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May’s Black and White Supplement
Page 2 South African Art Times. May

in a timeless world of green grass, the brashly named Two Tarts café I’m drawn in from the get go by two white… stainless steel and plastic furniture.
crackling fires and roast chicken in Milpark and make my along moody colour images, both taken Soon enough though I find myself It’s a small gesture that captures a
dinners. Not unlike returning to the reddening autumn leaves of on 17th Street Fietas in the late in the thick of an eager throng spirit of pride and optimism against
mad Moscow after a retreat at your Jan Smuts to the art strip, where Seventies before the destruction of flamboyant seniors brought the odds – a human impulse
cousin’s dascha on the Volga (I’d temperatures are rising again with of its houses and shops under the together by art historian Mona that stands out against other
imagine), a measure of readjust- photographer Pieter Hugo and Group Areas Act. In the first image Berman and being guided through systematic imperatives implicit in
ment is necessary. painter Alfred Thoba at Warren one is struck by the humility and the works on show by the brilliantly the forms of so much of this city’s
Siebrits, Colbert Mashile at Krut unassuming scale of the early erudite Neil Dundas, the solid architecture.
Jozi can seem scary from a critical and Ricardo Fornoni, the youngest colonial architecture; the tin roofs, rock at the heart of the Goodman. Captured by Goldblatt’s lens the
distance. As you plummet back blood on the block, preparing for peeling pillars and faded stoep Dundas points out five early colour stark shadows of these hulks belie
into the heart of the beast along his latest show, Anima, at Resolu- paint highlighting the makeshift works, explaining that Goldblatt the crass capitalism and national-
her mainline concrete arteries cut- tion. qualities of the era in relation to the never exhibited his colour works ism that have prevailed through
ting through warehouses, factories, bald capitalist machismo that has in the past because of limitations the reigns of two power-hungry re-
outsize billboards and mouldering But being an unabashed Goldblatt informed the construction of some in printing techniques. However gimes. But the city’s magic shines
minedumps the temptation is to freak my first destination is the the concrete behemoths photo- with the advent of digital printing, through in small and poignant
do a quick U-turn and bolt for the Goodman Gallery. For who can re- graphed by Goldblatt in Sandton in he has been able to work with human gestures immortalised by
hills. But that would be the sissy’s sist a show entitled Joburg by this recent years. colour negatives from his archive Goldblatt, who has never failed to
option and committed Jozi fiends city’s most duly lauded lensman? to achieve the subtlety of hue on take the time to notice them. And
ART PIG know that this city’s magic lies way Perhaps the most crucial aspect The second image captures what which he has steadfastly refused that’s the paradoxical glory of this
deeper than her hardened graf- about this exhibition is the exten- was once the landmark Avalon to compromise. town really, the everyday human
fitied surfaces. siveness of its chronogical sweep, Cinema with its broken neon Two of the other five colour prints striving pitted against more com-
Alex Dobb offering the viewer an excruciat- sign and faded, peeling posters from the archive were composed plex overriding forces hell bent on
It’s only when you’re immersed ingly considered insider’s take on advertising double features… I am in 1977 and feature the makeshift relentlessly fashioning fresh profits
in the hum of the inner organism, the evolution of this metropolis and struck by the poignant particularity kitchen and dark bedroom of a from this rugged Highveld grit.
bound up in her networks and peo- its people through the latter half of the colours of this lost and fad- humble home in Soweto. There
Art is good for so many things, ple that you start to feel at home of the 20th century right up to this ing world and the fact the images is something painfully touching * David Goldblatt’s Joburg is on
like acclimatising to the frenetic again. So I start my first morning moment. we know from Goldblatt’s early about the plastic covers laid down show at the Goodman Gallery until
urban milieu after a long weekend back with a speedy espresso at oeuvre are usually in black and to protect and preserve the cheap 24 May.

Call those pictures portraits In-between plenty of nonsense ment for his 80th birthday and it is
- especially if executed by another pops up. alleged that his wife actually burnt
celebrity and under enough hyped the painting. (An oil study in prepa-
circumstances to lure the televi- Maybe the main problem is that ration only came to light years
sion cameras - and you have the artists, their sponsors and cura- later, testifying to Sutherland’s
basics in place for one of art tors under-estimate the power masterful honesty in his portrayal
history’s enduring themes. It just of portraiture. And they forget or of the frail old bull - who, even at
doesn’t let go. Portraits are man’s ignore that fact that power has that age, considered himself to be
best friend. to be negotiated, even struggled the hearty warrior.)
with.(That social glossy photo too
The art of portraiture slips in and is a visual statement that works How rare will it be today for an
out of the news - never without itself through not a minor editorial artwork to evoke such passion?
drawing the curious crowds process.) If only!
Alex Emsley - when, ever-so-often, another
gallery or institution tackles the The power of the permanent im- (The postcard-size painting of
THE ARTFUL theme. More recently, I-Art Gallery
held such an exhibition; some
age - for such is the subtext of por-
traiture - lies in many things. Vanity
Queen Elizabeth II by the most
famous British painter alive, Lucian
VIEWER years back AVA threw out an invi- is, of course, a prime motivator. Freud, in the NPG is certainly no
tation. In both cases, the results But there are other issues at stake flattering portrait. But a remark-
Melvyn were pretty mixed. in that power game. Money, fame, able statement about both the
status, cultural significance - and aging queen in her awkward tiara
Minnnaar The problem, it seems, is that it can work both ways, for both and the old master of the oil paint
the good-intentioned organis- sitter and portraitist. (The famous stroke.)
ers don’t always consider their National Portrait Gallery in London
The Good, the Bad, the actions thoroughly. The result is a is the temple accommodating Of course, the great and
half-satisfying mixed-bag. With all both praised and praise-painter. glamorous still believe that the
Ugly - Why Portraits Matter
due respect and appreciation of Being British, they’ve tuned the only permanent picture of their
such efforts, it’s an open question power game to the finest degree, countenance worthy to be hung
Most modern magazines have
whether the fine, challenging art of of course.) in boardrooms or such, should be Winston Churchill, (1941). By Yousef Karsh.
cotton on to the ancient truth that
portraiture - particularly in our era executed in oil on canvas (and
fascinated - and occupied - the
of multi-media, instant visual com- One of the most famous incidents framed in gild, of course). Some brilliantly used in a good artist’s obvious medium for portraiture,
classical masters of Greece and
munication and overhyped fame demonstrating the enormous how oil paint and canvas (and hand. seldom gets the nod, but masters
Rome as much as it does a con-
- have been well served in such power of portraiture, was the a gilded frame) are considered Incidentally, the photographer like David Goldblatt and young-
temporary like Lucian Freud: peo-
recent shows. destruction of a formally-com- requirements for proper commen- Yousef Karsh of Ottowa’s black- sters like Pieter Hugo have made
ple adore pictures of themselves
missioned portrait by the then dation. and-white photograph of Winston top-notch, engaging, lingering
and their mates, but pop-shots of
A picture of a person, done in esteemed British painter Graham Churchill, taken in1941, is one portraits.
celebrities bring out the crowds.
whatever medium, is not necessar- Sutherland of the grand old Sir Sam Taylor-Wood’s filmed portrait of the iconic images of the last In South Africa the ancient art of
Check the abundance of published
ily a portrait; and a ‘portrait’ is not Winston Churchill in 1954. The of David Beckham at the NPG and century. portraiture is an endeavour that
social and party photos in the
necessarily a punchy or relevant sitter hated the oil painting com- it will be crystal-clear that a mod- Photography, somehow the needs a serious rethink.
piece of visual communication. missioned by the British parlia- ern medium like video can be

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South African Art Times. May Page 3

Photo. Leah Hawker

Lloyd Pollock

Man with Cigarette, Riaan Malan by Rashade Crouse for more see

Review of Muse 08 sloganeering, hagiography and dignity a skilled mortician might into personality. The artists
sham heroics. confer on a corpse. Emsley respond to the unique challenges
Portraits exhibition at elevates Kentridge into a repres- of portraiture in a heart-breakingly
iArt Gallery, Cape Town Alex Emsley’s Melvyn Minnaar sive public monument a la Mount superficial, simplistic and gimmicky
resonates a similar bogus gran- Rushmore, and this extreme fashion. Bradley Pritchard, Evelyn
A solemn, heavy-handed diosity. The Vasari of the Cape formality of approach precludes Rust, Richard Smith and Elizabeth
portentousness, unleavened by Times is glorified as a lofty sage, psychological insight. Gunter inter alia capture superficial Image from
nuance, irony, ambiguity or wit, still his disillusioned eyes gazing fear- likenesses, but their style remains
typifies much South African art. lessly into distance as his intellect purely illustrational in its adher- Playwright Mike van Graan appointed
This glum legacy of the struggle,
when issues were cut and dried,
works overtime beneath his noble Stagy attitudinising, rather than ence to appearances, rather than Executive Director of the Africa Centre
domed pate. first-hand observation, is the basis transformative imagination.
still informs the work of Reshada of Hardy Botha’s irreverent deline- AC Press release. sustainability of creative industries
Crouse, whose melodramatic What is it with these Emsleys? ation of Breyten Breytenbach as a Louis Jansen van Vuuren is the (Mike will be interviewed in the AT in Africa. The Arterial Network
portrait of Rian Malan looks like a Do hero-worship and heel-clicking starry-eyed idealist and rabble- worst offender. His Marilyn Martin on his return from overseas) was launched on Goiree Island,
bulletin from the front-line. Her run in their genes? Paul Emsley rouser in the clichéd tradition of is all pretty-pretty mannerism, Senegal in March last year.
turgid Passive Resistance too too adopts a slavishly adulatory 60’s T-shirts emblazoned with pom-poms, tassels and embroi- The Africa Centre is proud to
reveals her trapped in a time warp. approach in his William Kentridge, Fidel Castro or Che Guevara. dery, and the redoubtable lady is announce the appointment of Mike “There is potentially great synergy
Although the painting alludes to lovingly cataloguing every detail The great poet is juxtaposed with transmogrified into naught but a van Graan - arts administrator between the vision of the Africa
Delacroix’s Liberty Leading the of bushy eyebrow, crows feet and a blank speech bubble, but it is simpering Geisha welcoming us to and playwright - to the position of Centre and the work of the Arterial
People, its lurid bombast relates it distended pores in an official-look- not he who has nothing to say, it the Teahouse of the August Moon. Executive Director. Network, and I’m looking forward
to Cecil B. de Mille rather than the ing image based on the tried and is Botha. “The Africa Centre is a truly excit- to the Centre pursuing its objec-
grand tradition of history painting. trusted academic formulae of cen- Hanneke Benade’s heavily stage- ing project and I am honoured tives beyond the Limpopo, and to
tral focus, frontality, and symmetry, “Muse”, iArt’s show of portraiture managed Lien Botha – one of the to be part of it”, says Van Graan it being shaped and influenced by
Christiaan Diedericks heroicises, derived from previous artists from the Klein Karoo Nasionale better works - exemplifies this lack who has been recognized as one increasing contact with colleagues
nay, sanctifies, Elna Boesak as representations of ‘great men’. Kunstefees is dismayingly hick, of genuine involvement with the of the most influential people in in other parts of the continent,”
a dauntless La Passionaria in a provincial and arriere-garde. sitter. The painting is obviously the South African arts and culture said Van Graan. One of the major
drawing indistinguishable from Emsley certainly possesses Its most depressing feature is painted from a Polaroid sector. projects of the Africa Centre will be
an election poster. This is art draughtsmanly skill, and he invests however a fatal reluctance to truly The Africa Centre is a non- the creation of an on-line directory
reduced to its lowest common Kentridge with undeniable dignity, engage with the sitter, venture profit organisation that seeks to on African arts, culture and herit-
denominator, art as propaganda, but, sadly, it is the embalmed beyond appearances, and delve document, promote and celebrate age to facilitate greater networking
the arts, culture and heritage of and collaboration within the con-
the African continent. Its major tinent and between practitioners
projects since its inception in 2007 from Africa and elsewhere.

