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Spring 2021

37 East 7th Street, New York, NY (PAPress offices 1983-2017)

Celebrating our 40th Anniversary!

We are celebrating our fortieth anniversary in 2021—a big accomplish-

ment for a small, independent press!
Founding publisher Kevin Lippert, who started the press while an
architecture student at Princeton University before setting up shop in
an East Village row house, described our mission this way: “We want to
make the world a better place by making people more interested in what’s
around them.” Across four decades, we’ve done just that: publishing the
work of unconventional thinkers, authors, and makers; broadening our
categories to include all manner of visual culture, design, craft, gardening,
and other topics that offer unexpected perspectives on everyday life; and
launching both Paper + Goods, our content-driven stationery line, and
a children’s program admired for its visual storytelling.
Our list, now some 1,500 titles strong, is wide-ranging, but the
throughline remains unchanged: beautifully designed books that dig deep
into the world around us. Among them are the Classic Reprint series,
The ABC’s of Triangle, Square, Circle: The Bauhaus and Design Theory, Rural
Studio: Samuel Mockbee and an Architecture of Decency, Thinking with Type,
Tom Kundig: Houses (reissued in paperback this spring!), The Guerilla Art
Kit, Visual Complexity: Mapping Patterns of Information, Cartographies of
Time, America’s Other Audubon, W.E.B. Du Bois’s Data Portraits:Visualizing
Black America, The Architecture of Trees, The Little Gardener, Cultivated: The
Elements of Floral Style, and This Is What Democracy Looked Like: A Visual
History of the Printed Ballot.
As we continue to seek words and images that make the world a better
place, we do so with a commitment to collaborating with authors, design-
ers, illustrators, and editors of color and publishing topics of relevance to
BIPOC communities. It’s a commitment both immediate and long-term—
exemplified by Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field
Guide for Graphic Designers and Black, Brown + Latinx Design Educators:
Conversations on Design and Race on our Spring 2021 list and Dressing the
Resistance and Audre Lorde Notecards in the fall. With the need for informa-
tion and inspiration exponentially heightened, it is an extraordinary—and
exciting—time to be in publishing.
We look forward to celebrating many more anniversaries and many
more voices.
—Abby Bussel, Editorial Director
Spring 2021

Forthcoming Titles Paper + Goods

4 50 Things to Do at the Beach 48 Julia Child Notecards
6 Emotional Robots 49 Bread Baker’s Notebook
8 Voices of Change 50 Classic Paperbacks 1000 Piece Puzzle
10 Vicious Nonsense 51 Classic Paperbacks Notebook
12 Extra Bold 52 Grids & Guides Orange
14 Black, Brown + Latinx 53 Get Off Your Apps Notebook
Design Educators 54 Connected Notecards
16 How Design Makes Us Think 55 Woodland Journal
18 The Business of Design
19 Icebergs, Zombies, and the Ultra Thin Selected Backlist
20 The Healing Garden 58 Children’s Selected Backlist
22 Visualizing Nature 64 Paper + Goods Selected Backlist
23 The Humane Home 71 Moleskine Selected Backlist
24 Good Energy 72 Bestsellers & Great Gifts
26 No Compromise 81 Index
28 Tom Kundig: Houses 82 Ordering Information

Moleskine Books
30 Louise Fili
31 Milton Glaser

Children’s Books
34 Chickenology
37 Armor & Animals
37 What Can Colors Do?
38 The Book of Tiny Creatures
40 Orange Is an Apricot,
Green Is a Tree Frog
42 Full Moon
44 True Colors
46 Where the World Ends
Forthcoming Titles
50 fun beach
activites from
a professional

50 Things to Do at the Beach

Explore More series
Easkey Britton
Illustrations by Maria Nilsson

V i s ua l & 50 Things to Do at the Beach transforms a day in the sand and sun into a meaningful
pop u l a r C u lt u r e and inspiring return to nature. Environmental scientist and professional surfer

May 2021 Easkey Britton teaches us how to peek into the mysterious deep, harness the
5.31 x 7.28 in / 13.5 x 18.5 cm calming nature of the sea, and engage in fun play, like wave running and swimming.
144 pp The latest addition to our Explore More series, 50 Things to Do at the Beach
200 color
Hardcover shows us how to enjoy the many health benefits of time spent by the sea and give
978-1-61689-995-0 back to the waters that sustain us. Kid-friendly activities make this a must-have
$17.95 for families enjoying time together by the sea, ocean, or lake. Vacationers and sea-
Ri g h ts: No rt h A me r ic a
dwellers alike will find new and unexpected ways to enjoy the water. Each section
is beautifully illustrated to explain the activities and bring the message to life.
9 781616 899950
Surf ’s up!

Easkey Britton is a marine social scientist, big-wave surfer, and five-time Irish
National Surfing Champion based in Donegal, Ireland. Through her deep love
and passion for surfing and the sea, she explores the relationship between people
and nature, especially water environments.

Maria Nilsson is a freelance illustrator based in London. She is the illustrator

of 50 Things to Do with a Penknife, 40 Knots and How to Tie Them, 50 Things
to See in the Sky, and 50 Things to Do in the Wild.

4 Princeton Architectural Press | Spring 2021 |

Sound mapping is a great way to slow down and create
greater awareness of our surroundings in just 5 to 10 minutes.
It is especially effective when the surf is up and lovely to do
with friends, family or children.

How to sound map

1. Go to the beach and find your special sit spot, a safe space
where you will not be disturbed.

2. Get comfortable, you may even want to lie down, and

close your eyes (this heightens your other senses, especially
your hearing).

3. To heighten your sense of hearing even more, you may want

to try cupping your hands behind your ears.

4. Listen for sounds that are nearby and far away, for

high-pitched and low-pitched sounds…

5. Notice what is making different sounds – seabirds,

wind, waves, other people…

Sound Mapping

102 103

2-minute Beach Clean
There are some incredible campaigns happening globally and
phenomenal communities that you can be a part of. One of my
favourite movements is the #2minutebeachclean. It originated
in the UK in 2013 after a series of brutal North Atlantic storms
left beaches all over the UK littered with marine plastics. Using
Twitter and Instagram to try to inspire others, Martin Dorey
came up with the idea of doing just 2 minutes at a time –
during each beach visit – and began using the hashtag. Since
then many thousands of hashtagged posts have appeared on
Instagram and Twitter from every continent.

Bring gloves and a bag to carry the rubbish you collect. Take
care to avoid handling any dangerous or sharp objects
and dispose of the rubbish responsibly.

This is a great exercise to do with friends and family. Why not

Plastics have a devastating impact on the ocean. use it as an opportunity to start a conversation about the items
Plastics don’t biodegrade like organic material. Instead, you find – do you use them or could you do without them?
they break down into smaller and smaller pieces called Imagine the journey of that item. Where did it come from?
‘microplastics’ that accumulate toxins and end up in the food What did it see while making its way across the ocean?
chain and even our drinking water. Plastic waste is harmful to
marine species, entangling them (e.g. in discarded fishing nets
and ropes). It can also be mistaken for food by marine animals
and birds, eventually killing them. It’s easy to feel overwhelmed
with some of the challenges our planet is facing, but there are
actions you can take. As Linzi Hawkin, co-founder of Protect
Blue reminds me:

‘“What difference will one plastic bottle make?”

said 7 billion people.’

Also Available in the Explore More series... see page 79 | Spring 2021 | Princeton Architectural Press 5

The emotional
challenges of
robot life

Emotional Robots
A Question of Existence
Alex Zohar, Greg Fass, and Jake Richardson
Illustrations by Alex Zohar

V i s ua l & Blending pop culture iconography with the existential threat of technological
pop u l a r C u lt u r e creations turning on their creators, Emotional Robots is a compulsively readable

May 2021 graphic novella set in an all-too presciently depicted world in which advanced
9 x 6.75 in / 22.7 x 17.1 cm robots successfully compete with humans—in sports, music, and art—in
80 pp pursuit of emotional intelligence.
41 color illustrations
Paperback Displaced by the robots’ technological triumph, humans abandon Earth
978-1-64896-039-0 in search of a new planet to call home. But what happens to the robots when
$16.95 / £12.99 newer, faster, smarter, better robots replace them? What happens when civil
Ri g h ts: world
unrest grows between robot generations? An astute take on the human
condition and the illusory promises of technology, Emotional Robots is a
9 781648 960390
captivating fable for the modern age. With keen wit and dark humor, it artfully
tackles universal themes urgently relevant to our time, asking readers the
question faced by each new generation of humans (and robots): Is history
condemned to repeat itself?

6 Princeton Architectural Press | Spring 2021 |

In the beginning, the humans
made the robots. The humans made
the robots in their own image.
And, it was good. The humans
and the robots worked and lived
in perfect harmony.

Soon enough, there was nothing

left for the humans to do.
Bored and restless, the humans
packed up their things and
left for a new world.


Some robots adapted to this

new world, but they struggled
everyday just to survive.


Alex Zohar is an artist, illustrator, Greg Fass built a name for himself Over-educated and underemployed,
and writer who lives and works in as a brand marketer and strategist Jake Richardson started his
Los Angeles. Professionally, he’s for direct-to-consumer e-commerce writing career drafting contracts
worked in the tech world for several brands. Although he still works as a as a corporate lawyer but has since
start-ups and digital advertising brand marketer by day, he conceived escaped his legal overlords and lived
agencies. His work has been shown of this dark comedy via a daydream to tell the tale...via an illustrated
in gallery exhibitions, public art about a future world where robots graphic novella. He continues to
projects, brand collaborations, and develop human problems to cope fight the good fight against the evil
print publications. with progress. BotCorp. | Spring 2021 | Princeton Architectural Press 7

quotes from
activists around
the world

Voices of Change
Inspiring Words from Activists Around the Globe
Edited by Kristen Hewitt

V i s ua l & Voices of Change brings together the transformative and empowering words
pop u l a r C u lt u r e of two centuries of activists in one bold and powerful quote book. Harriet

January 2021 Tubman’s demand for her right to liberty or death stands beside Elie Wiesel’s
5.5 x 7 in / 14 x 17.8 cm call to combat persecution wherever it stands. Collected in one place, these
144 pp stirring proclamations remind readers of the connections between movements
22 color
Paperback across time and place for a more just world.
978-1-61689-996-7 Contemporary activists like Colin Kaepernick, Angela Y. Davis, Ijeoma
$16.95 / £12.99 Oluo, and Greta Thunberg echo the words of celebrated reformers from the
Ri g h ts: Wo rld
51695 past, including Susan B. Anthony, César Chávez, W. E. B. Du Bois, and
Mother Jones. Capsule biographies provide context for each quote, while
9 781616 899967
moving portraits and protest photos from around the world remind readers
that much of the work of activism happens on the ground and in the streets.
Voices of Change will inspire generations of activists and justice-minded
readers to keep fighting for what they believe in.

Kristen Hewitt is an editor at Princeton Architectural Press. She holds an

MFA in creative writing from Warren Wilson College and lives in Western
Massachusetts. Previously, she was a staff editor at Orion, a national nonprofit
environmental magazine.

8 Princeton Architectural Press | Spring 2021 |

Partial proceeds from the sale of
Those who profess
this book will benefit Kite’s Nest, to favor freedom,
a nonprofit organization based and yet depreciate
in Hudson, New York, that
supports youth-led movements
agitation, are men
for equity and justice. who want crops
without plowing up
the ground.
Frederick Douglass
Frederick Douglass (c. 1818–1895), author of Narrative of the Life of Frederick Douglass,
An American Slave and other writings, was born into slavery in or around 1818.
George Floyd protest against police brutality, He became a prominent activist, social reformer, and leader in the abolitionist movement,
Dallas, Texas, 2020 which sought to end slavery, before and during the Civil War.


I think it only makes sense

to seek out and identify
structures of authority,
hierarchy, and domination
in every aspect of life, HEART
and to challenge them;
unless a justification IS THE FIRST
for them can be given,
they are illegitimate, and
should be dismantled,
to increase the scope of
human freedom.
Noam Chomsky
DEMOCRACY. Terry Tempest Williams
Noam Chomsky (1928–) is a professor, cognitive scientist, philosopher, social critic, and Terry Tempest Williams (1955–) is a writer, activist, and environmentalist. The recipient
political activist best known for his contributions to the field of linguistics. He is the of numerous awards including a John Simon Guggenheim Fellowship in creative
author of numerous books, including Global Discontents: Conversations on the Rising Threats nonfiction, she is the author of many books, most recently The Hour of Land: A Personal
to Democracy and Optimism Over Despair: On Capitalism, Empire, and Social Change. Topography of America’s National Parks and Erosion: Essays of Undoing.

74 75

O TE! A N I Z E !
OUR WAR C Susan B. Anthony
Susan B. Anthony (1820–1906) was a lifelong activist, reformer, and publisher,
best known for leading the charge on women’s suffrage in the United States, a struggle
that culminated in the passage of the 19th Amendment in 1920. Anthony was an
Civil rights march, Selma, Alabama, 1965 anti-slavery activist from a young age, and became active in the temperance movement.

15 | Spring 2021 | Princeton Architectural Press 9

from beloved

Vicious Nonsense
Quips, Snubs & Jabs by Literary Friends & Foes
Edited by Kristen Hewitt

V i s ua l & The pen is truly mightier than the sword in this collection of more than
pop u l a r C u lt u r e a hundred digs, jabs, and outright put-downs from the world’s most

March 2021 respected writers, about—each other! Vicious Nonsense reveals the acerbic
5 x 7 in / 12.7 x 17.8 cm side of beloved authors who became brutal critics when writing about
144 pp their fellow wordsmiths.
978-1-61689-990-5 James Baldwin writes on Langston Hughes, “Every time I read
$16.95 / £12.99 Langston Hughes I am amazed all over again by his genuine gifts—and
Ri g h ts: Wo rld depressed that he has done so little with them...” Dorothy Parker spares
no love for Gertrude Stein: “To quote the only line of Gertrude Stein’s
9 781616 899905 which I have ever been able to understand, ‘It is wonderful how I am not
interested.’” Curated from letters, essays, and reviews, this sometimes
stinging, sometimes good-natured, and always delightful collection will
ignite the armchair critic in us all.

Kristen Hewitt is an editor at Princeton Architectural Press. She holds

an MFA in poetry from Warren Wilson College and lives in Western
Massachusetts. Previously, she was a staff editor at Orion, a national
nonprofit environmental magazine.

10 Princeton Architectural Press | Spring 2021 |

As for Beckett, his way of emphasizing
the dark side of life is very beautiful.
However, he’s convinced that life is dark

Balzac describes everything,
and only that. I too am convinced that life
everything. It’s exhaustive.
is dark, and at the same time I love life.
It’s an inventory. His books are
But that conviction seems to have spoiled
indigestible. There’s no place
everything for him. When that’s all you
for the reader.
can say, there aren’t fifty ways of saying it,
and I’ve found that many of his works are
merely repetitions of what he said earlier. ”

Simone de Beauvoir on Samuel Beckett’s Endgame Marguerite Duras on Honoré de Balzac

from an interview in the Paris Review, 1965

80 81

If The Handmaid’s Tale doesn’t “
scare one, doesn’t wake one up, As I read, I began to find the thing
it must be because it has no satiric genuinely frightening. By the time
bite. ...It seems harsh to say again the train ride was over, I felt I was
of a poet’s novel—so hard to reading something truly sick and
put down, in part so striking— dark—and in case you don’t know,
that it lacks imagination, but that, I’m supposedly sick and dark.
I fear, is the problem.

Mary McCarthy on Margaret Atwood’s The Handmaid’s Tale Mary Gaitskill on Gillian Flynn’s Gone Girl
from the New York Times, 1986 from Bookforum, 2013

128 129 | Spring 2021 | Princeton Architectural Press 11

The design
career handbook
for everyone

Extra Bold
A Feminist, Inclusive, Anti-racist,
Nonbinary Field Guide for Graphic Designers
Ellen Lupton, Farah Kafei, Jennifer Tobias,   Josh A. Halstead,
Kaleena Sales, Leslie Xia, Valentina Vergara

de s ign Extra Bold is the inclusive, practical, and informative career handbook for
— designers that we’ve all been waiting for. Written collaboratively by a diverse
May 2021
6 x 9 in / 15.2 x 22.9 cm team of authors, the book opens with critical essays that rethink design
224 pp / 180+ color & b+w principles and practices through theories of feminism, racism, inclusion,
Paperback with flaps and nonbinary thinking. Extra Bold features interviews, essays, typefaces,
$29.95 / £25.00 and projects from dozens of contributors with a variety of racial and ethnic
Ri g h ts: Wo rld  backgrounds, abilities, gender identities, and positions of economic and social
privilege. The book adds new voices to the dominant design canon.
9 781616 899189 Part textbook and part comic book, zine, manifesto, survival guide, and
self-help manual, Extra Bold is filled with stories and ideas that don’t show
up in other career books or design overviews. Both pragmatic and inquisitive,
the book explores power structures and how to navigate them. Interviews
showcase people at different stages of their careers, and biographical sketches
explore individuals marginalized by sexism, racism, and ableism. Jennifer
Tobias’s original, handcrafted illustrations bring warmth, happiness, humor,
and narrative depth. Extra Bold is the design career manual for everyone.

