....

:ORA

06 DON'T STAY

12 SOMEWHERE I B 20 LYING FROM YOU 25 HIT THE FLOOR 29 EASIER TO RUN 37 FAINT

42 FIGURE.OO

48 BREAKING THE 52 FROM THE INS 56 NOBODY'S LIS 60 SESSION

62 NUMB

6

All gtrs. in Drop D, down 1112 steps: ®=B @=E

@=F# @=G#

@=B CD=C#

Moderate rock J = 86 Intra:

Elec. Gtr. 1 cont. simile

05 AS F5

I 17& .•

444 III

Elec.Gtr.2

G5

I

III

DON'T STAY

B~5 AS 05

18&. m7&. I

444 333

By LINKIN PARK

end Rby. Fig. 1

B~5 AS

18&. m7&.

444 333

-

05

I

AS F5

m7& .•

444 III

G5

I

III

,

-

fl
tJ .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ..
f
"'T
I
A
,....
[;) " ," '" " '" '" '" '" '" '" '" '" '" '" ," '" ," '" '" '" " ," '" '" '" " ," '" '" " " '"
,~ ,~ .~ ,~ ,~ .~ ,~ ,~ .~ ,~ ,~ .~ ,~ ,~ ,~ .~ .~ ,~ ,~ ,~ ,~ ,~ .~ .~ ,~ .~ ,~ ,~ ,~ ,~ ,~ ,~ 05

I

AS F5

17& .•

444 III

Elec. Gtrs. 1&2

, ~II:

, j , , 'r\j J

G5

I

III

05 AS F5

I 17&'ii

444 III

G5

I

III

Elee. Gtr. 2 taeet

B~5 AS

18&·m7&.

444 333

, j j j jr\j J

,

:11

Verse:

wlRhy. Fig. 1 (Elec. Gtr. 1)

05 AS F5

I m7&'ii

444 III

'~IH cD

-

G5

I

III

,

j J j jr\j J

-

G5

I

III

AS m7&.

333

AS 05

m7&. I

333

AS F5

17& .•

444 111

1. Some

2. Some

r

times times

'1

~

Jl

J

I I

E

need to

feel like

re - mem - ber just

I trust - ed you

to breathe., too well._

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

7

D5

I

AS ~S

17&. ii

444 III

B~5 AS

Is&·17&.

444 333

D5 AS F5

I 1&7&. ii

444 III

*E~5

I

III

, j

J

end Rhy. Fig. 2

, ; J J J

Some - times Some - times

I I

need you to stay a - way_ from me!

just feel like scream - ing at_ my - self!

*Doubled by Elec. Gtr. 2 from this point.

wlRhy. Fig. 1 (Elec. Gtrs. 1 & 2)

D5 AS F5 G5

I IIIiii7&. mm I

III

B~5 AS

IS&'1f7&0

444 333

D5

I

AS F5

If 7&. ii

444 III

G5

I

III

B~5 AS

Ifs&o If 7&.

444 333

Some times I'm in dis be -lief_ I did-n't know_
Some times I'm in dis be - lief_ I did-n't know_
wlRhy. Fig. 2 (Elec. Gtrs. 1 & 2) 11. To Next Strain I
(To Chorus.)
D5 AS F5 G5 B~5 AS D5 AS F5 E~5
I .-. xxx xxx xxx .-. xxx .-. xxx oooxxx .-. xxx xxx I
m7&0 ii I mS&o m7&0 ii m7&0 ii
444 III 444 333 444 III III
III ~ _J_ some how I need you to go.L,
some how I (Don't
2.
D5 AS F5 E~5 Elec.
cocxxx 1&7&. xxx I Gtrs. j J , J J J
I g ;
1&2
444 III III ~ _J_ need to be __ a - lone.
(Don't
~ Chorus:
OS AS B~5 C5 G5 AS F5 E~5
cocxxx .-. xxx .-. xxx .-. xxx xxx .-. xxx xxx I
I m7&0 mS&o m1Ofro I m7&. g
III 222 444 444 III III
III
J .h J ,~n J .h J ,,_n
J. ~ mem - 0 ~ ries.,.,

for - get our pos - si - bil

- ties.,..

f· \

f.

stay.)

r

r

:11

8

>

Elec. Gtrs. 1 & 2 coltt. simile

D5

I

v C· r

AS B~5 C5 05 AS F5 E~5
,-." xxx ,-." xxx ,-." xxx xxx ,-." xxx xxx I
117fr. 118fr. II10fr. I 117fr. ii
III 222 444 444 III III
III k
~~f ., ! d d d d~{ d a
fl- e E ~-r·
., J ~I What you were chang - ing

me in - to.__ Don't

(Just give me my 7 self _ back and don't

D5

I

,~ dr

C5 05

II lOfr. Ixxx

444

III

AS F5

117fr. Ii

444 III

E~5

I

III

,.

,

stay. For- get our mem - 0 - ries.,.,

stay.)

'for - get our pos - si - bil -

- ties.L

To Coda-$- 1.
D5 AS B~5 C5 D5 AS F5 H5
oooxxx 117fr. ,-." xxx ,-." xxx oooxxx 117fr. xxx I
m 118fr, II1Ofr, m ii
III 222 444 444 III III
f'_f ., ! d d d d;::{ d a k
,~ v r ~ fl- r E ~-r·
, J 1
Take all your faith - less - ness with you._ Don't
(Just give me my - self_ back and don't.) w/Rhy. Fig. 1 (Elec. Gtrs.1 & 2)

D5 AS F5 05

I 117fr'li IXXX

444 III

III

,~ r l

D5

I

AS F5

117fr, Ii

444 III

05

I

III

stay,

stay,

stay,

stay.

2. D5

I

,~+ J

AS 117fr.

444

w/Rhy. Fig. 1 (Elec. ao t)

F5 E~5 D5 AS F5

Ii I _I 1i7fr'li

III III 444 III

05

I

III

B~5 AS

Iisrr·1i7fr.

444 333

Don't (Just give me my - self- back and don't.)

1 r l r l
stay, stay, ~ ~. ,

9

D5

I

AS F5

1i7fr II

444 I (J

G5

11

D5

I

444 III

G5

11

444 III

111

III

Elec. 4 4_/1 Gtr.1..J ..J "" "",' "

fl ~ ~ ~ ~
~.
stay, stay, stay, stay,
~ Elec. Gtr. 2
t .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ..
T
1.
4
,.,
0 n n n
''" ''" r e; ''" ''" , '" r e; ''" , '" , '" r z, ''" ''" , '" r z, ''" D5 AS F5 G5 B~5
oooxxx -.. x xx II 'xx v-c xx x
I 1l7fr I 1l8fr. Bridge:
444 111 444 D5 E~5 D5
III
j J J J~j J J j J J J oocxxx _xxx oco xx x
~ I 1m a N.C.
Cant. in notation III I

~ ~ ~. fL • ~ ~ fL ~ ~ fL
t
stay. I don't need you an - y - more, I don't
.fJ_ Elec. Gtrs. 1 & 2 Oiiiiiiio L
.--
t .. .. .. . . . . . . . . . ; ; ;b! :i : 111 .. 111 .. ,-,,111 111:::::1
, ~ ~ ~ 111 ~
T
! ~ ~ ~ ~,-..._
A n n rv oJ oJ oJ oJ oJ v
n x x x x ,., .., n n .., C'
~ '" '" " 'n '" x ~ x x v v v v '<. »
,~ ,~ ,~ ,~ ,~ ,~ ,~ ,~ ,~ ,~ ,~ ,~ v v v v D5

I

H5

I

111

D5

I

N.C.

D5

I

E~5

I

D5

I N.C.

III

~ ~ • ~ • fLo 'fL fL fL • ~ ~. ~ ~ fL
t
want to be ig - nored.... I don't need one more day of you
_fL ~ L iiiiiiO L
-- .--
t : ; ;~ : ; .. 111 111 .. ,-,,111 111:::::1 ; ; : ~: : : 111 111 .. 111 ,-,,111 111:::::1
~ ~ ~ ~ ~ ~ iii iii
_:r
r- ,-..._ r- ~,-..._
JJ n n n n oJ oJ oJ oJ oJ v n oJ oJ oJ oJ oJ v
-r x x x x n ,., n n n ,., x x x x n ,., n n ,., ,.,
_I. x x x x v v v v '<.;...>' x x x x v v v v _'<; .» .
v v v v v v v v 10

05

I

E~5

I

III

05 F5

Iii

III

E~5

I

III

05

I

05

'I N.C.

