Jessica Stockholder

Born 1959, Seattle, WA Lives and works in New Haven, CT Director of Graduate Studies in Sculpture, Yale University, New Haven, CT

Selected Solo & Two Artist Exhibitions:
2011 Aldrich Contemporary Art Museum, Ridgefield, Connecticut (forthcoming) Laumeier Sculpture Park, St. Louis, Grab grassy this moment your I’s 2010 Palacio de Cristal, Reina Sofia, Madrid, Peer Out to See Barbara Edwards Contemporary, Toronto Carreras Mugica, Bilbao, Air Padded Table Haunches, and… 2009 Mitchell-Innes & Nash, New York, Sailcloth Tears Madison Square Park, New York, Flooded Chambers Maid, outdoor installation Senior and Shopmaker Gallery, New York, Swiss Cheese Field Robischon Gallery, Denver Nathalie Obadia, Paris, Coating 2008 Galerie Art & Essai, Rennes, France, Jessica Stockholder - Lumps Bumps & Windy Figures Too 2007 1301 PE, Los Angeles, CA Galerie Nächt St. Stephan, Vienna, Austria Galerie Thomas Schulte, Berlin, Germany 2006 Mitchell-Innes & Nash, New York Galleria Raffaella Cortese, Milan, Italy PS1 Contemporary Art Center, Long Island City, NY, Of Standing Float Roots in Thin Air Galerie Nathalie Obadia, Paris, Space Between
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2005 Mario Diacono Gallery, Boston, MA, Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy; sculpture and prints Blaffer Art Gallery, University of Houston, Texas Weatherspoon Art Gallery University of Houston; Jessica Stockholder, Kissing the Wall: Works, 1988-2003 2004 Rice University Art Gallery, Houston, Texas, Sam Ran Over Sand or Sand Ran Over Sam Sable-Castelli Gallery, Toronto, Canada 2003 Gorney Bravin + Lee, New York, NY; Table Top Sculpture CAPC, Musée d’art contemporain de Bordeaux, France; Jessica Stockholder, TV Tipped Toe Nail & the Green Salami Chelsea Art Museum, New York, NY; Jessica Stockholder Prints Galerie Rolf Ricke, Cologne, Germany; Jessica Stockholder Baltic Art Center, Visby, Sweden, curated by Lynne Cooke Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; On The Spending Money Tenderly Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany 2002 Galleria Raffaela Cortese, Milan, Italy 2001 Galerie Nächst St.Stephan,Vienna, Austria Gorney Bravin + Lee, New York, NY Galerie Nathalie Obadia, Paris, France 2000 Kunstmuseum St. Gallen, St. Gallen, Switzerland; Vortex in the Play of Theater with Real Passion (for Kay Stockholder) ‘Pictures at an Exhibition’ Bucknell Art Gallery, Bucknell University, Lewisburg, PA: Jessica Stockholder: Photography 1999 Center for Visual Arts, Cardiff, Wales; With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny
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The Power Plant, Toronto, Canada; First Cousin Once Removed or Cinema of Brushing Skin Galerie Rolf Ricke, Köln, Germany 1998 Catriona Jeffries Gallery, Vancouver, Canada Galerie Nathalie Obadia, Paris, France; Turning Paper, monotypes from Two Palms Press Sammlung Goetz, München, Germany; Fabian Marcaccio & Jessica Stockholder Works on Paper, Inc., Los Angeles, CA; Fabian Marcaccio & Jessica Stockholder Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; Landscape Linoleum Betsy Senior Gallery, New York, NY; Turning Paper, monotypes from Two Palms Press White Cube, London, England; installation: Coupling Musée Picasso d’Antibes, Antibes, France; Torque, Jelly Role, and Goose Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France; Nit Picking Trumpets of Iced Blue Vagueries 1997 Kunstnernes Hus, Oslo, Norway; Slab of Skinned Water, Cubed Chicken & White Sauce Otis Gallery of Otis College of Art & Design, Los Angeles, CA; Jessica Stockholder: 200 Drawings Gallery of Art, Johnson County Community College, Overland Park, KS; The Point of Departure: Moira Dryer & Jessica