12 Princeton Architectural Press | Spring 2021 |

18 intersectionality international EXTRA BOLD 19

Ellen Lupton is curator of contemporary design at

Return to
checkpoint for
new visa
nd id
ge flu

the Cooper Hewitt, Smithsonian Design Museum

accidents of birth ageism generation
People are born with Out to Caring for children
money, status, and pasture and elders
abilities that afford

in New York City and director of the Graphic Design

in Mentors,
w eri Acqu educ friends, chosen
ea te
lth d ire atio family
high know n
er ledg

MFA program at the Maryland Institute College of

atta econom e for
ent ic

load of

Art in Baltimore. An author of numerous books and


emotional labor

articles on design, she is a public-minded critic, bathroom

Supportive behaviors
(unpaid) typically
expected of women


frequent lecturer, and AIGA Gold Medalist.

wage gaps
Who gets Lower wages
to go associated with
where? gender or
racial identity
safety Net
crushing debt

racial profiling

Farah Kafei is a designer and art director who has

Police targeting
a person based
on race, ethnicity,
ableism religion, or national
Discrimination origin

led initiatives addressing gender disparity in design

that favors
people without

education and fostered communities pushing for a levers


more inclusive industry. She’s had the pleasure of mythical

is busy

working for the Metropolitan Museum of Art and

social school to
identity. prison pipeline
schools feed the
prison industry

studios such as Sagmeister & Walsh and Doubleday ILLUSTRATION BY JENNIFER TOBIAS

& Cartwright.

Jennifer Tobias is a scholar and illustrator. She holds

a PhD in art history from the City University of 72
queer year of love letters

New York, an MLS from Rutgers University, and a A Queer Year of Love Letters is a series of fonts that remembers
the lives and work of countercultural queers of the past several
decades. The series aims to make the act of remembering these

BFA from Cooper Union. She served as a librarian overlooked and delegitimized histories accessible to other people,
as easy as typing. Better yet: it aims to make the act of typing
an act of remembering. That these fonts might be considered

at the Museum of Modern Art and Parsons School typefaces is incidental. They are an attempt to improvise a
clandestine lineage, an aspatial and atemporal kind of queer

of Design.
kinship, through the act of writing.

ROBERT FORD (1962–1993) published THING from G.B. JONES (b. 1965) is an artist, filmmaker, and
1989 through 1993. The Chicago-based publication musician. In the early 80s Jones co-founded the
foregrounded queer Black and Brown DJs, drag post-punk proto-riot grrrl band Fifth Column and in
queens, artists, poets, and filmmakers. THING 1985 launched the queer punk zine J.D.s with Bruce
proudly proclaimed on its masthead “She Knows LaBruce. Jones’ “no-budget” films often depict bad-

Josh A. Halstead is a design educator and disability

Who She Is.” In 1994, Ford died from complications mannered girl gangs, homo hustlers, and anarchist
related to AIDS. This font was commissioned by mischief-makers. This font is based on the title
Earth Angel, a Milwaukee club night, in June, 2018. sequence of her 2008 film The Lollipop Generation.

studies scholar. A recognized contributor to

disability design discourse, he seeks to unsettle
power/knowledge in theory and praxis by centering
marginalized perspectives.
ERNESTINE ECKSTEIN (1941–1992) was ahead of her time. SOURCE Queer Year of Love Letters,

Kaleena Sales is a design professor at Tennessee

She was the lone Black lesbian at an early gay rights 2018-2020, Women’s Car Repair MARTIN WONG (1946–1999) painted the world in WOMEN’S CAR REPAIR COLLECTIVE was one of
protest in front of the White House in 1965. Eckstein called Collective and Ernestine Eckstein bricks, sweat, and sign language. A gay Chinese- several initiatives organized by the Lesbian Alliance
commissioned by Library Stack, 2020,
for a progressive activism that included equality for trans American painter in New York, Wong created tributes of St. Louis, Missouri, in the early 1970s. This “service
people, anticipating the umbrella of LGBTQ+ solidarity. The to the gritty ecstasy of city life, the homoerotics by and for women” offered repairs of foreign and
letterforms in this font are based on those Eckstein wrote on of prison and firemen, and queer Black and Brown American cars, workshops, and rentals of garage

State University, an HBCU (Historically Black

her picket sign at that iconic protest: “DENIAL OF EQUALITY love. This font is based on the stylized sign language space, books, and tools. This font is based on
OF OPPORTUNITY IS IMMORAL.” system Wong employed in his artworks. lettering from a flyer advertising the collective.

College and University) in Nashville. Her research

centers on the intersection of Black culture and
aesthetics and investigates the ways in which
identities and experiences impact design solutions. 80
mapping history EXTRA BOLD 81


Every history has a point of view. Alfred Barr was the founding curator

Leslie Xia is a queer Chinese American art director. of the Museum of Modern Art. In 1936, he created a timeline leading
from Cezanne and Impressionism to his own era. Art created outside

They studied graphic design at the Maryland

the Western world is segregated from the flow of history. Barr’s
diagram describes a complex narrative with overlapping influences.
He drastically simplified this story at the very end, however, where his

Institute College of Art and have worked for timeline leads to just two outcomes: “non-geometrical abstract art” and
“geometrical abstract art.” (In fact, modern art led to many other modes
of expression.) Barr’s diagram has inspired many re-do’s, including the

companies like the Foundry at Meredith, Men’s work at left by artist Hank Willis Thomas, which tracks the history of the
Congo, an African nation that achieved independence in 1960.
Writing history and passing it on to others is a form of power.

Health, VICE News, and Fast Company. Their History validates the people it depicts. Design history—a relatively
new discipline—is largely written by working designers with a passion
for research and storytelling. New, more inclusive histories are being
personal work focuses on race, gender identity, created by people who are practicing and redefining as design from the
perspective of varied backgrounds, identities, and abilities.

and social justice.

Valentina Vergara is a multidisciplinary designer

and illustrator who uses design as a catalyst for
change. Her projects and collaborations address ALFRED BARR This diagram
appears on the jacket of the
exhibition catalogue Cubism
and Abstract Art (New York: The

gender disparity in graphic design education

Museum of Modern Art, 1936).
Reprint edition, Arno Press for
The Museum of Modern Art,
1966. © The Museum of Modern
Art/Licensed by SCALA / Art
HANK WILLIS THOMAS Colonialism and Abstract Art, 2019. Courtesy maruani mercier gallery © Hank Willis Thomas Studio Resource, NY

and explore ways of dismantling oppressive

design thinking and advocating for and uplifting
marginalized perspectives. | Spring 2021 | Princeton Architectural Press 13

with design
of color

Black, Brown + Latinx Design Educators

Conversations on Design and Race
Kelly Walters

de s ign In Black, Brown + Latinx Design Educators, Kelly Walters collects twelve
— deeply personal interviews with graphic design educators of color who
March 2021
6 x 9 in / 15.2 x 22.9 cm teach at colleges and universities across the United States and Canada.
176 pp The book centers the unique narratives of Black, Brown, and Latinx
54 color design educators, from their childhood experiences to their navigation
978-1-61689-997-4 of undergraduate and graduate studies and their career paths in academia
$24.95 / £18.99 and practice. The interviewees represent a cross-section of ethnic and
Ri g h ts: Wo rld multiracial backgrounds—African American, Jamaican, Indian, Pakistani,
Puerto Rican, Dominican, Mexican, and Brazilian. Their impactful stories
9 781616 899974 offer invaluable perspectives for students and emerging designers of color,
creating an entry point to address the complexities of race in design and
bring to light the challenges of teaching graphic design at different types
of public and private institutions. Interwoven throughout the book are
images that maintain cultural significance, from family heirlooms to
design works that highlight aspects of their cultural identities. Readers
will gain insight into the multitude of experiences of Black, Brown, and
Latinx design educators who teach and work in the field today.

14 Princeton Architectural Press | Spring 2021 |

DRAFT 06/09/20 DRAFT 06/09/20

DAVID JON WALKER is an African-American designer and

Assistant Professor of Graphic Design at Austin Peay State University
in Clarksville, TN. As Principal of Rhealistic Design, a small design
consultancy that specializes in branding and collateral for special
events for non-profit entities and partners with small minority
marketing agencies to help build their portfolios. Before joining the
faculty at Austin Peay State University, David taught at Middle
Tennessee State University.

68 / 69
JON WALKER Typographic layout for the 2019 Senior Show at Austin Peay State University.
Design by David Jon Walker.
Almanaqué is a collaborative research project about Puerto Rican design and culture,
with a particular focus on developments in education and the arts during the mid-20th
century. The journal was written, edited, designed, and published by Jason Alejandro
and Laura Rossi García as part of their graduate studies at Vermont College of Fine Arts.
It was printed and distributed in an edition of 60 copies.

David Jon Walker, Austin Peay State University Jason Alejandro, College of New Jersey

DRAFT 06/09/20 DRAFT 06/09/20 DRAFT 06/09/20

aching at an art school

to race or race
negatives you see of

really understand how

ggest difference that I
culum changes and
y like mine, it takes a
lum changes or to offer
s. At an art school, you
here’s a process, but it
h more quickly, allowing
he industry as they’re
It is a peculiar sensation, this
lot slower at public and double-consciousness, this sense
ools. I think that can
he students. The other of always looking at one’s self
that are offered within a
rt schools might offer through the eyes of others, ….One
gn sequence, that’s all of
138 / 139

ever feels his two-ness,—an American,

98 / 99
s at a state school.

ms of working as a a Negro; two souls, two thoughts,

ing an educator.
two unreconciled strivings….
s felt like I’m primarily a
in the industry, you can
re working at an agency or
– W. E . B . D U B O I S
ggling to get those larger
projects that I’m working Excerpt from the Souls of Black Folk
eelance projects where I’m
g, whereas when I was
or a full campaign or a
e interesting things pop up
s. They stumble across me
n you help with this
n Nashville Zoo at Grass-
em do something, and it
nt of mine. Things like that “Untitled” Illustration of Woman. In my illustration work, I’m primarily interested in
ated with education and showcasing the beauty and complexities of black culture. I often draw dark skin men
e difference between and women in a silent fight against colorism and in an attempt to broaden representa-
tion. Illustration by Kaleena Sales.
ow, versus having the

TaxiFabric, KeepDistance. Interiors of a taxi in Mumbai that

promotes road safety while trying to inculcate a better driving
culture in the city.

Kaleena Sales, Tennessee State University Shantanu Suman, Ball State University

NIDA ABDULLAH is an Assistant Professor in the Department of

Undergraduate Communications at Pratt Institute. Prior to her
appointment at Pratt, she was an Assistant Professor at Michigan
State University and Lecturer of Graphic Design at Georgia State
University. Her research interests focus on the conditions and
circumstance for designing, as well as deconstructing and disrupting
inherited and hegemonic modes of production.

Kelly Walters is an artist, designer, researcher,

and founder of the multidisciplinary design studio
Bright Polka Dot. Her ongoing design research
interrogates the complexities of identity formation,
systems of value, and the shared vernacular in and NIDA
around Black visual culture. Walters is an assistant
professor and associate director of the BFA ABDULLAH A collaborative composition built using only Google Sheets. This on-going project
questions the assumptions and value systems we inherit when using certain tools
and software for designing: how might form be challenged?; how might ownership
or non-ownership of form be challenged? (With Anna Buckner, 2018)

Communication Design Program in the Parsons

School of Design at The New School in New York.
Nida Abdullah, Pratt Institute | Spring 2021 | Princeton Architectural Press 15

Sean Adams
explains the
of design

How Design Makes Us Think

And Feel and Do Things
Sean Adams

De s ign From posters to cars, design is everywhere. While we often discuss the
— aesthetics of design, we don’t always dig deeper to unearth the ways
February 2021
7.5 x 9.65 in / 24.6 x 19 cm design can overtly, and covertly, convince us of a certain way of thinking.
256 pp How Design Makes Us Think collects hundreds of examples across graphic
250+ color design, product design, industrial design, and architecture to illustrate
978-1-61689-972-1 how design can inspire, provoke, amuse, anger, or reassure us.
$60.00 Graphic designer Sean Adams walks us through the power of design to
attract attention and convey meaning. The book delves into the sociological,
9 781616 899721 psychological, and historical reasons for our responses to design, offering
practitioners and clients alike a new appreciation of their responsibility to
Paperback with flaps create design with the best intentions. How Design Makes Us Think is an
$35.00 essential read for designers, advertisers, marketing professionals, and anyone
Ri g h ts: No rt h A me r ic a who wants to understand how the design around us makes us think, feel,
and do things.
9 781616 899776
Sean Adams is the chair of graduate and undergraduate graphic design at
ArtCenter College of Design in Pasadena, California. An AIGA Medalist
and former AIGA National President, he is coauthor of Graphic Design Rules
and the author of The Designer’s Dictionary of Type and The Designer’s
Dictionary of Color.

16 Princeton Architectural Press | Spring 2021 | | Spring 2021 | Princeton Architectural Press 17
10 th

The Business of Design

Balancing Creativity and Profitability
Keith Granet
Foreword by Holly Hunt

De s ign The Business of Design debunks the myth that business sense and creative
— talent are mutually exclusive, showing design professionals that they can
June 2021
8 x 10 in / 20.3 x 25.4 cm pursue their passion and turn a profit. For nearly thirty years, consultant
224 pp Keith Granet has helped designers create successful businesses, from
48 color branding to billing and everything in between. Unlike other business books,
978-1-61689-998-1 The Business of Design is written and illustrated to speak to a visually thinking
$40.00 / £30.00 audience. The book covers all aspects of running a successful design business,
Ri g h ts: Wo rld
including human resources, client management, product development,
marketing, and licensing. This timely update on the tenth anniversary of the
9 781616 899981 first edition includes new content on social media, working from home, and
understanding and working with different generations, essential tools in
today’s ultracompetitive marketplace.

Keith Granet, a leading expert on the business of design, is the founder of

Granet and Associates, a management consulting and licensing agency;
Studio Designer, a digital platform for the interior design industry; and the
Leaders of Design Council, an organization of design professionals focused
on community and mentorship. Granet lives with his husband and their
two sons in Los Angeles.

18 Princeton Architectural Press | Spring 2021 |

A chilling look
at architecture
and capitalism

Icebergs, Zombies, and the Ultra Thin

Architecture and Capitalism in the Twenty-First Century
Matthew Soules

ARC H I TEC TURE The global financial crisis of 2008 revealed the damage done by unchecked
— housing speculation, yet in the ensuing years, the use of architecture as an
May 2021
6 x 9 in / 15.2 x 22.9 cm investment tool has only accelerated, heightening inequality and contributing
240 pp to worldwide financial instability. We rarely consider architecture to be an
85 b+w important factor in contemporary economic and political debates, yet unoccupied
978-1-61689-946-2 ultra-thin “pencil towers” develop in our cities, functioning as wealth storage for
$26.95 / £19.99 the superrich, and cavernous “iceberg” homes burrow many stories below street
Ri g h ts: Wo rld level. Meanwhile, communities around the globe are blighted by zombie and
ghost urbanism, marked by unoccupied neighborhoods and abandoned housing
9 781616 899462
In Icebergs, Zombies, and the Ultra Thin, Matthew Soules issues an indictment
of how finance capitalism changes not only architectural forms, but the very
nature of our cities and societies. From Ireland’s devastated housing estates,
to the chic luxury apartments of architect Rafael Viñoly’s 432 Park Avenue,
Soules demonstrates how investment imperatives shape what and how we build.
Photos and drawings of architectural phenomena that have changed the way
we live make the urgency of these issues even more apparent.

Matthew Soules is an associate professor of architecture at the University

of British Columbia in Vancouver, Canada. | Spring 2021 | Princeton Architectural Press 19

A complete
guide to
growing and
using healing

The Healing Garden

Herbs for Health and Wellness
Deb Soule
Photographs by Molly Haley

V i s ua l & In The Healing Garden, Deb Soule, founder of Avena Botanicals, offers an inspiring
pop u l a r C u lt u r e guide to herb gardening and crafting herbal remedies that promote wellness of

March 2021 spirit and body. Soule combines her passion for plants, gardens, and healing with
7.5 x 9 in / 19 x 28.97 cm her extensive experience working with medicinal herbs, flowers, roots, and berries.
224 pp Her practical advice addresses each aspect of fostering a garden filled with helpful,
200 color
Paperback with flaps healing plants: biodynamic gardening practices; gathering plants and setting up a
978-1-61689-926-4 drying room; and creating herbal teas, decoctions, tinctures, syrups, tonics, vinegars,
$25.95 / £19.99 essences, and more. A chapter outlining eighteen medicinal herbs provides detailed
Ri g h ts: Wo rld
52750 information on their cultivation and healing properties. Molly Haley’s colorful
photography showcases Avena Botanicals’ lush herb gardens in all seasons.
9 781616 899264
The Healing Garden is grounded in respect for the interconnectedness of all living
beings and is an eloquent plea for spiritual awareness and the wholeness of
individuals, communities, and our planet.

Deb Soule is an herbalist, biodynamic gardener, teacher, and writer living in rural
Maine. She founded Avena Botanicals Herbal Apothecary in 1985.

Molly Haley is a Maine-based freelance photographer, specializing in portraiture

and documentary photography.

20 Princeton Architectural Press | Spring 2021 |

Part III:
50 Part II: Drying Herbs

MEDICINES Consider using an energy-efficient dehumidifier if you are drying in
a smaller, enclosed room. We keep a dehumidifier running whenever
herbs are drying and empty its water-collecting tray every morning and
evening into a bucket just outside. (This water can be used for watering
potted plants or garden plants, trees, and shrubs.) A dehumidifier is
important for smaller-scale herbalists and gardeners because we often
bring fresh plants into the same drying room multiple times through-
out the week, which introduces more moisture, which can negatively
affect the herbs already drying in the room. Research dehumidifiers to
find the size suited for your drying space.
If you are drying in a shed or hoop house, ventilation fans are
another method of pulling moisture out of the air and lowering the
temperature. Refer to Jeff Carpenter and Melanie Carpenter’s The
Organic Medicinal Herb Farmer for details on this system.