Il ~ • ~ • f'-""'f'- ~ ~ , • . ~ ~ ~ ~
u '"
wast - ing me a - way._ I don't need you an - y - more, I don't
114
_____/
Il - - I
---
U ~ ~ ; ~ :i ~ .. .. .. .. .. ._..... .. ~ ~ ~ :i :i ~ . .. • «:» ..~
~ ~ ~ 1II ~ ~ ~ ~ ~ 1II ~
. 114
;1
"T" ./
~ .. .. .. .. ; / r- .. ~:-..
A n n n n ..., ..., ..., ..., ..., / n n n '" ..., ..., ..., ...,
"n x ~ x x ., ., " ., .,_./ x x x x n n n n n "
0 ~ ~ x x ..., ..., ..., ..., ..., ~ x ~ x ..., ..., ..., ..., "(.;..>'
v v v v v v ..., 05

I

E~5

I

III

05

I

05

I

E~5

I

III

D5

IX N.C.

N.C.

want

to

be

ig - nored.;

more

I

day

of you

05

I

E~5

I

III

05 H5

II

III

, ~=- +-«, J~
Il ~ , ~ -~t- • • ~ •
~ If' I
wast - ing me a - way.
With no a - pol - 0 -
1'1
U ; ; ; ~ :i ; :i :i :i ~ ~ ~ ~ :i :i ; ; ; : : : ~ ; ;
• • • 1II • 1II 1II 1II 1II III
..,
~
/J n n n n
"r x x x x
0 ~ ~ x ~ x-
v v v v 11

D. S. ~ al Coda

D5 AS F5 E~5
ooo xx x -. xxx • I
• m terfr.
III III III
Coda ., ! J ; ; ~~l ~ ~ k
~ ~ I ~r'
D5 E~5

II

III

gies.

Don't

Don't (Just give me my - self_back and don't.)

wIRhy. Fig. 1 (Elec. Gtrs. 1 & 2)

D5 AS F5 G5

I 117fr. • Ixxx

444 I I I

III

B~5 AS

II 8fr. II 7fr.

444 333

D5

I

AS F5

117fr .•

444 I I I

G5

II

III

B~5 AS

II 8fr. II 7fr.

444 333

r

r

r

stay,

stay,

stay,

stay.

Don't

I

wIRhy. Fig. 2 (Elec. Gtrs. 1 & 2)

D5 AS F5 G5

I miii7fr. ,m II

III

B~5 AS D5

1f8fr·1I7fr. I

444 333

AS F5 E~5

117fr .• I

444 I I I I II

Band tacet
N.C.
r Ir I"!"\
l II
Don't stay. I'i r l r l Ir l r
stay, stay, stay, stay. . .
fI ~ * - =-- - r---
· . ·
· . ·
t.J ~-. 11 -. : _.. : ~ • • • ; ~ :i
11· .. <::> 11
T ... ... ... ...
· v v v v ,.. " ,.. ,.. x x ·
A · s: '" '" ~ ~ ~ ~ x ), x ·
_I""'l_ -"'- '::: '::: '::: ~ ~ ~
- - - - ~ -= ;. :- ~ ~
'" '" '" .- .- .- .- v _ v end Rhy. Fig. 1

12

SOMEWHERE I BELONG

By LINKIN PARK

Tune down 112 step: @=E~ @=Gk @=A~ @=B~@ =D~ CD=E~

Moderate rock J = 80 Intra:

Bm

I

** Acous Gtr: Rhy. Fig. 1

Em

,

* All pitches sound one half step lower than written (key of m minor). ** Acous. Gtr. part is digitally processed using Pro Tools, creating a "backwards" effect.

Elec. Gtr.1 (cleantone)

wlRhy. Fig. 1 (Acous. Gtr.) 2 times, simile

Bm G

II mi3fr-

1342 1342

Riff A - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1

A miSfr-

1342

Em

II

fI u , - , • , ,
~
11ff hold throughout

! IV IV IV IV
A ... ... ... n n n n n
r"'\ v u u v u v v u
D wlRiff A (Elec. Gtr. 1) 2 times
Bm G A Em B5 D5
I mi3fr- misfr II I IIsfr
1342 1342 113
Rhy. Fig. 2
> >
*Elec. Gtr. 2 j J J J j J J j J J n Elec.Gtr.2 ( /di t)

Elec Gtr: 3

W IS. ~
fI ~ ---- (w/dist.) -
t.J f¥r· • • • • • •
p
(fade in) Cant. in slashes
T
0 _n _o_ o_ 0 _o_ o. _0 ~ ~ -~
Ll v v v v v v v v v v V V v
- .... V ,.. ~ ~ ~ ~
D V OJ V V V OJ V *Doubled by additional gtrs.

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BM!)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

-, ~'.

13
G5 E5 B5 D5
11&r 117fr. II 15ft.
I
113
> > > >
j J J J j J J n j J J J j J J j J J n
.-..... A5 E5 wlRhy. Fig. 1 (Acous. Gtr.)
15ft. I
Elec. Otr. 2 tacet
4 II Bm G A Em
> > end Rhy. Fig. 2 I .3ft. .Sft. I
j J J J j J J j J J J j J
1342 1342
* (When this be -

* All "sung" parts are doubled one octave lower.

Verse 1:

wlRitl' A (Elec. Gtr. 2) 2 times, simile Elec. Otr. 3 tacet

Bm

I

1342

G

Em

,

oo±J3ft.

tmIJ

I had noth - in' to say, _ and I'd get

lost

in the noth-ing-ness in - side of me.,.:

(I was con-

.c

~.

14

wlRhy. Fig.l (Acous. Gtr.) 3 times

Bm G

I 1l3fr.

