Cold Case

2009/2010 SEASON

"FREE LOVE" EPISODE #3X5470
As Broadcast

Prepared By: SDI Media Group 10950 Washington Blvd., Studio B Culver City, CA 90232 (310) 388-8810 For: Warner Bros. Television Air Date: 04/11/2010

BEGIN TEASER FADE IN MUSIC CUE IN WITH VOCALS

Cold Case Episode #3X5470 Page 1

SCREEN GRAPHIC: THE FOLLOWING STORY IS FICTIONAL AND DOES NOT DEPICT ANY ACTUAL PERSON OR EVENT. FADE OUT FADE IN SCENE: INT. BUS - NIGHT (AUGUST 11, 1968. ALL-AMERICAN DAVID QUINN (20) BOARDS IN AN ARMY UNIFORM, TOSSES HIS DUFFEL ON THE RACK) SCREEN GRAPHIC: NEW YORK 1968 (HE SPOTS A BEAUTIFUL GIRL IN A SWEATER SET, ANNABELLE BENNET (19), ENGROSSED IN A BOOK) DAVID This seat taken? (SHE MOVES HER SUITCASE. HE SITS. AN AWKWARD BEAT) DAVID (CON'T) Where you headed? ANNABELLE Ithaca. (o.s.) Gotta transfer (on) in Cortland. DAVID Yeah, yeah, me too. It's about an hour wait. (SHE'S NOT ASKING WHERE HE'S HEADED) DAVID (CON'T) You, uh, going to school there? ANNABELLE Cornell. DAVID First year? (ANNABELLE NODS AGAIN. GOES BACK TO HER BOOK) DAVID (CON'T) Uh, your folks didn't drop you off? ANNABELLE Dad's military.

DAVID No kidding. ANNABELLE Colonel. DAVID (chuckles) Are you, uh, always this talkative? ANNABELLE You? DAVID (chuckles) (SHE'S A SPARK PLUG. DAVID SMILES, SMITTEN) CUT TO: SCENE: INT. CORTLAND BUS STATION - NIGHT (1968. ANNABELLE FINISHES AT THE TICKET COUNTER) TICKET MAN Here you go. ANNABELLE Thank you.

Cold Case Episode #3X5470 Page 2

(A RUSHING COMMUTER DARTS PAST AND BUMPS HER WITH HIS LUGGAGE. ANNABELLE STUMBLES -- BUT DAVID CATCHES HER. A SPARK) ANNABELLE (CON'T) (gasps) RUSHING COMMUTER (o.s.) Sorry. DAVID What a jerk. ANNABELLE (sighs) (HE GRABS HER SUITCASE. HELPS HER TO A BENCH. DAVID GLANCES AT ANNABELLE. SHE GLANCES BACK) DAVID What you reading? ANNABELLE Heller. Catch 22. DAVID Is it good?

ANNABELLE I don't know yet. I like to get to the end before making up my mind. (A HIPPIE DRAPED IN LOVE BEADS STOPS, OFFERS DAVID A DAISY) HIPPIE Make love, not war, man. (DAVID STARES. A TENSE MOMENT. ANNABELLE TAKES THE FLOWER) ANNABELLE Got it. (THE HIPPIE MOVES OFF) DAVID Lotta that going around campus. (SHE PUTS THE DAISY BEHIND HER EAR) ANNABELLE How's it look? DAVID Uh, groovy. (THEY LAUGH) DAVID (CON'T) I'm David. David Quinn. ANNABELLE Annabelle Bennet. (THEY SHARE A SMILE. OFF THIS) DAVID Cornell, huh? ANNABELLE Cornell. DAVID (speaks indistinctly) That's a lot. You can barely say all that. (THEY LAUGH) CONDUCTOR (over PA) Cornell University departing now at the gate. TRANSITION TO: SCENE: EXT. CORTLAND BUS STATION - NIGHT

Cold Case Episode #3X5470 Page 3

Cold Case Episode #3X5470 Page 4 (1968. ANNABELLE & DAVID, RAPT IN CONVERSATION. HE'S CARRYING HER SUITCASE TO HER BUS) DAVID Oh, I'm sure you'll be fine. (SHE LOOKS AT DAVID, FEELS THE WEIGHT OF WHAT'S AHEAD OF HIM) ANNABELLE I'm an idiot. Telling you how scared I am when you're going-(AN UNCOMFORTABLE BEAT, DAVID CUTS IT WITH A JOKE) DAVID I-- I hear they have great beaches over there. Besides, I'll only be gone for a year. (DAVID STARES AT HER. SHE CAN'T LOOK AWAY) CONDUCTOR (over PA) Last call for Cornell. ANNABELLE David. Good luck. DAVID Yeah. You too. ANNABELLE Listen, if you need someone to write. (SHE SCRIBBLES HER ADDRESS IN THE BOOK, HANDS IT TO HIM) ANNABELLE (CON'T) Come home safe, tell me how it ends. DAVID I'll do that. ANNABELLE You'll probably forget me as soon as you get to base. DAVID Oh, no, I'm stubborn like that. (SHE SMILES, WISTFUL, GETS ON THE BUS AS IT PULLS AWAY. OFF DAVID, THE PROMISE OF NEW LOVE) SCREEN GRAPHIC: CATCH-22 TRANSITION TO: SCENE: EXT . WOODSTOCK - DUSK (AUGUST 17, 1969. ARMY OF HIPPIES GROOVING TO MUSIC)

Agent Yates? YATES A man was down.. CUT TO: . BRUCE HURT AND MIKE KEELEY DRESSED IN PRESSED BLACK SUITS) KEELEY (CON'T) . REVEAL: IT'S DAVID.DAY (ESTABLISHING SHOT) SCREEN GRAPHIC: FBI FIELD OFFICE SCREEN GRAPHIC: NEW YORK KEELEY (vo) Why did you enter the basement.. AS HE HEARS THE FAR OFF SOUNDS OF MUSIC) FADE OUT FADE IN SCENE: EXT.INTERVIEW ROOM . A MAN WITH A CHAIN OF DAISIES AROUND HIS NECK CRAWLS TOWARD IT.DAY (2010. ESTABLISHING SHOT) CUT TO: SCENE: EXT. BLEEDING FROM A GUNSHOT WOUND... MUSIC CUE OUT CUT TO: SCENE: INT.SCREEN GRAPHIC: WOODSTOCK MUSIC CUE OUT MUSIC CUE IN Cold Case Episode #3X5470 Page 5 (THE CAMERA SWOOPS DOWN THROUGH THE CROWD INTO A NEARBY WOODS BY A LARGE MAPLE TREE..DAY (DIANE YATES IN A DEBRIEF WITH TWO HARD-NOSED OPR SUPERVISORS. FBI FIELD OFFICE . NEW YORK CITY SKYLINE/LANDMARKS ..without backup. DYING. HURT Why not wait for a hostage negotiator? RUSH (vo) Claire Shepard was. FBI FIELD OFFICE . Shepard had already taken his wife hostage.

FBI FIELD OFFICE .CONTINUOUS Cold Case Episode #3X5470 Page 6 (STATE OF THE ART.INTERVIEW WITH YATES (YATES IN THE HOT SEAT) YATES Paul Shepard murdered nine people. Feel free to add liar to his résumé.in imminent danger. PERPETUAL RINGING PHONES.INTERVIEW ROOM . CROSSES HIS ARMS.DAY (RUSH IN THE HOT SEAT WITH KEELEY AND HURT. TAKES IN THE GLEAMING EQUIPMENT. HURT After Shepard was detained.. KEELEY The suspect indicated he was hit. That part of the negotiation? CUT TO: SCENE: INT.PPD ON STEROIDS -INVIGORATING. FBI FIELD OFFICE .. There was no time to wait for a negotiator. OFF THIS) CUT TO: SCENE: INT.INTERVIEW WITH RUSH (RUSH IN THE HOT SEAT) RUSH Absolutely not. FBI FIELD OFFICE . AGENTS STARE. RUSH ENTERS FROM THE INTERVIEW. A SMATTERING OF APPLAUSE.BULLPEN .SCENE: INT. (KEELEY LEANS BACK. did you or Detective Rush strike him in any way? CUT TO: SCENE: INT. CUT TO: SCENE: INT. BACKS UP YATES) RUSH (CON'T) . FBI FIELD OFFICE . KEELEY The suspect emerged with a facial contusion. FBI FIELD OFFICE . YATES APPEARS BY RUSH'S SIDE) .INTERVIEW WITH YATES . PEOPLE IN MOTION -.DAY (YATES IN THE HOT SEAT) YATES Must'a fallen.