Drying Screens and Racks

Drying Screens
Screens made from fiberglass or nylon mesh (available in most hard-
ware stores) work well for drying herbs. Wash the mesh before use by
unrolling it outdoors on a clean, grassy area, spraying it with a hose,
and letting it dry in the sun. Then cut and staple the mesh onto wood-
en frames. If you live in an urban area, you might wash and drip-dry
your screens indoors, in a shower or sink. Each spring, in preparation
for the growing season, vacuum your screens or sweep them with a
designated brush that you use only for cleaning herb screens. Label
your brush and hang it near your screens.
Freshly harvested
The size of your frames and racks will depend on the size of your
lemon verbena laid
space. Be sure when designing your drying rack that you leave plenty out on a drying screen


Drying: Leaves and flowers, laid on a screen, dry within two to LEFT
Harvesting hawthorn
three days. Once they are dry, I store them whole in airtight glass berries into a carton I
containers. The berries are fleshy and take much longer to dry. I lay tie around my neck

a single layer on screens for a minimum of two weeks. Their dryness RIGHT
Harvesting hawthorn
can be tested by nibbling on several berries and by cutting them with
berries with Felco 310
the Felco 310 clippers. When they are hard to cut and not flexible or clippers

moist in any way, they are dry. I keep the red berries in brown paper
bags for a few weeks to ensure they are totally dry and then store
them in glass jars for wintertime teas.

Flavor of flowers: sweet, slightly bitter

Flavor of berries: sour

Temperament: slightly warm


Preparations: fresh or dried flower and leaf tea; fresh or dried berry Freshly harvested Hawthorn tincture
tea; fresh leaf and flower tincture; fresh or dried berry tincture, oxymel, hawthorn berries made from fresh berries
ground in alcohol and
or syrup; dried berry powder; flower essence BOTTOM LEFT spring water
Preparing for the
autumn hawthorn BOTTOM RIGHT
54 Part II: Drying Herbs 55
Safety considerations: Seek professional support if you are taking berry harvest Hawthorn berries on
a drying rack
pharmaceutical cardiac medications and wish to use hawthorn.

so of drying, these layers will shrink. The woody and fibrous tissue
of roots requires a longer time to dry than leaves and flowers do.

Drying in Baskets
Fresh herbs like lemon balm, hawthorn flowers and leaves, nettle
leaves, and roses dry well when loosely laid into baskets made from
natural materials. The weave of the basket allows for airflow. A thin Yarrow hanging to dry
cotton cloth over the basket prevents dust from settling on the herbs.
Place the basket in a warm location out of the direct sun, and check Gardeners lay out
freshly harvested
it daily.
calendula flowers
on a drying screen

Hanging Herbs 123

Herbs with sturdy stems such as mugwort, yarrow, lavender, sage, and
other mints can be tied into bunches using rubber bands and hung
from horizontal strings, wires, or wooden beams. Be mindful not to tie
them too tightly or in too big a bunch, as this will prevent the center of
the bunch from drying. Once the herbs have dried, strip the leaves and
flowers from the stems and store them in a glass jar. Compost or make
and peonies are favorites. I place the fresh herbs in a stainless pot,
footbath teas from the stems. Hanging bunches of herbs adds beauty to
cover with cool water, and slowly heat until the water is steaming
a living space, but they will collect dust and lose their medicinal prop-
and fragrant. I then pour the herbs and water into my foot basin
erties if left hanging for more than a few weeks.
and submerge my feet once the water is a comfortable temperature,
breathing in the relaxing, healing aroma of the flowers and herbs.
Drying Times
One or two drops of pure essential oils such as lavender, rose-
Drying times vary for different flowers, leaves, and roots. If you are
mary, lemongrass, geranium, pine, sage, or ginger can be used in
using a rack stacked vertically with several drying screens, lay the most
a footbath, or around ten drops for a full-body bath. Rosemary
recent harvest on the top screens so the newly introduced moisture
essential oil in a foot or full-body bath is my favorite for softening
won’t be reabsorbed by the partially dried herbs. We aim to keep the
emotional edges, uplifting the spirit, and supporting a more wakeful
humidity in Avena’s drying rooms below 62 percent during the first
and attentive mind. When purchasing essential oils, please choose a
company that sells only pure (not synthetic) essential oils made from
plants that are not endangered.

Healing Flower Baths

Rocio Alarcón, the aforementioned Ecuadorian healer and ethnobot-
anist, has generously taught many people the importance of regular
aromatic herb and flower baths for clearing negativity, fear, anger,
grief, confusion, and chaos from the body’s energy field. Please refer
to Rocio to learn this practice in greater depth, as it comes from her
culture, not mine (see; I will share what she has given me
permission to write. Rocio encourages all of us to clean our energy
fields regularly by pouring aromatic herbal teas over our bodies at
least once a week, using fresh or dried herbs. She instructs us to ask
the plants for their help, call in their spirit, and pray for healing as we
Copper vessel scooping
out water for a healing gather and make the tea, then pour the healing water over ourselves
bath of calendula, holy
either outdoors or in an indoor shower. Create quiet space afterward
basil, cosmos, and
comfrey to absorb the plants’ healing gifts. I feel less emotionally reactive and | Spring 2021 | Princeton Architectural Press 21

essays on the
natural world

Visualizing Nature
Essays on Truth, Spirit, and Philosophy
Edited by Stuart Kestenbaum

V i s ua l & Visualizing Nature brings together contemporary visionaries to share

pop u l a r C u lt u r e deeply personal essays on nature, ecology, sustainability, climate change,

June 2021 philosophy, and more. Compiled by editor and poet Stuart Kestenbaum,
5 x 7 in / 12.7 x 17.8 cm the contributors represent a wide range of backgrounds and experiences,
112 pp each honoring nature’s power to heal, inspire, guide, amaze, and strengthen.
978-1-61689-986-8 Activist Maulian Dana of the Penobscot Nation writes on the
$21.95 / £15.99 intertwining relationship of motherhood and Mother Earth. Biology
Ri g h ts: Wo rld professor David Haskell tells the story of the resilient bristlecone pine trees,
which live to be as old as 2,100 years. Iranian scholar Alireza Taghdarreh
9 781616 899868
speaks to his experience of translating Emerson’s “Nature” into Farsi.
A previously unpublished 1962 speech by Rachel Carson complements
the collection of more than twenty essays, each inviting the reader into a
quiet space of reflection with the opportunity to think deeply about how
they relate to the natural world.

Stuart Kestenbaum of Deer Isle, Maine, is the state’s poet laureate and
senior advisor at Monson Arts. Formerly the director of Haystack Mountain
School of Crafts, Kestenbaum has authored five poetry collections as well
as The View from Here, a collection of essays.

22 Princeton Architectural Press | Spring 2021 |

Your personal
handbook to a
sustainable way
of life

The Humane Home

Easy Steps for Sustainable & Green Living
Sarah Lozanova
Illustrations by Candace Rose Rardon

V i s ua l & Create your own unique sustainable home and life with tools, tips, and
pop u l a r C u lt u r e inspiration from The Humane Home. Sarah Lozanova shows us how to

April 2021 evaluate all the ways our lifestyle and living choices can be more
5.5 x 8 in / 14 x 20.3 cm sustainable, from powering our homes to the food we consume and the
168 pp air we breathe. Small steps empower us to act immediately by starting
40 color
Hardcover an herb garden, reducing utility bills, and learning how to conduct a
978-1-61689-850-2 home energy audit.The fun, DIY activities and easy-to-follow, eco-
$25.95 / £19.99 friendly practices reshape how we think about our living spaces and help
Ri g h ts: Wo rld
us create a blueprint for our own personal version of a humane home.

9 781616 898502
Sarah Lozanova has worked as a sustainability consultant, environmental
journalist, and copywriter. Her writing appears in Mother Earth Living,
Green Builder, Solar Today, Home Power, Windpower Engineering,
and Green Business Quarterly. She teaches environmental business
courses at Unity College and lives at Belfast Cohousing & Ecovillage in
midcoast Maine. | Spring 2021 | Princeton Architectural Press 23

energy never
looked so good

Good Energy
Renewable Power and the Design of Everyday Life
Jared Green
Foreword by Walter Hood
With an interview with Mark Z. Jacobson

a rc h i t ec t u r e Good Energy delivers a declaration that renewable energy can be beautiful,

— affordable, and easy to implement. Jared Green highlights thirty-five case
May 2021
8.5 x 9 in / 21.6 x 22.9 cm studies from around the world, featuring a wide array of designs and building
240 pp types that achieve good energy, good design, and excellent cost-efficiency.
200 color Single-family homes, townhouses, community spaces, schools, offices, and
Paperback with flaps
978-1-61689-909-7 even power plants demonstrate that relying on solar, wind, and geothermal
$35.00 / £26.99 energy doesn’t have to cost more. Each inspiring design harmonizes nature,
Ri g h ts: Wo rld technology, and democratic space and shows that renewable energy can be
appealing and accessible to everyone. An interview with Mark Z. Jacobson,
9 781616 899097 Stanford University professor of civil and environmental engineering
andcofounder of the Solutions Project, discusses pathways to 100-percent
renewable energy around the globe through good design.

Jared Green writes about the essential role of planning and design in solving
the climate crisis. Green is the editor of Designed for the Future. He lives in
Washington, DC.

24 Princeton Architectural Press | Spring 2021 |

Belfield Townhomes The US Department of Housing and
Urban Development (HUD) states that
residences North Philadelphia had seen
in five decades. They were also the first
also “based on everyday framing
techniques [that are] easily transferra-
Philadelphia, Pennsylvania any family paying more than 30 percent certified passive houses built in ble to our trades.” To reduce cost and
of their income for housing is “cost Philadelphia and Pennsylvania. Onion speed up construction time, the firm
burdened” and may not be able to afford Flats codeveloped the townhouses with partnered with a local modular factory
basic necessities, such as food, cloth- Raise of Hope (ROH), a local communi- that constructed the houses in prefabri-
ing, transportation, and medical care. ty-development corporation, for large, cated pieces that were then assembled
They estimate some 12 million previously homeless families. What is on-site.
American renters and homeowners also impressive is that Onion Flats built The need to keep costs low did not
now contribute more than 50 percent of the three townhouses as passive houses result in sacrificing sustainability
their annual incomes toward housing. in just three months at a cost of performance or design quality. The
The high cost of housing is in large $249,000 each. passive townhouses include superinsu-
part due to the lack of affordable, In 2010, the Philadelphia Office of lated walls, triple-pane windows, and a
subsidized, or public housing in Housing and Community Development heat-recovery pump that draws in fresh
increasingly expensive urban areas, approached Onion Flats to try to salvage air, filters it, and then efficiently heats
where nearly 80 percent of the US a new affordable-housing development or cools the air. Each house has rooftop
population lives. The National Low that had run into design and budgetary PV panels with a 5-kilowatt capacity. If
Income Housing Coalition stated that issues. The funding, earmarked through the tenants stay within their energy
in 2018 approximately 7.2 million new the Philadelphia Redevelopment budgets, then the townhouses can
affordable rental homes would be Authority (PRA) and HUD, was, as noted produce as much energy as needed, O P P OS I T E The center of the
station’s interior offers a moment
needed for people at or below the by Onion Flats, “imminently at risk of making them net-zero in terms of
of contemplation among native
poverty level. According to the US being returned to HUD due to inaction.” energy use. trees and plants, the opposite of
Census Bureau, as of 2017, some 12.3 If they accepted the challenge of taking Onion Flats designed medium-den- the typical gas station.
percent of the population, or nearly 40 on the project with ROH, they had to sity-fiberboard screens along the
R I G H T The station has four high-
million Americans, were at that level. agree to build the project just three stairwell to add a playful element.
speed chargers that are a result
In the Logan neighborhood of North months after the design and permitting Carbonized bamboo floors add some of a partnership between Danish
Philadelphia, which is a low-income process was complete. warmth. Tenants use energy-efficient e-mobility company Clever,
and predominantly African American HUD and PRA didn’t require any induction cooktops and Bosch gas station company YX, and
European utility E.On’s energy
and Puerto Rican community, the sustainability measures, only that the appliances.
infrastructure. The chargers are
developer Onion Flats helped expand townhouses had to be built for less than According to the firm, the project accessible to Clever’s subscribers
In the Logan neighborhood
the number of affordable-housing units $129 per square foot. Onion Flats saw an became “the catalyst that inspired the who pay a monthly fee between
of North Philadelphia, Onion
by designing and building three opportunity to design a more energy Philadelphia Housing Finance Agency €35 (US$40) and €78 (US$90),
Flats designed and built three
depending on the type of vehicle,
affordable, four-bedroom 1,920-square-foot (178-square-meter) efficient and cost effective building to begin to promote Passive House and
for a home charger and unlimited
townhouses as certified townhouses, each with four bedrooms. system, “one that was both radically net-zero energy building policies in access to public charging
passive houses for $249,000
When the houses opened in 2012, unique and capable of meeting the their low-income-housing tax-credit stations.
each. Green wall planters
offer privacy on the front deck they were the first new affordable Passive House building standard” and program.”
between the units.


Belfield Townhomes, Philadelphia, Pennsylvania Electric Vehicle Charging Station, Fredericia, Denmark

The Sustainable City In the aftermath of the 2008 financial

crisis, Diamond Developers, based in
nature and outdoor exercise opportuni-
ties, conserving and reusing water,
temperature-controlled “biodome”
greenhouses, which provide 32,000
Dubai, United Arab Emirates the United Arab Emirates (UAE), did a reducing waste, and offsetting 87 square feet (3,000 square meters) of
complete about-face, transforming percent of its energy use through space for growing 36 types of organic
itself from a traditional developer into rooftop PV panels that generate 7.47 vegetables and herbs. Shared food
one aiming for sustainable-design gigawatt hours of energy annually. production is seen as central to
excellence. Cofounders Faris Saeed, a They also organize 265 annual forging bonds among the residents.
trained civil engineer, and his architect events, including yoga classes, fitness There are also 89 apartments in a
partner Wassim Adlouni, spent four challenges, exhibitions, outdoor movie central mixed-use district near the
years traveling the world studying nights, and food-production work- entrance of the city, which includes
sustainable communities to find out shops, to engender a sense of commu- shops and restaurants. Other central
what was working and what wasn’t. nity among the diverse residents. nodes include the Fairgreen
Saeed commented, “Each community According to Saeed, it has ranked as the International School, Sanad Autism
we visited focused on one thing— “happiest community” in the UAE for Village, the Innovation Centre, the
energy, waste, or farming. Most didn’t the third year in a row. Equestrian Club, and the Mosque.
innovate on the social part or study the The 114-acre (46-hectare) Along with trees and the urban
commercial side enough. To make a Sustainable City is organized into a grid farms, Diamond Developers used a
project sustainable, you have to enclosed by a buffer zone of 2,500 variety of strategies to help reduce the
combine three elements—environment, 100-foot-tall (30 meter) trees inter- urban heat-island effect and, there-
society, and economics—together.” locked in layers to block out air pollu- fore, the residential energy use. The
The result of their deep investiga- tion. This buffer zone also doubles as clusters are oriented to capture 85
tions is the nearly net-zero Sustainable an exercise space, with a 2.5-mile percent of prevailing winds. The
City in Dubai, which opened in 2016 at a (4-kilometer) two-way cycling track and central urban plaza also includes
cost of AED 1.3 billion (US$354 million) 1.8-mile (2.9-kilometer) walking path. strategically placed Barjeel wind
and where three thousand people from Within the grid, five hundred villas towers that help cool the streets.
64 countries now live. The developers are organized into five residential Temperatures can be anywhere from 1
took a holistic approach to sustainabil- clusters arrayed along a central green to 16.5 degrees Celsius (2 to 30 degrees
ity by designing a community that can spine that includes constructed lakes Fahrenheit) lower than surrounding
produce its own food, creating access to and an urban farm with 11 areas.

The 114-acre Sustainable City in the center of this image are solar
Dubai uses rooftop PV panels on panel–covered car parks with EV
both homes and common spaces charging stations. Running left
to generate 1.7 gigawatt hours to right is the central green spine
of renewable energy annually. with urban farms and 11 biodome
Running roughly top to bottom in greenhouses.

106 P OW E R H O M E S T H E SU STA I N A B L E C I T Y 1 07

The Sustainable City, Dubai, United Arab Emirates

O P P OS I T E Landscape
architecture firm SLA made the
public-facing side of Amager
Bakke more inviting through the
addition of trees and grasses.
The building’s facade is made of
3.9-by-10.8-foot-wide (1.2-by-3.3
meter)-wide aluminum bricks
alternating with glazed windows
that bring light to the interior
administrative offices.

TO P Astroturf covers the

2,000-foot-long (609 meter)
slope, which makes it fun for
skiers and snowboarders year-
round. Walking and running
trails separated from the slopes
by grasses and shrubs provide
more options to enjoy the facility.
There are also elevators that take
visitors to open spaces near the
top, so everyone has the chance
to see the views.

BOT TO M There are green, blue,

and black slopes, and even an
area set up for slalom races.
Skiers sit on sleek lifts that carry
them back up the hill after their

The roofs of the six townhouses

oriented north–south are angled
25 to 40 degrees to the south
to optimize rooftop PV energy
generation. These houses are clad
in simple, durable materials, such
as recycled steel. To add visual
interest, alternating houses are
covered in recycled Douglas fir–
wood slats.