1342 1342

~~~ uiJJ )l

A Em
o 000
15fr. ,
3
j J,_J j j J I j J j J J j J )1 j Lr# J JI And I let it all out in mind: that I'm not the on - ly per-son with these things in mind._
fused.) (In-side of
Bm G A Em
I 13fr. 15fr. II
4 2
1342
~.~ ~ J j )j j J ~ ~ ~ ~ ~ j --F J j~J j J j J ~ r I ~ JI
66 [ J x .... x ) ·x >< X t~ =1
But all the va-can-cy. the words re - vealed.Is the on - ly real thing _ that I've got left to feet.:
me.) (Noth-ing to w/FiIIl (Elec. Gtr. 2)
G A Em
1l3fr 1l5fr. I
1342 1342 23 trd j J
J ; ; j J xLJ J JiJ J J j ; J J J J J J II
; )J I )J
x )< x
....... , "--" hoi-low and a - lone, _ and the fauli :.: is my own, _ and the fault: is my own. _ I want to

Just stuck, lose.)

C/. Chorus:

~ wlRhy. Fig. 2 (Elec. Gtr. 2) 1st 2 meas. only, 2 times

B5 D5

I .5fr

G5

E5 fE±±j7fr

fW±J

fE±±jlOfr.

fW±J

fJ ~ r»; • ........
tJ heal, I want to feel what I thought was nev real; I want to
- er
Elec. Gtr.2
fJ ~ !'- ~ - - I""- -
tJ fI- - - • - • -
,__ -
f
I
!
A ~ ~ ~ ~ v v V V V V V
.... ~ ,.. ,... ~ ~ ~ ~ ~ ~ '" '" '" '" ~ ~ ~ ~ ~
0 v v v v v v " cr " " " " FilIl Elec. Gtr.2

fJ ~
t.
harm. --------------------i
T

JA
- ....
0 ~ ~ ~ ~ ~ ~ ~ ~ r
15
B5 D5 G5 E5
Ii 115fr. 11100. I
1 1
113 11
~ ~ ,,-- .---J :; J
rtJ ~ I
I let go of_ the pain., I've held., so_ long._ I want to
( E - rase all the pain: till it's gone.c)
~ ~ ~ - - I-- ~ ~
11~ jot- - - - - - """"" -


! " n " " " " n n n n n' n n n n n n n
A u u u u u u u u u u u u u u u u u u
....
:J u u u u U U U U U U u
wlRhy. Fig. 2 (Elec. Otr. 2)
B5 D5 G5 E5
II 115fr. III~r. ,
1 1
~ ~ ."-'" • ,-.., _
t
heal, I want to feel likeI'm close to some-thing real._ I want to
~ ~ ~ ~ I-- - - -
t jot- - - - - - - ""-

I
n n n
~ u U U U ., ., ., ., ., ., .,
... " " " " " e» ... ... ... ... ... ... n n n n n n ... ... ... ... ... ...
D u u u u u u u u u '" u cr

To Codal.
B5 D5 To Coda II-$-$- A5 E5
II 115fr . '5fr. ,
. fl j,j _ ---_ _---_. _."
~ find
some-thing , I've want - ed aH_ a - long,_ some-where 1 __ be-Jong.,
~ -
II ~ ~ ~ I-- -
t. ft- - - - - - - - .. .. .. .. .. .. 'ill 'ill 'ill 'ill 'ill 'ill 'ill
T
! n n n n n n " ,... ~
A u u u u u u ., ., ., ., ., ., u u v u u u
,... " ,... " " " " ... ... ... ... ... ... n n n n n n n
_D v v u u u u ~ ~ ~ ~ ~ ~ ~

l Verse 2:

wlRiff A (Elec. Gtr. 1) 8 times Bm

II

G

tm±J3fr.

tmIJ

Em

I

16

fJ ~ 1342 23
..
~ I ~ l' 1 I r r I' I I ' I' r I' A A , I ,
--
And I've got noth - in' to say,_ I can't be - lieve I did-n't fall right down on my face.;
(I was con-
11M - =-- -
.
.
~ 11 11 11 11 : ... : • 4 • 4 :: ....__",11 i i
11· 11 11
T .
! ': ': ': ': ,., ,., ,., ,.,
A ~ ~ ~ ~ ~ ~ ~ X/ ;.. X X
r"'\ ,.; ,.; ,.; ,.; ~ ~ ~ -r '> '> '> X ~ ~ ~
D ~ ~ ~ ~ ~ ~ ::: t: X ~ ;;_ ~
~ ~ ~ ~ ~ ~ ~ ~ - ~ ~ wlRhy. Fig.l (Acous. Gtr.) 3 times, simile

Bm G

I 1l3fr

1342

~~ * U J J l ,2 ~

A Em
1l5fr. ,
1342
j j J j J I J j j J J j J J J J j q4 J WI
x - x x x x Look-in' ev- 'ry-where on -ly to find : that it's not fused.)

the way I had i - mag-ined it all in my mind. _

(So what am

Bm G A Em
II 13fr. 1l5&. ,
1342 2 1342
.~·i ~ J, j J j ~ J tJ )J J J I ~ J J j J ~ ~ II ~ J J F ' J j I
x x x x x j-
bi x .....
6 , What do I have but neg-a - tiv - i - ty,_'cause I can't jus-ti-fy the way ev- 'ry-one is look-ing at me._

I?) (Noth-ing to

G 1l3fr.

1342

wiFili 2 (Elec. Gtr. 2) A

15&.

Em

D.S. * al Coda I

,

j

r r

x

Noth-ing to gain, hoi-low and a -lone: and the fault_ is my own,_ and the fault : is my own._

lose.) I want to

Fill 2 Elec. Gtr.2

fJ ~ .
.
U I f harm. - - - - - - - - - -1
""'P(fadein)
T

A
- .... ~
D ~ ~ ~ ~ 17
Bridge:
(' B5 G5
~~
• A5 E5 II 1'3fr.
134
mi5fr. I > > > >
Codal Elec. Gtr. 2 n ~ j J ~
134 11 fl ~ ..-.._ • , ~ .
.
tJ -
-- some-where I be -Iong.L I will nev-er know my-
Elec.Gtr.2
A~ - P"""- > - ::! -
t.. .. .. .. .. .. .. 1II "ill 1II "ill "ill "ill "ill

.
I

A ~ ~ ~ ~
.r"'\ n n n n n n n n n n
0 ~ ~ ~ ~ '- ~ ~ " " " " " " " " A5 E5 B5 G5
'5fr. I II 13&.
13
11
> > > >
n ~ n ~ Cont. rhy. simile self un - til I

do this on

my own._

And I

will nev - er feel

>

>

>

A5

m±±Jsfr.

W±J

E5

I

11

B5

II

G5 1'3&.

134

,

lIB - Y - thing else

un - til

my.Lwounds

are healed.z,

I

will nev - er pay

> >

> >

>

18
A5 E5 B5 05
,Sfr, II II ,3fr,
~JoI f'- ~ ~ ~ ~. - _...-.... . •
tJ
an - y - thing 1m I break a - way from me. __ I will break a - way I'll
~ ~ > - - > - >
'- <:»

T -
I ,{ "7' i,
A ..., . ...,
- .... J.
D v v v V v ;' v V V V V V V
-
wlFiU 3 (Elec. Gtr. 2) D.S. ~ al Coda II
A5 E5 Bm a A
,Sfr, I I 13fr, ISfr,
II 4
Acous. Gtr. n. J n. ~ n. J -
I"l 101 :--... --- • ,.-..
t.J
find_ my - self to - day. I want to heal.,

'\ 101 ~
'- > - - 111 ·~u .---U
> ---
T
! .... .... .... ~- '..
'" " " v
r"Io "7 "7 "7 " ~- n
D ~ .~ -;

'FiD3
Elec. Gtr.2
fl 101
'- I f.
p
(fade in) hann. -------------------~
T
!
'" :..:
- .... v
D "7 ... ... "7 "7 ... ... ...

~. wlRhy. Fig. 2 (Elec. Gtr. 2) 19
-$- A5 E5 B5 D5
Coda II 15fr Ii Ii 15fr
~.
I 4 II 113 1
~ ~ ,...._ . --
tJ some-where I be - long. ~ , ,
--
~. I want to heal, I want to
Elec. Gtr. 2 ~ - - -
fl ~
tJ ioooo!- - ~. • • • • •

T
~
Ll ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
- .... ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
0 " " a a " " v v v v v v
G5 E5 B5 D5
IlOfr. 17fr Ii 15IT
~ II ;31 113 113 113
~ ---
t - ~ , ,
feel like I'm __ some-where I be -long. __
I want to heal, I want to
to -
'I II - ~ -
l ~. • • • • • •
-
Btl
~ ~ " " ~ n n n n n n n ~ " ~ ~ ~ "
" " " " " v v v v v v v " " " " " " "
Ell"" " " n " " " -r .., .., .., .., a " " " " " " .., .., .., .., .., .., ..,
BILe u v v v v v ~ ~ ~ ~ ~ ~ ~
Outro:
A5 E5 B5
15IT Ii Ii
II 113
'I II '"" J r=>-. _..-._
l --
feel like I'm __ some-where I be - long._
'I II ~ Elec. Gtrs. 2 & 3
l .. .. .. .. .. .. 11 11 111 111 111 111 111 ~ ~ ~ : ~ ~ ~ ~ ~ ~
> > harm. - - - - - - -1

! ,., ,., ,., ,., ,., ,.,
• .A v v v v v V A
~
0 - - - - - - - ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:;
Co. Co. Co. Co. Co. Co. Co. Co. Co. Co. ~ II - _""-""L-..
