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11 1.4 2.3 30

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lap' .'~' . - ,e'r 3 ,",,",. ,",1',1 II I! ,",I ~ ~ ~ ,",I ~ ~ 0;,",," ~ ~ """"" 10'"'10

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apter 4 .

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ythm Rhyming ., ......... nk-ing

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l_ ',- . - - •.. r .. :.... . .. ,' .. ' .'~ . ~". .' -' . . . . . ," .

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, .ntro " uction "." " Page 2

!

Chapter 1 » 3

C,O'" .··:N· .. ····T,···- :··.'N··· .. ···.··IUTI -',:

- . - . ',_ . - -' . - _' .

In' . tr rod u zi o n e :: 'a: . 'g: e" 2·····

_ _ :__ ._ ','. ':'" ,,_. '._ ,: '_:_:. __ ) ,,". ' .. _ ' ~ .. '.'_ ~ l!!!ll!! iii Ii Ii ii ii i ii Ii ii ii Iii i!!I i!!i Ii II Ii il!!II' '-. ,,:. ',. .'~", .....

Chapter 1 ".................. » 3

,

Chan .. ter 2 .. i!i ...... '" ....... u~~~n'u'"u~~~~ ..

»

II },4,

2"3"

.',~. ~,

Chapter 2 " .

Chapter 3 ...

»

1'1 14

23'-'

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Ch: pter 3 .

»

Chapter 4 ..

Chapter .5 , ~.,., .

Chapter 6 ..

~'ij;. .,..,.

30" .

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3;'9'-'

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Rhythm Rhyming .

Monk-ing .. ,.,1'"'ii~~i!'~:iii .. Ii!'"'!ii'""' .. Ii';;''"i;;;;;;;;; .. i!;;;

."':=: I I

»)

Chapter 5 , .

Chapter 6 ..

», 39 )." 45 », ,4,6

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I I ,.I . 1 •• ,,',. '1- -, I', I', ," ,,', " 'j

lscograp . ,Ie ui~u'.'U~ .. ,.,~~~u~u

P· bli ill'

'_. U i". rcanons .. i~"'''~'~ .. ~;;~,~ .. ~;;;~,;;~'~'~''i' ..

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D' scografia , ...

Pu bblic azioni ~ i ~,~ !"I'," ~ ~,~~ i ~ ~ ~ ,,~,~

Cav,er.Aft:Joe "'iorio Cooer Desis»: Gius 'p'."p •. ' Zazaria

i~I:"" 'J lj

Lay9UI£I'j~ Giuseppe Zagaria an ,d. Grazia Midili

Musical Notation: Laboratorio Copiatura Muslca .. Viale M,o.nza" 1.19 om, Milano (Italy .... )

, . ,

F~mcJJ and Italian Translotion: Raimondo Meli Lupi

f

@ Copyright _ 9'93 by Intra's Edizionl Musicali s.n.c, ,~V,I,a Del Liri 1 ~ 2,0138, Milano

and Casa Musicale Tarasconi 8,,, ~'~l~ ~ Strada F rini, ,3,7' - 4,3,]00 Parma,

All ~ h d- P ~ d i J -

.', 'I '~l' 1'-,', I", __ ' - -'I ;,_.- '-:; .-, I, ,1,1.'

.' rI8-, ts re~erle.···, - . rmted .n. ra y"

'1Iayin,g through "Rhythm Change 8",1 t. __ I , challen .. ed the jlazz m u '. ~ ciao for decad ,'" Thi -. "I"r-'e sion owes its

-C3,- -5.. .' lSI _. rag ·-s-. . ..... ,' ~

far te -'0 Charlie Parker who' 'IO,P''ll a-

i d i h h hi d - d

rll.[e _ It t .. ro,ug. '_. IS . elcor lng'-; an -

CI-' - 'P O'-S~'b' "0' ns Thr 0'" u h-" .. ' t the ·y.ears

. l •. _ .' . ". _ ____: . . ill" l' _,' .' ~l '. - - ~

t ais prIQ,-I.r,- ssion has va ied, but in this b--··, ·o·k I h - "JII' .. Sl""lI'Y d eli se to th -.',

~ . - '. : , .:'.:' ~.~'.' '" '. 4:.'.·. _. I:___ • .'" ..... :..:__

versions most .... 'ten play ... '.- .

:'r' ·s~en· ·,t· edl h ere 3: re solos .. · usin .-c. the

,I _I .1_ ... _.' ." '. • • '., ,I ~ ,I .... , .' - I~ .. ' !"

~ b 1 T'h ~I 10

Jazz vocaoun .. ryl'_' iese SOlO'S contain I

melodic and rhy .hrnic variety a-d

h ld b id d I ·

S ouic '1'" c 0'·' n sruer e·"; ror I' '.--" 1'"

- . .. ~'. ", . . _:__ . ( ._ I.' ' .' I '.' • [.'

h. ill iI 1m - - ,i! I •

'.' _' r I.mp~'OVI.,slng SI.'tuat.lons ... ~. ,or

I .. h f '. '. 7

· x·~_mp'.. notice now otte n t·~· e -""

V7' co, . bination appears; also the

.. - h .. B lid-

section of' - I. I pro'g -'es non, .····r .' ·rl· •. -

rr -.'"- h I. - .. abi ·d·· ... of ·d· 'ominant

I.e". ~~ ... a.o a,un·_3 ._ 0- o. ~.·n '.

d 1 d d !i!. Ii "1

II a' I -·r· ." I:. "0-" . ·In·-· n··· 1····· a'~·

" I __ ' r _ . '." ') . l .. :.:._.) '_ _. _ I. 1.' . . : ~ [II

. - .- re thn is. one O. tho secre ts of im.,provising:: tOI Ie' '-n the jazz voca ....

- eli" d- .. rt'hl fITI;

.'Iulary fr.·_m .. _ m .10: ",e an,~·· r·~~l~u.~-~c'

PI,: i ~ Olf vi~:w t· ·r'o --~h. SiO!O-C:' _,Blld

, .1

do :'~~ .•. y_'. e··· _ '~rile'Dceld p-~.'Iay.i.rs ~-- -- .0,

1".' I.

, Im- .-- o· I --'.~' -. 0" -' ·t-o·· ..... ;::IIec· 'u-:- d 'til· . --. s· 1'-' . .... -: : d··· .

._. _. __ : I I • • • ...:... U ~ . '_~ ,_ .... L_ ~" - .' '- I _._

,arpe' : _. os ,II th' ir - "':el ~. _ on f'.. ,_. : __ ._._'-1

[I ".

.-. ~O ~",ce id-·_ '·'ba·t 00'1111. e ':-' e bar-,

II I di"

,0IDY'm m '10_ .. -c way.

, n my' ov,~r tw',. '_., y ... ''fS of t· • c'hing

I h_'v' wl-n~'·sed COl '_ntll ss stu,del1- i -, - in,g to im -ovise' ~a the seal:' '.y't. 'In ,alon .-' · ... pllerincinlg tOltal ru,; tT' tiO-l ~ . ·:e', I pr· rei's C: 'm,e whe- 'I

l I. 1 •

in IC' .' .~unc~lon wi"- h_h sc .. le: '~nd,

ar-.:_>I-,rj, ,', w stid '·.h" impr .. vised !LIIIQS 0"· th .mo· -ster·-.,

-Iy 1~lsli_enin·- ,and. studin~ the <01. s' w-

• .. t, Ie, lin,~. of '~OIW an ····rtist impro: ill'~ s thr'u,gll .m o·,.y ,a'nd, rhythln;, · .f how' h· ,pl',y": thro'ug'h ,cho.rd

f h~' d" - d - . f--:'

"·'a··n···· ~ 0" Il~ ' .. ',11"1-1' '-'01' m--Io's';' .

· .. . I - :__I'I . , !I::l - .... - 'L'L . ... . ,' .. Ill. . - -

a~I'1 a.n u.nd -r·t .nding· of . h ~.:·lin~

"_ ~ ~

· . J ~. mSlCi

·.yin·.lcn· I arninl_~olos do's ....

hill I!

.u t yo If ovm' --- atlV1lty, It can '. n y

,-·nl.l· n-=-c"'po ;·t- Im·lliIi·t'· U"OI'-·- he··.lp-·.ls·c, p'_"Oii t: US1·.

. . II, I , .' ~ ~ • .:_' _ ", ..:... • _ . j', _ • • _ •• 0"

I' 01 Ol,~ ,- O~ musical direc -,1'0[1

.,ty.~ a,n,~I. t.-hoi:, UI' a"e' ,_. n._I,~·.y 1 ar .... , ,'ing id .. e: s yo~ 1 ar b-ildil ,g a t cl·.- i .. qu'- y. u, will us,.!l y: r liD .~ A tech~ niq.ll.·· 'b- lilt u.p,n th,- found,' ion ,of . m.'-odic-ta ~-]nents~

Pour I rnusicien de' j,. zz I' An, _to'!. ~ r . p,r#" S" n te d/,. p uis longternps urie dure epreuve ,~

. .e t suite d accords doit sa - nomrnee ,:'. Chs rlie Parker qui I': . di '

1 ;iii Iii' II

'V . g·u· . I aVI,c SI~S : - nregistrauon -' e

compositk ms, Av. c '·'em.p',·~" c.· tt.

.:"". r- i IfJ!I '~ a-'I c- o· . -. d-' I e" S - ·v· ari i'. ~.. ai d an

", ..:;;.,' I.: ~ - ". . . _. . ~ -'. _ ...... _ :-.., .. .... .~_ . -. 1,':"

1;;; ~ I, II' ..

ce rvrc J m en nens a x versions

}. s plus courentes,

. ,if' d d 'i i!

Je VOllS ,pres,en.:=',: ..... ·c,- es • mpIToVl--

ati on- s. dan lesquelles ~J' - m Ioi le

' _ _ ~ . ' .. ! :. ~ < c_'. ,.. .__; <.. ~. I' . _. ,-~ J '._'" - . ~ . < . 1 ..

vocabulaire jlaz··,~, C·. s i:m .~ avis.' tiOI1S pre::,. ntent -i~ lusieurs .-'lem· nts melo-

diqt e et rythmiqu·. 's q~' i peuve I. t

[i!Io tr u~] Ii ;< ;; .'; di rt:'

e ·e u .IS' .•. , ·n ·';.1 ua,uolns "_111.,ef'·n I ,',

Par exernple, rernarquez combier ,d. fois I IC< mbination Il- 7','7 ressortit.T t .. ncore: la S ectio ,B de Ia serie, .Ie Bridg ';, con aent urn abon ... d: nee d"i,d,e"s pour accord,s d ... '7crne et ,'1m .. nrichi:,.

C' qu· s _it est u'n . _.: S s· cr-'ts die l'im.p,ro'Vis tion! a .. :'pr .. D,dr_' . e VOCB_: u1,~,.\!.

d iI d' '. . d- , I '

're" U J'uz I' -' '-, Pi ··m.t ,.~ e' vue me,- ,-'. . ill!

que' Ie'!. rb'· . III~-ue .P'~ ~ le~ im,pro.· ·5:_-

,- .i!' t' d " io

110' -·s i!'X~' -·u· I=-e·. pia _ .. ·es m'US1'~:le'ns

_, II ". 'ill

eX,per ..I ... 'nt,esl qUI -~av D't C'O', -. m··- .. nt

trlans.·~,e -,der l-,~- ,i_,arnmes . ,t .1<&, arp'~~ 'cc,-es I-_'e 'Ie - ... fOl!!Dl . de bas ~. ,t piro =~ui-

. 'e" d··· '8- I lid· ~'e" q'Ul~ .- ." 1 .... 1· n·· ·t- . I'h· ann' -.'. - o·m- • ,e"

, ." - - " _. ~ .. ". c' __ ~ ....! _ .... :... .. .'~' :__ .' I •

.-' 'un-'-e;' f'ro'O- . e; 0" , •. u-

. ._'_'-_ .' . ~ I .~_y .. , .~ . ,_. _ " _:_', _ 1.

~'n plus d.c. vin'. t ,n··'--,'Ie'[lsei-·n(_',-:m.·_:_nt, j,I_-. i Vll 'bl:-~ u:'oup d'etu,Jants

d'"' E 'I

,essay r' 11': PVIS .r 5'\1_ m.·nt 'par

11 " 's··y,··st· .... m- 'e dr. - -, m-;·· e' . t e·xr.;p· 'e'" "-1'·'-

I. .. , .. ' _ .. , .. _' ... .. ._" '. .'. :'.' .'. I I - . _ . _.... ... ... -

m-·· nter c· mm-"e r' ·s 11It·,-t la us't a

_', ... '- . I·c· ._ '_:. It· ,:~_ ; . ~'. . ... - _,' -

tion la ,plus total.. L. . . '--ai •. r-ogres

':'s,' . rvenu lqu,'~nld,. av-c I •. ··· g'.mme:

e't- lies r-p'··· no'us 'V'O ~ ""·tu-· dl!e~ 1· So

, .' "'1 .... 1._ I . 11_.', c· _ .. ,[. i.3.. .', _'. I .'.

iii. III til d d OJ

-m-·rOV'lS,aJOn· ... ··~Sl ".r" ... ~.IS m.u.si~

OJ

C·], ':·"11 .~

D I,. #'. . .'. -- . " ,til' . d- d- ~

e ·c,out· et ' .... ' e'I, e' ;-. e·e Imp'r,. -

'vi: ,ati· ns no ~. :- ppr nrs comment

'.. i • ' ,

·u.n artllt:~·-: pr' "VI'-';' p-. r us.' g' .'-

d''''l'-' ments. . ,1 ~]odi -. u, ,S,,- r'h tm~~,

- Ell ~ _ ~ -

qu.es; ,·,··mme,D Ill. JOll, ,s_r nne ~ ... ' r.l.·

d.: ,:corl• ,; l "":,on~' qu'il·rod.it _'1,

I.urt·-ut, Il0US com1r,_-no' \ 1 ·,·prit d' , la, m,tt >ique j' ZZ~ C-·.pi • .r et a,'p~ p'red.r I:' simp O\,i:,·lti· 'ns ne n . ...it

• ~ II i.' iii!! _ !iiI

pas no·-·_. cr·-atlvrtl , ,m.alS au C' ntr,al-'

r.·' la. v·-l.·.ris :nt. -'~\~:- iota,-"i:n DIDUS ,ai-,

Id,··. ~;;.: .. 01 '-: adr-- ... - .. r V_f";S no e direc~

tio.n-= .u· .. 'ical.'1!

~'e styl.~' ·t la t· c.' -. iqlle n son p s s-lf'i,an't. ~ II f_ut applr·.~ndr d.-s i· e. -s p' ·U.~ • ~(·Ins'tl"llir.,~ une t: ,ch.niqu,· prFn~ p'l 'm - n t b~!~ e su,r .. e's~.le~

m.'nts :melod.iqlle:: q,u.' 1'. en pl"ier',s p,.n·>,an.'" tout..otr~'viei

Z' 0--' e'

. ", " -. . .

~' " .. -' - .," "

Suona re il i Rhythm Chang .. s' e, da decenni, una gros sa sfida per il musicista di ja:.z. Questa ·p··o,gres:· .. ione arrnon ica deve la sua nororreta a Charlie Pai ker, che Ia divulge, . ttra

1 II!> ~, ~

vers,o '. sue r·-~rIstr: .. _." JlOnl .'- Icompl:sl.-

zioni, COil pass-' re . ~ .. 1 temp .1, quo sts

P '. o gr" s Sl-" . n e h a suo b . ""'I":' to va '1~ . m "d- li 1-

!,_ :"_";"':.' '" _.' ~~' _ _:"" .: ,:_ . 1'1' _ __:_ ',.7,1~.,' .'_ ... '_, ._,_. _. ~

. '~'I m .[ i questo libro mi sono att ,... nuto alle versioni piu ricorrenti,

Vi presentero, quiridi, alcurie Improvvisazioni nellie quali faccic 118,0 del vocabo ario jazzistico. Queste cont;ln,.c .ono vari e ' menti melodici

e ritmici da utilizzare anche in a tre situazioni, Per es .. rnpio si osservi con Iq'uaI..~ fr .. qu nza appa ~.. la cornbir _._,

zione ~I-7J 7; i," sezione :~ d ... Ila nro,gr .. essione, il "Bridge", conti ne molte idee p r accordi di dominante e dom~ nan t .' .alterata~

'Quello che ~' .. gue ~, 'uno d,,:'j s'~greti .pt:: r l'improvvi····a,zi·.· . e': j,m·· .a:ra- e il

ill. ill. ~ di

voca _ '0 arllO J,azZlStlCO' ' .. ~ a un 'pun'to--'

iii . dll! iii" ..