ERE A M AG E R BA K K E “C O P E N H I L L” 123 84 P OW E R H O M E S P OW E R O F 1 0 85

Amager Bakke “CopenHill,” Copenhagen, Denmark Power of 10, Örebro, Sweden | Spring 2021 | Princeton Architectural Press 25

The biography
of a modernist

No Compromise
The Work of Florence Knoll
Ana Araujo

de s ign Florence Knoll (1917–2019) was a leading force of modern design. She worked
— from 1945 to 1965 at Knoll Associates, first as business partner with her husband
June 2021
6 x 9 in / 15.2 x 22.9 cm Hans Knoll, later as president after his death, and, finally, as design director. Her
208 pp commissions became hallmarks of the modern era, including the Barcelona Chair
15 color & 73 b+w by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner
Hardcover with jacket
978-1-61689-993-6 Collection by Warren Platner. She created classics like the Parallel Bar Collection,
$29.95 / £25.00 still in production today.
Ri g h ts: Wo rld Knoll invented the visual language of the modern office through her ground-
breaking interiors and the creation of the acclaimed “Knoll look,” which remains
9 781616 899936 a standard for interior design today. She reinvigorated the International Style
through humanizing textiles, lighting, and accessories. Although Knoll’s motto was
“no compromise, ever,” as a woman in a white, upper-middle-class, male-dominated
environment, she often had to make accommodations to gain respect from her
colleagues, clients, and collaborators. No Compromise looks at Knoll’s extraordinary
career in close-up, from her student days to her professional accomplishments.

Ana Araujo is an architect, teacher, and researcher, whose mission is to amplify

the role of women and the presence of a feminine sensibility in the creative fields.
She has published and exhibited her work internationally. She currently leads a
design studio at the Architectural Association in London.

26 Princeton Architectural Press | Spring 2021 |


“No compromise, ever.”1 That was one of Florence Knoll’s

(1917–2019) most renowned statements. And indeed, one
might think, why would a woman who was described by the
New York Times as “the single most powerful figure in the field
of modern design” ever need to compromise?2
Florence Knoll’s achievements were countless. In 1961,
she was awarded the Architects Gold Medal for Industrial
Design from the American Institute of Architects—the first
woman in the industrial design field to receive this award. In
1962, she received the Furniture Prize from the American
Institute of Interior Designers. In 1977, she was given the
Total Design Award from the American Society of Interior
Designers. In 1979, she received an honorary degree of Doctor
of Fine Arts from the Parsons School of Design.3 And there
were many more. In an industry where women are still
underrepresented, Knoll stands out as a role model for the
wide recognition she received and for the high standards she
set. Her iconic work and career remain a source of inspiration
Fig. 1: Florence Knoll in Eero Saarinen’s Grasshopper Chair 1950 to designers today.
(Courtesy of Cranbrook Archives, Cranbrook Center for Collections
Florence Knoll was best known for her work at Knoll
and Research)
Associates, one of the most prestigious and important furni-
ture companies of the twentieth century, which she co-owned
with her first husband and business partner Hans Knoll
(1914–55).4 Florence Knoll acted as design director for nearly

Employees’ lounge area, Connecticut General Life Insurance

Company Offices, Hartford, interior design by Florence Knoll/Knoll
Planning Unit, architecture by Skidmore, Owings and Merrill, circa
1950s (Florence Knoll Basset papers, Archives of American Art,
Smithsonian Institution)

26 No Compromise 27 Chapter #: Title

Fig. 6: Director’s office at Look Publications Offices,

New York, by Florence Knoll/Knoll Planning Unit, circa 1962
(Courtesy of Knoll Archives) | Spring 2021 | Princeton Architectural Press 27

Now available
in paperback for
the first time!

Tom Kundig
Edited by Dung Ngo
With a new preface by Tom Kundig

ARC H I TEC TURE Architect Tom Kundig is known worldwide for the originality of his work. This
— paperback edition of Tom Kundig: Houses, first published in 2006, collects five
May 2021
8 x 10 in / 20.3 x 25.4 cm of his most prominent early residential projects, which remain touchstones for
176 pp him today. In a new preface written for this edition, Kundig reflects on the
150 color & 25 b+w influence that these designs continue to have on his current thinking. Each
978-1-64896-054-3 house, presented from conceptual sketches through meticulously realized details,
$27.50 / £21.99 is the product of a sustained and active collaborative process among designer,
Ri g h ts: Wo rld builder, and client. The work of the Seattle-based architect has been called both
raw and refined—disparate characteristics that produce extraordinarily inventive
9 781648 960543 designs inspired by both the industrial structures ubiquitous to his upbringing
in the Pacific Northwest and the vibrant craft cultures that are fostered there.
Also Available...
see page 75 Tom Kundig, FAIA, RIBA, is a principal and owner of Seattle-based Olson
Tom Kundig: Houses 2 Kundig. He was elected to the National Academy of Design as an Academician
978-1-61689-040-7 / $60.00
in Architecture in 2016, and he received the Seattle AIA Gold Medal in 2018.
Tom Kundig: Working Title Kundig’s work has appeared in numerous publications, including the New York
978-1-61689-899-1 / $80.00
Times Magazine, Architect, Architectural Record, and Architectural Digest. His
Tom Kundig: Works
most recent book, Tom Kundig:Working Title, was published in 2020.
978-1-61689-345-3 / $65.00
Dung Ngo is editor-in-chief of August: A Journal of Travel + Design.

28 Princeton Architectural Press | Spring 2021 |

Moleskine Books | Spring 2021 | Princeton Architectural Press 29

Louise Fili
Inspiration and Process in Design
Louise Fili
Introduction and interview by Steven Heller

Renowned graphic designer and author Louise Fili takes us

on a personal tour through her most famous brands, books,
and packaging. This peek behind-the-scenes shows how
research and vintage typography give rise to her unique and
ingenious designs. See how her work—still done by hand—
transforms from early sketches to final design. Her instantly
recognizable style, elegant and timeless, takes shape on the
page before our eyes. Also included are Fili’s copyright pages,
which are works of art in their own right. All content appears
in print for the first time.

Louise Fili founded Louise Fili Ltd in 1989. This award-winning

New York City–based graphic design firm specializes in
strategic brand development and packaging for specialty food
products. Fili is a member of the Art Directors Club Hall of
Fame and has received honors for lifetime achievement from
the AIGA and the Type Directors Club as well as three James
Beard award nominations.

June 2021
5 x 8.25 in / 12.7 x 21 cm
144 pp
279 color
$26.95 / £18.99
Ri g h ts: Wo rld
Chef Francesco Buitoni, scion of the pasta family, knows his subject well.
The logo for his Italian trattoria was created in the studio’s kitchen, where
we tried boiling bucatini, spaghetti, and linguine at different cooking times
to find the most suitable for a script iteration. (Bucatini was the winner.)
9 781616 899837 Although the client had originally requested blue for the logo, it was later
changed to red. A die-cut business card, along with a matchbook with a
pasta chart inside, quickly became collector’s items.


50 51

The owners described The Mermaid Inn to me as “a seafood shack that you
would stumble upon while walking along the beach in New England—except
that you are in the East Village.” Now, I would never dream of hyphenat-
ing a word in a logo, but I wanted this one to break all the rules. When
sister restaurant Mermaid Oyster Bar opened, we flipped her and put a
pearl choker around her neck. Then Pizzeria Sirenetta opened next door,
and we had to determine a way to hide her breasts, since Sirenetta is a little
mermaid. We also didn’t want anyone to think that this was a place making
seafood pizza. I thought that making the logo into a tomato can label was a
great idea. The clients did not agree. Instead we covered her with an apron
and a rolling pin—and with a double hyphenation, no less!

24 25

Milton Glaser
Inspiration and Process in Design
Milton Glaser

The late designer Milton Glaser once said, “The most

overused word, creativity, should in fact be described
as discovery.” This revealing peek inside Glaser’s never-
before-published journals offers uncommon insight
into his design process. Through notes, drawings, and
sketches from his home in New York City and his travels
throughout Italy, France, and Spain, Glaser inspires
the reader to find meaning in even the smallest details:
a cat, a stage set, a portrait, a building—all are
significant. “The joyfulness of art is discovering the
connections themselves,” Glaser wrote. A brief
introduction by Glaser and an interview conducted by
Jeremy Elias, originally printed in the New York Times,
are included.

Milton Glaser (1929–2020) is best known as the creator

of the logo and a legendary poster of Bob Dylan.
He cofounded both the revolutionary Pushpin Studios
in 1954 and New York magazine in 1968. He established
Milton Glaser, Inc., in 1974 and teamed with Walter
Bernard in 1983 to form WBMG. In 2009, he became
the first graphic designer to receive the National Medal
of the Arts. He was honored with lifetime achievement
awards from the Cooper Hewitt, Smithsonian Design
Museum in 2004 and the Fulbright Association in 2011.

June 2021
5 x 8.25 in / 12.7 x 21 cm
144 pp
100 color
$26.95 / £18.99
Ri g h ts : Wo rld

9 781616 899271 8 9

14 15

Children’s Books

Image from Chickenology

MOLESKINE | Spring 2021 | Princeton BOOKS
Architectural Press 33
An incredible
journey into
the world of

The Ultimate Encyclopedia
Barbara Sandri and Francesco Giubbilini
Illustrated by Camilla Pintonato

AGES: 5– 9 Welcome to the wonderful world of chickens! This beloved barnyard bird is
— full of surprises. Did you know some chickens are so small they can perch
February 2021
8.25 x 11 in / 21 x 27.9 cm in the palm of your hand, and others have feathers that look like a beard?
80 pp Chickens can learn to count up to four and have excellent hearing—many
60 color even like to listen to music!
978-1-61689-908-0 Chickenology takes young readers on a fascinating and informative tour
$19.95 / £14.99 of chickens. Discover the incredible variety of chickens with different
RI GHTS : Wo rld En g l is h origins, breeds, and feather patterns; delve into chicken anatomy and
evolution; and even learn the basics of chicken care. With a playful tone
9 781616 899080 and irresistibly charming illustrations by rising star Camilla Pintonato, this
lively visual encyclopedia presents chickens in all of their feathered glory.

34 Princeton Architectural Press | Spring 2021 |

All around the world, eggs are the basic ingredient in It takes three eggs to make a cake...but how big should the
many recipes, from appetizers to desserts, as well as eggs be? Chicken eggs come in many different sizes, which
special beverages, cocktails, and liqueurs. are classified as follows: S (small), M (medium), L (large),
XL (extra large).

In 1956 a chicken laid the largest

egg ever recorded, and it was entered
into the Guinness World Records: the
egg weighed 16 ounces. The eggs we
normally buy weigh about 2 ounces.
Quail eggs weigh about 1 ounce, goose
eggs about 5 ounces.

The drawings above represent the actual sizes of chicken eggs: you can Besides chicken eggs, nature contains all sorts of other types of eggs:
use these shapes like a ruler to measure the eggs you have at home. (1) puffin, (2) seagull, (3) lesser-spotted dogfish, (4) greater-spotted dogfish, (5) hummingbird,
(6) armyworm moth, (7) owlet moth, (8) geometer moth, (9) stingray, (10) lamprey, (11) ghost shark,
(12) shark, (13) hawk, (14) nightingale, (15) sparrow, (16) grouse, (17) turtle, (18) quail, (19) cuckoo.

44 45 40 41

Thanks to its flexible neck, the chicken

Show me your comb and I’ll tell you who you are. The comb If we compare the skeleton of a chicken with the fossils of a can gather food and clean itself easily.
is the most characteristic trait of roosters and chickens, and it dinosaur, we can glimpse some similarities, especially when we Furthermore, because of the S shape
is often the main difference between breeds. There are many look at that of the Archaeopteryx. These comparisons help us of the neck, the chicken can control its
who believe that only roosters have combs, but the truth is that reconstruct the process of chicken evolution from millions of center of gravity during its short flights
years ago to the present. Birds need lightweight bones to fly, and chickens and soften the landing.
chickens do too, it’s just that the males have much larger and
are no exception, even though they don’t fly very
more conspicuous ones. Some types of combs are very common much: their flat and spongy bones are hollow and
and widespread, whereas others are more unique and rare. filled with air because they’re connected to the lungs.
The bones also provide a supply of calcium, which is
important to the development of the eggshell.

The Archaeopteryx (“ancient feathered one” in Greek)

is believed to be the missing link between the large
theropod dinosaurs, like the Torvosaurus, and the Gallus,
the ancestor of today’s chicken. The Archaeopteryx lived
The comb has the important job of regulating body The earliest nonskeletal comb was found in the Upper Jurassic around 150 million years ago,
temperature (the way the tongue does for dogs), on the remains of the Edmontosaurus (one feeding on lizards, frogs, and insects. It was just twenty
and the bigger it is, the better the breed can adapt of the last dinosaurs to roam the Earth), inches in size and very light, but it was precisely because
to warm climates. Breeds with small combs often whose small comb was fleshy and scaly. of its lightness that it could take short flights with the
come from cold climates, where the comb is more help of its wings and long tail. A rather perky great-great-
vulnerable to freezing. great-grandfather!

27 24 25

Francesco Giubbilini combined his passion for

communication and backyard chicken keeping by
founding, together with Barbara Sandri, the first
Italian website dedicated to chickens and eggs,
Everything about Chickens (www.tuttosullegalline.
it). Giubbilini is based in Livorno, Italy.

Camilla Pintonato is an author, illustrator, and

graphic designer based in Venice, Italy. She studied
illustration at Mimaster in Milan and completed
Notable features: This chicken’s large crest gives it a look that is at the Notable features: The Sebright is one of the most elegant, most suave
same time bizarre and regal, but because the crest also hinders its vision, chickens, thanks to its fine white feathers edged in black.
this bird can be rather nervous: it needs careful grooming, now and again,
ORIGIN Poland to solve the problem. ORIGIN England Fun fact: This small breed of chicken is named after the nobleman Sir
WEIGHT 3.75–4.4 lb WEIGHT 1.1–1.3 lb John Saunders Sebright, who managed to create the crossbreed in his

her master’s degree in editorial design at ISIA in EGG

Fun fact: It probably originated in Poland, where it seems it was already
present during the fourteenth century when the marquis Giacomo Dondi
imported several such chickens to Padua, in Italy, for the garden of his villa.
White or cream
splendid Besford Court in Worcestershire. One can almost imagine this
chicken romantically perched in an English-style garden as it awaits its
five o’clock tea...

Urbino. Her books include Full Moon, Detective

70 71

Mole, and the forthcoming title Pigology.

Barbara Sandri is an environmental activist and a

pioneer of backyard chicken keeping. Her chickens
are named Guerra, Pace, Traita, Rina, Ciuffina,
Pitta, and Beppa. Sandri is based in Livorno, Italy. | Spring 2021 | Princeton Architectural Press 35

Armor & Animals
Liz Yohlin Baill

What do knights in shining armor have to do with slimy snails

and porcupines? A lot, actually! Armor & Animals brings together
two things kids love to provide an entryway into the world of art.
The armor collection at the Philadelphia Museum of Art, beloved
by its young visitors, provides the remarkable helmets, shields, and
more that appear in the book, and which experienced museum
educator Liz Yohlin Baill compares to the shells, scales, and spikes
that protect animals.
Lively text paired with bright, modern graphics and real-life
armor informs kids about art and animals in tandem. A rhino
crashes into a knight, teaching kids that a group of rhinos is called
February 2021 a crash—so stay out of the way! Dragons may be imaginary, but a
Age s: 4 – 8 fire-breathing dragon etched on armor can still make a horse look
7 x 8.5 in / 17.8 x 21.6 cm
40 pp / 50 color & b+w / Hardcover extra tough. Kids can consider the helmets, goggles, and other
978-1-61689-955-4 / $16.95 / £12.99 “armor” they use that help make their own activities safer, and
Ri g h ts: Wo rld connect art to their world as they learn.

9 781616 899554

What Can Colors Do?

Liz Yohlin Baill

There’s a rainbow of ways to think about colors. Colors pop and

shine. Cool colors make us shiver, while warm colors heat us up.
They can even express our moods, from feeling blue to being
tickled pink. What Can Colors Do? introduces children to color
through vibrant artworks that inspire curiosity, joy, and surprise
in young learners.
Colorful paintings, sculptures, and objects from the
Philadelphia Museum of Art help children think about how artists
use color. How can colors express feelings? Can a color be loud
or soft? As children learn the basics of color theory, from mixing
to contrast and color wheels, they answer engaging, thoughtful
May 2021 questions that bring the world of art and their own experiences
Age s: 4 – 8 together. A series of activities for kids to complete on their
7 x 8.5 in / 17.8 x 21.6 cm
40 pp / 45 color / Hardcover own—from a scavenger hunt to a color-inspired way to meditate—
978-1-61689-966-0 / $16.95 / £12.99 helps them to appreciate the beauty and complexity of the hues
Ri g h ts: Wo rld around us.

9 781616 899660

36 Princeton Architectural Press | Spring 2021 |

Introducing the new exploreArt series
in partnership with the Philadelphia Museum of Art. Drawing on
the museum’s world-class collections and members of its education
staff, the titles look at diverse works of art as catalysts for creative
conversations to engage families and empower kids.

Liz Yohlin Baill is Collections Interpreter for Youth and Families

at the Philadelphia Museum of Art. She has held positions at the
Metropolitan Museum of Art, the Art Institute of Chicago, the
Museum of Contemporary Art Chicago, and the Chicago History
Museum and has developed award-winning content for kid-friendly
audio guides, exhibitions, and more.

weigh thousands of pounds,
Armor was often made of
but they run fast and reach metal pieces called
Most fish are covered This steel shirt is made of thousands of their top speed in no time. plates that
in hundreds of linked rings that move together to form protected different
parts of a
that bend and slide over each other.
a chain-like fabric called
mail .
person’s body.

