CHARLIE PARKER OMNIBOOK

Transposed for B Flat Instruments • Transcribed Exactly From His Recorded Solos (Tenor and Soprano Sax, Trumpet and Clarinet)

Charlie Parker

Michael H. Gofdsen Publisher

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There have been three books written about Charlie Parker which cover his life thoroughly and these are recommended to learn about the hard life he led and the way he influenced Jazz in America. The books are BIRD by Robert George Reisner, CHARLIE PARKER by Max Harrison (British) and BIRD LIVES! by Ross Russell. He was born, brought up and educated in Kansas City, Kansas of q poor family, with his mother heading the family, the father long gone for other pastures. His mother managed to see that he learned the rudiments of his instrument, the alto saxophone and it was even a struggle to buy him a horn and get him lessons.

In some ways, he was like Picasso, ever searching for new ways of expression, bored with the stereotyped changes in ad-libbing (impressions), he experimented until he discovered he could produce his ideas associated with personal experience by using devices related to the higher intervals of a chord as a melody line. And like Picasso, once arrived at his ultimate style, he stayed there since imitators could not comfortably or naturally follow his direction. Just as you can look at a modern Picasso work, you can hear a Parker solo and identify them easily. Unfortunately, Parker lived 35 years, Picasso almost 95.

Because he preferred to work with small groups, he was able to develop his unique characteristics; mobility of attack, freedom of accentuation, imagination and fluency of his inventive faculty and rhythms. His "bop" adventure brought about a fresh harmonic complexity with richer melodic language, employing a greater range of intervals. This creative area was not accepfed immediately by his peers or public because it dared to be different and it took years before his "sound" became popular.

I have followed Parker's career through the years and when scouting the Harlan leonard band in Philadelphia about 1938 or '39, he might have been still with the sax section. Definitely in 1941 while with leeds Music, now MeA, I brought the Jay McShann catalogue into the firm along with some works by Charlie Parker and heard this band live. living in New York and frequenting the 52nd Street clubs, it was always possible to hear him with "is own or all-star groups. An old friend Billy Shaw, his manager, was kind enough to entrust my company with his copyrights and this began a long association with his music thot resulted in the acquisition of his compositions which comprise this book.

A great deal of preparation went into the production of this book. The actual solos were transcribed by Jamey Aebersold and Ken Slone, a monumental task. We are very proud to be the publisher of the most important collection ever made of the works of Charlie Parker.

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CHARtlE PARKER OMNIBOOK

Transposed for B Flat Instruments. Transcribed Exactly From His Recorded Solos (Tenor and Soprano Sax, Trumpet and Clarinet)

CONTENTS

TI~ Thp

ARLEU· HA (AH LEV eRA) 86

ANOTHER HAIRDO ]0-1

ANTHROPOLOGY........................ 10

AU PRNAVE (No. 11 24

AU PRIVAVE (No.2) 25

BACK HOME BLUES ,............ 106

BALLADE 142

BARBADOS ,......... 70

BILLIE'S BOUNCE (BILL'S BOUNrR I M

THE BIRD , 110

BIRD GETS THE WORM . . . . . . . . .. 94

BWOMDIDO ......................•...... 108

BLUE BIRD ,...................... 84

BLUES (FAST) 124

BLUER FOR ALICE 18

BUZZY 78

CARD BOARD ,.......... 92

CELERITY ,.......... 22

CHASING THE BrnD 82

CHERYL 58

HI CHI.................................. 28

CONFIRMATION ,... 1

CONSTELLATION ,.......... 45

COSMIC' RA YR . . . . . . • . . . . .. :lO

DEWEY SQUAR~ ,.......... ],1

DIVERSE 114

DONNA LEE , . . . . . . . . . . . . . . .. 48

K. C. BLUES ~O

KIM (No.1) ,...... 1'51

KIM (No.2) ~"'4

KLAUN STANCE ,...... 9

KO KO '........................ 2

LAIRD BAffiD :]2

LEAP FROG 130

MARMADUKE 68

MERRY·GO·ROUND 117

MOHAWK (No. 11 , DB

MOHAWK (No. 21, .•.................... , 'flO

MOOAR THFl MO()('HE , ..

MY LITTLE RtmDE SHOES 1 il40

NOW'. THE TIM' (No. 1) .. '7

NOW'S THE TlME (No.2) .. 7(;

ORNITHOLOGY . . . . . . . . . . . . . . . . . . . . . (;

AN OSC'AR FOR TREADWELL............ 'i2

PARKER'S MOOD 1:14

1" ASAPORT 102

PJ<~I1HAJ'S ,............... 7'1.

RED CROSS , fi6

RELAXING WITH LEE .. " 122

SCRAPPLE FROM THE APPL .. 16

SEGMENT 97

SHAWNUFF 128

SHE ROTE (No.1) ,....................... 34

SHE ROTE (No.2) , , , Jfi

!:II 8]' ., , , , t1()

STEEPI.ECHASE ]12

THRIVfN • FROM A RIFF' . 60

VISA 100

WARMING UP A RIFF t36

YARDBIRD SUITE , . . . . . . . 8

C har!i.e Parker (Biography) , . . . . . . . . . . . . . tI

Introduction iu

n 1978 ATLANTIC .\WSW CORP

1 nternationat Copyright Secured Made In U.S A.

All Rights Reserved

• For SCALE SYLLABUS~e page 143

Jamey Aeberso/d

INTRODUCTION

The solos in this book represent a cross section of the music of Charlie Parker.

In presenting these solos, we hope to bring musicians closer to the true genius of "Bird".

These solos are in Bb key, transposed to sound in unison with the original solos in Eb key. For Bb saxophone a few of the lowest notes are out of range. Plaring Bva a note or a phrase or even a whole page, at the discretion of the ployer, wil provide an artistic challenge.

Most Jazz musicians have learned to play by listening to records and imitating the notes, articulations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. listen to the record first, then ploy through the solo slowly, gradually increasing the speed until you are at the recorded tempo Bird played it. I don't feel the idea is to try to play the solos exactly as Bird did, but rather to fi nd phrases, articulations, scoops, turns, etc. that you feel you would like to incorporate into your own playing. By being able to see and ploy the actual notes, it should help speed up the learning process. Many players play like Bird but retain their own personality.

Practice with a metronome. Each day try to increase the tempo a little, all the while retaining the inflections, articulations, etc. that you would use of the slower tempo. Try practicing some of these solos with the Aebersold Play A long records. Toke a slow blues 5010 in F and play it with one of the records in the series that has a slow F blues, then move to 0 record that has a faster F blues. It is fun to work towards playing the solos with Bird along with the actual Parker recorded version.