VIsta me D_-_IC'O ... - .1,1 .-.~ 0 attrav'l ~'r:~,o

'Ii II iii II ,., Ii II

lDlproVVlaz ... 0 I ,e'~ .. e'_-· It·' I'.' a m,l.IS"I.CI-

sti espe-:i. c - e 5aO'DO clom·~. trase,.1 .. ~~

dere Ie' ,scale e gJi, arp· .. ,ggi d'~ -.- a or,o f:.'I-lna eli base e ICO ~ -._'j prod .. .c-~ i _ ·e~. che delineino ·J'a.rmonia i. mOld"1 melodi.c'o.

In oltr"1 've'nt'annj d"iJl:·~.I· Ign, am en to, .1'0 visto t nti·5limi S :u.denti ·-'~nt.are · i im.pr·-·vvisa .- solo .~ll'ttrav.-rso i,. si-, -·t'ffi- d lle :~c'al~ e' sperimentare, co-

;; I : - ~ ,., ...

m. rlSU tato, ' . 1 ru ·.trazllone P'lU lota-

dO [V'c-fO pr'ol-'reS'Q .~ arrivat' slolmen"e qu,ando., insi- m .. all, sica' e ed :al"·peg': .. ~" ,a·bbi.·m··, st.l.( i,~_to g.li as·io.i

.. ~ iii' d !Ii dil ~ 'E ~

I:lnprIOV1/]S-_:_tl'- al gran:.,l mUS,1C,.U~,

D,'- 1.',~-scoJto . d,_-Jlo !:·t- ,dl.o .. ·_i Iq' ~,.sti,

II Ii . II II!

· mp,ar·lam.· ,come un . rtl".ta rmpr" ·v;.,.

visa, ,a·' ·av~.rsol }'llS0 d~ -'I··men.· melOldilci~ ritmici; come s- .on,a. sLl.r····~·

~ '" i!; h 'i ] iii" ,,--

"r.S· .. :lon armonlc ." e'; 1 --s'uon,'o, C •.. ~

p.rodu-.~ ~-.I sopr_ t-ut _, c. ,:mpr.:··,· .

rna.lo s·.ir-i o~"la mu·jl ,aJ:zjpiare ed imp, r,_ r. asso'll non nu,oc CIa I' -'pri:~ cr·-·· livit3., puc, slol··. 'v'~,Joriz: _rI.a~ L,':: - ·'ta1zio -', -' ci .. - u a m,di.-

iii ,. 1- Iii! dill •

• 1,zza.r'Cl ver,' '0 I a. p -oplrlB : Ir1eZ:IOO··

USC'~_ e.

.Lo stil.·-- l.a te "-ici n·n bastano,. I···/cc(,.r.r·. ,im-I. r re ~ de' p'T C'O"O'C'l"'"uir· '

III • • III 1

u,na t~c· .. Iea c-m.p's·_-~·ta princ],p,am,en-

te :U : J m ' ... ti ,lodici che uS_lr_: .. - f lop,e' -. t _ tt - la vi,'· a~

CHAPTER, 1

Structure A A B, A

P '.

'rogressloD,_

F· '0-··- rm A A···· B· A··

.. ', - . ,',..:__

S- t u trut tura

AA- B··A·

.' . : :. .: . ~ . .

7

C- -7:

- 1-

bMaj7

G-7

'C-7

B~Maj7

:BbMaj'7

F7'

BbMaj7

FINE

,I

.7

-", 'II!

··_--7

C7'

,., ,.,

F7

D. C. al Fine

-

, HAPTER

......... ost commonly used ... ·,rogression.

Note th variations from the basic changes:

BAR 1:

BAR',,·' 3"'"

. . ~

BAR 6:

Bi\R 7':

BAR"8-

o.~ I' -. "._ ."!II

G7 for G ~7

D -7 G.7 for B'b nlaJ~7 G ~7

J? 7 for Eb min

D' -7 G7 for Bll rn(lj7 .I~-'7' GT -7 J?7' for 13b mai?

I ~l and 2i1d ending equal "A -A';; the Bridge is the "B,~' section ~ Repeat to t.he tOPI and take the

9 d d ~ F' 1- ':r~-"

n e n' . lIrl g to '.. .\. ] '.~

_, ..,' .,.I.Jl. ..... ,.,,··.1'''''': ..

Thi completes t .ie ast.

BbMaj7

G7

Progression plus Ire uemment 'usee.

Observez les variatiot S de la

I progressio d"acco' ds originate:

.BAR 1: G 7 1)0 ur G - 7

I B.t' R 3: D ~7 G7,pOllf 13b maj7' G -7'

BAR 6: f:J 7 pOll.r l~·b min

Bif\R 7: D ·-7 G7po'Llr Bb nl,aJ~7 };"7 BAR 8: C -7 It 7 flOtl Bb nl.aj7

Le 1 er ei 2t·U\'~ ending sorn lcs sectioi s "A. - A";, le Bri· ·.ge est

'I ~ ''''B''''

,a sectron .... ;;

Repetez du debut e preriez le

?i-nu' ending j t sq 111 'a 1'1j:\lE p()llr

completer la derr iere section "A" ~

C"'7

F7

C-7

F7

Progressione pill freq : en temente usats

Osservate : e variazioni dalla progressione armoriica originalc:

BAR I:

B,AR 3:

BAR 6:

BAR· . 7'"

"_ . " II

BA··R8:IO

,', .....•

G7 per G-7

D ~7 G7 per Bb maj7 G -7

£-0 ,7 per Eb min

D -7 G7 per Bb m~j7 F.7 C ~ 7 j'(7 .per Bb rrl,a)-7

11 1 Q e 2Q ending sono le sezioni "A - A"'; il Bridge e la

, itli.B- "

sezlone .. ;;

Ripetere da capo e prendere i 2(' ending al rl/\~~ l)elT completare

1 '~ l' '" . ~ ''''''A' .,,.

u tirna seZlon,e -. ~

D-7

07

EbMaj7'

D-7

G7

1

C-7

F7

F7

2 B~Maj7

BbMaj7

FINE

D7

.. '

./ /.

G,7

./ ,.

C7

F7

-/ /.

D~ C. 2nd Ending

-.AR 1: Ir7 for G,7

(UJ 7 is a G 7/b9 unihout the '1~OOt.) ,:~

BAR 2:: .:' ,7 for " '7

( C· -'JJQ 7 .. A' 7' i 'b9" ,I -h- t· )

",.'ff- :' ,.S .... '. n,:_"ll'.- untr out uu TOO .1,"

I ", !IIb}- , d d I

t rs POSS1·' .. 0 a" rt to . I.'. mIla.:' t

chord its ,- elativr minor- 7t'h

chord ir order to obtain a .II~7 V7

." .1 .. - 1 O,~ 1'12- 'l!i A- 7' D····7-··

" -'", . ", : _ . _:, [~l I, __ ~ l,!!!!!Ii :,.. ," ....

I(k<y of GmfJ})

BIARS 13 &: 14 ,: D' -7 G7 (key of CmaJ)

BARS 15 & 16:: G-7 C7 (k Y 0,- '-mQ})

ARS 1'78c 18: C~7 ,F7 (ky of.bmaJ)

Bb aj7

B 'I 1]107' G'-7:

. r . "" -: D······· ,P' ur . .'(

(Jr' 7 est un IG7/b9 sans to-n ~q1Je)J'

"'1' .. 2 C·y,w '7' ' -- F·7-.'

~. ,'. z: ·'ft '. P'_Ui "-"

(er 7 es" un A,7/b91 sans umique).

11 ' .. :' '- p'OI_ sible '.' "; '~out ,- ,? 1 ace rd :':, .. ' 7··mf! son relatil ccord de mineure 7 =. On, 0 - .. ti,en plar consequence 'U re progression de II~7 V7~ En appliquant ce concept au Bridge 1'=15 IU ii" ar te ...• varia lions,

S,- produise ~ it"

-lARS 1- -I Be 12 t . ,717

(ton ... le GmaJ)

B.: A.,·-, .... D' '. C ',':1 I 1 g &" ',' r I, 1_ D .. · -7~· G 7,':

,~.a.. 'III , __ . t ......

(ton.de Cm~J)

.·.I!ARS 15_1.- 16 ~ ,G,~7 ".7 (ton.de Fm~J)

BARS, 17,& 18: c- 7 F7 (ton.de BbmaJ)

,r,

.. .

V- ari "-ia-:IZ·'··10· n ·_i.

,.' - _~ ••.•• .1 . ...: ,'. • . lit

-

BAR 1 ': fP 7 P 'r I 7

(8' 7 e un, G7/b9 senza fondamentale);

J\R 2: ce 7 p...: r ." ,7

( lelf 7 e: u,n A 7/b····· sensa /ondarnentale) I~

~ II POI isibile aggm .. ngr . ad ' ~. n accordo di dorninanu . il s' 110 rcla ivr minore 7(1' p r ottenere ._ ,na pro·~.lre's, ione .II~ 7 V_ 'I

.. ' pplic _ I ndo que _,'[01 CIO' . C ,'tto al

Bridge si producono Ie s~,g,. nti

i ~ •

vanaziom:

B,A,T)C - 1 &" '12<'~ A~' '7'.-'" ····7:·

~ 1:... .. _ II! ,It,'

(ton.di Gma))

']iARS 13 & 1 .,: :: D -7 G7 (tonldi.~·'maJ)

B~·· ···15 ···16: G-7 .. 7 (ton.di FmaJ)

B- ,ARS'::' 17··' &,: '-18-:' j C .... 7-: F"·:

" ..:. .• • - . '., I :_: i!!!

D-7

G7

C-7

AI _

F7

.1

"

.1

, "~.1J'

C 7

A-7:-

,

D7

.1

..... . ..r-'_

I I

Bb,Maj"

FINE'

i .I

n ,.

BbMlaj7

II

-7

G7

07

F7

--: I

DIIC',:'" 2·····: sd E" . dir : i

~.'. -n __ ,n_·~:'ng

Domir ant T" chords that are a trite . e apar. can b'_' substituted 'or each other, . principle k lOW' in Jlazz : S

'tr! om substituti on ".

Consider MO possible chord ro 0·" ts··~: . and D,:-L_

._. . II! . _ . (J,~

We se'· that they are a tri one apar' (a b5 ir t·, val apart)

hi h if

W Ie _ ,m . ans tna 1.e 0, .r

dominant cho d iSI G7, a tri one substit .tioi I Db7 may be

,;,,'p" -'-I'l-~'Y_""'d" .£:o:··,r' G:.··'7- (···~~-T·r·lii't:o.'n.·' ·:·-·ub-. s-'

I . '.' c;L. : .' .. 1 ~ . .~. .:. . _ . . . . . .', .'

. . ,

_ k ".1.1: SI b ")

are also en own '_-, --,ffJ '. ·'u os ),~

Note h sp ... Iling of G7nd Db,7:

d "T!.

e ur ito .~'.

Les accords de 7~ll,:le q j Slant a a

di s mce d'un " iton, P , uvent etre substitues l'unavec l'autre: c'est un

~ II ,I, I

plrln,clp'- connu en Jazz cornrn . .:

. 'Substi itutio "1' d" Tri ton il

_ .... _ I. I • _ IU· :...___: _ . ...:_ " .:.. '_" .. til

,

C id 'J- .. d d

.' ·.n,,}· I,,'flons .: S ton» U·,S u .. ~e'ux

possibles ace ds: G et Db. ,'''01 -". voyon:

qu, elles son' .- ... , , un triton d.' distance

( , .. '. i!; It··,. '1 ,11,., d . b'(\ ~ L ~ znif .' '.' 'e'. "

une I,n ena, Ie .,Ic_' . Ji,. cela ~i II Il.le ' ue

si notre accord de 't=« st IG 7, une substitutioi .. ,' ritone Db7 put e,'- e

.: .... ". e.. r- .. '. ' 1-" G-"7 ('., . '''S'· -, b .. " ~ t 'U' ~ .. : -,.'

o,pr. pour e·:,· . es veuost U ens

de _c riton' sont aussi connues comme

'ii'S' ib itu ~ d bI5" "1~:' 0: "'b' . -- . - - '1'1

''''u: ····S·'!t"1 non '. '. ' '.1 ." s.- 'rvo.- "'nllil' a':

I .____:_ - .' I u·.. . _ ," I . -. ,I . . '_' II" .... :_ , . ',"'.,' 113.'. '._:,

, d G:-:7 d Db'7:

-:- ' " I I" : .- " . . : . . . - .' ,

struct e u,. 'i et II . · _ .' ~

. ..... -i accordi c i "I dE dorni .' te che

, 0110 ad un tritono t i distar za .po··:·:Ol·IQ

S er S08U"'" 'UI'" 'I' 'ur: a con l'altr 0" qll ., 0

' I . -.' l' .. ' ." . . . . -_" ,,-' I .

,'. "'.. : .. ,. .,: ' ". -' " - . ". . . ' ". " :: . . . ' . ,

princi pi.' e conosci U 0 nel jaz . cnm -'

"S . ~.~' dli T'~" . 'C;

, '·stltuzlo,nel.. I n tlo ,0 Ii

Consideriamo le fondamentali d~, lue possibili accordi: IG e .il, Y, 'di' o ch si trovano aid un tri 'ton 01 di distanz I (ad un i:_ tervallo di b5); , ,i 0 vuol dire che ,,.'. - it

I nostro accordo di dominante e G7, una sostituzio .: di tritono Db7,puQ ,_-'T,' o'p rata in .. -avo',r·' del G7 (I "Sosti '1.011 di Tritono" sono anc . e conos iute corn. "Sosdnuioni di b~'),

Osserviamo 131 strutn ra del G7 e del Dbi:

G7 " G B D G7 I!! G B D G7 'Ii G B D
I iii 'Il .
os: F Ab' B Dlb7: t» F Alb B Db7: F' A,b B
," . !Ill Dh' Db
n <:; '. .
. No' ice how th 3rJ_nd the '7 ~h of

G7·· (·n·.- .. · d J;\ bee .-'. ' .', " ... -.' , __ .i!i, II" .•. I" a,n .. Jl~)' ._ co : ... ' rl. s,ple,c .lV'·:_ Y

the 71~h :~. n,d the 3rd of the Db7 ("B and ,F).,

NOle the spelling of IG7/h!J and , Db7/b5:

,G7/b~: G B' D,b F D'lb,7/b'= Dh F G,

Notice that both chords are

co ' .. 'os' d by tl e' s,am.e ,I 0 tes but

these are arrange d from

differ ~. t roots,

Applying . Ie '7ri !onSubstiuti.on," 'e ncept 'to the

pro·.·g'·-,'·- . S,c'Ill1o.·:.n "-: roo .. :111C" '. 'S'c' t'h' e

. I.' "-,-C""" I C • ...._ •• _.' ","

[", '

C I' iI iii II'

,10 JlIOWlng var altO,' , .... :

BAR I 1 : Db,7 for

2 : B7 for

BAR 3 : D'h 7' fOlr

_,.J\R 4 ~l B7

G7 '7

G,7

F7 Bib 7

G7

7

.'

D7/b5 G7/b5 C7/b5 F7/b5

Observons cornrne I: I 'I ierce ct la 7! 'I ~ de G7 (~.:I .. t F) d viennent resp ectivement la 7~me et l,a

Tier'ce :.,,-,. ·b7 ( _I et F).

Obs 'rvans .. '-7 inten nt "~ structure '. ' . G7/b5 t d Db7/b5:1

G7/b'-: G B Db F Db7/b5: Db F G B

Db .. ,·' - o'n" ,- ,,"1, ,. d -UX~--:'CC'''o'''''d'''-:-' ,'_ .. ".S qu_e, ie '. a .cort S

sont composes pa' les memes

no···•· '~ .. m' . tis q-: u' . 'l-'le"'~ , ont d isposee s····

_. '. _ .) _ . 1 " ',_ .......:... • ~ . [. _ ," • ,I . ' ._ _. ta ,_I •.

, .' - ,'. d III f£' . --' . ,t' - I t'·· . - ii' 'I' "'.

par', ,.:",:_ 1 'c_ ." n i -5 _.onlque,s,.