It looks heavy,
Find the folds around these rhinos’ but armor was
joints, which help them move in their thick, light enough for
protective skin. knights to run, jump, and ride horses.

Scales get larger as the fish grows.

Like a tree trunk, you can learn a fish’s age by These rings also tell a story—each is stamped
counting the growth rings on its scales. with the name of an important person.

Colors can
even make
How many times does
each color appear?
Keep count and spot two
rosy fish along the way.

Colors can be
Patterns can create rhythms
that remind us of
sounds, songs, or beats.

The jumpy sounds of jazz inspired this painting.

Red, yellow, blue— Which color looks loudest? Which is softest?
What color would a saxophone play? How about drums?
what tricks can they do?
All other colors come from mixing These painters
these trusty three called primary. picked perfect primaries
for their palettes. | Spring 2021 | Princeton Architectural Press 37

Meet the
amazing tiny
creatures all
around us

The Book of Tiny Creatures

Nathalie Tordjman
Illustrated by Emmanuelle Tchoukriel and Julien Norwood

AGES:5– 9 In the air, on the ground, and in the water, incredible tiny creatures are

all around us! They may be small, but they live remarkable lives. The Book
February 2021
9.25 x 9.75 in / 23.5 x 24.8 cm of Tiny Creatures introduces young learners to spiders, butterflies, worms,
72 pp snails, and even the world’s heaviest insect, the Little Barrier Island giant
230 color
weta. This fun-filled book teaches children fascinating facts through
978-1-61689-974-5 interactive quizzes, detailed seek-and-find scenes, and hands-on activities,
$18.95 / £13.99 like how to make a snail terrarium. A great first STEM read, The Book of
R I GHTS : Wo rld En g l is h
Tiny Creatures reveals the wonder of how these creatures grow, reproduce,
form communities, and more.
9 781616 899745

Nathalie Tordjman is a Paris-based journalist specializing

in nature and the environment. She is the author of
more than forty books and writes for numerous publications.

Julien Norwood is a French author and illustrator

educated at the Museum of Natural History in Paris.

Emmanuelle Tchoukriel is a French illustrator who

trained in medical and scientific illustration at the
Estienne School in Paris.

38 Princeton Architectural Press | Spring 2021 |

Big zoom

In hot countries!
Where do tiny creatures go in winter?
Tiny creatures need warmth to be active, develop, and reproduce.
1. In the fall, the painted ladies leave European 2. In the warm African climate, their life cycles are
Winter is a difficult time. Each creature has its own method of survival.
gardens. They fly south, borne on the wind. faster and therefore more numerous. When the
Some of them journey 4,400 miles (7,000 km) temperatures get too hot, the last-born leave to
to tropical Africa, where they reproduce. go north.


= In the summer, male cicadas

sing to attract females. Then
they lay their eggs inside twigs.
Take shelter! EUROPE

= In the fall, the adult cicadas die,

some spiders, and a few
and their larvae emerge from
their shells. They drop to the = Millipedes, wood lice,
insects such as earwigs
or common brimstones
They take shelter,
4. When summer comes, the caterpillars plump
ground and bury themselves in
spend the winter as adults. up and stop eating. They come to a standstill as
the soil. They remain there for 3 (their equivalent of blood)
and their hemolymph nymph before metamorphosing into butterflies.
to 4 years. All they eat is tree- that keeps them from
contains an antifreeze AFRICA Then the butterflies feed on the nectar of flowers
root sap. death.
freezing to
to build up their strength. They leave for Africa
in the fall.

= After the fourth summer, the

larvae become nymphs. They
metamorphose into adults and
3. In the spring, they arrive in European gardens,
come out of the ground
where they lay their eggs. Soon afterward, the
caterpillars come out of their eggs.
Most adult insects die before winter
arrives. During the cold season,
only the eggs, larvae, and nymphs
stay alive.

. They live for several

Julids are vegetarian millipedesburrow into the ground
years. During the winter, they of houses to keep
A caterpillar Metamorphosis
or take shelter in the humid cellars
from getting cold.
A nymph

16 17

In the forest

Red slug

Ground beetle

Spider wasp

Purseweb spider
Brown hive snail

Two-colored mason bee

Common earthworms

Soil centipede

Red wiggler worms

Wood lice

Large bumblebee nest

My observatory

1. What raises its larvae 2. What has more than 3. What is munching 4. What is 5. What built a 6. What has a picture of 7. What leaves kinked 8. What puts its
in a little burrow? 40 pairs of little legs? on a mushroom? attacking the tube-shaped web? an African mask on droppings nest in an empty
spider? its back? on the ground? snail shell?

42 43

WALKING, CRAWLING Legs for leaping

A zebra back spider often gets around by small leaps.
It propels itself by suddenly unbending its feet.
Little workshop

Build a snail terrarium!

Before jumping,
it rears up.
The tiny creatures that live near the ground A mosquito-netting type
of screen cover for the
get around on their feet or crawl. snails to breathe without

How many feet?

Arthropods are the only tiny creatures that have
articulated legs.
Legs for digging
= Insects always have 6 legs. They lift them up 3 at a
time (2 on one side and 1 on the other, alternating). The European mole cricket digs
tunnels in the
ground with its forefeet, which—like
= Arachnids move on 8 legs. Each leg consists of
7 jointed segments.
look like shovels. a mole’s—

= Myriapods have more than 18 pairs of legs. To pull

themselves forward, they raise them pair by pair,
one after the other.

No legs!
= Annelids: Earthworms move forward by stretching and
contracting their bodies, using the little bristles located A damp Dirt from your An aquarium
on each of their rings to cling to their surroundings. sponge garden or compost

= Mollusks: Snails and slugs use the sticky slime (mucus)

on their wide, muscular foot to move forward.
Legs for jumping
and also for singing
The male locust produces its song by against
= Put your terrarium in your garden or on your
balcony, protected from the sun and rain.
= Spray a little water every day on the dirt and on
the sponge to keep the air humid. Add some fresh
The leopard slug its hind legs, which have small teeth, food: lettuce leaves or little pieces of carrot,
can extend itself up
to 8 inches ( 20 cm ).
the thickened edges of its wings. = Head out and look for some snails after a good
summer rain—that is when they are most active.
radish, or mushroom. Also add some little bits of
eggshell to provide the snails with the calcium they
Collect several if you want them to make babies, need to build their shells.
but don’t put more than 4 or 5 in your terrarium.
= Watch your tiny, peaceable companions to see
how they live. . . and if you want to release them,
put them back in the place you caught them.
Un ver dertant
=Impo pêche, =
ou néreis
Remove and replace
before it goes bad.
34 35 | Spring 2021 | Princeton Architectural Press 39

Fantastic plants
and animals in
every color

Orange Is an Apricot, Green Is a Tree Frog

Pascale Estellon

AGES: 3 – 6 Orange Is an Apricot, Green Is a Tree Frog inspires young learners’ curiosity
— in nature and language through the simple joy of connecting words and
April 2021
8.5 x 11.65 in / 21.6 x 29.6 cm pictures through colors. Yellow looks like a daffodil and a dahlia, a lemon
34 pp and a chick. Blue looks like a dragonfly and an iris, a blue tang and a
100 color bluebird. Pascale Estellon’s wonderfully detailed gouache illustrations
978-1-64896-014-7 bring the many shades of red, orange, yellow, blue, green, black, and white
$18.95 / £13.99 to life and serve as a beginner’s field guide to new words and new worlds.
RI GHTS : Wo rld En g l is h Children will expand their vocabulary and delight in seeing words they
already know while learning the names of new animals, plants, and fruits
9 781648 960147 and vegetables through their hues.

Pascale Estellon is an author and illustrator based in Brunoy, France,

near Paris. Estellon worked in children’s book publishing for Mila Éditions
for more than fifteen years before becoming a full-time illustrator. Her
activity books, including The Giant Play and Learn Book, have been enjoyed
by children everywhere who delight in creativity and in learning about the
natural world.

40 Princeton Architectural Press | Spring 2021 |


Gala apple raspberries zucchini blossom



yellow dahlia

cherry tomatoes
star fruit



red warbler buttercup
chili pepper crayfish


Orange_is_an_Apricot_interior_FR3.indd 8 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 9 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 16 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 17 8/13/20 4:56 PM

ORANGE looks like...

hibiscus flowers


Orange_is_an_Apricot_interior_FR3.indd 10 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 11 8/13/20 4:56 PM

GREEN looks like...



blue pansy


blue dasher dragonfly



morpho butterfly blue tang

Orange_is_an_Apricot_interior_FR3.indd 22 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 23 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 20 8/13/20 4:56 PM Orange_is_an_Apricot_interior_FR3.indd 21 8/13/20 4:56 PM | Spring 2021 | Princeton Architectural Press 41

Join this lunar
celebration for

Places! Wait!

Full Moon
Camilla Pintonato
Ready? GO!

AGES: 3 – 6 As the sun sets, the little gray rabbits are busy in their secret workshop, but
— what could they be making? Follow along as the rabbits prepare for the big
April 2021
9.5 x 10.5 in / 24 x 26.7 event, inviting all of their forest friends to the celebration. The mice, foxes,
48 pp porcupines, and other forest creatures gather as the full moon rises, and
28 color finally the big surprise is revealed. The little rabbits release beautiful paper
Hardcover with jacket
978-1-61689-999-8 lanterns into the sky, where they sparkle like stars in the light of the full
$18.95 / £13.99 moon.
RI GHTS : Wo rld En g l i s h Camilla Pintonato’s endearing illustrations invite us into a secret world,
where wonders take place while the humans are away and the animals play.
9 781616 899998 Striking, full-spread images of the rising moon and sun illuminate the
magical way the natural cycle of the sky unites us in wonder, giving children
a connection to nature they can experience from anywhere in the world.

Camilla Pintonato is an author, illustrator, and graphic designer based in

Venice, Italy. She studied illustration at Mimaster in Milan and completed
her master’s degree in editorial design at ISIA in Urbino. Some of her
favorite things in no particular order are books, her cat Rosmarino, and
making footprints in the snow. Pintonato is the illustrator of Chickenology
and the forthcoming Pigology.

42 Princeton Architectural Press | Spring 2021 |

Five little gray rabbits hop out of their burrow Where are they going?
and set out on a journey into the night.

Before their eyes, the full moon shines bright. The paper lanterns sparkle like stars.

As the birds begin to sing, the lanterns lift up into the sky. | Spring 2021 | Princeton Architectural Press 43

A laugh-out-loud
tale of a town in
colorful disarray

True Colors
Gonçalo Viana

AGES: 4– 9 A green cloud and a white tree? Who is responsible for illustrating this
— book? True Colors begins innocently with two friends, their dog, and
June 2021
8.5 x 11 in / 21.5 x 28 cm their kite, but each time the story gets started, more colors seem to go
38 pp awry. The narrator implores the reader to help as townspeople, a group
24 color of scientists, and the town tailor all try to determine what is going
Hardcover with jacket
978-1-64896-009-3 wrong. As the characters engage in comical attempts to reverse the
$18.95 / £13.99 colors, the two friends show us that colors can do all sorts of amazing
RI GHTS : Wo rld En g l i s h tricks—with a little imagination. Gonçalo Viana’s bold, retro illustration
style brings joy and laughter to all shapes, sizes, and colors.
9 781648 960093

Gonçalo Viana lives in his hometown of Lisbon, Portugal, a city famed

for its bright lights and custard tarts. Though trained as an architect,
Viana works as an illustrator for newspapers and magazines around the
globe. Originally published in Portuguese, True Colors earned a 2020
Opera Prima Special Mention at the Bologna International Children’s
Book Fair.

44 Princeton Architectural Press | Spring 2021 |

Once upon a time, there were
two friends, an orange dog,
a red kite, and a white . . .tree?

Something does not

add up! | Spring 2021 | Princeton Architectural Press 45


A whimsical
journey to
find where the
world ends

Where the World Ends

A Zip, Trik, and Flip Adventure
Davide Cali
Illustrated by Maria Dek

AGES: 4– 8 “Where do the clouds go when we can’t see them anymore?” asked Zip.
— “Who knows,” said Trik.
January 2021
8.5 x 11 in / 21.6 x 27.9 cm “Maybe they wind up where the world ends,” said Flip.
40 pp / 19 color
Hardcover An ordinary day turns into an extraordinary adventure as Zip, Trik, and Flip
$17.95 / £12.99 set off to find where the world ends. The trio journeys across fantastical
RI GHTS : Wo rld En g l i s h landscapes—a lakeside city on stilts, a mysterious and magical forest, a snowy
mountaintop—with countless delightful details for young readers to discover.
9 781616 899370
Along the way, they encounter helping hands and discouraging doubters, and
each time they think they have reached the end of the world, it seems to move
farther away. The three friends maintain their spirit and determination, enjoying
the journey as much as the destination before returning home again.

Maria Dek creates original and expressive watercolor illustrations from her home
in Białowieża, Poland, a village in the oldest forest in Europe. She holds degrees
from the Academy of Fine Arts in Warsaw and University of the Arts London.

Davide Cali is an award-winning author and cartoonist. He has written nearly

one hundred children’s books published in twenty-five countries, including Good
Morning, Neighbor, also illustrated by Maria Dek.

46 Princeton Architectural Press | Spring 2021 |

Paper + Goods | Spring 2021 | Princeton Architectural Press 47

Julia Child Notecards

Julia Child transformed American cooking, on

television and in home kitchens across the country,
with joy, passion, humor, and a deep commitment
to her craft. This notecard set celebrates Julia
Child’s unique personality and sense of humor
with four iconic quotes that are equal parts funny,
empowering, bold, and cheerful. The envelope
designs feature stills from her famed TV show
and capture the immense joie de vivre she brought
to her work and her audiences. The design of the
box pays homage to Child’s groundbreaking first
cookbook, Mastering the Art of French Cooking,
and the collection includes a folded insert with a
biography and additional information that puts her
contributions in context. The set is the first title in
a special collaboration with the Julia Child
Foundation for Gastronomy and the Culinary
Arts and the Smithsonian.

February 2021
4.75 x 6.125 x 1.5 in / 12 x 15 x 4 cm
12 notecards (4 quotes)
12 full-color envelopes (4 designs)
Enclosure with biographical sketch
$15.95 / £13.99
Ri g h ts: Wo rld

9 781616 899110

Also Available from the

Quote Card series...

Emily Dickinson Notecards

978-1-61689-580-8 / $14.95
see page 68

John Muir Notecards

978-1-61689 -652-2 / $14.95
see page 69

48 Princeton Architectural Press | Spring 2021 |

The Bread Baker’s Notebook

Baking bread provides us with comfort, stress relief,

pleasure, and sustenance, but it’s also complicated!
Keeping consistent track of the details like yeast
percentage and rising time can be a pain—until
now. Introducing The Bread Baker’s Notebook, the
first journal designed specifically for recording and
refining your bread baking journey. Geared toward
beginners, but sophisticated enough for the
experienced baker, this journal is for sourdough
enthusiasts, kneaders and no-kneaders, and anyone
committed to yeast. Take note of every aspect of
every loaf you bake, from starter behavior, flour
ratio, and oven temperatures to the tasty results,
with observations on crust, chew, texture, and taste.
Helpful tips on ingredients and process are provided
throughout the journal. The Bread Baker’s Notebook
is the perfect gift for friends and family who have
recently found bread making, as well as those who
have been baking all along.


6 x 7.25 in / 15 x 18.5 cm DATE RECIPE ADD-INS, IF USED Cheese Raisins Seeds Nuts Olives

Hardcover SEASON Winter Spring Summer Fall RESTING TIME

Layflat, with ribbon marker WEATHER

Kitchen Temperature:
Rainy Foggy Humid Dry Sunny


Cover stamp

160 pp

Amount of starter (in grams): Amount of leaven, if using (in grams): How many folds: Time between:

$18.95 / £16.99


Temperature: Total amount of water:


9 781648 960055

Use your fridge when

your plans become more
important than your bread.
The refrigerator is
like a magic pause button.
AUTOLYZE: when you combine flour FOLDING: a technique carried out during OVER- AND UNDER-PROOFING: Just like The purpose of scoring is to help the
and water and let the mixture sit for a bulk fermentation of pulling up the anything in life, you can try too little, dough expand during its oven spring.
while before adding any salt, yeast, or dough and folding it over in the bowl, or you can try too hard. You can
leaven. This process starts the gluten turning the bowl as you go. You are rush it, or you can drop the ball. Your SHAPING: the next step after bulk
formation, makes for a smoother dough, aiding in the building of the gluten bread will let you know something went fermentation. Shape the dough into the
and cuts down on your mixing time structure. wrong. Maybe it’s become a flat, loaf of your dreams, either in a bowl or
later on. It is not necessary for great delicious slipper. Or full of holes. on a work surface. Shaped dough goes
bread, but some people find it adds GLUTEN: the proteins found in some Figuring out what went awry may take into a basket to help it keep the shape.
flavor and longevity. grains (wheat, spelt, and rye, for some sleuthing. If you haven’t let your There are numerous ASMR videos online
example). When broken down and bread proof long enough, it won’t be of bakers shaping to keep you soothed
BULK FERMENTATION: baby’s first big rise. fermented with water, salt, and a strong enough to rise. If you over- for hours.
Scientifically, what’s happening here is leavening agent, it binds together and proofed your bread, the beautiful air
the yeast is eating the carbs and farting accounts for the elasticity in the dough. inside the dough has escaped. This is the SOURDOUGH STARTER (also called the
out carbon dioxide, aided by a series of quagmire for new bakers, and you will mother): this is your wild yeast. If you
stretches and folds. It’s called “bulk” LEAVEN (also called, pre-ferment, levain): flail about here for sure. Rejoice in your are baking sourdough bread, the starter
because the dough is all together. It a small amount of sourdough with more mistakes. They build your muscles. is your first key to the kingdom. It
hasn’t been broken apart into separate flour and water added in, left to sit for a contains only flour and water, your love
loaves and left its family yet. few hours before mixing. PROOFING: your bread’s final rise, after and attention, and time.
shaping. Some people do this in the
DISCARD: if you are using a sourdough OVEN SPRING: a beautiful madness that is refrigerator—a cold proof. SPONGE: a bit of flour, water, and yeast
starter, this the quantity of starter you the last rise for your dough. It generally set to rise before you mix in the main
do not use, or if you are feeding your takes place halfway through your bake, RETARDING: placing your bread in a ingredients. It creates a fermented taste
starter, the amount you take out just and it can be a vindication of all your colder environment to slow down the somewhat like sourdough, but in much
before. Rather than get rid of it, as the work, a mirror of your mistakes, or yeast fermentation. It’s like pressing less time.
name suggests, collect it in a jar. There pure magic. You could have great oven pause.
are endless uses for discard. The reason spring—a giant, bouncing loaf—or you YEAST: a leavening agent. If you do not
to discard is because if you don’t, you’ll could have sad flatness. Keeping a log SCORING: slashing with a razor once care to capture your own wild yeast
end up with an unwieldy amount of will help you figure out what led you to your bread is ready to be baked. Many culture, you can buy one at the grocery
starter. Discarding also keeps your greatness. bakers flex their muscles here and make store. Commercially made yeast makes
mother nice and refreshed. beautiful, intricate designs (there are your bread rise pretty rapidly. There is
innumerable examples on Instagram). active dry, instant, and fresh yeast. | Spring 2021 | Princeton Architectural Press 49

Classic Paperbacks
1000 Piece Puzzle
Richard Baker

Piece together your own colorful collection

of vintage paperback book covers! Classic
Paperbacks 1000 Piece Puzzle features artist
Richard Baker’s incredible paintings of beloved
real books, including works by Emily Dickinson,
Richard Wright, Sandra Cisneros, and Susan
Sontag, among other literary luminaries.
Each “book portrait” captures the signs of
wear that all bibliophiles can appreciate from
their own most-loved reads. The perfect gift
for book lovers and collectors everywhere.