~ ,
~ l Some-where I be-long.L
r ~ II
i
~ t ~ ~~~~~~~ ~ ~ ~ ~ ~:~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~t:~ ~ ~
i~ harm. - --1 harm. - --1
'0' > > > > > > >
'~! T
t
t A
- .... ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;: ;;:
[ ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:; ;:; ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ .., ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
r" Co. "'''''''' Co. .Co. Co. '" c.. £. '" .c;.. '" '" '" '" '" '-'"''"'"'" c.. c.. D5 E5 E~5 Rhy.Fig.l

D5 F5

E5 E~5 D5

A~5

D5 E5 E~5

D5 F5

E5 E~5 D5

A~5

20

LYING FROM YOU

E5

Ii

D5

I

E~5

I

F5

Ii

By LINKIN PAR

III

III

III

III 113
A5
,-.. xxx
m7fr.
III All gtrs. in Drop D, down 112 step: @=C# @= F#

@=G# @=A#

@=C# CD = D#

A6 D5 C5

17fr. 17fr. IXXX

13 3

314

Moderately slow J = 74 *Intro:

Elec.Gtr.1

E5

..J ..J ..J J

P.M. - - - - - - - - - - - - - - - -j

f

3

-

*w/miscellaneous samples.

j J

'~j J

'~j J

'~j J J

j J

'~j J

'~j J

i., J J

-

-

D5 E5 E~5 D5 F5 E5 E~5 D5 A~5 D5 E5 E~5 D5 F5 E5 E~5 E~5
end Rhy. Fig. 1
j J '~j J '~j J '~j J J j J '~j J '~j J , j J J J
~~ - - 'f t J ~ J
x x
Verse: 1. When I pre - tend
E5
xxx
II
III
j J ~ .-
~~ ~
II: ~ ~ ~ J -j ~~ --1 J ~ ~ ~ ~ J J ~
x x x x x x x ............... x ......... , x
ev - 'ry - thing is what I want it to be, __ I look ex -
me. 2.1 re - mem - ber what they taught to me,
G2 D5
.... xxx oooxxx
1l5fr. II
113
j J ~ ; j J j J
4~ J i J i J i J i ~l I I ~ ~ I J i
x x __
x x x x x x ............... \ x x
act - ly like what you had al - ways want - ed to see. __ When I pre -
re - mem - ber con - de - scend - ing talk of who I ought to be. © 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

21

Elec. Gtr. 1 cont. simil!? E5

Ii

~ 101 III

I -" for bout the crim - i - nal I
can - get a -
Re - mem - ber lis - ten - ing to all of that
D5
oooxxx
g steal - ing a - gain.

am, __ and this

t

af - ter sec-

pre - tend - ed

ond up

know I

who was

G2 115&,

113

ond I

'cause I per - son

just a

But in.

sec - So

can. __ fit - ting

D5

I

E5

Ii

~ 101 III

f" I

try - ing try - ing

G2 15&.

113

Elec. n Gtr.l

I can't pre - tend this is the way it will stay,_ And now you this this per-son real=Iy is me :.:

to bend

to bend

I'm just and I'm

the the

truth.i, truth.i,

E5

Ii

III

Cont. in notation

'1 101

t

r

ly - ing ly - ing

I my way my way

I from} from

_ I can't pre-tend I'm who you want me to

_ But the more I push the more I'm pull- ing

~ Chorus:

wNocai FiIIl, D.s.liS only E5

Ii

be.:.:

so I'm

a - way_ 'cause I'm

D5 17&.

3

III

~

t

wan - na be pushed a - side.;

I

so let me

you. _

no turn-ing back now.}

(No,

Elee. Gtr.l

, 101

-

.t

'. . . .

:

:i 11

:i 11

I

"7 "7 n n

v v v

."7

;:; ;:;

;..

;.

v v v v

22
CS AS DS
xu _xxx. ooo x xx
I "I 117fr. m
314 II~ ~~ ~ ~ ~,,-....~
fl j,I , ... .a ~ :; ~ •
~ go, f- Let me take back my life_ I'd rath - er
(No, no tum-ing back now.)
fl j,I
~ q: : ~ .. • • • :4j :4j :4j :4j :i :4jl::::~ ; ; ~ ;
• • ~ :4j
T
I .., .., .., .., " " "
A '" '" ~ v v .., .., .., .., .., .., " " " "
.... ~ ~ .., x x ~ ~
D ~ ~ ~ ~ v v .v ~ ~ ~ ~ ~ ::: ~
v ~ ~ ~ v v
ES G2 DS
xxx ... xxx 00 xxx
11 :; m5fr. [l7fr.
III 113 3
fl j,I ~ , ~ ~~ ~~~ ~ ~ , ~'" •
~ be all a - lone.i, f- An - y-where on my own_ 'cause I can
(No, tum-ing back now.)
fl j,I -
~
~ :i :i ~ .. • • • : : .. .. : : :::: -= -= ~ ~
111 111 111 111 ~ ~ :41 ..
T
~ ... .., .., .., . .l>
Ll v v v
- .... ;:; ;:; " " ~ .., .., .., ;. ;. ;. ;..
0 ~ ;:; u u u , .... .... ~ -; ;:- -; -; -; ;:- ::: ::: x x
, , v v v v v v v v v v
CS 11. DS I
AS
xxx _xxx ooo xxx
I To Coda-$- 117fr. m
111
314
~ "I ,_ ~~ ,_
fl j,I ~ '_,--"p- ~ :; I ~ ,_ f'- ,_'"'~
.
·
. ·
tJ see. The ver - y worst part of you.; is
(No, no turn-ing back now.)
I'l j,I
-
·
·
u q; : ~ .. • • • - :4j :4j :4j :4j :4j :4j ::::4j ; ; .l! -!' ~
• ~ ~ ~ ~
T
! .., .., .., .., " " " ·
A '" .,. " .... v .., .., .., .., .., .., " " " ·
r"II ;:: ;:: " " '" '" .., .., '" x x ~
:J ~ ~ v ~ v v . ~ .... .... .... ~ ~ x
~ ~ v _" 23

[2. A5 17fr.

III

D5

I

N.c.

ver - y worst part

of you,_

the ver - y worst part

of you.;

is

Bridge:

wlRhy. Fig. 1 (Elec. oo.n 2 times

D5

E5

E~5

D5

F5

E5

E~5

D5

A~5

This

is - n't

what

I

want - ed

to

be. __

I

nev - er

me! _

D5

",J

E5

E~5

D5

F5

E5

E~5

D5

thought that what

I

said would have you

run - ning from

me

like

D5

E5

E~5

D5

F5

E5

E~5

D5

this.

This

is - n't

what

I

want - ed

to

be. _

I

nev - er

D5

E5

E~5

D5

F5

E5

E~5

E5

thought that what

I

said would have you

run - ning from

me

like

D5

J

E5

E~5

D5

F5

E5

E~5

D5

this. (Me!)

This

is - n't

what

I

want - ed

to

be. __

I

nev - er

..,
24
D5 E5 E~5 D5 F5 E5 E~5 D5 A~5
1LIoI
t. r
thought that what I said would have you run - ning from me like
'-
D5 E5 E~5 D5 F5 E5 E~5 D5 M5
~ ~ -
t.
this. This is - n't what I want - ed to be. __ I nev - er
. D. S. * at cs«
D5 E5 E~5 D5 F5 E5 E~5 E5
fl 101
U r
thought that what I said would have you run - ning from me like
A5
-. xxx
~ m7fr.
Coda 111 q~
fl 101 fL fL fL fL fL'-"'~ ~
.
t. ver - y worst part of you, __ the
Elec. Gtr.1
fl ~
t. ~ 4 4 ~ ~ 4 4 ~ ~ ~
T

A ... ... ... ... ...
- .... s;
D '- ~ s; ~ ~
D5
oooxxx
m N.C.
~Jol .,._ q~ .,._ .,._ .,._ .,._,..-...~ t:"\
.
U ver - y worst part of you_ is me.
1'1 ~ t:"\
t. ~ • • ~ -'c~~ ; ; ~ ~ ; 1
.. "-,, 4 4 ~ 4
I
T 1
I 1
A ... ... ... ... ... n n n
r"\ _.._ '-. x x x
D ~ ::: ~ I
v v v 25

HIT THE FLOOR

By LINKIN PARK

All gtrs. in Drop D, down 112 step: @=C# @=F#

@=G# @=A#'" @=C# CD=D#

D5

I

B~5 AS H5 E~5 F2 E~2

1i8fr·1i7fr·e I xxx I

111 111 111 111 I 113

113

Slow rock J = 69 Intro:

N.C.

Elec. Gu.1

fI
· ·
· ·
t. ~#~ ~.~ ~ ~ ~' ~#~~~~~~~~ -.-.-.~
mf
T
· ·
A · ·
n ;; ;; ;; .:,.
I:l n n n n n n X X X X .:,.
u u u u u u u u u u Rhy Fig 1

Play 3 times end Rhy. Fig. 1

D5B~5

A5

Elec. Gtr. 2 - - - - - - - ""1

D5 F#5 D5 E~5 Rhy.Fig.2

