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2 from A Star Is Born

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SHALLOW
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for 3-part mixed voices

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with optional SoundPax and SoundTrax CD*

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Performance time: approx. 3:30
Arranged by Words and Music by

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ALAN BILLINGSLEY LADY GAGA, MARK RONSON,
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ANTHONY ROSSOMANDO,

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and ANDREW WYATT

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Easy folk rock (q = ca. 96)

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PART III
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Tell me some - thin’, girl,


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* Also available for S.A.T.B. (47869) and 2-part (47871). SoundTrax CD available (47872).
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SoundPax available (47873) - includes score and set of parts for Cello (opt. synthesizer), Guitar, Bass, and Drumset.
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© 2019 WARNER-BARHAM MUSIC LLC (BMI), WARNER-OLIVE MUSIC LLC (ASCAP), SONY/ATV SONGS (BMI),
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HOUSE OF GAGA PUBLISHING LLC (BMI), IMAGEM MUSIC BV (BUMA), SONGS OF ZELIG (BMI),
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DOWNTOWN DMP SONGS (BMI), DOWNTOWN DLJ SONGS (ASCAP) and CONCORD MUSIC PUBLISHING LLC (BMI)
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All Rights on behalf of WARNER-BARHAM MUSIC LLC (BMI) Administered by SONGS OF UNIVERSAL, INC. (BMI)
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All Rights on behalf of WARNER-OLIVE MUSIC, LLC (ASCAP) Administered by UNIVERSAL MUSIC GROUP (ASCAP)
All Rights on behalf of SONY/ATV SONGS (BMI) and HOUSE OF GAGA PUBLISHING LLC (BMI)
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Administered by SONY/ATV MUSIC PUBLISHING LLC 424 Church Street, Suite 1200, Nashville, TN 37219
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All Rights on behalf of IMAGEM MUSIC BV (BUMA) and SONGS OF ZELIG (BMI) Administered by SONGS OF IMAGEM MUSIC (BMI)
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All Rights on behalf of DOWNTOWN DMP SONGS (BMI) and DOWNTOWN DLJ SONGS (ASCAP)
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Administered by DOWNTOWN MUSIC PUBLISHING LLC (PRS)


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Exclusive Print Rights on behalf of WARNER-BARHAM MUSIC, LLC (BMI) and WARNER-OLIVE MUSIC, LLC (ASCAP)
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Administered by ALFRED MUSIC


This Arrangement © 2019 WARNER-BARHAM MUSIC LLC (BMI), WARNER-OLIVE MUSIC LLC (ASCAP), SONY/ATV SONGS (BMI),
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HOUSE OF GAGA PUBLISHING LLC (BMI), IMAGEM MUSIC BV (BUMA), SONGS OF ZELIG (BMI),
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DOWNTOWN DMP SONGS (BMI), DOWNTOWN DLJ SONGS (ASCAP) and CONCORD MUSIC PUBLISHING LLC (BMI)
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All Rights Reserved. Printed in USA.


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Sole Selling Agent for This Arrangement: Alfred Music


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To purchase a full-length performance recording of this piece, go to alfred.com/downloads


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47870
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are you hap - py in this mod - ern world,

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or do you need more?

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(end solo)
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Is there some - thin’ else you’re search - in’ for?


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PART III
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I’m fall - in’.


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In all the good times I find my - self a long - in’

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for change. And in the bad times I

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fear my - self.
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  PART I

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27 opt. SOLO

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PART II

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Tell me some - thin’, boy,

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aren’t you tir - ed try’n to

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(end solo)
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Ain’t it hard keep - in’ it so hard - core?


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I’m fall - in’. In all the good times I

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find my - self long - in’ for change.
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And in the bad times I fear my - self.

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I’m off the deep end, watch as I dive in.

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I’ll nev - er meet the ground.


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Crash through the sur - face where they can’t hurt us. We’re

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     
far from the shal - low now.
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In the sha - ha, shal - low.


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qE u


A‹7/G D/F©
VI

       


PR

EW

      
s i
PR

mf
U v

PR
R


I

IE
EV

    
EV
We
PR
re

PR

W
IE

 
IE
EV


53

         
 
EW

 
EV
al PR
P

EW

PR
I

eg

W
EV

In the sha - ha, sha - la - la - la - low.