Blues make up the largest portion of this book. Rhythm changes come next.

Some compositions have the two versions recorded by Parker in separate solos. When a measure occurs without a chord symbol above it, the chord i5 the some as the measure preceeding it.

Most players like to analyze solos in order to find out what the musician is doing. Our ears cannot always HEAR what is happening so we slow the music down, trenscribe it" analyze it, practice the licks, patterns and phrases we like best, and end up playing them in our own way on our instruments. We have put chord symbols over most all bars to enable you to analyze the jiotes in relation to the chord. Remember, each chord symbol represents a series of tones called a scale. Older musicians used to improvise mainly on chord tones; Charlie Parker was one of the first to broaden that to include scoles and substitute scoles. For information on scale substitution refer to the Scale Syllabus chert." Bird loved to use the b9 over the Dam. 7th chord! scale. The Blues scale and its accompanying licks was an important port of his music, even when playing songs other than bluesl When you find licks or patterns that you enjoy, practice them in several keys so the melodic phrase becomes a part of you. It should become automatic in order to really be useable in a playing situation.

Only a minimum of articulations have been put in this book. We feel that jazz, being on aural art form, is often times best imitated by listening over and over, and then playing the notes the way you hear if on the record. This might seem like the long way to do it, but experience has proven reliable. After all, who would object to listening anyway? listening is what music is all about.

The records from which these solos Qre laken are listed at the top o·f each solo page. They are contained in approximately eight records (some are two record sets) and most all are still available. The two record sets are a borgainl

We hope you have as much enjoyment with this book as we have hod putting it together.

iv

By Charlie Parker j:;U18

(4-bar Intro)

VERVE 8005

Confirmation

e 1946 ATLANTIC MUSIC CORP.

e Beuewed and assij!;necl1974 ATLANTIC MUSIC CORP. Cl1978 ATLANTIC MUSIC CORP.

All Ri~hts Beserved. W.W.

TURN PAGE

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Moose The Mooche

By Charlie Parker

C. PARKER 407

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Ornithology

By Charlie Parker and Benny Harris

'liD SYMBOLS' C. PAAKER 401

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10

Anthropology

By Charlie Parker and John 'Dizzy' Gillespie

COLUMBIA 34831

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Dewey Square

By Charne Parker

JA.lZ GREATSJG-617/BLUE RIBBON BOll

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Scrapple From The Apple

By Charlie Parker

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Blues For Alice

1 By Charlie Parker ':51it4 ..; = 16~

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K.C. Blues

By Charlie Parker

VERVE 8840/VERVE 8010/MGM 4949/VERVE 251S

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-

-

II

THE PROFESSIONAL ARRANGER COMPOSER IBOOK ONEl

By Russell Garcia

THE PROFESSIONAL ARRANGER COMPOSER

BOOK ONE

RUSSELL GARCIA

• Best selling text book used by leading universities.

• Basis for course in Practical Arranging and Composing in the professional field. For the advanced arranger.

