Professional Documents
Culture Documents
GENELEC 8030A
> DO GENELEC’S NEW 8030S SIMPLY MARK A FACELIFT FOR THEIR POPULAR
1029S OR SOMETHING MORE? JON MUSGRAVE INVESTIGATES…
FINDING THE RIGHT pair of studio music, but may be fine if you’re doing ries with it a certain cachet, and
£740 monitors can be a bit of minefield. pop or dance. Furthermore, actually although only a select few will ever get
Long gone are the days of NS10 domi- getting to test a range of monitors can to work on their more impressive sys-
INFO
nance, and although plenty of manu- be a bit of struggle, and there’s no guar- tems, there’s a consistency that extends
Genelec 8030A
Active monitoring facturers have produced fine sounding antee that they’ll sound the same when right across the range. That’s not to say
system speakers, there is no real ‘industry stan- you get them home. that they all sound the same (because
Spec dard’ as such. In fact there’s less of a On a more positive note though, the they don’t!) but there are certain char-
Frequency response: need for a standard. With so much proliferation of active monitoring acteristics that are easy to spot. So
58Hz to 20kHz +/-2dB work getting done in private or project means that one variable (namely the although we have their latest bottom-
Drivers: 5” bass, 3/4” studios, the key is finding a pair of amplification) is removed from the of-the-range monitor up for review
metal dome treble
monitors that suit your own needs (and equation. And among the more here, it’s in no way a budget model
Crossover frequency: fundamentally are comfortable to lis- respected active monitor manufactur- and shouldn’t be viewed as such.
3kHz
ten to for long stretches). ers, Genelec has carved out a niche that
Amplifier power: 40W
bass, 40W treble
This can be very dependent on the extends from the compact 1029A to the Straight eight...
Connections: Female XLR type of music you work on. Something larger-than-life 1039A and beyond. The Inevitably, Genelec’s large studio moni-
input, male XLR through with a harsh mid-range (such as an fact that this company installs loud- toring systems get them attention, but
for sub-bass NS10 for example) will prove very tiring speakers in some of the biggest and in practice it’s their compact 1029A,
continued opposite if you work on a lot of guitar or rock best studios in the world certainly car- 1030A and 1031A models that have
28 FutureMusic
FMU152.g_gene 14/7/2004 6:53 PM Page 29
Design issues
In designing these monitors, Genelec
have clearly gone back to the drawing
board, especially with the driver design,
but they still remain extremely
familiar in their operation. You still
have front-positioned power and vol-
ume controls, and the 4-way dipswitch
matrix for tweaking the response (see
the box on the left for set-up instruc-
tions). And the XLR inputs, through
port and mains, remain nicely tucked
away below the amp.
FutureMusic 29
FMU152.g_gene 14/7/2004 6:53 PM Page 30
Event 20/20bas v2 that operates above 15kHz and cer- these monitors to succeed in a whole
0 2 4 6 8 10
(£699) tainly smoothes off the top end quite a host of environments. And if portabil-
Biggest selling monitor in bit. If you were shifting over to a pair of ity is your thing or space a considera- A very successful redesign for
the US, we hear, and a Genelec’s smallest monitor, pro-
these from the NS10s for example, then tion they are both compact and
bargain to boot. ducing a sound beyond its size.
www.event1.com it might be a good starting point. Oth- surprisingly light.
30 FutureMusic