The have been the launch of the bien-
nale Spier Contemporary visual
arts exhibition, the Spier Poetry
Van Graan takes over the reins
of the Africa Centre from Tanner
South Exchange and the Spier Perform-
ing Arts Festival.
Methvin who has nurtured the
organization since its inception

For the last year, besides work- as a board member assigned this
ing as an independent theatre responsibility while the organiza-
producer, Van Graan has served tion searched for a suitable direc-

Art as the Secretariat for the Arterial
Network, an informal, dynamic
tor. Methvin will continue to play
an active role in the governance
network of individuals, institutions of the Africa Centre as a board
Times and funding partners working to
support the effectiveness and

growth of Africa’s arts and culture For more information, see www. civil society and to enhance the

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David Goldblatt’s Flat-cleaner going for a walk on his afternoon off. Hillbrow, 1972 (Photograph)
Part of his Joburg Exhibition, Goodman Gallery (Jhb) Until 24 May
or e-mail for details
Art Opportunities Monthly. Selected for Fine Artists studioNOTES publication.Competitions, Grants,
Hall, UNC, Chapel Hill NC 27599-3520, Please Ring Bell, Photographic Center the Sacramento Food Bank and Family submit on line. => One Minute Film & w/ 20 images. Jury: Leslie Sobel, artist;
The List Pros Trust USA.; http://xrl. NW, 900 12th Av, Seattle WA 98122, Services. => Ann Tracy, Mail Art - Global Video Festival Aarau, Postfach 2761,CH- Lynda Cole, artist; Cindy Melk, H2O
us/AOM75BT. USA. 206-720-7222x11; apallesen@ Warming, Asylum Gallery, 170 Southgate 5000 Aarau, SWITZERLAND. info@ Plus founder, CEO. => One Planet, One; Rd, Sacramento CA 95815, USA. 916-; Experiment, Woman Made Gallery, 685
International Edition Media: PH. Deadline: Apr 30 804-6095;; N Milwaukee Av, Chicago IL 60622, USA.
International. Competition for profes- |N| Media: FI VI. Deadline: May 9 |N| Media: FI VI NM etc. Deadline: May 312-738-0400; gallery@womanmade.
These opportunities have been sionals and amateurs w/ awards in International. Showing shorts and fea- 31 |+| org;
selected from several hundred as most 21 categories, traditional or digital tures out of the mainstream. $50/1 (DVD Media: FI. Deadline: May 15 International. Conference and multimedia
appropriate for serious fine artists, tradi- methods. $35/1, $20 ea. add’l (online). Reg.1 or via, hi-qual International. Showing several categories exhibition in series of worldwide events |N| Media: PR PH. Deadline: Jun 14
tional or contemporary. We favor things Masters Cup, $11.5K, published in the press photos, synopsis, entry form. => (features, short films, animation, docs, around the redefinition of a growing International. Juried show. $25/3 (sl of
that are free to the entrants, offer good awards Annual, Creative Excellence Adam Rocha, San Antonio Underground etc). $25-$85/1, depending on genre and digital infrastructure of moving images CD). $300. Jury: Dr. Andrew Atkinson,
rewards in relation to the fees, increase Prize, international exposure and. Jury: Film Festival, 1633 Babcock #111,San submission date (or through www.with- in public spaces, including interactive Montclair State U. => Matt Kooser,
the exposure of those accepted, or are Anthony Haden-Guest, art & collecting Antonio TX 78229, USA. 210-977-9004; Screenings, etc., at least software applications, participatory Through the Lens, Printmaking Council
prestigious or special in some other way. columnist, “Financial Times,” London;; 9 special awards. => International Film community projects, hybrid projects. No of New Jersey, 440 River Rd, Somerville
Where an opportunity seems to be a Amy Steigbigel, dir. of photography (NY), Festival, Moondance, 970 9th St, Boulder fee/1 (online). => Call for film&video and NY 08876, USA. 908-725-2110; gallery@
particularly good fit, we have marked it Getty Images; Audrey Jonckheer, dir. Media: All. Deadline: May 9 CO 80302, USA. director@moondance- multimedia projects*, Urban Screens
with..|+| as an “editor’s choice. Entries Worldwide Public Relations, Eastman International. Shows of work for 09 (subject moondance); Melbourne 08, AUSTRALIA. exhibition@
marked with ~ are generally better Kodak; et al. => 3rd Ann. Photography season. $10/20 (sl or CD), resume, state- (subject: USM08 - |N| Media: SC PA MM PH IN. Deadline:
for artists living nearby or with limited Masters Cup, International Color Awards, ment. => Heather Green, Galleries 2009, Media: FI VI. Deadline: May 15 question concerning the CALL); http://xrl. Jun 15 ~
experience. Please keep in mind that 369 S. Doheny Dr Ste 323, Beverly Rogue Community Col., 3345 Redwood International. Showing short work by us/AOM99cr. International. Online gallery/contest of
these judgements are made only on the Hills CA 90211, USA. Also offices in Hwy, Grants Pass OR 97527, USA. “diverse artistic international voices that non-representational art, run by artist
basis of the information available in the UK and Australia. +01 310-499-4394; 541-956-7339; fax -471-3588; hgreen@ define the new trends in independent |N| Media: Encaustic 2D. Deadline: as commercial venture. $30/4, $5 ea.
prospectus; nothing herein is an endorse-; http://xrl.; film and video.” No fee/1, (DVD NTSC or May 31 addl., application, statement; submit
ment or criticism of any kind. us/AOM86q. miniDVD),3 images, bio, statement. Fee International. Juried show of work ad- online or CD (jpg or tif). Publication on
Unlike other listing services, we do not Media: FI VI. Deadline: May 10 paid to artists. => Video Installations, dressing color, texture, surface, pattern site, $200 Best in Show. => Christina
knowingly include for-profit galleries that |N| Media: All. Deadline: May 1 |+| International. Juried festival of inde- aluCine Toronto Latin@ Media Festival, or hot/cold or all and made primarily Nelson, July 2008, Abstract EXPOsure,
charge fees to look at slides, individuals International. 3 scholarships of $15K pendent, alternative work. $20-$90/1 90 Oxford St Ste 8, Toronto, ON M5T of encaustic. $45/3 (CD), bio/résumé, Box 77545,Seattle WA 98177, USA. 702-
pretending to be galleries or contests that ea. for students from Eastern Europe depending on length, when submitted 1P3, CANADA. 416-966-4989; entry@ statement, etc. => Jesse, Translucent, 235-5156;;
exist only to turn a profit for the promot- and 6 scholarships of $2K and $1K for (VHS NTSC or Region 1 0 DVD).; International Encaustic Artists, 101
ers. (See www.artopportunitiesmonthly. students from anywhere to participate Gorilla software, free admission, possible Townsend Ste 207,SF CA 94107, USA.
com/notlisted.html for some of the rea- in low-residency MFA program, also broadcast, other prizes. => 14th Annual |N| Media: FI VI. Deadline: May 20 415-543-1550;; Media: Mail Art. Deadline: Jun 15
sons.) Please report such listings to us. summer program. No fee, appl. $54K Brainwash Movie Festival, Brainwash, International. Festival of work (35 min. International. Contribute decorated
total. => Klaus Knoll, Nine Scholarships Box 23302, Oakland CA 94623-0302. max for films, 3-20 for video) that “may white bookmarker or two, perhaps w/
The listings are in capsule form, arranged in International MFA Program, Transart 415-273-1545; shelby@brainwashm. contribute for the development of the Media: FI. Deadline: May 31 “cultural crosswords” theme, to help
by deadline and identified by media, so Institute, PO Box 4668#34726,NYC com; short film concerning its aesthetics, International. Showing work for and by Plainsboro Library celebrate connection
that you can tell at a glance if something NY 10163-4668, USA. 508-682-2853; specific shape and way of production.” children, categories: adult-produced live and community that mail artists create
might be suitable for you. The general fax -2853;; Media: PA WC PS DR SC x(GL TX JE No fee/1 (VHS-NTSC or PAL, or DVD), 2 action, animation, feature, short, TV, by sharing their work. No fee, no returns.
structure of each entry is: PH CU). Deadline: May 12 stills, subtitle list, etc. Jury: popular vote. doc, child-produced (3-14). $40-$100/1 => Emily Townsend, Cultural Crossroads
International. Juried exhibit of work => Sao Paulo Int. Short Film Festival, As- depending on type, date submitted (free Bookmarkers, 19 Sapphire Dr, West
Media:(See Key) Deadline: (Date due) Media: PH. Deadline: May 1 depicting any breed of horse in any sociaçao Cultural Kinoforum, Rua Simao for children 3-14) (VHS [PAL or NTSC] or Windsor NJ 08550.
Local restrictions, if any || Short descrip- International. Publication of work on any setting. $40/3 (sl, CD or photos) + $5 Alvarez, 784/2,Sao Paulo SP 05417-020, DVD). $5K+. Jury: adults and chilMedia
tion || Entry fee and/or number of slides subject in small independent mag, all processing fee. $2.5K+. Jury: Dawn BRAZIL. 55 11 3034-5538; fax -3815- Inc, 1517 West Fullerton Av, Chicago |N| Media: 2D. Deadline: Jun 25
(images) being requested || Award–what processes and techniques. $15/12 (free Emerson, C.W. Nave, Jan Woods, et 9474; IL 60614, USA. 773-281-9075; fax International. Contest for design to trans-
is being offered || Jurors, if named ||=> to subbers, photos [8x10 or smaller] or al. => Shelley Hunter, Fall Open Juried, -9075;; http://xrl. form 8 tanks, plus an additional 8 tops
Contact name || Title of show for pro- 300dpi tif/CD, no sl). All entrants who fol- Kentucky Horse Park, 3915 Jay Trump |N| Media: 2D (incl. 2D documentation of us/AOM97aa. into public art, use specific colors. $50/1
spectus || Address. Phone #; Fax; Email; low rules correctly receive copy of maga- Rd, Lexington KY 40511, USA. 859-281- 3D projects). Deadline: May 20 ~ (online only). $30K. => Art All Around,
Web address. zine. => Summer Issue (#100), Shots 6043; fax -6031;; International. 3-mo online exhibit, by Media: All. Deadline: Jun 1 Maine Center for Creativity, USA. info@
Magazine, Box 27755, Minneapolis MN commercial organization run by artists, International. Juried exhibit. $30/3, $5; http://xrl.
KEY: AU= Audio, BA = Book Arts, CE = 55427-0755, USA.; membership available. US$30/5, US$5 ea add’l, max 7 (sl, CD or 5-min cued us/AOM99w.
CEramics, CO = COllage, CR = CRafts, Media: All. Deadline: May 12 ea. add’l (CD or email). Possible gallery VHS or DVD for time-based). Juror’s
CU = CompUter, DR = DRawing, FI = International. Shows for 08-09 season, showing or representation. => Curator, award, solo show. Jury: Chakaia Booker, |N| Media: PA WC PS PH MM. Deadline:
FIlm, FR = FibeR, FU = FUrniture, GL = Media: All 2D x(PH CU DI). Deadline: by artists or curators, any theme, but par- 2 - 3 - d - 10, Energy Gallery, 55 Michael sculptor. => 14th Annual International, Jun 30
GLass, GR = GRaphics, IN = INstallation, May 1 ticularl that which is experimental or chal- Dr, Toronto, Ontario, CANADA M2H SOHO20 Chelsea Gallery, 511 W 25th St International. Show of work expressing
JE = JEwelry, ME = MEtal, MM = Mixed International. Juried competition w/ 5 lenging. $10/15 (CD or DVD [preferred] 2A4.; http://xrl. Ste 605, NY NY 10001, USA. 212-367- their own cancer journeys, by people
Media, NM= New Media, PA = PAinting, categories: portraits and figures, still or sl) descrip., appl, etc. Publicity, etc., us/AOM88aL. 8994; fax -8984;; diagnosed w/ any type of cancer, or by
PE = PErformance, PH = PHotography, life, landscape, abstract/experimental, honoraria. => Marilyn Ladd-Simmons, their families and friends, caregivers or
PP= PaPer and papermaking, PR = animal. $13/1 no limit, students: $10/1 Call for Artists, SPACES Gallery, 2220 |N| Media: Appropriate. Deadline: May healthcare providers. No fee/1 (actual
PRints, PS = PaStel, PU = PUblic, QU = (sl or CD). $25K+ in cash, top winners Superior Viaduct, Cleveland OH 44113, 24 Media: All. Deadline: Jun 1 work), narrative explaining how work
QUilt, SC = SCulpture, TX = TeXtiles, VI featured in magazine. Jury: Juliette USA. 216-621-2314; fax same; info@ International. Competition of designs International. Juried exhibit. $30/3, $5 reflects cancer journey. All expense trip
= VIdeo, WC = WaterColor; WE = WEb Aristides, artist, author; Daniel E. Greene,; for A1 size posters presenting latest ea add’l, max 7 (sl, CD or 5-min cued to NYC, $26.5K in donations to cancer
or Net art; WM = WaterMedia; WO = artist, teacher; Dean Mitchell, artist; et developments in interdisciplinary field VHS or DVD for time-based). Juror’s charities of choice, etc. Jury: cancer
WOod. x before code = “except.” RFP = al. => 25th Annual Art Competition, The |N| Media: SC PU. Deadline: May 15 |+| of Urban Screens. No fee/1 (online), award, solo show. Jury: Chakaia Booker, survivors, oncologists, health care
Request For Proposal, RFQ = Request Artist’s Magazine, 4700 E Galbraith Rd, International. Showing of new outdoor summary. All accepted displayed during sculptor. => 14th Annual International, professionals, journalists and cancer