• Endorsed by leading music educators and composers and arrangers.

~~~~=::::::=======--...- - AND NOW! ------------

THE PROFESSIONAL ARRANGER COMPOSER (BOOK TWO)

By Russell Garcia

The hath hooks complement each other!

You need both books for a complete course!

CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.

THE PROfESSIONAL

ARRANGER COMPOSE.R

BOOK iWO

RUSSELL G,e..RCIA

• Discusses contemporary trends in Jazz, Pop and "Modern Classical" Techniques. New scoles, chords, progressions, free improvisotion, vocal effects, using tone tows in practical music, etc.

• Contains a record of many of the 169 examples and the recording of a complete score of on exciting contemporary composition by Garcia. (Musicians used are the top instrumentalists on the West CoastJ.

22

Celerity

By Charlie Parker

VE.RVE 8002IVERVE 2512

F F-

ID 1958 ATLANTIC l\WSIC CORP. ID 197R ATLANTIC MUSIC CORP.

All Rights Reserved. WW.

28

I 1-· ;.) z 0 II

Au Privave (No.1)

By Charlie Parker

VERVE 8010/MGM 49 .. 9/VERVE 2515

)=221) G7 A- BbO G7 D- G7

144 ~ utJJJ 2@t I~n ~j JjJ 1 £J J) f) J J I y G,I' ,bC1J I

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31 JJ,J llrGir rcrrtrl.2rvl V ImJ EFT :,#3) Q) II

G7 G7 D- D- Db7

411 J;rJ\j.1 IAJd] r ftrlm i) ftJ I - ~ _ I

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51 VrQf laa i r Pq. - Ir,Jarftcuc I@ acf~ I

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m Q ~ m d

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81 J PJjW fgll 10 I fJJ • ) 1-

10 1956 ATLA,\,TTC ~fUSIC CORP. if, 1978 ATLANTIC' :"fUSJC CORP.

All Right~ Reserved W.W.

A-

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I' 141 DP;J j ~ ~ r vr ~ ... ~ II n ,J. II
/" r r 13

STAGE DANCE BAND_

""""IOd br 1r.n~ Com.!.e_

THESE aOOTS ARE MiOE 'OR WALKIII'. ,_... IRo'~ Hili

BUNIt'S TUNE

tBrolhl S",n,1

, Ilollnn, Me'ctr) [Bou",,) (9.uncy) . (5",n.,1

\Gr •• l 51lnd.rd , tDr •• mYI II. S"m,.'!l 101l.n "led Son III IC'orlllndl (D'Umyl

UII£,IM IIIT£IIMISSION III" II'S • ;000 DAY,

IUIoI"N' WIT" STM'HOHT SID MDDHl ""T IN VUMO",

Off SHan

Ronl N'S N~S1

SrECI.l OCCAJIDN, IrIUlU fAILUrE UMIU

vUTln WAlt I MEallY

',n.l,d ~J I.nanr 'Ihm"I!.n TINY IU •• US,

(Mod. a.,11

20

Au Privave (No.2)

By Charlie Parker

VEIIVE 8010IVEltVE 8840NEltVE 8002

NtI4J' .; =21J)

~ G7 Solo ~ G7 § G)

1;2: - rfj L i [ F r F ru E i nJ

G7

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:\11 Rj~ht~ R(>st"I\'pd. W.W.

u

A-

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ff. (J rhEg IJ-JJ~J -

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Ik~r~r U ru (J I J~~J j J JU I

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Any Musician Can Arrange With This 8oolc~

First

Chart

Ii: roniempOffUY meH'lcdl

by

Written bl' Pro •... Sy VAN ALEXANDEII Ed,Iod by

JIMMIE HASICEU

Te_h ... you 10 make a Van Alexander (han .'ep b, ,'ep, U1' ~ __ - ,ng "Maonloghl on'll.,

rnonru

o

G7

II

An Importan. Elementary Arranging Book For Schools

Contains two records of charts in the book:

and

"Moonlight In Vermont" for full oren. and 4 examples ot contemporary styles by a leading unillersity arch,

BARNEY KESSEL S<lYS: "Inis book opens the door to an arranging C8~ reer for musicians. Van's first book did this for me."

28

Chi Chi

By Charlie Parker VERVE e005/MGM 4949IVERVE 84Q9

)-:ZJD Bb7 C- F7 Bb1J

l$$eo~ &!oj ?}I.jJ'.}fO I Jill eYbj ~ j ~ I

F- Bb7 Eh7 Eb- D-

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Db- c- F7 D-- G7

3l1tj_illpJ l r'r 'I·r r Eff j f (prJ J 3~) 41'1

51~WJtJJlti1?1JJAJjI'Ji1.). ~plJ;t)jll-

~ ~ c n

Bb7.J.. c-. F7 1lb7 ~~ Eb7

7 ~JpJtf3@JJ I - ,01 "''OR r tal) Y D PE tr 91

~7 ~7 Ell7

sIPf¥DJ" J J. 1)9",3 Jlp t7P~ plJ Jill

(!:' 1955 ATLANTiC :'IIUSIC CORP. e 1978 ATLAt\TIC ~IUSlC CORP.

All Rights Reserved. ·W.W.

29

30

Chi Chi - cont.

F7 Bb7

2~tfl J &J Jf1I~iJij J

c- F7 Bb7

1 - rFd1II'C' ,be;; j I

Eb7

Bb7

Eb7 Bb7 0- G7 c-

14 i-I D r ~ ttu I J] R$l ep 1 r r T r Ii _I

F7 Bb7 c- F7 Bb7

23'tlrMW J IqJPfl?tttlrIJJJjPJJflljll114 II

-

Cosmic Rays

By Charlie Parker

VHlVE 8840/VERVE 8005

E- A7

<!!l 1956 ATLANT[C MUSTC CORP to 1978 ATLANTIC MUSIC CORP.

All Rights Reserved. W.'vV.

J

CRITERION MUSIC CORPORA nON PUBUCATJONS

Cosmic Rays ... cont.

St

SAXOPHONE

By Som Ooo •• ue Sor •• by Oon 9, .. , Lo'ler You.a, ~IC

CMnLl[ '.U:I.'3 IBllP ILTO SAl FOLIO R "o,d.d hll bop ,II. jolo.

ILUNOI, 'A(OUn TlNOI 'A. 'O~IO R .... dod ~'I 10'01 "IOJ

cUlm mnu •• mlOI W FOHO 4 .f1~lnll 'KOIO.<I I.no, lIIlo.

TRUMPET

&lEAl TtUIlI'O mw