) I'd like to pick your (on) brain. brown acid and mud. I gotta get back. (o. YATES (o. CAVANAUGH Sorry to hear that. YATES Yeah. GI. (YATES PUSHES PAST HIM. shot to death. I'm gonna take some AL time instead. Mom's been admitted to the hospital (o. One OD'd.s.s. comforting. another run over by a tractor. TURNS TO RUSH AS SHE LEAVES) YATES (CON'T) You watch yourself. Third was a homicide. tie-dye. This some kinda test? CAVANAUGH Three people died during Woodstock.s.YATES Thirty years on the job.) SAC wants you to cool your (on) heels in the Applicant Squad until the OPR finishes their investigation. YATES Thanks.) think you know what this (on) is. YATES No. it's how the game is played. If there's anything I can do.) You get (on) accolades while I get reprimanded? CAVANAUGH (o.) back in Philly. (o. whattya know about Woodstock? RUSH Great music.s.s. RUSH (chuckles) Oh. huh? CAVANAUGH Detective. I'd like your read on it. one thing I've learned-. (ASAC RYAN CAVANAUGH APPROACHES. RUSH About what? CAVANAUGH Tell me. RUSH Jumped through your hoops. Cold Case Episode #3X5470 Page 7 . let your team debrief me.Every pat on the head brings a knife in the back. HANDS YATES SOME PAPERWORK) CAVANAUGH Diane.

RUSH Well. PHILADELPHIA . have you back by Monday.s. you can get to hang out with me a little more. RUSH Any new information or leads? CAVANAUGH No. CAVANAUGH Ah. there must be some reason you're looking into this now. (on) Look. US Marshal will deputize you. (OFF RUSH) MUSIC CUE OUT END TEASER BEGIN MAIN TITLE SEQUENCE MUSIC CUE IN WITH VOCALS MAIN TITLE GRAPHIC: COLD CASE MUSIC CUE OUT END MAIN TITLE SEQUENCE BEGIN ACT ONE SCENE: EXT. RUSH And this involves me how? CAVANAUGH Could mean a job for you. It's Friday. MUSIC CUE IN CAVANAUGH Came down from the director's office. gives me yank at HQ.) seriously. I get results. I wanna see what you got.DAY Cold Case Episode #3X5470 Page 8 . RUSH But I don't really like you. (o. We'll get you a car. RUSH Job? CAVANAUGH Federal Cold Case unit.CAVANAUGH Come on.

) Whoa.s. MILLER He's all yours. MILLER Had. Chemistry. I detect some nutmeg.MUSIC CUE IN (ESTABLISHING SHOT) CUT TO: SCENE: INT.ELEVATOR . (BELL PERSEVERES.s. (ADA BELL RUSHES IN CLUTCHING A COFFEE) MUSIC CUE OUT BELL (CON'T) Morning. MILLER SWANS OFF.) What was that? MILLER We work together. . VALENS CATCHES UP) VALENS (CON'T) (o. See why you'd wanna throw that away.DAY (MILLER & VALENS STEP INTO THE ELEVATOR) BELL (o. Good job. I thought you two had a thing going. INDICATES COFFEE) BELL Anybody want this? Kat? Asked for an Americano and I got a triple macchiato with two pumps of vanilla. VALENS Uh. VALENS TRADES LOOKS WITH BELL -AWKWARD) VALENS Right. hold the elevator. VALENS You lost me at macchiato. Movin' on. PPD . don't mean I gotta discuss beverage choices with him. Cold Case Episode #3X5470 Page 9 (MILLER GIVES AN OBLIGATORY NOD. (THE ELEVATOR OPENS. VALENS He's a decent guy.

LAST SEEN IN "RAVAGED") CROSS THE BOOKING AREA TRAILED BY A UNIFORMED OFFICER.BULLPEN . STILLMAN EXITS. (VERA DROPS THE BOOK INTO THE TRASH. Roy chased him away. Our house got broken into. huh? VERA Yeah. really bad week. VERA IS TRYING TO DO THE CROSSWORD) VERA Hey. VERA Think I'll stick to the Word Jumble and Family Circus.Cold Case Episode #3X5470 Page 10 (MILLER LOOKS AT VALENS LIKE HE'S GONE SOFT IN THE HEAD. Long time no see. French. SHE EXITS) CUT TO: SCENE: INT. that's the husband? . boss. PLATE OF MUFFINS AND A BOOK. MEGAN CROSSES THE BULLPEN) VERA (CON'T) Megan. MEGAN I'm so sorry. The guy's in the house. PPD .DAY (STILLMAN FINDS VERA BACK AT HIS DESK. MEGAN Five years. They didn't do anything and it's just been a really. VERA Roy. A BEAT AS VERA SEES MEGAN EASTON (40'S. Nick. It's a three vowel go-to word. have a seat. (STILLMAN SPOTS THE BOOK) STILLMAN (CON'T) Chicken Soup for the Soul. VERA Yeah. Four-letter word for fencing sword? STILLMAN Épée. The cops came. STILLMAN Restricted duty doesn't mean you're anchored to the desk. So what happened? MEGAN Well. VERA Uh. we came home from dinner. Mike in patrol said it changed his life. Nicky. barging in here like this.

38.s. 20 years old. RUSH ME say when he died? CAVANAUGH (o.) David Quinn. FBI FIELD OFFICE . Volunteered for his first tour of duty in '68.DAY Cold Case Episode #3X5470 Page 11 (RUSH SETTLES IN WITH DAVID QUINN'S FILE AS CAVANAUGH BRINGS UP THE CASE ON A COMPUTER LCD MONITOR. She got married in them. (RUSH STUDIES THE PHOTO) CAVANAUGH (CON'T) Shot in the abdomen with a . RUSH Any idea how he got to the festival? . VERA I'll see what I can do.MEGAN Ten years this July.CAVANAUGH'S OFFICE . MUSIC CUE OUT CAVANAUGH Got called back.s. Worked with snipers.) Approximately August 17th. A CRIME SCENE PHOTO OF DAVID POPS UP) CAVANAUGH (o. (on) last full day of the concert. MEGAN Really? VERA I got some down time between cases. VERA What's missing? MEGAN Earrings and a necklace my mother gave me. orders to report to Fort Dix for a second tour in '69. RUSH (from David's file) Was a spotter. MUSIC CUE IN MEGAN (sighs) CUT TO: SCENE: INT.

) What's a straight-laced soldier doin' with half a million hippies? (SHE ZEROES IN ON A PHOTO OF A YOUNG WOMAN HOLDING REUBEN'S HAND. Witnesses say that he and David had a confrontation. author.") SCREEN GRAPHIC: MIRED IN MUD COVERED IN LOVE CAVANAUGH Well. (on) She a member of PRS too? (CAVANAUGH CHECKS HIS FILES) MUSIC CUE IN . COVERED IN LOVE. SHE'S WEARING A CHAIN OF DAISIES AROUND HER NECK-. (o. what's our beatnik up to now? (CAVANAUGH HANDS HER A BOOK: "MIRED IN MUD.) Car was never recovered.A BRIGHT RED DAISY IN THE CENTER) RUSH (CON'T) Let me see that crime scene photo again.) Zoom into that necklace. (RUSH FLIPS THROUGH IT.s. RUSH Any leads? CAVANAUGH Here's where the Bureau comes in. WOMAN KNOWS HER STUFF) CAVANAUGH (o. first day of Woodstock.s. (on) Progressive Revolutionary Society. IMPRESSED. Made a career as a guru to the counter-culture. RUSH Well.s.s.) founder of PRS. RUSH So. PHOTOS OF FREAKS WITH ANTI-WAR SIGNS) RUSH (o. DAVID WITH THE SAME CHAIN OF DAISIES ON HIS NECK) RUSH (CON'T) (o. LOOKING AWAY FROM THE CAMERA. Reuben Harris.Cold Case Episode #3X5470 Page 12 (A PHOTO OF DAVID LEANING ON A '59 FORD FLASHES ON THE SCREEN) RUSH (CON'T) Ford Galaxie. (CAVANAUGH SMILES. some kinda anti-war organization? CAVANAUGH Credited with bombing a draft board office. (ON SCREEN. professor.

s. I'll tell you the same thing I told the man back in the day. this guy a fan too? (SHE SHOWS HIM DAVID'S ARMY PHOTO. RUSH Uh. No last name.") RUSH (o.) Been doing (on) some reading.DAY Cold Case Episode #3X5470 Page 13 (RUSH AND CAVANAUGH ENTER. (RUSH HOLDS UP HIS BOOK. CAVANAUGH How 'bout melding your mind to the question. HIPPIETURNED-YUPPIE ENTREPRENEUR. CAVANAUGH (o. PROFESSOR REUBEN HARRIS (EARLY 60'S).INTERVIEW ROOM . (on) I'm Agent Cavanaugh.) This is Detective Rush.) Witnesses say you had a conflict at Woodstock.s. REUBEN Uh. "MIRED IN MUD.s. (OFF REUBEN'S PHOTO ON THE BOOK'S JACKET COVER) CUT TO: SCENE: INT. I'm a pacifist. REUBEN Well. RUSH Uh. COVERED IN LOVE. REUBEN Woodstock wasn't about conflict. FBI FIELD OFFICE . got an idea who might know.CAVANAUGH One mention of a Daisy in the group. it's always nice to meet a fan. MUSIC CUE OUT REUBEN (sighs) G-men get better-looking every year. RUSH Pacifist whose organization bombed a draft station. REUBEN SHRUGS) CAVANAUGH (o. . it was about melding hearts and minds. SMIRKS UP AT RUSH) CAVANAUGH Professor.

