♪ SHE’S A MYSTERY THAT BREAKS YOUR HEART♪ [KNOCK ON THE DOOR] [THE DOOR SOUNDS] GOOD MORNING, MY DARLING, ¿CAN I? YES. I CAME TO WISH YOU A NICE DAY AND GIVE YOU A KISS. I’M GLAD THAT YOU CAME, DAD, I NEED… I’D LIKE TO AKS YOU A QUESTION. -COME HERE. -OK. I HEAR YOU. IS IT TRUE THAT YOU HAVE A GIRLFRIEND? YES. YES, IT’S TRUE. YES, I’M IN LOVE WITH A WONDERFUL WOMAN, AND, IN FACT, I’D LIKE YOU TO MEET HER, SPECIALLY NOW. NOW? -[DANIELA]: WHY? -BECAUSE, BECAUSE MY GIRLFRIEND IS PREGNANT. [GEORGE]: DANIELA, YOU’LL HAVE A LITTLE BROTHER. PLEASE, DON’T LEAVE ME TALKING ALONE AGAIN. THIS ISSUE IS REALLY IMPORTANT TO ME. -I WANT TO NOW WHAT WAS… [GEORGE]: DANIELA, PLEASE, DON’T BE LIKE THAT. LET’S TALK THIS AS ADULTS. DON’T TALK TO ME! DON’T TALK TO ME AGAIN! [GEORGE]: DANIELA. [BARBARA]: WHAT ARE YOU DOING HERE? HEY! I’M HERE TO TALK TO AMANDA, WHERE IS SHE? YOU? BUT, WHY DOES HUMBERTO’S SECRETARY HAVE SOMETHING TO TALK TO…? [GEORGE]: DANIELA, -[BARBARA]: WHAT IS GOING ON? -DANIELA, PLEASE. DANIELA. DANIELA, WHAT IS WRONG? SHE IS PREGNANT. -WHAT? WHO? -DAD’S GIRLFRIEND. [SOBBINGS] [GEORGE]: PAULA, WHAT? WHAT ARE YOU DOING HERE? [BARBARA]: HUMBERTO’S SECRETARY HAS NOTHING TO DO HERE. IS IT TRUE? IS IT TRUE, GEORGE? YES, IT’S TRUE, HE TOLD ME SO. HIS GRILFRIEND IS WAITING HIS CHILD. [BARBARA]: HOW COULD YOU DO SOMETHING LIKE THIS TO US? I, I BETTER LEAVE, I THINK I CAME AT THE WRONG TIME. NO, NO, NO, WAIT A MINUTE, PAULA, YOU ARE NOT LEAVING, YOU HAVE MANY THINGS TO SAY ABOUT ALL THIS. -DON’T YOU DARE. -WHY WOULDN’T I? IF, ULTIMATELY, SHE IS THE ONE WHO’S PREGNANT, OR AM I WRONG? [BARBARA]: WHAT? WHAT ARE YOU SAYING? PAULA IS GEORGE’S NEW GIRLFRIEND, DIDN’T YOU KNOW THAT? HEY, WHY THAT FACE? YOU WERE KICKING ME OUT AND NOW WHAT… NO, I JUST REGRET IT. I WANT TO BE RUDE TO YOU, I’M SORRY. PLEASE, IN THIS TOWN, ALMOST NOBODY TALKS TO ME AFER MY ISSUE WITH IVAN. YOU SEE? WE ARE NOT THAT DIFFERENT, WE BOTH GET ACUSSED BY THE REST. NO, NO. IT’S NOT THE SAME, VICTORIA. YOU ARE A GOOD PERSON, WAY BETTER THAN THE FEW FRIENDS I HAD WHO TURN THEIR BACKS ON ME. BUT NOW, WOULD YOU BE MY BRIDESMAID? AND I’M NOT GOING ANYWHERE COME HERE, UNTIL YOU TELL ME YES. YES, YES, YES, VICTORIA, WHATEVER YOU WANT, BUT, PLEASE, GO AWAY, HONEY, I DON’T WANT THE CLIENTS TO SEE YOU AND MISTAKE YOU. [BARBARA]: A SECRETARY, A SIMPLE AND VULGAR SECRETARY. PAULA IS A WONDERFUL WOMAN, YOU DON’T EVEN REACH TO HER HEELS. AND HOW DID YOU KNOW ABOUT THE PREGNANCY? DID ANYBODY KNOW ABOUT IT BUT ME? NO, I DIDN’T KNOW ANYTHING ABOUT THIS, BARBARA, I JUST FIGURED IT OUT, TOO. YOU DON’T KNOW WHO YOU MESS WITH, IDIOT. I’LL TLAK TO HUMBERTO TO KICK YOU OUT, -TO SUE YOU, TO… -YOU ARE NOT DOING ANYTHING, BARBARA, BECAUSE IT DOENS NOT SUIT YOU, OR DO YOU WANT TO SLEEP UNDER A BRIDGE WITH YOUR FAMILY? IS THAT WHAT YOU WANT? DANIELA, DANIEL, HERE! OH, I