Stockholder Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin, Germany; drawings Contemporary Fine Arts, Berlin, Germany Jay Gorney Modern Art, New York, NY 1996 Baxter Gallery, Maine College of Art, Portland, ME; Jessica Stockholder: 200 Drawings Tom Solomon’s Garage, LA, CA, Bowtied In the Middle Studio La Città II, Verona, Italy 1995 Galerie Nathalie Obadia, Paris, France Dia Center for the Arts, New York, NY; Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume Jay Gorney Modern Art, New York, NY S. L. Simpson Gallery, Toronto, Canada Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain; Sweet for Three Oranges 1994 Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; studio works & installation: Pink Lady
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Jay Gorney Modern Art, New York, NY; Joan Snyder and Jessica Stockholder 1993 Galerie Ludwig, Krefeld, Germany Galerie des Arènes, Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France; Edge of Hothouse Glass 1992 Kunsthalle Zürich, Zürich, Switzerland; Sea Floor Movement to Rise of Fire Place Stripping Galerie Metropol, Wien, Austria; SpICE BOXed Project(ion) American Fine Arts, Co., New York, NY; Flower Dusted Prosies Westfälischer Kunstverein, Münster, Germany; Growing Rock Candy Mountain - Grasses in Canned Sand 1991 The Renaissance Society at the University of Chicago, Chicago, IL; Skin Toned Garden Mapping Witte de With, Rotterdam, The Netherlands; Near Weather Wall and Making a Clean Edge II Daniel Weinberg Gallery, Santa Monica, CA Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN; UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, part three of three-part series: The Broken Mirror, curated by Klaus Ottman 1990 Isabella Kacprzak Galerie, Köln, Germany; Mary Heilmann and Jessica Stockholder; For Mary Heilmann American Fine Arts, New York, NY; Where it Happened 1989 The Mattress Factory, Pittsburgh, PA; Mixing Food with the Bed 1988 Mercer Union, Toronto, Ontario, Canada; Indoor lighting for my father Contemporary Art Gallery, Vancouver, BC, Canada; It’s not over til the fat lady sings 1985 Melinda Wyatt Gallery, New York, NY; Wall Sandwich 1984 Art Culture Resource Center, Toronto, Ont., Canada; In-side out

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Selected Group Exhibitions (which included site installations):
2010 Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, The Jewel Thief, co-curated with Ian Berry (September 18, 2010 – February 27, 2011) 2009 Denver Art Museum, Denver, CO, Embrace! 2006 Vancouver Art Gallery, Canada, Paint 2004 National Academy Museum, New York; 179th Annual: An Invitational Exhibition of Contemporary American Art Galerie Nächt St. Stephan, Vienna, Austria; Kunst Stoff Whitney Museum of American Art, New York, NY; “Whitney Biennial 2004” 2003 FRAC Lille, France; Flower Power ; installation in group show Tanya Bonakdar Gallery, New York, NY; Painting on Sculpture 2002-4 Trespassing: Houses x Artists; Palm Springs Desert Museum, Palm Springs, CA Blaffer Gallery, Houston, TX University of South Florida Contemporary Art Museum, Tampa, FL; MAK Center for Art and Art History, Los Angeles; Bellevue Art Museum, Bellevue, WA 2002 Addison Gallery of American Art, Phillips Academy, Andover, MA; SiteLines: Art on Main Pace/Prints, New York, NY; New Editions & Monoprints (19 June – 12 July) Triple Candie, NY; Living Units 2001 Site Santa Fe, Santa Fe, NM; Beau Monde: Toward a Redeemed Cosmopolitanism, curated by Dave Hickey; installation: Bird Watching 2000 Sprengel Museum, Hannover, Germany; In the Beginning was MERZ, Gelatinous Too Dry (Schwitters homage exhibition traveling to Haus der Kunst, München, Germany) Haus der Kunst, München, Germany; Apparent Things: Painting with Things, Pictures at an Exhibition (2 Sept. - 26 Nov., cat.)