For Qualifications, |N| = new listing, not Cincinnati OH 45236, USA. 513-531- work that responds to the site, an urban conference, some winners also shown on SOHO20 Chelsea Gallery, 511 W 25th St advocates. => Anita Chernewski, Art
in previous issue, |C| = changed since 2690 x1328; art-competition@fwpubs. park in downtown core. No fee/10-20 outdoor sites around Federation Square, Ste 605, NY NY 10001, USA. 212-367- Dir.,2008 Lilly Oncology on Canvas, 220
last issue. Other abbreviations: sl = slide, com; (sl or phot only ), drawing including some free tickets. => Call for poster 8994; fax -8984;; E 42nd St 12th Fl, NY NY 10022-5806,
appl = application, digi = digital, CV =cur- dimensions and materials and location presentations, Urban Screens Melbourne USA. 800-734-4131; illyoncologyoncan-
riculum vitae or résumé, K=thousand, Media: All. Deadline: May 1 of work on site, (sl of maquette OK, too). 08,, Melbourne, AUSTRALIA. exhibi-; http://xrl.
M=million, BPS = British Pounds Sterling, International. Annual juried show. $25/3 $2.5K for artist, up to $17.5K for materi- (subject: USM08 |N| Media: FI VI. Deadline: Jun 2 us/AOM99bh.
EUR = Euro. (CD). Jury: Yasmil Raymond, assist. cur., als, transportation, etc. => Rina Greer, CALL); International. Festival of work relevant to
Walker Art Center. => Open Door Ex- Toronto Sculpture Garden, 38 Avenue Rd the communities living in Regent Park w/ |N| Media: FI VI. Deadline: Jul 1
All amounts in US Dollars unless other- hibit, Rosalux Gallery, 1011 Washington Ste 713,Toronto Ontario, CANADA M5R Media: PH CE MM PA FI/VI AU SC. an emphasis on those from South Asia, International. Festival, categories: The
wise specified. Ave S, Minneapolis MN 55415, USA. 2G2. 416-515-9658; fax -9655; info@ Deadline: May 24 Africa, East Asia, Middle East, Caribbean Arts, Bus. & Indus. Children. & Youth, Ed.
612-747-3942;;; http://xrl. International. Annual juried show, and Latin America. $10/1 (MiniDV, DVD & Info, Entertainment, The Humanities,
Always download prospectus from web if us/AOM88cL. theme: Freedom. $10/1, max 5 (CD, or VHS-NTSC), synopsis, bio, hi res still, Mental Health, Phys. Health, Relig., Sci.
available or send email or #10 SASE for DVD or email). Top 3 finalists in ea. etc. => Karin Hazé, Regent Park Film & Tech., Social Issues, War & Peace,
it or more information. |N| Media: Appropriate. Deadline: May |N| Media: PH. Deadline: May 15 category shown, all entrants shown on Festival, 415 Gerrard St 2nd Fl, Toronto, Interactive Online. $80 up, also student
4 |+| International. Publication of work showing line indefinitely. => Freedom, Altered Ontario, CANADA M5A 2H4. director@ categories, fees (DVD, ½” VHS), entry
* * * ** * * * ** * International. Contest of book cover or nude form in keeping w/ principles of pur- Esthetics Gallery, 1224 Quincy St NE,; http://xrl. forms. Chris statuettes, etc. => 56th Ann.
|N| Media: 2D. Deadline: Apr 30 |+| poster illustration is inspired by episodes ism the “single-minded, artisanal, truthful Minneapolis MN 55413, USA. 612-378- us/AOM99ca. Columbus Int. Film & Video Fest, The
International. Competition to develop of the History Channel’s “UFO Hunters” pursuit of doing what you do extremely 8888;; Film Council of Greater Columbus, 1430
functional, well-designed 1) sidewalk HD series. No fee/1, (digital file only: jpg, well.” No fee, online only. Publication on |N| Media: FI VI. Deadline: Jun 10 S High St rm 322,Columbus OH 43207,
racks and 2) to generate new concepts gif or URL of FTP location to be retrieved a billboard in arts district of a prominent International. Showing 12 categories, USA. 614-444-7460; fax same; info@
for bicycle parking inside commercial and at. HDTV, iPod Touch, History Channel city, possible other use in future but no |N| Media: 2D. Deadline: May 30 |+| including animations, narratives,;
residential buildings. No fee/1 (booklet swag. => Justin, World Famous Comics compensation ever. Jury: Brett O’Bourke, International. Publication in environmen- music videos, documentaries. $25-55/1
of <11 single-sided 8.5 x 11 sheets or as UFO Hunters Art Contest, World Famous managing ed.,; Dennis tal magazine of work dealing w/ interplay depending on type and when submitted | N| Media: All. Deadline: Jul 4
slide show on CD), descriptive text, etc. Comics, USA.; Leyva, art& entertainment liaison, City of of art and environmental concerns (½” VHS NTSC or DVD, paperless International. Juried open show.
$5K honorarium for up to 10, then $10K Miami Beach; Lydia Fenet, dir. of special (sometimes called “place-based” visual entries preferred). Pct. of sales, etc. Jury: 15BPS/10 (CD, sl or 5 min tape or
for winner, etc. Jury: David Byrne, musi- events, Christies Auction House; et al. art). No fee (sample lo res images, and/or industry professionals. => Jeff Siebert, DVD or VHS or audiotape of text where
cian, artist, cyclist; Patricia E. Harris, 1st |N| Media: PH. Deadline: May 5 => New Classic Nude Billboard Contest, URLS, brief narrative by email or by Toofy Film Fest 2007, Team Toofy Pro- appropriate), proposal if for public art.
Deputy Mayor, NYC; Duncan Jackson, International. Exhibits on theme of “The Christiania Arts Foundation, USA. ground). => The Bear Deluxe Magazine, ductions LLC, 9415 Wolfe Pl, Highlands 5K BPS. Jury: Lukasz Gorczyca and
industrial designer; et al. => CityRacks, Spaces of the Image”: questions of Art & The Environment, Orlo, Box Ranch CO 80129, USA.; Michal Kaczynski, Raster independent
USA. mechanisms and staging, perceived as |N| Media: SC etc. Deadline: May 15 10342,Portland OR 97296, USA. bear@ art space, Warsaw. => Norwich Gallery,
essential keys to reading the different International. Juried show, esp. of chal-; EASTinternational 2009, Norwich School
Media: 2D x( PH CU). Deadline: Apr 30 photographic projects of recent years. No lenging and innovative work -- suspend- Media: All. Deadline: Jun 10 |+| of Art and Design, Francis House, 3-7
International. Juried show of mini- fee/10 (CD-MAC or DVD or email), cover ed, hung, rolled, pushed,, inflated, folded, Media: SC. Deadline: May 30 |+| International. Grants to help realize ideas Redwell St, Norwich, Norfolk NR2 4SN,
atures (5x7” max incl. frame) in artist letter on how work relates to theme, movable to accommodate changing International. 6-mo. outdoor display of and proposals for 9th biennial, in Mar 09, UK. +44 (0)1603-756247; fax - 615728;
membership gallery. $25/12, $35/3-5, CV, etc. Jury: Gaëlle Morel. => Chuck space. $15/3, $5 add’l. max 5 (CD), appl. large scale sculptures in area heavily traf- esp. those identifying “marginal process-; http://xrl.
$46 6-7. $1K+. Jury: Sharon Tietjen, Samuels, Theme 2009: The Spaces => Up: an exhibition of hovering hanging ficked by art collectors, others. No fee/2 es of thoughts, relations and acts arising us/AOM99br.
painter, CPSA. => Nancy Thompson, of the Image, Le Mois de la Photo à inflating or wheeled sculpture, Urban Inst (sl, photos, CDs, etc). $2.5K honoraium from art and its vicinities.” No fee/ (CD or
16th Annual Miniatures, Parklane Gallery, Montréal, 661, rue Rose-de-Lima, Local for Contemp Arts, 41 Sheldon Bl SE, for ea. of 18 pieces. => Richard L. DVD), 5-p. appl submitted electronically International. Showing narrative and
130 Park Ln, Kirkland WA 98033, USA. 203,Montréal Québec, CANADA H4C Grand Rapids MI 49503-4227, USA. Twedt, Pub. Arts Mgr., 2009/10 El Paseo but other material by air. Funding. => documentary features and shorts by 1)
425.742.3909; fax -9172; info@Parklane- 2L7. 514-390-0383; fax -8802; soumis-; Invitational, City of Palm Desert, 72-567 Production Programme, Sharjah Biennial, South Asians living in the Diaspora or;; http://xrl. Highway 111, Palm Desert CA 92260, P.O. Box 19989, Sharjah, UNITED ARAB non-South Asians submitting projects
us/AOM99bq. Media: Mail Art. Deadline: May 15 |+| USA. 760- 568-5240; rtwedt@ci.palm- EMIRATES. maya.nasser@sharjahbien- w/ S. Asian content, cast or crew or 2)
Media: 2D. Deadline: Apr 30 International. Exhibition and sale of work;; (click on work w/ a unique voice/message made in
International. Publishing (color) cover |N| Media: PH. Deadline: May 9 on the theme Global Warming: A Hot production application). South Asia and considered “independent.
art and (B&W) inner pages, illustrations, International. Juried exhibit. $40/4, $7 Time in the Old Town!, in artist-run space. |N| Media: FI VI. Deadline: May 31 |+| $25, shorts, $40, features; appl, descrip,
occasional cartoons. No fee, submit ea. addl, max 10 total (CD-PC only), No fee, send by ground (not to exceed International. Showing work up to 60 Media: All xVI. Deadline: Jun 11 3 screener films, VHS or DVDs
by ground mail only. Terms negotiable statement. $2.25k. Jury: Rod Slemmons, 8x10”) or as PDF or jpg < 2MG by email. secs., in 4 categories: Fiction/Doc, International. Juried show of environ-
upon acceptance. => Art Editor, The dir., Mus. of Contemporary Photography, 30% of sale proceeds to Women’s Animation, Art/Experimental, Youth/U20. mentally themed work. $24/3 (sl or
Carolina Quarterly, CB# 3520 Greenlaw Columbia College. => Ann Pallesen, Wisdom Project, a nonprofit program of No fee/1 (max), stills, posters if avail., online), statement. solo show, website
, Shows, Public Art. Commissions, Residencies and More.
(NTSC Format). Achievement awards, Media: All. Deadline: Open Box 55097,Montreal QC, CANADA. USA. 619-400-4706; fax -686-6434; sophisticated imaging and production financial assistance. => Adrianna
$10K+ in-kind and services. => Aroon International. Web presence of 25-300 514-655-6837;;; http://xrl. tools, etc., to create new work. No fee/1 Jonet, Residencies 2008, Footpaths to
Shivdasani, 8th Mahindra IAAC Film images, 1-10 videos, blog, etc., on us/AOM98cc. (miniDV, DVD or VHS), project descrip., Creativity, 8 Rideout La, Stoughton MA
Festival, Indo-American Arts Council artist-run organization’s site. No fee/25 résumé, preferred dates, examples, 02072, USA. 617-549-2452; http://xrl.
Inc, 146 West 29th St #7R-3,NY NY (on line) or $60/300 for six months. => Media: All. Deadline: Open |+| Media: PU SC. Deadline: Sep 30 |+| etc., $100 studio fee if accepted. => us/o76AOM.
10001, USA. 212-594-3685; fax -8476; Wooloo Productions, Choriner Strasse International. Online exhibit of anti-war International. RFP for artist/artist team to Hank Rudolph, Residency Prog.,; 85, 10119 Berlin, GERMANY. +49 (0) work. No fee/6, submit online as jpgs design and create welcoming, durable, Experimental Television Center, 109 Media: All. Deadline: Open
306 676 3097;; or as wmv, mpg, avi or mov format, site specific, static or kinetic work that Lower Fairfield Rd, Newark Valley NY International. Stay and work on the
|N| Media: WM DR PR PS x(CU PH). 320x240 pixels up to 15 MB for videos. may include water and light features, for 13811, USA. 607-687-4341; fax same; edge of the North Atlantic Ocean. By
Deadline: Jul 18 => Hedva Shemesh, Let-The-Muses- prominent downtown square. No fee/10; http://xrl. invitation only, but artists may send an
International. Juried show of works Media: All. Deadline: Open; (CD), letter of interest, initial concept dr- us/AOM83cs. expression of interest and information
on paper. $40/2 (sl). $6K+. Jury: Jean International. Exhibitions that offer new wgs or description, 3 refs. $50K budget. about their work. => Fdn Dir, Pouch
Grastorf, AWS, NWS silver star, author; ways to experience art, esp. interactive => Hamilton, Ohio, City of Sculpture, Media: All. Deadline: Jul 15 Cove Fdn, PO Box 693, Pouch Cove,
Charles McVicker, AWS, NWS, illustra- performance, multi-media installations, Media: All. Deadline: Open One High St, Box 545, Hamilton OH International. 2-4 wks Nov thru Apr in Newfoundland A0L 3L0, CANADA. 800-
tor. => 108th Anniv. Exhib., PWCS, Box experimental work. No fee/20 (slides, International. Publication of images 45012, USA. 513-895-3934; hamiltono- historic studio/house in national park. 563-9100;; http://xrl.
555, Swarthmore PA 19081-0555, USA. photos, etc), proposal. => HotHouse in Iranian emag promoting “common; http://xrl. $50/6, work plan, appl, recs, etc. Studio, us/AOM85m.
215-569-3955; PWCSociety@gmail. Gallery, 31 East Balbo, Chicago IL ideas about the same subject and us/AOM97ae. apartment, $500/mo. stipend. => A-I-R SLIDE & WEB REGISTRIES
com; 60605, USA. sharing talents and experiences w/ Prog, Weir Farm Trust, 735 Nod Hill Rd, see also Public Art
world wide artists.” No fee/2-6, submit Media: PU. Deadline: Open Wilton CT 06897, USA. 203-761-9945;
Media: WM on paper. Deadline: Jul 28 Media: All. Deadline: Open online as jpg, or tif, minimum 800x600. International. Roster of experienced Media: PP. Deadline: Open
International. Juried exhibit. $20/1, International. Exhibits during 08-09 => BrainStorm Magazine, Kolahstudio. artists for consideration on public art International. For use by curators, re-