D5

B~5

A5 D5 F#5 D5 E~5

D5 B~5 A5

end Rhy. Fig. 2

D5 F#5 D5 E~5

D5

B~5

A5 D5 F#5 D5 E~5

D5 N.C.

1. There are just

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

26

Verses 1 & 2:

w/Rhy. Fig. 1 (Elec. Gtrs l ) 8 times

N.C.

,

too

2. So

»; man - y man - y

times that pea - pea - pie like.:.:

pie have me put

tried to

so much

look trust

in - side in all

of me,_ your lies.:.:

won-der- ing what I

so can - cerned with

think what

'--"

of you_ you think :

and I pro - teet

to just

you say

out what

of

we

. '--" , cour - te - sy._ feel in - side...:

I

J

x_

,

Too So

i

x

man - y man - y

j

J

J

J

J

times that I've _ pea - pie like me

held on when I need - ed to push a - way, _

walk on egg - shells all day long.

a -

J j J

fraid to say _ what was on

All I know is that all I

my mind.:

want is

j

J

a - fraid to feel

to say :.: what I need

like I'm not stepped on.

to say.i.):

There are

Too so

i

x

man - y man - y

j

said a - bout that make

me me

when feel

J

things things

that you've : you say

I'm not a - round.i:

you crossed the line.

J

had had

you think What goes

J

J J J

J J J

J J J

hav - ing the up - per hand : means you've got to keep put - ting me down. But I've up will sure - ly fall and I'm count - ing down the time. 'Cause I've

J j

i

x

too so

-

x

man - y stand - offs man - y stand - offs

with you.i..: with yoic:.:

j J J

j

I

j

x

it's a - bout it's a - bout

much much

as as

as as

-;.

D5 Elec. ~ Gtr.2 ~1

wait - ing un - til wait - ing un - til

i

J

J

x

the the

up - per hand is

up - per hand : is

J

j

i i 1

i

x.........., x x

I I

can stand._ So, I'm can stand._ So, I'm

B~5 A5

~~==:::;J===J:;=~J

f E f f

One min - ute you're on

27

~ Chorus: '-

wlRhy. Fig. 2 (Elec. Gtrs. 1 & 2) 2 times D5 F#5 D5 E~5

D5

B~5

A5

top.

(The next you're not,

watch it drop.)

Mak - ing your heart

D5

F#5

D5

E~5

D5

B~5

A5

stop.

One min - ute you're on

(Just be - fore you

hit

the floor.)

D5

F#5

D5

E~5

D5

B~5

A5

top.

Mak - ing your heart

(The next you're not,

missed you're shot.)

D5

B~5

wlRhy. Fig. 1 (Elec. Gtr. 1)

A5 N.C.

stop.

And then it's all

gone.

(You think you won.)

F#5

D5

B~5

A5

stop.

And then it's

all

(You think you won.)

F2

D5

E~2

go~.' ,

And then it's all

gone.

And then it's all

Elec. Gtrs.l & 2

And then it's all

gone.

Now it's all gone.

28

To Coda-$-

D5

F2

D5

E~2

~

Coda

D5

E~2

D5

Verse 3:

w/Rby. Fig. 1 (Elec. Gtr.l) 4 times

4 ~ N~~ ifI j J j , j J j ,- I.

J

I

I know I'll nev- er trust a sin- gle thing you say.

You knew your lies would di-vide us but you lied an - y-way.

D.S. ~ af Coda

And all the lies have got you float - ing up a - bove us all.

But what goes up has got to fall. One min-ute you'reon

II '-: .,. • I," .,.
.
~
gone. Now it's all gone.
Elec.
Gtrs.1 & 2
II
.
tJ ~ I : ~ I : ~: ~
~ 4 ill 4 ~
T

A n
.... ~ X X " :: ~
0 X X X X X
v v v v v D5 F#5 D5 E~5

D5

B~5

A5

D5 F#5 D5 E~5

D5

II •
~ ;;f#~ ~ ~ :i :i ~ I ~ '1II 1II "ill .,~ ;~~ ~ ~ :i :i ~"
. ~ .. ~ "ill "ill ~ ~ • ~ "ill "ill ~~
T
!
A n rv n n " " -<> "7 n n n
_ri ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
LJ ~ ~ x x ~ ~ ~ ~ x
- v ~ ~ v v - ~(, 29

EASIER TO RUN

All gtrs. in Drop D, down 112 step: @=C# @=F#

@=G# @=A#

@=C# <D=D#

Slow rock }~ 50 Intra:

Elec. Gtr. 1 (clean-tone) t:'\

By LINKIN PARK

Em

iI

234

Bm?

13121

Rhy.Fig.l

end Rhy. Fig. 1

mp

harm. --------------------------------------------------------------

end Rhy. Fig. lA

Bm?

13121

2. Em

iI

234

Bm?

13121

It's

harm. ------------------------------------------~

Rhy.Fig.2A

end Rhy. Fig. 2A

p

-~=======f

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

30
Chorus:
E5 C5 D5
xxx xxx xxx
Rhy. 1m I mS&.
Fig. 3 234 314
Elec. 314
Gtr.4 ) j/"\D-J .r.-l/"\n---J n/"\n---J
(w/dist.) •
IJ ~ f i't .. .. --- .. ~---~. f'- ~ .. ~-
.. ,,-.....
t..
eas - i - er __ to run.L; re - plac - ing this pain_ with some - thing numb.L,
Elec. Gtr.3
Rhy. Fig. 3A
- - ~ ~ ~
fl ~
. . .
. . .
t.. - --- .___,,- - - .___,,- v- .___,,-
'T
~ ~ --'"' _J\. -"- -'"' --'"' l"l. --'"'
~ w w w w w w w w w
.... ~ ~ ~ ~ ~ ~ ~
L
B5 E5 C5
xxx xxx xxx
• 1m I
314 234
314
J j/"\n---J J j/"\n-J J j/"\n---J
1\ ~'""'~. i't .. .. --- .. .. ~-~. f'- ~
t..l
- It's so much eas - i - er __ to go __ than face all this pain,
- -
. -
~_lol_ · _-_ ,,-..... .....
. .
· . .
u - - -v .___,,- - -v- - .___,,-
- ~

""I
I n n n n n n
/J " " " " " "
-I'" n n. -" .., ..._ -=- _.._ __." -=-
_Q_ v " w B5

Ii

314

wlRhy. Figs. 1 (Elec. Gtr. 1) & 1A (Elec. Gtr. 2)

N.C.

end Rhy. Fig. 3

j~n~J -

fl ~ ...... ,..-.... • ~ - :::--
·
u
- here alI_ a - lone.
~ end Rhy. Fig. 3A
fl ~ - · r-; ,-....
·
· ·
t.. - '-" -..__.,.- - - _____ -...._..-
• -

T
..! " l"l. "
A w w w w
-,..., .., n n n ~
I:) '" '" '" 31

Verse 1: ?,.

wlRhy. Figs. 1 (Elec. Gtr.l) & lA (Elec. Gtr. 2) both 7 times

Em Bm7

iI II

234 13121

Em

iI

234

ta - ken from deep in - side of_ me.

A

se - cret I've kept locked a - way,_ no

Bm7

II

13121

Em

iI

234

Bm7

II

13121

one can ev - er see.L

Wounds so deep they nev-er show,_ they nev - er

go a - way._

Like

Em

234

Bm7

II

13121

mov - ing pic - tures in

my head.;

for

years and years they've ; played. _

Em

(If I could

I

would,_

take

back

the

pain

I

would,_

re - trace

ev 'ry wrong move that I made I would._ If I coud
Em

4f': -
D r r r r L 6 r=: r r r
\ . ..l
stand up and take the blame I would,_ if I could " 32
Bm7
x
11
~~ 13121
-
L C j L C j L C r=t r r r
+!
take all the shame to the grave I would._ If I could
Em
II
~. 234
-
r f r==r ~ f F r f r==f E r
change I would,_ take back "the pain I would,_ re - trace
Bm7
x
It
~~ 13121
-
t t r r f F r f r==f f p F

ev - 'ry wrong move that I made I would._ If I could stand up and take the blame I would.;

1 would take all my shame to the grave.)

wlRhy. Figs. 2 (Elec. Gtr. 1) & 2A (Elec. Gtr. 2) Em

II

234

