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GERARD GRISEY TALEA PER FLAUTO, CLARINETTO, VIOLINO, VIOLONCELLO E PIANOFORTE PARTITURA RICORDI ORGANICO ‘lato (FL, anche Fin So, FL. basso © Onan) Casita Semele (anche Cl in Lae CL bao ia Si ‘peal iChcineo in La deve eereacordao un gut di tono Fes eae ton fen genre con iSien bs tise T combust d tempo devono esere brush © moko prec La paris & svt in Do Dig del cn Sen) = ve a we 5 Dns SEGNI CONVENZIONALI tener i sono (200 Hacer Fe ote te pares) jeter 2 acco 0 conciione del swon0 a “impercenibile # | alzato di un quarto di tono } febbanao dun guano dono Tb) perme i to i (bE) gman i he INSTRUMENTATION lite Fat Fens FL bao pico) (lene om Sib (est Cl on La Cl ase on Si) Velen (Ws) Viton (Ve) Plnoforte (Pu) AVERTISSEMENTS Acsoder lex tmiraments ts sognesement avant chaque Cleo edt re adequate on tp es quarts Pome de tom tft wndralement ase des its pour le linet ee der degree em Stare pour ele [Ler changement de temp dosent dre abraps of sx: pe ed oe Comverle ca @ Darke 15° enon SIGNES CONVENTIONNELS tei le som (ne per rte es ‘ots ere parts) am ill litaen iit wat # Hf hanssé dum quart de ton + baie don quart de tom 1 (LH) tare ap a1 deo) U(BE) Memon bt INSTRUMENTS late (ako Flt in G, Bas oe and Pies) (Clie Bf (alto Clrner in A and Bas arnt in Ba Yen Vn) Valea (VL) Piano Pre) NOTES ‘Tune the insruments very caeflly before cach perfor ‘The Caine in A should be tuned « quanersone low. ‘The quarter ones and eghtcones ate greta dove by ips te tet td by ngg or Wah te oe brochure onthe Hate (Changs of tempo shouldbe sudden and very precise Va AH Duration: shout 15 CONVENTIONAL SYMBOLS told dhe tone (do got retake he ot wihin paren) nt poubte FTTTTT te ‘same, but very irregular a Sector ayy 4 ‘ba sharp raised « quarter-tone $astep tena quent 1(L1) dre tn dn L (PE) shi ower an caso BESETZUNG te (auch Flite in G, Balt und Piolo Fite) Klan Bach Klarete bo und Babar in 3 Vioine Ve) Vetorelo (VL) Klar (Pro) ANMERKUNGEN Die Insramente sind so jeder Ausbrang seb sore Bie Rlerncte in A wid um einen Viel ter t- Die Viet wad Acbcnot werd ger nf der Ka: Inte deh Pinger, ea der te dar Fingers oer Ji Benoni ‘ie Tempowetbsel ole apt snd seb rite sein Die Pett nebe oC Aafellung der Spier: Se +) ae KONVENTIONELLE ZEICHEN don To eubalton eingelammer ‘te Nat bt new sme) 1 schnell we moc ‘ens, aber sc reek snmericberBeyinn oder Sco Er Tonet a Fem cies Veton + am sce Vio nib T(E) sete tate 78 Ton U(bH) tie omits 1 on TALEA fowvero la macchina le erbacce ein ont feito magne Ee Sees raat: Rea aa Siete rime rcs ae eee pt ame a cipal ieee Giocke ma kedaaenotasboreaos ct nnn, Nella musica mes In Tals alfont dae ape del dicorso muscle da cui se aren sl sts rumen sale mertodn © ‘tle tlormeson! adcenty i aveano anna, {sarap comrss, Takes eompone dl due par concatenate rena sso Aecotou che enuneago de sper opis tuent, deen ive do te nner jute get aco eloc, Frisina acer — ‘emo, fain, dicendeyc) €expreno cl prepa feper mem di dure mee es poco poco ero sa ‘bere