           

I


IE
EV

 


L W

EV
PR

EW
IE

PR


EV

G D E‹

     
I

  
      
EV

      
PR

PR

W
IE


IE
EV

   
P


W

EV
PR

EW

PR

47870
EW
VI
P
I
E

EV
PR

PR

W
IE
9

  

IE
EV
 
55

 
EW

       

EV
  
PR

PR

W
IE
In the sha - ha, shal - low. We’re

           

IE
EV

   


EW

EV
PR

PR
I

IE
EV

 A‹7
   
A‹7/G D/F©

EV
      
      
PR

y
EW

 

EV
PR

PeR

I

c l
IE
EV

  

as

EV
n
PR

PR

h
EW
IE

 
O
EV

57

        

VI
uE r
EW

  
PR

PPR
VI

W
IE

        
far from the shal - low now.

e w

IE
EV

 
es


EW

EV
PR

EirW

PR
I

e
EV

 
G D E‹
qE u

  
VI

     
  
PR

   
EW

  
s i
PR

  
U v

   PR
R
I

IE
EV

   
EV
We
PR
re

PR

  with building
W
IE

60

        
IE
EV

intensity

         
EW

EV

   
al PR
P

EW

PR
I

eg

W
EV

Oh ah. Ah ha

       
I


      
IE
EV


L W

EV
PR

EW
IE

PR


EV

B‹ D A
I

                
EV

           


PR

  
W

PR


W
IE

    
with building intensity

       
IE
EV

    
P

       
W

   
EV
PR

EW

PR

47870
EW
VI
P
I
E

EV
PR

PR

W
IE
10

 

IE
EV
       
63


cresc.
EW

 

EV
     
 PR

PR

W
IE
oh ah ha.

IE
EV
cresc.

      

EW

  

EV

PR

PR
I

IE
EV

EV
E‹ B‹ D

      


PR

    

y
     
  
EW

EV
 PR   

PeR
I

c l
IE

EV

         

as
EV


n
      
PR

   
W

   
PR

h
EW
IE

   O
EV


67
66 f
     

VI

uE r
EW

     
PR

PPR
VI

W
IE


  
I’m off the deep end,

e w

    

IE
f
EV


es
 


EW

EV
PR

EirW

PR
I

e
EV


A A‹
qE u

        


VI

 
         
PR


EW

s i
PR

f

U v

PR
R
I

IE
EV

        
EV

        
We
PR
re


 
PR

W
IE

   
68

        
IE
EV

      
EW

EV
al PR
P

EW

     
PR

watch as I dive in. I’ll nev - er meet the ground.


I


eg


W
EV

      
  
I


IE
EV
L W

EV
PR

EW
IE


PR

D/F© G D


EV

    
I


EV

 
PR


W

PR


W
IE

  
IE
EV

 
W


EV


PR

EW

PR

47870
EW
VI
P
I
E

EV
PR

PR

W
IE
11

      

IE
EV
70

      
EW

EV
     
PR

PR

W
IE
 
Crash through the sur - face
     

IE
EV
  


EW

EV
PR

PR
I

IE
EV


E‹ A‹

            

EV
       
PR

       

y
EW

EV
PR

W
mf f
 

PeR
I

c l
IE
EV

          

as
 

EV

n
PR

       
W

PR

h
 

EW
IE

72

O        
EV

         

VI
uE r
EW

PR

PPR
VI

     
where they can’t hurt us. We’re far from the shal - low now.

W
IE

          

e w

 

IE
EV


es
EW

EV
PR

EirW

 PR
I

D/F© G D
e
EV

      
       
qE u
VI

   
PR

EW

s i
PR


W

 
U v

PR
R
I

   
IE
EV

 
     
EV
We
PR
re

 
PR

W
IE

 
74 75

   
driving to the end
         
IE
EV

 
EW

EV
al PR
P

EW

   
In the sha - ha, shal - low.

    
PR

 
I

eg


W
EV

    


I

IE
EV
L W

EV
PR

EW
IE


E‹ A‹7 A‹7/G D/F© D

     
PR

        
EV

           
I

 
EV
PR


PR

 
driving to the end


W
IE

      
     
IE
EV

    
P

     
W

EV
PR

EW

PR

47870
EW
VI
P
I
E

EV
PR

PR

W
IE
12

  

IE
EV

77
 
EW

      

EV
   
PR

PR

W
IE
     
In the sha - ha, sha - la - la - la - low.

     

IE

EV
 


EW

EV
PR

PR
I

IE
EV

G D/F© E‹

        


      

EV
  
PR

 

y
EW

EV
PR

W
    

PeR
I

   

c l
IE
EV

   

as
   

EV
   

n
PR

  PR

h

EW
IE


79

   
   
O
    
EV

VI
uE r
EW

PR

   
W

  
In the sha - ha, shal - low. We’re

    

 PPR
VI

  

W
IE


e w

IE
EV

es
EW

EV
PR


A‹7 A‹7/G D/F© D
 
EirW

           PR


I

e
EV

     
qE u
VI
PR

  
EW

  
s i

  
PR

   
W

   
U v

 PR
R
I

  
IE
EV

 
EV
We


PR
re

81

       
PR

W
IE

  
IE
EV
EW

         
far from the shal - low now.
EV


al


PR
P


EW


PR
I

eg

W
EV

IE
EV


G D/F© E‹

L W

  
EV

     
PR

               
EW
IE



PR
EV

 
I

  
EV


PR

       
W


PR

       
W
IE

IE
EV

P
W

EV
PR

EW

PR

47870
EW
VI