~., ,

-

Bm7
x
It
13121 ~~ J
I~
t ~ t ~ t t r
It's ~ Chorus:
wlRhy. Figs. 3 (Elec. Gtr. 3) & 3A (Elec. Gtr. 4)
ES CS
xxx xxx
m I
234
314
~ti r #r r~r r ~~C·
±I
eas i - er_ to run,_
BS ES
xxx xxx
mm m
314 234
~.~r 0 r r Ir
It's so much eas DS mi5fr.

314

D r F F rJ1r

r~r ~-
r C;J I
with some - thing numb._ re - plac - ing this pain_

CS
xxx
I
314
#r r~r r r--c'
I
i - er_ to go __ To Coda ..

p r F r r ....... I
than face all this pain» tr; J) III 7 ti,

Ern

" .j .- - - .
'.-.
rw • - j
tJ ._ ....J. r I
- he 1- '1 - I 0 • II -ti I - mem-
" JI 1 1(.3
~
1~Ct}
"
_T_
o
. .0. . .,
.0 .
., ~. It - ~.
~J r • ~- ._.-. I_i
. ~ . .~
~ r t_j
- m I. nng -in Ib mcm ·0· ri - I wish I • n't Jy 'C._ n .
1\. II .....
A
[I, '"
~ ~
I~
I
,
.A
...
. g • In

nd ne • er

r-

o me 'd

Ume\ I than (

n '·CT I

• tin

"In

n -er be

If

in

teo

u change

'ry

34

Em

d

234

Bm7

13121

stand

I

would,_

up

all

take Em

d

~ f'fL.....- --=======

the

If

shame

the

I

would.L,

I

could

to

grave

change Bm7

• ~ U "'''

-

I

would.L,

re -

trace

take back

the pain

I

would,_

-

ev -

rL.....-----l:::t =====~======f ===t ===t =====If

could

'ry

If

I

that I

made

I

would.L;

wrong move

wlRhy. Figs. 2 (Elec. Gtr. 1) & 2A (Elec. Gtr. 2) Em

d

~U':

stand

Bridge:

C5

I

314

Elec. ) Gtr.4·

Bm7

13121

t t r ( .__t -==t r==i..-t ===t ~ I~...__ .===t r

J

Just

up and take the blame I would.;

I would take

all my shame to the grave.)

E5

ii

234

fJ. ~ , • . --. -- • ~ , • .-- . ..--
~
wash - ing it __ a - side,_ all of_ the help - less - ness __ in - side.L
Elec.Gtr.3
,...._ !"'""- -
~ ~ . • •
'"' .-. .-. -
. . .
. . .
t. v ....._" ~ <;» ~ '-"
T
! n n n n n n n n n
A " " " " " " " " "
on _..~ -r ... ... ... ... ... ... ...
u 35

. B5

314

>

, " .

tend - ing

I

don't feel__ mis - placed.;

is

so_ much

D.S. ~ al Coda

pl - er _

than change.L.;

It's

D5 B5
.u .u
• tlS& . Wi
Coda 314 314
4~ ,...., j r--r C rr·
r I
, , lone._
here aH_ a -
C5 D5
.u .u
I tlS&.
314
314 wOOy. Figs. 3 (Elec. Gtr. 3) & 3A (Elec. Gtr. 4) E5

ii

234

r I r #r r=r [ ,-::::-
::r I
It's eas - er __ to run.L, (JF I could cbsInge I woukJ_ take b.ack the p1Iin I would, _ re - trace ~

36
B5 "\. E5
xxx xxx
U 1m
314 1 I 234
l1Jt_ +I. .-. •
t. c._.r r "t. [ t.. ! r'
It's eas - i - er __ to go._
ev - 'ry wrong move that I made.)
C5 D5
xxx xxx
I g5fr.
314
314
II~/"'\&
-.J f' 7 L r _f r t I--i i r r r t I-C. ! r
-
(If I could change I would.i, take back the pain I would.; re - trace
~M -- I
t t r r t t f t r==r t f P

ev - 'ry wrong move that I made I would.L, If I could
B5
xxx
U
." 314
Elec. ) ,~j J_J j. ,~n-J 1:'\
Gtr.4. -
_l1.jt 1:'\
-
t.J ~ L _t r r r t...!-r ( r r u r bl r ,

stand up and take the blame I would.; I would take all my shame to the grave.)
Elec.Gtr.3 Bva
II ~ - .-.... ,.-.... 1:'\
. ~ .
. .
t.J -
. • --
harm.
T ..
~ .;,.
A
- .....
LJ v v v v ,. v v
• FAINT

All gtrs. in Drop D, down 112 step:

@=C# @=F# D5 F5 B~5 G5 AS C5 E5 E~5

~:g: ~:~, I Ii ISfrIXXX 17fr·IXXX Ii I

I 111 444 444 111 III

Fast rock J = 130 111 314

*Intro:

N.C.

Elec.Gk 1

37

By LINKIN PARK

.
fJ t:'\ 6
t.J ~ .~ • • • •
- -==~
. -&_
P f

T
.~ "7 "7 "7 "7
A
- .... x
u x - - - -
- *w/miscellaneous samples and drums.

AS 17&.

111

F5

iI

III

05

I

III

Rhy.Fig.l

2 j J J J ~ j f

j J J J ~ j

j J J J ~ j

Elec. Gtrs. 1 & 2 cont. simile D5' '. )

I

F5

iI

III

05

I

III

AS F5

17&. iI

444 III

end Rhy. Fig. 1

j J J J ~ j

end Rhy. Fig.1A

Elec. Gtr, 1 tacet

AS F5

17&. iI

444 III

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

1.1

38
Verse:
D5
0001:1:1:
m N.C.
Elec. n I
Gtr.2 - -
~
t. ,. I
am a lit - tie bit of lone - li - ness, a lit - tie bit of dis - re - gard.: hand - ful . of.
am a lit - tie bit in - se-cure a lit - tie un - con - fi - dent- 'cause you doni
Keybd. (arr: for gtr}
fl
t.J 'U'
.
"T

IJ ,.,
.r"' '" ...
I,;) ...

I'J
t.J - ..
com - plaints but I can't help the fact.s.: that ev - 'ry - one can see these scars. I
un - der - stand I do what I can but some - times I don't make sense. I
fl
.. -e
T
_!_ "
II ...
~" ,.,
u ...
Ekc. Gtr. 2 cont. simile Keybd. cont. simile

D5

I

,~ J

N.C.

J

i

i

i ~ '1'

) I J

i

i

i i i i i I I
x x ...... x x x x x
to feel.u: but it's like no
a doubt : it's like no x

x

x x

x

x

am am

what I want you what you nev - er

to want, want to say,

what I want you but I've nev - er had

,~ ~ ~ ~ ~ ~ ~ ~ I ~ ~ ~ ~ ~ ~ ~ ~ ~ J ~ ~
x x x x x x x ...... X X X X X X X x ...... X X x
mat - ter what I do I can't.: con- vince you to just be - lieve.: this is real. } So
mat - ter what I do I can't.: con-vince you for once just to hear me out.
~ .. 39

D5

mm

J

-

-

r

let

go

watch - ing

you

tum your back:.: like you

al - ways

do

-

11.

C5

I

314

n

-

To Next Strain I (To Chorus.)

B~5

18&.

444

face a - way_and pre - tend.: that I'm not

but I'll be here.: 'cause you're all_ that I got.

Elec. Gtr.1

~

r-----------------------------------------------------,

Chorus:

wlRby. Figs. 1 (Elec. ce.n

& 1A (Elec. Gtr. 2) both 2 times D5

I

2. C5

I

314

n

-

-

/'t( ~.bt here.: 'cause you're all __ that I got.

I

can't_

feel __

1:,_, ;

40
F5 -, B~5 G5 AS F5
xu ,..... xxx xu ,-. xxx xu
ii 98fr. I 97fr. 1m
III 444 444 III
III
fl ""'-e .,. .,. ,. ,. .,. .,. 1t JII'" • • .,. .,. ., JII'" .,.:--~ ~ ~
-
~
- Don't tum your back on me, I won't be __ ig - nored.
(the way I did be- fore.)
D5 F5 B~5 To Coda"
oooxxx xu ,-. xxx
ii ii 98fr.
III 444
fl .,.. _____ ~-.,. _____ .,.--e .,. .,. ,. ,. .,. .,. ~ .,. • • .,. .,.
t.J
Time won'r.; heal . Don't tum your back on me,
(this dam- age an - y - more.)
\1. F5 \2. F5
xu xu
G5 AS F5 1m G5 AS F5 1m
xu ,-. xxx xu xxx ,_, xxx xxx
I 97fr. 1m III I 97fr. Ii 111
~~~2 j J J J j J J J ~:~i j J J J j J J J
444 III III III
111 III
~ .,. .,. .,.,,-...,.,. .,. .,.--? .,. .,. .,.,,-...,.,. .,. .,.--?
. .
- · -
·
t.
I won't be_ ig - nored._ 2. I I won't be_ ig - nored._
fl Elec. Gtr.l Elec.Gtr.1
·
·
t.J