HATE YOU, GEORGE. AND YOU, GET READY. GET READY. ARE YOU OK MY LOVE? HEY, WHY ARE YOU HERE WITHOUT CALLING? [AMANDA]: YOU KNOW WHAT? I’M LEAVING YOU ALONE, BECAUSE I GUESS THEY HAVE A LOT OF THINGS TO TALK ABOUT. NO! WE MUST TALK, AND THE SOONER THE BETTER PAULA, WHAT IS GOING ON? WHAT DO YOU HAVE TO TALK WITH YOUR BOSS’S WIFE? GEORGE, CAN I? WELL, I WANT TO KNOW. I’LL EXPLAIN YOU LATER. PLEASE, TRUST ME. CAN WE? YES, FINE. WHAT IS GOING ON HERE? IS THERE A RELATIONSHIP BETWEEN PAULA AND AMANDA? WHEN WILL YOU TELL ME ABOUT YOUR PREGNANCY? UM? DO YOU WANT TO BE MY ENEMY? IS THAT WHAT YOU WANT, SANTA MARTINEZ? BECAUSE I WARN YOU, IF IT’S LIKE THAT, I’M NOT AFRAID OF YOU. ARE YOU THREATENING ME, PAULA? ARE YOU THREATENING ME? NO, I’M JUST REACTING TO YOU BETRAYING ME. ARE YOU AWARE OF THE DISASTER -YOU JUST HAVE LEFT? -LOOK, PAULA, IT’S BEEN MORE THAN SIX MONTHS SINCE I FOUND YOU KISSING GEORGE AT HIS OFFICE, AND I ASKED YOU IF THERE WAS SOMETHING GOING ON BETWEEN YOU TWO, AND YOU DENIED IT. YOU DARED TO DENY IT, AND NOW YOU ARE… YES! NOW I’M PREGNANT WITH GEORGE’S BABY. THAT DOESN’T CHANGE ANYTHING. DOESN’T CHANGE ANYTHING? PAULA, PLEASE. YOU BETRAYED ME, YOU BETRAYED ME. GEORGE IS NOT A CANO, IF THAT’S WHAT YOU MEAN. ACTUALLY, HE CAN’T STAND THIS FAMILY, EITHER. HOW DID YOU REACT ABOUT KNOWING SANTIAGO AND I HAD SOMETHING? DO YOU REMEMBER HOW YOU HUMILLIATED ME? HOW YOU MADE ME FEEL I WAS WORTHLESS, PAULA? FINE, NOW YOU ARE LIKE THIS TO PUNISH ME, RIGHT? TO TAKE REVENGE. YOU ARE WITH ME, OR AGAINST ME. YOU WANT ME TO BE YOUR ENEMY AT ALL COSTS. I’M SORRY, PAULA, BUT I’M NOT THE ONE WHO BETRAYED THE TRUST. -I’M SORRY. -I’M SORRY, AMANDA, BUT I DON’T WANT TO BE THE REST OF MY LIFE HATING THE PEOPLE AROUND ME. I DESERVE A NEW OPPORTUNITY, I DESERVE SOME PEACE, TOO. -THEN, YOU ARE AGAINST ME. -HEY, THEN I’M AGAINST YOU IF THAT’S WAT YOU WANT! AND ALL IS OVER NOW! THE REVENGE IS OVER, OUR PLAN IS OVER, EVERYTHING IS TOTALLY OVER, AMANDA! WHAT IS GOING ON? [SCREAM] WHAT IS GOING ON? NO, STOP, PLEASE, STOP. [PATRICIO]: COME HERE. AND DON’T YOU EVER GET CLOSE TO VICTORIA. HEY, SHE FOLLOWED ME. THAT DOESN’T MATTER! WHAT DID SHE WANT? DID SHE COME TO KNOW ABOUT OUR FRIENDSHIP? SHE GOT JEALOUS. I DON’T KNOW, MAYBE, MAYBE YES. BUT I HAVE TO ACCEPT BEING YOUR WEDDING’S BRIDESMAID. WHAT ARE YOU SAYING? IT WAS THE ONLY WAY TO MAKE HER LEAVE TREBOL DE ORO. IF YOU GO TO THAT WEDDING, WE’LL USE THAT CHURCH FOR YOUR FUNERAL. [KNOCKING ON DOOR] FREEZE. TRAITOR! WHO ARE YOU?! EH? WHY IS MY SECRETARY YELLING AT MY WIFE IN MY OWN HOUSE? HUMBERTO, I CAN EXPLAIN EVERYTHING. [HUMBERTO]: NO, DARLING, YOU HAVE NOTHING TO EXPLAIN. THIS WOMAN IS THE ONE WHO NEEDS TO EXPLAIN HERSELF. WHY AREN’T YOU AT YOUR JOB? WHAT ARE YOU DOING AT MY HOUSE? THIS IS NOT YOUR HOUSE ANYMORE. -WHAT? -THIS IS NOT YOUR HOUSE ANYMORE, YOU