"HIGH AND TIGHT" CUT. it doesn't mean I laid a hand on him. STANDS BY HIS '59 FORD GALAXIE. (REUBEN'S SMIRK FADES) REUBEN All right.s.) Terrorist Task Force could snap on some (on) gloves. two.s. this about Daisy? (o. two. three.I went to your dorm. SEARCHING THE CROWD. four! We don't want your stinkin' war! (o.FADED. two.CAVANAUGH (o.s. two. two.) One. four! We don't want your stinkin' war! Don't want your stinkin' war! One. . WOODSTOCK . two. A MASSIVE TRAFFIC JAM.OLD ROUTE 17 . SWARMS OF PEOPLE ABANDON CARS. RUSH Well. MUSIC CUE IN WITH VOCALS TRANSITION TO: SCENE: EXT. reinvestigate. man. 1969. maybe I had words with that GI.) She your girlfriend? REUBEN Girlfriend? (chuckles) It was free love. three. four! We don't want your stinkin' war! One.BEEN THROUGH HELL AND BACK) DAVID (CON'T) Wanna know how it ends? ANNABELLE David? What are you doing here? DAVID I-. DOG-EARED PAGES -. three.) Guessing you got a little more (on) to lose now. three. three. three. A VERITABLE NOAH'S ARK OF HIPPIES AND FREAKS. ARMY DUFFEL. TUNED OUT AND NOW A BEAUTIFUL. four! We don't want your stinkin' war! One. RUSH (o. AMONG THEM IS REUBEN AND MEMBERS OF PRS. SPOTS DAISY (ANNABELLE FROM THE TRAIN) TURNED ON. Reuben.s. four! (DAVID. AN ODDITY WITH HIS DOG TAGS. BAREFOOT HIPPIE) ALL One. TORN.DAY Cold Case Episode #3X5470 Page 14 (AUGUST 15. your-. CARRYING SIGNS: "END THE WAR NOW!") REUBEN (CON'T) One.Your roommate said I could find you with this group. HE PULLS OUT CATCH 22 -. four! We don't want your stinkin' war! DAVID Annabelle? (SHE GAZES AT HIM BLANKLY. Only GI Joe wasn't hip to that.

Hope to spend 'em with you. RUSH Any idea where she went? .INTERVIEW ROOM . LEAVING DAVID IN A SEA OF HIPPIES) TRANSITION TO: SCENE: INT. THE MEMBERS CHANTING) ANNABELLE (chuckles) You came all this way to find me? DAVID I told you. ANNABELLE When? DAVID Three days. (REUBEN LOOKS DAVID UP AND DOWN. (REUBEN PUSHES BETWEEN THEM) REUBEN You know this square. (AN AWKWARD BEAT AS THEY STARE.s. BOTH TRANSFORMED) DAVID (CON'T) I got called for a second tour. REUBEN Wanna help stop the war.(HE MOTIONS TO THE LITANY OF SIGNS. I lost her sometime between Richie Havens and Swami Satchidananda. Cold Case Episode #3X5470 Page 15 (REUBEN PULLS ANNABELLE AWAY. you know where to find us. I'm stubborn. Daisy? ANNABELLE He's a friend. Reuben.) This place is about (on) peace. FBI FIELD OFFICE . you dig? DAVID I'm just talkin' to a girl. CLOCKS HIS DOGTAGS) REUBEN (o.RESUME (RUSH AND CAVANAUGH WITH REUBEN) MUSIC CUE OUT REUBEN (CON'T) Daisy went to hand out pamphlets.

s. MEGAN'S HOUSE .DAY (ESTABLISHING SHOT) CUT TO: SCENE: INT.DAY . RUSH (vo) Congresswoman? CUT TO: SCENE: INT. RUSH Well.DAY (RUSH CORNERS CAVANAUGH) CAVANAUGH I didn't know. I don't cut and run. REUBEN Annabelle Bennet. she was trying to leave her past behind.REUBEN Oh. Feel free to back out anytime. I figured that she split with. CAVANAUGH Annabelle have a last name? Cold Case Episode #3X5470 Page 16 REUBEN You guys got a file a mile long on me. MUSIC CUE IN CUT TO: SCENE: EXT. well. (o. the director's motives are above my pay grade. soldier boy. FBI FIELD OFFICE . MEGAN'S HOUSE . RUSH And your director just happens to open the case? CAVANAUGH Listen.HALL . uh. and you're tellin' me that you don't know who she is? CAVANAUGH Humor us. RUSH But David called her Annabelle? REUBEN Yeah.KITCHEN .) The honorable congresswoman (on) from New York.

honey. two of you for a break-in. the. DESIGNER JEANS. VERA & VALENS WITH MEGAN AND HER HUSBAND ROY (40'S) TOO TIGHT AFFLICTION SHIRT. Detective Vera. uh. MUSIC CUE OUT ROY Wow.) Tell us (on) again what you saw? ROY Came home from dinner.s.Cold Case Episode #3X5470 Page 17 (MODEST TWO-STORY HOUSE UNCLUTTERED BY CHILDREN OR INTERIOR DESIGN.s. VALENS Well.DRIVEWAY .s. Which one are you. A STRANGER TO HAND TOOLS) VERA Uh.) I'd love to (on) stroll down Memory Lane. Detective Valens. but-(POINTS TO GLASS.s.) it in. MEGAN Wednesday's our date night. VALENS Jewelry the only thing missing? ROY Far as I can ascertain. MUSIC CUE IN TRANSITION TO: SCENE: EXT. MEGAN'S HOUSE . ROY IS TRYING TO FIX A BUSTED PANE OF GLASS ON THE BACK DOOR.NIGHT (MEGAN AND ROY IN THE DRIVEWAY) . SOMETHING HINKY) ROY Looks like he punched (o. VERA (o. hockey. MEGAN (o. (on) Nick's the one I-ROY One of your high school sweethearts. it's a slow day for homicides.) Roy. (to Megan) A/V guy? VALENS (o. hockey player or the A/V guy? VERA Uh.

) We'll get some.MEGAN Only if you promise.s.DAY MUSIC CUE IN . Probably just a crime of opportunity. CUT TO: SCENE: INT. CONGRESSWOMAN BENNET'S OFFICE . MEGAN'S HOUSE .s. Kojak. THEN STOPS WHEN SHE SEES A SHADOWY FIGURE IN THE UPSTAIRS WINDOW OF THEIR HOUSE) MEGAN (CON'T) There's somebody in the house. (ROY RUNS INTO THE HOUSE. Roy? ROY All happened so fast. uh. ROY Stay here. VERA That sound right. VERA (o. ROY I promise. VALENS Easy there.) the door. crime scene (on) techs down here to dust for prints.RESUME (VERA AND VALENS WITH MEGAN AND ROY) MUSIC CUE OUT ROY Guess I scared him away. MEGAN (chuckles) Cold Case Episode #3X5470 Page 18 (SHE KISSES HIM. take some pictures of (o. VALENS You heard glass breaking after Roy entered? MEGAN Yes. WE STAY ON MEGAN AS SHE FREAKS AND DIALS 911) TRANSITION TO: SCENE: INT.KITCHEN .

) congresswoman. (ANNABELLE'S BREATH CATCHES.Daisy.DAY (RUSH AND CAVANAUGH WITH ANNABELLE) ANNABELLE I chair the subcommittee that votes on bureau funding. ma'am? RUSH We just need a moment of your time. I'm a Philly homicide detective. REFINED. . I could care less about your political affiliations.. A MASTER AT NAVIGATING POLITICAL POTHOLES LOOKS UP. do I need to get your assistant director on the line? RUSH Sorry. I'm here to solve David Quinn's murder. (FLASH YOUNGER ANNABELLE. OFF HER STUNNED SILENCE) MUSIC CUE OUT END ACT ONE BEGIN ACT TWO SCENE: INT. AIDE (o.. should I call security. RESUME) ANNABELLE So the FBI just barges in now? CAVANAUGH When you keep us waiting an hour. Cold Case Episode #3X5470 Page 19 (ANNABELLE BENNET (60).s. (o. but it can't wait. ANNABELLE Agent.s.) Uh. THE WHOLESOME GIRL ON THE TRAIN. You think that you're the first agents to land on my doorstep? RUSH Congresswoman.(RUSH AND CAVANAUGH ENTER. A NERVOUS AIDE AT THEIR HEELS) AIDE You can't go in there.. CAVANAUGH BADGES HER) CAVANAUGH Excuse the intrusion. CONGRESSWOMAN BENNET'S OFFICE . POISED.. MUSIC CUE IN RUSH (CON'T) .