B, 8i1118ult.l1llld Solo, br lou" ~rm.trona, MorrJ .mu' DIU'j' Qlllesple

DRUMS .lIIfll'.'S ClIlTEST DIU .. 5nUm BJ Goo,s. Wellhnl

F •• I",I"I 'Illes 01 2, 101"0010" d'lImmor,

"'OfE:J;~IDII~ DIU .. HUBIIS

9, B, od Spinn.,

for hdlo SII,. , Scr.,.

CLARINET

"nAI CIAII"11 IHUlI

~olo. by Artl. SIr ... BOO., I)Qodm, •• Budd, d. f,oncG, II,

IAn CONClno 101 ~LAIINn 8t lhlddy dt r '"OCO

32

Laird Baird

By Charlie Parker l11.wo '!fVI1D)

):/62 ;f c ~

itt' II-} r V IItAr

VERVE 8005

B- E7

A- 07 G- C7 F7 F-

it ftr ,0 IEJrr~(rr~GtJrftr,2l}tn'j gl

E- Eb- lID7 D- G7.

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slijJ)J 1,2~_I[·na&ilJ 1- ;~rul

-

A-

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01956 ATLANTIC, \lUSIC CORP. (t) 1978 ATLANTIC MUSIC CORP.

All Rights Reserved. W.W.

F7

911lJ}ji ll)j I j ) J JJj 1 l,t yl1ftln J; J 1

Eb- Ab7 D- G7sus S'

101 J1@ rrrr1flJJP3JI,;ljJijjJ I rtift U i1lu

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THE GUITAR

;UJUR IUTOJI by uiJrlMll Almeida

A Complete CO"".,! Gult" M.I h<>d In l CD"'USfor a'li""",.-lnlerme<lill •• -'no Ad.anced Stu· dent,-Inol.del ~Io. I ... mibe<l Irom Alme!d"s Copitol Roco,ding •.

'1.,lndo Ilm,ld,', Concert Guil" r.li. .. rADM 1H! .OIlANTIC ERA"

TflMtllbfll Solos JIDm his Clpitol Ilbum. "'u", 01 0...,1"" •••. S'hu",.~n, C""",'n, Mau •• " Ind (lniR

by Barney Kanel

A Ma.' Unlqu.

Gul .... la, G"i'a,j.,~

An IIwe" man)' ques.rioM. end '-01 ... el plob. lem' ,elaring 10 IM~ guila" mu,k and the rrH!!!.lc bu'dnen. 211 pagel mted w"h texl Dnd mu,ie eAompl". covering ave, 60 dll lerenl e.pecl> of the guiler, An ec.y·lo·Jeed. ee .. y.ID·Dnd .rdend b .... k •• ,,1,0.1 beund

U.URI~DO ALMEID~ QUn~R fOLDS

All $4101 tronsc"bed II f<cord,d by llu"odo AI· .. llda on Capitol Aeeold>

••• ~MOR FUM(IICO , nHU~C~" BAllEllAS , CAM C IOH

VENTURE FOLIOS

800K #1_ f .. I ... I_i W~lj( DOH'1 RUN and others. 8001\ #2 - fUIIllI.nl JOURNEY TO THE ST,,"S Ind at~.f1,

BOOK 113-fnlllllnl 105[, IN SlANT GUITARS 'nd oth., ..

BOOI\ l1.-FfOWltoa DIAMOND HEAD, GRINGO .nd Olhe' kit SQnl"

BOSSA GUITARRA

6 ScI.. lor Quito, by LAURINOO AlMEIDA

Gull., Salel with It ad llne and cha,d .ymOOlo (rlnllft. stylI Bullor). Also ~." .ulIlI."od dJ'llm rhythm •.

-

II

84

She Rote (No.1)

By Charlie Parker

VERVE BOlO/VERVE 8840IVERVE BOO2IVERVE 2515

C C E- A7 E- A7

4!vijDJJJJ I j~J~ j 1m Ii),; ) ffJOl crutrtP Dr) II

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C C E- A7

81 cr r:; t r fJ I Ci ,2 - 1 - 1'1 h1 J J PJ J

01956 ATLANTIC ~1USIC CORP. e 1978 ATLANTIC xrusrc CORP.

All Rights Reserved. W.W.

35

J

D- Bb7 ~ C C A7b9

91 I.JJ;lJ .2 1 rlP2~ i) IJjlJ 31 $1 I JJ JJJ~J1J i

G C D- G7

C C F- F-~

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D- Bb7 C C A.~7 ~

131!EEUiJJglnrtIJJjJIJJJJJ1D IJJjJJ j~Jj 1

D7 D7 0- D- G7

14lfW & a u I npJ# 31J In~f rrr 1 - t J II

":.J

C C..,I F- ...- F~ C

1511 r- ,2 1.2751 r 1 - r 18 HI er r! iJ J J j BJJI

C E- A7 D-

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171 Jr(f 4JJj IJjJJ13 J Jj I BUJ jrJJJ I, Cj r r F r I

D- G7 C 0- G7 C

IBI nij, j JjJ lit1 j ,t 1141 J J9J j j II it) 2 II

86

She Rote (No.2)

By Charlie Parker

VERVE 80l0/MOM ~9~9

Pedal Concert F - - - - - - - - - - -- - - - - - - - - - - - --

0- G7

c c

iCl1956 ATLANTlC ~n.TSTC CORP. (C 1978 ATLANTIC }'lUSIC COR}'.

All Rights Reserved.

W.\".

3'

D-

A7

C A7

141 np11 r rr r IDJ J j ~ fJ j 3 I i J J t) ,2 I G7 - II

I C ,_c F- Bb7

1511 rift, U I (t ltl' Er t @' lrtr cr I ec:rJ Eif£@r I

C C E- A7

161tD £)3 J qR I JJDJJ}J IF-·r - I j tUtA J J PJ II

D- Bb7 C A7

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D7.3 D- G7 C J 0- G7 C

I l~ JJtffiftrSl9Jg r .2lpiPtr cp 1 __ lljJml

-

88

Mohawk (No.1)

By Charlie Parker

VERVE 8006/VERVE 8840/VERVE 250,1

t' 19,')6 '\TL.\~TIC \WST(' CORP Ii) 1973 -\ TLANT!C tl.1USlC CORP.

All fligbt;; Reserved. W.W.

39

.....

CMa v

9F§~~ii~~~~~~~------~- 9· ~

.~

- ..__.

, :;

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b ~- . ..~

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--

40

Mohawk (No.2)

By Charlie Parker ~ ):/Iff

VERVE B006/VERVE 8002

F7

l~~~~~~~~E

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C7

D- G7

F7

F7

C7

C7

F7

~ 1956 ATLANTIC \[lISIe: CORP. I!) 1978 ATLANTIC l>.fUSIC CORP.

All Rights Reserved. ·W.W.

4-i

F7 C7 E- Eb-

9~;irlrr!UdqlpJJJJJ~JJJjITJJJrlj@(d!flJ·1

D- G7 C7

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0- G7 3 . Q1a . 0- .J C7

161 ~ J!jl11",;1J I &j ;J ;;;11 ~JrtJQ J II

