:13)
Carlos Kleiber Live performance in 1982 Label 16-Allemande (51:55) 17-Courante (59:05)
: Orfeo Since they were premiered, 18-Sarabande (1:01:20) 19-Gavotte I
Beethoven’s Symphonies became absolute (1:04:37) 20-Gavotte II (1:06:52) 21-Gigue
models for the next generations of musicians. (1:09:13) Cello : Paul Tortelier Stéréo
With these symphonies Beethoven conceived Recording in 1983 Label : EMI) [Reference
the symphonic genre as an expressive one. Recording]
For him, the search of expression was any
longer a dramatic aim, but a creative principle. Bach, Johann Sebastian. CELLO SUITES 2, 3
Each symphony conveys a step in the & 6 (Cello Suite n°2 in D minor BWV 1008
development of his thought and expresses a Suite pour Violoncelle en ré mineur BWV
new solution given to structural problems. 1008 1-Prélude (00:00) 2-Allemande (4:00) 3-
With the Seventh Symphony (1811-12) Courante (7:55) 4-Sarabande (10:01) 5-
Beethoven does not keep any sign of poetic Menuet I (14:51) 6-Menuet II (16:11) 7-Gigue
description. He enlarges the formal structures (18:11) Cello Suite n°3 in C major BWV 1009
of this work thanks to his powerful new ideas Suite pour Violoncelle n°3 en ut majeur BWV
and his rhythmic vitality. After a long 1009 8-Preludium (21:02) 9-Allemande
introduction, the spirited Vivace is built on (24:31) 10-Courante (28:22) 11-Sarabande
continuous dotted notes. In the Allegretto (31:24) 12-Bourée I (36:47) 13-Bourée II
Variations, the steady beat of a dactylic (38:27) 14-Gigue (40:54) Cello Suite n°6 in D
rhythm seems to be obsessional. Vital energy major BWV 1012 Suite pour Violoncelle n°6
and vigour characterize the two last en ré majeur BWV 1012 15-Prélude (44:16)
movements of this symphony which was once 16-Allemande (49:59) 17-Courante (56:29)
described it as ‘’one of his most important 18-Sarabande (59:58) 19-Gavotte I (1:05:32)
works’’. Its different movements are built on a 20-Gavotte II (1:07:12) 21-Gigue (1:09:26)
very quiet atmosphere which reflets the Cello : Paul Tortelier Stéréo Recording in
happiness of the composer at this time. Based 1983 Label : EMI) [Reference Recording]
on a rhythmical canon, the second movement
imitates the ticking of the metronome. Jean- Chopin, Frederic. THE 21 NOCTURNES
Jacques Velly) [Reference Recording] (Frédéric François Chopin (1810-1849) - Les
21 Nocturnes Op.9, 15, 27 ,32, 37, 48, 55, 62,
Dvorak, Antonin. CELLO CONCERTO in B minor, 72 & Posth. n°1 in B flat minor * b-moll * en si
op. 104 (1-Allegro (00:00) 2-Adagio ma non bémol, Op.9/1 (00:00) n°2 in E flat * Es-dur *
troppo (14:50) 3-Finale Allegro moderato en Mi bémol, Op.9/2 (5:50) n°3 in B * H-dur *
(26:25) Cello/Violoncelle : Pierre Fournier en Si Op.9/3 (10:30) n°4 in F * F-dur * en Fa,
Conductor : George Szell Berliner Op.15/1 (17:49) n°5 in F sharp * Fis-dur * en
Philharmoniker Stéréo recording in 1962 Fa dièse, Op.15/2 (22:55) n°6 in G minor * g-