LOST IT, AND IF IT WEREN’T FOR GEORGE’S GENEROSITY, ALL OF YOU WOULD BE LIVING IN THE STREETS. WHAT’S WRONG WITH THIS WOMAN? THAT I’M FED UP, THAT’S WHAT IS WRONG. YOU HAVE TEN SECONDS TO LEAVE THIS HOUSE. -IS NOT YOUR HOUSE. -GET OUT. -AND YOU ARE FIRED. -NO, YOU DON’T FIRE ME. I QUIT. -AND NOW? [BARBARA]: HUMBERTO. HUMBERTO, NO. -WHAT’S WRONG? -[PAULA]: HOLD ME. [HUMBERTO]: GET OUT OF MY HOUSE. WHAT IS GOING ON HERE? PAULA IS MY WIFE, PREGNANT WITH MY CHILD, AND SHE IS NOT GOING ANYWHERE, IS IT CLEAR? [MUSIC] ♪ ELLA ES DUEÑA DE MI SANGRE, DE MIS CELOS ♪ ♪ DE MI HAMBRE, DE UN DESEO QUE NO ACABA ♪ ♪ DE UNA LUZ QUE NO SE APAGA ♪ ♪ ELLA SI QUIERE ME ALCANZA ♪ ♪ PERO NO BAJA DEL CIELO ♪ ♪ SOLO SABE QUE EL SILENCIO SABE MAL ♪ ♪ Y TE DEJA ASÍ, DORMIDO ASÍ ♪ ♪ SIN SABER QUÉ HACER NI QUÉ DECIR ♪ ♪ Y TE LLEVA ASÍ, RENDIDO ASÍ ♪ ♪ PORQUE ASÍ ES COMO ES ♪ ♪ ES UNA DIABLA, ES UNA SANTA ♪ ♪ ES TODO ESO QUE ME ENCANTA ♪ ♪ ES UN REMEDIO QUE TE ALIVIA EL CORAZÓN ♪ ♪ ES UNA SANTA, ES UNA DIABLA ♪ ♪ CALCULA TODO LO QUE HABLA ♪ ♪ ES UN MISTERIO QUE TE ROMPE EL CORAZÓN ♪ [MUSIC] ♪ ES UNA DIABLA, ES UNA SANTA ♪ ♪ ES TODO ESO QUE ME ENCANTA ♪ ♪ ES UN REMEDIO QUE TE ALIVIA EL CORAZÓN ♪ ♪ SIN PEDIR PERDÓN ♪ [MUSIC] ♪ ES UNA SANTA, ES UNA DIABLA ♪ ♪ CALCULA TODO LO QUE HABLA ♪ ♪ ES UN MISTERIO…♪ [HUMBERTO]: DID YOU KNOW ABOUT THIS? NO, I JUST FIRURED IT OUT. BUT, THI IS HOW IT IS, HUMBERTO. -YOUR SECRETARY AND I… -FORMER SECRETARY. FORMER SECRETARY? YOU QUIT. THESE ARE GODD NEWS. WELL, YOUR FORMER SECREATARY AND I ARE TOGETHER, AND WAINTING OUR CHILD. I DON’T WAN TO HEAR ABOUT IT, STOP. THIS IS HOW IT IS, HUMBERTO. SO, NOW THAT THIS IS MY HOUSE, AND I DICEDE WHAT HAPPENS HERE, PAULA, FORM NOW ON, IS MY WIFE. HALF THIS HOUSE, BELONGS TO HER. MI FRIEND. GEORGE… WHAT DOES THIS MEAN? I THOUGHT GEORGE COULD BE A GOOD ALTERNATIVE AS AN INFORMANT INSIDE THE CANO’S HAOUSE. THROUGH HIM WE’LL GET FIRST HAND INFORMATION. PAULA, I LIVE AT THE CANO’S HOUSE. SO, WE DON’T NEED AN INFORMANT. I’M TELLING YOU SOMETHING, AND I WON’T SAY IT AGAIN, SO, LISTEN TO ME WELL: I FORBID YOU TO GET CLOSE TO GEORGE. EVER AGAIN. IS THAT CLEAR? EXPLAIN TO GOERGE WHAT AM I DOING AT YOUR HOUSE, SINCE YOU ARE THE RIGHT ONE TO TELL HIM THAT, AREN’T YOU? LET’S SEE. WELL, THE THING IS I DON’T FEEL TO WELL TODAY, AND SINCE I ARRIVED EARLY FROM THE OFFICE, HUMBERTO ASKED MISS AMANDA TO COME AND SEE HOW HE WAS, NOTHING ELSE. THT’S WHY SHE IS HERE. [GEORGE]: BUT, ARE YOU BETTER? YES, YES, YES, I’M FINE. IT IS NOTHING. THANKS FOR COMING. NO, IT’S FINE, THERE IS NOTHING MORE TO SAY. -BUT… -NO, NO, NO, IT’S OK, PAULA. GODD AFETRNOON. DIDN’T KNOW IT WAS YOU. WHY DIDN’T YOU ANSWER WHEN I KNOCKED THE DOOR? I THOUGHT IT WAS ONE OF THEM. THEY KNOW PRETTY WELL I’M HERE. THAT’S WHY I KNOCKED WITHOUT SAYING MY NAME. I DIDN’T KNOW WHO WAS HERE. YOUR CASE. WHERE IS