42

An Oscar For Treadwell

By Charlie Parker

'1'IMO ): 230

~Nf1lb 1-

1.1

VERVE BOOl/VERVE B006/VERVE 2501

{: 1956 ATLAi\'TIC \ILTSI(' r.OHP © 197t! ATLANTIC ~WSIC CORP.

A 11 Bights Reserved. W.W.

43

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07

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An Oscar For Treadwell - cont.

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511I1GS ro. SIUllS-'." a 1

J6 iTU! I.n.", Inoludlll( DUIEl ~lllACE, WHf!I lHE WO~lO W~S YOUNlI,MARINA, 0" ..

TOP n lin TUllIS

29 hll "'IOII"dl loclud'"1 DREAM, IT'S A

0000 DAY, HURRY 011 DOWN, olc, ,

ACCORDION

PIANO FOliOS

Lts alfiU'S nOlle MUSIC UoTIC SOUNDS Of MlRTlN DEMN' [KULL r.ARKtll PllNO SOU)S, 1 UROlL GARMEI PlAIIO SOLOS, II

H. aEVEL'S MUSIC OUT OF THl lIaoM MAT KIMA eeus PIANO SOLOS

fOLIOS Pllnp & .Olee, ."lIl lulUt :hordl llt: HllLEWDOD rOLlO "1

Coni",. hi!' Ilh "DUIID!'!, SAIID. TItEst BOOTS ARE MADE FO~ WAiKIN', 01(.

LEI MAIL[w()OO rDtlO ::2

60 I,n' I.np, Includlnf SUGA~ TOWN, SUMMER WINE, COAST I" , SHADES, etc

HAWAIIAN SOIlG 100R

26 H .... " •• hit WAil. ".;jud'lI& PEARL T SljEU$, FOREVERMORE, etc

ISUMO SOU lOoR

31 hilI, tn'u,,". TlNl 9UB8LI.S, KAINOA SINGING BAMBOO, ole

:iOIIIS fDI IIIKUS- .... ",

J6 i,ul ~Onll 1000hldlfl, SONG Of I liDIA, MOONLIGHT IN VtRMQl'IT, 8£Rlil{'S TUNE, ele,

PIANO SOLOS AU fUMN CON !:EIT 0 LUSH WAm MONTEVIOEO

MDD~lICHT IN VCAMOHT fH[ H.Io~[O SO

OIF SHORE ROSltn IiESl

RUNAWAY AOCKIHGHORS[ Wil. TD IU lUll RIM&

Tor n, IADID .. IICOID HilS hll' .CCOIOIO" I OLO,

TlII'I IUlIW-GUIET Yllu,U:-MIISIC TO WArCII

llIU IT _IIIIOOIII'111t01E -101'1£ NlOiE - _I EY~D9n TlI.IIII'

.... gmmm .. a. ND _,ur

45

Constellation

...

By Charlie Parker

SAVOY 1201

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(1Ut11 tbge)

i!'J l!1-!B ATLANTrC MUSIC CORP.

o Renewed and assigned 1976 ATLANTIC MUSIC CORP. if'11978 ATLANTIC MUSIC CORP.

A II Rights Reserved.

46

Constellation - cont.

A- D7 G7 07 87 E- A7

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HAWAIIAN SONG BOOK

FOR PIANO. GUlHR o!. VOICE COmplel! words and music to 26 1-1'''''.''8" hll ooogs Featuring PEARLY SHELLS, FOREVERMORE, IAAPUAi'lA, '111011 VINI, NO HUHU I'LL SI:E YOU IN HAWAII, .le

Criterion's BotIk 2

ISLAND SONG BOOK

fOR PIANO, GUITAR & VOICE Com Pi"," woros and mUSIt to 31 ti., wal'M ~rl sons,c F •• tu,mg TINY BUB BLES. E MAUV MA I (H I1WDllSn .love Call), 11,0,1 NOA, me re Go.s KEALOHA, SINGING BAMBOO. HIAT'S THE HA WAIIAN IN ME, etc

HA WAIIAN BOOK FOR All ORGANS

~W~'h fll!!l!. ..... ' .. tIQ" .. lot Pij;llil'. [1.,t{,1;_

,il1d Ptll!'S1I!I1 Lhlil:.:IIru,!

CCimple'te wordi lind mUSIC to 17 H.w~".n hll son.s InclUding PEARly SHELLS, QUIET Vii LACE FAREWELL NO HIJHU WAIKIKI, MAPUANA. etc

EXOTIC BOOK FOR ALL ORGANS

IW(I'" tl!!;!! .. tr.hcn, I~' P,DIP nKh"

."d P,. s., OflJ .. fI:t.

Words & rnusre a.,d In~t"l:f'TIe"li!lls of 15 h:Ohc: H1t 50r18o'S InC"h.lldll"ll!, QW ItT VIL· LACE, MOUNTAIN HIGH VALLEY lOW OF, SHORE. SONG Of INOlA HOUSE Of BAMBOO. etc

SOUTH 5.EA FOLIOS

Senfl 1<'111 H3W.It, hhll,. Samu I M."I

Bo.~ = I - SOUTII SEl SONGS

S.,k =2 - SOMSS OF POLYNESIA

BOI), .=] -ISLANII SOHGS

Ba,)' =~ - MAO~! MEtCDlfS

a ••• =~ - SONGS Of PlR.l.Dlst

90 •• = 6 - SONGS fROM THE PAC Inc iSLES

Bo'k =1 - SONGS fROM THE ROM~NTIC ISUNOS aa,1 = 8 - TUNE! fROM THE ~O"CS

I))n'a"IJtI wClrd~ ,jInjJ mU"IC IOf l,I1,;m;r IIiInr:! II1II11 ~1I'II~r (I-DU:

In!l1nJmen-I!i-u.ul!!!I!!I. IU'lar. I!Ilt

CRITERION'S HAWAIIAN SING,A,SONG LYRIC BOOK

Words. to 84 HaWJltjlln ti\w-onH!S Now & Old

I nolud •• TINY ElUElBLES, PURL Y SHELLS, OFF SHORf. QUIET VIllAGE, etc

47

i

I

II

B7

48

Donna Lee

By Charlie Parker

SAVOY 2201

PI/> _ D7 G- A- 07

611_ fJ J 3 l~rJr B 'Eff' 1 J ~? - 1 -? ,J)II

J

G- D7 G-. _ C#o

711 rir jf L rr rimE r r rkfU I ~rn n fj JJ I~ rrtr I

0- G7 c- F7 Bb c- F7

81 f'Er 8JJJ l~mP fJ dO lur; r 113 Ibn JJ UP.II

e 1947 ATLANTIC MUSIC CORP.

I!) Renewed and assigned 1975 ,\TLANTIC !\,(USIC CORP. 0)1978 ATLANTIC MUSIC CORP.

All Rights Reserved.

49

60

Eb

lV:J7

.., A I

-

Bb

-


22\ -
07 Donna Lee - cont.

D-

F7

1911 OJ 13 J hJ13

C7 C7

201 ;1) ~ fJ I jJi11 W

) r

G7

C7

C7

)

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C#o D- G7

23It~Jp;iJ 1J 11J4JJ) IptJ34bDJIJ&Hl j~J 51J

241 Qaw, JqJ I ~P J] &r

G-

ORGAN fOLIOS

14 HITS 'or ~II ORG_MS

Greal SIAnd.rd •• ".nled by B •• Kond.11

P~CIIIC ISLAND Mfn 10' ~II UUMS

II I".nd I .. g"t .. to 8 IINY BUBBLES .r"nl,d by 8en Klnd.11

[10m HI rs For All 0 RC~NS