October 2020
11 x 9 x 2.5 in / 27.9 x 22.7 x 6.3 cm box
25 x 20 in / 63.5 x 51 cm puzzle
1000 pieces
Enclosure with puzzle image
$16.95 / £14.99
Ri g h ts: Wo rld

9 781648 960000

Every book lover’s collection includes

a few treasured favorites with frayed edges and covers soft
from wear. Richard Baker’s remarkable paintings of
vintage paperback books capture these intimate details.
The “book portraits” feature titles by some of the most
iconic writers of the modern era, from Emily Dickinson
and Mark Twain to George Orwell and Susan Sontag.

Also Available from the

Classic Paperbacks series...

Classic Paperbacks Classic Paperbacks

Notecards & Envelopes Memory Game
978-1-61689-954-7 / $16.95 978-1-61689-962-2 / $19.95
see page 68 see page 65

50 Princeton Architectural Press | Spring 2021 |

Classic Paperbacks Notebook
Richard Baker

Take literary inspiration with you everywhere you

go with the new Classic Paperbacks Notebook,
featuring artist Richard Baker’s remarkable
paintings of vintage paperback books. Interspersed
throughout the notebook and displayed on the
cover are Baker’s near-photographic paintings of
beloved real books from the most iconic writers
from the nineteenth century to the modern era,
from Emily Dickinson to Zora Neale Hurston and
Herman Melville to James Baldwin. Each “book
portrait” includes the marks of a treasured favorite
with covers softened and edges frayed from
countless readings. The lined journal is a perfect
companion for readers and book lovers.

February 2021
5.75 x 8.25 in / 14.5 x 21 cm
160 pp
Ribbon marker
$18.95 / £16.99
Ri g h ts : Wo rld

9 781616 899769 | Spring 2021 | Princeton Architectural Press 51

Grids & Guides Orange
A Notebook for Visual Thinkers

The beloved Grids & Guides family gets a bold new

addition with Grids & Guides Orange. Like its best-
selling predecessors, this new orange edition is a stylish
and durable notebook that features eight classic grid
pages interspersed with eight engaging charts and
infographics on hazard symbols, chromosomes, human
muscular systems, cetaceans, gears, world data, particle
physics, and sound and hearing. Cloth-covered and
handsome, this notebook makes a great gift for
architects, designers, creatives, and left-brainers and
right-brainers alike.

March 2021
5.75 x 8.25 in / 14.5 x 21 cm
160 pp
Cloth-covered / ½ jacket
$16.95 / £14.99
Ri g h ts: Wo rld

9 781616 899875

The entire Grids & Guides Series...

see page 66

52 Princeton Architectural Press | Spring 2021 |

Get Off Your Apps Notebook

Get Off Your Apps Notebook offers all the convenience

of smartphone apps with all the benefits of digital
detox. This pocket-size journal is the perfect place to
record everything you’ve been tapping into your
phone: podcasts to check out, spending habits, food
logs, workout goals, and ideas for your side hustle.
Perfectly customizable, Get Off Your Apps Notebook
includes four distinct forty-page sections that can
transform into any app you want to replace, while
helping you avoid addictive phone habits. With a
removable jacket and blind stamping on the cover,
Get off Your Apps Notebook is a great tool for anyone
who wants their existence to be a little less digital
and a little more real.

January 2021
3.5 x 6 / 9 x 15 cm
Layflat, rounded corners
Cover stamp
160 pp
$10.95 / £9.99
Ri g h ts: Wo rld

9 781616 899844

App functions you can replace

with Get Off Your Apps
•  Books to read

•  Podcasts

•  Movies

•  Music

•  Spending and saving

•  Workout recording

•  Meal planning

•  Dream journal

•  Travel ideas | Spring 2021 | Princeton Architectural Press 53

Connected Notecards
Ten Flat Cards & Envelopes
Serena Mitnik-Miller

In challenging times and joyful times,

connectedness keeps us grounded and makes
us more thoughtful about the ways we are
linked. Connected Notecards features the
meditative and interconnecting patterns of
California artist Serena Mitnik-Miller. The
soothing pastels and mesmerizing artwork make
these contemplative cards perfect for reaching
out to friends and loved ones nearby and far
away. The set includes ten flat cards and
envelopes in a Wibalin-covered keepsake box.

Serena Mitnik-Miller is a tastemaker across

fashion, lifestyle, design, and art. Her paintings
are created by hand, using watercolor pigment
on paper. The compositions are interconnecting
patterns of color and concentric shapes where
structures break apart, bubbles stack, and
pyramids multiply. Her artwork typically
begins with an impression from the natural
environment; the ocean and coastal habitats
are often points of reference.

March 2021
5.5 x 7 x 1.75 in / 14 x 18 x 4.5 cm
10 flat cards (10 designs)
10 envelopes
Enclosure with artist statement
$18.95 / £14.99
Ri g h ts: Wo rld

9 781648 960215

54 Princeton Architectural Press | Spring 2021 |

Woodland Journal

Whether you’re in the forest or just dreaming of

woodland wonderlands, immerse yourself in the
little miracles of nature with the Woodland Journal.
Charming original watercolor illustrations of
mushrooms and wildflowers, frogs and ferns, and
butterflies and rabbits fill the pages of this lined
journal. The foil-stamped cloth cover complements
the whimsical endpapers, and a ribbon marker
keeps your place. The Woodland Journal is a
sanctuary for writers, poets, and journal keepers
who wish to enter the magical forest world to
escape the everyday in their own imagination.

March 2021
6 x 7.25 in / 15 x 18.5 cm
Layflat, with ribbon marker
Cover stamp
160 pp
47 illustrations
$18.95 / £16.99
Ri g h ts: Wo rld

9 781616 899790 | Spring 2021 | Princeton Architectural Press 55

Recent Highlights

Angela Y. Davis, 1974, from Voices of Change

Spring 2021 | Backlist 57

Maria Dek

Best b
f th e year,

Praise for Maria Dek

“Dek’s invitation to explore the
forest’s magic and to leave
behind civilization, vehicles,
technology  — even other
people —feels honest and
strikingly personal. Her story
itself is a journey.”
Good Morning, Neighbor A Walk in the Forest
— P ublishers Weekly Davide Cali and Maria Dek Maria Dek
8 x 11 in 7.87 x 9.85 in
48 pp / HC with jacket 48 pp / HC with jacket
Ages: 3–7 Ages: 3–6
978-1-61689-699-7 / $17.95 978-1-61689-569-3 / $17.95
Ri ghts: Wo rld En g l i sh Ri gh ts: Wo r l d En gl i sh
51795 51795

9 781616 896997 9 781616 895693

1– 25

Look, It’s Raining Malo and the Merry-Go-Round When I Am Big

Mathieu Pierloot Maria Dek Maria Dek
Illustrated by Maria Dek 8 x 11 in 8 x 10 in
8 x 11 in 34 pp / HC with jacket 48 pp / HC with jacket
40 pp / HC with jacket Ages: 3–7 Ages: 4 and up
Ages: 3–6 978-1-61689-875-5 / $17.95 978-1-61689-602-7 / $17.95
978-1-61689-828-1 / $17.95 Ri ghts: WORLD ENGL I SH Ri gh ts: Wo r l d En gl i sh
Ri g h ts: N o rt h Ame r ica 51795 51795
9 781616 898755 9 781616 896027
9 781616 898281

58 Princeton Architectural Press | Spring 2021 |

Marianne Dubuc

Best b
f th e year,

Praise for Marianne Dubuc

“What compassion looks like—
without a shadow of a doubt.”
—  Kirkus Reviews

The Fish and the Cat Little Cheetah’s Shadow

Marianne Dubuc Marianne Dubuc
7.5 x 9.5 in 7.5 x 9.85 in
92 pp / HC with jacket 30 pp / HC with jacket
Ages: 2 and up Ages: 3–7
978-1-61689-505-1 / $16.95 978-1-61689-840-3 / $17.95
Ri g h ts : N o rt h Ame r ic a Ri ghts: N o rth Am e r ic a
51695 51795

9 781616 895051 9 781616 898403

Best b W
Star re
d year, P
, of the
review &
SLJ star re
PW &
, SL J

Otto and Pio Up the Mountain Path What Do You Want, Little Friend?
Marianne Dubuc Marianne Dubuc Marianne Dubuc
7.5 x 10.25 in 7.5 x 9.75 in 5.5 x 5.5 in
68 pp / HC with jacket 72 pp / HC with jacket 24 pp / Board book
Ages: 3–7 Ages: 3–7 978-1-61689-944-8 / $8.95
978-1-61689-760-4 / $17.95 978-1-61689-723-9 / $17.95 Ri gh ts: N o rt h A m e r ic a
R I GHTS : N O RTH AMER IC A Ri ghts: N o rth Am e r ic a 50895
51795 51795
9 781616 899448
9 781616 897604 9 781616 897239 | Spring 2021 | Princeton Architectural Press 59

Children’s Nonfiction

51695 51995 51895 51795

9 781616 898496 9 781616 898571 9 781616 897161 9 781616 899400

Animal Habitats: Search and Find The Atlas of Amazing Birds The Colorful World of Dinosaurs Endangered Animals
Sarah Dennis and Sam Hutchinson Matt Sewell Matt Sewell Sam Hutchinson
9.75 x 9.75 in / 32 pp / Ages: 6–9 7.85 x 8.65 in / 128 pp / Ages: 5–10 9 x 11.8 in / 96 pp / Ages: 5–12 9.85 x 9.85 in / 32 pp / Ages: 6–9
HC / 978-1-61689-849-6 / $16.95 HC / 978-1-61689-857-1 / $19.95 HC / 978-1-61689-716-1 / $18.95 HC / 978-1-61689-940-0 / $17.95
Righ ts: Nort h A mer ica Righ ts: nort h a mer ica Righ ts: Nort h A mer ic a Righ ts: Nort h A mer ic a

Star re
Kir s
k u
& PW

52795 52795 51795 52495

9 781616 895938 9 781616 898939 9 781616 898366 9 781616 897666

Frank Lloyd Wright: In the Garden A Life Made by Hand Leonardo da Vinci:
Meet the Architect! Emma Giuliani Andrea D’Aquino Meet the Artist!
Patricia Geis 11 x 15.75 in / 16 pp / Ages: 8 and up 8 x 10.75 in / 40 pp / Ages: 5–8 Patricia Geis
8.25 x 11.75 in / 16 pp / Ages: 8 and up HC / 978-1-61689-893-9 / $27.95 HC / 978-1-61689-836-6 / $17.95 8.25 x 11.75 in / 16 pp / Ages: 8 and up
HC / 978-1-61689-593-8 / $27.95 Righ ts: wor ld english Wor ld English HC / 978-1-61689-766-6 / $24.95
Righ ts: wor ld english Righ ts: wor ld english

52495 52495 51795 51795

9 781616 892821 9 781616 892517

9 781616 894597 9 781616 899912

Henri Matisse: Pablo Picasso: Strange Trees Little Audrey’s Daydream

Meet the Artist! Meet the Artist! Bernadette Pourquié Sean and Karin Hepburn Ferrer
Patricia Geis Patricia Geis 8.75 x 12 in / 40 pp / Ages: 6 and up 10.7 x 8.27 in / 56 pp / Ages: 4–8
8.25 x 11.75 in / 16 pp / Ages: 8 and up 8.25 x 11.75 in / 16 pp / Ages: 8 and up HC / 978-1-61689-459-7 / $17.95 HC / 978-1-61689-991-2 / $17.95
HC / 978-1-61689-282-1 $24.95 HC / 978-1-61689-251-7 / $24.95 Righ ts: Nort h A mer ic a Righ ts: wor ld
Righ ts: wor ld english Righ ts: wor ld english

60 Princeton Architectural Press | Spring 2021 |

Children’s Fiction

Starred d
, Star re
review ,
Shelf review
ess d Kir s
k u
Awa ren Star re
Kir s
k u

51795 51795 51495 51795

9 781616 894283
9 781616 899455 9 781616 895525 9 781616 898861

The Brownstone I Am a Capybara Mud Book My Bison

Paula Scher / Illustrated by Stan Mack Michela Fabbri John Cage and Lois Long Gaya Wisniewski
8 x 11 in / 32 pp / Ages: 3–8 6.75 x 9.75 in / 40 pp / Ages: 4–8 4.875 x 5 in / 40 pp / Ages: 3 and up 7.5 x 10.5 in / 36 pp / Ages: 5–8
HC / 978-1-61689-428-3 / $17.95 HC / 978-1-61689-945-5 / $17.95 HC / 978-1-61689-552-5 / $14.95 HC / 978-1-61689-886-1 / $17.95
Righ ts: wor ld Righ ts: wor ld English Righ ts: Wor ld, exclu ding I ta ly Righ ts: WORLD ENGLISH

Star re
re wo rd

51695 51795 52495 51795

9 781616 898137 9 781616 899509 9 781616 896508 9 781616 898434

My Island Nasla’s Dream Night and Day Patience, Miyuki

Stephanie Demasse-Pottier Cécile Roumiguière Julie Safirstein Roxane Marie Galliez
Illustrated by Seng Soun Ratanavanh Illustrated by Simone Rea 10 x 12.5 in / 14 pp / Ages: 3 and up Illustrated by Seng Soun Ratanavanh
9.75 x 9.75 in / 32 pp / Ages: 3–5 9 x 10.82 in / 32 pp / Ages: 4–8 HC / 978-1-61689-650-8 / $24.95 8.5 x 11.65 in / 28 pp / Ages: 5–8
HC / 978-1-61689-813-7 /$16.95 HC / 978-1-61689-950-9 /$17.95 Righ ts: Wor ld English HC / 978-1-61689-843-4 / $17.95
Righ ts: Wor ld English Righ ts: Wor ld English Righ ts: Wor ld English

51795 51795 51795 51795

9 781616 898014 9 781616 899011 9 781616 897055 9 781616 894726

The Quiet Crocodile Thank You, Miyuki Time for Bed, Miyuki What Can I Be?
Goes to the Beach Roxane Marie Galliez Roxane Marie Galliez Ann Rand and Ingrid Fiksdahl King
Natacha Andriamirado Illustrated by Seng Soun Ratanavanh Illustrated by Seng Soun Ratanavanh 7 x 9.5 in / 32 pages / Ages: 3–5
Illustrated by Delphine Renon 8.5 x 11.65 in / 32 pp / Ages: 5–8 8.5 x 11.65 in / 32 pp / Ages: 5–8 HC / 978-1-61689-472-6 / $17.95
11 x 7 in / 40 pp / Ages: 2–4 HC / 978-1-61689-901-1 / $17.95 HC / 978-1-61689-705-5 / $17.95 Righ ts: wor ld
HC / 978-1-61689-801-4 / $17.95 Righ ts: wor ld english Righ ts: wor ld english
R IGHTS: WORLD ENGLISH | Spring 2021 | Princeton Architectural Press 61

My Nature Sticker Activity Books

My Nature Sticker Activity Books

present a range of interactive activities and
stickers that keep children entertained for
hours. A quiz at the end of each book tests their
knowledge of the fun facts they have learned.