THE CASE? THERE IS TOO MANY PEOPLE AT MY HOUSE. SANTIAGO. SANTIAGO, WE CAN’T WAIT ANMORE, WE HAVE TO GO. LET´S WAIT UNTIL I TELL YOU. I’LL TELL YOU WHEN ARE WE LEAVING. OK. BUT FIRST, WE HAVE TO LOOK FOR SOMETHING VERY IMPORTANT. WHAT? FAKE PASSPORTS. SANTIAGO CANO. -WHAT’S GOING ON? -YOU ARE UNDER ARREST FOR IDENTITY THEFT. I’LL BE FINE AND I’LL GET OUT, I PROMISE. I’LL GET YOU A LAWYER TOMORROW, THE BEST ONE. AMANDA, THE GOOD LAWYERS COST LOTS OF MONEY. I DON’T CARE, I’LL TAKE CARE OF IT, I SWEAR. YOU KNOW IT WAS A TRAMP, RIGHT? I DO. I KNOW HUMBERTO GAVE THAT FAKE PASSPORT TO THE POLICE. HAVE YOU EVER SHOT SOMEBODY? NO. BUT IF I HAVE TO, I WILL. [THE DOOR SOUNDS] CALM DOWN, I WON’T ASK FOR EXPLANATIONS. NO. NO, ACTUALLY, I DO, I WANT TO ASK YOU SOMETHING. WHY ARE YOU SO UPSET ABOUT WHAT HAPPENED WITH PAULA? SHE IS JUST MY SECRETARY, OR, DID YOU ALREADY KNOW HER? IS IT THAT? A GROCERIES STORE? DON’T WORRY, IS JUST A FACADE. [SHUTTER] TELL ME, HONEY. I FIND IT ODD THAT THIS ISSUE BETWEEN PAULA AND I AFFECTED YOU SO MUCH. DID YOU ALREADY KNOW HER? [GASPAR]: WE BOTH KNOW THAT YOUR MARRIAGE WITH THAT WOMAN WAS A TEMPORARY THING TO KEEP AN EYE ON HER. IT’S BEEN A WHILE, IT’S BEEN A LONG WHILE. WHY ARE YOU STILL WITH HER? TELL ME SOMETHING, HUMBERTO, ARE YOU HAVING FEELINGS FOR YOUR WIFE? YOU KNOW WHAT? NOW I WON´T TALK ABOU IT. IF YOU GOT MARRIED TO SANTA MARTINEZ, IT WAS JUST TO PREVENT HER FROM CAUSING TROUBLES REGARDING THE MUSIC TEACHER’S DEATH. I DON’T WANT TO TALK ABOUT SANTA MARTINEZ NOW. I’LL KNOW HOW AND WHEN TO GIVE HER THE FINAL HIT, AS WE TALKED. DON’T TALK NONSENSE, HUMBERTO. NO, BUT… I KNOW IT SOUNDS CRAZY, BUT I DON’T KNOW WHY IT CROSSED MY MIND. YOU KNOW WHAT? I DON’T WANT TO TALK ABOUT IT. PLUS, WE HAVE TO GO TO THAT RIDICULOUS PARTY AT INES’ HOUSE. CAN YOU HURRY? OK. DON’T PAY ATTENTION TO ME. GIVE ME TEN MINUTES. {AMANDA]: WHAT IS GOING ON? I’M READY FOR THE PARTY. HERE IS ALL THE MONEY AND THE PICTURES FOR THE PASSPORT. [MAN]: THIS PICTUREA ARE USELESS. WHY? THE EASIEST PASSPORT TO FIND OUT ARE THE ONES WITH CROPPED PICS LIKE THESE. THEN WHAT WE DO? I WAS TOLD THAT THERE IS A REALLY SOPHISTICATED PHOTO EQUIPMENT BACK DOOR. YOU TAKE PICTURES LIKE THE REAL ONES WITH THE SAME BACKGROUND FROM PASSPORTS, RIGHT? WHO TOLD YOU ABOUT THIS PLACE? A FRIEND. A CLOSE ONE? STOP IT, GEORGE, I MADE A MISTAKE COMING HERE. I DON’T KNOW WHAT WAS I THINKING. PLEASE, MY LOVE, DON’T LEAVE. OH. I’M NOT WELCOME IN THIS HOUSE. I DON’T WANT TO COME BACK. OF COURSE, YOU’LL BE BACK. THIS IS MY HAOUSE, PAULA, AND EVERYTHING MINE IS YOURS. [GEORGE]: MOREOVER, DO YOU WANT TO LIVE WITH ME? ♪ SHE’S A DEVIL, SHE’S A SAINT ♪ ♪ SHE’S EVERYTHING I LOVE ♪ WHAT DO YOU THINK? DO YOU NEED SOMETHING, BEGOÑA? I WANT TO LEAVE, GEORGE. [GEORGE]: WELL, I TAKE YOU. NO, NO. I’M REALLY UPSET FOR EVERYTHING THAT HAPPENED