David cut through 500. And I was foolish enough to believe in love at first sight.) How'd you like it? DAVID (from memory) "Anything worth living for is worth dying for. ANNABELLE He was stubborn. . CAVANAUGH CLOCKS IT. RUSH HAS HIT A CHORD.000 people to find you." ANNABELLE "And anything worth dying for is certainly worth living for.s. ANNABELLE FINDS DAVID SITTING ALONE. MUSIC CUE OUT MUSIC CUE IN WITH VOCALS TRANSITION TO: SCENE: EXT. ANNABELLE FIGHTS TO KEEP HER EMOTIONS IN CHECK) ANNABELLE What happened to him? RUSH That's what we're here to find out. SHE HOLDS UP A HANDWRITTEN MESSAGE) ANNABELLE (CON'T) Found your note at the info booth." (A BEAT AS THEY STARE AT EACH OTHER) DAVID I musta read it 50 times. (ANNABELLE SITS. WOODSTOCK . (FLASH TO YOUNGER ANNABELLE) ANNABELLE (CON'T) No matter how much we'd changed.MUSIC CUE IN Cold Case Episode #3X5470 Page 20 (RUSH HANDS HER DAVID'S PHOTO. (SHE LOOKS AT THE BOOK) ANNABELLE (CON'T) (o. HIPPIES DROPPING ACID. SMOKING OUT.CAMPGROUNDS . IMPRESSED) RUSH (CON'T) Not too many guys do that. 1969.DAY (AUGUST 15.

DAY (1969. ANNABELLE PUTS HER DAISY CHAIN AROUND HIS NECK) CUT TO: SCENE: EXT. (DAVID SPOTS A LARGE MAPLE TREE. A PEACE SIGN DRAPED OVER IT) DAVID (o. MID-CONVERSATION.) You want her. SHE STUDIES HIM) ANNABELLE What happened to you? DAVID Well.s. .Cold Case Episode #3X5470 Page 21 (THERE IT IS AGAIN -. (DAVID AVOIDS HER GAZE. (HE LIFTS HER UP INTO THE TREE. I'd rather not waste time talkin' about it. DAVID AND ANNABELLE.WOODED AREA . TENTS. it's worse. Come on. PSYCHEDELIC LOVE BUSES. I think that's Joan. You hear these stories. WALKING PAST A MAKESHIFT CAMPING SITE.s. (A HEAVY BEAT. man.THAT SPARK. A month turned into two. (on) You got her. needed to get my head straight. A MOMENT AS SHE LOOKS AT THE SHIMMERING FIELD OF CONCERT-GOERS) ANNABELLE The most beautiful thing I've ever seen. ANNABELLE (CON'T) (chuckles) DAVID I know what you mean. now that I found you. (THEY GO OVER TO THE TREE) DAVID (CON'T) (o. WOODSTOCK . MUSIC STARTS UP IN THE DISTANCE) ANNABELLE Oh. ANNABELLE I can't imagine what it was like. DAVID Whatever you've heard.) Careful. TOWARD A SECLUDED AREA IN THE WOODS) DAVID I got home.

RELIVING THE MOMENT) MUSIC CUE OUT ANNABELLE (CON'T) Never met anyone else like him. (ANNABELLE COLLECTS HER FEELINGS. and a windmill.s. A CHARGED BEAT. HE PULLS HER INTO A DEEP KISS. and slept there. DASH INTO A BARN) ANNABELLE (vo) We ran until we found a barn. I ran into some kids the next day who told me they tried to shack up there.MUSIC CUE OUT MUSIC CUE IN Cold Case Episode #3X5470 Page 22 (ANNABELLE TURNS TO MEET HIS GAZE. ANNABELLE (chuckles) (THEY MOVE TO GET DOWN FROM THE TREE) CUT TO: SCENE: EXT. and he was gone.. CONGRESSWOMAN BENNET'S OFFICE . HAND-IN-HAND. Uh. Farmer chased them off with a gun. IT STARTS TO RAIN. ANNABELLE LAUGHS) ANNABELLE We're getting drenched. CAVANAUGH Do you remember the name of the farm? ANNABELLE It was a dairy farm. BARN .RESUME (RUSH AND CAVANAUGH WITH ANNABELLE./INT. (o. DAVID C'mon. got back.) Past a fork (on) in the road.DAY (DAVID AND ANNABELLE. TUCKS THEM AWAY) MUSIC CUE IN . TRANSITION TO: SCENE: INT. RUSH That the last time you saw David? ANNABELLE Went to check in with some friends the next day. I think.. let's get out of here.

VALENS You gotta be kidding me. Thanks. 16. sent to Graterford. (SHE HANDS HIM A PRINT SHEET AND RECORD) . THE COP WHO NABBED JIMMY MOTA.BULLPEN . MUSIC CUE OUT VALENS Yeah. VALENS (sighs) PIERSON Thought you should know.DAY (MILLER FINDS VERA) MILLER Prints back on that burglary job. that piece of garbage who attacked your mother. THE GUY WHO ATTACKED ROSA VALENS)) PIERSON Jimmy Mota. PPD . PPD . what about him? PIERSON Took a deal. (OFF VALENS) CUT TO: SCENE: INT. (o.) except for these. Three to five. PHILADELPHIA . VALENS Yeah. Most belong on the homeowners.DAY Cold Case Episode #3X5470 Page 23 (DETECTIVE PIERSON FINDS VALENS BY THE GUN LOCKERS AS HE STORES HIS SERVICE WEAPON (EP.BULLPEN .CUT TO: SCENE: EXT.s.DAY (ESTABLISHING SHOT) VALENS (vo) What's happening? CUT TO: SCENE: INT. PIERSON Could be out in 18 months on good behavior.

(on) Megan works over at Jefferson. Shelly. MILLER What didn't you disclose on your job application? SHELLY Kleptomania was a byproduct of my depression. PPD . VERA You know Megan Easton teaches history? SHELLY Just hi and bye in the break room. MILLER Ever been to her house? SHELLY No. . got an AFIS hit off her mandatory background check and fingerprints.s. VERA DROPS HER SHOPLIFTING RECORD ON THE TABLE) VERA (CON'T) (o. Maybe they're friends.s.INTERVIEW ROOM . Cold Case Episode #3X5470 Page 24 MILLER (o. (OFF VERA) CUT TO: SCENE: INT. MILLER Must be special friends 'cause the print concentration was on the bedposts and the headboard. VERA Oh. And got a few shoplifting charges on her résumé coupla years back.) Pop quiz.) Teaches (on) AP Math over at Jefferson High.VERA Shelly Hewit. My therapist said it made me feel alive. VERA (o.) Oh.DAY (MILLER & VERA ENTER AND FIND SHELLY HEWIT (36) A BIT OF THE SEXY TEACHER THING GOING WITH THE GLASSES AND SWEATER.s. VERA It work? SHELLY Until I got caught.

VERA Help us out. Cold Case Episode #3X5470 Page 25 VERA (o. right? (SHELLY GOES MUTE) VERA Your prints are all over. VERA What's your therapist say about breaking and entering? SHELLY I didn't take that jewelry. But not to steal.) Shelly. ROY God. MEGAN'S HOUSE . Megan's house was broken into. MILLER Headboard and bedposts to be exact. SHELLY Okay. UNDERNEATH A TRENCH COAT SHE'S WEARING A SLINKY LITTLE SEE-THROUGH NUMBER AS ROY ENTERS CARRYING A BASEBALL BAT) ROY What the hell you doing here? SHELLY I've been calling. You said you were gonna leave her. SHELLY But I wore something special for you. please.s.We'll say there was a break-in. MILLER (o. Okay? . I was in the house. We'll-.NIGHT (SHELLY SITTING ON THE BED. MUSIC CUE IN TRANSITION TO: SCENE: INT. MILLER Jewelry taken. DRUNK.) See. ROY My wife is outside.s. what I can't figure out is why someone would break in to someone's house.s.) But you (on) were in her house. (on) she's probably calling the police right now. (o.BEDROOM . (on) play patty cake with the bedposts and then just steal some jewelry.

baby. Of course I do. took me to Cleveland for a mortgage broker conference.KITCHEN . OFF THIS) TRANSITION TO: SCENE: INT. All right? Now let's get out of here before the cops come. PPD . ROY You pack a bikini. MEGAN'S HOUSE . Of course. SHELLY Okay. uh-. MILLER (o. Look. baby. We'll go away somewhere nice.INTERVIEW ROOM .RESUME (VERA & MILLER WITH SHELLY) MUSIC CUE OUT SHELLY Bikini.The guy took the jewelry. Of course.And I chased him away. SHELLY Do you mean it? ROY I promise. Please.Cold Case Episode #3X5470 Page 26 (ROY LOOKS AROUND DESPERATE -.s. Yes. Okay? And. SHELLY Okay.SPIES MEGAN'S JEWELRY BOX.) Let me guess. Okay? Out the back. Okay? SHELLY Don't you love me? ROY Of course.NIGHT (ROY HELPS SHELLY OUT THE BACK DOOR) ROY (CON'T) I'll call you. (THEN BREAKS THE DOOR'S GLASS PANE WITH HIS BAT. All right? (ROY USHERS HER OUT OF THE BEDROOM) CUT TO: SCENE: INT. (on) Roy still plans on leaving his wife? . GRABS IT AND HANDS IT TO SHELLY) ROY (CON'T) The-.