Label : Deutsche Grammophon (Japanese moll * en sol, Op. 15/3 (26:44) n°7 in C sharp
edition) [Reference Recording] minor * cis-moll * en ut dièse, Op.27/1 (31:28)
n°8 in D flat * Des-dur * en Ré bémol, Op.27/2
Bach, Johann Sebastian. CELLO SUITES 1, 4 (36:57) n°9 in B * H-dur * en Si, Op.32/1
& 5 (Cello Suite n°1 in G major BWV 1007 (43:18) n°10 in A flat * As-dur * en La bémol,
Suite pour Violoncelle en sol majeur BWV Op.32/2 (49:00) n°11 in G minor * g-moll * en
1007 1-Prélude (00:00) 2-Allemande (2:25) 3- Sol, Op.37/1 (54:21) n°12 in G * G-dur * en
Courante (6:45) 4-Sarabande (9:22) 5-Menuet Sol, Op.37/2 (1:00:39) n°13 in C minor * c-
I (12:31) 6-Menuet II (13:51) 7-Gigue (16:00) moll * en ut, Op.48/1 (1:08:45) n°14 in F sharp
13

minor * fis-moll * en fa dièse, Op. 48/2 troppo 5-Songe d’une nuit de Sabbat (40:16)
(1:15:07) n°15 in F minor * f-moll * en fa, Op. Larghetto; Allegro; Ronde du Sabbat New
55/1 (1:22:58) n°16 in E flat * Es-dur * en Mi York Philharmonic Dimitri Mitropoulos Stéréo
bémol, Op.55/2 (1:28:43) n°17 in B * H-dur * recording in 1957 Label : CBS) [Reference
en S, Op.62/1 (1:34:15) n°18 in E * E-dur * en Recording]
Min Op.62/2 (1:42:00) n°19 in E minor * e-moll
* en mi, OP.72/1 (1:49:15) n°20 in C sharp Bach, Johann Sebastian. FAMOUS ORGAN
minor * cis-moll * en ut dièse, Op.posth. WORKS (1-Toccata and Fugue in D Minor,
(1:53:30) n°21 in C minor * c-moll * en ut, BWV 565 Toccata (00:00) Fugue (3:04) 2-
Op.posth. (1:58:00) Piano : Claudio Arrau Toccata and Fugue in D minor, BWV 538 «
Stéréo recording in 1977-78 Label : Philips) Dorian » Prelude - toccata (10:35) Fuga
[Reference Recording] (16:04) 3-Passacaglia in C minor, BWV 582
Passacaglia (24:02) Fugue (32:46) 4-Prélude
Dvorak, Antonin. SYMPHONY No. 9, op. 95 (Fantasy) and Fugue in G Minor, BWV 542
(From the New World) [1- Adagio _ Allegro Fantasy (39:01) Fugue (46:22) 5-Toccata
molto (00:00) 2- Largo (10:05) 3- Molto Vivace (Prelude) and Fugue in F major, BWV 540
(24:02) 4- Allegro con fuoco (32:18) Berliner Toccata (53:12) Fugue (1:02:07) Organ :
Philharmoniker Ferenc Fricsay Stéréo Wolfgang Stockmeier Stéréo recording in
recording in 1959 Dokumente Deutsche 1977,1981 Label : Art & Music) [Reference
Grammophon] (Reference Recording) Recording]

Chopin, Frederic. 19 NOCTURNES (n°1 in B Vivaldi, Antonio. THE FOUR SEASONS


flat minor * b-moll * en si bémol, Op.9/1 (Concerto No.1 « La Primavera » RV 269 - in
(00:00) n°2 in E flat * Es-dur * en Mi bémol, E - en mi majeur (Spring, Der Frühling, Le
Op.9/2 (5:14) n°3 in B * H-dur * en Si Op.9/3 Printemps) 1- Allegro (00:00) 2- Largo (3:32)
(9:30) n°4 in F * F-dur * en Fa, Op.15/1 3- Allegro - Danza pastorale (6:28) Concerto
(15:48) n°5 in F sharp * Fis-dur * en Fa dièse, No.2 « L’Estate » RV 315 - in G minor - en sol
Op.15/2 (19:38) n°6 in G minor * g-moll * en mineur (Summer, Der Sommer, L’Eté) 4-