2/$35 (sl or CD). $5K+. Jury: Gerald in gallery at community center, other com.; http://xrl. initiatives commissioned via limited calls |N| Media: All. Deadline: Open |+| view, historical and scholarly purposes,
Brommer, AWS, NWS; Jean Uhl Spicer, venues, also related performances, us/AOM82d. (invitational opportunities) and/or direct International. 1-3 mo. to live/work for art- etc. $25/3, $40/6, résumé, statement.
AWS, NWS. => Director, 29th Annual, screenings, workshops. No fee/no limit award (single source) contracts. No ists whose lives and work compromised => Registry, Hand Papermaking, Box
Pennsylvania Watercolor Society, Box (CD, sl, DVD, VHS or URL), letter of Media: FI VI. Deadline: Open |+| fee, contact to request Expression of by domestic strife, political upheaval 1070, Beltsville MD 220704-1070,
626, Mechanicsburg PA 17055-0626, infroduction w/ concepts for exhibit, International. Seed funding for projects Interest #05-008. Jury: panel of artists, or natural disasters. No fee/10 (sl or USA. 800-821-6604; fax 301-220-2394;
USA. 717-737-7339;; proposal for related workshop (optional), that bring together filmmakers from op- arts and design professionals, Public CD), appl, recs., statement of residency; http://xrl. résumé. => Nicole DeWald, Gallery posing sides of armed conflict situations Art Program staff. => Edwin Whang, goals. Live/work space, use of facilities. us/AOM98dn.
Exhibits, City of Greenbelt Dpt of worldwide. No fee, submit proposal Buyer, Finance & Supply (Purchasing), => Gabe Gomez, Emergency Relief
Media: Appropriate. Deadline: Various Recreation, 15 Crescent Rd, Greenbelt synopsis, 250 words or less via email Artist Roster, City of Calgary Pub. Art Residency Prog., The Santa Fe Art Media: All. Deadline: Open |+|
International. Publication of images, etc. MD 20770, USA. 240-542-2057; fax then 5-pg proposal synopsis, samples Prog, CANADA. 403-268-4090; edwin. Inst., Box 24044, Santa Fe NM 87502, International. Juried interactive data-
No fee, contact first to discuss format 301-220-0561; ndewald@greenbeltmd. of work, etc. by mail. $10K generally. USA. 505-424-5050;; base of online digital images, slides,
and other technical details. => Martine gov; => Claude Ibrahimoff-Hurley, Conflict video and DVD documenting the work
Rouleau, Static: Alarm, London Consor- Zone Film Fund, Make Films Not War, of emerging artists, used by curators,
tium, Institute of Contemporary Arts, 12, Media: VI DI time-based. Deadline: 39 Mesa St Ste 300, The Presidio, SF RESIDENCIES |N| Media: All. Deadline: Open gallerists, collectors, etc.,separate
Carlton House Terrace, London SW1Y Open CA 94129, USA. 415-561-3104; fax International. 1-4 wks in quiet, private submission procedures for video. No
5AH, UK. +44 (0) 20 7839 8669; fax International. Showing all forms -3111;; lc Media: All. Deadline: Apr 30 house in unspoiled New England village fee/15, (sl, vid. or DVD), bio, statement;
7930 9896; static@londonconsortium. (ideally 2-8 min ea, esp on themes of International. 1-2 mo. (Jul & Aug) in high in hills east of Berkshire Mountains. digital work by email only. Jury: Matthew
com; typography, translation, life/death or dessert next to Joshua Tree National No fee to apply, photocoopy or sample Higgs, director, chief curator. => Cu-
domesticity) that can be documented in Park. $25/3-5 (sl or CD), appl, donate of work, résumé or letter of purpose, rated Artists’ Registry, White Columns,
|N| Media: Whatever. Deadline: Open digital formats, daily, 5 a.m. to 1 a.m., in PUBLIC ART 1 work to program afterwards. studio, $165/week if accepted. => Preston & 320 West 13th St, NY NY 10014, USA.
|+| Harvard Square to an estimated 53,000 see also web and slide registries living space. => Frederick Fulmer, Artist Ann Browning, Wellspring House, Box; http://xrl.
International. Declare an URM (Urban pedestrians. No fee/(send link to an Residency Prog., Joshua Tree High- 2006, Ashfield MA 01330, USA. 413- us/AOM83n.
Ready Made -- a street, a building, online portfolio to art@lumeneclipse. |N| Media: PU. Deadline: May 9 lands House, 8178 Fleur Rd, Joshua 628-3276; browning@wellspringhouse.
a view, an object or an event in an com or DVD, CD, mini DV),short bio, International. RFQ to create original Tree CA 92252, USA. 760-366-3636; net;
urban- or industrial environment, where website, email contact. => Lumen interactive artwork that will be integrated; WEB, DIGITAL, NEW MEDIA
a conjunction of circumstances cause Eclipse, 248 Beacon St, Somerville MA into the design of the moving walkway |N| Media: All. Deadline: Open
beauty and art and is so declared by 02143, USA.; spaces connecting one concourse International. 4-6 wks. or less in sum- |N| Media: FI VI. Deadline: Jun 30
the observer) in your own surroundings. to another. No fee/10 (CD), letter of Media: PR BA DI NM IN PH. Deadline: mer for women on farm w/ “wildflowers, International. On- and off-line festival
No fee. => Marcello’s Art Factory, Den interest, résumé. $500K max budget. May 2 |+| a pond to swim in, fields to dream in, of animated work < 15 min. w/ theme
Haag, THE NETHERLANDS. (+31) 70 Media: All. Deadline: Open => Christina Roldan, Moving Walkway International. Up to 6 mo. of 24-hr woods to ramble.” No fee/work exam- “Here We Are!”. No fee/3 (online and/or
3634047;; International. Juried online boutique Interactive, Broward Cultural Divi- access to printmaking, digital and ples, description of self, your interest in download as Quicktime mov, Windows “dedicated to selling the highest quality sion Pub. Art & Design Prog., 100 S other facilities. No fee/10 (CD-Mac or the farm, available dates; shared costs Media .wmv, Flash video .swf or .flv or
creations made by hand.” No fee, use Andrews Av 6th Fl, Ft Lauderdale FL 10 min DVD-Mac if time based), 1-p. if accepted. Living and studio space. => Real Media .rm or online), bio, URL, etc.
|N| Media: SC. Deadline: Open online appl. => Artchestra, 610 Willow 33301-1829, USA. 954-357-8542; fax s3/30/2008: statement/project descrip. Kate Millet, Women’s Art Colony Farm, as attachment. => Wilfried Agricola de
International. Inclusion in exhibitions St Ste J, Alameda CA 94501, USA. -5769;; http://xrl. discussing work intending to pursue at 59 East 4th St 5E,NY NY 10003, USA. Cologne, CologneOFF IV, VideoChan-
and/or Image Library. No fee/10-20, (sl, 510-769-1830; NewArtist@artchestra. us/AOM99ae. Kala. $3K, exhibition. Jury: Kala Direc- 845-473-9267; nel, Mauritiussteinweg 64,D - 50676 Co-
photographs, jpgs, etc or 1 tape, vid. or com; tors and Bay Area cur. => Lauren Dav- logne, GERMANY. info@nmartproject.
CD or DVD), résumé, etc. Jury: artists |N| Media: PU. Deadline: May 9 ies, 2008 Fellowship Awards, Kala Art Media: All CR. Deadline: Open net;
and curators. => Artist Submission, International. RFQ to create original Institute, 1060 Heinz Av, Berkeley CA International. Unstructured time and
The Sculpture Center, 44-19 Purves St, MEMBERSHIP integrated, innovative, vibrant, inspiring, 94710, USA. 510-549-2977; lauren@ space for creative individuals to develop Media: DR. Deadline: Open
Long Island City NY 11101, USA. 718- ORGANIZATIONS welcoming, and environmentally con-; new work on Island of Itaparica in Bay International. On-line community of
361-1750x113; info@sculpture-center. scious sustainable, solar, or alternative of All Saints, across from Salvador, people who draw and wish to dis-
org; Media: 2D 3D. Deadline: Open energy powered artwork in new airport Media: All. Deadline: May 5 |+| Bahia, Brazil. $35/12 (sl, CD/DVD or seminate their drawing. No fee, email
International. Show on site promoting concourse. No fee/10 (CD), letter of International. Fall 08 or Winter 09 to as approp.), appl., project descrip., for instructions on how to join, add work
|N| Media: All. Deadline: Open artists working primarily in realism. No interest, résumé. $270K max budget. work, develop ideas, conduct research. résumé, recs, etc. Round trip airfare, to site. => Marion Ray Behr, Drawing
International. Exhibitions by local, fee to apply/5-12 (CD or email), appl, => Christina Roldan, Alternative Energy No fee/9 (sl or CD or 3-5 2-min samples private bedroom, studio, most meals. Blog. A.; http://xrl.
regional, national, and international résumé, $60-100/yr depending on level Powered Artwork, Broward Cultural if time-based work), appl résumé, recs., => Admissions, Instituto Sacatar, Rua us/AOM86da.
artists. No fee/10-20 (sl or CD), résumé, of membership if selected. => Call for Division Pub. Art & Design Prog., 100 etc. Studio, use of media lab, shops, da Alegria 10, Itaparica BA 44460,
sl list. => Ellen Martin, Lincoln Center Artists,, Box S Andrews Av 6th Fl, Ft Lauderdale FL printmaking studio, other facilities, BRASIL.; http://xrl.
City of Ft Collins, 417 W Magnolia St, Ft 481894, Charlotte NC 28269, USA. 33301-1829, USA. 954-357-8542; fax travel allowance, $2K for materials, $3K us/AOM87bu.
Collins CO 80521, USA. 970-416-2737;; -5769;; http://xrl. stipend. Jury: panel of artists, curators, ~~~~~~~~~~~~~~~~~~~~~~~~~~~; http://xrl. us/AOM99ac. and arts professionals. => Claudia Media: All. Deadline: Open Compiled by Benny Shaboy, California
us/AOM99d. Gonzales-Griffin, Artist-in-Residence International. For contemp. artists to USA, New York Correspondent, Tamara
Media: 2D 3D. Deadline: Open |N| Media: PU. Deadline: May 9 Prog., McColl Center for Visual Art, 721 create new work using experimental Wyndham.
|N| Media: FI VI. Deadline: Open ~ International. Supports, encourages International. RFQ to create original North Tryon St, Charlotte NC 28202, materials and techniques. By invitation ~~~~~~~~~~~~~~~~~~~~~~~~~~~
International. Showing mixed media and promotes 2- and 3-D arts. No fee/6, integrated floor design. No fee/10 (CD), USA. 704-332-5535x22; fax -377-9808; only, do not apply directly. Work collabo-
performances, including film, anima- 35GBP annual fee. Exhibition oppor- letter of interest, résumé. $500K max; http://xrl. ratively w/ FWM’s staff of printers and
tion, puppetry, in artist and musician tunities UK and USA, art and craft fair budget. => Christina Roldan, Floor us/AOM85bh. technicians. Jury: panel of prominent Art Opportunities Monthly (AOM ),
collective presenting live music. No fee, opportunities in the UK, etc. => Laura Design Proj., Concourse A, Terminal artists and gallerists. => The Fabric published monthly except August, is
contact for information. Shown at events Elliott, International Association of 2 & 3 1, Broward Cultural Division Pub. Art & Media: All. Deadline: May 31 |+| Workshop and Mus., 1315 Cherry St, available by email ($20/yr) as a PDF..
in London, Bristol, Liverpool, Manches- Dimensional Art, IATTDA, 8 Greenwood, Design Prog., 100 S Andrews Av 6th International. 2-6 mo in studio in small Philadelphia PA 19107-2026, USA. You can print it out, so it is easily
ter. => Detta and Arianna, ELEVEN, 47 Wayland Close, Bracknell, Berkshire, Fl, Ft Lauderdale FL 33301-1829, USA. village on west coast of Finland to 215-568-1111; fax -8211; info@fabric- portable, you don’t have to download it
49 Tressillian Rd, London SE4 1YG, RG129LA, UK. 07939282766; info@ 954-357-8542; fax -5769; croldan@ begin or complete work. No fee, artistic; http://xrl. and it’s neatly formatted. Left on your
UK.; http://xrl.;; documentation (CD only) CV, project us/AOM75AK. computer, you have even more options:
us/AOM91q. plan, appl. Studio space, apartment, you can se
|N| Media: PU SC. Deadline: Jun 2 |+| etc. => Ateljé Stundars, KulturÖsterbot- Media: CE. Deadline: Contact |+|
Media: DI. Deadline: Open |+| POLITICAL & PEACE International. Expression of Interest ten, Handelsesplanaden 23, FI-65100 International. Short and long term stays
International. Curated website for work (RFQ) for new landmark along highway VAASA, FINLAND. +358 6 324 2211; in well-equipped studio for sculptural,
engaged w/ contemporary ideas, for to “create a statement of Oldham’s fax -2210;; functional or experimental work, also
Media: FI VI. Deadline: Aug 15
sale or not. No fee (jpgs or URL by ambitions for itself and its people.” No woodfire work Oct-May. $10/5-10 (sl
International. Non-competitive, curated
email or Zip or CDs or small format fee, CV, work samples, statement about or CD), appl, résumé, letter of intent,
year-long festival of independent politi-
printed proofs). May make work avail- motivations and general methodology, |N| Media: All. Deadline: Jul 15 |+| recommendations, teach 8-week adult
cal cinema, 0-15min, 15-30 or 30+min,
able for sale as downloads or Print on 2 refs.,etc. £2 - £3M budget. => Geoff International. 1 wk. -1 yr. on small class. Semi-private lofted studio, oppor-
any genre, at several locations across
Demand. => Selection Committee, Wood, Icon for Oldham, working pArts island in Azores (east of Portugal), tunity to exhibit work, electric, raku, and
Canada (also international locales,
ArtLexis at Spectra Digital, 106 Franklin Ltd, Shoulder of Mutton, 70 Towngate, “surrounded by simple beauty, the soda kilns. => Residency Prog., The