“The first time you show your little nature lovers

these books, do not let them know there are stickers
involved. Because these are the rare activity books
that can hold their own on the quirky, information-
packed writing and exquisite artwork alone.”
—New York Times Book Review

My Nature Sticker
Activity Books
8.75 x 11.875 in
24 pp
Ages: 5 and up
$7.99 / £5.99
R I GHTS : Wo rld En gl ish

Animals of the Savanna At the Seashore

Olivia Cosneau Olivia Cosneau
57 stickers and 32 activities 120 stickers and 24 activities
978-1-61689-788-8 978-1-61689-461-0
50799 50799

9 781616 897888 9 781616 894610

62 Princeton Architectural Press | Spring 2021 |

Birds of the World Butterflies of the World Garden Insects and Bugs
Olivia Cosneau Olivia Cosneau Olivia Cosneau
104 stickers and 24 activities 56 stickers and 24 activities 112 stickers and 27 activities
978-1-61689-566-2 978-1-61689-465-8 978-1-61689-664-5
50799 50799 50799

9 781616 895662 9 781616 894658 9 781616 896645

Inventive Animals
Clémentine Sourdais

74 stickers,
26 activities,
and 1 quiz

In the Age of Dinosaurs Inventive Animals In the Forest

Olivia Cosneau Clémentine Sourdais Olivia Cosneau
85 stickers and 24 activities 74 stickers and 26 activities 127 stickers and 29 activities
978-1-61689-469-6 978-1-61689-898-4 978-1-61689-785-7
50799 50799 50799

9 781616 894696 9 781616 898984 9 781616 897857

Streams and Ponds

Olivia Cosneau

94 stickers,
31 activities,
and 1 quiz

In the Vegetable Garden In the Ocean Streams and Ponds

Olivia Cosneau Olivia Cosneau Olivia Cosneau
102 stickers and 24 activities 80 stickers and 25 activities 94 stickers and 31 activities
978-1-61689-571-6 978-1-61689-669-0 978-1-61689-904-2
50799 50799 50799

9 781616 895716 9 781616 896690 9 781616 899042 | Spring 2021 | Princeton Architectural Press 63

Stamp Sets

Sea Stamps Stamp Bugs

25 stamps + 2 ink pads 25 stamps + 2 ink pads
Louise Lockhart Barbara Dziadosz
10.5 x 1.75 x 3.5 in 10.5 x 1.75 x 3.5 in
Matchbox-style box / 25 wood-backed rubber stamps Matchbox-style box / 25 wood-backed rubber stamps
Double pad / 2 colors of ink (teal and coral) Double pad / 2 colors of ink (yellow and gray)
978-1-61689-894-6 / $24.95 978-1-61689-809-0 / $24.95
Ri g h ts : Wo rld Ri gh ts: Wo r l d
52495 52495

9 781616 898946 9 781616 898090

Stamp Garden Stampville

25 stamps + 2 ink pads 25 stamps + 2 ink pads
Coralie Bickford-Smith Aurelien Debat
10.5 x 1.75 x 3.5 in 10.5 x 1.75 x 3.5 in
Matchbox-style box / 25 wood-backed rubber stamps Matchbox-style box / 25 wood-backed rubber stamps
Double pad / 2 colors of ink (green and pink) Double pad / 2 colors of ink (yellow and blue)
978-1-61689-680-5 / $24.95 978-1-61689-601-0 / $24.95
Ri g h ts : Wo rld Ri gh ts: Wo r l d
52495 52495

9 781616 896805 9 781616 896010

Games & Pencils

Classic Paperbacks Memory Game Fredericks & Mae Fredericks & Mae
Richard Baker Paper Games Playing Cards
3 x 3 x 3 in 5 x 5 x 2.25 in 2.875 x 3.75 x 1 in
Box with lift-off lid 5 tear-off pads 54 full-color playing cards
26 pairs (52 cards total) / 1mm thick 150 sheets per pad 32-pp booklet
Enclosure with artist statement 978-1-61689-531-0 / $19.95 Box with lift-off lid / foil stamping
978-1-61689-962-2 / $19.95 Ri ghts: world 978-1-61689-359-0 / $14.95
Ri g h ts : Wo rld 51995 Ri gh ts: wo r l d
51995 51495
9 781616 895310
9 781616 899622 9 781616 893590

Perfetto Pencils Tutti Frutti Pencils Woodcut Memory Game

Louise Fili Louise Fili Bryan Nash Gill
7.375 x 2.25 x 0.875 in 7.375 x 2.25 x 0.875 in 3.5 x 3.5 x 4.125 in
12 sharpened double-sided pencils 12 sharpened double-sided pencils 52 cards total (26 pairs)
2 colors: red/black 6 colors: red/green, blue/orange, Box with lift-off lid
978-1-61689-243-2 / $14.95 yellow/purple 978-1-61689-543-3 / $19.95
Ri g h ts: world 978-1-61689-337-8 / $14.95 Ri gh ts: Wo r l d
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Grids & Guides

120° 60° Φ 1 Φ

150° 30°

180° 0°

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better option out there. I’ve tasted the fine wine
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and I can’t go back. It is the Princeton
Architectural Press Grids & Guides Notebook, Grids & Guides Eco
and it is not like Other Notebooks.” A Notebook for
Ecological Thinkers
—The Strategist, NY Magazine
5.75 x 8.25 in / 160 pp
a Hardcover, reusable 1/2 jacket
h with map and calendar
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r 240° 300° Ri gh ts: Wo r l d


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A Notebook for A Notebook for A Notebook for A Notebook for
Visual Thinkers Visual Thinkers Visual Thinkers Visual Thinkers
5.75 x 8.25 in 5.75 x 8.25 in 5.75 x 8.25 in 5.75 x 8.25 in
160 pp / HC 160 pp / HC 160 pp / HC 160 pp / HC
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66 Princeton Architectural Press | Spring 2021 |

Grids & Guides

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Grids & Guides Grids & Guides Grids & Guides Grids & Guides List Pads
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2 Notebooks 2 Tracing Paper Notebooks 3 Notepads 3 x 9 in
5.75 x 8.25 in 5.75 x 8.25 in 6 x 9 in black, blue, and gray
Thick paper cover with bound with bellyband green, blue, and red 80 sheets each / bound at top
stamped grid / 80 pp each / 60 sheets each / sewn spine 50 sheets each / bound at top 978-1-61689-815-1 / $14.95
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A Pencil Set for Visual Thinkers Blue Black Drawing Pad
7 x 2 x .7 in Pocket-Size Notebooks Pocket-Size Notebooks 14 x 10 in
12 single-sided, hexagonal, 3 x 4.25 in / 60 sheets 3 x 4.25 in / 60 sheets 50 sheets of graph paper
sharpened pencils: 6 black perforated micro grid pages perforated micro grid pages in 3 patterns / perforated,
graphite, 6 blue color Flip-open cover Flip-open cover thick black backing board
Includes ruler with die cuts 978-1-61689-763-5 / $7.95 978-1-61689-756-7 / $7.95 978-1-61689-635-5 / $16.95
978-1-61689-466-5 / $14.95 Ri ghts: Wo rld Ri gh ts: Wo r l d Ri gh ts: Wo r l d
Ri g h ts: Wo rld | Spring 2021 | Princeton Architectural Press 67

Notecards & Postcards

52495 51995 51895 51995

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Architectural Classics Animal Box Art Deco Notecards Birthday Box

Twenty Cards & Envelopes 100 Postcards by 10 Artists 5 x 6 in 7 x 5.5 in
9 x 6 in 4.25 x 6.25 in 10 notecards (4 designs) 20 notecards (20 designs)
20 flat cards (20 designs) 100 full-color postcards 10 envelopes (2 designs) 20 envelopes (5 colors)
20 envelopes 10 tabbed dividers Foil-stamped box, cards, envelopes 978-1-61689-695-9 / $19.95
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Cards for Sad Times Classic Paperbacks Color Theory Notecards Dear Data Postcard Kit
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5.5 x 7 x 1.75 in 5.5 x 7 x 1.75 in 5.5 x 7 in 5 x 7 in
10 notecards (10 designs) 12 notecards (12 designs) 12 notecards (6 designs) 12 postcard art prints / 2 packets
10 envelopes ( 5 colors, 4 of each ) 12 envelopes 12 envelopes (4 designs) 4-color how-to booklet
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Emily Dickinson Notecards Ex Libris: Fifty Postcards Fredericks & Mae Animal Masks Flower Box
6 x 4.75 in 4.25 x 6.125 x 1.625 in box Notecards 100 Postcards by 10 Artists
12 notecards 50 cards (50 designs) 5.5 x 6.5 in 4.25 x 6.25 in
(4 quotes repeating 3 times) Enclosure with history of bookplates 12 full-color notecards 100 full-color postcards
12 full-color envelopes Box with slide-out drawer and ribbon 6 die-cut designs (2 of each) 10 tabbed dividers
978-1-61689-580-8 / $14.95 978-1-61689-878-6 / $18.95 978-1-61689-367-5 / $16.95 978-1-61689-671-3 / $19.95
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68 Princeton Architectural Press | Spring 2021 |

Notecards & Postcards

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12 notecards (12 designs) 12 notecards 5 x 7 in / 24 postcards 5.75 x 7 in
12 envelopes (4 quotes repeating 3 times) (12 designs) 12 notecards (4 designs)
978-1-61689-906-6 / $16.95 12 full-color envelopes 978-1-61689-598-3 / $15.95 12 envelopes
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Otomi Notecards Paper Flowers Cards Pattern Box The Night Sky
4.75 x 6.125 x 1.5 in Notecards & Envelopes 100 Postcards by 10 Contemporary 50 Postcards
12 embossed notecards (4 designs) 5.5 x 7 x 1.75 in Pattern Designers 3.875 x 5.625 in
12 envelopes (4 colors, 3 of each) 12 flat cards (12 designs) 4.25 x 6.25 in 50 full-color postcards
978-1-61689-938-7 / $15.95 12 envelopes 100 full-color postcards 978-1-61689-734-5 / $16.95
Ri ghts: Wo rld 978-1-61689-948-6 / $16.95 10 tabbed dividers Ri ghts: Wo rld
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Sunprint Notecards Wild Sea Notecards Woodcut Notecards Woodcut Postcards

5.75 x 7 in 5.5 x 7 in 5.25 x 6.5 in 5 x 7 in / 24 postcards
12 notecards (12 designs) 12 notecards (6 designs) 12 full-color notecards (12 designs) with envelopes
12 envelopes 12 envelopes (6 designs) with envelopes 978-1-61689-795-6 / $15.95
978-1-61689-591-4 / $16.95 978-1-61689-682-9 / $16.95 978-1-61689-147-3 / $16.95 Ri ghts: Wo rld
Righ ts: wor ld Righ ts: wor ld Ri ghts: Wo rld | Spring 2021 | Princeton Architectural Press 69

Journals, Notebooks, and Notepads

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Color Emily Dickinson Notepads Emily Dickinson Notebook Ex Libris: A Journal

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8.25 x 11 in / 140 pp / 40 color 3 x 9 in / 80 sheets each, 160 pp / 60 color images 60 illustrations / HC / cloth-covered
Wire-O bound hardcover journal bound at the top HC / cloth spine / ribbon marker Ribbon marker
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Observe, Collect, Draw! Observer’s Notebook Observer’s Notebook Observer’s Notebook

A Visual Journal Astronomy Birds Home
7 x 9 in / 160 pp / full color 7 x 9 in / 160 pp / 8 full-color pages 7 x 9 in / 160 pp / 16 full-color pages 7 x 9 in / 160 pp / 16 full-color pages
Textured hardcover HC / cloth covered / ribbon marker HC / cloth covered / ribbon marker HC / cloth covered / ribbon marker
978-1-61689-714-7 / $18.95 978-1-61689-538-9 / $18.95 978-1-61689-791-8 / $18.95 978-1-61689-637-9 / $18.95
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Observer’s Notebook Observer’s Notebook Otomi Journal Thoreau Notebook

Trees Weather 5.75 x 8.25 in 5.75 x 8.25 in / 160 pp / 26 color
7 x 9 in / 160 pp / 8 full-color pages 7 x 9 in / 160 pp / 8 full-color pages 160 pp / Embossed softcover Hardcover, cloth spine,
HC / cloth covered / ribbon marker HC / cloth covered / ribbon marker 978-1-61689-943-1 / $18.95 ribbon marker
978-1-61689-537-2 / $18.95 978-1-61689-583-9 / $18.95 Ri ghts: Wo rld 978-1-61689-744-4 / $18.95
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70 Princeton Architectural Press | Spring 2021 |

Moleskine Books

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The Design of Words Herbert Bayer I am London I am Milan

Francesco Guerrera Ellen Lupton Carlo Stanga Carlo Stanga
11.75 x 8.25 in / 160 pp 5 x 8.25 in / 144 pp / HC 8.25 x 9.75 in / 112 pp / PB 8.25 x 9.75 in / 112 pp / PB
Hardcover / 978-88-6732-768-3 978-1-61689-953-0 / $24.95 978-88-6732-573-3 / $29.90 978-1-61689-980-6 / $29.95
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I am New York John Alcorn Paul Rand Paul Rudolph

Carlo Stanga Evolution By Design Inspiration and Process in Design Inspiration and Process
8.25 x 9.75 in / 112 pp / PB 9 x 11.5 in / 288 pp / HC 5 x 8.25 in / 144 pp / HC in Architecture
978-88-6732-578-8 / $29.90 978-88-6732-196-4 / $64.00 978-1-61689-859-5 / $24.95 5 x 8.25 in / 144 pp / HC
Righ ts: Wor ld english Righ ts: Wor ld english Righ ts: Wor ld 978-1-61689-865-6 / $24.95
Righ ts: Wor ld

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Seymour Chwast Silkscreen Masters Steven Holl The Wandering City

Inspiration and Process in Design Secrets of the World’s Top Inspiration and Process Coloring Book
5 x 8.25 in / 144 pp / HC Screen Printers in Architecture Carlo Stanga
978-1-61689-933-2 / $24.95 8.25 x 10 in / 224 pp / PB 5 x 8.25 in / 144 pp / HC 8.25 x 9.75 in / 96 pp / PB
Righ ts: Wor ld 978-88-6613-166-3 / $32.90 978-1-61689-897-7 / $24.95 978-88-6732-766-9 / $19.95
Righ ts: Wor ld english Righ ts: Wor ld Righ ts: Wor ld english | Spring 2021 | Princeton Architectural Press 71


13000 52995

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The Architecture of Trees W. E. B. Du Bois’s Data Portraits

Cesare Leonardi and Franca Stagi Visualizing Black America
9.87 x 14.75 in / 424 pp / HC Whitney Battle-Baptiste
978-1-61689-806-9 / $130.00 and Britt Rusert, editors
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Guide to Historic Artists’ Homes & Studios This Is What Democracy Looked Like
Valerie A. Balint and the National Trust A Visual History of the Printed Ballot
for Historic Preservation Alicia Yin Cheng
6 x 9 in / 256 pp / PB 6.75 x 10.25 in / 176 pp / HC
978-1-61689-773-4 / $29.95 978-1-61689-887-8 / $29.95
Ri g hts : WO RLD Ri gh ts: WORLD

72 Princeton Architectural Press | Spring 2021 |


54000 52995

9 781616 894153
9 781616 893187

The Ghost Army of World War II Welcome to Marwencol

How One Top-Secret Unit Deceived the Enemy with Mark Hogancamp and Chris Shellen
Inflatable Tanks, Sound Effects, and Other Audacious Fakery 7.5 x 9.5 in / 256 pp / HC
Rick Beyer and Elizabeth Sayles 978-1-61689-415-3 / $29.95
8 x 10 in / 256 pp / HC Ri gh ts: Wo r l d
978-1-61689-318-7 / $40.00
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52750 52495

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Posters for Change Button Power

Tear, Paste, Protest: 50 Removable Posters 125 Years of Saying It with Buttons
Princeton Architectural Press Christen Carter and Ted Hake
11 x 14 in / 112 pp / PB 8 x 9 in / 192 pp / HC
978-1-61689-692-8 / $27.50 978-1-61689-870-0 / $24.95
Ri g hts : Wo rld Ri gh ts: Wo r l d | Spring 2021 | Princeton Architectural Press 73

Architecture Bestsellers

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A-frame, Second Edition Architects’ Houses The Art of Earth Architecture Bernard Trainor
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8 × 8.75 in / 208 pp / PB 9 x 11.5 in / 304 pp / HC 9.5 x 12 in / 512 pp / HC 978-1-61689-782-6 / $55.00
978-1-61689-905-9 / $29.95 978-1-61689-702-4 / $60.00 978-1-61689-889-2 / $125.00 Righ ts: Wor ld
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California Contemporary Canadian Modern Architecture Daddy Wouldn’t Buy Me a Bauhaus Manual of Section
Grant Kirkpatrick Elsa Lam and Graham Livesey, editors Janet Abrams Paul Lewis, Marc Tsurumaki,
10 x 12 in / 256 pp / HC 6.5 x 9.5 in / 544 pp / HC 5.5 x 8.5 in / 320 pp / PB and David J. Lewis
978-1-61689-658-4 / $55.00 978-1-61689-645-4 / $55.00 978-1-61689-951-6 / $27.95 7.5 x 11 in / 208 pp / PB
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The New Farm Single-Handedly Site Wright Sites: A Guide to Frank Lloyd
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8 x 10 in / 192 pp / HC 8 x 10 in / 256 pp / HC 10 x 13 in / 312 pp / HC The Frank Lloyd Wright
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74 Princeton Architectural Press | Spring 2021 |

Tom Kundig

Tom Kundig: Working Title Tom Kundig: Works

Tom Kundig Tom Kundig
10 x 12 in / 368 pp / HC 9.5 x 11.875 in / 300 pp / HC
978-1-61689-899-1 / $80.00 978-1-61689-345-3 / $65.00
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Dung Ngo Tom Kundig
8 x 10 in / 176 pp / HC 9.5 x 11.8 in / 256 pp / HC
978-1-56898-605-0 / $40.00 978-1-61689-040-7 / $60.00
Ri g hts : Wo rld Ri gh ts: Wo r l d