E li 1\ i III de l

_In ,ap,p,~lqu,ant l,Ie prln :_-ip,e I. "e ~a

11S':u ""S,' t"-till tu'·~on·· d·: .' . T"''I'"''t-' , " n'l1 ,!Ii!. a

,,' ' .. ' .' , . '.' . IU. " _ _ .. _. . I .I" : . . " ._

ii-II '}- Ii iF ';'

. - I , ," . I: .:: :. :-- I . . ."7', . [: '. .' . - .' I',' -, .~.' .'

grl '_, .. S ' UIV. nt ,~ varlatlon,s·.e

P " ·d·, " ,-.-~. :t- Ii 'r'o_" ls,e,n .. !!

-.·AR 1 BAR 2 B,AR 3

~'AR !

BAR 5 7 BAR 8 BAR 2

- ,14

B. _" 16 BAA 18

: Db7 pOlur ' 7

:: B 7 ,pour F7

: D,bl7 plour G 7

: B7 pour F,?

: ~'71 plo'ur:,b7

: Db7 po'u,r G7

: B7 po -r .F'7

: Ab'7/h5 p,o'llr D7/b5 ,: Db7/h5 Pi '·r G,7/b5

Gb7/b5pou, C7/b5 : B'7/b5 pour F7/b5

B,AR

BAR'" " .. " iii

,',.' .. "',_ il

AR 8 :

BAR 2' : -.AR. 14, :

'AR 16 :

BAR 8 :1

for

Db7 Q,r

,B7' fOI

.~b7/b5 .for Db71b5 £.·,r

. '

G,b·.'·· 7' /b~: c £:0'" ·r"

',~, [/'II'.J 111 ..

B7/b5 ,or

Notiarn -' c,' m - la 3' , la 7 del G7 (B, e F) dive' tino rispettivamen te la 7~ _ Ia 3~ c i Db7 tB« F) ~

Osservi: rno ora Ia s ruttura de G ,7/65 e . Iel Db 7/b5:

G:7/b5 ,: G B D'b F' Db',7/b5:b F G B

Notiamo che entrambi g'li accordi SOl10 cornposti dalle medesime 11 ' t~, rr a part' ndo c ~,I fondamentali

~

'· __ Iverse~

App, ica .do il p incipio de .la

" ' .' . it, '. d- '-- '.~ " ,'n 11

· .. oS,' 'tUllOI,' t.,· 1 rltoOI. "a

!il ~ Ii

pr'o""'lre ,~'11I'o"n' ee', ar-'-m' "on-':-' C'" 5·1

' :...: '.' ._:" ._ I' IUIIlL' '., _"" '_._ I .. :.. . . '. ":_ .:.,', Il "

pr~o' d--ulc-'o' " 0' l·"·--:e·' g···,-U-I. e~ntl!l! v ... .,- rli'3Z'I:: ~O'" '1- i

. " ." . .' . , ~ I. _ ,I, .' '. . . I'! _ ,"' _ " . I " . -..!

BAR :AR'·""

• ,r ' .•.•••

AR

.'

BAR B:AR

D,b7 per G7

B'7 per F,7

Db7 pl'r G,'/

',7 ,p,r ,F7

: E,7 per' Bb,7

: Db7 pier IG7

: B7 p,t F7

,: A,b 7/b5 p r D' ,7/b; : '>b7/b5 per G7/b5 : Gb7/b5' p --'f C7/b5 :: B 7/b5 per F7/b

1 : 2 ,:

'9 ..

ra .1

4 ,I

E

B~Maj7

C-7

B7

,F-7

Il

B7

'D 7

nb7

E7

EIL- ., i7 . t',< 8J r '

_.",. ~

.L

. 1

It)

1

Db7

C-7'

- ' .. 1-7

,I

,.

.1"

~ . ~.

F7

BLM' 11'7 I1'L ,aj'

FINE

~ -

G-7

C-7

B7/~5

-I

-

I

. iii

"~~a' c1q .. · •. "ue

, .

n

By chanj ir ,g '~ II the chords to domlr ants anc 'using' . th·., tri'. one

,. ,I -

sub, principle , we ~ ,IT ve 'to a

h omati c 'p-: roo ·· s- ··~·'r·,' ,S,:S~;'! '0: n . 'o~. 'r- t h-"·I.Q first

_ _.I ,. '.' I I • ~".I. ('-

.I r . - -

C T- i 'II 1

JJ: ur '-",a' s. .ms IS y'.' ,t '. tr iotner

va .iation you will of len encounter while Ii stenina ar d playing Rhythm Changes,

T_·.·h··· "!d - "'., !I! .

sric ',g':.., or .1. section , has

t\VOI tritone SUbSi':

I

~ ~~ rJi' ession

... :;.J,'_ p:our 1 es

~ .

. ··'SjO Cell ci

r 'neon e t e'll ...

Ab' 7'~' r: D~ .~~ .. ' :w.or ll ,I;,

·····'b7c C'i7

, .. : lor I. II

-

I Iii

. ." ..

BltMaj7

Db?

.-: 7

. · di tri

s,o'stitullon. .'_.1 trnon c -

~

una p~'ogr~~lol .'

-

-

- --~-

. ~

ere nlatl"a~,::,-r ie pnm,t __.=--~ ....,_

Q iii. -

bauute , u,e~t:\ I u,n, _ '~ ...

variaziot e clle incontr - ., ~,~~. sco'Jtalldo .' suonandr : _:_-=-~. Ch J ges, Il Bridge 0 ~.-=-= --.

pr ..... uta d If' sosti uzior, di t '~i (,0110:

A· b- 7-'" p',. r D i·

, .... _ iii

b7' C .. ~

I" (' p_f' .' ,

D 7'

_.,

nb7

.1

. .,.. ..,.

I .1

C7

I'

B7

.1

--:.. ~.

C7

" 7'

..

BbMaj7

.1

.1

" ..

7 "'

ow to re .. sd

.omment

C#07 III~I-~~1

D--7

G7

C -7

f. -
~. _I I
'I ,t •
I I I 4 ~
!
• ~
,I , • ,
, , III

1
•• f • • t_
- I ~, t

I v

.

324

1 243

1812

1312

2 ,3 14,

Ebaj7 VI

•• • l it t
,
'. ~
"
, , I

VI

VI

.

1312

1 '243

2314

13.12

1 243

C-7

Bib

VI·'~'· ..............,~'

D-7

VI

I t. I
4. \ I
~ •• - ,
I ~ t It t
j, I
• . '
I
I • l
•• • r
- -
I , t , I VI

I I

1312

32 1

1 ,342

13 2 I

·1NEl

/.,'7

G7

v

t , • -

I ,
'. - •
\ .., ,.

131··

C7

.,"' '1.

-,324

D.C. 2nd Ending

VIII

D-7

B~, 'I ,aj7 VI

G7

x

1 ~. .'1
.1
.

I II
I I I ., I
,
C • 4 t
1 \
I lell I [I
II t. ~
I

I I 1 , [ . I
• t
-t
It t ,
1 IX

,

3"24-

...... . '~

•• I III
• • • , I
" I
'I -
\ VI.II

D7

G7

III .. 1 _',I I ._

ELM'- "7' tJ,1 .' ,aJ '

V

.

• I
t • I
II .. VI

I I
j l
1
1
I , 214

231

I I

I __

2 ·413

2413

2 34

BlL .. ~7 tJ..: ,aj I

VI

. '[
, I t. I
I'. I'
,
I 1 ~I

,2 3 ", __ 3 2' 4 ,2 3·' 3 2 4 2 3 4

1~1 ~~~~~~~~~1I':

2: 34

II

, I
t •
Ii t •
f l- f I \ I
I \ F7

FINE

'I ..
4. il .. II

L 2 . 34

v

I
• ,
II' It •
- .
I
I ...

314

.2 3,4

B' sic Rhythm Changes #1 et #,2 (ex. :2et3) contienne: t

q l;-lqu Ic_ formes , I' .. ccord

coura ites arranzees sur }"

I .

pr ' -- "11 'r ' ' ' '. p" d ' C"o-" des

__ I. ..,' I. . ,I .. , _ - '~1 . ,: _ I " • _' '., ".,' • •. [ . ,'.

(mi ~, sl B' <101, r' .. ), 1_ de ~-. i~' m -

(si _ '. O. ':' -, r~. -, Ia) I' - t' I .. FO''!Ii I 1,"'0 " .' I','

[ !'" .' [ .I. "" .... .', . ' ~- JI, '.,IIi,£.. I .

(.-1:'11 ... :r~ ... 1·_ - m':)I[~ __ miliarisr r:a .e

~ . asic Rhythm Changes #'} and #2

(' x, 2 a d S) contain SOD1~ common cho .d shar [~_I'. VI·,jC d on the , tc ,P,. middle md bottom ,>.-C.' of su in". rS fo - va iety.

.'y fa niliarizing Y'ours If with

this pro,' i_: .ssio .~_ th ese shapes, the other variations will ".:'. "0' _".' h '.' I an- - d , Ia Y'"

IL. ~ 1,'.- .. _ . JIl __ 1.,'!Ij

B' . sic Rhythm C' a- ,'~ es #1 .. ' #2

(' ,XI ',2 e 3) corn enzono

aJ " . dlii' II ,cun,~ ICOlm'unl ' .... rm .. ·.1 ac'COrl~jl

di c.. ... '1' t s J pri IO·~. ~ u,'-po di

co- de (mi ~ ~'i ... :",01 ~ re) su secondo ( 'Ii - 101 ~ r _, lal e sul t ,:_- .'.":.

(sl."I- r -I: .. ' ',i)':miliariz,z'

II ...

- I'U.

. ,·le'

C-7 FI7

VIII~ . 1" ',.' 'VII

D-7

G7

•• 4 •• , I 'I

I 1 I
j .1
e II I
I I I
1- x

I • .'.
t-'I I
I
- ,
[
1 I X,

.

,

3,24 1

II 24 3,

1-

C7

F7

4 •
t ••
t t • ~ 1
II I
\ I

. " • ,.1 « •
II, ~
I
J 32:41

24' 3

.:.:: 'I

- .' ,

T b - d h '

o retter un" u rsta ,." -' t ',.' Jaz:'"

phrasing J -c have ' ake n ex" ' rpt, I

from several of the solos of t is

iook and m: rked my picking and

iluring t echnique "bOIV'_ the notes, Also included are left hand pull-offs a, .c harnrn r-ons,

S"I eing how it is done and

list, mini "0 the "" pe W1.l1 better enable you to undersc n .. d ' I',' this' "I sic :- S ,P ayed, Triple t p :'r, sing is, a zre t oa ·,t

of I 'th"l ' hy ,t, rmic cone e, p-' ,t 0" f'jaz ":, Z'"

_ _ . . [ , . ~ , :I..... . - "_. . . _ ._ _ - _ -, . , . . !!!II _

Notice how at -', the triplet is a chord shape a ad lends itself to

'be' pick 1' .. :., with an all down stroke

,.~~ an 'II. ,- p stro ce. This 'tS, als I

0,,' n as Slide Pi'cking or Swe'e/J Pick ':ng. Tripl t ph .' sing 011 or Ie string takes special consi _-" -ra ti ., n ,. This is ,C'IC, mplish: ,d by hammer-oris and pull offs

(pleas- :,:,ee I, ,IX: mple 0.) j

Picking leach note can sou d stiff, 5,0 IIOO,l: _ or phrase :': that ca n be hammered [' .. am pu led off .,

.. -hI, .' I.' helps the dynamic

ou. lity 01£ the line to come through,

R 'ad rn . music while Iisteninz to

I, .

the tap:~ and no tie'" wh.e' 'I t-, I'

'b h Wh' fl' d

,<'ove ~~app' .ns..,en 'you. In'

ph,r,asles "'h'~, app'a] to yO'U, tak_' ·thl-e" tJ''"ffi' *0·· 'e'" r-n the"'m-=- '''n- 0- t'hi'·"r

_ : ~.' ...,. ",_ l., At .. , , I " _c ' , .. '.:..c

iii. d'~ 1··'

plos' tilons a' .... r'e,·. '-·ters .. 'liS )SI

£1 " 1 d!l

;gr _at \Yay 0 _ ~ .. a.rnmn·, me 0 Ie

h 11 III •

,- - ;.-,' ," ".J. . '~,' '..:' . __ 1 • '. I" -'1(' -, '-.' • I 1- I' ' .-'.

pas: s a,. ",_r you"r In.strumnt~

POl .r mieu .. · com,· . -en,d,re 1-- phrase

]:_ ", 'ai nris des extraits de plusiei ,rs I~_,O-O,-', d I liv " .1_-tJ" i

marque, au dessus dies note s"a

.', hni d ,;t" di . d l'iI

. ec TIlqlle=- e me .. 1' tOf' e t de iason.

J'ai e',,~ . Jeme t inclus es liason I rnontan es i Hammer-ons t .. ' Iiasons tirees (Pull~of/J' d. 1,: m: in

gaue.h,,_: .. ·~.I . ',~ :'-ar . ant comment ca

ce £1: it ", t I n ecoutant la c .. sette, vous p"OU rez mieux comprendre

co·•· 'm" ·m' , , ' n·· to" :'" , . jou C·'- ,,' ,', 'm' UI' siq 'u·' e'·'

_ . " _ _ .:- .' .' _", '," _ .: _ .J ._'_ "I

, '

Le phrase des. triol ts rc presente

un'-::- e ; "r-:-a~ nc e p' ': .. '_ .. '.' I" U' ,.'" 'Ineep! t

- . " I I· - - - - _

rythmique dt ,Ja .. ;; Notes IC"', 'I' ,',

SOUVI_'nt 1 triolet st u _ form d'accord qUI se pr,"" 1 a etre

,. ttaquee par d.-s coups, de

rnediai •. .r tous vers 1.·.· bas ou bien

I [0: 3, V rs le haut (coups de mediator alle: I .t retour bute s) ~ Cela est aussi connu c 0, r " Slide

... --~:cking ou Sweep Pidtmg: II fau t une consider tion sp c .. iale po'ur le

ph, '~: . " de S d' . ubles liasons (triolets

jaueJ' sur' la m· ... ·:I,. cor,de) Iii Gel' c, fai

a" ec une Iiason rnontante

I ~dii! 'il

immecnatemei t ',UIVl··' par' une

liason tiree (S,~V~PI~: regardez

Ies ,.::::: ,-" . ,I· . ~·)I

'", - . . ~ Ii!:JJ.. Ii

Attaqu' r chque" ,ot p,et ,:onn,e'r ric".t.d" nOlI, -tluid,e, 'Ch'T,chez do , C

d . ph· 'se· . "a'"'" 1:' ,_'U qu'li l·d -a

e'.s I~:._ra~- '~-:, :_:_I .: r ;, '~_ ." . r"

la ,qualit" dynam:qu' ~ d~· 1-,1. phr,a·e

.... fi'

a 'm,' "r" r-'-::'

, 'c_,,:_:."" :' :_"_ ~

.... _ivl" Z ;'" vee I,a m usiq ue p'_' ndan 't

que V- 'O'U " C'- 0''- '·U[ t'" z' ~ia m' 'US'/l;ji 'q' [1," ",'

_. ._ _ .:. r l _. - .. ' '_ .' , _. III - . ~ _. _. ,'. . ~ . .'_.:__

,

no.·'ez qu~.,.d tlo,ut cl_-la - "ive~

Lorsq,_eo,_, t . ·uv·le'· d ~',S ph-""'Is qui V'ous ,plaislent, pr,,'-.e: .,' ,:tr

'temp's pour l~s apl,prendre en

.. " i! I~"''''

P- 0', '" ttl· -o,"n"~ o'~ti, '1 .... ,'-" 1 ",tt'" -" IS '. ' ' I ',-re-' ts,','"

" , '--'- ,'" _, ' " I, ,,, . '. . '_ Ii

C- ·~st 'un· ~".e.- bonn'.,_ £a·.'on

,

d'app,r', ndre d,'~:'" plhra .'

m.i:lodi.q : es, sur tout l'instrument.,

Pier cai rire m ... gli.lo il frase ,'gio 'I.'

ho '- t tto . ... . I ,il ,', r . ~ ·d' di , ,- ;;;

. 0' S - -, 0= e,g!1 se mpl ._ a ·.]VI_ r.sl

As'S";'O'}]' d el libro segnand sopra I,'

I _:/ ' , ',' _ "', ' , _' , , " ' ,t .". , ,

11.0t"~ t la rnia ecnica di p .. II, . at e di legato~ Sc mo inclu i anch ···~-li

har m ~r on e p ll-off de lla

11 iii

m all. 01 " .. In .. ttl ..