contact for details). No fee/1 (DVD).
St 3rd Fl, NY NY 10013, USA. mail@ Midgley, Luddendenfoot West Yorkshire abundance of nature, and the company Clay Studio of Missoula, 910 Dickens
Pub. Perf. License Fees paid. =>; HX2 6UJ, WALES. 01422 884 538; of others in the process of creating.” St, Missoula MT 59802, USA. 406-543-
Submissions, Cinema Politica, PO Box; http://xrl. $20/3, financial info, letter of proposal, 3 0509; info@theclaystudioofmissoula.

55097 (Mackay), Montreal QC H3G
Media: All. Deadline: Open us/AOM99cu. rec, CV, EU30/night donation requested org;
2W5, CANADA. info@cinemapolitica.
International. Show of forward-looking if accepted, some partial scholarships,
practices, fruition of innovative ideas, Media: All. Deadline: Open |+|
Media: PU. Deadline: Jun 6 work exchange. Studio space, private
innovative approaches, etc. No fee/10 International. RFP to create environ- bedroom, shared bath, etc., possible International. 1 wk. to 1 yr. on small
|N| Media: 2D FI VI. Deadline: Open
-20 (CD or DVD), CV, statement or mentally-friendly lighting for bridge. financial assistance. => Adrianna Jonet, island in Azores (east of Portugal),
International. Publication of work in

