Professional Documents
Culture Documents
MUSICACOUTICA
CEMC-EMSAN DAY-Asian Forum
Mikako Mizuno (水野みか子)
Nagoya City University, Japan
The China Millenium Monument, The Large-Screen Hall(中華世紀壇)
A9 Fuxing Lu, Haidan District, Beijing(海淀句)
Here I shall show the names of Japanese electronic music of that days.
<Project Esemplastic>(1964), <Icon>(1966-67) by Jyoji YUASA 湯浅譲二,
<Improvisation for electronic sound>(1968) by Minao SHIBATA 柴田南雄,
<KYO-OU 響応>(1968) by Maki ISHII 石井真木.
TEKKHOKAN was officially reported that tapes are used for several time everyday.
These tapes include <Crossing>by Takemitsu, <Pi, Ni, Ma>by Xenakis, <Egen> by
Takahashi and <Years of Ear> by Akimichi TAKEDA, Takashi FUNAYAMA and
others.
We have another not-opened, unpublished resources like the design sketches of the
architecture, the graph of the electric system design and conference reports before Expo.
On the screen we can see the architecture and sound system including 1008 speakers
and controlled by six men, with the aid of film controlling synchronizing system
designed by Jyoji ESAKI.
And the most radical unofficial resources for the purpose of our question are the
drafts notes of Shibata Our question is how the musicians’ dynamic special idea was
realized by sound engineers and architects.
SHIBATA’s notes include from the first stage of the planning when TAKEMITSU
had not been involved to the last plan of the performing or event in TEKKHOKAN, that
is, the concerts of Music Today and also the time capsule project for MATSUSHITA
pavilion.
Shibata had presented two points. One was that the music should be electric sound or
recorded sound. And secondary, the music should always changing by way of computer
control.
The judging committee included some CEO of big Japanese companies like Konosuke
MATSUSHITA 松下幸之助(Panasonic) and Dai IBUKA 井深大(Sony), some famous
architects like Kenzo TANNGE, acoustician like Soichiro OHARA 大原総一郎, and
some artists like Yusaku KAMEKURA ( 亀 倉 勇 策 ) , graphic designer, and Taro
OKAMOTO(岡本太郎)painter.
Off course Shibata’s idea was integrated to the Exhibition basic concept.