HERE. -I’LL CALL YOU LATER, OK? -LET ME GO WITH YOU. IT IS NOT NECCESARY. YOU HAVE DONE ENOUGH FOR ME. I’LL CALL YOU. HE’S STILL BURNING WITH FEVER, DANG. WELL, AT LEAST CRAZY INES COULD STITCH THE WOUND UP AND IS NOT BLEEDING ANYMORE. DANG, IS IT INFECTED INSIDE AND THAT’S WHY HE HAS FEVER? OH, GOD, NO, WHAT A MESS AM I. I KNOW HIM. I KNOW HIM, I KNOW HIM. BUT I DON’T REMEMBER FROM WHERE. OUCH, OUCH, OUCH… LEAVE ME, LEAVE ME, LEAVE ME, LET OFF, NOW. LET OFF. LET OFF. LOOK, SEROUSLY. YOU MEAN NOTHING TO ME, IVAN. YOU DIED THE DAY YOU KILLED MY BROTHER. WOMEN ARE THAT WAY. YOU ARE NOT A KID, IVAN. DON’T YOU KNOW YOU CAN’T TRUST A WOMAN? NO. I DON’T KNOW, BECAUSE YOU NEVER TAUGHT ME THAT. I NEVER HAD A FATHER. BUT YOU HD A MOTHER. I NEVER FAILED YOU. I CAME TO SEE YOU EVERYDAY, WEEK TO WEEK, MONTH TO MONTH, AND YOU DIDN’T WANT TO SEE ME. I DID IT FOR YOUR OWN GOOD, MOM. I DIDN’T WANT YOU TO SUFFER. FORGIVE ME. PLEASE, FORGIVE ME. -FORGIVE ME. -THAT’S HOW I WANTED TO SEE YOU, JERK. LIKE THIS, WHILE I ENJOY YOUR WIFE. MURDERER. BECAUSE OF YOU, I’M GOING INSANE. YOU KNOW REALLY WELL THAT THIS IS NOT LIFE. WITHOUT LIGHT, LOCKED LIKE AN ANIMAL, WITH NOBODY TO TALK, WITHOUT VICTORIA. YOU WANT TO DIE, RIGHT? DO IT YOURSELF, LET’S END WITH THIS FOREVER. GRAB IT. [PATRICIO]: GRAB IT. [VICTORIA]: GRAB IT. [PATRICIO]: KILL YOURSELF. [VICTORIA]: GRAB IT. IT IS UNBELIVABLE THAT THEY HAVE IN THE BACK SUCH A SOPHISTICADED EQUIPMENT LIKE THAT ONE. THEY CANNOT DO THAT. I TOLD YOU IT WAS A FACADE. DID YOU SEE THAT OLD MAN? WELL, IN SPITE OF HIS INNOCENT FACE, THE BASTARD IS A REAL EXPERT MAKING FAKE PASSPORTS. I CAN’T BELIEVE I’M DOING THIS. I WAS IN JAIL MONTHS AGO BEACAUSE SOMENOE PLANTED ME A FAKE PASSPORT. NOW I’M DOING THE SAME, BUT FOR REAL CALM DOWN, CALM DOWN. THINK ABOUT YOUR LIFE. THINK ABOUT MY FAMILY. THINK ABOUT MY SON. I HOPE THIS IS WORTH, OK? BECAUSE, FROM NOW ON, NOT ONLY THE DRUGDEALERS WILL BE AFTER US, BUT, ALSO, THE POLICE. THE POLICE HAS ALWAYS BEEN AFTER ME. THE TIME THEY GOT ME, I WAS WARNED THAT, HAVING A FAKE PASSPORT HERE IS A CRIME PUNISHED WITH YEARS IN JAIL. SANTIAGO, IF WE GO TO JAIL, THE LESS I CARE IS HOW MANY YEARS WE’LL GET. [THE DOORS SOUNDS] [INES]: OH, BABE, I’M GLAD YOU CAME. THE GUESTS WILL ARRIVE AT ANY MOMENT, AND YOU HAVE TO BE HERE WHEN THEY TELL YOUR GRANDSON’S GENDER. I’M NOT THE ONLY ONE WHO GOT LIED, YOU BASTARD, YOUR DAUGTHER, INES, WAS HERE. INES? AND NOT UNCE, BUT SEVERAL TIMES. YOUR DAUGHTER KNOWS THE SECRET AND HAVEN´T TOLD YOU ANYTHING. EH? NO, NO, NO, THAT’S NOT TRUE. OF COURSE, IT’S TRUE. SHE EVEN HAD TO CHANGE THE LOCK BECAUSE SHE BROKE IT TO THE BREAK IN. THAT’S WHY SHE HAS THE KEYS. MY DAUGHTER WILL NEVER DO SOMETHING LIKE THIS. HOW LITTLE YOU KNOW ABOUT YOUR DAUGHTER, VICENTE. ASK HER, ASK HER WHO IS THE FATHER OF HER CHILD. ASK HER IF YOU ARE SO BRAVE