:'uard'nd,ol tali e sempi ,'. d ascolts ido la casset ' !, ,potrete

~ l~ Ii

caplr, m_~ 1,: CO' " e SI - UO" I'

q- , ist a' rnusica '11 fra seg mo' della

" ,I ",' ' ., " '" Jl .' " , b "" .::_ " ,

terzina .. a.p-~·res, .nta 'U ... _ g'ross_ parte del co , cetto ritrnico del JazZI Nota' e ch -' spesso la te rzin "'~ una forma di accordo che _ i presta ad ess"·,-' · .. -':"glli ,3, 'C,·· ,. tutte pennate

ver '·0 it oas so 0 vers :.'1 I',,' 1 to ~

C,. .... iii;, ~. - " l!!d~

10 e conosciuto ani' ne CO,' , suae

···:'~"king 0ppUfl .. ,'weep r '_~,ki, -g,

Bi,so,gn ' poi. far ' una

consi id .e razio " "a' part- . P' ""r" la

_ '. . I',' _ .. '. . ., .'_ '. ,'" It., . . . _ .. ' [ I L,r. ," . - , ..

iii • 'Ii III d

terzma ese gUl.ta su un unica cor .:~ ,I

, ,: iSI'I!',,~a co, piere un ham' er-on ,s, guito subito da un pull-off (per a or, : guardate gli .. sernpi) ~

D'are una .. 1,· . . ,ata. ad 0·,' ni nota

' ..

P 10"" s",u,-·" rar ' rig ido non-fluid 0, ' •

, "'_" I ,_:.. ."1' ,-,' ", ,-,_.-'.', ""'"

ceres ',e quin i quelle frasi che

I possono contenere rnolti I :amm" -'r-on ' ' pull-off.

CI!; '..... ... f: 1

10 alut- ra a . ,ar I_·m· r,g'er ' a

qualit~l dinamica d ,lla· as" I Segu--<ite CO"-l1. la m.usic'a m ,"'-"_,'

, ,I

"':1(.'.1 '-:,t·c_ la c .ss -lta I .notat1-

quandlo tut '- .. io I,i "_rific"!~

Q d' d 1~1 f·' ~

I U:_,_' "-.~O tr .vate',:',le • raSl c, 'Vl

piac",-iol'l,: : ,'n,lde'I" ,. tt(/ il te' p'o nlec~ ssario per 1m' ,-';a - __ rl . in L'J.l ,:. ,

~. i , i ~ Ii ..... ~

,P'Osl,zlonl __ .,_ tTl 'r gttrli .', 'u,es'to e

un attimo m,odo per imparl-, ldell' frasi ml_-lodiclle S,U tutto

10' s' 'tru- -- 'm' e" "n' '(0

' ,< - ~. . '. I ',., .', I

2-

.

..

~ II, 0

'~--..I....._~_i!!I' __.........-~___,.~V~_....-=~~-- -~~-f ::..-~ ~-=-=r-~ :....-~~..-~~V~V..,_· ......... r-1~. =--.irl-~ ~~ ---."..~=-;;I

Ho

2

.

3

1

2

3

2-

,

IX 10

x

.

1 3 1

21

I

2

Ho

P Tpo r-,

.1

g-

.

2 3 2 3

2 I 4

2 1 3

4 ,3

4

4 1 :3

.-. - ---

.

- ---- ~

1 2 1

,3

1

1

2 4· ,2

1

4

v

v

v

v

V VII

V

.' lh que triol ·t " 's" ,1._ .' .. ~_" cord

a fait c U·_" 1 'on ar ..1 ue avec. cou,p,:: .' _.' . I',' .. ~ :'. iato -, butes de

bas 11 I 'a it,

Ogni t '.

i!I

~ en. p,n)1

II" "

a" In .. U,~

v

~ V

2 3 1 1 1 3 1 1.
21 4 1 3 1 1 2
, . 3,
Eb L D- I~ C'- B

)

.

V r-II

Po

Po

~-

4

3

1

,2

,~

v

v

1

4 a 214 ~ G-9 ~, ____.

2 4 ,2 1

4

1

2

.

3

3

lotez le neme g ste all. r-bute du mediator pour le 1',., (Mesu 'e 15).

,~ otan . ra scivolats _ all ',~ n giu d '1 pk ttro p'_'-'C- 1:1;1 e: ~ g .. (' ._" ttuta 1~')

", . .' . .... , ll· . .' . I 1 _ ',_ • ._ '_ '. :...J . •

, .

, ,

Note th dowt stroke glid:. for he ", - g.' .h ord (ba r 15' ")1

. :' "::'__' . "_:,, .. , '" "·.'iO

·xam- _e #- (So 0 #5/ar 14)

V V V.'

V

Ho

P '3' Po

- 0"

..

1

4

.

1

4

2

4 I~I ~-D-~~I

E I #' 7 (S"- I #5'/'b 7 1-' 8'-

xamp e « . <00 .··.I/;·S -)

VIII

rll

r-1 I~ VII

v

.~

3, '2 1 1 1 1 1 1 1 1
.a- S 1 1
2, 1 III 1r-1

v

Ho

v

v

Po

Ho

I -

o

1 1.1

2

1

3-

.

1 2 ,3 .1
.
1 4

3

1

4

v - - 0

P ,Ho

I -

r-I Ho P n -, 0

Po

r-1

v

, 2 ,3 4 1 2 4 1 1 2 4 2 2 4
1 1 2 :3 (S .. 10 #7 /bar~ 11 - . 3)

VII P' 0' P Ho

p Ho P Po

-- - - . _- -

.. _- .- - - -

- -

_- - - --

1

2 3, 2

2'

.

1

232

2

1

O! U

1

2

2 4

1

4

1

2

.

3

1

2

1

., ""'-"_--"""""'__"""""""; j •

"

c

E ,ep solo ha ,.- en-rally a 'Jazz 'r.h

.. c.. I'" . iI!' ... .hi I -I

n .. · te 1~ ':_:_ to rt, u. 18 is to ·.···.P

ev rything flowi g.Th [8th and t" 1'_ 16th' noe triplet ang witl

rhythmic phrases round out the

v city" ," e c .' solo.

'Th - , tie' "ml'~ p··[o·· ... -" .. -. fro .. m:··-e .. sdiu m:···1 ['0"

'. . I.. '. '._'." _. .. .". __ ) .' __ [ " '. I ~ .

fast, but t •. '. yhould ne played

.. ow t first in od r t - gt every . n'Q e md rhythm right .. ,

[otice the rna .,y I .--7, V7

com rinations through out as well ,as the Dominant, Altere : .

D '. '1 7' V7' · B

'omlnan' a -~ , ~ ::. J ":, In . e' : ..

S ction, Of' Bridce, _" tract . hese lines ani', 'use them elsewh .. re. Ma ,.... . his pr rases your own

by addir g notes ar d changin .... tit.' rhythms,

Analyze the int rvals in a phrase to s .''''' . rh at '- been U' .ed '11-0

-' . '- . . . " '. _ ,I [. , ..' _'. . __ s .' '. -. It.: .

prod .ce th l.t particular i [QU.' d. Try mixing different s ~ ctions 0'£ di f rent solo "I, use di .. ererr

~.' secti n,s.

Be" crea tiu e ,

-. Lo" [Gr·_· "[10- . [ •

C'·

.

Chaque improvisation doit etre rythn i u mn interprete avec I

'1' .: 'rl . .' 1 ,,. ( ... dire oue le

" .' . "non _ '..: C' r ''5 la '.' ?i," que ,[,e

jc ~. demand- toujours une division temaire du temps, meme si l'icriture est basee sur une diuision. binaire du temps), pau,r' qu, ' tout soit r ourant ..

L.~~ triolets ,d e creches let de

daub .. ' C och es ,~y. c I phrase

.vth .. .iaue completen

I'individualite d. chaqu, Solo.

Les tempos son t ,3, tendence medz·um.~ ~·'pid .. :mais ils 1_" 'vr ~:,i:. ,- ,-

etr jou ~:s p 'emieremen 1 r ts pou 'le sur d'avoir chaq .ie not ·~t chaque ,ry arne exac s,

N - I I Iii

otei partout tes Pi UI]. res

binati . 7 V'7 ' ..

co .u mations I _.[.' ., .... [,. vr . a,us,m

bien que celles de accords d,e 't=, 7'··~ enrichis " t encore

17,.· 7 dans : ,. · ection B ou

, .. - ... ,',,, .,. ]'~

-pont ~, . ttrau z ces,t,gn .

melodiques . t tilis ·z ... Ies ailleurs ..

Approprie< vou de c' . phra . s -e n ajout ." nt des . iou s ,-t en chang ai t les ryt . rmes, Analise z I.. s intervalh s d'une lign m elodique pour

dtii iii Ii.;t!1' , ] '~.ii!'

I eco rvrrr . e q . 1 a e mpioie

pO'" r iro .. «lui 'e" C·" i umd "

. .' .,' .' ['.' .'. .. _. 1.- "--:- .'. ; ... ' _ ..

particulier, Essayez de melanger d,: s ~e" lions, diffen rites d ." .,0110:

: n un s II un

autr':_ "pont". SO:yez, creatifs l

.... _ .. ---_.--

Ii- - o .

Ogni Assolo richiede 'una

internrer I II II h

. " 'rp:'_ tazro " ritrr I'ea [-.,,' enj

p, es ente ... _ el 'jazz BlJl note ,:." I

(e cioe della diuisione in tre di un tempo binario}, in modo che tu 1« scorra,

e terzine di crome e I ilscrome insierne al fraseggio ritmico c -mpL tano 1 in ividualita di og Asso ·10··' II t·· -mno ,'. d'" l~ ese cu zion ,'"

. - - .' . - [_.... . . . . .... ".. .'.. [ ~ . . ..

varia da medium a ueloce; rna" in L prim 0 tempo ogni As .. :'010

:~_O'" rebbe e' .. ' ·f',_ Sllon' 'to

1, n amer te. nerooter _ ... guire corr t··. tme nte ogni nota

ogni ritmo

. 0' .... e ovum ue 1 varie

combinazioni di 11-·7, V"', come que' le di accordi di Dorninante Domin: nte __ Iterati e 11-7, V7 n l.

" . - . B' '" - ,'"',

S ZlO. .e .:., 0 ponte ~

Estrai t.' q.' ueste lin ·"·e-" m' ·"1 e': }" ... «lich .. ·,.··

. -' . -' I!Ii.... '., ,. . , . .,.... r

ii! I'~ I I .

UtIIZ ate _e a' .. ovell . ·at:- vostre

:·._UI. ste id '."1,-' iunge: d, note ca'[. -~ i,. ndo i i r'- - i.

", ': ilizzate gli irrterv lli in, una fra s ' p . r S""(:'O' 'p"rlir--e-:-' c ,0. isa si: :: "': to

- '_..:_. • •••• - ." ',_ ••• _. J" _

. . .

utilizzato per otten r qu J

icol ,,, ---

pa ·tIC'O .ar "sound",

Provate a me scolare diverse sezi. mi di die rsi i '. soli . ..... loro:

di

1 = _

, ,IV. r[ ,e~

1 S ,4 2 3 2 1 31 1 4 2 a 3 1 ,4
, 1. 2
"
_: Blb'M~j7 III

',' 0'0"7

' _'

c# 7'

'_, 0, 'I

" '7

.1_ .

, ,

V

,

G7/b9 III,b ..

_' -7,:

,

,!',b7 III

Eo7

C '7

,-

1

1

1

1

3

,

3-

,

4

4 2 1 4

,',

I

F7

i2BbMaj7 II

F7

B~",M'" -J'I' 7','

I, I ..

. '. . .

,FINE

:"D :7 .II

G7

2

,2 3 1 ,2:

2 2 1 2

2 2

3 2~,1

, 'I

,

3 3 4 2.1

1

VII

IX',"

. '",

3 4 1 31 1 1 2 8 I 2
," 2
,4 4
1 1 1
4 4 1 G ""11~-5

"liJ It': ','

VII~ _ - - 3,

o '

1 4 1 2 2 2 1 1 3 1 1
, , ' 3 2
4 , 2
~
, y.

,

_

IV

4 I 4 S
4 :3 4, 1
2
1 4 , 1 3 1 4

D~ C. 2nd Ending

18 ... ·10 #2

BbM'j7 x

G7/b9

~

3

3 .1 1 3 4

D-7

X~.

- ,..-'~

'3

..,-......

'3'-,

....

1 2 1

1 2 1 [3

3,

3 1

,

4, 3 1

2 3

j

C 7

2 4 2

4

2

1

1

-7

G7 XI

~ ..

I

B7

,2

1

2

1 . 2

2

3 1

3 1

2 a

", 1

. ,

1

2

1

1

2

1

[2:' b

.~ B',Maj7

F-N- 7

Z--E - VII

F'7 X

.

.

~

BbMad7

2

2

1

1

13

2

1

2

2'

,

3

2 3

G7 'V

v

'IV'·'·'

"

., ,.

VII

1

1 4

1 3 1 3 a 2 3

4

,

1

1

18 .1, 1

2

-

3

2[

.,1' ,.

~ ".}

o

VI"I -

~

.. 3

VII

1 ,3 1 1

3

1

1

1 3 1

3

,

·,7/bI51 VIa

.[' ,.