15 holt I,., au lET VtUAG! etr

HA'itAIlAN 800~ r.r All ORGANS 51,nd"d, I". p",I, Sh.,I" .to

TOP TV. UOIO l IItORO HITS

for H,m"ltlMG Chord Ofll:lft With word'5! .. mU"iIE: for 0, .... M.o""~hl I" V,rmo.,-plu, ZI morr nil!

CIIlEIION DIQAN HilS

lor In. Pr ... t ond S~'"!I ""d,1 H.mmond OrRlns, I 9 hll "'O"III§. ilfr.lln.iec trr Mir" llub

c m Ell 011 DRCAII HITS

FlU ,11 W ... lltUf DrRI"'.1 PJ I'lll \CIni-S. IH1nlf'd bV

Ma"'.ub

[Ul 'UiIl'S IAVORIIlS

rDr Ih, H.mmond ChOrd O'KI' 11'01<" & ""'" 10 ]I lop ,onl1 "'.'.,d by lIrl Glint

-

c- F7 Bb
!'j ., R Q{ IIOr - II
...,
I , --ORGAN

ORGAN SOLOS

QUIEl VILLA&£ - fer H"",,,,ond OrB,n PURL' S~ELlS - Fo. All Drg,",

11N1 8UBBLES - For All Org.M

EXOTIC BOOK FOR ALL ORGANS

HAWAIIAN BOOK FOR ALL ORGANS

tw.,t, f,,"li'r.Ul:ma. '0' :P~OI! Elee'tlC

,.nd P,. Sci Ot •• n.)

Word'!. .& muSIC and lnstn.H'l'liullals 0' 15 uOI.C Hit 50nB'. ,nctud,nB QUill \Ill lAGE. MOUNTAIN HIGH. VALLEY LOW. orr SHORE. SONe; or INDIA' HOUSE OF BAMBOO .• 1<

Witt" fell'Ur.thO.\t ~gl' Pipe Eltc\110

A/HI Pr .. S.t 0,. •• ",)

COmpl~tl!' wo..-d, and muere to 17 H~"".".n hll ,cnR' ",.'ud,ns PEARLY ssru.s. QUIET VILlAGE. FAREWELL. NO HUHIJ, WAIKIKI, M"PUIIN ... , etc.

51

Kim (No.1)

By Charlie Parker

VERVE aDOS/VERVE 8840

):SZO C7 D- G7 E- A7 D- G7

"~+ ; II j J) :p £) I j J J J _ Ito 1) VJJJJ ; .. -

G- C7

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D- G7

2~~~~mI~~~

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311@tt1 Uu I fJ JPfJ iVI E! ;) &er I fJ ru IJ IJ I

~ J

G- C7 F7 (Db) C7 C7

41 jJv; J LlJ J 1_ 93p*1 J JtJ l "I - II

~ m 3 ~

511! UfU ;Q 1) IJIP 4J 11 yl1 I [ J1)l n ;< I

A7 D7 D7 ~ 0-

61- '11t? 1 E r rtr 'r rqn J J J)JJJ? 1&& er fJ JJ 1

G- .1 C7 D- G7 E- A 7 .

7IJJJJ;zrWn F'orAI J JJ JJ J J IJJJuJaJJ J I

D- G7 C7 F7 C7 A7

81 JJ jJJJtp1? I J ,1) (J I a ;) p2 Ell rJ ~1"ur"-~) I

e 1956 ATLANTIC MUSIC CORP. 1!':I1978 ATLANTIC MUSIC CORP.

All Rights Reserved. W.W.

52

Kim (No.1) - cant.

0- f.7 _C7 D- G7 E- A7

91 Y IT ~r!r II 0 I'L r r~r (Dr rr IJJ J &] fj fiJI

D- G7 G- C7 F7 F- E- A7

.01 J,l J "fJjJ I JPJPl¥bN 1 n"13 RihII P Up JI

D- G7 C7 D- G7 E- A7

11_ Y &tWO ~JJJ i1P I JJvH r r r'(IEffry fj J 41

D- G7 G- C7 F7 (Db) C7

21 ;11JJtJ hJ 1 j 3 bJ J fJ n I an jpJ J~J !U J J#J iJ ;1

C7 E7 E7 A7

f - lifE! E§T'Crul J~ Jj J J hJ 1 n,Ji3 r /1

A7 D7 D7 0-

41 - rJcp IC7 rJ~"lr):;' OTt u fpJJ uJI

G7 C7 0- G7 E- A7

0- G7 C7 F7 ../1_ C7 ./.L A7

61 - 1-'; 7pffEt!~nmctr 1~P1mbnl

D- G7 C7 D- G7 E- A7

71 -?7~D1ElJ&f) q~¥ I) lJl$fW 1 W Jr -I

o D I

-

II

D- G7

C7

lsi 11 r J1 J

-

C7

G-

C7

F7

C7

C7

(Db)

201 J )reJ @ I @ 1)_ 11 Uhf); )

E7 E7 A7

2\fii an . I J J pJ J r E r 'f I 9 Jc@3 CUIF' If (2

-

11

A7

-

D7 D7 D- G7

2~ '?fJt;P r r fir I c*r Pr fJ JJ I J 11 J }l J - f1' ij II

c D- G7 E- A7 D-~ G7

23H3ijP Jj J I 11JjJP 4) IlJD j 1 J lljpj [ rEf!

G- C7 F7 C7 A7 D- G7 C7

24 E1 0 r - It9fgB 5Potgrr J ;)Y}J; iJ J)J)IIJJJjP?11

ORCHESTRATIONS

S",AU OIC .. UTIATIONS

MODEU IOUND InIE~

(,IL'!I~J Mutlllll"l'i ... UlLU3J.IU1TU IUNI!'! TUH! -WIl~I~' SMan ~1.Hn AT TH( IU~MU.LIfOf' IHOt-fUEIUT

11111'1101' JICQUlrl 10111111' ""' 1:1;11""",1'\ :Hlw~ln', nur"

elllfltl Plr~I'"

(OllfIUUTlON - TUOIIU lUlU Moon IM( MoDCMI- O~MIT'KOlll.' ICUP'U 'ROlli ,MI AP'LE

DlWH IQUAIE

STAND ..... O DA.NCE OICHUTlATIO'U

AUTUIIIII 'DllenTD MA_IIIA

1"'1 H • ." hm,no' "'.1 MOONLIGHT 1M YUIIIOIll

nlHII'1 TUNI orr SMoU

DIEAM IIUIET VILLIU

IIIHIMlnlOIl II" IAIi lH( EIID ID' •

IT'S I 0000 Dn UlNaD"!

Kim (No.2)

By Charlie Parker

VERve BOOS/MOM 4949

)=3D

C . D- G7 E- A7 L D- G7 J

lftJEprrplJ? - IrHF$~JJJ IJJJJJ))l1I

G- C7 F7 F- c D- G7

21 J ;;' yet@( JJlJ)BDpIJJJJJ g I - ) ~~:!

c D- G7 E- A7 D- G7

31) ) lQJ Itn JJj J JJ I fJ Jap;; Jj IUl]) J) ,wI

G- C7 F7 F- C C

41 J ;2 IT &H 8 1 J) J g 9Jg 143m J - II

B- E7 A7 A7

slltl¥{6i'fJJ1J tHfJ J)Jl I ijJjlrrn I~, fJ ~iJ ~)~J I

D7 D7, ~ D- G7 .J

61~tlJjtfJ13 I er ulJp IF YPEEtfI 3JJ3 J) piP II

711 JC 12 F ---- I'; ;7 r r F I Dtra j7

D-

G7

-

G- C7 F7

8\ - ; 'emf I F j

C7 A7 ~ G7

(i' 1 ~ 4 (1 E 1 J -

J

e 1956 ATLANTIC xrusrc CORP. (!!11978 ATLANTIC tllUSIC CORP.

All Rights Reserved. W W.

55

C D- G7 E- A7 D- G7

911rrrr c;crJ1tEtrrJ ktrffi 1 r'rpr{ku IJJjJnpi I

G- C7 F7 E- A7 D- G7

10 I jJ ~; S iJ j 11 DlQ 1 ? 1- 7JJJJ IJ j 1 JJlJ1S'11

C D- G7 E- A7 D- G7

~ ~ ~ -

l5H ;2 J r If ,2 -I?£ a tJ I cr r rJ (q 1

G- C7 F7 F#O G pedal

161 (D~r ;; 1- ? 01 I tea c::cer I RJU ;JJ) II

C 0- G7+ E- A7b9

1711 J j J1 p13 \ OtrJ &J J J pJ \ J J J ·)tJJ J J I

