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With its simple Swedish folk art motif, our hand-made, hand-painted Christmas Tree Candlestick will make your home glow with holiday warmth. Create a candlescape with Christmas Tree Candlesticks and other candleholders and votives from Kosta Boda. Designed by one of Kosta Boda's most embraced artists, Ulrica Hydman-Vallien, Christmas Tree glassware celebrates the holiday season in a jovial, unpretentious way. Each piece of lead-free crystal is hand-painted to capture the spirit of Swedish folk art. On these two Champagne flutes, Hydman-Vallien brushes to life a snowy landscape embracing a simple tree in green and flag-of-Sweden blue. Her design includes a bright yellow star to chase away the winter blues, and red streaks on the bough tips to represent birds or candle flames. The thick glass stems, which give the flutes a sturdy, modern appeal, could even held by mittens should you choose to make a toast outdoors to the first snowfall of the season. Each flute stands nearly 10 inches tall and is best cared for when washed and dried by hand. Following a long tradition of craftsmanship, Kosta Boda glass is handmade in Sweden by master glassmakers. Innovation and design are prized aspects of Kosta Boda, resulting in pieces that are both functional and exquisite works of art. As evidenced by her painterly glass, Ulrica Hydman-Vallien excels at oil and watercolor painting as well as glass design. Her Christmas Tree collection also includes bowls, candleholders, and plates, any of which makes a superb gift for the holidays. --Ann Bieri From the Manufacturer About the Designer: Born in 1939, Ulrica Hydman-Vallien has been on retainer at Kosta Boda since 1972. One of Sweden's best known and most popular artists, she creates unmistakable figures that can be seen on Ericsson mobile phones and the tails of British Airways airplanes, among other places. Hydman-Vallien's most important form of expression, however, is through her glass designs, which also played a large part in Kosta Boda's success in the 1980s and 1990s. "For me," she explains, "glass must always be close to your hand, to your innermost feelings, to your heart." Working with free and unrestrained energy, Hydman-Vallien paints her striking and humorous designs straight onto the glass. Her distinctive female faces, tulips, and snakes have decorated big-selling classics such as Open Minds, Tulipa, and Caramba. Her work is also exhibited in museums and collections all over the world. About Kosta Boda: With characteristic craftsmanship and good design, Kosta Boda has become one of the leading glasshouses in the world. The company's three glassworks in the villages of Kosta, Boda, and Ã…fors each have exciting individual stories of their own yet stand together under the common brand name Kosta Boda. The corps of designers currently on retainer at Kosta Boda works with both utilitarian and art glass. Glass results from a great many meetings between people--artists, craftspeople, and lovers of glass. The artists of Kosta Boda have a decisive role to play in all the creative stages of the process. The cooperation between the designers and the skilled craftspeople is
very close; indeed, it is essential if the designers are to transfer their intentions to the glass. The History of Kosta Boda: Kosta, the parent glassworks of Kosta Boda and the oldest glassworks in Sweden still in operation, has a fascinating history that forms a valuable part of Swedish cultural heritage. The glassworks was founded in 1742 by the governors of the counties of Kronoberg and Kalmar, Anders Koskull and Georg Bogislaus Stael von Holstein, both former generals in the army of Karl XII and distinguished veterans of the battle of Narva, among others. The two county governors founded the glassworks upon the instructions of Fredrik I and modeled it on Continental glassworks. The works was situated deep in the spruce forests of SmÃ¥land, on a site midway between the two country towns, and near a village that was then known as DÃ¥fvedshult. The main reason for choosing this location was the unlimited availability of wood. Enormous quantities of wood were naturally required to keep the glassmaking furnaces burning day and night. Both of the founders wanted their names to be remembered, so the works was christened Kosta, from the initial letters--Ko and Sta--of the surnames of both the Carolinian generals. After a time the entire community was renamed after the growing glassworks. During the first 150 years, the glassworks in Kosta produced only utility glass, including window glass for the building of Tessin's Royal Palace, bottles and glass for the royal household, and chandeliers for churches. The first glassblowers were