2nd Sonata for Solo Guitar

q. = 108

Martin Grayson Op. 10

Allegro

    
 
 14          41   4  1 44   1 4 1  4 14  2  14  
1
1 2 2
2

2
2 2
mp2

Guitar

4

Gtr.

Gtr.

           4 1  4 1 
              




 

2
2
1/2III

rit.
7
Andante

4  4 
1 


              10 4  0  1  4  1  41    1  4 13   
3 




3 
3

1
2
1
2  
f

q. = 108

Allegro

 

          
  


9

Gtr.

     
  
     
 
  

p

4
1




              
2

0 


4 



 4     1                                 
1 2





12

Gtr.

VII

                       
  Andante

   





1 









            


f
 

q. = 108

15 4

f

 

  










                                        





18 Allegro

Gtr.

 




                     



Andante
24
 
          
        





 
        
 

  
 
rit.

21

Gtr.

Gtr.

f


     
2 1
 

30

Gtr.

f

       




Allegro

  


    


mf



 

                            





27

Gtr.

rit.

3

p

  


 1
3

4 1

0

2

4

1

  
 


3




  

secco



Gtr.

3
2

3 3            0  50 Gtr.  pp    4 1 2        f 0 3     3     2 1   1  4  4   4 1 2 3 0                  allegro assai 56    4          1    2 0   III . 4 1 2 3 0 4 1 2 4 0 1 2 3 3 0     3     2 2 3 1   2   4   4      2 0 1 1 3 0 1 3 1 63 Gtr.   1  3  2  3   3 0 74 Gtr.  0               1  4  1    4     2 3 0   1   4 2 1 3 1 3 4 2 1 mp f 70 Gtr.Adagio q = 40       Adagio               Guitar        pp              4 41 14  131  1 4  1  2         4 4   4  1   1  4  1 1  1 1      1  0   1 1   023  2  00 12  12212   2    0  0   40 Gtr.         1   2  0  4   3     1  3 0 3   1 0    1  1 3  2 1  2    1      . = 104 Gtr.2 II .Finale q.            46 Gtr.

= 76 Gtr. = 104 4 12 4 1 4  3    12 4 1  3     2 f    010    010         2 2 1  2 2 1 p 4 1 4 111 Gtr.79 0     0 3 1 0 0         0  3  2  0 0  2  0 3  1 0 0  4 0   2  2  p  1   0 1  0   0  0   1    2   0  4 4 4       0  0              3      3 1 3 2  3  0 3 1 3 2 3  0  3 1 3 1 3 0  1 3 2 0 0 2 84 2 Gtr. 95 Gtr. mf    1  1  0 1  0  1  0      0     1 00  2 2        3   3                       3 1 3 2 3  0 2 1 2 0 4  2 3 1 0 0 89 1/2II I 1 Gtr.       q. 1 a tempo 127 Gtr.                 03                3 120 Gtr. f p f ff                             mf       .             4 4 4 2 4  4            3  2 4   3  2 4  4  1 4  3  4 1  1      3 3       2 4     32 1 32 1  f 3 3 1 1 1  4   1 1      4  1 14 2  1 4 3  1  1  3  4 1 2   1  2  4 3  2      4 2 mp   3 4 3  1  0  0     1      3  2  3 2  2   0    1  0  1 0  1  0   3 134 Gtr.  0 1 2 0 3 0 2 0 3 ff 4 0             4 0       0 0   2      2 0 0 1 f                                           3 rit.3 Moderato q.  4 2 1    4      2           mp 104 Gtr.

 3      1 4  1 f 1 I   1 3  4  2 1 0 1 4 4  1 f 1  I  p pizz. 0 2 4 3 1 2 0 4 3 1 3 Gtr. 2 4 0 3 1      3  3 2 4 4 1 3 2 1      0 2 0 4 3 1        f  1  4 1 3   3 4 2   1 2  4  0 1  1  2 1   1    1 3 1        4 3    1 2 4  1   2  p 1     1  4         1 2 4 2  f    2 0 4 3 1 f   0 2 4 3 1 0 2 1 1 1 0       II      . ff   0 2 1 1 1 21 Gtr. 2 0 4 3 1 0 2 4 3 1 1 2 4     134       2       02  0  2 4  02  1  1  0 1 3    3 1  1 0 0 Martin Grayson Op.    0 2 1 1 1 pizz. 1       0 2 1 1   1 4 2    0 pizz.I . 1 No.  pizz. 3 3 3 3      17 0 mp    1  3  1  3  3 0 2 1 1 1 ff     20               1        1  1         0 4 3 2 1  0 mp 2 0 4 3 1 26  31 Gtr. 2 1 0 4 1 1 2 Gtr. pizz.            4 0  0  0 0 2 0   3  2 0 1 0 0 2 1 1    1  1    0   24   3       3 1    3 1 0 1 mf 2 0 4 3 1 mp pizz.         1   4  1   4  1   11  1          1  2 3 4 0 1 2      0                3 4 2 3 4 0 1 2 3 4 1 3 1 14 Gtr.Prelude Moderato q = 138 2  0   4   3   1 Guitar   mp      6 Gtr. 10 Gtr.Suite of 5 Pieces .