VIla

VI' ...-.... ',3

~~~~~~~~~'

131,2 3, ,4 3,2: 4

o.c. 2nd Endi,ng'

1

1 31 1 2

4

,

,

G7·/bg·

. ~,I .. ·_,

BbMaj7 III

·.-~7

G7/~9

F7

D '7

1

3

1

4

1 4 ·4 1 2 4 2

1 ,4

1

2

.

142

4

, "'7:

,

IV '3'

.F '7 III

" g'

"" ~' ..

....-.....

3

1 3: 1 2 1. 4 1 3 1 1 3 3 1 ,2 1 4
, 4 4 3 ' . E07

~

3

...•. D·:'-7-·

.. , _.

-'11

~

I

2 4 2 1 1 4 3, 4 a ,4 a 1 1 1 3 2' 1 4 2' 1
. .. "

B~Maj7 . -1

v

B~6/9

FINE

D7 V

.' ,

.....-....

3- 1=, IP

,

4

1.

2 4

1

4

1 4

4

.

1

2

,·1 ".

,-.....

_.........._..._..~ ~~ ~,IV-=·.....,,_.......~_~~~~_~~~~V ·,' I~.- ~~~ ~-t.IIiF- __ ~~....,,_3 _......,: ~VU· I~......._....-!31!' ~

,!' 1 2
1 1.
3 4 2 4 2 1 4 .
2 1. 3 2
1 G-7 V

2' 3, 1 4 1 4 2 1 2
4 3 ,
3 F7 'V

',', ;'

Y-

.

I

- - - ._ - _-

- . _" - - - ---

1 4 4 2 1 4 2
1 ,
3 4

2

3, 2 4

DC'2'dEd"'

.'·.-,.'· .. ·n··.', ··· .. n .. ·lng

s

,

1

I ' .

. :1-. esy B~M,aj7

X

G7 IX

.

'7

XI,~ ,3

F7

C-7

D-7' ~

1 1 1 2

2···· 3c'

··~I

1

3

:3

1

1

324

3

1

1

F-7 IX~

"·7

. -~

3

x

II~ 1',

4 1 1 2 1 4 1 2 1 3 2 4 2 ,3 2 4 3 ,3 1
-. , 1
. 2 G7 VI'§"

Eb-7

C-7

" 7

. -

,

4

1

212

1 3

2

,

4 1

4

2

3

4

4

1

3

.,:abMaj7

.. - I _

F7

FINE A-7

Bb'Maj7 I) IX

~,..-,~

4 3, 1 3 3

4 3

1 ,2 1 2

3

G7

D-7

, .,,',

1 2 1 2

3

1

2

1 2

3

2

3

4

4

2:"

,': ,

C7'

F7

C-7

- ".. . ....

3

4 - 3
- I
1 3 1 2

4

1'23,3 143,2

D~C~ 2nd ,En'- ing

1 1

4 1

BbMaj7

C-7 ~

D-7

G7

G7

2' 2'

1

4

'2"

, '

2 8

,

1

4

4

:3

,

4

1

F-7~ 3

C-7

F7

4

,

1

4

3

2

,

2 4 2 1 4 2

1

1 1

1

4

F 7 Bb6l9 FINE

~

2

,

B,~Maj7

III

Db7' III

t

, " 7

,,1- .'

V

,

C-7'

8: 4

3 4

1

3 4:

1 2 3 4

1 1

A-7

D7lb9

G- 7

I "

VII

2 3

1. ·4

242

1

,4

3

1

1

2:",1

.. '

C7

1 1 2 I 4, 2 4 2 1. 4 2 1 4
,
.
1 2 1 C-7'~,

3'

.

Y.VIII

F7 ~ - 3

1 2 1 4 2 a 4 3 2 1 4 1 1 3' 1 1 2' 1 1 1 1

D~ C. 2,nd Ending

, .

"0' 0:-:" - -."

. '-

. ,

.". . .,' ~ .

, LM·, .'!7 11'. ' ~J '

- ...............

II 3

G 7

. ,

I I

G7l~9

C 7·

,~:,

F7

D 7 V~

1 2

1 1

.1 1

1

4

.EI-:--7' p~.

3

3

-- -

2

1

2 4 2 1

4 ,3 2 1

1 2 ,3

3

4

.

3

-

3 4 1 234 1

" 4 1 2, 1

1 3

1 1

,4 1

1

D7/b9

II

I

1. 4 3 4 2 1 4 2 3 4 1
a 4 .
.1 2 4 G7

1_ "

'O}

....

3

a

4

1

2 4

2

2 4 ,2 1

1

2

,

1

4

- 2 :3

C-7 m r

I

4

2

4 1

DC"'2dEdl

. . -, - " - ..

,_ I',~'i,n:, .~n~:,~ng

S I #7'"

o 0 ->-' ','

BbMaj7 V

.

D-'7 'IV=--'

. .

G7

F7

07

IC···_, -7:'

.. ,

1

I

3

2 4 3 2

3- 4

' : r- L

4

4

2 4

2'

2

1.

2

a·A ~

1

Eb-7 IV

.

,

F-7 VI

'7

I -.I

v

-- ----- - ---

- - - . --

1

3

4

4 3

3 1 ,3 ,4 3, 1 1 2

1 4

4

2

.

3

4

3

1

3

1 ,2

FIN, B~ '~aj7

2'

. -

BbMaj7

II

1-', 7,-'.

- -. [ ,

3

07 III

212

2 3 a 4 1 2

1 2 1 ,2

1

2 1 2 2

11~

3 2 .

Y-

,

.

2

2

3

2·:

_ .....

3

1

2-

.

2

2

2

1

2

3

C7/~9 VI

y. V

'7 VI

V:II

.. ~.

2 1 2 a 2 3 2

- -- - - . ----

- ---- -

2 4 1 4, 1

.J ,.

F7 IV

.. _, ,'.

V-'

,

1

3 4

,

DC"" 2- dEd"

l!' .. -'.. /:'.:' nl--', -' ,.-. n .. - '.' ' n,g

.. _ -

------- - -

1 ,2 4

2 3, 2

2'

,

2

2

,

4

1

1

1

1

2

.

BbM,aj7

C-7

G-'7

G-7

1

2

l I

EbMaj7

F7

1

1

2

2

.

Elb-7

~ Ii

IX-

.

.

n ~

2

1

4

1

2'

4

4

2

1

Bb'Maj7' x

.. : ,'~

t

G7

F7

F7'

VII C-7

-7:

! _.".. -

. .........

4

2

.

1

-.:b6/9

~

FINE

3 2

1

1 4,

4 2,

1.

D7 X

2

-

~

.

.

-------,

- --- --

3

IX

~ ....

4

3

1

3

.

1

··b7

. ./ ,.

VII- C7

. 31

3 1,

4

l 8

3

_I.' '1.

,Y-

I

.F7

VII

-

" ,

1

2-

.

31

1

2

.

4

3 1

10

'ere a .. e 5 har .' 0] ic v ari .tions : ,:n Rhythm Chan res ' )': ing :

4'1 h d

_ ~ t,,_ -. orl', s;

- al err d d lorn II!! ._- n ts:

_I ., . _ .. - _,' .:........:. . _, [' I • •

- stretch chords (chords by 2nds) ;

.... : -'!!~~, -~ ,-_, ':v,' - bas 0 t, ' :;

,_ polychords;

_, ,pie .al points

- unusual chord voicins s.

All th" abe rve systems hav , be_n incorpc ted into r: harmonic

. I

varia .ions tOI cover a larg _ area of

,C"- 'I tern o-·'ra: ry: " , ., O"I"Y;'-

" '. ,I . - ',--- _",:__ , _:, I'" . " , . .::-

'This mat _ ris I will carry yOlu a

l' 'lng' c w'-.' 'r:::J" ,

. .. .' [~ , ..

Take your tim I . wi h new

'lng'~' ing ha a' f ,_J

:' t fi -stl

,"0' :'l,e-" I-I - ::"5: "r--"', . ii'

• ' •• _ •• I I I .j _. - . - li!!!il

_, .. your " 'ar will im . ,rove;

2" your eft I an,' .wi I get - tronger;

3. you,r harrm nic imaginatio will

e:,pan _~

Study the ba SIC pro zression and 1('- m ._._ ~ ., e how t . e mod, ern

harmony fits a'-I:ainst itl Notice the

I I> ' 1, ] d

'_ , arw vorc: r g:' , or tal, art 'f, ,I

.-: minar t chord, R member chords t II',~_' do '0' have open

" , a~ " ,mo'v able up and ow ',h, ,r'tbo~_'rld'il

,"1_----:, -.- 0, ~ '- 'tb' I" C' o"rd- s·h- 'a' P'- , c- a,"n' b·e.-

, '_ , I, ..... . ,. _,I - ' _ . '__ . __::' ,Ie ~ ':_:_ _ ' __

llsed to o,u,tlin_" th,_, h,~_rmon,'y ..

It is n:t-_ -way:. ne~-~:ary tOI ~_I,ay lor _~rip the' e,-~.~Ir ,; chord~, I call thi~

",~·'s4~n~g' -Gr-n,tl7Illn1: lifo" .(, '5- -, ~' c' .. - - I te" . -.-)

Il;Ii.;- : ..... '"", J' , '(Afb ~~!~ •• ...-[;.;Ji', I. ' .', , '. '-~: ". '"'

'Writ~. th,', no'tJ-- s of the ch'--,'rd,

'VOI1 .. -!ngs do,;,_,_, -:' Y "U c~-In slee wh" .. ·-

has b" en l'_se,d~

.--,~arn -," spell th •• , cho,rd: fr'om, th" root thr,o_· h th,e 1: ,'[[hl,:,"'pelling is

important be,"- U,',_',I man'y ch,o,rds

, r, - root~l-'i:". a' d und,~ rstandi,: " 'the. comp,le'l,e' structure will' - e]p

. 'h-_. -' r'o' -', -'- , . nd-- ot'- 1 e'; , "', --_. - ''''" .',' - -r' I .. ·., .

. I, '.. .... .,:' "I .• ,'. '."... • "1

V'o,il-~ 5 v __ riatit ns harmoniques d ....

I "-, natol -, qui utili 'I:

_ ao .ords P'~ rr Q ra tes;

- 7:-- II, I ~

-,', rie v JU ,-nr·. - ! -IS"

- exten sior "I a d 'U> ou trois vob

(a" ccord I -, . r" I-I 'C'O-' rd --'. )'.' , '

.' :. '. ". . " _ _ ., .... ~ .. , . ,_. ~

accords -. P- arf ~, ur

- , •• I. _ _. I I

!I!!!!!!l I .. _ .. .:._' '.,'. _, .,[:' ['. ."I·_ 'I. .

- polychords;

" . i!! -,.,-- '. - ... d i

iii ,01, ,I ' _ ':- _' ., ': ' "

- structures h arrnonique: insolin s.

, ~ I

, OU,:', C .' , systc 1·1 0111t Ie _ s

incorpore en 5 varia tions

harrr "--'l~- U''''S' 'po:. iur _--, ouvrir 'U -

.' - ._ '." ..:.:.. ': I .' '. ". "_ . '. ," I .. I. '_ _ I, ...

!', rande partie de 1; 11': irmoi ie

. ontemporai lei :'_"'e -, . ,,_'1 riel vous

." CCO" pagll r:_ pour beac 'up die

t rnps, Pr 11 c '_-, ott", 't _'m.ps ~'V': 'C les

doi 'i!

, I " "'uV,' , ":', ,,- IX'- '0- '~gt" -', :" q--- ' " '1 'p .. , e"-' . v' '''''I' t

" ' .• _ • .' _., I __' ", . JIl. .' ! ,I '. ' ." I 'J

I - ,

d'abo d s- mbler ,d-' flciles.

. 'Ies ".' antages ule V':,us Ie tirer -C,Z d,: C ,. s nouvelles dispositions

d 'accord ". sont:

· 1 i amelioration de 1 oreille;

2. COJ1-<' idation " -, la rr ain g' iche:

3,~ e -"p,an' ion du sens harmonique,

, -

, . di 1 ",-] , - d

,i tudiez ,,' m '_ aarr .'onlque'-"

b 1" 11'1. iii

ase .-' - an" _ . Is,e' r c'-,,'mm,e oil l1.,armOnl,e

rnr derne js'y accords "i Notez Ie-I

lusieu r &'0' rmes d 'a' ccords d '

. .' " .'..: [ "I ~ ,~. ,:: I ". ,~. ~ '., _ . [ I. ". 1 , ••• ~ • '. ' _

7 me I. ' ,- richi: I'· ppelle z \rIOUS q , ... les structures qui n'ont p," :-1_

'Iopen strin,gs,': ',. e'uvent ,~tr'e

tr " - - '1- I

-In",p··· .. ~; I', ,t '.1 '_e , __ I: '-, gu_ur'"

du manlc'he,i

, '} ., :tII __ , " - ',', 'n-~ - -'-' I' 'S'-' r"'" .' -- J''''' ·-u·· - "e--s

. . . . . ~; I' -~ -' " ': . -'. - ,- ::- '--=- '- -:-', .1,

accords compl_ ts; m,:ais 011 pleu't .'-n jou ',I ,:-'ul_~m,~,n' un,- portionl

,j " a p' - ~'- 1 e '_ -, I'~ uti iiser le-s frapz: n,ts' ~;

(vol.'=- Ch· l,pt"r 6) ~

E-c'-r'I~'v· z Ile-_=-·_ 'o-"t ", dJ-;- ,', d- I'"SP·O·'SI·{l"O S"

, " _, "'" ' . " '.- I., I :. _ '. I _ I • "_, '_ , ,I I. 1 _ ' "., ,'., . I 'I •

d' 'a:- c--- 0- 'r -s '-po'-u-r-- -- eg' -a-' -d" ec r c' e- u' ,

I ... _ I,: I.: ' __ ,I. ,,' '. ,: _ ' . '_ ._; ',_::_ . I , ,',": .: _. _ " " _' . __, " :

'Ii, IF 1 -'"

J aJ ','. . pile.

Illest [re'·, imp,ortant d,apprend, e a,

· I '';-' 1 - d-'

, . 'U,c''''u e·' - .. '. 'pla,r--m---' "-n-'" '-,'- n'o' 1-.-':. - e· .,

'_ _ _ _ " _ _ I' , I I '_ I ': ' , , " .' "0' ,

,-_ccords" d.e Ja "onlq'ue a la

1-' !!i io ""'- Ii! h-

I ,-relZl, 'm , ,c-~_ -, PUlS :_, ,,' _ _.,_aulcup

d,"accords SOllt inc"mpl,ts~

,,,,,,-

C . In- '., 'III· .:' ~ . ne--:- . "tru" I' c'" 'u'r""

',' " __ ,_& ___: .-, "I " '0 '_ .__:_ _:___ , "

h !I' d

a~-m '- ,"ln1- U ," ns "CC or '1- e

in,egr,a~~, vOU,-'·: ,aid"e [olr.que la Ton "qu:, , u, --u,e,,:, '-arti':Q,-,t

ab"'s-' n-'- ·t-e'

_ , :,'~.::._ • _ ...... _. J I

E 5 j ~. ~ b d ] _ceo .. 'va,', l"Zlo,nl aranOlllC !, e I ,- "

. < I, 'y' m h n'·g· - ·'s-· c u tiliz zan '" .... :.:

° ',' - I • ~_. ' ..'. " • _: __: • :__ .!' " ' , _ ""

- accordi per Quart ;

_·cc rt li di "Q'mi at,' alt rati: ,_ accordi 'p,r IS" -CIO de;

,_ triadi s.u bassi:

... polych -o··':r ' -"'

, , ,. -'J

_. pedali;

_, .'.' 'I' U'~ _ll_e-,:' I _rm, ' ~ ch ',~ inusuali,

T' .. Ii" 'i'

Ultl qll' sn SlS e'ml I, . ' ,~o stat.

incorporati in 5 vari zioni

rm m i cl e per r icoprire una vasta

ar~'a d. "11", -om .nia c" tern' - '0 - , ~

. ,--., '., _ "...: I~,I I. ~_'" bl .0. :. ," ,'~ . '_ :', .11 _. ~1_, " "!II

Questo mate: iale 'vi terra occupati --,-, rnolto tm,pOII

Prendeteve la con calma, con II,' nuove ditezs I' .t .re ch.' in un

queste nuove s ruttun , arm 011 ich e' sono:

• '0'" " ~

11 migtioramento dell'orecchio; I i rinforzo : e 11,·,· m: no si ni rra:

"1 iii· de. ,.,

- i le'span'"Jone • e senso armon co,

Studia te fa 'prol __ ,r ssione di base e

a" a li z a --( , C··- om e l' r ,,' ion l~ "

. , , '. '. '. .'" . - , , . I. ,. _

modi "-'.rna, vi si re - azio,na~,:- orate i vari ac 'O~ di . i Dominant alters ti'"1 Ricordate che gil. ~~ ccordi se nzs

, corde 'VUO' e p'o~,son'o " '-r

_ asposti su tu,tta, la lunghe'zz,a

'I i!;

",' I ,'- II, '--0'-:"

, " '- " '~

., i POls,-,On,QI 'usarl.·, anche ,,_,lo

• I. I~ d-

L-" '. ~- lonl'_ ,I un '~Icc,or" 0 Pi r

d- '1'· 11'· i; N' ....

''',In-::ar,:~1 JIl ", ",mOlnla~ ':, DID "

'I

-e',--m" '--p'r-'_- n' "<, 's-;-'s-a' . 0" :UO' 'I' --1-'11-

, " .. ."" - " ", _: - _ .. " ,I .. " , _ _ '

qli)1,di dit ggi'ar' - ill'i -, !',ro aClcordo~

. ", 'Iilo.. -, h i I lii

,;ue 0 Ie CIO C,,' 1.0 C :,) mi' .. ' 'uar(!'