immigrant glass masters from BÃ¶hmen. They became the founding fathers of the glassblowing families, which passed down craft skills from generation to generation. Swedish sand was used to manufacture crystal glass, but nowadays pure silica sand is imported from Belgium, since the Swedish sand contains iron oxide that gives the glass a green tinge. Under the management of glass masters from Kosta, a succession of glassworks sprang up in the forests of SmÃ¥land in the regions around VÃ¤xjÃ¶ and Kalmar. Kosta therefore has good reason to call itself the parent works of the entire Swedish Kingdom of Crystal. Until the end of the 19th century, the glass from Kosta was designed by the glassblowers themselves. At the Stockholm exhibition in 1897, the glassworks was criticized for the uniformity of its glass, which led to the idea of enlisting designers and artists in production. The first designer to be employed by Kosta was Gunnar Wennerberg. The year was 1898. Ever since then a large number of artists and designers have enriched the glassmaking tradition of the works with their artistic talents. Today Kosta Boda has a unique right to describe itself as an art industry, in which designers and craftspeople work closely together in the ongoing development of handmade utility glass and art glass. This diversity of individual artistic expression and the free and uninhibited creative process have become the distinguishing characteristics of the Kosta Boda brand. In addition to the parent works in Kosta, Kosta Boda today includes the two "daughter works" of Boda (founded in 1864) and Ã…fors (founded in 1876), a partnership that was formed in 1964. Both Boda and Ã…fors were originally relatively simple glassworks that manufactured utility glass. Boda experienced a period of glory in the 1960s and 1970s, under the innovative and dynamic artistic leadership of Erik HÃ¶glund, a heritage carried on by Kjell Engman and Monica BackstrÃ¶m. Ã…fors has been the home of the designer couple Ulrica Hydman-Vallien and Bertil Vallien, who, together with Gunnel Sahlin and Olle BrozÃ©n, brought a renaissance to the small glassworks and local community. In 1990 Kosta was acquired by its former competitor Orrefors. Orrefors/Kosta Boda was in turn acquired by the Danish company Royal Copenhagen in 1997, and the design group Royal Scandinavia was formed. The group also includes Georg Jensen, Royal Copenhagen, and Holmegaard. Colorful, handmade art glass from the works in Kosta, Boda, and Ã…fors have made Kosta Boda one of Sweden's strongest brands and one of the world's leading glass companies. Glass from Kosta Boda is sold all over the world. Roughly 50 percent of production is sold outside Scandinavia, with some of the biggest markets in the U.S., Japan, Germany, and Australia. The origins of this glass, the living tradition of craftsmanship developed in the glassworks in Kosta, Boda, and Ã…fors, is a heritage that every Swede has a right to feel proud of. Taking Care of Kosta Boda Pieces: Handmade and hand-painted glass (especially the latter) does not do well in the dishwasher. Wash by hand in hot water--though not too hot--with a little washing-up liquid. Washing in very hot water will eventually destroy the luster of the glass. Rinse in water of about the same temperature as you washed it in. To avoid cracking the glass, make sure you do not expose it to excessive temperature differences. To avoid lines, dry with a soft cloth that won't shed lint. The edge of the glass is its most fragile part. When you put the glass back in the cupboard, stand it on its foot and make sure the edge does not come into contact with other glasses or objects. The Mark or
Signature on Kosta Boda Pieces: Products are marked with the words Kosta Boda, the name of the artist, and the article number (seven digits). Painted pieces are signed with a painted signature with the designer's and the painter's initials. Engraved pieces also have the engraver's signature near the designer's name. Besides designing glass for the regular Kosta Boda collection, our artists are also free to work with art glass--limited-edition, specially signed pieces that are often much sought after by collectors. Kosta Boda art glass is divided into two categories: unique pieces and limited editions. Unique pieces are, of course, just that. No more than one piece is made of any particular item. Limited editions are manufactured in runs of between 25 and 1,000 pieces. All art glass is marked with the product number, the name of the artist, and the size of the edition so that the purchaser will know exactly how many pieces there are in that particular series. Editions comprising less than 60 pieces are individually numbered, e.g. "25/60." The Lowest Price - Click Here!