II . 2                  4 4 3 1 4 3 1 4 2 0 4 2 0                                    1 1 72 4 3             1 3 0                                   1/2III                  .Homage to Granados 2 q = 126 Allegretto4    Guitar 46 Gtr. IV          80 Gtr. 4 1             00    2 93 Gtr.    1              VII VII   3                                   1 3 87 Gtr.  53 Gtr.          0 0 0 0 0 0 3 0 2  31   2      1 2  1     4                  II                          66 Gtr. 1 No. Gtr. 1 3 4    1 3 2       3   1 1 4 2   2 2  40 1  1  3 2    1 4  2    0          0    3  0 2 4 2 0 3                 1/2VIII    1 3 2            3   1 1 4 2 4       1/2V  3 0 1 0        12  2  3  4   1 0 0 2     Martin Grayson Op. 2   1 4  3 2     3 14  3 1 3 1 1 4 2 1  12  4 2 1 4   4    1 1 3 4 1 2 1 59 Gtr.

     2 4 2 4 1 1 1      4         3 2 1 3 4         1 2 2 1 0  115 Gtr. 1 2  3 1 3  4  3  4         3  3      1 Martin Grayson Op. 0 2 1 1 1 1 4  4     3     4 1 3 1 0 2 1 3 4                 121 Gtr. 3 4 3 1 3 4 1 2 1 0 1 2 0   1 0 3 0 1 0 3 1 0 3         34                                     1     2 2    2 3 3                                      rit.III . 1 No. 4 2 0 4 2 3 0    4 3    1 1               2 0 1   0            111 Gtr. f    3 0 1      3 4 3 1 4 3 1 4 3 1 4 1 126 Gtr. 3 1 2 4 2 2        Adagio 1 3 4 3 1 3       2 3 3 4      1 4 2 1 118 Gtr. 3    3 1  0  p 2 1 2 4  2       mf   . 0                              2 4 2 4  4   2                             4 124 Gtr.Sunset in New Mexico q = 721 2 4 2 Guitar 105 Gtr.

In the Phrygian Mode Moderato 4 Guitar     1 2 4 1  3 4 mf Martin Grayson Op. 1    1 2    32 12  2  23             3  4            3     2 3 3  4   1 24  1 mf Gtr. 3 4   4 2142          1 1           p   4  4  4  3  3  3 p  1  2 4  3 mp 1 2      13 31 23    3 4 p f   1   0  1 0  153 pp f mf     3 4  3 4 1 24           1 2     mf              4 4    1  1 3 3 4   2  1  3  1  1 00          41  11 2 0  3 4 4  0  0   1   3       3 0   139              f     2 1    .  Gtr.IV .1 No 4   1  1 4    2  1 4 4 2 3  3 2 3 3    2 0  1 1 VIII pp VII 134 2 Gtr. II 145 Gtr.  4  3  4  1  2    4 1 2 149 3 Gtr.

5 1/2 IV   1   00    1 2   1 2     3   3   3    3     3     4  4   mp f  rit.Improvisation      Moderato Guitar mf  4/6 III  2  1 4  4 3  1  2     43  Martin Grayson Op. 3 3 3 3 3 3 3 3               IV 3 VII IV 3 3 I 3 3 3 3   3 1 3 2 1 3  32 3     193                       Gtr. 4              2 3 11               2  1     f    3 190 Gtr. 3   1/2IV     p  p 3  2  a 4 i m     3 3 3 5                  f  mf  1 3 3 3  1/2IX   1/2V    1/2IX      1/2VII  3 3                3        161 Gtr.            3           2       1               f  3 3 3 187Andante 3 3 3 3 3 3 4 3 1          11             1             1  0 0    32        0    p  mf      181 Gtr.V . 5 1/2IV    1/2V     mf rit.   3 1/2IV 3    1/2VII Allegro     p   1/2II 174 Gtr. Gtr. 3 3 Allegro VI 3 3 II 3 3 3 3 3 3 3      1      1 0  0  3   3 3 3 3 4 3 3 3 .          0     1 mf 1         3  11   1    3     0  2   0 f  196 Gtr.                 167 Gtr. 1 No.

