Professional Documents
Culture Documents
Jasper Griffin, Homer on Life and Death. Clarendon Press, Oxford, 1980.
Pp.xvi + 218. Hardback, $41.95. Also available in paperback, approx.
$20.00. Clarendon Press, Oxford, 1983.
The poetic qualities o f the Iliad and Odyssey (especially the former) are the
focus o f this unassuming but attractive book. Griffin largely bypasses
peripheral Homeric issues and the drier scholarly debates such as orality,
authorship and dating. This approach is refreshing and welcome in a field
where many publications are inaccessible or indigestible or both.
While expressing reservations about the am ount o f light the oral theory
actually sheds on Hom er, G. accepts Near Eastern influence without much
actual discussion. The examples he cites, however (e.g. on p.45) are cultural,
modes o f behaviour rather than specific stories.
In the first chapter, G. analyses a number of scenes to show how subtly
the poet uses association-laden objects and actions. His arguments are
mostly convincing, though occasionally silly (for example on p. 13: what else
but a spear could H ektor have at hand to lean on as the Trojans catch their
breath after attacking the Greek camp, II.8 493-6?). It is valuable to have
the symbolic im portance o f meals spelt out, and also the genuineness of
divine or superhuman factors. The latter are not mere metaphors; they ex
press the pervasive supernatural influence which is explicit in other
literatures such as Ugaritic (A qhat’s bow) or Irish (Cuchulainn’s battle-
frenzy). In Hom er such ‘events are given a character exclusively in terms of
heroism; but behind the heroic the audience is aware o f other powerful cur
rents . . . ’ (p.47)
The chapter on characterization is valuable for its careful discussion of
hidden motive and changeable (but not necessarily inconsistent) behaviour.
G. argues cogently against the view (which should have been decently buried
years ago) th at only what is on the surface in Hom er is real, and any
subtleties are the m odern reader’s illusions. Surprisingly, he makes heavy
weather o f the dinner-party with Helen and Menelaos in Odyssey 4. By
describing Menelaos as ‘reconciled with Helen’ (p.77) he shows that he has
missed the key to this little gem o f unspoken discontent and suppressed
bickering.
G. disagrees with both Parry and Redfield about Achilles’ behaviour in
Iliad 9: Achilles neither rejects the heroic code nor carries it to extremes, but
the compensation offered has lost its symbolic value for him. This seems to
mean th at Achilles is disillusioned with the way the code is working in his
own specific case. But it does not really explain why Achilles does not ‘tod
dle safely home and die in bed’ (p.99 — the flippancy is unhelpful).
138 SOME RECEN T BOOKS
Mary Knox