,·frammrmt,-· " (V'di Ch'- pt_lr 6) i' ,Sc,riv,' 'te Ie n.o.- d,lt ,stru't. r·· '~_rrnonich(~~ co_' :'_,a re'nd,· rvi CIQlnt. di cia cll,- ho U, '. t.OI ..

E' ",' 01.'-:' ,- impo'r"ta-'t im':crar a

'il1ab,ar"e' Ie' note de~i :acc,ordi

, .,

d- _11··.··l fon_,d~ . m-nt,~ II: ','~ ," a

Tredi., ·,-'sima, ,PI .. -Ch,,~, s.iccom •. molti acc-rdi,o- 10 ,«n,co,'pl, . ~,

I I corlos,cer _ un,a str' _tt- ra, n lla, S,U:-: .....• rma i:nte -_. al-, vi aiu.-,~ r.-~

mo·,;I,to·· qu'~" ,I-ld-'-~ .- . a·,1 T'o-'" I~'C' ". ,--. a-_Iltr"e~'

_ " ' III' _ " '. " . ' . -'.' 'I '. _

p'''rti dell~acc: ,rd-, ",11,:, '~',,' eti~

Minor Sr .. Cycle.

. lomi an I chor ", ,are "':' "" d "'0

h

.. ·1,. anot . ~'r;;,

Fo I·X~ .. ·· ple':7~ E,b7, F#'7,: ·7

. , ove through a Milnor 3M '-'y'c],e

(ea h .hord is a minor 3rd ap , .. rt) ~

Als: note 11 OW' he r oots spell

a Dimii'slled 7'11~ chord (C ,:l}F#'·.J~

'. 1'1- h h d

·y,·p~lll Ig',ac,'1 cnor .. we cai

cle fly S,·.· .. " ·h.- elationship.

L'~ t's u':' C7 ' .. '.' ,01 ,r ' Ollie chord .. md see how th:" othen relat '1

Ie':· 1 d II

. _ ·,.le 0 ·.:_ .. -·.a

I .. erza Min re,

Gli acr ordi di D· 'I iin: nt rel zi .ne gli un i " oi gli al tri .

P .. r . sen pio .·~7, Eb."" F#7, .' 17si In.lOVOllIO .t ... :\1': .rso un Ciclo di

. 'Minlll (ogni d '.... 1

.·~,rz·"~: more 1.:lgl 1 ,'~""'O . " e ac

U.I·· inn 'nT, 111 .' • .i t .rza minor .

dall'altro) ~

Not: tc. a' ch . h l ' T·!ll·IC'" e

forrnano ·u.n ". ccordo dl .. ettima Diminuita (C' Eb PH A.7) ,. Sillab nd. le 11~···.It.,.'. i ogni accord .. POll siat .. ', .. chiaram n"'I' v dere il rapporto ch. 11 nl .. ' le'rc . 'Ir"r' . tra g:= .11 i . c··c·,or". Ill.

_ ' " ,".... -.". _ ", !",. ~ . . ' ,till

I ...

Usia 0 com riferirn nto di

t 'I,' ica il C7'.·' osserviamo co' ne si relaziona 0 gli altri a ccordi,

. ,rJl.l

apl.plJr en .... en r·· 1_ 11··r.,

Pa 'x' "n,' .~I .. ( '7 E':'b;,7" . ";:"7'" A7:'

..... ", ·~::.l.illll, . ,.... :,,' ~. jl' .. '

bou n ... ·1:,· p ... un. Cly.·.cle de T.ier'cl .. ·

., I" . -

' .. iner .. re (I haqu accord I. st

sepa ~ dtrn inte .~,· .. Jl.' ..

Tierce rnineure) Notez russi qUI"

I· Iii c. m t n c ·d··1

.' '~". onL Ill' " 11: . '.1 .. Iel' UII '>IC 'or

de Septieme ) .· .. iminuie (C "b F# A) .

iii ll~' 1

sn aru Ulan' sep rement Ies notes

d·: " ,·.iqi u " CI arid, 1110U' p nrvons

bi ;·om pr C .' r .. , .I,' ra. =' ort. N OtiS

. llon .' .. - 'm'" "p" ',10' 1~1' I 1 :'.': 7 ... · co~'mme··

",], '., ..' ", . ,', '. ".' . ',.. :.

Ii , .... b

tonique , ..... -.' .. '.e I·IC_.-'t O .. s·rvo.n

(I_mmen 1. ' .. ' autres '. O ..... ds

se ''II~ p'p rte , ..

'. J. ", . '.. .: 'I ., '!Ii

'1 · .. 'z l.· enrichisserr ents pou,r C7:

#9 .'Cu.. d n " I···· E 1"7':: ..

,I ,~_ ". " .' . I.. .' u. . ~

b5 , W d.as Ie F#7'~ lIJ dans I.. A 7 ,

I.ns le Cy l de i· rei.

M1'n·". r~ ·· .. ha uI', .. ccord e st

;t; h I I

I' t,·' r' '. " .~cni:" ~ _'.,1, .. ",

( .

1-'1 Y a' s - 1'1 't"'Y"II t- troi s : mill s

: ", .... ,e I e ~.II., I III . 11::.' ,"ILL I . .'

I'. -. rd: d' S'_ '11,,-, E·II

: .. aCCOlf SI e .pt), '. I_:, I. . S sont:

'.0'.-: '. lal' er tions for C7':

#91 , tfJ i th EOI7;

,b5 , IJJ i'" ..... "'7 ;;,

00 in the A7,~

In the Mino 3ni .. · ',"_le'ny

of th. do" iinan chon ~S could in terch ,ng' .

Th .. r .. ·-. are only thr .. e farnili S 0.£

domi h d Th

omm: .. n: c orcs, T. 'y . rc:

II'i

pr'.gre· sions,

Li 1-' th Ii

.asten tal . , .. ' I,. ',' gre,· t PL' n,Q

, '. - ,to '-1 II *,.·L, . .' ," "1'·· ~. II

,,_: .. S .. rs,-Utey se',~ .. m :. USI. a ~

these echniques mucn easly than

" ..~.,. - '-"1 .. - ,,"I de

W ,gul ... r ,P .' yers, . ,01

At last for th,e mOlnent ! lOur d/ ')11 will com "

,FloII' wing "'. .' fiv ... x': .. mpl I 'If m"':" .r ~ .armony

T"" h .. "" U'·· c n t p' arl Tie rc ... s ine '1 ir .. ··· ·,s;·

. .••.• • " • " .'..... •• J ,'I," L! . r' !I

Ecou ez taus les lv aitr s du piano: ils s ,'I bt .nt tous . .tiliser c s

t .ch . iqu .. s - .. 'aueo. ,p plus

;0 I ill iii

r, item n que niDUS gtl ',) stes,

DIU moin I '''0 .f' Ie m I ffi,._ nt!

No' re jour v'i:"ndra~

"

.In",·

N- 1 I II~'

otat 1~ a. terazion pe'

#9 , Ifj' nel Eb'7;

b5 ~ l:fJ nel F#7" 1fJ elA7~,

Nel Ciclo d. It. '· .. I"Z·· Min; :'ri, ogni ··· .. ccordo di Domi .. ' nt .'~

.~~. interca : biabile,

iI C7~

Ci sene 8,',}0 tr _' famiglie di

a c rdi di Domin te. "'85 _ sono:

. - 0 a.p,p, ... volute ,- cce' I,nare q"·,,to cone .. to p,er,c" e i qu ~'S'te variazioni hi utilizzato parecc . .i accordi di Dominar te alterati ..

o ·s •.. ,.~ va t. . all'Interno delk

,rogr .ssio .1, quanti acce rdi di Domin: .. n"_ si m .ovono per ... rze minori, Ascoltz '_. tutu i Grandi d . ...I

i 1: 'b h Ii

'1' notorte: sern ora C, " essi

U~l· , (. t iii h

tt .. I. ZZlno q~II'_' ··C . Ie"" ,e CQ'.n

t· c." 1 ~.... i to. • urem I,! ...... }1 l' ! flspeit.ILo ,.1 not

[.1 !II. - I! 1

C 'It rr"~·tlll .... 'n,e'no p,·.,"r I

- I

mo,m ~ ):1t·· .!I 1l11ostro gion~,o larriv .. ·,a.

II

'. .' 'O,DIO '(]l)' u~ I.: . I

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1 2· 114

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C'es .. ' nl S, . ite ascendante

d ··IC.CI irds de .,,~·m s .r ell' 'que

acco d de b se ~ C._ mouvement ha rmonique . SI't S ouvant utilise ". n d' _ l T'e'S sit I . tions.

T is is an, asc riding

,~ ~ hi

"'0'" m- . In' r: "n' t p-. r'o' . "g·_·-I- .... · '1 .. ···.10·,.····-· 0: 'v:-'er' e' 'a,c' -,

. '. - • . It. _. I.. •• I ,- _ •• ': _ • I .. . l . ".' __:_ '. •

basile chord, This movr : .. 'I,,' ,t

is often used In othe r dominant

D7

A-7 E

D7

G·7

t ~ I , •
. ,

• ,
I I
~ , I
I 4 . • I

• -
-
I 4. tl -,II

I ~ .
;.1 « t
I
.J 'I
I
I
I
I I ,
I I
II t I I
• ,
I I VII

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,

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L

C7'

0-7 D

-
( ~
r-
I
4 • I
I • • .._-~~~'

2 34

, I ~ I
J
I • I
I
,
I If •
I
, II

- I 1_11.,- 3 4

1 18

2 l'~

a 14

L

-

I : • I

- I

,I

D7

.

Qu .'ta.·~ una progressione ascendente di dorninante ··,U ozni accrdo di bas ',

Qu .• est .. ,. movi rente armonico '~ ....

spesso uti i,' zato i " alrr .. situazioni,

BO'7

- _

V "

-

G_7

__ B

V -

- __ .

.... I

• ,
- -,
I
I'. i
.. C-l G

3' 24

3 14

Ab07

I'll' 1'1 _

, :

A

II

4 t I

f~' --
,
, .I

III

I _I
I

•• • • 3 24

3 14

Variation #2

.'.: 'v,a' ·n'~·, . i' " Tl ,2-- i' st U' n.·· e:....:'

.~ " I _,1_ ' _, • ~ . .. L "

.. ~ lab' ' .. r· tio I:. 1· .. "',', ri ~- tion #1 il

C'est la merne serie ascendente d'accords de .,' e'm~ av',:c dC':1

~ ~

structures IqUI,'I..1 . nen trs

- . t m -or 'N'ot z '1'-' I "'l~

cion' " ..",·'aln\·.>,: e ". c_: . ··'PI.·

d 11-~' , de : d

e r In I . - rva~je.· e'· COl., _-- ~. n

hie' ucoup des dispositions.

Variation #2 i . an e '. boration

01 -r ariation # I i

It is th' ", me . I· cending

, .

Dominant progression with

cant '. rru .orary sounding

'.' OrC n:,rS.

NI,-' e th: ' .. s,· 0' '2nds in m,an.Y

. th ill III

10_, I .':'_ VOICln'.s~

D13

III

-
• • .1 I
I
I , ,I t
I

If .",13

F'C7 I-I-.....,_.. .............. II 'VII - :':-+-II-I-t

v

I. ~' ~

I r 1_ 'I
II
'- I I

14 12

.. C I

C13

G' 1 D

FI3

C9 E

'. b'o7 VI'

_
4' .. I t. I
-
I- t
,
I I I
Ie t IV

I II. II
I I I _

. ,

i~',.1 I • I
4 '-If I If I
I J
, I
II j V-,I

412

412

183 :JCI

. ;.

Varlazione ,#2

Lavariazione #2 .. s un'elaborazione d: -lla ,P' ima, ,- .~!i tratt: delta

stessa progressioi _' asc .ndem e di domina '.. c. -'.' . posi . ioni

d'accordi che suo nano molto

iIo

co .t ·'PII·. 'r, ' nei,

Notate l' U,'O del]," '.' econc in , .. olte lIe P,Q sizion ~ ~

c- .1

1--=- 1,342

( I II

14·11

I •• ~ ..

I . . .

, -, I
I! I' 41 t ,I ~
« -
,
I
I -

3 11

-~

3 11

V·· #3 ariation , .. '.~.

A descending lu oma ic

,- ro ,r ·-'S i n u, in - the sa.me

alte ed dominan t voicing ..

Note th ' tri' Ine -' ' bstiu rion:

Db'[ior IG7, B7 fo,,·~'7~

~ ne ' uite d,',_ ccords chrorn: tiq

- iii 11 i 1 ;iii,.

cce,c:'n.centl_' q,ll,'mpl,--- ,"1 meme

d 7" iI ' ~

s - "C','· .f',_ ' -':' em" '_ nric. 11.

Non Z, la substi .utio d.' triter ,:

Db7pour G7; B7 ,polr F7j

nb7l#9/#5

VIII 1-+' ', .. - ....... " ~

1 1_: "

, I I I

I ,',

,I 2 _-' 4~3~. --............_

~£I/ -.., 1:>

C7l#'9/#.5

VII .......... ~~

..

• t
1 ~
~, .1_ • ~
I I • I
I
I I l

I 'I

Ascendi or chro ", tic voi ce l .• ading,

Ba s 1. & 2': asc ending , minor

~ ~ h A' b7'

v mat 01 ' tOI ,rea" ,:,'~ s ;

tr tone sub, 'or D7,~'

Bars 3 & 'r': the I," edal note G kepi: G7 in focus while thr triads move chromatic lly outlining the ah era ions for

G7 d >i! f

' ,: ',' 'I-r,a'. 1':' :_ ,-,re'·

harm -, . ic sound,

B n: F" 7,"/: 'b, ' I' 'bl ~

/.1. ~ - ...',.~.' ,I'. JI

elF - . m~t'.i9 Db,/F = F,71#9/·~·5

V ' ..• ' #4' art an 0 , ~~:,

'" ....

rriver a

. n dl' C, -i ' .. t 1, s enrichi: :,.:m,I-' , .s c u ,~7: t en cr ~" n - un S', .nse

har , oniqu _ plus libn .

Db/,G = · ... ·:7/b9/b5

DIG Gm' '.,'

, :' ': .'- - :' ,-: aJ' .. '

'blG = G7/#9/#5

Db/G ~ G7/b9/b5 DIG == Gmaj9 E,~/I" - ""7/"' '-1#"

Th .. same principle . .pplies or B, __ rs :1 & 6 and. 7' &, ,8~

..!!Ii; .~, '. 1'"

e me me prl.llClpe:., I pp llqU'~ _~'U"',

M ssu r S': 5~1 &'" 6" . t, 7:" &'.- 8· .... ,

- __:. _ . ~ .. ". ..' .' . , . ,.'- Iii

B/F,"" -,F7··,/.· t, k9J1blc-

.. ~. _ .' .. IU. ,- . ~

C/F=Fmaj91

Db ,1l'F' ,-' == -' 7.-, '/:# ',1/# .5

. I J -' "-

m

G

A-11 II.I ........ I~ ........

A~1,3

IV~' ~~

Variazio e #3,

U Ii t'·

_ ns pro,g, . 'S' ,11fom,'" ca

discend nte 'hi' '_8. ·'0 dello st -SSI voicins di .', omin: .nte altera ~

I Notate la sostituzione ,. j 'triton"

Dlb7· ",' '.' - 7-~

B'7' P - r:

12248

--=---"'""-.~

Vari ,zione #~

in' a" lodi C-, al cant . ch as.,. mde croi r .atic imen e.

B __ ttute I & 2: v' riazioni

, t' II d-I!!' .'

ascenuenu e 1···· mznpe,

r'~C_,I~: giun,~,1 ere ~1 Ab 7,1 sostit zio di .' Ito ' .. d' ~l D'7~

Battute 31,-' 4: it pcdale di G

:ma .rtiene in 1_ videnza il ,G,7 m en

] !! d !I

e . -la,.l 'l1' ,VIO:' '_I crom' .ticam nt,' .

d ~ , ~ ne ando le altcrazio 11i del IG 7 e

- !I II! ~

I ere .n ,0 . n senso arrno: . ICO plU

lib .. · -0.

Db/G == IG,7/b9/b5

I DIG = :,ma:j9 E'b/,' -- G,7/#' :/#5

Lo st, sso principio e ipplk ato al e Bat.tute 5 1& 6 '7 & 8.

G

'r.'IL ~

G

,

- • •
'I, t
I ( •
I -
I .,
I
I • •
I
til I
I .• ... I •
I - -

III·,' -Il--""'_"

. 1

.... ' " I

1 ,444

1 2' 34

, I

I '

,2, a 41

1 111

2

1 121

,11 I - ~ - .1"1. j, f ...." f!J
