Author : Pete Lockett Foreword : Bill Bruford Music Illustrations, Cover Design & Illustration : Xtreme Graphics Editor, Publisher

& Producer : H&H Publishing (East Midlands) Ltd Symmetrical Stickings For The Snare Drum
Copyright 2003 H&H Publishing (East Midlands) Ltd Published 2003 by H&H Publishing (East Midlands) Ltd www.hhpublishing.net Produced 2003 H&H Publishing (East Midlands) Ltd, Nottingham, NG5 7FE. Pete Lockett has asserted his right to be identified as the author of this work Under exclusive license to H&H Publishing (East Midlands) Ltd Nottingham England office@hhpublishing.net

H&H PUBLISHING
(East Midlands) Ltd

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FOREWORD

Paradiddles have a lousy name. They bear the only technical name in percussion known to the wilfully unknowledgeable, who think it hilarious that we drummers should examine such things at close quarters. Young drummers shudder at the memory of trying to master the harmless little guy in their early lessons. Most players get the single, double, triple and perhaps the paradiddlediddle variants down in their primary inversions and move hurriedly on, thus missing the endless stream of possible, and in this book, symmetrical, variations that are so user-friendly and musical when applied around the kit. Just when you think there is not much more that you can do with a paradiddle, Lockett comes along with this deceptively simple looking volume that will keep you busy for years. He examines the rudiment and its close cousins in an organised and methodical manner, generating exciting rhythms in not only 4/4 and 6/8, but also the less common 5/4 and 7/4 metres. Since the second half of each exercise is a symmetrical “mirror image” of the first half, both hands get an equal workout. Paradiddles are at the basis of many a fascinating rhythm. Whether you know it or not, chances are you are using them somewhere. Some drummers tend primarily to use the single-stroke style ( most phrases played with alternate sticking ), others the doublestroke ( two beats with each stick ). Mastery of the paradiddle, being the simplest possible combination of the two, will blur that distinction and offer an invaluable third way to execute the phrase. Follow this book as far as it will lead you, and your efforts will be amply rewarded.

Bill Bruford, Surrey, UK.

June 2003

I

By Bill Bruford Contents Page Introduction What Is This Book About? What Can I Gain From Learning These Stickings? The Paradiddle? What Is It? What Can It Add To My Playing? The Basic Paradiddle Longer Theme And Inversion Sticking Patterns Other Sticking Patterns Used In This Book 16th Patterns in 4/4 16 Patterns in /8 16th Patterns in 5/4 16th Patterns in 7/4 Author Biography Publisher’s Catalogue th 6 I II III IV V VI 1 23 37 47 60 62 II .CONTENTS PAGE Foreword .

playing a four bar Jazz break or hitting a 'Keith Moon' rock solo. creating interesting accent patterns/articulating patterns on a number of drums that would be impossible with singles strokes/giving a good workout to both hands equally/creating complex sounding patterns between Hi Hat and Snare or lyrical patterns using Snare and Toms. Whether you're developing a funk groove. The applications are endless. these styles of rudiments are indispensable. THE PARADIDDLE. where the second half of the sticking is the exact opposite of the first half. Note: All left hand players will need to reverse all stickings: Right Handed Players Left Handed Players R L R R L R L L L R L L R L R R WHAT CAN IT ADD TO MY PLAYING? Using stickings such as these can lead in many different directions.SYMMETRICAL STICKINGS WHAT IS THIS BOOK ABOUT? This book is part one of a three part series looking at sticking patterns applied to the snare drum. The content of the series focuses on sticking patterns derived from the symmetrical concept of the paradiddle. Drummers as varied as Steve Gadd. with the second half the exact opposite of the first half. III . WHAT CAN I GAIN FROM LEARNING THESE STICKING PATTERNS? A question I've heard so many times from students is “What's the point in getting paradiddle type rudiments together? I really can't see a way of using them in everyday playing. WHAT IS IT? The Paradiddle is basically a sticking pattern.” It's amazing how quickly they come around when you begin to show them some of the possible applications across any style of music. Elvin Jones and Keith Moon have all made great use of them. drum set and congas.