SHELLY We're in love. (YATES HANDS HIM SOME TATTERED MAGAZINES) YATES Well. but I-. I get that. I've got a US News and World Report from '07.DAY Cold Case Episode #3X5470 Page 27 (YATES SITTING ON A BENCH ACROSS FROM A GRIEF-STRICKEN MIDDLE. MILLER Keep drinkin' that Kool-Aid. LOOKS AT MILLER) SHELLY So hard to find a good guy. How's your mother? . SHELLY FEELS LIKE A FOOL. YATES What else are we gonna do? STILLMAN I meant you wanna be alone. and a Highlights Magazine. STILLMAN ENTERS AND FINDS HER) MUSIC CUE OUT STILLMAN Thought you could use some company.DAY (ESTABLISHING SHOT) CUT TO: SCENE: INT.) Do you (on) still have the jewelry? SHELLY Roy wanted me to pawn it. THE WIFE CLUTCHING A BIBLE.AGED COUPLE. y'know? (AS MILLER ABSORBS HER RATIONALE) VERA (o. honey. STILLMAN We don't have to talk.s. HOSPITAL . HOSPITAL .I couldn't do that to Megan. (A BEAT. MUSIC CUE IN (OFF VERA) CUT TO: SCENE: EXT.HALLWAY .

DUSK (RUSH AND CAVANAUGH EXIT HIS CAR) RUSH (o. I resented her for being a housewife. CAVANAUGH Let's check it out.) There's the fork (on) in the road. EMPTY PASTURES.DAY (RUSH AND CAVANAUGH TRUDGE THROUGH THE FIELD) CAVANAUGH (CON'T) Can you believe that soldier came all the way out here to find her? . (FLASH WOODSTOCK.s. WOODSTOCK . Didn't know what to say. RESUME. CUT TO: SCENE: EXT.s. All I can see is this person I spent my whole life trying not to be like. WOODSTOCK .YATES Stroke. I resented how proud she was of her life. I mean. So tell me. STILLMAN They let you in to see her? Cold Case Episode #3X5470 Page 28 YATES Mm-hm. here's this woman who raised me. RUSH MOTIONS TO A SMALL. FARMLAND. MUSIC CUE IN YATES (CON'T) Most of all.FIELD . WATERING WINDMILL) RUSH Annabelle said there was a windmill.) So this is Woodstock. MUSIC CUE OUT CAVANAUGH (o. They're not sure if they caught it in time. FIELDS LITTERED WITH HIPPIES. STILLMAN Yeah? YATES What've I got to be proud of? (A BEAT AS STILLMAN TAKES HER HAND) CUT TO: SCENE: EXT.

I-. RUSH Oh. THE GUY'S SERIOUS. RUSH Oh. biology. (pointing) Look. RUSH No. I just figured you got a guy back in Philly. Come on. (IT STARTS TO RAIN HEAVILY) RUSH (CON'T) (chuckles) (HE POINTS TO A BARN. she remove you from her profile? CAVANAUGH Head-on collision. RUSH And your last girlfriend was a 24-year-old paralegal. We're gettin' soaked.RUSH Guess he thought she was the one. HE SHRUGS) CAVANAUGH (CON'T) Sorry. CAVANAUGH What about you? RUSH What about me? Cold Case Episode #3X5470 Page 29 CAVANAUGH Well. CAVANAUGH Grad student. LAUGHING) CUT TO: SCENE: INT. A cop. What happened. Two years ago. BARN . there's a barn out there. HE GRABS HER HAND) CAVANAUGH We're not lost. I certainly know how to kill a moment. right? CAVANAUGH Twenty-five. (off her silence) (chuckles) Let me guess. (RUSH STUDIES CAVANAUGH. And she was my fiancée.It's good to know who I'm lost in the fields with.CONTINUOUS MUSIC CUE IN . (THEY TAKE OFF RUNNING.

BEAUTIFUL.s. FLUSHED. Just what you see there. SALT OF THE EARTH TYPE AS HE LIMPS TO A CABINET. AL WASSERLAUF (66). ma'am. (THEY TURN AND SEE A FARMER.A SHOTGUN COCKS) WASSERLAUF (o. mighta stayed in your barn. (on) Wanna tell me what this is all about? RUSH Woodstock. (RUSH INSPECTS HIS CABINET. WASSERLAUF (chuckles) Milk truck just couldn't get through for days 'cause all the love buses they had blockin' the roads.38? WASSERLAUF No.) Ever (on) own a .NIGHT (RUSH AND CAVANAUGH WITH FARMER. A VARIETY OF RIFLES AND HANDGUNS) RUSH (o.s.Cold Case Episode #3X5470 Page 30 (THEY ENTER THE BARN. RUSH Soldier.) Hold it.s. (o.CLICK -. STARING DOWN A BARREL AT THEM) MUSIC CUE OUT END ACT TWO BEGIN ACT THREE SCENE: INT. THEIR EYES MEET.) protect my livestock. (RUSH HANDS HIM DAVID'S ARMY PHOTO) WASSERLAUF What happened to this kid? CAVANAUGH He was shot and killed. DAIRY FARMHOUSE . RACKS HIS SHOTGUN) RUSH You always point a gun at everyone that comes on your property? WASSERLAUF I got a right to bear arms. CAVANAUGH LOOKS AT RUSH. A CHARGED BEAT -. (RECOGNITION SLOWLY WASHES OVER HIM) . David Quinn.

) Stop it. AND ANNABELLE. He was hooked up with some of them bohemians. PEERS THROUGH A SLAT IN THE BARN TO FIND -.s. WASSERLAUF ENTERS.) This is who you want? (REUBEN WIPES HIS BLOODY MOUTH. HARD STARE. You were the only one I told. you're upset. 1969. STORMS OUT WITH WHAT LITTLE PRIDE HE HAS LEFT) ANNABELLE Reuben. BARN .WASSERLAUF (CON'T) His name was David. FIST RAISED) ANNABELLE Stop it. REUBEN STUMBLES. HEARS A RUCKUS. please! (DAVID FINALLY DROPS HIS FISTS. pal. DAVID PUNCHES REUBEN. . wait! (to David) Gotta talk to him.DAY Cold Case Episode #3X5470 Page 31 (AUGUST 16. KNOCKING DOWN A FEED BIN. DAVID It's time for you to beat feet. QUICKLY THROWING ON CLOTHES. (o. How could you? ANNABELLE Reuben. ANNABELLE LOOKS ON SHOCKED) REUBEN (o. (on) David. MUSIC CUE IN WITH VOCALS TRANSITION TO: SCENE: INT. REUBEN You knew about Xavier. (HE SEIZES HER WRIST) REUBEN (CON'T) Admit it. Daisy.REUBEN IN A HEATED EXCHANGE WITH DAVID. A BLANKET ON THE HAY FURTHER EVIDENCE OF THEIR NIGHT TOGETHER) REUBEN Trusted you. DAVID LOOMS OVER HIM. (REUBEN GLARES AT DAVID) REUBEN Baby killer's a part of it too. SHIRT UNBUTTONED. A SOLDIER'S COLD.s. (BAM. But this kid wasn't like the others.

s. he just (on) took off to find his girl. earned these the hard way. (WASSERLAUF LOWERS THE HAY HOOK. (on) Was in 'Nam myself. DAIRY FARMHOUSE . Bucked hay. and damn war did a number on all of us. RUSH Well. Picked up a packet of shrapnel.) I wouldn't expect anything less. CAVANAUGH AND WASSERLAUF) MUSIC CUE OUT WASSERLAUF (CON'T) He helped out around the farm.s. DAVID TURNS TO GRAB HIS DUFFEL AND FOLLOW. WASSERLAUF (o. WASSERLAUF NOTICES THE DOG TAGS AROUND DAVID'S NECK) WASSERLAUF (CON'T) (o. WASSERLAUF AIMS A HAY HOOK AT HIS THROAT) WASSERLAUF (o.DAVID Annabelle. First Infantry.) Think those tags are a joke? (on) Men die for the honor of wearing those.) No. sounds like a good army man. OFF THIS) TRANSITION TO: SCENE: INT. Big Red One.s. MUSIC CUE IN CUT TO: SCENE: INT.RESUME (RUSH. Cold Case Episode #3X5470 Page 32 (ANNABELLE RUNS AFTER REUBEN. sir. OFFERS HIS HAND FOR DAVID TO SHAKE.NIGHT (VERA FINDS ROY WAITING FOR HIM AT THE COUNTER) . TIM'S PLACE DINER . WASSERLAUF Why didn't ya say so? Hundred and first Airborne. CAVANAUGH David ever mention this Xavier? WASSERLAUF (o. DAVID No. (WASSERLAUF POKES AT DAVID'S OPEN SHIRT.s. mended fence. Tiger Force.) Made a mess of my barn.