~ II ~, "-:.1 ~ ~. .t::,;J.1 ~" ,~ ~
1 , • ,
~L ,~ I",;r.. t. I
,,.. ~ , 1 I
~." .I'
t} G 7/b5 G-7

II III,I~. ~ .........

F

,

F13 II': -,,-II

. iii., ~

F

I

.~I 1

I
II II
Ii
• • • _Ii' .1
I I I II
'r •
II
"
I •• • til- I
L I
I I

J ,

I

---

2 34,1

1 234

1 234

1

-

- I

1 . 4',

J1 L ..."
;(. II ~.~- III~ ~ ~~ II,~- .r:J t r:;J ,_". 'I
- .r;} II"" ~' - i!iI_ ~. .~ I ~. -
"'Ii -
-. "I II
, -
\';':"J .1'
I) , II

1,-

Fhis zariation u: es the same /oicing hrougho .t the bridg i once )IOW D7/b9 moves up a

minor 31~d to' produce D7/#9'in grids 1 & :21 (See . 'xp . Ina ion,

I -

xample nO 21 of th . Min, 3rd Cycle in

I l. hapter 4)~

The same t rinciple applies tOI h

I 'I< h d

rei,," iair nc C,' or is.

I, ':,

D13/b9

I ..... , .......... ~_.

D7/#9

IV- _

.

, -

,I ~ 1
I 1
I
,
I • • I -I C7/~-9 c 13l#11 F7/#9

V VIII -.-'" -- VII -.,-1-

~I-I--II -!-I 1

I '

, I

C'. ",.O-'·I_l is ti n mar ti n i meme disposition ,dan·· t ut le Bridj e. ,',IO··Z que le D,i /b ,. mon: e

dune IT'll. ' C :_. m.ineure pour -

produin le D'7/#9 dans L,~,'s. grill .s

& 2 (voire explication c u Cycle Ide Tierc = Mineure en Ch: pter 4) ..

, AI; . - ill ,., ,. l~

e meme prlnclp.:,_ s :_', 1 :'p lq'U" ~_U

r',_'s"e de" accords ..

4 ~
II
, I '.
II • I
• ,
4 I I 4 IS 2

-I I

I

4 13 2

4 1~1 2 ctJ

,4 132

I"

. .......,...

'I

I ~

I 1'1 "'_"

QU.lst_ variaz '!'. ,n'" us" 1 : S,': sso voicing p .. r tut _ .. il Brid, '. _,~_:- on che, n 111_ '~'.:ri lie 1 & '2 '~I:··7Ib9

S' ,'1. di una 13,'· minore per

produn ·· .. ·1 D7/#91 (vedi la spiegazion _c. sul Ciclo de, la ,3~ Min, n, I Chap - er 4) ~

La stesso principio e applicate al

.. 1"! '.'

r_' S' ... o .. , _.' 'g.·.1 I .' ccorc I.,

, '

. '7/~ 9/<,5
' . i.-
1 4 .~
_jl
I • • 1
I
I. ~ I 1
I F X

,

4 13,2

Ii ......... 11.0 ~

13 2

,~. .~

", 13 2

, .:.

I

, ' .<ii"""iiiii

- I I!II., ,.

r~.!'· ,_j

- be,.', uartal SIYS'~ em.

'.-'10 'd'~, ' uilt b " ths, their

,_ ' - '-"'__;" ." . ~ . '" ',' c..'

inv rsion .:" ". ': p read Voicines.

carnple · .... f' P .. -rf let . ~h chord

I ;0,

n versi ons,

S dV ""

;- .'. t, -",. " .. •• 1 "" '. . ..-

prea' . olclngs.

··'0"", ice - .a t· h fir ,- S"P'f'" a ·d~·

. . _. . ..... ,.:_' . '._ I ,._ ,. I .... . '. ~

Voicing is built by 51th. ~

Th: Spread Voicing' will be 'used

~ 1 ~ ~

In s~·v·.~'ra. 'varla' ions ..

"'; 'h' 0-:' rd ,S 'b"U\1'"'1It' ' ",y,,' tb' their

.' " " .". , 11, .. " , , " ,

inversions and th' ir Spn ad Voicings, w', ich include the

5tb, chords C,',··'·· ··O,·---'U· d - ey 1:, 8""5' -- nd

. '.' , . ~'. -, . - ' " '-' -' . ,." '-' ',,, ...

,

bl!'

" - -' --I ,- "',

am 19U,., US~

Th- , d I " .- , '-' .. ' ,- , h - . "h,

'1_ Y . ,,0 not seem to ave t e

stability olf chord built by 3r'~

(Tertian system) i

Your ears may h: v_ to get u,~,_ .. -

t: the more ope'n-:Qund this svs tern P ro d U'- c ',- , s

I; "" .,' '.' _;:_ ." .~ I

Q til. ' tI h d

1 I -' , . 1 I. • . 'I I" - • . ~. .. - ...,

_u"Jte 0 • ten tnese c .ort _s a' ',e

roo '0- .11 's" S" w· hie h fur the .r ,I a' dd ~ t 0'-'"

.. ' IU _ '_ . . , ",I ~, , 1.1_ ~ , I· .'.' ." "'~ , ,

ieir mystery,", But because this

system is, so widely us,' d by

modern keyboan '. play" 'S '£l'l'hdl' b ~ ldd"

_ ::_t 1. -:a, to.c. In'CI,ui,_ e" ··n

thi' txt.

'Variation~~. #16 'thro,ug.h #9 d:,l

WI!!!' l~ ····e-~ Q',.- ·uar· -, "1 s----··y-'s'," em'C I

. ~.I _., . . - ~ ... 1 • ..:. • •

. , .

.Ji"

. ':"S'·', ace "0' .r is ,-. 'r', ]- p' ioses '·a-' --'

" " :., . ,I, "._ .. ' " . , '

intervalles d.'. IQUat~':, I s renvers~, • ents I,'t I .. s ~ Sp Vo ic '[''''1;-- 'g-s"" I

_ "',:, 1 lli

' •. campb . d'accord (!omp 'S'~ Pi r

t Itnv, .rse m,· ITt,.

-otez qu, }< p,f' .mier Spr Voicing est compose' p<lr . ' •. '. ui te s,

Le Soread Voicing sera utilise dans ql Iqu :_-;.: van '. tioru ~

L, s a c C'O':C rd ,'. C' ,', m p'.'··o ,.-"JIA' s p"'a' ['

,_. " _'::_. " ' ,. ' '_,' . .' ',' I ,'_ I

II< I') dQ" "

mtervi " ,S,' ,e: ",'u'--,r ,. 1',_:"

renv ers erru nts . .t les Spre 'a,' d

.. ." .' • , I'" ," •. '.' ."..,. .,' • I .•. ',

__;,

Voicings, qui includ ent les

accords corn P'OIS'"'"'S P ',- Quin es

_,C,', .", ,,'. ~'_'. .. '___;' '. ., _ c '~' " , I .' ". _"

peuvent so, .. , ": ,f' "sans to alite" et ambigu ."1 lis sernbh .nt pas avoir fa mem "',' stabili e" ." U', .'., le S,', '. C'C~'O'I" d s

. ',.., ' _. . . . '_":__ _ ~ _ . . _. . I···"_:

composes P ar li!! "_' r , "-8:)

. -' .' . _., . . .' - .' ~.' . . . - . '.

'.

(systeme Tertiere). Vos oreille

d- ~ A 'h bll'

.orvent peut etre sn utuer 'au

, ., nlu u - . t:li, P' sduit par c

1- '0 n &;i' 'S'· I ~ ',v r· . " ... 0 . _ . l ~ __ ,< ~ , - '. .'.--:

system ~ Tres SO'UV 'fit ces

, .ccords sont sa' .s to, .ique, done

1'_ ncore plus myst erieux. Mais puisque ce systerm est largernent

,-# II " '"

us' p,ar __;~S :-,lall~r es

contem, -orain,s"j"ai cru de blie:1 fair ' '~_ l"incluf'.· ',-ans ce' ·_"te~

L:, V,ari_tions Id,e #6 a #9 'r, il',.',nt du syst'm_ ~,,', Quart SI

II Sist una per' Qu? rte,

." :ll~ , ",,:c· 01' ~ , ., .. ' ruiti p' "'r Q'", " r la"

· ..... '..:,L _0,1 "1. _:" '-,' ....

le inversi. ,: i'- gli ccordi

." , -- ." I 'I'

· parn t te I'

- s, empio di s . C' do costruito 1 Q l~~ rte.

I I ~ ~

il 11ve . S' on I.,~

'Notate che it. primo accord a parti late e costruito ne r Quin,te, L'accord. .. : parti late S,: ra

'-li!! , I 1 ' I! it

utmzzato '" ' __ cune 'van,azlo'nl~

G i 'aC,CQ: di costruiti Pi er Intervalli di Qu- r a, Ie inve rsioni e :g'li accordi a oa ti lat che includono

l-~ di I!I iI Q ,~

· , ,- , I .-J' ,,' '. ' __ ,',' , .' " . --, '.- '. __ . .,' I' I '

g 1 .'. CCOfl,_, __ 1 COS I 1,1,1 per.,',Ul . t :_ J'

'·,O""~,'S~'O' mo I~--U··' 0' mare "se za c:e ' tro

- ~ . _,' - _. , I. _ " . " , '_, " "'" .1 ..

tonal, ." e ambigui. Sembr no non

av", re I' ':·t,' I Ill'~'·~ r'·' Iati va , a': g'I'"'1

I _,' ' • • ", • _. _ ,I I ,". ',.' .. _ .' . _! : \'

· iccordi co' ,tt _ ti ti 'p -r ., rze (sist ma T' erziario) L~ vostr. '

~ ,_._ .' I' . t.. . ',' .• , '._' .. ~ ' .

, "

orecchie po tr ' . b b,. ~ ro dove Sl

abituare al suono ,pili ,a'p'er-to,

d d Ii

P',o 0 'to na questo S,' sterna.

M 111 'i di

_ otto spesso quesn accon 1 8'0'n'0

senza fond unentale, e cia non fa

'h !II ii,

cne aument ime 1 rnistero.

,. . . . ~ ~

. a Sl'C'C',: e q,U: sto < ,r tema ~. COSI

. iffuso tra piani ti conternporan- i~

h cliO' j I d )' li

o PI' n:_t', .. lIne U, e, ,:'.' .In

qu- ,--·\to t'--:sto~

Le V.I i,' -' ioni d-' II-a #6 alIa #9

','-",·'·tan'" 0,: ·(,'1S"l~'S'.t'·'e.m'·"alp"'~'r, ." [II:'

',' I. -.' ._ . . .. , I. ' ' . .:_ .,' . .... . .._'

" -

D~13 VII' .,_." ~+-t VIII'

, I

Va ,Ii 'JtiOD #6

•. ~' ids 1 &: 2 are P', rts 0" 011_' 4th 5 structure:

~--- CF#BEAD"

By separating this voi ~i, g', .~' gel. 1:YIo chords:

CF#B ad

EAD

The first chord is a rootless Dli The second 0', I is D9.

B~ m' O . VI~I' . d- 01 • -"n~' ch r-o', ... atic ',' llly'- ",

'J . '. C ' '. "'. I" ,,' . '. ,', .,:__ ',~ JILl! .'.

same sn ucture ',' nd using the separations, we a rive ,>t D1b,7 C7,a rd B,7.

DiS

. '_ I

_I ',', ~~.

IX

.

VIII

'il t
_14 .'
I I I
'-- I I .. •
\1 I . "
I.
I 13 S

CIS Cta

VI 'VIII \,.'

'. -mauol '. #6

Le~·J g" i.ll, s 1 & 2,s0 t II "5 deux

I' ,

t~ - are d s, - eul _

:- '~" . _1" S I., '_._o r" ~S:~ une ,c- "-

,.

struc ture C·'O· " posee P··I·. r Quart ·S····III

.' _,., I . . ',". '-, ' _ '.111

I '" .'

C .. ·W B'-C:: E,' A'-- D:I

~ n ! ". ' ,I '_ " !iiI

Si 1 'I - 'Iep' rc C voici g on, obtiem deux accords:

C' F#'--'-' B:'

- .' '.

" " , ','

e

". A D

- . . . .

. :: - .......

-

:'" -, 5'·" to' miqu ,". I

- ' ~ ... ,., _.'- iii

Le . .euxiei I .. ' est un D9i

En descendant chro .' atiqueme nt

1 ;[iii,

a,vle'.·- _ rnem',' structure et en

utilisant les :,: ... arations, nous

- - I

"

obtenons Dlb7,'.-7,e'· B7~ II_)

I 4 • I
I I
e,e
I
I
I -
4 ~,
__ I
I . " i I
I I I L
I Variazione #6

Le g'rig' i • /,_.: 12 sono k due parti

separate di una ste ssa struttu '- p," Q ,:' t:

CF#"BE'AD

. I' ' " ',_.- .' I I

. '1.1 "'.,,. ill

S .. p_ .rando qu .. .sto VOicing si ottengono du . acco~ di:

C F# B

EAD

Il P' i ,.0 - ccor ,-0 e un Dl-' senza fondame n_ ale.

. 1 secondo un D9.

Discern endo c omaticamen te con la stessa stru " . ra :' u.' ndo

senar, aionl, otteniamo Dlb7 C7'_ B7~

~'13

B13

v

,. I
• ". .'

I \ I I VI,

.

I

344

. I 1

1'22

3 14

11. 21

Varial ',II on #7

4 h : -. ' nd 5ni) chords .' re us' d to outlini th .. harmony ~,

V tI, ,!II "7-an~'~ 0 -I . ." .'.

-'. .' . d ' -. ._ Q" . -_ ..... ,- t Q"- ..... ~, 't·

-cc r,_,_.~· p, .. : .... U,,_' r s e .. · ... ,.··,llln _es.

'-0' ,'n~" U'I ilis .... s p"o'u~'r, - t·,c,· .cer

- " . l . . '. I I _l .'. _ . '. . _. '._ . .._

I'h ,OJ

_ '. ,a"mlOI "i

Accordi per Qu, irte Qjnt· son. utilizza i r er d,/ linea re 1 'armenia.

"7' 4'

'.' 'S,US~=

V

.

« •• ,. •

I
I I D13 IV'

I 4 ,~ •
,
,I t •
, I
I 4 • I -
'I -,
!
I rna IV

D13

,
,~ -
I
• •••
-
I V-'

.

, • " I
,
,
• "I • ..
I a 14

l' 2·'·'~

.... "

3: 1.4,

111

4 13,

1.12:

I '

G'1:

-' _

IX

I ,. I
• 'lit t.
-
I
I
\ Gl,3 X

.

,

:.113.:.

,,\ _.'

3 1-

12,2

3 1:

G'7S,U8 - GIS

X ~_.I~ I _ 'VII'~~I

I I_
I
~ • 4' t-
, .
I 4, 13

111

.133

C13'.·

. ' .

C7su,s4 III

• .4 " - I
I
"
, I
I C:7sus,

III

, t .' \
,

• ~ I
, , CIS II

t ., • I
I I • •
I
I C13

- - I

112

111

3 1.4

3

'F7sus, "., F7sus 4

VIII~...._.._. VII' I~""'_'__'

, I

VI. I

- -

I. t
- I
I -. , I 1.-
I VII

• • \
4 •
, . 1.~~~1

4 13

111

133

v - iation #8

AC·i· ... rd: par Qua rt s avo .c

r: 'n,v" - r·, ._ - - ts.

Variation #8

,,In chords with i - rversi on 8'M

D9

D'13 -, .1

II ~
I \ 4 •• t

I • •
I
..
I ~
,
\
• , I' -
I , 'I
I I

I ,- 'I . .. I


II .. I
, I I IX

.

IX

.

4,1,2

411

4 .1'·:··,

12' 2'

.' .. -<-.~

Variazio ne #18

Accordi oi r ':·t. rte con

~ I ~

l-11V" r --(c. '0" n 1

.. .:'. .'. '... " I

G7/~9/~51~5 G7/b9/#9'#5

VIII ,'·111

, • ~
4 .'
I
II - I t , '. --
I
I
---'
I ~'I I
I 4 12

4 11

412

-I _

····7/b9/,51b5 F7/#5/91b9

_ ~I~~.....,.

VI VI I"_"- .......,._.._....,_.

,C13 C'9

VII

F7/#9J,#5 VIIII, .......... I~~

1-
"
, ,
1 I
1
4 ~ I , "'--'1
t ~
I' i.
I I -
I
, I ~ .1
• •
I

I II I I
, IX-

.

,

Al l' 12'"

1I.jr _. ,.,"_

Q_
.~ b .
Ii '1 0 ._(iJ- ;/!9- 9· -9 ItJ .f!j
. I
'--# [I ~, ,.,., ... "-.1 trJ f1!JI ~_", ~ ~ .iiI"'rii ~
f."iii - :....IF ('_"" i""p' 'rt"I j;i'" -I~ " II! ~ ~