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1998 Centre Georges Pompidou, Paris France: Dijon / le Consortium.coll; House Beautiful, 1994 and Recording Forever Pickled, 1990 Saatchi Gallery, London, England; Young Americans 2; Bowtied In the Middle 1997 Halle Tony Garnier, Lyon, France; 4e Biennale de Lyon, curated by Harald Szeemann; Bowtied In the Middle, 1995 Corderie Building, Venice, Italy; La Biennale di Venezia: XLVII International Art Exhibition, curated by Germano Celant; Recording Forever Pickled, 1991 1996 Rooseum, Malmö, Sweden Magasin 3, Stockholm, Sweden; Painting The Extended Field; Bowtied In the Middle 1995 Horodner Romley Gallery, Soho NY Targets Neue Galerie am Landesmuseum Joanneum, Graz, Austria; Pittura - Immedia: Malerei in den 90er Jahren, curated by Peter Weibel; Recording Forever Pickled

Selected Group Exhibitions (which included studio works):
2010 Friends in High Places, Christopher Henry Gallery, New York, NY Galleria Max Estrella, Madrid, España/América La Abstracción redefinida 1301PE, Los Angeles, Mind The Step Galleria Raffaella Cortese, Milan, Italy, Living With… 2008 Westport Art Center, Westport, CT, Color in 3D Doris McCarthy Gallery, Toronto; Paragons: New Abstraction from the Albright-Knox Gallery Center for Contemporary Printmaking, Norwalk, CT, Not Printed on Paper Carreras Mugica, Bilbao 2007 Kunstmuseum Liechtenstein, Lust for Life: The Ricke Collection, Vaduz, Liechtenstein Pilar Parra & Romero, Madrid Aspen Art Museum, Like Color in Pictures Mitchell-Innes & Nash, Concrete Works, New York, NY Bellwether, In Defense of Ardor, New York, NY
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Wadsworth Atheneum Museum of Art, Hartford, CT, Connecticut Contemporary Albright-Knox Gallery, Buffalo, NY; Paragons: New Abstraction 2006 Greenberg van Doren Gallery, New York, NY, Women’s Work 2004 Ecole Superieure des Beaux-Arts du Mans, Le Mans, France; Peintures Migrantes 2003 The Cooper Union School of Art, New York; Under Pressure: Prints from Two Palms Press 2002 Wall St Rising, New York, NY; Art Downtown: New Photography Barbara Krakow Gallery, Boston, MA; Print Publisher’s Spotlight Two Palm Press Neuberger Museum of Art, Purchase, NY; Beyond the Pale: Material Possibilities University Gallery, University of Massachusetts, Amherst, MA; Under Pressure: Prints from Two Palms Press 2001 Marianne Boesky Gallery, New York, NY; Camera Works Rudolfinum, Prague, Czech Republic; American Art from Sammlung Goetz Senior & Shopmaker Gallery, New York, NY; Prints & Multiples Yale University Art Gallery, New Haven, CT; Objective Color, curated by Jennifer Gross Western Gallery, Western Washington University, Bellingham, WA and traveling under the auspices of Independent Curators Incorporated; On Collecting: Pictures, Patents, Monkeys and More…, curated by Ingrid Schaffner (19 Jan. - Spring 2003, cat.) 2000 Kravets/Wehby Gallery, New York, NY; Before They Became Who They Are (13 Jan.-10 Feb), curated by Norman Dubrow Galerie Nachst St. Stephan, Vienna, Austria Heimer & Döring Kunstberatung, Berlin, Germany; Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice) Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; Skulptur 2000, curated by Ute Riese Hand Workshop Art Center, Richmond, VA; Beyond the Press: Innovations in Print Blackwood Gallery, University of Toronto at Mississauga, Erindale College, Mississauga, Ont., Canada; Spilled Edge/Soft Corner 1999 Educational Alliance Gallery, New York, NY; Geez Louise!: Art After Louise Nevelson Galeria OMR, Mexico City, Mexico; Think Twice: International Sculpture Show