(rum P~')

Kim (No.2) .. cont.

D- G7 G- C7 F7 C

.81,3,? ,)ijljJJJi;JJJ IJJJJ,£jJJ IJIJltJl

c &4 jTaISII ~ , &

D- G7 C J D- G7 C A7

.91 - I ill n rp Q I CIT GJ ECal J I -

D- G7 G- C7 F C A 7 D- G7

10 I r r r r - I) rJ (J ~U I tJl1 er B I fD) J I - Il

B- F:l A7 A7

1111*rrbE rEf r Ifr F rr r r rr ! r' Ff ~Hr I fJ;n+r r HI

D7 D7 0- G7

2IPf~rr£JJJlfjjJJJjlPJIJJJJj? I - II

C D- G7 E- A7 D- G7 J

311l 13 E J f r I a '" ) !' pent rplI&3 J] I J J j J JJ tW I

G- C7 F7 F- C A 7 D- G7

41 J ,) er t?J lUi) _ IlJJtJ giJ I JJjJQ fBOl1

D7

311;; 1fl J

c

G-

A GUITAR METHOD THAT TEACHES READING & PLAYING INSTANTLY!

Endorsed by:

A SHORT CUT-

-NOT A GIMMICK

AN APPROVED MUSICAL METHOD YOU HAVE TO see TO BELIEVE!

for: THE BEGINNER

THE SLOW READER

THE uPLA Y BY EAR" MUSICIAN

BARNEV KESSEL lACK MARSHALL GEORGE RUSSEll

Contains these solos-"THESE BOOTS ARE MADE FOR WALKIN'," "LET THE GOOD TIMES ROLL," "HOUSTON," "TINY BUBBLES," and 15 other hits.

Edited by Burdell Mathis

58

Cheryl

By Charlie Parker

SAVOY n08

<0 }947 ATLANTIC IUSJC CORP.

© Renewed and assigned 1975 ATLANTIC MUSIC CORP. @ 1978 ATLANTIC MUSIC CORP.

All Rights Reserved.

..J

F- Bb7
9 l -
E- A7
101 - 59

D7 G7 A7 D7

II J,n r (+r F I fJ ]) p !J1R ,LGJa.

A- D7 G7 G7

1:JJfJJ)_FJ1J)J$JOij IE)

F#-

-

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F- Bb7 E

121 pJ~J J J rn Q I fa Jij ijfJ JJ

E-

A7

A7

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D7

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I

GUITAR FOLIOS "ROOTS" fOR CUll ~R

GUIlar allangemenls ... uh ~omplet" pilrt, for 5,,10 and Rtlytl1m GUll,!

FROM THE ROMANTIC ERA

Concert gUitar ~,J'O~ tran;cnb~d Irom

t aunndn Alm",rj,J , Cap'lol tllbUln mus.c rll Bepthovt'n Gr"lf etc

80SSA GUtTARAA

S'x ~OIDS bl ldUllnda ,limelci] ~ .th 1!'3d line and chord symbols

SURFltf GUllAR

SUI ling ~~np~ lrrlnpFO by l,m"]l" Ha<krll for piano ~oto .lnd gUllJI ~ohJ

COUNTRY GUITAR

Hits from the Country Field

FOLKSY SONGS FORBUIT AA (Simple [0 Advancedl "MfA", "Phllildelphla Lawyer", etc

20 QAEAT TUNES rOR GUtUR {Pick Stylel

39 Greal Arrangements by Dan fox, featUring "Moonll gill In Ve rmont"

OSC~R MOORE GUITAR SOLOS

(aIITAR

-

VENTURE FOLIOS

BDQ~ ~ I - Hils like WAl~ nON'T RUN

Book = 2 - H Its like 10URNEY TO THE STARS Book =3 - Hils lille lOSE, INSTANT GUITARS Book = 4 - Hils like DIAMOND HEAD, GRINGO

GUITAR SOLOS AMDR flAMENCO BAIA

BODAC IDUS 8. AN G RY G EN ERATIO N BULLER lAS Y CANCION

TEHUACAN

GUITAR BOOKS

GUITAR TUTOR by l.auundo ~Imeida A complete Concert GUIlar Method

HIE GUITAR Ily Barney Kessell A unique guide for gUltarlsls

60

Thriving From A Riff

By Charlie Parker

SAVOY 2201

J :230 D- G7 C D- G7

1$$ i4J fJqfJ rijJ1Jl J 7'] IppJ""__~ aJ ~hJ I hJJJ) iJ I

G- F# 7 F F#c C D- G7

211JUJ (tr U I J JlhiJD Ilj J law I - II

Cl1945 ATLANTIC MUSIC CORP.

e Renewed and assigned 1973 ATLANTIC 1\1USIC COHP. (C 1978 ATLANTIC MUSIC CORP.

All Rights Reserved,

I

61 I

I I I

C D-- G7 C (Eb-) D- G7

91J,t ~F r ~FI F etu 81 r r r r ~Ett!t!rl 0/ j) n lJ I

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10 Ij4M j CrUD)1 J ~JJJ} I Jl._j ,J I -II

C . D- G7 C D- ~~

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G- Fit 7 F Bb C C

12111'; yJ ;11PJl9Ju I IJJJJjJjl J - II

E7 A7 A7

13 ~II ~- ~I~-~F~pr~e~r @IJ ~J ~~Jfjr fIr ~r l~iJ"_""~j -jmbt~>J~JJIl· I

D7 D7 G7 G7

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l C ~. D- G7 C.] D- G7

lsl;wW mcJtuEI ,;JJ3MHt1r J] iJ l I

G- F#7 F F- C D- G7 C I

J 161; i'E5'trtr1_2DJ; I_J))} I}lll tV JjIQ) til

62

Ko Ko

By Charlie Parker SAVOY 2201

J:3(8

l,tr ~ I[;J, of I~ r bee D I PtU r-rr r a I

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-

01946 ,I\TLANTIC ~IUSIC CORP.

@Renewed and assigned 1974 ATLANTIC MUSIC CORP. I C ATLANTIC MUSIC CORP.

All Rights Beserved.

G7 C C G#7.J ~

151JllJfJJlljJJliJ; I - II)fJJJ ;jlLI

G#7 C# F*7 ,J F#7

161 e\(Ufr II Z II))]) fiJi)] I'P' ijffl¥T

B B E7 E7

111W,JiJ lif*( r r ft!rl II. - all f I fe' r~ f I ·1

A bA l~ D7 ~

181; tUflZ I JJJ;lJJ tJE I i r [1 en f ~r 1 EtfJ f£::;1

63

64

Ko Ko - cant.

0- G7 C C

191 rtu fJ~ er l6ng fIlJ II Uj) ad .. H i -

G- C7 F F

<01 - ~roJillfjIJ JJJl 1:IJf3 fJ {3·1 rrEr - 1

Bb7 Bb7 C C

07 07 D- G7 C

221 erE:; qJ) I J - I - J[tl.o. J; -

G pedal C .3 C G-

131 -llfE;1 rp P I ((fj Em U I tI)1 JJP) I

~ F F tV Bb7

141@} pry} 1p13 j J j J I tI£f tt f I - y;\j I

B~ C C ~07

151 rID tte I j J J J i1)} I J jJ)fW ·1 eta QfJ 1 I

D7 D- A7+9 0- G7

161; - I -(1?qJ I J %j)j ~J Jj I EtJ1lf l I - II