T
~ '" " '" '" " '" '" " . '" '" '" "'" '" '" ,,,
A IV IV IV IV V IV IV V • IV IV IV V IV IV IV IV
-r-\:
U v v v V v v v V V V V V V V v
Bridge:
D5 A5 F5 E5 F5 E5 D5 A5 F5 E5 F5 E5 D5 A5 F5 E5 F5 E5 D5
j J J J n ., ~j J J J n ~ Elec. Gtr. 2 cont. simile
~j r l Ir r r r I , P r r r r r r I

No! Hear me out now! You're gon - na lis - ten to me
A5 F5 E5 F5 E5 D5 A5 F5 E5 F5 E5 D5 A5 F5 E5 F5 E5
~d r r r I r If I Ir r r r I

like it or not! Right now! Hear me out now!
..
All gtrs. tacet
D5 A5 F5 E5 F5 E5 D5 A5 F5 E5 F5 E5 N.C. -s,
~~ p r r r r r r Ir r r r r 1- ~
'1 I I F·~ I
~~F F
You're gon - na lis - ten to like it or not! Right I can't., feel )
me
now! 41

D.S. ~ al Coda

the way I dkl be-fore.

Don't tum your back on me,

I won't be.:.: ig - nored. _

wlfdbk. p--===f

G5

·1

Coda III

'~i f

A5 F5

117&. If

444 III

5=[ [ f

I won't

be __

ig - nored.

G5

I

III

wlRhy. Figs. 1 (Elec. oo.n & lA (Elec. Gtr. 2) both 2 times

D5 F5

I If

III

I r: a::r f5 -~::::::======:::
I I
I can't_ feel. F5

If

D5

I

III

Don't tum your back on me,

I won't

be_

ig - nored.

Time

won'L,

heal._

F5 E~5
xxx I
F5 B~5 G5 A5 F5 g N.C.
xxx ,-.. xxx xxx 117&. xxx
g tl8&. I g III III
Elec. ) J J J j J J J t:'\
III 444 III III Gtr.2 -
III
t:'\ Don't tum your back on me,

I won't

be_ ig - nored.

Elec.Gtr.l

42
FIGURE.09
E~5 B~5 B~2 F5 G5 By LINKIN PARK
I ,.,...." xxx ..... xxx xxx xxx
.. , mSfr. BSfr . iI I
All gtrs. in Drop D, down 112 step: III III 113 III
III
@=C# @= F# AS E~5 F2
@=G# @=A# ,.,...." xxx I xxx
m7fr. I
@=C# CD =D#
III III
Moderate rock J = 94 113
*Intro:
N.C. Riff A
Elec. Gtr. 1 (+ octave pedal) + + +
fl . r- _( , r::-- r _i
. .
~ c.t ~ <; • ./
f
p
+ + +
:r
! ........
A " 4;:;' " ;. 4;:;' " ;. '"
.... u , ... u .. , ... u ..
D
*w/miscellaneous samples.
+ Set one octave lower.
Elec. Gtr.l +-------------,
+ +
* +----------------.., ~ r-- r+-
fl I l - . r , r ,
- -
'-"
. .
t.. ~ • ~
+ -------------l +-----------, + +
3-
! <,
A ;. ,:;;: '" '" ~. . :;;;- " '" .. 4:;;: ;. .;:;.
.... - .. . _/ ... ..... .... / ... .... .... - .- u - , ...
D
*Tap and slide wlRH .
.
Elec. Gtr, 1 tacet
D5 E~5 D5 E~5 D5 F2 D5 F2 D5
fl r--i end RiITA
~ <c.z:>
T
!
A " i.
.... u w
D
Elec. Rhy.Fig.l
Gtr.2 + +
~
. .
t.. ~ ~ i i i ; j ; • ~. JIll JIll • ~. Jill
"II "II "II 1I:_..; :4i •• ~ ---~ •• ~'-'
}--./ ill ___ ill ilI,-,
+ +
T
!
A ,( ~ .c :. "'- "'", .. ft , ... .. ...
~ ~ ~ ~ .- ~ ~ .- ~ x
D ::: ::: ~ ::: ::: ::: ~
-"--'" ~ .. .- w - .- w -
© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/
Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/
Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) ~
All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/
Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/
Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)
All Rights Reserved 43

D5 E~5

D5 E~5 D5

end Rhy. Fig. 1

F2

D5

F2

D5

+

+

+

+

Verse:

F2 D5 E~5

D5 E~5

D5

N.C.

D5

N.C.

D5

1. Noth - ing ev - er stops all these thoughts and the pain at - tached: to them.

2. Hear - ing your name my mem - 0 - ries come back:.: a - gain.

+

+

+

+

Elec. Gtr. 2 cont. simile

N.C.

D5 Eb5

D5 E~5 D5

N.C.

D5

N.C.

D5

Some-times I won-der why this is hap - pen-ing.

I re-mem-berwhen it start - ed hap - pen- ing.

It's like noth-ing I can do will dis-tract me when I'd see you in ev-'ry thought I had and then

+

N.C.

D5 E~5

wlRhy. Fig. 1 (Elec. Gtr. 2) 2 times

D5 Eb5 D5 F2 D5

;j

-

I 01

I I I I I :
i
x x x ......... X X X F2

Jy£J

D5

x x x

I think of how I shotmy-self in the back : a-gain. 'cause from the in - fi-nite words : I could say_ I put

the thoughts slow-ly found words at - tached to them. And I knew as they es-caped a - way_ I was com -

F2

D5

E~5

D5

E~5

44

------

------

all the mit - ting

pain you

.. my - self to

gave them,

to and

me on ev - 'ry

dis - play __ day __

but I

did n't re - gret

D5

F2

D5

F2 D5

F2

D5 E~5

re - al - ize in - stead of set-ting it free I

say - ing those things 'cause now I see that I

took what I hat-ed and made it a part of me. } took what I hat-ed and made it a part of me.

D5

B~5

D5

B~5

D5

B~5

D5 N.C.

(Whispered:) It nev - er goes a - way._ Elec.

Gtr.2

.__...

It nev-er goes a - way._ And now

Cont. in slashes

~ Chorus:
'> Rhy. Fig. 2 end Rby. Fig. 2
D5 B~5 B~2 D5 F5 G5 A5
Elec. J j n j J J J n j J j j j J J J j J J J
Gtr.2 J
4~ E f E ~ E fl- E- -& £ E E E t ~
;l- I
'I
you've be - come a part of me.
(You'll al - ways be right here.)
Elec. Gtr. 2 cont. simile
D5 B~5 B~2 D5 F5 G5 A5
4~ E' r r r E fl- E F& V E E E t r
J

'I
You've be - come a part of me.
(You'll al - ways be my fear.)
D5 B~5 B~2 D5 F5 G5 A5
J -
4~ E E E fl- E- £ E t E t ~
;l- I
'I
I can't sep ar ate
(my - self from what I've done.) 45

,..

, ,\,

To Coda" 1.

B~2 DS FS

FS

B~S

j~J~~J n

n.

AS

J

j n

J J

n.

j j

Giv - iog

of

I've

let my - self

be - come

a part

me

up

wlRhy. Fig. 1 (Elec. Gtr. 2) DS F2 DS

DS E~S

DS E~S

F2

DS

F2

you,

you,

you,

you.