AS YOU SAY. I WANT TO KNOW THE TRUTH, INES. WHAT TRUTH, DAD? I WANT TO KNOW WHAT HAVE YOU BEEN DOING LATELY, WHERE HAVE YOU BEEN, WHAT YOUR ACTIVITIES HAVE BEEN. WHY, DAD? YOU DON’T TRUST ME? I WANT TO BE SURE SOME DOUBTS I HAVE ARE UNTRUE. WHY DON’T YOU ASK ME DIRECTLY? WHAY ARE YOU SO AFRAID? THAT, MAYBE, I FOUND SOME SECRET FROM YOUR PAST AND I CAN USE IT AGAINST YOU, DADDY? EASY, EASY, WE DON’T WANT ANY TROUBLE. -NO? -WE DON’T HAVE ANY MONEY. EASY! EASY! EASY! ♪ ES UN MISTERIO QUE TE ROMPE EL CORAZÓN ♪ DON’T YOU HEAR ME? WE DON’T WANT TROUBLE, WE DON’T HAVE MONEY, WHAT DO YOU WANT? THE PASSPORTS. WHAT? [SHUTTER] MANY LIVES DEPEND ON THESE PASSPORTS. I CAN´T GIVE THEM TO YOU. -GIVE THEM TO ME. -DON’T MAKE ME SHOOT YOU! OH. WHERE AM I? WHAT DID THEY DO TO ME? NO, NO. I DIDN’T’ DO ANYTHING TO YOU, OK? THEY ONLY PAY ME TO TAKE CARE OF YOU. I’M NOT THE ONE WHO SHOT YOU. I’M SO THRISTY. THIRST AND STRENGHT, MAN. REALLY, REALLY WEAK, BUT YOU ALMOST BREAK MY WRIST, AMAZING. LOOK, I’LL GIVE YOU WATER, BUT DON’T TOUCH ME, OK? BECAUSE I’LL SMACK YOU SO HARD YOU’LL END UP OVER THERE. AND DON’T GRAB ME, BECAUSE I’LL LEAVE YOU FOR DEAD. LET’S SEE. WHAT´S YOUR NAME? WHO ARE YOU? DON’T ANSWER ME WITH QUESTIONS. FINE, FINE, DON’T TELL ME YOUE NAME IF YOU DON’T WANT, BUT TELL ME HOW DO YOU KNOW INES. WAS SHE THE ONE WHO GOT YOU LOCKED IN THE BASEMENT? NO. THEN, WHO? I SAW YOU, I SAW YOU, SOMEONE TIED YOU WITH CHAINS LIKE AN ANIMAL. BUT, WHO? WHY? WHO WAS IT? [INES]: IS IT, DAD? HAVE YOU HIDING A SECRET FROM ME FOR SO LONG AND NOW YOU ARE AFRAID I FIND IT OUT? -SPEAK PLANLY, INES. -MORE? I’M TALKING VERY PLAINLY, DAD. DON’T YOU GET IT? [RING BELLS] THE GUESTS ARE HERE. HELLO, I’M GLAD YOU CAME. COME HERE. -AMANDA. NICE TO SEE YOU. NICE TO SEE YOU, INES. THANKS FOR INVITING ME. WE HAVE TO TALK, NOW. OK, FINE, BUT NOT ABOUT WORK. I’LL BRING THE CHAMPAGNE TO MAKE A TOAST, OK? WITHOUT THE CHILD’S FATHER? WHERE IS SANTIAGO? I’LL BE BACK. SORY FOR COMING, LISETTE, I KNOW YOU JUST DELIVERED, -BUT… -DON’T WORRY. YOU CAN COME WHENEVER YOU WANT, DANIELA. I’LL NEVER FORGET THAT, ALL THESE MONTHS, YOU WERE THE ONLY ONE WHO WAS WITH ME IN JAIL VISITING IVAN. ALTHOUGH HE NEVER RECEIVED US. DO NOT WORRY, WE’LL DO IT AGAIN AND AGAIN WHEN I CAN WALK, UNTIL HE SEES US. I KNOW MY DAUGHTER LIKES YOU, AND I’LL BE PLEASED IF HE FELL IN LOVE WITH YOU. OH, YOU’LL BE THE PERFECT DAUGHTER IN LAW. YOU ARE THE FIRST ONE TELLING ME I’M GOOD AT SOMETHING. WHAT? WHAT’S WRONG? [LISETTE]: VENT IT ALL WITH ME. MY DAD HAS A LOVER AND SHE IS PREGNANT. TODAY, SHE WAS AT HOME LIKE NOTHING, WITHOUT A CARE ABOUT HOW I FEEL. NOBODY CARES FOR ME, LISETTE. I FEEL SO ALONE THAT, THAT I WANT TO KILL MYSELF. COME HERE, COME HERE. COME HERE. CALM DOWN. CALM DOWN, CALM DOWN. WELL, HURRY UP, I’LL WAIT FOR YOU OUTSIDE. I TOLD YOU THERE IS A PARTY FULL