Professional Documents
Culture Documents
This paper examines the Cosmopolitan woman, who represents the “fun, fearless,
female” brand womanhood. This is a case study developed from a larger project that
examines Cosmo issues from several regions in its global readership. The imagined
produced ideal of womanhood whose sexual behaviors and racialized subjectivities are
reaches of the earth picking up “developing” economies along the way; Cosmopolitan
success story if the magazine’s global success did not reflect the insidious reality of
development of a (post)feminist female subjectivity, and I want to explore what the this
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means for rebuilding a national narrative or “social memory” in the South African
democracy.1
The U.S. Cosmo woman is upheld to certain beauty standards that follow a rigid
What is interesting and useful about identity, despite that it has been highly critiqued by
for cultural practices that help people make sense of social conduct and expressive
culture. Hyper (hetero)sexuality,2 is the primary way in each of the international Cosmo
women are constructed. The Cosmo woman is particularly located in her role as a
feminine gender and this generic form of “womanhood” is always attached to normative
“Fun, Fearless, Female,” bodies, which is the catch phrase for the international brand
Cosmopolitan.3 The fun expressed by the Cosmo brand “female” is attained through
South Africa is a unique case study due to its recent 1994 inauguration as the
“first democratic government” in South African history. 4 “The Union of South Africa was
initially established in 1910, [and] its political, economic, and cultural metropole was
Great Britain” (130). South Africa now can be considered to be in a post-colonial stage,
with one of the most egalitarian constitutions of any democracy today; however, as
1
the free and equal right of every person to participate in a system of government, often practiced by
electing representatives of the people by the majority of the people.
2
Sexuality is meant to indicate sexual desire and the partner choices of people in sexual relationships.
3
“Fun, Fearless, Female” is used to promote the magazine globally; Hearst Corporate Site, 2007.
Accessed at the world wide web on April 13, 2007 at: http://www.hearstcorp.com/
4
Cheryl McEwan, “Building a Postcolonial Archive? Gender, Collective Memory and Citizenship in Post-
apartheid South Africa,” Journal of Southern African Studies, (Volume 29, Number 3, September
2003):742.
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Grant Farred and many other scholars note, looking beyond race (and I argue gender)
is an impossibility: race racism, (and gender and sexism) are “not only dialectical but
that globalized relationships between nations is part and parcel to the process of the
region/nation/state.6 The first two black presidents, Mandela and Mbeki, had the task of
rescuing what they termed, according to Farred, the “foundational element” of society,
identity” through rhetoric. 7 Enter the Cosmo “fun, fearless, female,” an imaginary
of the great American Dream. George Hearst’s earliest fortunes came from mining and
politics and with his son William Randolph Hearst’s 1887 foray into magazine
media empire. Cosmopolitan magazine entered into the national conscience as one of
the first mass produced magazines delivering the latest news, fiction, and
what it meant to be a good white married, or soon to be, Cosmo reader. As I stated
before, Cosmo now buy’s in at the ground level of developing capitalistic marketplaces,
5
Grant Farred, “Shooting the White Girl First: Race in Post-apartheid South Africa.” In Clarke, Kamari
Maxine and Deborah Thomas (Eds). Globalization and Race: Transformations in the Cultural Production
of Blackness, (Durham: Duke University Press, 2006); 227-8.
6
Inderpal Grewal, Transnational America: Feminisms, Diasporas, Neoliberalisms, (Durham: Duke University
Press):11.
7
Ibid.
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helping to script a new national narrative, or social memory, about what it means to be a
woman.
In her Journal of Southern African Studies article, Cheryl McEwan argues that
building the official post-colonial archives of South Africa is an effort that must include
black women, not only to locate black women in the shared memory of the traumatic
events of the past, but also to allow women the access to the process of healing; Bantu
oral traditions, colonialism, and apartheid, has historically prevented black women from
being included in any “dominant accounts of history.” 8 In fact, McEwen reports that four
Africa fourteen years ago during the transition to democracy. 9 Material artifacts of the
represents more than individual experience and stands for a collective social and
memories resists “amnesia” about a traumatic past and promotes a “shared sense of
document of the African National Congress reveals the lasting effects of the “triple
“restrictive and repressive” experiences of South African black women under apartheid
law because of their race, class, and gender.11 In fact, the legacy of apartheid still
8
McEwan, 740.
9
Ibid., 742
10
Ibid., 747
11
“The Effects of Apartheid on the Status of Women in South Africa” is excerpted from a paper by the
Secretariat for the World Conference of the United Nations Decade for Women, in Copenhagen, July
1980. Available June 16, 2008 on the World Wide Web:
http://www.anc.org.za/ancdocs/history/women/effects.html
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characterizes income distribution in SA: while black South Africans make up 79.4% of
the population, they have 41.2% of income (in the form of work, social grants, interest
and dividends). White South Africans, comprising 9.2% of the population, account for
ArticleId=1518-25_2281918
What we can see from these studies is that although the policies are in place,
black women’s, marginalized people’s lived experiences based upon sexism, poverty,
and racism indicates that constitutional equality for marginalized populations is slow to
come.
Back to Cosmo: My primary resources materials and comparative and critical content
analysis of five issues of Cosmo South Africa from December 2007 through May 2008.
Images and content added to Cosmo template were surprisingly refreshing (as
compared to the other 5 international issues I have researched), while the
advertisements are largely white women the other materials were much more
diverse representations of Asian women, black women, Indian women.
The December 07 issue discusses poverty, abstinence, AIDS, black, condoms,
and is critical of American celebrity.
January 2008 discusses the phenomenon of the emergent black middle class.