(ROY STARTS TO LAUGH) ROY I get it.) And before you try and (on) throw Shelly under the bus.MUSIC CUE OUT ROY Hey. you got one shot to make this right. (OFF A SHRIVELED ROY) CUT TO: SCENE: INT.) (sighs) BELL Here.NIGHT (BELL ENTERS TO GET A SODA AS MILLER TRIES TO OPEN A JAR OF PEANUT BUTTER) MILLER (o. (o. I know the whole break-in thing was your idea. PPD . ROY IMMEDIATELY KNOWS HE'S FUCKED) ROY All right. GRABS ROY BY THE BALLS UNDER THE COUNTER) VERA Listen to me. huh? (VERA SNAPS. (HE TRIES TO TAKE THE JAR FROM HER) . You take the jewelry and you get it back to Megan. things just got outta hand. ROY No.KITCHEN . it wasn't my idea. scumbag. (chuckles) What. a break in the case? VERA Sit down.s. right? (ROY NODS AND VERA LETS HIM GO. VERA Save it.s. What'd you get. uh. You remember what that is. I made some mistakes. and you tell her the truth. A BEAT AS VERA PUTS THE JEWELRY BOX ON THE COUNTER. Look. AS ROY CATCHES HIS BREATH) VERA (CON'T) Now get outta here before I lose my appetite. VERA What got outta hand was you banging your girlfriend in Megan's house. Cold Case Episode #3X5470 Page 33 (ROY SITS. you still got a thing for Megan. before I knock you down. Look.

MILLER SOFTENS) MILLER (CON'T) Hey. BELL Not my place. MILLER Actually. A BEAT AS BELL TAPS THE JAR AND POPS IT OPEN. NO PROBLEM) MUSIC CUE IN MILLER (chuckles) I mighta underestimated you. The way we left things. uh. MILLER You with the advice. Come on. HOSPITAL . (re: the jar) Here. STILLMAN AND YATES STAND TOGETHER) YATES Never sat right. MUSIC CUE OUT STILLMAN Well.MILLER I got it. Veronica's been seeing her dad every other weekend. BELL Wouldn't be the first time.) You. tap it and twist.s. YATES I didn't wanna be the gal who slept around the department. BELL SHRUGS. Give it up. she seems happy. (A BEAT. you went to New York.WAITING AREA . (on) wanna run it under hot water. BELL (o. Cold Case Episode #3X5470 Page 34 (MILLER HANDS HIM THE UNOPENED JAR OF PEANUT BUTTER.NIGHT (TELEVISION IN THE CORNER PIPING IN THE QVC. . BELL That's good. (OFF MILLER) CUT TO: SCENE: INT.

RUSH This from the PRS file? CAVANAUGH Cointelpro. John. STILLMAN Never thought of it that way. TAVERN INN . CANDLELIT. GOING OVER DAVID'S FILE) RUSH Whattya got? CAVANAUGH Lenny "Xavier" Franklin. any promotion I got woulda been suspect. CAVANAUGH FINDS RUSH TUCKED IN A BOOTH WITH TWO BOTTLES OF BEER. I wanted to be taken seriously. Reuben's second in command. STILLMAN 'Cause of the Shepard case? YATES (o. We wound up together. we had a rat in every camp. YATES Men don't have to. Back in the day. . STILLMAN (scoffs) You gonna go back to New York? YATES Uh. now they're gonna take that from me. they're gonna just pack me up to Anchorage. COZY. (HE SHOWS HER HIS BLACKBERRY WITH A BOOKING PHOTO OF XAVIER) CAVANAUGH (CON'T) Was arrested two days prior to Woodstock for attempting to bomb a courthouse. CUT TO: SCENE: INT. STILLMAN Did you find what you were looking for? YATES Yeah. don't know what's gonna be left for me here in Philly. I thought I did.) I don't (on) retire.STILLMAN Is that how it was? YATES C'mon.s.NIGHT MUSIC CUE IN WITH VOCALS Cold Case Episode #3X5470 Page 35 (DARK.

the cop. She was working undercover for the bureau. RUSH So who has access to these numbers? CAVANAUGH Well. RUSH Yeah. RUSH Well. He's undercover somewhere.s.) So she was (on) informing on Reuben. CAVANAUGH Could be David got in the middle. And I'm sorry about your fiancée. (THERE. in some ways you remind me a lot of Yates. (HE HANDS OVER HIS BLACKBERRY WITH ANNABELLE'S STUDENT PHOTO) CAVANAUGH (CON'T) Annabelle wasn't a hippie chick. the informant's handler. Guy in Philly. and now. Meet RM number one-five-seven-twosix-eight. Well. RUSH (o. just the way it is. our liberal congresswoman's image will be tarnished for good.RUSH You're saying someone clued the FBI in on Lenny's plan? Cold Case Episode #3X5470 Page 36 CAVANAUGH Bureau safeguards the informant's identity by assigning them a series of classified numbers. CAVANAUGH Ah. SHE SAID IT) CAVANAUGH You know. CAVANAUGH What? RUSH Uh. and supervisor. this comes out. (RUSH LOOKS AT HIM A BEAT. AS IF ANSWERING AN OLD QUESTION) RUSH Narcotics. CAVANAUGH Welcome to the FBI. without the-RUSH Chip on her shoulder? . us.

MUSIC CUE OUT CUT TO: SCENE: EXT. CAVANAUGH SHRUGS) CAVANAUGH No. no. RUSH (chuckles) CAVANAUGH (sighs) (RUSH GLANCES UP AT THE INN'S VACANCY SIGN) . wet roads.) Two more beers. Yeah. (A SMILE BETWEEN THEM) CAVANAUGH (CON'T) You'd make a good agent.s.Hold on a second. ANOTHER ROUND OF BEER) WAITER (o. (CAVANAUGH SEARCHING HIS POCKETS FOR HIS KEYS) RUSH Lose something? CAVANAUGH No. This time of the evening. PARKING LOT . they're right there.NIGHT Cold Case Episode #3X5470 Page 37 (RUSH AND CAVANAUGH MAKE THEIR WAY TO HIS CAR. (A WAITER ARRIVES WITH THEIR FOOD. RUSH Great. RUSH (pointing) Uh. The keys. (SHE POINTS AT HIS KEYS LOCKED INSIDE. I'm sure they're back in the restaurant. Uh. CAVANAUGH All right. I'd say it'd take Triple-A about three hours to get here.CAVANAUGH And the foot in her mouth. (sighs) Okay. let's see. A LITTLE TIPSY) CAVANAUGH And I say-.

(THEY BURST OUT LAUGHING -.INTERVIEW ROOM . SHE'S NOT HAPPY TO BE HERE) ANNABELLE (CON'T) . yeah? Did it work? Cold Case Episode #3X5470 Page 38 (RUSH GRABS THE BUTT OF HER GUN.with your career. better be damn sure you know what you're doing. (RUSH GETS THE KEYS) RUSH (chuckles) Maybe we shouldn't drive.RUSH I had a blind date once who locked his keys in the car on purpose. MUSIC CUE OUT . FBI FIELD OFFICE . SHATTERS THE WINDOW. because he thought he'd spend more time with me.DAY (RUSH & CAVANAUGH WITH ANNABELLE.. CAVANAUGH Oh. CAVANAUGH Yeah. CUT TO: SCENE: INT.. RUSH CAN'T LOOK AWAY.TIPSIER THAN THEY THOUGHT) CAVANAUGH All right.DAY MUSIC CUE IN (ESTABLISHING SHOT) ANNABELLE (vo) Gambling. careful. UNLOCKS THE DOOR) CAVANAUGH (CON'T) Oh. MUSIC CUE IN (A MOMENT BETWEEN THEM... CAVANAUGH LEANS IN AND KISSES HER) MUSIC CUE OUT END ACT THREE BEGIN ACT FOUR SCENE: EXT. FBI FIELD OFFICE .

The FBI saw an opening. CAVANAUGH What happened after you left Reuben. Cold Case Episode #3X5470 Page 39 (RUSH HOLDS A FILE WITH ANNABELLE'S PHOTO AND FBI INFORMANT HISTORY) RUSH One-five-seven-two-six-eight.s.CAVANAUGH Feeling lucky.) Oh. RELENTS) ANNABELLE I got busted for pot in my dorm.) Sound familiar? Your old informant ID. MUSIC CUE IN WITH VOCALS TRANSITION TO: SCENE: EXT . (CAVANAUGH PUSHES THE FORM IN FRONT OF ANNABELLE) CAVANAUGH (CON'T) Just in case we have to arrest you at the conclusion of this interview. Like I have the winning numbers. (o. RUSH Left wing Democrat informing on an anti-war organization. (o. I was lost.s. that's your prerogative.) did you see David again? ANNABELLE Truth is.) That's a front-page scandal. Promised me they could get the charges erased.) If you (on) informed on Reuben and his organization? ANNABELLE I didn't wanna disappoint my father again. RUSH (o.s. (o. (on) (to Rush) 'Course the press might have her file by then. CAVANAUGH (o.) FBI Advise of Rights Form.s. (on) FD three-ninety-five.s.s. (ANNABELLE SIGHS. WOODSTOCK .MAPLE TREE . ANNABELLE Perhaps I need to speak to my lawyer.DAY . CAVANAUGH (o.) Here's another number for you. (FLASH YOUNGER ANNABELLE) ANNABELLE (CON'T) Only thing that made sense was him. (o.s.