proposal, description, etc. Pays fees No fee/10 (CD or DVD), 20 copies of: Residencies - 2008, Footpaths Founda- “surrounded by simple beauty, the abun-
online and printed mag devoted to
corresponding to CAR/FAC guidelines. image list, statement, résumés, all on tion, 8 Rideout La, Stoughton MA dance of nature, and the company of
political art. No fee/unlimited (jpg or gif
=> Main Space, eyelevelgallery, 2063 3-hole punched paper (also include as 02072, USA. fax 781-436-3800; artist@ others in the process of creating.” $20/3,
under 1 MB ea or physical samples by

Gottingen St, Halifax, Nova Scotia B3K PDF on disk). $2-3 million. Jury: public; financial info, letter of proposal, 3 rec,
mail; if time-based, submit as DVD or
3B2, CANADA, USA. 902-425-6412; art committee. => Yvonne Wise, Call CV, $EU30/night donation requested
MiniDV, although short works may be
fax -0019;; for Artists: Coronado Bridge Lighting, |N| Media: VI NM MSC. Deadline: if accepted, some partial scholarships,
submitted via submitting URL where Port of San Diego Public Art Dpt, Box Jul 15 work exchange. Studio space, private
they may be downloaded). => Rob
Maguire, Art Threat Magazine, PO 120488, San Diego CA 92112-0488, International. 5 days (Sep-Jan) to use bedroom, shared bath, etc., possible
Art in the Park, set to shine
Vuleka prize money doubled BASA awards enter 11th year
in Pietermaritzburg’s calendar
The spectre of autumn leaves and and Canada and his work is hung Calling all artists! With the prize also participate in an exhibition in Patrick Burnett category recognises efforts made
artistic endeavour is synonymous throughout the world. money doubled and a ticket to Bellville’s art.b Gallery from 3 to 24 in sponsoring South African art
with the Nashua-sponsored Art Paris for the overall winner, enter September 2008. The eleventh edition of the an- overseas and bringing interna-
in the Park, one of the landmark Fires in the evening will enhance now for the Vuleka Art Competition Artists may enter unlimited art- nual Business & Arts South Africa tional projects to South Africa.
events on Pietermaritzburg’s an- the unique Art in the Park ambi- Closing date for entries: Friday 22 works in any of three categories, (BASA) awards take place this The 2008 nominees are Mercedes
nual calendar. ence, as will an extensive pro- August 2008, 15:00 Exhibition of even all of them: month, with this year’s awards Benz for the annual Mercedes
gramme of music throughout the selected works opens Wednesday • Paintings in oil, water colour or characterised by a high quality of Benz Arts Award, Rand Merchant
The 46th edition, from May 28 exhibition. A nominal R10 entrance 3 September 2008, 18:30 for acrylic; • Three-dimensional works; entries and a better understanding Bank for The Magic Flute and
to June 1 at Alexandra Park, will fee will be charged with children 19:00 Calling all artists! With the ceramics included, and of how business can work with and Telkom SA Limited for The Lion
draw 55 artists, some of whom under 12 allowed in free. Parking prize money doubled and the op- • Works in any other medium, for the arts. King.
have been exhibiting for more than will be available in Kershaw Park portunity to fly to Paris in the offing including photography. That’s according to BASA CEO In the long-term development
a decade. However, the growing and is free and plentiful. for the overall winner, it seems to Apart from a winner in each of Nicola Danby, who believes category, nominations go to
popularity of Nashua Art in the be worth the while to enter your these categories, the best artwork that not only is business taking MTN for the MTN Art Collection
Park has meant the selection The O’Brien footbridge has been new work for the 2008 Vuleka Art overall will be selected. increasingly to supporting the arts, Project, Nando’s for Art in Nando’s
committee has had to turn away opened and visitors are urged to Competition. For the overall winner a cheque of but that art organisations are also restaurants, Pick ‘n Pay for The
68 artists to validate the standard please use this parking, which can Vuleka is the Xhosa word for R10 000 and a FREE return flight becoming increasingly aware of Zama Dance School in Gugu-
of entries, in 2008. be entered via Alan Paton Avenue ‘open’ and that means this ticket to Paris are waiting. The how they can can offer value to lethu, Spier Holdings for the Spier
(Durban Road). prestigious national art competi- visit to Paris offers the winner the businesses in terms of issues like Contemporary and Standard Bank
The 2007 exhibition featured tion is open to any artist (18 years opportunity to gain new inspiration marketing and profile. for the Standard Bank African Art
several mediums, including No pets will be allowed into the and older) who has not had a solo in the arts and broaden his/her Danby said the quality of entries Collection at the University of the
glassworks and sculptures. In exhibition, except guide dogs. exhibition in the past three years. horizons. was up on last year, although they Witwatersrand.
attendance was 2005’s top selling Prior arrangement must be made But only original works of art Prize money of R5 000 is at stake would like to see more entries The awards will be presented on
exhibitor, renowned watercolour with the organisers. The exhibi- completed during 2007/2008 for each category winner. from small businesses. 26 May at Johannesburg Park Sta-
artist Mat Louwrens, whose tion is open from 10 am to 8 pm may be entered. Vuleka is hosted The artists may offer their works The awards seek to recognize tion. The judging panel includes
pioneering sand art is proving Wednesday to Saturday, and annually by The Arts Association for sale. businesses that lift the profile of Darryl Accone, Gordon Cook,
increasingly popular. Mat has Sunday 9am to 4pm. of Bellville (art.b) in conjunction the arts through arts sponsorship. Andrew Human, Clive Grinaker,
exhibited at this venue since 1980 with the financial services group For entry forms/particulars inter- Some of the categories included Gianni Mariano, Sizakele Marut-
and his wife, Naomi, joined in Contact Pietermaritzburg Tour- Sanlam. It is aimed at encouraging ested parties are invited to contact are: International sponsorship; lulle, Ivan May, Welcome Msomi,
2002 as an exhibitor specialising ism on 033-3451348 or Karin creativity, innovation and adventur- Maxie Oosthuizen at 021 918 long term development; single Fiona Ramsay, Peter Vundla, and
in garden scenes and flower paint- Degenaar on 084 4607 708 for ous art from all cultures. Selected 2301 or maxie.oosthuizen@cape- project and youth sponsorship. Annie Williamson. -- WCN
ings. Mat has exhibited in the U.S. further information. artists from the competition will or at art.b Gallery. The international sponsorship