OF PEOPLE INSIDE. I KNOW. AND IT CAN BECOME A BLOODBATH BECAUSE OF YOU. SANTIAGO, HURRY, PLEASE. YOU GET IN, GRAB THE CASE, Y GET OUT QUICKLY. I’LL WAIT FOR YOU. WE ARE OUT OF TIME, REMEMBER. HERE’S THE CHAMPAGNE. OH, DARLING, YOU ARE HERE. COME, WE WERE WAITING FOR YOU. LOOK. [BEGOÑA]: WHAT’S THAT? SODIUM THIOPENTAL ALSO KNOW AS “THE TRUTH DRUG”. WHEN I WAS AT THE MEDICINE SCHOOL, THEY TOLD US ABOUT THIS, IT NULLIFIES SOME BRAN FUNCTIONS. PEOPLE CAN STOP TELLING THE TRUTH. THE ONES WHO USE THIS DRUG LOSE THE CAPACITY TO PROCESS LIES AND ARE WITHOUT FILTER, THEY TELL EVERYTHING. THIS IS WHY MANY SPY AGENCIES USE IT, AND FIND OUT EVERYTHING. [BEGOÑA]: FOR WHAT ARE GOING TO USE IT? CHAMPAGNE FOR THE FUTURE GRANDAD. -[VICENTE]: OH, FINE. -CONGRATULATIONS. -[VICENTE]: THANK YOU. -[AMANDA]: WANT SOME, DARLING? YES. APPARENTLY, AMANDA AND PAULA HAD A FIGHT, AND I THINK IT IS BECAUSE PAULA GOT INOLVED WITH GEORGE. I GUESS YOUR WIFE FELT BETRAYED BY WILLY’S SISTER. THAT’S GOOD FOR US, HUMBERTO, REALLY GODD FOR US. IF YOUR ENEMY IS WEAK, YOU HAVE TO ATTACK. IT IS NOW OR NEVER. ♪ SHE’S A DEVIL ♪ ♪ SHE CALCULATES HER EVERY MOVE ♪ ♪ SHE’S A MYSTERY… ♪ YOU HAVE BEEN REALLY UPSET FOR SEVERAL DAYS. I WOULD LIKE TO KNOW WHY. A MIRROR? [MAN ON THE PHONE]: I TOLD YOU THAT YOU’LL FIND YOUR TRUTH, THE MOS DESPICABLE ANIMAL IN THE WORLD, THERE YOU HAVE IT. IS IT YOU. WHO ARE YOU? WHY ARE YOU DOING THIS TO ME? [MAN ON THE PHONE]: BECAUSE I’M YOUR DEVIL AND I WANTED TO HEAR YOU CRY. I CAN FEEL HOW YOU SHAKE, VICENTE, AND THIS IS ONLY THE BEGINNING, BASTARD. YOUR NIGHTMARE JUST STARTED. UPSET? NO, IT’S NOT TRUE. [HUMBERTO]: YES, YES IT IS. SOMETHING IS WRONG WITH YOU. DID YOU KNOW WHO LET THOSE PICTURES AT THE OFFICE? NO, I HAVEN’T GOT THE TIME. MAYBE, AMANDA? I DON’T KNOW. BUT, I DON’T GET IT, IF IT WAS HER, WHAT WOULD SHE WANT FILLING THAT PLACE WITH PICTURES OR US? I DON’T GET IT. [INES]: FINE, EXCUSE ME, EXCUSE ME, I THINK WE SHOULD START OUR LITTLE CELEBRATION. I THINK. WELL, NOTHING PERSONAL, INES, BUT I’D LIKE TO GO EARLY. [INES]: HONEY. -HEY, WHAT GOES ON? VICENTE? NO, NOTHING. [CLEARS THROAT] IT’S NOTHING. I THINK I’M DIZZY, BUT I’M FINE NOW. WELL, WE ALL WANT TO NOW THE UPCOMING BABY´S GENDER, RIGHT? BUT DON’T BE QUIET, MAN. COME ON, TALK NOW THAT SOMEONE IS LISTENING. I CAN SEE, FOR YOUR LOOKS, THAT YOU WERE LOCKED FOR A LONG TIME, RIGHT? IF IT WAS NOT INES, MUST HAVE BEEN YOUR DAD, BECAUSE THE CABIN IS THE ROBLEDO’S, AND I COULDN’T HAVE BEEN PANCHO, NO? PANCHO IS LIKE A SAINT, NO WAY. SANTA WHAT DID YOU SAY? [WILLY]: SANTA. WHAT? IS THAT SOMEONE’S NAME? THE WOMAN WHO LOCKED YOU? WHY, SANTA? -WHY? -[LUCY]: WHAT? [GROAN] OH, NO, NO, NO, DON’T TOUCH IT, DON’T TOUCH IT, DON’T TOUCH THE WOUND, MAN, DON´T YOU SEE IT CAN REOPEN? YOU’LL END UP BLEEDING, WHAT DO I DO WITH YOU? AH? WELL, IT’S OK, THE BANDAGES ARE