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Aronson & Main Galleries, Parson School of Design, New York, NY; Drawing in the Present Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Wien, Austria; ...und wandelt mit bedächtiger Schnelle vom Himmel durch die Welt zur Hölle, curated by Gunther Umberg Betsy Senior Gallery, New York, NY; Recent Prints Marcel Sitkoske Gallery, San Francisco, CA; Re: Rauschenberg, curated by Stuart Horodner Kasseler Kunstverein, Kassel, Germany; Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke 1998 Susquehanna Art Museum, Harrisburg, PA; Coming Off the Wall, curated by Jonathan VanDyke Museum Ludwig Köln, Köln, Germany; I Love New York: Crossover der aktuellen Kunst, curated by Dr. Christina Lissmann Kunsthalle Zürich, Zürich, Switzerland; Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, organized by Andreas Schweizer The Rotunda Gallery, Brooklyn, NY; Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, curated by Dena Shottenkirk University of Texas at San Antonio Art Gallery, San Antonio, TX University Art Gallery, New Mexico State University, Las Cruces, NM; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; Chromaform: Color in, curated by Frances Colpitt L A Louver Gallery, Los Angeles, CA; Painting Language Galerie Georg Kargl, Vienna, Austria; Review D’Amelio Terras Gallery, New York, NY; Humble County Feigen Contemporary, New York, NY; Exploiting the Abstract Yale University Art Gallery, New Haven, CT; Now and Later, alumni exhibition curated by Joachim Pissarro & Prof. Thomas Crow Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Pop/Abstraction, curated by Sid Sachs Castle Gallery, College of New Rochelle, New Rochelle, NY; Alternative Measures, curated by Susan Canning Jay Gorney Modern Art, New York, NY; Gallery Artists 1997 Contemporary Arts Center, New Orleans, LA; The Prophecy of Pop, curated by John Good The Whitney Museum of American Art, New York, NY; Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection Nassauischen Kunstverein, Wiesbaden, Germany; New York - Divergent Models, curated by Saul Ostrow
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Studio La Città, Verona, Italy; Onomatopoeia Apex Art, New York, NY; Colorflex, curated by Raphael Rubinstein Rosenberg Gallery, Hofstra University, Hempstead, NY; Across Lines: J. Beuys, M. Chin, M. DiSuvero, J. Duff, M. Kendrick, J. Monti, J. Silverthorne, R. Smithson, J. Stockholder, D. Weiner, F. West, curated by Dan Devine Bob van Orsouw Galerie, Zürich, Switzerland; Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija 1996 Studio La Città, Verona, Italy; L’Ossessione Del Segno The Fabric Workshop and Museum, Philadelphia, PA; Millennium Eve Dress, curated by Janet Kardon Schmidt Contemporary Art, St. Louis, MO; Unconditionally Abstraction Beaver College Art Gallery, Beaver College, Glenside, PA; Patterns of Excess, curated by Paula Marincola Rotunda Gallery, Brooklyn, NY; Luminous Bodies, curated by Dara Meyers-Kingsley White Columns, New York, NY; What I Did On My Summer Vacation (benefit photography project) Galerie Rolf Ricke, Köln, Germany; Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Usdan Gallery, Bennington College, Bennington, VT; Painting In An Expanding Field, org. by Saul Ostrow Nott Memorial Art Museum, Union College, Schenectady, NY; Square Bubbles, curated by Arthur Gibbons The Corcoran Gallery of Art, Washington, DC; Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting, curated by Terrie Sultan Galerie Oddi Baglioni, Rome, Italy; Una Nuova Tradizione Americana Contemporary Art Museum, University of South Florida, Tampa, FL Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum, University of Vermont, Burlington, VT; Re:Fab: Painting Abstracted, Fabricated, curated by Rochelle Feinstein, Shirley Kaneda and Margaret A. Miller Dru Arstark Gallery, New York, NY; Elena Sisto, Lisa Hoke, Jessica Stockholder