Launch: 2008 Sasol New Signatures Art Competition
1 April 2008, Johannesburg – Sas- the opening of the competition ex- tion, all works selected for the 3100. The workshops are pre- have not yet held a solo exhibition, nationwide for display at the
ol has launched the search for the hibition at the Pretoria Art Museum exhibition will be transported by sented by Franci Cronje who has apart from an exhibition being held prestigious Sasol New Signatures
2008 Sasol New Signatures Art on Wednesday, 20 August 2007. Sasol from regional collection been the chairperson of the Sasol for academic purposes. Artists exhibition at the Pretoria Art
Competition winner. The company, points at Bloemfontein, Cape New Signatures Art Competition are invited to submit one or two Museum. The exhibition opens on
in partnership with the Associa- “The New Signatures Art Competi- Town, Durban, Polokwane, Port since 2002 and who is a perma- art works at six venues across Wednesday 20 August 2008 and
tion of Arts Pretoria, is calling on tion is both the longest running Elizabeth and Stellenbosch to nent member of the selection and the country or via the Internet. closes on Sunday 21 September
all emerging South African artists and most prestigious competition Pretoria. judging committee. She has been Physical submissions will be 2008.
to unleash their creative talents for emerging artists in South an artist and photographer since accepted at the collection points
and enter the prestigious annual Africa. Over the years it has Workshops will be held nationally 1980 and has also worked as a tel- on Wednesday 2 July 2008 and More details and entry forms can
competition, now in its 19th year. made a significant contribution to assist artists in understand- evision film maker, producing and Thursday 3 July 2008 between be obtained from Nandi Hilliard
in promoting and exposing the ing the competition, the judging directing inserts for local television. 10:00 and 16:00. Internet entries (012 346 3100) and at www.
The competition carries total prize creative talent of new artists to the process and provide advice on She is currently studying towards may be submitted from 2 June, or www.
money of R100 000, comprising South African public,” says Teresa conceptualisation, display and her PhD degree in Media Studies. 2008 to 3 July 2008 at www.
an overall first prize of R60 000, a Lizamore, art curator, Sasol. presentation of works. Attendance
runner-up award of R15 000 and is free of charge and to reserve The competition is open to up-
five merit awards of R5 000 each. To afford more emerging artists the a place, bookings can be made and-coming South African artists, Regional selection judges will
The winners will be announced at opportunity to enter the competi- through Nandi Hilliard on 012 346 aged 18 years and older, who select approximately 100 works

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Entries close 31 May 2008
South African Art Times. May 2008 Page 7

Seeking A Hedge For Art Richemont, and are buying put and dealers and so on, they can “rarities” and holds them for a year, Old Masters, etc. — on the basis indexes are only updated annually.
cle/60389 options on them (options to sell at be successful,” Mr. Edelman said, the Art Trading Fund is focused on of which they could do a true
a fixed price). The idea is that, if noting as an example a private the mid-market and keeps works hedge. The other problem, Mr. Moses
By KATE TAYLOR the art market falls, these stocks fund started in the early 1990s by only a few months. A significant said, is: “Are there going to be
s Staff Reporter of the Sun will fall, too, and the fund can turn the former managing partner at part of the latter’s business is in A few art market indexes already enough people who are interested
these options into cash. Goldman Sachs, Robert Mnuchin. the work of living artists, to whom exist. The best known is the Mei/ in trading this kind of index?”
The uncertainty roiling the financial But most funds can’t point to their the fund has a relationship like that Moses Fine Art Index — actually a Without enough investors, a
markets in recent weeks raises But the Art Trading Fund does not successes with rigorous account- of an exclusive dealer for an artist. group of indexes in the categories market in art futures would not be
questions about the market for fine give investors a real hedge, the ing — meaning realized gains Mr. Williams said the fund has 10 of Old Masters and 19th century, liquid. “There are probably a lot
art, which has risen dramatically corporate-raider-turned-art dealer minus unrealized losses — and artists on contract. It has the exclu- Impressionist and modern, post- of people who would want to take
in recent years — and may also Asher Edelman noted, since the they “have structured themselves sive right to buy their art; every six war and contemporary, and Ameri- a long position” — that is, betting
be ripe for a correction. But unlike art market and stock in companies to where I don’t think they’ll make months, the fund’s partners look at can before 1950 — developed by that the art market will go up, Mr.
holdings in other sectors, investors such as Sotheby’s aren’t perfectly any money,” Mr. Edelman said. He each artist’s production and buy as the economists Jianping Mei, of Moses said. “The more difficult
s have no way to hedge against a correlated. Sotheby’s stock could added that one of the largest cur- many pieces as they want. What NYU’s Stern School of Business, thing is figuring out who’s going
fall in the art market. No deriva- fall for reasons other than an art rently operating funds, the Fine Art they don’t want the artist can’t sell and Michael Moses. The Mei/Mo- to bet short,” he said, though he
tives market exists for works of art, market decline, like bad manage- Fund, has approached him several elsewhere. ses indexes, like the Case-Shiller noted that a person with a lot of art
unlike weather, or commodities, or, ment, high fees discouraging times about investing, but he has Home Price Indexes, which are might want to short the index, to
more recently, real estate prices. people from consigning, or, as chosen not to do so. “It’s a guarantee for them,” Mr. used for the housing derivatives protect against losses in case of a
happened earlier this month, a Williams said. “Twice a year, they market, are based on repeat trans- market fall.
The founders of a new art “hedge drop in the overall stock market. Like the Art Trading Fund, the have a liquidity event. They know actions — that is, on paintings, or
fund,” however, envision a day Fine Art Fund is managed out they’re going to be paid on time,” houses, that have sold more than The art market lags behind the
when investors in the art market In any case, the Art Trading Fund’s of London. But it is officially he said, adding: “Galleries usually once. But the Mei/Moses indexes stock market in its trends, so how
-may be able to buy Impression- strategy of shorting these stocks, registered in Delaware and regu- take a long time to pay them.” are based only on auction results, the panic over subprime mort-
ism futures, instead of an actual in addition to buying and selling lated by the U.S. Securities and not on the equal or larger number gages will affect the price of Monet
Monet. The Art Trading Fund, art, distinguishes it from numer- Exchange Commission, whereas Mr. Williams wouldn’t name the of private sales. Since dealers is yet to be seen. But anyone who
based in London, plans to develop ous other art funds, which since the Art Trading Fund is officially artists on contract, because the and collectors don’t disclose the can provide liquidity to a market
an art market index — like the the 1970s have formed with great registered offshore, in Guernsey, fund wants its transactions to be terms of private art sales, it will be that has none — whether by buy-
Dow or the S&P 500 — on the fanfare and subsequently dis- Channel Islands, and regulated by anonymous. But it’s safe to say extremely challenging to develop ing up downgraded mortgages or,
basis of which people could bet solved. To anyone used to thinking the Guernsey Financial Services they’re not artists you’ve heard a reliable index. Mr. Williams said potentially, by creating a market
on which direction the market will of art as something that people Commission. of. “We’re not looking for the next that he and his partners are hoping in art futures — stands to make
go, one of the founders said in an buy in order to enjoy looking at it Damien Hirst,” Mr. Williams said. to use the information from their a lot of money. “There’s always a
interview. in their homes, the mechanics of The Fine Art Fund usually buys “We’re not looking for risk. We look own transactions as well as those lot of profit supplying liquidity in
an art fund can be a bit jarring. one or two million dollars worth of at each artist as a mini-business. of other dealers in their network. a market that doesn’t have it and
“That’s a long-term strategy,” It is like a mutual fund, except art works every week and gener- We look at their track record for wants it,” Mr. Edelman said. “And
Justin Williams said. “We’re devel- that what it buys and sells is art ally holds them for a year before the last three years, and if they In an interview, Mr. Moses said given what’s going on in the world,
oping it with a big private institution instead of stocks. The investors selling, its chief executive, Philip have a following.” They currently he believes people will eventu- that’s probably where things are
and a couple of big players in the are not necessarily collectors or Hoffman, said. Some of the art the have 15 more artists lined up to ally be able to trade options or headed,” he added. “It’s the begin-
art market and an academic.” aesthetes, simply people who fund owns is rented out to inves- join, he added. futures based on an art market nings of a major liquidity squeeze.
want to diversify their investment tors, and sometimes pieces will be index. But one problem he noted We have had a world awash in
In the meantime, the managers of portfolio. loaned, free of charge, to museum In the meantime, Mr. Williams is how often such an index can be liquidity and in a matter of days,
the Art Trading Fund, which was exhibitions. But at any given time, said that he and his partners, updated to reflect current trends. that’s gone.”
profiled in this month’s Art+ Auc- Some people in the worlds of art 80% of the work is in a high-secu- Chris Carlson and Roy Petley, are The Case-Shiller Indexes are
tion, have identified stocks they and finance view such funds with rity warehouse in Switzerland. working to develop a reliable art updated monthly, but because of
believe have a high correlation to skepticism. “If they are run in an market index — or, perhaps, a set the smaller number of transac-
the art market, such as Sotheby’s entrepreneurial fashion without six While the Fine Art Fund buys of indexes for different segments tions in the art market than in the
and luxury goods companies like or seven layers of various advisers what Mr. Hoffman referred to as of the market, like Impressionists, real estate market, the Mei/Moses