'''''1 if.' .., ~ ! I Iii! ~ ~ rJ~ ""-:,1
.~] '.I' .~ I I :1 - II II "". ~
V , , ! I I
, D9 nbl,3 D'~l,3 nhs ,,~13

IX ~~.. c - VII VIII I - VIII VIII

1 ,2 ,2

122

~

411

412

V '.. '- ..

- .- ation 'I':~ ~

This is a combination of all ' .. e previously discussed devic s.

Dl3

D1.S

D~9

VI-

'~I
i I
I

I I 4 -
•• •
I -
• , IX-

.

I' I I
I
- I

4 tl I « I
I I [

I

4 12

4 1.1

Qu,esta e U~· ,a combinazi on: di

iI ill d Ii • 'ilil i!!i

tutti I proce __ lffi' - . -1 . _1 eU,Sf

pr-- ecedei 't,··-·· .' m ienn

. ... ......:.. '._ I

I

'4 ~I' ~
L
I
I
, ,
I 14 -
I I
'.'
,- I I I 4 12

1.2,

4, 13

-_ 11

a. ~.~
-I _:_ t!2
Jj ,L- "~ -5--
' . liii!"'\
I
~ ~ I _[ I -r.L .". '-;J 'r;;}. '~ r;;J I~' 'r;;I
..
'" .~I • ,,1 - ~L II '!ir.oil!!I" ~ I .~ ,;iJl!I!"tL
."", II!!!'" '-..1 ell 'J' ~ ,7 ~ ~. .",.. ~
-'" 'I 1I , , 'I~ '~:J I ;;jIj!I""i, 'f!"';l.
..
tJl - ~.~ ~. B13

VI 1-1-....," .......... iiii!!!!I1

122

IS 3

111

·· ... 13,

C9

cs

VII

- I
,.1 ,

i I
,
t . • I· ~I
I , I '. t
t

I -t VII

B13

Bl,3

VI .'1 •• ' I

VI

-

I I t .1 I
,
I 'I .'
'- I
. I ,~ I

_- I

.1_

I -'1 13,3

-

3 1.·4

11

12' 2'"

,_ -.'

• • 1 .

11 I

412 'f!:)

·9 "-,;r

I I ~I

_I ~

. - r;;L

. "'"

~ l:.tI-- ..

112

13

J ..... ["-~

I'. .. '.,,;i!IfE

'V • ~ #10

.' :_. la'ti D -;' .' ".

In this varia tin W' "" re deali ... .. ith ~.h" ~ "".' 'ajor ,.,rd cycle for . ' 1', .. red Domina ts", Tri~ds o,er

be. ss no' s outlin ~ the alter tior S - or the Dominant chord.

Notic row ,-'ars, 1 and 2 move up by maj. 3r.d:~/;C (D13/b5" 71h in the bldS:·:)Up .... maj, 3,rc1 '0 AblE

(DI'···Yb'9/b5, 9iJ~ in the bass).

If w m 0···: up a n .- .' :h· e-' 'r-'-:' mai S·.·'re: to :':

'. . . . - . ~ 1.1 I. . . . =.,I' ,~. . . . . .

CI'b, (D9/b5, ,b5 in the bassiv«: complete th . cycle,

Althot gh ," 'ly' - .0, chords from the Major 3lrd cycle are IS, d her',

ke-;' p '"'I - f"'I'l"' rd " - at "11- r' .e c hO-"I-'" ··\s

. . .. )'. ,. ;. JI_ , I. ':" • I... '. '. "

cornplet the ycle.

.... Ioving down chrorn tically tho

same ap :'lies for Db 7;

C7alld B7.

, Variatior #' ~ 01

D t .... ,

ans 'e .te v n _ 1 I'. on .' ~.·'C uoe

du 'ere e de Ti ~- -cle .'. ~jeure plour

:'.'. ce' 0"'11"'1'-"'- d" _. S···· - . ti!j'e"m'" .. ' nrichi n

" :_ .. ' . .1&' __ -'- :_ .'~. - .. !. " _~ "-'" " i-:__. _ .. _' j ,"\ l

L': s ccords parfaits suri ne basse indi que.nt 1. s . nrk hisse ',' ,I,~ nts '~" I'accord de 'r=. Notez corn . /. II"~"

··esur,c .. - et 2 moo' '.' t d'une

Tierce MaJ~:.i·/ .. · ('-13/b5, 7;~~ a la

base) monte d' In!e ierce M~~_u '. b/E(·'9/b9/b5 9';;~,alab~,'Ss;)'m <ui

1"011 monu d' m autre - i .rce Maj. ~I C/: b (D9/b5j b5 a ta basse;

..... ' .. C' . mpl .... I' . Ie cycle,

Bi· n quici s. i .nt utilises

s .. ulernent d eux acco "d' , IU cycle de -- 'ierce Maj.j rs ·.P lez-v ius q' re

" '01"5 C' 0 d c irnplet 11 - - cycl

_ "i,·: .-r ..•. ' . 'I' ':.' ,,:-', . ~ .:- .: ',' '.1' ',t

'. n descendant C . ornatiqu m :nt, 1. me'.' e '. ~ I.S~ 'applique au D'h7J C'7,~t au B7,

9" - . ,a la basse 9mu a la basse 7 irrU1 a la basse 7;'~n~ ,a la baSSI!

9h ,- ... l b

. a'a ,',ass'

9hnlt a La basse 7 ~ 1 ,a la basse

,'. /····C-:: D·" 13-; lb' ~

.' '; .'. -' /'\ .~'

Ah~-- ,:: D9/b9/b5 G/Eb ~ Db 9/h,9/b5 Eb/B =. Db J3/b5 D/Bb ~ C13 b··· GhlD _, :,'-9/b''jb5

F IC# == .... ' .. ·Yb9/b5

C t, /. . =' B .' 3~'·/···"h··5i

{llii ,_I" _ '. =- .. ,

7111 in ,th .. bas'S 9 ih in the bass 9,th in the bass 7 th in the ba ·:'S 7 t/ll in the bas. 9 ,.}~ in the bass 9 til in til bass 7 lf~ i t Ii (3' bass

7~ i la b'

~. a:· ': .. : -.-'a····: e·

... '. _. ",". :.1 .. '

E/C·~ D' 31b' .Ab~·: .= D9/h'9/b5

- '~'"b »Db 9/b9/h5 ··bIB == D'b 13:/b5 D/B'b' = cis b5

r. b/D ~1 .. -.'9/b9/b5 . ;;.~# ~ B9/b9.lb5

C'· ·#~/··r . .d. -... "'1': - .. /····b'·I .....

• I .,:fl ~'" .... , .. _

B

C:

4 ,
,
• - 4, •
\ • .'
I - ~ I
t'
I I
4 • .-
I •
I n qu-": a variazione tratti .. ' ,0 il ',',C.···II'~·· - . I di T' '.' "'r :a· .. : a-'g·-'aio···'-'e·' p',er

.'- I! ... _. _ . ...:.~" ,i. '.t;J_:" , . . . ."."

accordi di Domina . te a teratf" .. ..... tri _di : u ui ba ·,:.0 il dican 1. '. ~l ,', i per I'ac corco di

.' .-, ~ ~ nant .....'. rtat .'. che Ic

':, ttuti 1.-.< ascer . ',' ono Idi una T rza M>-'-l'l~,: .. ' i/C (D13/b5, 7rJ al ,basslo) ascende di un 3' Magg,~,· AhlE (D9/b9/b5, 9~ at basso),

"c sali __ mo di Ull 'altr 3i! Magg. a C/Ab (D9/b5; b5 al basso)

. I mpl tiamo it ciclo ..

Sebb ene qui si .. 10 uti- izzati "'010' dur accor di d I ciclc di ._ rza

M , .. _~. - ricordat . ~ che t·· : iccordi

C: mpletanc il • icloDiscendcndo

e'r-o"m' atic '.. nte, Io ites ... ·.

"- '.. , . "'. .' -- -' . _...1 . '. .

.. II II! " IIJ 'b7 C7

pr1.n"lplO SI ap'p 1 "a p~r t.m .', .- e

~' ,7~

7€J al basso 9g al basso ,9'gj al basso

7~ a' l ba ." '"0-

_ . I"" '_, .JI ','

e/c ==.D'13/b5

A b"" rt: D' . 91 /b 9' lb· e: i~ = ,~;·'l'" . 11~.!l

G~~:b = Db 91b9/b5 ~ ~.,b/B ; Db 13/b5 .·.·/Bb - e'13 b5

'. 'b- rrv :.» 9, I lb· 9' \ lb" 5

.. '. / J .' ,;;= . III ":.,1 .,' i ',' r-

F/C# ;: B9/b9/b5'

C'#~ lit·· . 13'~b-

. --,- .::.,. - ,_. .. ' '. .... -::; " (, :,

7(1 al basso 9'" al basso 9~ at bass 71 al b, s.so

t. - I 1
,
I., -,
It • I
I
, , v

-

1. 2,48,

. 2'43

1 243

1 243

e

' . .

I~

Variation #11

,-:I,ars Land 2 have th .. p dal note:

DI to focus the h rrnony on ,D' 7 while the triads abov '. the P' ,da, , D provi de t ". alter tions, 'his is a very hanr -,y cleo vice " If. ,en us ed by l;ampk 1~.oI2'7' key ~ .. oa d play rs.

Bb:· In - D' .' 7~ 1'14 C/':#-_. la, 'Ill '_ _.' ;·,·tt _', . .7i

Ab,~ :: D 7/h5/b9.

The same' 'pr'~, i ciple for:" 7, C7a11,d F7~

'V··~·

..

- I
.' ~ I,
,I I
I
4 - I'

IV 11-- ..... 1 ..........,~

I' 3 2

2431

Lo S'.'· .. ,~,~O principio

, "

C7 '7'

. .

.

., .. '

,': .', . !II

Variatlon # 11

. es . '. e,', res 1 .,t :~: p,.' .... :.,. nte nt 11.- ...

note de basse p ~ d le dr D pour

r ,· .. .ttre au, point l'harrnonie sui D7 pendan q e les .. ,ce.· -rd parfaits sur ra basse p~' . "ale D d mnen 1 s

' .. ,. richissern nts. C"est un proced ....

tr' .. ~.s p 'atic ue '. m vent utilise plar les

P' a . 1~ ·t'··· S···:'

1- [ .' . '.ll!

BblD ;: D'.7/··':5/#9;

Ab/D =: D7Ib5/b9~

i.e meme pri cipe P'Otl, IG7 IC'7 et F7~1

Le Ba ttute I ' 2 pr,. sentano un bas 0 pedale . _i D ,- 'I:. r met ere a

oco I armenia su D 7 mer tre I.

. I ri: di sul p' - " I. di D forr i. c'. 'I' .' .'

I 11_ all razioni, Questo e u ,,0 strumento ,',".01'-:' .. ·r· tico sp .. sso utiliz __ ' 0 Ida pianis i.

:b/D == D7/#5/#'9,

A b, 'V' . D" '7, /·:b· ,=-/,," 9"-"1

. "l~"":::::::;: er «, '~~: ,01,-.

Ei!

G

.

I

D D

D

I '

• '( t~ I
\1


\ ': , I 411.-

.. . , ."1
I
,
I
~
4 ~ \ I
1 , 2431 ~= . tJ·

,. .

f, ~~ t( •
,
I ,
,
( I I
~ - VI

x

.

._ I

4 111

': 111

4111

2431

Somi u .· .. usal soundi " .Iominan;, alterec Dorni ant and, Sus4

Domir 1"';- t roicir '···S~

,,..,IL !J2

C

F

m F

B

-="ii'

_I

I , • f, t( .'
I
I I
I
,t f VI

,t 14 .4 -
, \
• I . ' VII

I I I 1
~ t I
I I
, I •
_
i •
I I I
, 1 I.II~~

4 111

4111

111

123

I

Varia-·on #1 :~.:

,-,. uelques '. tructun IS, p_u

di !Ii d d d 7· .

or _ mair s : }._- accor us c ~ ~'WI_',

'r=« , _ ichi .::_ t 7~ fft" . IUS ;' , i

Ale _ n e s ~ ~. :-.' ttun un po' fuori d. 11'.'- r dir arlo .. .: i accorc i di

" .. 'om' nante, Dominant alter - I., .' Dominante ·'ul .. ",4··

. ' .. '~. ~J..I11. ! I . . "_" I _ •• i

IV

• •
I
I I
I

'. -
" '- .113

3 411

. "- .

'~ - - --=---- ----

.t

v

..

!!.

t.

II

~

.'. J11·-·

c m

.... '.a· ':

" .

Ii

" ~ -~ ,

In

ti-

. c···

. .

·n .. ···

. " .. '

rs

',_ "

'I,

J -

1_

T,·;·VOI : 1" r

ii

. ·'.1'1 it .

.t . Fl d

.. ."

_' 'I!!

tnple nO ,2.9

Basi. shapes outlininz h rrnony with b :-<, notes. ._ his :':'010 has .

l~ c 1 '( B' id )

oass .me II... to it. "., :.' :r,g '.' ~

struct es d base racent

)'=- 'i rl -;". '~' b

, :lrm'O.I'le ave " - lot - a la ·"a.', ,I,

C. '-01 .. ~.' .-.'·.·· ... ll .. ~, unl.·· "lizn de

basse", (P,. I,. Ide B- idr re) ~

C,-7'

ct~1 0'7'
1 ~'
~- ~ I
, I#' I
~
I •• 1 f .'
I I , J
4 •
, ~
~
1 • I
I I I ..
., "I I
.,1 ~
~
.' • I 4. -
I 1 I III

07

I • - '" ~ I ......
~ ~ I
I I I I I t -
I .
I I III

v

I
4 •
"'___j
I ~ '"
J ~
I 0;;, ~ fl .1
rI ~
, I
I , 1 2,4

1 12

1 ,2

r

4 I
I I I " ~,
, ~ VI

.

:' t •
"'" ~,
; ~ ..J 1
I [ ( I
I r

'V'

.' "

1 2 ,4

F'7 III -" I

I I

-
• t. '" II
" '1;;;1
[4 '-
I II I I
1 1.324

J

B~Mj7 VI

,

1 12

1324

I I tit
[
4 ..

J 1 - 2 132 4 1
1: 2 ,32 4 1 1324 3 2
11 J • I I J
r

D-7'

C-7

F7

G7

v

,

, .... ~
, ~,
I 4. I
, • ,
'I- K
~ .
) ~. • t
~
I \ I 4' .. , It" I
- ~
I 4 -
[
, I .-
[ II
I " '"
#. '-
) ~ [ •. I,
~
I III

v

r

F "agm- .-- rent :"'-0·1·'-.' #-2····

-. :: I ~ ....~ , .~ .. • I".' -,'. :' ....

- . -

, .

Encore en utilisan des struct .res

d b I'h i '" - .

',' oase, ... iarmonte est etenduc

par t ernploi dies intervalle ," de Seconde, (Pas .. Je Bridge).

Utilizzando ancora delle strutture di bs se, 1 'armenia .'~ dil __ tata dall'uso di interva 1,· di Seconda, (Niente 'lr,~ dl:-'(' )11

G7

v

.

1
j' I
) t
1 • I
1
, " I
I J fi!i; B'07 III

C-7

C:--07

- --

'V._......~_._..

V,

.

II .' ~ ~
I ~,
...
,
I ,
I I
') iii'
~ 1413

i .'
, ,
" j;
~ fi!i;
I
,
t ,_ a, I ) :,
~

I
I
I , ~ ["*I l'
, . , ~ ~,
I
I II ,
, III

- 1-

-

,4112

1 4 1

,1/2'

14·12

r

F-7

4112

- -

F7

.- I
I
I
) II'
I iro
I ...
I

1 iirj ~'
,J. ~ VII'·

- .

16, ~ ~
,; ~
-
I
-
I

" Ir' I
~ III

-, ''IIi ~
I . J "
I


I
) ~
I!!o I II l
} '"
!\
I I
1
,
, ,.
i '" VIII

III


) '"'
I !!;
I
I 4 t v

1412

~J

1',,, 1~

.l

,_

F7

C-7:'

.

, ,-8 1:
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PEACEFULJOI'URNEY Joe Dio io

ODUS TO ,JAZZ Eddie Harri

. R~' O-·····S-·

. . . '. '

'. I '.', .• ' •••

Eddie a! .ris

Sonny' Stitt

Ira Sullivan

I S 11111

ra ouuivan

-.enny Carlson

Anita O'Day

joe Diorio Q. rua r 't· ·t··

• '.' •. ',' ,_. _.' . _. _ I I

-

,10- Diorio wi h I .. ob' '~.'~' Ford,

P," t··, r Erskin e a n .. - Gary W:"l"": 11"'S····

" ••• '. J • - '. I ._.:....__ ., I,'.. " .' _ ,", I. I. J

MEE- - _. AG'AIN

-' , IT :. ,,: ,/~. . .. :

J D.. ·

0··... .norto

{Spitball) (Spitball) (Spitball)

(S ii' b II)'

. - . -. " I .' ,'. ;

I '. 1·1t..:"" .

(Spit iall)

(.Zdenek)

(Veejay jazz) (Cadet)

(Cadet)

(Galaxy Records)

(Galaxy Records)

(C'" d)

.scncorcr

(Concord)

(Sutra Records)

(Silveto Productions)

(MGI Records)

DISC'OC, -