Selected Public Collections:
Addison Gallery of American Art, Phillips Academy, Andover, MA Musée Picasso d’Antibes, Antibes, France; installation: Torque, Jelly Role, and Goose Bump, 1997 Museum of Fine Arts, Boston, MA Albright-Knox Art Gallery, Buffalo, NY
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Art Institute of Chicago, Chicago, IL Birmingham Museum of Art, AL Indianapolis Museum of Art, Indianapolis, IN Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC The British Museum, London, England Fonds Régional d’Art Contemporain - Limousin, Limoges, France Los Angeles County Museum of Art, Los Angeles, CA Whitney Museum of American Art, New York, NY Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France Kunstmuseum St. Gallen, St. Gallen, Switzerland; installation: Vortex in the Play of Theatre with the RealPassion (for Kay Stockholder), 2000 Le Consortium, Dijon, France; installation: House Beautiful, 1994 and installation: Recording Forever Pickled, 1990 Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria; installation: Nit Picking Trumpets of Iced Blue Vagaries, 1997 Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; installation: Born of Landscape Linoleum Saatchi & Saatchi Collection, London; installation: Bowtied in the Middle and installation: Edge of Hothouse Glass Stedelijk Museum, Amsterdam, The Netherlands; installation: Coupling, 1998 Ulrich Museum, Wichita State University, Wichita, Kansas Westfälischer Kunstverein, Münster, Germany Centraal Museum, Utrecht, The Netherlands Birmingham Museum of Art Corcoran Gallery of Art, Washington, DC

Curated Exhibitions:
2010 Tang Teaching Museum, Skidmore College, Saratoga Springs, NY, The Jewel Thief

Selected Bibliography:
2009 Kino, Carol, The New York Times Arts and Leisure, June 14, 2009 Go Ahead, Play With (And On) the Art
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The L Magazine, Art Fag City Two Great Shows in Chelsea, May, 22 Jessica Stockholder Coating solo project book published by les Compagnons du Sagittaire 2007 Lehrer-Graiwer, Sarah, Artforum.com, Critics’ Picks: Jessica Stockholder, 1301 PE, September 13 2006 Schambelan, Elizabeth, Artforum, 1000 Words: Jessica Stockholder, Jan. 2006; pp. 206-07 Schwendener, Martha, The New York Times, Jessica Stockholder at Mitchell- Innes & Nash, Art in Review, September 29 Schjeldahl, Peter, The New Yorker, Art Stockpiled, Jessica Stockholder, October 2 Buhmann, Stephanie, The Brooklyn Rail, ArtSeen: Jessica Stockholder, November Nadelman, Cynthia, Artnews, Jessica Stockholder, December Kraft, Jessica, Contemporary, New York: Mitchell-Innes & Nash, Jessica Stockholder, No. 88 Lowenstein, Kate, Time Out New York, Jessica Stockholder: Of Standing Float Roots in Thin Air Johnson, Ken, The New York Times, Constrasts in Sculpture, In Theme and in Medium, February 21, 2006 2005 Colpitt, Frances, Art in America, Jessica Stockholder: A Merging of Mediums, Feb., pp. 92-97 2004 Barliant, Claire, Artforum.com, Critics’ Picks: Jessica Stockholder, Rice University Art Gallery, 14 Oct; www.artforum.com/picks/place=Houston Cheetham, Mark, Border Crossings, Crossovers, Visual Arts: Jessica Stockholder, Issue No. 91; pp. 122-125 Johnson, Ken, The New York Times, The 179th Annual, 14 May Princethal, Nancy, Art in America, Jessica Stockholder at Gorney Bravin + Lee, March; p. 121 Verdier, Evence, Art Press, Jessica Stockholder, Fevrier 2004, pp.72-73 2003 Cohen, David, The New York Sun, Arts & Letters: Gallery-Going, 5 Nov; p. 15 Levin, Kim, The Village Voice, When a ‘tender collision’ becomes an artist’s ‘situation,’ 5-11 Nov. Unsigned, Arte, September/ October 2003, P. 34, 35 Smith, Roberta, The New York Times, Review: Jessica Stockholder, 31 October; p.E41 Unsigned, The New Yorker, Reviews: Jessica Stockholder, 3 November; pp. 21-24 Yablonsky, Linda, Time Out New York, Art Reviews: Jessica Stockholder, 23 – 30 October; p. 79 Dannatt, Adrian, The Art Newspaper, Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture,” No. 140, October; p. 3 Tumlir, JanFrieze, Trespassing: Houses x Artists, Summer; p. 120
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Roug, Louise, LA Times, Home as art, and vice versa, 15 May; p. F.4 Yablonsky, Linda, ARTnews, Even the Kitchen Sink, May; pp. 136-139, cover Unsigned, Artforum, The 1980’s: Part Two, April; p. 112 2002 Leinz, Gottlieb, Vernissage, Jessica Stockholder: Jenseits der Malerei, Duisburg, Winter, pp.4-13 Müller-Tamm, Pia, Vernissage, Jessica Stockholder: On the Spending Money Tenderly, Eine Installation in K20 Kunstsammlung Nordrhein/Westfalen, Winter; pp.14-15 2001 D’Souza, Aruna, Art in America, Reviews: Jessica Stockholder at Gorney Bravin + Lee, Oct.; p. 157 Pollack, Barbara, ARTnews, Reviews: Jessica Stockholder at Gorney Bravin + Lee, Summer; p. 174 Chambers, Christopher, Flash Art, Jessica Stockholder at Gorney Bravin + Lee, May-June; p. 151 UnsignedThe New Yorker, Galleries Downtown: Jessica Stockholder, 12 March; p.27 Cotter, Holland, The New York Times, Review: Jessica Stockholder , 2 March; E37 Unsigned, Art on Paper, Working Proof: Jessica Stockholder, March-April. Levin, Kim, The Village Voice, Voice Choices: Jessica Stockholder, 27 Feb. Ryan, David, CVA (Contemporary Visual Arts)(England), Jessica Stockholder: the theater of the inferred, Issue 32, 2001; pp.30-35 2000 Berg, Ronald, Der Tagesspiegel, Die Dienstleister, 2 December, p.30 Lütgens, Annelie, Der Tagesspiegel, Schnittemenge Schwitters, 17/18 October Möcklinghoff, Heidi, Münstersche Zeitung, Mit Pop-Vater in die Abfallkunst, 12 Sept. Bosetti, Petra, Art (Hamburg), Auf die Besucher wird geschlossen, September Unsigned, Hannover Live, Kunst: Sprengel Museum: Aller Anfang ist MERZ, September Müller, Dorothee, Süddeutsche Zeitung, Kurt Schwitters - Kein Fall fur den Abfall, 28 Aug. Winter, Peter, Frankfurter Allgemeine Zeitung, Ursonate in der Kathedrale des erotischen Elends, 25 Aug. Bunte, Ursula, Kölnische Rundschau, Alle Dinge der Welt vernüpft, 25 August. E., I., www.oraos.com, De Kurt Schwitters à aujourd’hui, 24 August. Stockmann, Jochen, Focus (München), Müll war sein Motiv, 21 August. Glanz, Alexandra, Hannoversche Allgemeine Zeitung, Die Dinge der Welt, 19/20 August. Klara ,Hannover Woche, So viel Schwitters war noch nie da, 4 - 25 August. Glanz, Alexandra, Hannoversche Allgemeine Zeitung, Das Sommergeschwitter, 4 August. Restorff, Jorg, Kunstzeitung (Regensburg), Prinzip Collage, August. Eakin, Hugh, Artnews, Dia’s New Direction, June, p.134-137 (news) Anderson, Cecilia, NU: The Nordic Art Review, Artists for Hire: Houses X Artists, May, p. 12-13 (feature re: Houses X Artists project) Unsigned, Neue Press, Blech aus Stöcken für Bildhauerin aus USA, 8 March.
