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The Word

In the beginning was the word

Before that, no noun, no thing
Then no sound was ever heard
And no passing bell would ring

So therefore no adjective was needed to describe it or deplore it

No preposition required to be positioned right before it

No verb to do something to it or say what act it was pursuing

No need for an adverb to describe how well or badly it was doing

Since not even one noun existed, conjunctions would have been redundant
There were no things to act on and to move across the face of the fundament

So the first word there had to be - was BE, and that was the very first in existence
And from Genesis and Eden to Elsinore, it has had a remarkable degree of persistence

Now, in the Oxford English Dictionary which is venerable institution

There are 171476 full entries of words (2nd edition) all capable of elocution

Of these, about one seventh are verbs, therefore there must be around 24497 give or take, to
enumerate all action
And that should be enough for even the most garrulous to get some satisfaction

This is a limited calculation and I wouldn't want to be tied down to it

We can be more free in our estimates so while we are about it, we might as well do it

It seems that once BE had been exercised, the dam broke and words poured out as from a
And verbs would soon exist in an abundance enough to carry you from here to Ethiopia

Except in the culture of youth where it appears this multitude has been reduced to the
deplorable "was like"
To them I am tempted to say: "Learn some real verbs"; OR I would employ a phrasal such as

The possibilities are now endless particularly if you include the phrasal
Giving us enough elan vital to at least maintain a metabolism basal

So to whoever first said BE, whether God or someone with similar propensities
though another name or description:
I say Well done! I couldn't in my wildest dreams with a wish to create a rich life and culture,
have produced a better prescription.
A Psalm of Life:

Tell me not, in mournful numbers,

Life is but an empty dream!

For the soul is dead that slumbers,

And things are not what they seem.

Life is real! Life is earnest!

And the grave is not its goal;

Dust thou art, to dust returnest,

Was not spoken of the soul.

Not enjoyment, and not sorrow,

Is our destined end or way;

But to act, that each to-morrow

Find us farther than to-day.

Art is long, and Time is fleeting,

And our hearts, though stout and brave,

Still, like muffled drums, are beating

Funeral marches to the grave.

In the world’s broad field of battle,

In the bivouac of Life,

Be not like dumb, driven cattle!

Be a hero in the strife!

Trust no Future, howe’er pleasant!

Let the dead Past bury its dead!

Act, — act in the living Present!

Heart within, and God o’erhead!

Lives of great men all remind us

We can make our lives sublime,

And, departing, leave behind us

Footprints on the sands of time;

Footprints, that perhaps another,

Sailing o’er life’s solemn main,

A forlorn and shipwrecked brother,

Seeing, shall take heart again.

Let us, then, be up and doing,

With a heart for any fate;

Still achieving, still pursuing,

Learn to labor and to wait.

Be Glad Your Nose is on Your Face. :
Be glad your nose is on your face,

not pasted on some other place,

for if it were where it is not,

you might dislike your nose a lot.

Imagine if your precious nose

were sandwiched in between your toes,

that clearly would not be a treat,

for you'd be forced to smell your feet.

Your nose would be a source of dread

were it attached atop your head,

it soon would drive you to despair,

forever tickled by your hair.

Within your ear, your nose would be

an absolute catastrophe,

for when you were obliged to sneeze,

your brain would rattle from the breeze.

Your nose, instead, through thick and thin,

remains between your eyes and chin,

not pasted on some other place--

be glad your nose is on your face!

The Highwayman:

THE wind was a torrent of darkness among the gusty trees,

The moon was a ghostly galleon tossed upon cloudy seas,

The road was a ribbon of moonlight over the purple moor,

And the highwayman came riding—


The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,

A coat of the claret velvet, and breeches of brown doe-skin;

They fitted with never a wrinkle: his boots were up to the thigh!

And he rode with a jewelled twinkle,

His pistol butts a-twinkle,

His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,

And he tapped with his whip on the shutters, but all was locked and barred;

He whistled a tune to the window, and who should be waiting there

But the landlord's black-eyed daughter,

Bess, the landlord's daughter,

Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked

Where Tim the ostler listened; his face was white and peaked;

His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,

The landlord's red-lipped daughter,

Dumb as a dog he listened, and he heard the robber say—

'One kiss, my bonny sweetheart, I'm after a prize to-night,

But I shall be back with the yellow gold before the morning light;

Yet, if they press me sharply, and harry me through the day,

Then look for me by moonlight,

Watch for me by moonlight,

I'll come to thee by moonlight, though hell should bar the way.'

He rose upright in the stirrups; he scarce could reach her hand,

But she loosened her hair i' the casement! His face burnt like a brand

As the black cascade of perfume came tumbling over his breast;

And he kissed its waves in the moonlight,

(Oh, sweet, black waves in the moonlight!)

Then he tugged at his rein in the moonliglt, and galloped away to the West.