The March 2008 contains features about how to identify sexual harassment in
the workplace and a story about HIV positive twins. And contains a 56-page
special devoted to getting “hitched.”
The April 2008 issue contains an article “I was bullied for being different,” which
is an interview with Jessica Alba, which examines her experiences at the hand of
racism and sexism. As a child she was forced to eat inside the nurses station
due to physical attacks from white classmates.
The May 2008 issue features a story “What Makes Us Different from Other
Guys?” about two transmen, Jay McNeil and Lee Gale. (119). The feature is
describes how the two transmen dealt with their “Gender Identity Disorder.” The
article features the names of local transsexual organizations, including clinics in
the area, and resources about gay and lesbian community and health centers.
The feature quotes American scholar Patrick Califia, author of Sex Changes: The
Politics of Transgenderism, who discusses the difficulty of being recognized as a
man by society, but the article also acknowledges male privilege. What might be
most radical about this piece aside from the informative information about clinics
and hormones is the information about McNeil and Gales embodiment. Both
men had top surgery only, keeping their “female” organs intact. South Africa and
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Spain are the only two countries in the world that allow legal gender identity
change without surgery. Transsexual subjects of South Africa, who, the feature
reports, are characterized by a majority of black and Indian people of the region,
describe the pleasures and dangers of an enlarged clitoris and an enjoyment of
sexuality—a full sexual citizenship. American transsexuals are required to obtain
sex change surgery to become legal citizens of the “opposite” sex, which can
reduce sexual nerve endings causing some loss of feeling in the genitals, thus
effectively denying Americans full sexual citizenship.
Overall, Cosmo South Africa is writing a very liberal national narrative to aid the shared
the social memory of the state, but lets review those features once more with a critical
eye:
The December 07 issue that explores black rage frames it as a disorder treatable
with anti-depressant medication.
The March 2008 features about how to identify sexual harassment in the
workplace (carries with it its own set of assumptions about the Cosmo reader’s
place in the economy—and amnesia about being locked out of cities during
apartheid.), and the about HIV positive twins were U.S. citizens.
Jessica Alba’s answer to her experiences at the hand of racism and sexism is to
get tough, and learn how to physically defend herself.
Although the May 2008 issue covered important issues in the lives of transmen,
and despite the fact that the article reveals that the majority of the SA population
are people of color, Jay McNeil and Lee Gale, the fun fearless men are white
men from UK.
Further research revealed that
Because Cosmo South Africa is an English language magazine (only
0.5% of people in SA speak English)
6 of the last 8 cover stars were white or light skinned women.
Femininity is expressed through heterosexuality.
Content is driven by American celebrity.
The content is more than 45% -50% advertising. Advertisements for
American or Brittish products with very little representations of black
women or men.
“Colonizing Femininities”
brand woman—and the fact that black women in Africa suffer from triple oppression.
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of color effaces individual women’s experiences in favor of a globalized or universal
between the U.S. and women of color. While the gendered rhetoric in Cosmo cannot be
attached to a particular feminist, but a female, Cosmo co-opts rhetoric emerging from
the “Westernized” feminist movement elevating Western feminism above the “Third
World” woman and her cultural practices. 12 This cooptation of the language of the
feminist movement is an act which scholars, such as Yvonne Tasker and Diane Negra,
label as “post-feminism.” Yvonne Tasker and Diane Negra in their edited collection
Interrogating Postfeminism: Gender and the Politics of Popular Culture argue that
This incorporation of messages about empowered female subjects, women who are not
feminists, into popular culture creates a form of “silent visibility,” which then posits
pinups, “enduring lynchpin[s] of commercial beauty culture,” which then carries with it an
12
Mohanty, 6-7, 235, 258.
13
Yvonne Tasker and Diane Negra (eds), Interrogating Postfeminism: Gender and the Politics of Popular
Culture (Durham: Duke University Press, 2007): 2.
14
Ibid., 4.
15
Tasker and Negra, 3.
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Cosmo South Africa thus enjoys a postfeminist sexual citizenship 16 that is not
postfeminist world, this could be construed as the fallout of a failed feminist movement.
Tasker and Negra argue that post-feminism, which is “white and middle class by
default,” assumes that women now live in a “pastness of feminism” where “postfeminist
“consumption as a strategy . . . for the production of the self.” 17 Through the discursive
and actual production and deployment of patriarchal power, Cosmo positions sexually
free black African women as “the face” of the new democratic nation-state. These
forms of “colonizing femininities” thus differ from the whiteness subsumed in post
feminism. Using gender as form of development rhetoric, like Cosmo South Africa
values, through “partnerships” to promote “sexual health.” 18 Even the transmen in the
May 2008 issue were in long term heterosexual partnerships. In the case of South
Africa, Cosmo is a colonialist effort that capitalizes on the work of the feminist arm of the
16
Sexual citizenship here is meant to point to the ambiguous slippery nature of sex. Sex as a concept
biologically adheres to bodies creating the dimorphic categories of male, female, man, woman. These
sexed bodies are at once entered into a system that also genders bodies according to socially
constructed norms. Sexual citizenship is based upon the sexual practices of these normative sexed and
gendered bodies.
17
Yvonne Tasker and Diane Negra (eds), Interrogating Postfeminism: Gender and the Politics of Popular
Culture, (Durham, NC: Duke University Press, 2007); 1-2.
18
Stacy Leigh Pigg and Vincanne Adams (Eds). Sex in Development: Science, Sexuality, and Morality in Global
Perspective, (Durham: Duke University Press, 2005): 13.
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discursive violence, a form of “colonizing femininities,” strategically executed by the
I will leave you with but one critical questions for the archive:
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