A Brief History of the Hedge Fund Industry ance during the bull market of hedge fund managers added a va- tional investors (pension funds and of neutralizing the effects of market higher returns (and potentially lose
main.jsp?nr_page=3&ch_ the mid-late 1960s. These hedge riety of trading strategies, including endowments) and from the number conditions. more) with borrowed funds.
id=261&article_id=23801470&cat_ fund managers were not actually the infamous global macro strategy of hedge fund managers entering
id=2853 “hedging” their positions at all; pursued by George Soros. Soros the industry. Between 1992 and Derivatives Typical hedge fund leverage
they were leveraged to the long traded in the currency markets by 2000 the institutional investor’s depends on the type of financial
In 1949 Alfred W. Jones estab- side of the portfolio (betting that buying and selling various curren- share of the overall hedge fund Derivatives that are used by instruments that the hedge fund
lished the first hedge fund-type the market would go up), which cies and most notably made over market increased 147 percent. hedge funds can take on many trades. Fixed income has lower
structure when he borrowed was particularly risky entering the $1 billion betting against the British forms, and the more complex risk levels so it is not uncommon to
funds (used leverage) to increase bear markets of the 70s (when the pound. Robertson employed mod- derivatives (interest rate swaps, have four or five times the value of
his long positions while adding markets declined). ern financial derivatives such as What Makes a Hedge Fund a foreign currency swaps, contract the fund borrowed. Equities have
a portfolio of short stocks in an futures and options, which didn’t Hedge Fund? for differences, total return swaps, a higher risk profile and therefore
investment fund with an incentive According to Alexander Ineichen in exist when Jones started his fund. etc.) are not covered in this book. typical leverage is one and a half
fee structure. Carol J. Loomis used his book Absolute Returns, these The main distinguishing charac- Discussed now are the most basic to two times the value of the fund.
the term “hedge fund” in her 1966 managers produced substantial The ability to use futures, op- teristics of hedge funds are the forms of derivatives: ‘put’ and “call’ However hedge funds are usually
Fortune magazine article where losses in 1969-70 and a major tions, swaps and other complex following: options on stocks: comprised of long and short posi-
she discussed the structure and in- bloodletting ensued in the 1973-74 derivatives led to an explosion in Hedge funds can “hedge” their tions, so a large market rise or fall
vestment strategy used by Jones. bear market. Ineichen’s book is the number of trading strategies. portfolio Short selling (going “short”) has little impact if their profitable
Jones had set up his pool of inves- one of the most recommended These strategies are not allowed Hedge funds use derivatives positions were equally balanced by
tors as a limited partnership and books for those interested in learn- to be employed in the mutual fund Hedge funds can short sell Short selling involves the selling their losing positions.
was, thus, able to avoid the report- ing in more depth about the hedge industry. Therefore, managers Hedge funds have the ability to of a security that the seller does
ing requirements to which mutual fund industry and its strategies. who felt that they could exploit the use leverage. not own. Short sellers believe that The simplest examples in eve-
funds were subjected. What drew The more experienced hedge fund markets using these tools had to These characteristics make hedge the stock price will fall and that ryday life of leverage are house
Fortune’s attention to Jones was managers survived the 1970s set up hedge funds. At the end of funds different from most other in- they will be able to repurchase the mortgages and car loans. The
that his fund significantly outper- bear market. But, unfortunately 1999, Tremont Partners estimated vestment funds, especially mutual stock at a lower price in the future. bank manager uses the house or
formed traditional investments. many other hedge fund manag- as many as 4,000 hedge funds ex- funds. To get a good understand- Thus, they will profit from selling the car as collateral for the loan
From 1960-1965 Jones’ invest- ers closed the doors. According isted, 2,600 of which were tracked ing of how a hedge fund manager the stock at a higher price, then from the bank. The bank manager
ments returned 325 percent while to Gabelli in 1984, when Sandra in its database. operates, it is very important to buy it in the future at a lower price. can then sell the house or the car if
the Fidelity mutual fund returned Manske formed Tremont Partners understand these concepts. The (The opposite of going “short” is you default on your loan. Similarly,
225 percent. During the 10-year and began researching the hedge Estimates show that there were four concepts are now defined in going “long,” when investors buy the hedge fund manager uses
period from 1955-1965 Jones’ fund fund industry, she was only able 300 hedge funds in existence in detail: stocks they believe will rise.) the financial instruments in his
returned 670 percent compared to identify 68 funds. It is hard to 1990. By 2000 that number had account as collateral for the funds
to the Dreyfuss fund, which only determine an exact figure for the increased to 3,000 and by 2003 Hedging Leverage they have borrowed from their
returned 358 percent. funds at this time due to the lack of there were reported to be over Hedging refers to the execution bank (prime broker). The primary
After the Fortune article, other marketing and public registration. 6,000 hedge funds. According of additional trades by the hedge Leverage measures the amount sources of leverage are financial
money managers found Jones’ in- Ineichen also states that the hedge to Hal Lux, the doubling of the fund manager in an attempt to of assets being borrowed for institutions and banks. If the hedge
vestment style both profitable and fund industry remained relatively number of hedge funds over the counterbalance any risk involved each investment dollar. Leverage fund manager cannot pay the loan
intriguing and, thus, a growth spurt small until the early 1990s, when past three years has been due to with the existing positions in the (borrowing additional funds) is back, the financial institution can
in the hedge fund industry began. the financial press once again the ability of hedge funds to out- portfolio. Hedging can be accom- utilized by hedge fund managers then sell the collateral (the finan-
In an attempt to copy Jones’ style highlighted the returns achieved perform traditional markets in the plished in many different ways, when they believe that the cost of cial instruments in the account) to
(and hopefully performance), many by hedge fund superstars George recent bear market and investors’ although the most basic technique the borrowed funds will be minimal pay back the loan.
money managers began selling Soros (Quantum Fund) and Julian increased interest in the advanced is to purchase a long position and compared to the returns of a
short securities without prior Robertson (Tiger Fund and its off- trading strategies that they employ. a secondary short position in a particular position. It can be a key
experience. Haphazard short sell- shore sister, Jaguar Fund). What The growth in the hedge fund similar security (See Gap exam- component to hedge fund man-
ing by new hedge fund managers differed about this new growth of industry also stems from increased ple). This is used to offset price agement since it gives the hedge
adversely affected their perform- hedge fund managers was that the interest in the industry from institu- fluctuations and is an effective way fund managers the ability to have
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as Photoshop and Coreldraw. good thing! he was working in water colour ABC Canvass
Please contact me for my cv or For more info visit http://www. and was the only South African 8 Woltemade Street, Stellenberg
examples of my work. Adelle or www. water colour artist to be honoured Tel 021 910 0556
Herselman 082 923 5063 in this way. Eugene relocated to Mpumalanga in 2002. He lives in
Studio Spaces offered Lydenburg with his wife, Hester, Special on our canvasses
Looking for Artists where he has Order or phone for price list :
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I am interested in getting into studios for visual artists. It is He regularly exhibits his work in 14 Irene
contact with Alma Vorster in the situated in the historical Adam Dullstroom and Gauteng as well. Avenue Somerset West
hope of Tas room at the Castle of Good His work can be viewed on www. Remember we deliver free any
buying one of her etchings. I live Hope, Cape Town. Basic facilities The workshop where in Cape Town if you
in the uk. including secured parking and safe will be held at the Ambience Inn, order R500 or more.
Susan Erskine Jones environment. Space only available 28 Wally Scott Street, White River for professional artists who are website Truly Fantastic
serious about entering the art Prices: R465 for the open day, Artists Canvases and easels
I am looking for Corrine de Haast industry. including beverages, cake and Streched canvases made to order
to do a mural for our new house. Contact Studio Manager light lunch. All are welcome. 021 785 7755. 083 4278936
Eric Levine Tel: +27(0) 83 285 7874 Daily prices for workshop: R400 Email: each including snacks, tea and Art Transport
light lunch.
Full course R1500 including open
New Galleries, Art Routes Art Classes offered Aspiring Art Logistics
day and all workshops. South Africa’s specialist in
Prices for bed and breakfast packaging and transporting of your
There’s a New Art Route with a Live Portrait Demonstrations
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aesthetic haven and is sprouting commissions in same mediums.
Contact Daleen Mulder 082 341 Commissions
artists between the organic veg Contact Willie 083 746 1208
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Nine of these artists will be P.O. Box 2740, Brooklyn Square, Installations.
International School of Painting,
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Drawing and Sculpture in
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meanderers are encouraged to Eugene Hurter, White River Art Foundries
painters and sculptors
travel between rural studios on Saturday 10 MAY OPEN DAY: Loop Art Foundry and Sculpture
from around the world. Internation-
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ally distinguished artists teach and
Artists participating include Joshua HIS SPECIAL SKILLS. Tel 086 111 2473 www.tlafoundry.
critique, and visiting artists and
Miles, winner of the UCT Michaelis ANYONE WELCOME!!! 11 - 13
scholars lecture. Students work
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Jephson, MA FA and ex UCT Fine
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recipient will show mixed media
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Artists looking for work ex ad agency exec, painting and exhibitions and decided to become
58 Vinyard Rd, Claremont, Cape
more crafts. If you are a school Name: Marc Servin, Director
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who is looking for a part time Phone: +39 075 8780072 Email: Town 021 674 0568
Young Artist / Illustrator seeking show will be woodwork and furni- done commissions for many cor-
teacher a parent doing home
work ture at “Serenity” by well-known porates such as Anglo American,
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I have a National Diploma and Im craftsman PD Coetzer and sculp- Standard Bank,
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currently working as a graphic
please give me a call.
Annalie and Coleen. Many of his commissioned paint- Canvasses Classified Advert to:
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designer. Im seeking any form of The Open Day promises to be an ings can also be viewed
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Warren Petersen
Qualified, reliable artist seek-
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Johannesburg Architect who snuck In 1986 he was invited to exhibit Special ends 1 August 08
in teaching, administration and Cape area Tel. 021 448 2799
I have been teaching art for ten into town recently and snapped up in the International Art Expo in Los
graphic design programmes such
years at Thogo craft school in about 15 works, was onto a really Angeles, USA. At the time

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