sol, Op. 15/3 (23:11) n°7 in C sharp minor * Allegro non molto - Allegro (10:54) 5- Adagio -
cis-moll * en ut dièse, Op.27/1 (27:13) n°8 in Presto - Adagio (15:53) 6- Presto - Tempo
D flat * Des-dur * en Ré bémol, Op.27/2 impetuoso d’estate (18:15) Concerto No.3 «
(32:09) n°9 in B * H-dur * en Si, Op.32/1 L’Autunno » RV 293 in F - en fa majeur
(37:41) n°10 in A flat * As-dur * en La bémol, (Autumn, Der Herbst, L’automne) 7- Allegro -
Op.32/2 (41:42) n°11 in G minor * g-moll * en Ballo, e canto de’ villanelli (21:03) 8- Adagio
Sol, Op.37/1 (46:36) n°12 in G * G-dur * en molto - Ubriachi dormienti (26:35) 9- Allegro -
Sol, Op.37/2 (51:31) n°13 in C minor * c-moll * La caccia (29:49) Concerto No.4 « L’inverno »
en ut, Op.48/1 (56:52) n°14 in F sharp minor * RV 297 - in F minor - en fa mineur (Winter,
fis-moll * en fa dièse, Op. 48/2 (1:03:23) n°15 Der Winter, L’hiver) 10- Allegro non molto
in F minor * f-moll * en fa, Op. 55/1 (1:09:40) (33:19) 11- Largo (36:43) 12- Allegro (39:19) I
n°16 in E flat * Es-dur * en Mi bémol, Op.55/2 Musici Violin : Pina Carmirelli Stéréo
(1:14:02) n°17 in B * H-dur * en S, Op.62/1 Recording in 1982 Label : Philips) [Reference
(1:18:01) n°18 in E * E-dur * en Min Op.62/2 Recording]
(1:23:49) n°19 in E minor * e-moll * en mi,
OP.72/1 (1:29:07) Piano : Samson François Mendelssohn, Felix. VIOLIN CONCERTO in E
Stéréo recording in 1966 Label : EMI) minor, op. 64 (1- Allegro molto appassionato
[Reference Recording] (00:00) 2- Andante (11:28) 3- allegretto non
troppo - Allegro molto vivace (19:12) Violin :
Berlioz, Hector. SYMPHONIE Nathan Milstein Conductor : Leon Barzin
FANTASTIQUE, op. 14 (1- Rêveries - Passion Philharmonia Orchestra Stéréo recording in
(00:00) Largo; Allegro agiato e appassionato 1960) [Reference Recording]
assai 2- Un bal (13:44) Valse: Allegro non
troppo 3-Scène aux champs (20:14) Adagio 4- Brahms, Johannes. 16 HUNGARIAN
Marche au supplice (35:07) Allegretto non DANCES (1- Hungarian Dance No.5 In G
14

Minor (00:00) 2- Hungarian Dance No.6 In D Brillante » (4:38) Waltz #3 In A Minor, Op.
Flat - Orchestrated By A. Parlow (2:07) 3- 34/2, « Grand Valse Brillante » (9:13) Waltz
Hungarian Dance No.7 In A - Orchestrated By #4 In F, Op. 34/3, « Valse Brillante » (14:04)
A. Hallé (4:51) 4- Hungarian Dance No.21 In Waltz #5 In A Flat, Op. 42, « Two Four »
E Minor - Orchestrated By A. Dvorák (6:46) 5- (16:17) Waltz #6 In D Flat, Op. 64/1, « Minute
Hungarian Dance No.11 In D Minor - » (20:00) Waltz #7 In C Sharp Minor, Op. 64/2
Orchestrated By Albert Parlow (8:10) 6- (21:46) Waltz #8 In A Flat, Op. 64/3 (24:54)
Hungarian Dance No.2 In D Minor - Waltz #9 In A Flat, Op. 69/1, « L’Adieu »
Orchestrated By Johan Andreas Hallén (27:50) Waltz #10 In B Minor, Op. 69/2 (32:18)
(11:34) 7- Hungarian Dance No.1 In G Minor - Waltz #11 In G Flat, Op. 70/1 (35:52) Waltz
Orchestrated By Brahms (14:19) 8- Hungarian #12 In F Minor, Op. 70/2 (37:48) Waltz #13 In