DAVID I fulfilled my obligation. SHE FEELS IT TOO) DAVID (CON'T) Wait for me here. things I can't ever undo. (o. I do. PENSIVE. . HE SITS DOWN BESIDE HER) DAVID That guy.Cold Case Episode #3X5470 Page 40 (AUGUST 17. at least that's what I thought. DAVID You know. I don't wanna go back. David. Volunteered the first time.s. the other night with you. ANNABELLE You're asking me to run away with you? DAVID We can start all over. I did things over there. ANNABELLE It's not that simple. (HE LOOKS AT HER. DAVID Yes. FACE STREAKED WITH TEARS. SHE CAN'T MAKE IT) ANNABELLE I don't know. DAVID It's okay. (ANNABELLE. DAVID FINDS ANNABELLE SITTING UNDER THE MAPLE TREE. 1969. VULNERABLE. You love him? ANNABELLE I got people in trouble. SHE TURNS TO HIM.) get (on) things back to like they were on the bus. Reuben. BIGGEST DECISION OF HER LIFE. The money'll be enough to get us to Canada. His friends. Narced on Reuben.He's gonna buy my old beater. RAW) DAVID (CON'T) That farmer-. It is. (ANNABELLE CAN'T DENY IT. Betrayed him. I dunno what to believe anymore. ANNABELLE You had to survive. DAVID Why? ANNABELLE Had no choice. that's the first night I've slept in a year. Yes.

ANNABELLE REACTS. FIGHTING BACK TEARS) CAVANAUGH (o.INTERVIEW ROOM .DAY (VERA ESCORTS MEGAN IN.RESUME (RUSH AND CAVANAGH WITH ANNABELLE.s. PPD . I didn't take it. Never felt that way again. ANNABELLE STRUGGLES TO MAINTAIN HER COMPOSURE. FBI FIELD OFFICE . RUSH He crawled through the woods. SURPRISED) ANNABELLE Thank you. MUSIC CUE IN ANNABELLE I don't understand. (OFF RUSH. Died under that tree. FILLED WITH REGRET) ANNABELLE I had a chance. Cold Case Episode #3X5470 Page 41 (RUSH SHOWS ANNABELLE DAVID'S CRIME SCENE PHOTO. LOST IN THE MOMENT) MUSIC CUE OUT ANNABELLE I waited around a couple of hours until I realized how crazy it all was.(HE GIVES ONE LAST LOOK GOODBYE) TRANSITION TO: SCENE: INT. PRIVY TO THE GAME WITHIN THE GAME) CUT TO: SCENE: INT. (CAVANAUGH HANDS HER THE INFORMANT FILE. can you give us a minute? DETECTIVE Okay. MUSIC CUE OUT .) Director (on) instructed us to keep your involvement outta the press. RUSH David came back for you. (ANNABELLE. NODS TO A FELLOW DETECTIVE) VERA Hey.WITNESS ROOM .

ROY It was business. . MEGAN Who is it? VERA Does it matter? MEGAN What does the break-in have to do with my husband cheating? Cold Case Episode #3X5470 Page 42 VERA She was there that night.s. (o. and it turns out he's having an affair. CAR . (A BEAT AS THIS LANDS WITH MEGAN) VERA (CON'T) The investigation took a turn.) I'll spare you the details. MEGAN Guess I shoulda seen it coming. but long story short your (on) genius husband staged that robbery to cover it up. HE TURNS TO MEGAN) MEGAN I wanna know who you were texting. VERA TURNS TO MEGAN) MEGAN What's up? VERA You talk to Roy? MEGAN About what? VERA That son of a bitch.NIGHT MUSIC CUE IN (ROY HAS JUST PARKED IN THE DRIVEWAY.(THE DETECTIVE VAMOOSES. Meg. MEGAN Is this about the break-in or Roy? VERA He's cheating on you. TRANSITION TO: SCENE: INT.

(SHE KISSES HIM. ROY FOLLOWS) CUT TO: SCENE: EXT. . baby. TRANSITION TO: SCENE: INT. Can we go inside and talk this out? MEGAN Talk what out? (MEGAN EXITS THE CAR. (o. ROY I promise.RESUME (VERA WITH MEGAN WHO BEGINS TO CRY) MEGAN I just kept thinkin' he was gonna change.s. hey. (o.The Peterson deal is cratering.NIGHT (ROY TALKS TO MEGAN) Cold Case Episode #3X5470 Page 43 ROY (o.) Hey.) How 'bout we (on) go away next weekend? I'll leave my phone at home. (on) hey.s. What am I supposed to do now? VERA For starters.WITNESS ROOM . Look. THEN STOPS WHEN SHE SEES A SHADOWY FIGURE IN THE UPSTAIRS WINDOW OF THEIR HOUSE) MEGAN There's somebody in the house. HOUSE . You can't blame yourself here. MEGAN Only if you promise.) I don't wanna fight anymore. MEGAN Nothing's turned out like I thought. (on) Please.MEGAN Business that couldn't wait? ROY The-.) Stay here. ROY (o. MUSIC CUE OUT VERA Hey. you get rid of that bum. PPD . hey.s.s.

s.s. (o.WHERE TO BEGIN) CUT TO: SCENE: INT.MEGAN I'm 40 years old. MUSIC CUE OUT RUSH (o. RUSH Why's a respectful vet like yourself getting into fights with other GIs? WASSERLAUF I don't know what you're talking about. WASSERLAUF Those men turned against their own.s. (RUSH CLOCKS THE EDGE OF A TARP UNDERNEATH SOME HAY.) brained a (o. (o.DAY Cold Case Episode #3X5470 Page 44 (WASSERLAUF FINDS RUSH AND CAVANAUGH POKING AROUND HIS BARN) WASSERLAUF Hey.s.) Well. OFF VERA -.) Well.) Veteran Against the War with a tire iron.) Hey. SHE PULLS OUT WASSERLAUF'S ARREST RECORD) RUSH (o. VERA Things haven't gone exactly according to plan for me either. You can't be in here. I had no beef with that soldier.s. never even asked how you're doing. Nicky. (A BEAT. so-MUSIC CUE IN (MEGAN PUTS HER HAND OVER VERA'S HAND) MEGAN Oh. it says (on) here you got into a brawl at an anti-war rally. got a sneak and peek (on) warrant.) See (on) that's what we don't get. Tough just to start over. BARN . Taking a quick look around. Al. CAVANAUGH (o. I got nothing but respect for anybody that served. MUSIC CUE IN RUSH Like David? . WASSERLAUF I already told ya.s.

) That's a (on) Ford Galaxie. you gotta understand. Al.I would've died to go back. (WASSERLAUF LOOKS AROUND.s. plow 800 acres of open fields. WASSERLAUF He helped me out and he left.WASSERLAUF Hey.s. BARN . I-. Board decided you weren't fit for duty.DAY .) Looked at your army records. RUSH (o. but he-.s. and I'm not fit? CAVANAUGH David was fit for duty. I tried to tell that kid. REVEALING: A BEAT-UP '59 FORD GALAXIE) Cold Case Episode #3X5470 Page 45 RUSH (o. KNOWS HE'S TRAPPED) CAVANAUGH (o. (RESUME) WASSERLAUF (CON'T) I couldn't understand how another soldier would betray it. / EXT. (o.He wouldn't listen.) David Quinn's car. MUSIC CUE OUT MUSIC CUE IN TRANSITION TO: SCENE: INT.) But you (on) wouldn't give up. WASSERLAUF Look. but he didn't wanna fight anymore. he-RUSH He was gonna run off to Canada. (SHE LIFTS UP THE TARP.) Then how do you (on) explain this? (o.s. dismissed you. WASSERLAUF I can drive a tractor sunup to sundown. RUSH Tell him what? (FLASH YOUNGER WASSERLAUF) WASSERLAUF How much I love my country. (on) Wounded in A Shau. listen.s.

38 AT HIM) WASSERLAUF You a coward.) Things I can't-. Little girl screaming in her-. DAVID No.WASSERLAUF'S RIFLING THROUGH DAVID'S DUFFEL. boy? DAVID What. DAVID Gonna hitch a ride to base. MENACING) WASSERLAUF I insist. DAVID (o. DAVID HEADS TOWARDS HIS FORD. DAVID A duty to what? War? You must'a seen stuff too.Cold Case Episode #3X5470 Page 46 (AUGUST 17. (HE PUSHES PAST WASSERLAUF. Got the money for my car? WASSERLAUF Do ya one better. You were up close and personal. Children ripped apart by bullets.In her dead mother's arms. Don't sweat it. really. I know (on) what I saw.s. WASSERLAUF What're you talkin' about? DAVID C'mon.You gonna force me to go back? WASSERLAUF You have a duty. HE HOLDS UP DAVID'S SERVICE ORDERS) DAVID Goin' through my stuff? WASSERLAUF (o.(on) I can't get outta my head. I'll give ya a lift. TURNS TO SEE WASSERLAUF POINTING A .s.s. WASSERLAUF You don't know what I saw. man. 1969.) Says you're due back at (on) Fort Dix at oh-six-hundred. are you gonna-. (o. HEARS THE GUN COCK.) No.Into huts to do God knows what. Lurps. Women dragged into-. . (DAVID TURNS TO LEAVE. Didn't tell me you were going back to 'Nam. DAVID I'm not looking for a problem here. DAVID BURSTS IN -. Tiger Force. WALKS OUT. WASSERLAUF BLOCKS HIS PATH.