C C G-J F#7

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65

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381 - db I (c F Cr I!JD) J&JJ &J I J&HJJJJ) 111 NV'w11 ~

66

Red Cross

By Charlie Parker

SAVOY 2201

c

c

A7

A7

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.J J

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4j.dDhP P I Jhjfl-j- I i2 art tf; I Wr a ;1 rf II

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.... - ... t
I I e 1945 ATLANTIC MUSlC CORP.

IC Renewed lind assigned 1973 ATLANTIC MUSIC COHP. C 1978 ATLANTIC MUS1C CORP

All Rights Reserved.

67

C D- G7 C D- G7

d)'t;2- Ilr~(rlr. r Ur E! I JlJ ~j j r I

C7 D- G7 C.1. D- G7 C

141 dr [3'&J hJ 31 lCr - 1- ill pr C! I pf f¥ 83]1 J -II

JACKSON BROWNE FOLIO

Six Songs From His Hit LP

Doctor, My Eyes. My Opening Farewell • Jamaica Say You WIll • A Child In These Hills • San!! Far Adam • rrom Sllnrlake

For Piano, Voice & Guitar

68

Marmaduke

By Charlie Parker

SAVOY 2201

)=2£8 A- 07 A- 07 A- D7

Lt¢,'tCf'rr rr II HEr J. pi J jJJ Jy D I at iJ f r r r I

A- 07 G A- 07 G

II fJ 3D uJ ~ liB J d } I J J J J r fkfif I r ) if D I

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ID 194M ATL,'\NTIC ~1U }C CORP

tI Renewed ond :mi~ned ]976 ATLANTIC MUSIC CORP. 01978 ATLANTIC MUSIC COI'!.P

All Rights Reserved.

69

(-'010)

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10

Marmaduke - cont.

Barbados

By Charlie Parker

SAVOY 1101

8/gq ):168

1_ i

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G G A-

IrUJ1JJJ IJJJJJ1J)I

to 1948 ATLANTIC MUSIC CORP.

e Renewed and assigned 1976 ATLANTIC MUSIC CORP Co 1978 ATLANTIC MUSIC CORP,

All Rights Reserved.

I

I I I

I

I

I

71

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SHAPING FORCES IN MUSIC

By Ernst Toch

An inqu iry into harmn nv, melody. cou nterpoint and form. A complete advanced music co ursa now being used by many lead iog colleg,es as their text book.

72

Perhaps

By Chari ie Parker SAVOY 2201

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Now's The Time (No.1)

By Charlie Parker

VERVE" 811M)

For Melody S8. Now's The Time (No.2) - page 76

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15

By Frank Skinner

B-

Bb-

A- D7 G7

91 JJ!lbnP 1 rm J J) I - &Ul' >" It ~((t!f11tr I

UNDERSCORE

A complete course in scoring for motion pictures and television, featuring an actual score that was writtern, arranged and recorded for a motion picture, with timing sheets, orchestra sketches and orchestrations.

'76

Now's The Time (No.2)

By Charlie Parker BLa4f

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e Renewed and assiglled1973 ATLANTIC MUSIC CORP. 1tl1978 ATLANTIC MUSiC CORP.

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78

Buzzy

By Charlie Parker

SAVOY 2201

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I!) Renewed and assigned 1975 ATLANTIC r.IUSIC CORP. (D 1978 ATLANTIC roSIC CORP.

All Rights Reserved.

79

80

Billie's Bounce

(also known as BILL'S BOUNCE)

By Charlie Parker 8/"lJ

J:;IV

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SAVOY 2201

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16

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82

Chasing The Bird

By Charlie Parker J=Z.IOG

SAVOY no.

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83

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Blue Bird

By Charlie Parker

SAVOY 2.201

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CI Renewed and assigned 1976 ATLANTIC MUSIC CORP. e 1918 ATLANTIC MUSIC CORP.

All Rights Reserved.

85

Ah-Leu-Cha

(also known as AH LEV (HA)

By Charlie Parker

SAVOY 2201

e 1948 ATLANTIC MUSIC CORP.

C Renewed and assigned 1976 ATLANTIC MUSIC CORP. e 1978 ATLANTIC MUSIC CORP.

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89

Klaun Stance

IBy Charlie Parker

SAVOY 2201

II!) 1948 ATLANTIC MUSIC CORP.

© Renewed lind assigned 1976 ATLA.NTIC MUSTC CORP. e 1978 ATLANTIC MUSIC CORP.

All Rights Reserved.

90

Klaun. - cont.

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92

Card Board

By Charlie Parker

VERVE 2501

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93

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Bird Gets The Worm

By Charlie Parker

SAVOY 2201

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(D Renewed and assigned 1976 ATLANTIC MUSIC CORP. 01978 ATLANTIC MUSIC CORP.

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95

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