carn Ni end pes pe Ee cle prima pe coms le coe nto dt vise del petcenone, la pin pate ap pare cme proces placa ua vers tachi et {Sst liber che emerger el second Te i procedre a guest ulin & lacrto com ‘ibe meno lraonaly soe ich dela poms pate he poco poo a alran del owe conta abo 4 ‘ene inicoosbil, Ques fe sei, quest eb. [apt nel ments dels maccna, cexano i Fern cs tino sin + dt le se oe Slate eaten TALEA ou la machine et les berbes folles alec, om atin, sigue cougar ans le masque mi ‘eras pee se cobirton Diver tle se tie Taw nen he EE Guo toes ae Sl ‘io ee btu et dares TL ge te il emo a or ie des dirt rate ‘a tc nd pris ot oe depo eet ‘er Tle lode dw de dour ed dot tet mcbothes to le seth fstrmnceu, re Bom ks rgifermatons aes meen gr, {soi la pao conan. {alent post de dew ports enn on inter ‘i gu dmncet dee pect as aceon ds 1 td ng a ‘noc sede) pre ee promi pare Dear moyenne pou 8 px eae gees mplloment Geena” Bens sod porte ge rene forme eon det uc Ppa Se ‘pe ete ete dv homepbie e ‘Di punt de re peepee promi paren appaatt ‘onme wn proces hplacabe,nriale machine fabs ‘irl ib gat erg dan seconde parte. Le pro- ss de te dire sn oft rout meron las motes rawness de rappel de premre arc gat out pus olen du conete natn st ‘Teen monagsatie Confer seman ce betes ‘le pmstes dan eines de a machine roet fn importance puts bonded g's donne a econ ‘vies ont poate de Ftc, ne coloration ft 3 Jat maonbee TALEA for The machine and the rank weeds an Latin, ma aig, In mei! ma hi scan ce te eg Sian enitansgaraoree Cece ee ee Seng we Teo Reus So fe my ofp eve Sas Tamat a pec ah de ced ald Sey SST Mik aS EA ate wo ape of mail cure fom Site sate ener gear inf Sensi a Sereno ome Fact cy Sed gchevit ne. pes Uach eee pect eo Micginge dance eWay es vale pat Rito mci bop pec el safle a ie lana rea pnt ci reg ee terete IES fino nei pe nd met be Fo the prepa pie of ve, he in pt em 0 eth le hg, ae ma Ee the fred stich wil eoerge ine econ part The fs fhe er ed by moo a Sl emergence, kind of ecobecons foe the fet ary which gna sume th cab of the new context tne they Become ueopreable- Thee wld fw, thse rank weds puting up i the incr ofthe a ‘hin, ow i imporance and then ove el they she the snore which ey have wormed tr ny {ES pete n end unexpecedcoloraon TALEA oder die Machine und das Unkrout Tl Sede Lain StI de Mas de ie i ei eee lie Sete Natl a Seen dbase se Bet Ph Set rh a ea ‘Giles tay gen he 20 Shen fd ie rae ca re Beet Shes ol npn Ca ek (ed api ee “ie ie A tre ee Gs rc Tr Cie, ae a es hein at dt Swe a Dec ed tk ee hen de Moats Boles lc mcae Rca Ft te he nn i he bg et eS, i de Mi ‘er ava nes Be Cane nd Ron ol el sp be rent tn et dle tas gle St meer Src ae Ser iter ge Coe eel tte nates gna St shin el eb Dae ace ela ad te base le tee Te Rota ce bn ST bake dpe ond de Ware dy Sos ES to Ce ebet Sr Warn chem i Sina de Nard tt ae Mie dea ten 77 asa ot wate i Ke Vath dn, ol cod ons hc tea Ses een ere Bevoc Enns ral de eas IR de ce eee Se ee tr ie me ‘rec emany te ge Se i Sitch Roi gt Se ae ae ‘Sie fers Bag