WASSERLAUF Shut up. DAVID Grip so tight. PUSHES THE BUTTON TO GET THE NEXT ELEVATOR. FLASH YOUNGER WASSERLAUF. STUNNED. THEY STRUGGLE. Cold Case Episode #3X5470 Page 47 (WASSERLAUF TRANSPORTED BACK TO THE GREEN HELL OF VIETNAM) DAVID (CON'T) My girl's waiting. GOT 'EM THIS TIME) CUT TO: SCENE: INT. PUSHES WASSERLAUF IN. IT GOES OFF. DAIRY FARM .To break her forearm just to get her free. DANGLES HIS CAR KEYS. ON BELL. TILL THEY TURN AND SMILE AT EACH OTHER AS THE DOORS CLOSE) TRANSITION TO: SCENE: INT.. CAVANAUGH OPENS THE CAR'S DOOR. I have to-.DAY (VALENS WAITS WITH MILLER AS THE DOORS OPEN.s. BLAM. (on) Why? (DAVID GOES FOR THE GUN. huh? (o. LOOKS BACK AT RUSH. COUGHING UP BLOOD. TORMENTED. RESUME.) Tell me.DAY . MEGAN'S HOUSE . WASSERLAUF Shut up! Shut up! (DAVID.DAY (RUSH AND CAVANAUGH PERP WALK WASSERLAUF. MILLER WITH BELL AN AWKWARD BEAT. Honor your commitment! DAVID Why? Why? Why do I gotta go. PPD . WHAT HAS HE DONE?) MUSIC CUE OUT MUSIC CUE IN WITH VOCALS TRANSITION TO: SCENE: EXT. (WASSERLAUF RAISES THE GUN) WASSERLAUF You gotta go. THE SIN HE CAN NEVER WIPE CLEAN) DAVID I don't wanna see that face in my dreams anymore.HALLWAY/ELEVATOR . WASSERLAUF STANDS OVER HIM. MILLER STEPS ON AS VALENS HANGS BACK.. DAVID CRUMPLES TO THE GROUND.

NIGHT (ANNABELLE OPENS THE FILE. CLOSE ON RUSH.NIGHT (A DOCTOR DELIVERS THE NEWS TO YATES. HEADS OUT) MUSIC CUE OUT END OF EPISODE OPEN CREDITS KATHRYN MORRIS DANNY PINO JOHN FINN JEREMY RATCHFORD THOM BARRY TRACIE THOMS . WALKS TO STILLMAN WHO HELPS HER WITH HER COAT. SHE BEARS IT. A BEAT.Cold Case Episode #3X5470 Page 48 (VERA FIXING THE BROKEN PANE OF GLASS AS MEGAN WATCHES -. FLASH YOUNGER ANNABELLE AS SHE LOOKS UP TO SEE DAVID'S GHOST. FINDS TWO PHOTOS OF HERSELF: A YOUNG STUDENT AND A FLOWER CHILD. THE FILE DISAPPEARS AND IS REPLACED BY THE FBI'S SEAL) SCREEN GRAPHIC: FEDERAL BUREAU OF INVESTIGATION DEPARTMENT OF JUSTICE (SHE PUTS THE APPLICATION FILE IN HER BAG. RESUME. FBI FIELD OFFICE . HE'S FOUND HIS WAY BACK TO HER. SHE CLOSES THE FILE AND HE'S GONE) TRANSITION TO: SCENE: INT. CONGRESSWOMAN BENNET'S OFFICE . THE WORD "CLOSED") SCREEN GRAPHIC: CLOSED (SHE HITS A BUTTON ON THE KEYBOARD. REFLECTIVE.HOW DID SHE LET THIS ONE GET AWAY?) TRANSITION TO: SCENE: INT. NEXT TO HIS ARMY PHOTO.BULLPEN . FINDS AN FBI APPLICATION CAVANAUGH LEFT FOR HER) SCREEN GRAPHIC: SPECIAL AGENT APPLICATION (SHE GAZES AT DAVID QUINN'S FILE ON A COMPUTER SCREEN. QUIET OFFICE. RUSH GATHERS HER THINGS.NIGHT (LATE NIGHT. HOSPITAL . SHE LETS HERSELF SINK INTO THE COMFORT OF HIS ARMS) TRANSITION TO: SCENE: INT. HER MOTHER'S PASSED.

Created by MEREDITH STIEHM Guest Starring SARAH ALDRICH CHRISTA B. Producer ERIN MITCHELL Producer ADAM GLASS Producer CHRISTOPHER SILBER Co-Executive Producer MERRI HOWARD Co-Executive Producer ELWOOD REID Executive Producer JENNIFER JOHNSON Executive Producer GREG PLAGEMAN Executive Producer MEREDITH STIEHM Cold Case Episode #3X5470 Page 49 . ALLEN RICHARD BLAKE DARREN EVERETT CRISS DALE DYE BRIAN GUEST JAMES HANLON GINIFER KING MIMI KUZYK JONATHAN LAPAGLIA KARL MAKINEN JOHNNY MESSNER JAMES SUTORIUS And SUSANNA THOMPSON Music by MICHAEL A. LEVINE Editor SCOTT LERNER Production Designer COREY KAPLAN Director of Photography DONALD THORIN. JR.

Executive Producer JONATHAN LITTMAN Teleplay by ELWOOD REID & DENISE THÉ Story by DENISE THÉ Directed by JEFFREY HUNT END CREDITS Executive Producer JERRY BRUCKHEIMER Executive Story Editor TAYLOR ELMORE Unit Production Manager BRAD YACOBIAN First Assistant Director JEREMIAH ACERRA Second Assistant Director ANTHONY KOUNTZ Casting by DAN SHANER And MICHAEL TESTA Co-Starring DWIGHT HICKS As Opr Super Bruce Hurt NICK JOSEPHS As Hippie '68 MICHAEL KEELEY As Opr Super Mike Keeley TRE MOYE As Aide Music Supervisor JENÉE DEANGELIS Music Editor MICHA LIBERMAN Cold Case Episode #3X5470 Page 50 .

S. POSTHUMUS Cold Case Episode #3X5470 Page 51 The title "Cold Case" is used under exclusive license from A&E Television Network. firms and institutions or other entities. or to any actual events. JR. STEPECK Make-Up Artist PETER MONTAGNA Hairstylist LOUISA V. living or dead. ANTHONY Locations Manager VERONIQUE VOWELL Art Director RAY YAMAGATA Property Master GEORGE EDMAN Transportation Captain HEATH CULP Script Supervisor TITA DOBSON Production Sound Mixer DOUG SCHULMAN Technical Advisors TIM BASS BOB SOUZA Re-Recording Mixers KEVIN BURNS ALEC ST. Any similarity to any actual persons. Set Decorator TIMOTHY S.Costume Designer CONAN CASTRO. is coincidental and unintentional. "COLD CASE FILES®" A&E Television Networks Film Processing by FOTOKEM The characters and events depicted in this motion picture are fictional. JOHN Supervising Sound Editor MIKE MARCHAIN NARA Performed by E. .

ENTERTAINMENT. Country of first publication United States of America Warner Bros.Copyright © 2010 WARNER BROS. TELEVISION (LOGO) This motion picture is protected under the laws of the United States of America and other countries. Entertainment Inc. is the author of this film/motion picture for the purpose of Article 15 (2) of the Berne Convention and all national laws giving effect thereto. Any unauthorized duplication. distribution. copying. is the author of this film/motion picture for the purpose of Article 15 (2) of the Berne Convention and all national laws giving effect thereto. a Division of WB Studio Enterprises. JERRY BRUCKHEIMER TELEVISION (LOGO) CBS PARAMOUNT TELEVISION (LOGO) WARNER BROS. Inc. . All Rights Reserved Country of first publication United States of America #3X5-470 IATSE (LOGO) Cold Case Episode #3X5470 Page 52 Warner Bros. Television. INC. exhibition or use may result in civil and/or criminal prosecution.

Cold Case Episode #3X5470 Page 53 CHARACTER LIST CHARACTER AIDE ALL ANNABELLE BELL CAVANAUGH CONDUCTOR DAVID DETECTIVE HIPPIE HURT KEELEY MEGAN MILLER PIERSON REUBEN ROY RUSH RUSHING COMMUTER SHELLY STILLMAN TICKET MAN VALENS VERA WAITER WASSERLAUF YATES 2 7 82 13 119 2 95 1 1 2 4 34 22 5 23 56 102 1 19 16 1 18 54 1 48 32 LINES OF DIALOG .

Sign up to vote on this title
UsefulNot useful