Dance No.10 In F - Orchestrated By Brahms D Flat, Op. 70/3 (40:33) Waltz #14 In E Minor,
(16:58) 9- Hungarian Dance No.3 In F - CT 222 (43:07) Barcarolle In F Sharp, Op. 60,
Orchestrated By Brahms (18:44) 10- B 158 (45:52) Nocturne #8 In D Flat, Op. 27/2,
Hungarian Dance No.18 In D - Orchestrated CT 115 (54:23) Mazurka #32 In C Sharp
By A. Dvorák (20:54) 11- Hungarian Dance Minor, Op. 50/3, CT 82 (1:00:14) Piano : Dinu
No.17 In F Sharp Minor - Orchestrated By A. Lipatti Mono recording in 1950, 1948 & 1947
Dvorák (22:17) 12- Hungarian Dance No.19 In Label : EMI Angel (Japanese Edition)
B Minor - Orchestrated By A. Dvorák (24:50) [Reference Recording]
13- Hungarian Dance No.20 In E Minor -
Orchestrated By A. Dvorák (26:51) 14- Brahms, Johannes. SYMPHONY No. 1 in C
Hungarian Dance No.12 In D Minor - minor, op. 68 (1-Un poco sostenuto - allegro
Orchestrated By Albert Parlow (29:10) 15- (00:00) 2-Andante sostenuto (14:56) 3-Un
Hungarian Dance No.15 In B Flat - poco allegretto e grazioso (25:03) 4-Adagio,
Orchestrated By Albert Parlow (31:18) 16- più andante - allegro non troppo ma con brio,
Hungarian Dance No.4 In F Sharp Minor - più allegro (30:18) Sinfonieorchester des
Orchestrated By A. Hallén (34:04) London Norddeutschen Rundfunks Wilhelm
Symphony Orchestra Antal Dorati Stéréo Furtwängler Live performance in 1951
recording in 1957,1965 Mercury Living (Hamburg) Label : Tahra Diapason d’Or du
Présence) [Reference Recording] Siècle Wilhelm Furtwängler conducted all
symphonic, concertante and choral works of
Ravel, Maurice. DAPHNIS ET CHLOE, Brahms. In his book about Furtwängler
PAVANE POUR UNE INFANTE DEFUNTE (1941), Friedrich Herzfeld lists Furtwängler's
(Daphnis et Chloé Part One 1- Introduction et performances of Brahms. In fact, by that time,
Danse religieuse (00:00) 2- Scène - Danse Furt had already conducted 519 times a
générale (7:18) 3- Scène - Danse grotesque Brahmsian work with the First symphony at
de Dorcon (10:01) 4- Danse légère et the first place with 117 performances. Eleven
gracieux de Daphnis (12:19) 5- Scène - recordings of the First symphony have
Danse de Lyceion - Scène (14:42) 6- survived. Hambourg recording, according to
Nocturne - Danse lente et mystérieuse (19:20) many, this is Furtwängler's most fantastic
Part Two 7- Introduction (23:59) 8- Danse performance of this symphony. The maximum
guerrière (26:53) 9- Danse suppliante de is attained everywhere, in the recording by the
Chloé (31:00) Part Three 10- Lever du jour sound engineer Friedrich Schnapp, in the
(36:13) 11- Pantomime (41:25) 12- Danse orchestra, in the conductor's inspiration and
générale (46:54) 13- Pavane pour une infante never again are to be found fortissimi as
défunte (51:55) London Symphony Orchestra these.This archive crystallizes the
Chorus of the Royal Opera House Pierre unforgettable genius at his full maturity.)