9 781616 890407 | Spring 2021 | Princeton Architectural Press 75

Design Bestsellers

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The ABC’s of ▲ ■ ● The Big Leap Dear Data Graphic Design Thinking
Ellen Lupton & J. Abbott Miller, editors Martina Flor Giorgia Lupi & Stefanie Posavec Ellen Lupton
8.5 x 10.75 in / 72 pp / HC 5.75 x 8.25 in / 160 pp / PB 8 x 11 in / 308 pp / Flexi-bound 7 x 8.5 in / 184 pp / PB
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Graphic Design: The New Basics Graphic Design Rules Inside Paragraphs Introduction to Three-
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The Senses Sketch and Finish Thinking with Type, Second Type on Screen
Ellen Lupton & Andrea Lipps, editors Milton Glaser Revised and Expanded Edition Ellen Lupton, editor
6.5 x 8.5 in / 224 pp / HC 6.5 x 9.5 in / 168 pp / PB Ellen Lupton 7 x 8.5 in / 208 pp / PB
978-1-61689-710-9 / $30.00 978-1-61689-961-5 / $19.95 7 x 8.5 in / 224 pp / PB 978-1-61689-170-1 / $27.50
Righ ts: Wor ld Righ ts: Wor ld 978-1-56898-969-3 / $27.50 Righ ts: Wor ld
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76 Princeton Architectural Press | Spring 2021 |

Christin Geall

Cultivated Cultivated 1000 Piece Puzzle

The Elements of Floral Style 11 x 9 x 2.5 in box
Christin Geall 25 x 20 in puzzle / 1000 pieces
7 x 9.5 in Enclosure with puzzle image
224 pp / 90 color / HC 978-1-64896-003-1 / $16.95
978-1-61689-820-5 / $27.50 Ri gh ts: Wo r l d
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Cultivated Notecards
4.75 x 6.125 x 1.5 in
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12 envelopes
Enclosure with artist’s statement
Ri g hts : Wo rld

9 781616 898922 | Spring 2021 | Princeton Architectural Press 77

Crafts and Gardening

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The Golden Secrets of Lettering The Humane Gardener The Kaufmann Mercantile Guide
Martina Flor Nancy Lawson Edited by Alexandra Redgrave and
8.27 x 9.45 in / 168 pp / HC 5.5 x 8 in / 224 pp / HC Jessica Hundley
978-1-61689-573-0 / $35.00 978-1-61689-554-9 / $24.95 7 x 8.5 in / 224 pp / HC
Righ ts: Nort h A mer ica Righ ts: Wor ld 978-1-61689-399-6 / $24.95
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The Little Gardener Modern Fabric Natural Palettes

Julie A. Cerny Abby Gilchrist and Amelia Poole Sasha Duerr
Illustrated by Ysemay Dercon 8 x 10 in / 256 pp / HC 5.75 x 7.25 in / 448 pp / PB
5.5 x 8 in / 224 pp / HC 978-1-61689-837-3 / $40.00 978-1-61689-792-5 / $29.95
978-1-61689-860-1 / $24.95 Righ ts: Wor ld Righ ts: Wor ld English
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The Story of Gardening Weaving on a Little Loom The Wild Dyer

Penelope Hobhouse with Fiona Daly Abigail Booth
Ambra Edwards 8.25 x 10.5 in / 144 pp / PB 7.5 x 9.25 in / 160 pp / HC
9.44 x 10 in / 512 pp / HC 978-1-61689-712-3 / $24.95 978-1-61689-841-0 / $24.95
978-1-61689-919-6 / $60.00 Righ ts: Nort h A mer ica Righ ts: Nort h A mer ica
Righ ts: Nort h A mer ica

78 Princeton Architectural Press | Spring 2021 |

Explore More Series

Glow in er!
dark c

51795 51795

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50 Things to Do in the Wild 50 Things to See in the Sky

Richard Skrein Sarah Barker
Illustrations by Maria Nilsson Illustrations by Maria Nilsson
5.31 x 7.28 in / 144 pp / HC 5.31 x 7.28 in / 144 pp / HC
978-1-61689-942-4 / $17.95 978-1-61689-800-7 / $17.95
Ri g hts : N o rt h Ame r ica Ri gh ts: N o rt h A m e r ic a

51695 51695

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40 Knots and How to Tie Them 50 Things to Do with a Penknife

Lucy Davidson Matt Collins
5.31 x 7.28 in / 144 pp / HC 5.3 x 7.3 in / 144 pp / HC
978-1-61689-718-5 / $16.95 978-1-61689-638-6 / $16.95
Ri g hts : N o rt h Ame r ica Ri gh ts: N o rt h A m e r ic a | Spring 2021 | Princeton Architectural Press 79

Great Gifts

52195 55000 51495

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All’s Fair in Love and War An Atlas of Geographical Wonders Avoid This
Bob Eckstein, editor Jean-Christophe Bailly, Jean-Marc Besse, Brian Rea
8 x 8.5 in / 144 pp / HC Philippe Grand, and Gilles Palsky 5 x 6.5 in / 96 pp / HC
978-1-61689-939-4 / $21.95 12 x 11 in / 208 pp / HC 978-1-61689-958-5 / $14.95
Righ ts: Wor ld english 978-1-61689-823-6 / $50.00 Righ ts: Wor ld
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51695 51995 52995

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Broadly Speaking Everyone’s a Critic Paula Scher: Twenty-Five Years

Barbara Darko and Rob Shaeffer, editors Bob Eckstein, editor at the Public, A Love Story
5.5 x 7 in / 144 pp / HC 8 x 8.5 in / 144 pp / HC Paula Scher
978-1-61689-862-5 / $16.95 978-1-61689-853-3 / $19.95 7.25 x 9.625 in / 256 pp / PB
Righ ts: Wor ld
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57500 51995 52295

9 781616 898182 9 781616 898045 9 781616 899653

Prints and Their Makers The Ultimate Cartoon Book We Are Santa
Phil Sanders of Book Cartoons Ron Cooper
9 x 12 in / 320 pp / HC Bob Eckstein, editor 7.5 x 9.25 in / 160 pp / HC
978-1-61689-818-2 / $75.00 8 x 8.5 in / 144 pp / HC 978-1-61689-965-3 / $22.95
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80 Princeton Architectural Press | Spring 2021 |

INDEX C Estellon, Pascale 40 Grids & Guides Notebook: Navy
Cage, John 61 Everyone’s a Critic 80 66
Symbols Cali, Davide 46, 58 Ex Libris: A Journal 70 Grids & Guides Notebook: Orange
40 Knots and How to Tie Them 79 California Contemporary 74 Ex Libris: Fifty Postcards 68 52
50 Things to Do at the Beach 4 Canadian Modern Architecture 74 exploreArt series 37 Grids & Guides Notebook: Red 66
50 Things to Do in the Wild 79 Cards for Sad Times 68 Extra Bold 12 Grids & Guides Notebook:
50 Things to Do with a Penknife Carter, Christen 73 Softcover Black 67
79 Cerny, Julie A. 78 F Grids & Guides Notepads 67
50 Things to See in the Sky 79 Cheng, Alicia Yin 72 Fabbri, Michela 61 Grids & Guides Pencils 67
Chickenology 34 Fass, Greg 6 Grids & Guides Tracebook 67
A Classic Paperbacks 1000 Piece Fiksdahl King, Ingrid 61 Guerrera, Francesco 71
ABC’s of , The 76 Puzzle 50 Fili, Louise 30, 65 Guide to Historic Artists’ Homes
Abrams, Janet 74 Classic Paperbacks Memory Game Fish and the Cat, The 59 & Studios 72
Adams, Sean 16, 76 50, 65 Flor, Martina 76, 78
A-frame 74 Classic Paperbacks Notebook 51 Flower Box 68 H
A Life Made by Hand 60 Classic Paperbacks Notecards Foster, John 76 Hake, Ted 73
All’s Fair in Love and War 80 50, 68 Frank Lloyd Wright Building Haley, Molly 20
An Atlas of Geographical Wonders Collins, Matt 79 Conservancy, The 74 Halstead, Josh A. 12
80 Colorful World of Dinosaurs, The Frank Lloyd Wright: Meet Healing Garden, The 20
Andriamirado, Natacha 61 60 the Architect! 60 Heller, Steven 30
Animal Box 68 Color Sketchbook 70 Fredericks & Mae Animal Masks Henri Matisse: Meet the Artist! 60
Animal Habitats: Search and Color Theory Notecards 68 68 Hepburn Ferrer, Sean and
Find 60 Connected Notecards 54 Fredericks & Mae Paper Games Karin 60
Animals of the Savanna 62 Cooper, Ron 80 65 Herbaria Notecards 69
Araujo, Ana 26 Cosneau, Olivia 62 Fredericks & Mae Playing Cards Herbert Bayer 71
Architects’ Houses 74 Cultivated 77 65 Hewitt, Kristen 8, 10
Architectural Classics Cards 68 Cultivated 1000 Piece Puzzle 77 Full Moon 42 Highsmith, Cyrus 76
Architecture of Trees, The 72 Cultivated Notecards 77 Hobhouse, Penelope 78
Armor & Animals 36 G Hogancamp, Mark 73
Art Deco Notecards 68 D Galliez, Roxane Marie 61 Hood, Walter 24
Art of Earth Architecture, The 74 Daddy Wouldn’t Buy Me Geall, Christin 77 How Design Makes Us Think 16
Atlas of Amazing Birds, The 60 a Bauhaus 74 Geis, Patricia 60 Humane Gardener, The 78
At the Seashore 62 Daly, Fiona 78 Get Off Your Apps Notebook 53 Humane Home, The 23
Avoid This 80 D’Aquino, Andrea 60 Ghost Army of World War II, Hundley, Jessica 78
A Walk in the Forest 58 Darko, Barbara 80 The 73 Hunt, Holly 18
Davidson, Lucy 79 Gilchrist, Abby 78 Hutchinson, Sam 60
B Dawson, Peter 76 Gill, Bryan Nash 65
Baill, Liz Yohlin 36 Dear Data 76 Giubbilini, Francesco 34 I
Bailly, Jean-Christophe 80 Dear Data Postcard Kit 68 Giuliani, Emma 60 I Am a Capybara 61
Baker, Richard 50, 51, 65 Debat, Aurelien 64 Glaser, Milton 31, 76 I am London 71
Balint, Valerie A. 72 Dek, Maria 4658 Golden Secrets of Lettering, The 78 I am Milan 71
Barker, Sarah 79 Demasse-Pottier, Stephanie 61 Good Energy 24 I am New York 71
Battle-Baptiste, Whitney 72 Dennis, Sarah 60 Good Morning, Neighbor 58 Icebergs, Zombies, and the
Bernard Trainor 74 Dercon, Ysemay 78 Grand, Philippe 80 Ultra Thin 19
Besse, Jean-Marc 80 Design of Words, The 71 Granet, Keith 18 Inside Paragraphs 76
Beyer, Rick 73 Dethier, Jean 74 Graphic Design Rules 76 In the Age of Dinosaurs 63
Bickford-Smith, Coralie 64 Dubuc, Marianne 59 Graphic Design: The New Basics In the Forest 63
Big Leap, The 76 Duerr, Sasha 78 76 In the Garden 60
Birthday Box 68 Dziadosz, Barbara 64 Graphic Design Thinking 76 In the Ocean 63
Black, Brown + Latinx Design Green, Jared 24 In the Vegetable Garden 63
Educators 14 E Gregory, Daniel P. 74 Introduction to Three-Dimensional
Book of Tiny Creatures, The 38 Eckstein, Bob 80 Grids & Guides Drawing Pad 67 Design 76
Booth, Abigail 78 Edwards, Ambra 78 Grids & Guides List Pads 67 Inventive Animals 63
Bread Baker’s Notebook, The 49 Elam, Kimberly 76 Grids & Guides Micro: Black 67
Britton, Easkey 4 Emily Dickinson Notebook 70 Grids & Guides Micro: Blue 67 J
Broadly Speaking 80 Emily Dickinson Notecards 68 Grids & Guides Notebook: Black Jacobson, Mark Z. 24
Brownstone, The 61 Emily Dickinson Notepads 70 66 John Alcorn 71
Business of Design, The 18 Emotional Robots 6 Grids & Guides Notebook: Eco 66 John Muir Notecards 69
Button Power 73 Endangered Animals 60 Grids & Guides Notebook: Gray Julia Child Notecards 48

82 Index
K O Scher, Paula 61, 80 W
Kafei, Farah 12 Observe, Collect, Draw! 70 Sea Stamps 64 Walters, Kelly 14
Kaufmann Mercantile Guide, Observer’s Notebook: Astronomy Seddon, Tony 76 Wandering City Coloring Book,
The 78 70 Senses, The 76 The 71
Kestenbaum, Stuart 22 Observer’s Notebook: Birds 70 Sewell, Matt 60 We Are Santa 80
Kirkpatrick, Grant 74 Observer’s Notebook: Home 70 Seymour Chwast 71 Weaving on a Little Loom 78
Knoll, Florence 26 Observer’s Notebook: Trees 70 Shaeffer, Rob 80 Webb, Michael 74
Kundig, Tom 28, 75 Observer’s Notebook:Weather 70 Shellen, Chris 73 W. E. B. Du Bois’s Data Portraits
Olivetti Pattern Series: Notecards Silkscreen Masters 71 72
L 69 Single-Handedly 74 Welcome to Marwencol 73
Lam, Elsa 74 Orange is an Apricot, Green is a Site 74 What Can Colors Do? 36
Lawson, Nancy 78 Tree Frog 40 Sketch and Finish 76 What Can I Be? 61
Leonardi, Cesare 72 Otomi Journal 70 Skrein, Richard 79 What Do You Want, Little Friend?
Leonardo da Vinci: Meet the Artist! Otomi Notecards 69 Soule, Deb 20 59
60 Otto and Pio 59 Soules, Matthew 19 When I Am Big 58
Lewis, David J. 74 Sourdais, Clémentine 63 Where the World Ends 46
Lewis, Paul 74 P Stagi, Franca 72 Wild Dyer, The 78
Lipps, Andrea 76 Pablo Picasso: Meet the Artist! 60 Stamp Bugs 64 Wild Sea Notecards 69
Little Audrey’s Daydream 60 Palsky, Gilles 80 Stamp Garden 64 Wisniewski, Gaya 61
Little Cheetah’s Shadow 59 Paper Flowers Cards 69 Stampville 64 Woodcut Memory Game 65
Little Gardener, The 78 Patience, Miyuki 61 Stanga, Carlo 71 Woodcut Notecards 69
Livesey, Graham 74 Pattern Box 69 Steven Holl 71 Woodcut Postcards 69
Living Pattern 69 Paula Scher: Twenty-Five Years at Story of Gardening, The 78 Woodland Journal 55
Lockhart, Louise 64 the Public, A Love Story 80 Strange Trees 60 Wright Sites 74
Long, Lois 61 Paul Rand 71 Streams and Ponds 63
Look, It’s Raining 58 Paul Rudolph 71 Sunprint Notecards 69 X
Louise Fili 30 Perfetto Pencils 65 Xia, Leslie 12
Lozanova, Sarah 23 Phillips, Jennifer Cole 76 T
Lupi, Giorgia 76 Pierloot, Mathieu 58 Tchoukriel, Emmanuelle 38 Z
Lupton, Ellen 12, 71, 76 Pintonato, Camilla 34, 42 Thank You, Miyuki 61 Zohar, Alex 6
Poole, Amelia 78 Thinking with Type 76
M Posavec, Stefanie 76 This Is What Democracy Looked
Mack, Stan 61 Posters for Change 73 Like 72
Malo and the Merry-Go-Round Pourquié, Bernadette 60 Thoreau Notebook 70
58 Prints and Their Makers 80 Time for Bed, Miyuki 61
Manual of Section 74 Tobias, Jennifer 12
Marmol, Leo 74 Q Tom Kundig: Houses 28, 75
Miller, J. Abbott 76 Quiet Crocodile Goes to the Beach, Tom Kundig: Houses 2 75
Milton Glaser 31 The 61 Tom Kundig:Working Title 75
Mitnik-Miller, Serena 54 Tom Kundig:Works 75
Modern Fabric 78 R Tordjman, Nathalie 38
Moses, Nalina 74 Radziner, Ron 74 True Colors 44
Mud Book 61 Rand, Ann 61 Tsurumaki, Marc 74
My Bison 61 Randl, Chad 74 Tutti Frutti Pencils 65
My Island 61 Rardon, Candace Rose 23 Type on Screen 76
My Nature Sticker Activity Ratanavanh, Seng Soun 61
Books 62-63 Rea, Brian 80 U
Rea, Simone 61 Ultimate Cartoon Book of Book
N Redgrave, Alexandra 78 Cartoons, The 80
Nasla’s Dream 61 Renon, Delphine 61 Up the Mountain Path 59
National Trust for Historic Richardson, Jake 6
Preservation 72 Roumiguière, Cécile 61 V
Natural Palettes 78 Rusert, Britt 72 Vergara, Valentina 12
New Farm, The 74 Viana, Gonçalo 44
Ngo, Dung 28, 75 S Vicious Nonsense 10
Night and Day 61 Safirstein, Julie 61 Visualizing Nature 22
Night Sky, The 69 Sales, Kaleena 12 Voices of Change 8
Nilsson, Maria 4, 79 Sanders, Phil 80
No Compromise 26 Sandri, Barbara 34
Norwood, Julien 38 Sayles, Elizabeth 73

Index 83
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