THE BASIC PARADIDDLE Here we have some of the basic paradiddles with accents. SINGLE PARADIDDLE R L R R L R L L DOUBLE PARADIDDLE R L R L R R L R L R L L TRIPLE PARADIDDLE R L R L R L R R L R L R L R L L THE BASIC PARADIDDLE STARTING IN DIFFERENT PLACES Here we have the basic paradiddles with accents. 1) 2) R L R R L R L L 3) R L L R L R R L 4) R R L R L L R L R L R L L R L R IV . starting from a different note in the paradiddle each time.

Here are the rudiments I've used for the groups. nd st 2 group of 6.e.LONGER THEME AND INVERSION STICKING PATTERNS Using this concept we can now begin to construct some longer sticking patterns. 2 half of paradiddle Here is what it looks like: 1st Half st st R L R L R R L R L R L L R L R R 2nd Half L R L R L L R L R L R R L R L L Note: The Second Half is the complete opposite of First Half. 2nd half of double paradiddle. Notice how I've indicated each group of the subdivisions by the markings underneath the score. The first half of the following example is one bar of 16th's long and is divided into two groups of six and one group of four. with the second half the exact opposite of the first half. 5 + 5 + 6 = 16. Example 1 First Half 1 group of 6. 1 half of double paradiddle. as long as they split in half. V . Theoretically they can be any length. nd Group of 4. 1 half of paradiddle Example 1 Second Half 1st group of 6. 2 nd half of double paradiddle. (The bar could be divided into any subdivision to make up the total time space. i. st Group of 4. is an alternative). This is the method that is the cornerstone of the concept of this set of books. 1 half of double paradiddle. This will help understand how the examples in the book are constructed. 2nd group of 6.

These are a little more tricky to articulate smoothly but are invaluable in developing stick control. derived from paradiddles that have been used in this book. R L L L R R R L R L L L R L L L R R R L R R R L VI . other hybrid sticking patterns of odd lengths. Here are some examples. 5 Strokes Long R L R L L 7 Strokes Long R L L R R L R 9 Strokes Long R L R L L R L R L There are also sticking patterns using triple strokes.OTHER STICKING PATTERNS USED IN THIS BOOK Also.

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His percussive skills range from North and South Indian to Japanese Taiko drumming. Afro Celt Sound System. both live and in the studio. featuring musicians from Pakistan and Ghana. Transglobal Underground. Jeff Beck. and the Guy Ritchie movie Snatch. Pete has three albums out. Moulin Rouge. from blues. folk and ethnic. featuring Bill Bruford. Kula Shaker and Vanessa-Mae amongst others. All these are available online at www. Peter Gabriel. Bedlam. Bill Bruford. he has recorded and/or toured with Björk. as well as the City of Angels.petelockett. Plunkett and Maclean.com . Having worked in virtually every field of music conceivable. funk and rock to classical.petelockett.com Taiko to Tabla Featuring Joji Hirota/Pete Lockett pete@petelockett.AUTHOR’S BIOGRAPHY Pete Lockett is one of the most versatile and prolific percussionists in the UK. The Insider. and an eclectic percussion duo project with Japanese master Joji Hirota called Taiko to Tabla. Mel C. Network of Sparks 1. He also has many film credits. Nitin Sawhney. Network of Sparks 2. Texas. playing on the three most recent Bond movies. Ghana & Japan Find out more about Pete Lockett @ www. Beth Orton.com Pete Lockett's Network of Sparks Featuring Bill Bruford Pete Lockett's Network of Sparks Two Featuring musician from Pakistan.

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0 9536058 2 5 Volume Two (2nd Edition) ..PUBLISHERS CATALOGUE Now a part of the Graded Exams for Drums With Free Compact Disc With Free Compact Disc Colin Woolway .net COMING SOON..DRUMSENSE Volume One (3rd Edition) .0 9536058 6 8 Now a part of the With FREE Compact Disc Graded Exams for Drums Pete Lockett Symmetrical Stickings For The Snare Drum ISBN .09536058 3 3 Simon Mellish DRUMSENSE Snare Drum Method ISBN: 0 9536058 1 7 Neil Robinson & John Dutton Groove Challenge ISBN .0 9536058 4 1 For more information on any of these products visit www.hhpublishing.0 9536058 7 6 Lloyd Ryan with Neil Anthony Docking A View From The Rear ISBN .. Symmetrical Hand Patterns For The Congas Symmetrical Stickings For The Drum Kit By Jim Chapin By Pete Lockett ..

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