Monteux Stéréo recording in 1959, 1961 Label [Reference Recording]
: Decca (Historic) [Reference Recording]
GERARD SOUZAY. MELODIES
Chopin, Frederic. WALTZES, ETC. (Waltz #1 FRANCAISES (Reynaldo Hahn (1875-1947)
In E Flat, Op. 18, « Grande Valse Brillante » 1- L’heure exquise / Paul Verlaine (00:00)
(00:00) Waltz #2 In A Flat, Op. 34/1, « Valse Charles Gounod (1818-1893) 2- Sérénade /
15

Victor Hugo (2:37) Henri Duparc (1848-1933) concert 1- Lamento (15:51) 2- La leggerezza
3- Soupir / Sully Prudhomme (6:37) Gabriel (26:16) 3- Un Sospiro (31:16) Consolations 1-
Fauré (1845-1924) 4- Chanson du pêcheur / Andante con moto (36:50) 2- Un poco più
Théophile Gautier (10:18) Francis Poulenc mosso (38:18) 3- Lento placido (41:37) 4-
(1899-1963) 5- Calligrammes / Guillaume Quasi adagio (45:26) 5- Andantino (48:38) 6-
Apollinaire III. Vers le Sud (14:02) Gabriel Allegretto sempre cantabile (51:33) Zwei
Fauré 6- Les berceaux, op. 23 n° 1 / Sully Konzertetüden 1- Waldesrauschen (55:00) 2-
Prudhomme (15:51) 7- Cinq mélodies de Gnomenreigen (59:00) La Campanella
Venise, op. 58 / Paul Verlaine II. En sourdine (1:02:10) Grand Galop chromatique (1:07:16)
(18:44) 8- Poème d’un jour, op. 21 / Charles Bénédiction de Dieu dans la solitude - No.3 of
Grandmougin III. Adieu (22:02) 9- Cinq Harmonies poétiques et religieuses (1:11:47)
mélodies de Venise, op. 58 / Paul Verlaine I. Piano : Jorge Bolet Stéréo recording in :
Mandoline (24:21) Henri Duparc 11- Chanson 1979,1983 and 1986 Label : Decca)
triste / Jean Lahor (27:50) Charles Gounod [Reference Recording]
12- L’absent (31:08) Gabriel Fauré 13- Soir,
op. 83 n° 2 / Albert Samain (35:02) 14- Le IL TROVATORE (Highlights) [Verdi,
secret, op. 23 n° 3 / Armand Silvestre (37:34) Giuseppe] (Franco Bonisolli--Manrico Raina
15- Prison, op. 83 n° 1 / Paul Verlaine (39:57) Kabaivanska--Leonora Viorica Cortez--
16- Le don silencieux, op. 95 / Jean Azucena Giorgio Zancanaro--Conte Bruno
Dominique (42:27) 17- Cinq mélodies de Bartoletti--conductor Chor der Staatsoper
Venise, op. 58 / Paul Verlaine III. Green Berlin Staatskapelle Berlin 1975)
(44:37) 18- Cinq mélodies de Venise, op. 58 / [liederoperagreats]
Paul Verlaine V. C’est l’extase (46:36) 19-
Arpège, op. 76 n° 2 / Albert Samain (49:30) LA TRAVIATA (Highlights) [Franco Bonisolli--
20- La bonne chanson, op. 61 / Paul Verlaine Alfredo Mirella Freni--Violetta Sesto
IX. L’hiver a cessé (51:42) Maurice Ravel 21- Bruscantini--Germont Gudrun Schäfer--
Cinq mélodies populaires grecques / Annina Lamberto Gardelli--conductor
traduction M.D. Calvocoressi IV. Chanson des Staatskapelle Berlin 1973] (liederoperagreats)
cueuilleuses de lentisques (54:30) Gabriel
Fauré 22- Le jardin clos, op. 106 / Charles van
Lerberghe IV. Je me poserai sur ton cœur
(57:09) 23- Mirages, op. 113 / Baronne de
Brimont I. Cygne sur l’eau (58:50) 24-
Mirages, op. 113 / Baronne de Brimont II.
Reflets dans l’eau (1:02:18) 25- Mirages, op.
113 / Baronne de Brimont III. Jardin nocturne
(1:06:46) 26- Dans la forêt de septembre, op.
85 n° 1 / Catulle Mendès (1:09:49) Henri
Duparc 27- Phidylé / Charles Leconte de Lisle
(1:13:07) Gabriel Fauré 28- L’horizon
chimérique, op. 118 / Jean de la Ville de
Mirmont III. Diane, Séléné (1:18:38) 29- Le
parfum impérissable, op. 76 n° 1 / Leconte de
Lisle (1:20:40) 30- La chanson d’Eve, op. 95 /
Charles van Lerberghe X. Ô mort, poussière
d’étoiles (1:23:27) Piano : Dalton Baldwin
Baryton : Gérard Souzay Stéréo recording in
1960-63-65-67-68 Label : Philips) [Reference
Recording]

Liszt, Franz. PIANO WORKS (Liebesträume -


3 nocturnes 1- Hohe Liebe (00:00) 2- Seliger
Tod (06:14) 3- O Lieb (10:58) Trois Études de