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To

Shari
ANGELS IN THE ARCHITECTURE

Arr. by Quinn Ouyang Frank Tichelli
               
     
 = ca. 92
7" Tongue lightly, poco. vibrato


B♭ Trumpet

       

poco. vibrato 
7"


B♭ Trumpet




       
7" poco. vibrato


B♭ Trumpet




       
poco. vibrato
7"

B♭ Trumpet


  26
         
          4
2

B♭ Tpt.

       26
B♭ Tpt.  4

  26
4
B♭ Tpt.
     

  26
4
     
B♭ Tpt.

         44
          
3

B♭ Tpt.

       44
B♭ Tpt. 

 44
B♭ Tpt.
      

 44
      
B♭ Tpt.

      
  44 
    
 = 160 Continue at original tempo,
4 not with the rest of the group
4

B♭ Tpt.

  44                                 
Ad lib.Play indicated notes in any order, rapdily and nervously

B♭ Tpt. Repeat

  44                              
Ad lib.Play indicated notes in any order, rapdily and nervously

B♭ Tpt. Repeat Cut off

  44
 Lightly stomp or tap foot every two beats from ms. 4 - 11 (p, must be audible)

           
B♭ Tpt.


             
8
8 (rit.)

B♭ Tpt.

B♭ Tpt.                   

B♭ Tpt.         

  
 

B♭ Tpt.
        


2017
accel.

   

12 12

B♭ Tpt.

                  
Fade out

B♭ Tpt. Cut off

      
B♭ Tpt.
 

    


   
Lightly stomp or tap foot every beat from ms. 12 - 2nd beat of 22 (mp)

B♭ Tpt.


                 

                      
 
16 16

                 
B♭ Tpt.

                       
 
cresc.



B♭ Tpt.

   
cresc.

       
 


     
B♭ Tpt. glis
s.
gliss
.

      
       
 
 cresc.
   
    
B♭ Tpt. glis
s.
gliss
.

  cresc.

 no breath        
25

                      
 = 180

       
    
Stomp foot loudly on first beat of ms. 25 Stomp foot on first beat of ms. 28

   

23

 no breath 
                       
B♭ Tpt.

         
     
(cresc.)


 no breath 
B♭ Tpt.

  
     
(cresc.)

         
Stop stomping/tapping foot                     
 no breath
.
B♭ Tpt. gliss


s.
glis

 
     
                       
(cresc.)  
.
B♭ Tpt. gliss s.
glis

(cresc.)  

   
     
      
30 32

B♭ Tpt.

    
          
  

               
lower octave preferred

B♭ Tpt.

   
 
  

B♭ Tpt.
      

              




        


        
B♭ Tpt.


                
  
38

B♭ Tpt.

 
                
  

B♭ Tpt.
     

      
         


                          

B♭ Tpt.

               
       
                
      
B♭ Tpt.

2 2017
   
       

44 higher octave preferred

    
B♭ Tpt.

 
     

higher octave preferred

B♭ Tpt.


     

B♭ Tpt.
  
    
            
   
B♭ Tpt.
 

2017 3