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Unsigned, Bild, Schrott in Sprengel Museum, 7 March Unknown, Wolgan Misool (Seoul), World Topic: Jessica Stockholder, April, p.112-116 (feat.) 1999 Feaver, William, Artnews, The Century’s 25 Most Influential Artists: Picasso, Leading Man, May, p.145 (editorial) Milroy, Sarah, The Globe and Mail Visual Arts (Vancouver), Jessica Stockholder’s Material World, 2 Jan. 1998 Hirsch, Faye, On Paper, Working Proof: Turning Paper, May/June, p.35-37 (interview about Two Palms’ Turning Paper monotypes) Zimmer, William, The New York Times, Show of Work Resembling Items at Hand, 15 Mar., p.16 1997 Storr, Robert, Artforum, Just Exquisite?: The Art of Richard Tuttle, Nov., pp.86-93, 130 (illus.+ mention) Rubinstein, Raphael, Art in America, Abstraction Out of Bounds, Nov., pp.104-115 (editorial) Unsigned, Scholastic Art, Artists Today, The Latest Trends in Art: Objects Transformed, Mar., pp.6-7, 16 (editorial) 1996 Wilson, Malin, Art Issues (Los Angeles), Coming to Our Senses, Nov./ Dec., pp.18-21 (editorial) Tomlinson, Jessica, Portland Press Herald, Target Art opening Invited Participation, Nov. 7. Halley, Peter, Tema Celeste, Il silenzio di ghiaccio / Icy Silence, Autumn, pp.40-44,100-103 Wachtmeister, Marika, Femina (Stockholm), konst P† Gränsen Till Kaos, June, pp.88-92 (feat.) Independent Curators Incorporated Newsletter, New York Studio Events: Jessica Stockholder, Spring/Summer, p. 4 (studio conversation) van den Boogerd, Dominic, Metropolis M, Ontbonden schilderkunst: Picturale ensceneringen van Rob Birza, Avery Preesman en Jessica Stock-holder, Apr., pp.24-29 (feat.) Iannacci, Anthony, Kunst Bulletin (Zürich), Installation als Illustration eines Denkprozesses: Jessica Stockholder im Dia Center for the Arts, New York, Apr., pp.8-15 (feature) Gardner, Paul, Artnews, Studio Visits: Pleasure, Pain & Protocol, Mar., p.106 (editorial) Stockholder, Jessica, The New Yorker, Self-portrait by Jessica Stockholder (Dia), 4 Mar., p.36 (project) Smith, Roberta, The New York Times, Art in Review, Feb. 3. Levin, Kim, Village Voice, The Joy of Curating, Feb. 21. Unsigned, Interview, Wham: Jessica Stockholder, Feb., p.32-33 (feature) Berkman, Robert, Linewaters’ Gazette (Brooklyn), Pulling Matisse Off the Wall, p.1 (feature)

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Grants and Awards:
2007 Lucelia Artist Award, Smithsonian American Art Museum Association Internationale des Critiques d’art, New England Chapter, First Place Award for the Best Installation or Single Work of Art in a Boston Museum 2001 August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg, Germany 1996 John Solomon Guggenheim Fellowship Award, Visual Art 1989 New York Foundation for the Arts Grant in Painting 1988 National Endowment for the Arts Grant in Sculpture 1985 Susan H. Whedon Award, Yale University First Alternate, Prix de Rome, American Academy of Rome

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