CLEAN, BUT STOP. FINE, TELL ME MORE. TALK TO ME ABOUT SANTA. DANIELA, LISTE TO ME WELL, BEAUTIFUL, DON’T EVER SAY AGAIN THAT YOU WANT TO KILL YORSELF. NOTHING IS MORE IMPORTANT THAN YOUR LIFE. -NOT EVEN MY PARENTS? -NOT EVEN THEM. ALTHOUGH I’M SURE THEY LOVE YOU FROM THE BOTTOM OF THEIR HEARTS. IT DOESN’T MATTER IF YOUR DAD HAS A PREGNANT LOVER OR IF YOUR MOM FILES FOR DIVORCE, THAT DOESN’T HAVE ANYTHING TO DO WITH YOU, BELIEVE ME. BUT, I THINK IT DOES. THEY STOPPED LOVING EACH OTHER BECAUSE OF ME. I WAS ALWAYS IN TROUBLE, LISETTE. OK, OK, OK, COME HERE. WHAT KIND OF PROBLEMS COULD GIVE THEM SUCH A GOOD GIRL LIKE YOU? WHERE IS YOUR BABY? I WANT TO SEE HIM. [LISETTE]: HE IS WITH HIS GRANDMOTHER. AND THE CRADDLE? YOUR SON’S STUFF? SHE HAS THEM. MY BABY SLEEPS WITH HORTENSIA. AND YOU DON’T CARE? [ULISAS]: FINE, FINE I HEARD YOU, VICTORIA, YOU DON’T HAVE TO SAY IT AGAIN. [VITORIA]: ULISES, YOU CAN´T MISS. I DON’T CARE IF NOBODY ELSE COMES, YOU HAVE TO BE IN THAT WEDDING. THAT WEDDING? YOU SAY IT AS IT IS SOMEONE ELSE’S WEDDING -AND NOT YOURS. -FINE, COME TO MY WEDDING. BUT I NEED YOU HERE. I KNOW YOU HATE THIS TOWN, BUT… [ULISES]: FINE, FINE, CALM DOWN. CALM DOWN, SISTER. WELL, I’LL MISS NEW YORK AND MY YOGA, BUT, OF COURSE I’LL BE THERE. I HAVE TO TAKE YOU TO THE ALTAR. -YOU PROMISE ME? -[ULISES]: I PROMISE. HEY, TELL ME SOMETHING, IT’S BEEN SIX MONTHS SINCE THE LAST TIME WE SAW EACH OTHER, ARE YOU IN LOVE WITH PATRICIO? AND WHY IS THAT QUESTION, ULISES, WHEN YOU TOLD ME TO GIVE HIM ANOTHER CHANCE? YES, YES, AN OPPORTUNITY TO DISCOVER YOUR FEELINGS FOR PATRICIO. BUT, SISTER, IF YOU DON’T LOVE HIM, PLEASE, DON’T MAKE THE MISTAKE… ULISES, I HAVE TO GO, I’M SORRY, I LEFT THE OVEN ON AN I SMELL SOMETHING BURNING. I LOVE YOU, BROTHER. BYE. -ARE YOU FEELING OK? -YES, YES, YES, I’M FINE. IT´S JUST THAT I HAVEN´T SLEEP WELL LATELY. MUST BE THAT. -[FRANCISCA]: ANY PROBLEM? -YES, MANY. TOO MANY. I DON’T LIKE HEARING YOU SAYING THAT. I DON’T LIKE SAYING THAT NEATHER, BUT IT’S THE TRUTH. AND THE TRUTH, ALWAYS, MUST BE TOLD. NO. NOT ALWAYS. ALWAYS, FRANCISCA. ALWAYS. [TELEPHONE RINGS] MI PHONE. MUST BE PANCHO. WON’T YOU TELL US THE BABY’S GENDER? YES, YES, HOLD ON. HELLO? -[FRANCISCA]: DESPITE ALL THE TIME, ALL THE YEARS, YOU ARE STILL LOOKING FOR ME. [VICENTE]: YOU KNOW THAT MY FEELINGS FOR YOU ARE REAL, STRONG. FRANCISCA, WE BOTH HAVE A SON, OURS IS STRONGER THAN A MERE ADVENTURE. WHAT’S WRONG INES? GIVE ME THAT. FINE? FNE. YOU HAVE A SON? YOU TWO HAVE A SON? WHAT ARE YOU TALKING ABOUT? HOW YOU DARE? I HEARD IT ON THE PHONE! YOU TWO HAVE A SON! [HUMBERTO]: INES, PLEASE, WHAT IS THIS MADNESS? YES, IT’S TRUE, HUMBERTO IS MY SON. I AM HIS REAL FATHER.
(Evolutionary Psychology) Virgil Zeigler-Hill, Lisa L. M. Welling, Todd K. Shackelford - Evolutionary Perspectives On Social Psychology (2015, Springer) PDF