3 3 3 4      4       1  3  1  3   2 2  ff  200  6 1/2IV 5 rit. 3 VI 3 215 Gtr. 3 IV 3 3 Gtr.3 Gtr. 3 3 3   4       3                           13      11         2           ff   206 Gtr. 3 3 3        3   3    3 3               mf   3 3 3 3 3  3                                      203 Gtr.   3 3 3 3 3 3 3 3 3       3 209 3    4   1 2       1                                      2  3        3 4    0       0  212 Gtr. 3 3 3 3 X VII 3 3 3 3 3 3 3 3 3 3                   3 3 3                    3 3 3 3 3 3 3 4          3           1  1            1       3 3 3 3 3 3 3 1 1 2 3 3 3 3 3                                 4 3 12har3 3 3 1  1 2 3 2 2 3 4 3 p subito        3                      3 3 3 3 3 3 218 Gtr.  mf  2 4  .

3 3                                                              16 3 3 11 Gtr. 21 No.Prelude Martin Grayson Op. 3 3          3 3 3 3 3                 3 3 3 3 3   5                 Rit 3 3 3 A Tempo                                3                                   22 Gtr. 3                        3 Allegro Moderato p 25 Gtr.I .    . 32 Gtr. 3 3 Gtr.                                                                                                                                                        40 Gtr.          36 Gtr.                                                                   28 Gtr. 1 3                                              Moderato Guitar                    6 Gtr.

2                                              44 Gtr.                 .        Rit.                                                                                48 Gtr. 62 Gtr.                                                    57                                                       52 Gtr. Gtr. A tempo                            Molto Rit                                   65 Gtr.

                                                       3 3                                                                       3 3 5 5 81                                                                                     85                                                R.II .harm           89                                             77 Gtr. 21 No. Gtr.Fourths          Guitar                     73 Gtr.H. 2 . Gtr. Gtr.                   3 Martin Grayson Op.

                     110                                                                                         .         114       Gtr.III .Tango Martin Grayson op. 21 No.       Gtr.        4 Tango tempo             105 Gtr. 3  3                                            Guitar         3 3 3           97                                     Gtr.           3                101                                  Gtr.

 2 132 Gtr.                                                       148 Gtr. 4 f 145 Gtr. Gtr.          2           128 Gtr. 21 No. Martin Grayson Op.                                                    160 Gtr.Toccata 5 q = 80             3 Guitar Laissez vibre     123 Gtr.                                                       151                                                     154                                                     157 Gtr. 2                                                                                                                      Gtr. Gtr.                                                       .IV . hars                                                                        2 q.              R. = 100 Laissez vibre  141                                        2 Laissez vibre 137 Gtr.H.

                                                      190 Gtr.                              Gtr. 169     172                              186                                                                                            198 Gtr. Gtr.                                                         .  200 Gtr.   176                                      2 Gtr.                                               195 Gtr.6 163                                                                                              166 Gtr. Gtr.  2                   181 Gtr. Gtr.

 244                 237  Gtr. violently  3 3 3                227      3 3                        3  3  3            3 3  ff 232                                       Gtr.  222 R.Oriental  Guitar              Adagio p3  0             3  1    208 2 4 Gtr. 5    3             3          3         3 3 3                            3   3 3 3 f A tempo Poco rit.   tasto                                                                     f   Sul tasto                               3                 Gtr.        rit. p Sul tasto  Gtr. 241 Gtr. 21 No.V . Gtr. .  2 1 mf p             216 Gtr.H.         3 ff  Sul tasto                 mp 7:4                            Moderato 3 3 3 3 3 3 7 3  f p                  4              1 2        p 212 3       Moderato Martin Grayson Op.      Sul  248 Gtr. 3 Gtr.

 3 3 3 3 3 3 3 3                                                 3 3 3 3 3 3 3 3 to Coda 260 Gtr. 287 Gtr. 21 No. 3 3 3 3 3 3 3 rit.                             Gtr.                                                   .                                                                             Gtr. 6 Allegro                                   Guitar                                                      256 Gtr. 3 q = 100 264 Gtr.8 VI .                                            2    4               285 Gtr.                                                      269                                                      274 Gtr.  280                                                              283 Gtr.Finale q = 208 Martin Grayson Op.

                                     3   3 q = 108 304                           307 Gtr.         D. 3                                               301 Gtr. al Coda rit.                                      m i m      295             0  1        0 0      2     i Gtr. 299 Gtr. 3                                             309 Gtr.                                                                                                      291 Gtr.9 289 Gtr.     III 3 3 3 3 Technique as bar 296                                                 ami  Gtr. Tremolando m 3 0        297 Gtr.  . 293 Gtr.C.

Sign up to vote on this title
UsefulNot useful