2.
FS AS E~S
J J j j n. J J j j j J J J j j J J J
W ~ r ~ r F -&
, 0
I've let my - self be - come you. wOOff A (Elec. Gtr. 1)
~j N.C.
• J J J J J t_J I , J J J J J l_J I
(Whispered:) It nev - er goes a - way._ It nev - er goes a - way._ DS E~S

DS EbS

It nev - er goes a - way._

It nev - er goes a - way._

Get a - way from

Elec. Gtr.2

Bridge:

E~5 D5 N.C.

1

D5 E~5 F5 N.C.

E~5 D5 N.C.

1

D5 E~5 F5 N.C.

46

fl - -
U f' .. f'
Gim-me my space : back, you got - ta just Ev- 'ry-thing comes: down to mem- 'ries of
(me!) (Go!)
+
fl ~+ 1\
~ ~ ~ ~ ~ ~ ~ j ~ TV ~ ~ ~ ~ ~ ~ :i ~ •
~ ~ 111 -- ~ ~ 1111 ..
+ +
T
~
_A ft . "'- U'l
... ::: ::: ::: - ::: ::: ::: ,-
e ::: x ~ ~ ~ ::: ::: ::: , ft
V /' V V 'v V /' V V ,. E~5

1

D5 N.C.

D5 E~5 F5

N.C.

E~5

1

D5

N.C.

D5 E~5 F5 N.C.

,

fl - -
- -
. .
U
I've kept it in.:.: but nowl'm let-ting you I've let you go_ so get a-way from
(You!) (Know!)
~ ~+
u :i ; .z, .JJ .JJ ~ ! ~ TI~ ~ ; ~ ~ ~ ; :i ~ ~ .z, ~
~ 4 ~ ~ ~ ~ 4 ~ ~ ~ 4 1111 .. ~ ~ ~
+
T
~
A " ~ .. '''' _LL . ft ..
_IIII!L ~ ::: ~ ,- ::: ~ _;_
e x ::: ::: ::: ::: :::
- - - - Elec. Gtr. 2 cont. simile
E~5 D5 N.C. D5 E~5 F5 N.C. E~5 D5 N.C. D5 E~5 F5 N.C.
1 1
4' - -
r r r r r~C r -7~ r r r I r r r r~C r -7~ r r t<
oi , oi
me. Gim-me my space: back, you got - ta just Ev- 'ry-thing comes : down to mem- 'ries of
(Me!) (Go!)
D.S. ~ al Coda
E~5 D5 N.C. D5 E~5 F5 N.C. E~5 D5N.C. D5 E~5 F5 N.C.
1 1 fl - - ~ ~
. .
U I I
I've kept it in.:.: but now I'm let-ting you I've let you go.:.. And now
(You!) (Know!)
~ Elec. Gtr.2
t. ~ ~ ~ ~ ~ ; : ~ ~ .JJ ~ .?J
~ ~ ~ ~ 4 .. ~ ~ ~ ~
T
~
A
... ::: ::: :::
e ::: ::: :::
v v , v 47

Coda

F5

A5

Outro:

wlRhy. Fig. 2 (Elec. Gtr. 2) 3 times

~~~2JJ i , JJJJjJJJ

4~' F f r f r f

05 e-

li 0

B~5

B~2

05

I've let

my - self

be - come

you.

F5

G5

A5

05

B~5 B~2 05 F5

G5

A5

I've let my - self be - come

you.

I've let my - self be - com,

05

B~5

B~2

05

F5

G5

A5

lost

in - side __

these

thoughts_

of __

you._

05 B~5 B~2 05 F5 A5 E~5
Elec. J J , n j J J J n J J , j n. j J J J
Gtr.2
4' t f f F f ~ f , ~ U f r f

Giv - ing up a part of me. I've let my - self be - come !
j J J J j J J J j J J J j J J J t:'\
N.C. -
4' e- t:'\
- II
0
you. 48

E~

x x

IlSfr. 1333

". BREAKING THE HABIT

em

I

13421

M5

xxx xxx

g4fr. gSfr.

134 134

All gtrs. in Drop D, down 112 step: @=C# @= F#

@=G# @=A#

@ = C# CD = D#'~

B~5

xxx

gSfr.

134

Fast J = 192 Intra:

N.C.

Keybd. tam for gtr.)

F5

134

05

I

134

By LINKIN PARK

B~m

I

13421

B~5

Cm

fI I ~ , ,. ~ , ,. ~ , ,. ~ , ,.
· ·
· ·
.
~
L> '" '" '" '" '" '" '"
T .L> v u v u v u u u
I • v v v v ·
A · ·
~
!;;) Elec. Gtr.1 tcleantone)

Keybd. cant. simile *Fm

Riff A

D~

*Harmony implied by bass.

Verse:

Keybd. & Elec. Gtr. 1 cant. simile

Fm E~

*E

~~II:- ~ Ir

1. Mem

2. Clutch

'ries ing

con my_

sume cure

*Backing vocals second time only.

E~
j Ir U=r r
I'm pick - ing me __ a
I try to carch.,., my
E~ rF Fm
Ir Ir J.
all as sume
hurt much.; more You I

end Riff A

I J I J fl '""" J £ ) I
""'="'"
like 0 pen - ing __ the wound,_
I tight ly lock_ the door, __ Fm

part breath

a - gain. _

a - gain. _

I'm than

safe an

here in __ y - time L,

my room.; be - fore_

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

49

Fm

E~

un I

less had

to tions

start left

a - gain. }

a - gain. _

I try_

no op

Pre-chorus:

Keybd. & Elec. Gtr. 1 cont. simile

m. B~

D~

I don't want.,

be the one_

'cause

the bat - tles al - ways choose.;

to

B~m

10

side.,

1.1 2.1

re - al - ize_

that I'm

the one.L

con - fused.

I

~ Chorus:

D~

don't don't don't

for __ for __ for __

or or or

know know know

what's_ what's_ what's_

worth worth worth

fight - ing fight - ing fight - ing

RiffB

em

Elec. Gtr. 1 cont. simile Fm

, Why I have_ to screarn.L I don't know why_ I
why I have_ to screarn.L I don't know why_ I
why I have_ to screarn.L But now I have_ some
end RiffB 50

D~

Cm

in - sti in - sti elar - i

don't don't don't

Cm

,~g r

- gate.L,

- gate.L

-~ty-

know know know

r

and and to

say what say what show you

1 __ 1 __

what_

don't don't I

mean._ mean._ mean.iL;

I I I

how __ how __ how __

,

D~
r- IF r r , p
I got this way I
I got this way I'll
I got this way I'll r

r

know it's

nev - er nev - er

not __ be __ be __

all all all

r

right. __ } right. __

right. __

So,

I'm

break

EI> D~
,~." r----- IT C~ It l I C· r
r I r r
ing __ the hab it, I'm break t ,~ r~ IT
r
ing __ the -

To Coda .11.

E~

I C· r It

hab

2.

-

it

wlRHl A (Elec. Gtr. 1) Fm N.C.

r

-

-

it

to - night._

j rl'r I l r If r r--u r·
to - night._ I'll paint it on_ the GS Al>S B~S
,~ .n------.n If r r--u r· .n---.n
1- l r

walls 'cause I'm the one.L at fault.
i' 51
FS ""~ G~
fJ I ~ ~ ~- ... ~. .0. .0.
I'll nev - er fight_ a - gain.

...
' .
.- .. ~~
D.S. ~ al Coda
Al>s B~S
~ I 1*" ~ 1*"-'" ~. .ri .~ .
t I
And this is how_ it ends. 3. I

.
• wlRiffB (Elec. oo.n
Coda D~ ~
'~j r -e I r r r
l r I I

it, I'm break - ing the

}. Fm
1\ I • f"j -
t
hab - it to - night. __
Keybd.
I ~ ,.. 1*" .-
t
...<L 1:>_ n
T '" '" v
I
A
- ...
u
Elec.
"J'i,c. Play 11 times Gtr.2 1:"\
(wldistJ ~
'I I fIl- ~ .- -
t \ '<oI)
P f

fdbk.
" ~
"r v '"
I '"
A
- ...
C
52

FROM THE INSIDE

All gtrs. in Drop D, down 112 step: @=C# @=F#

@=G# @=A#

@=C# (!)=Df

By LINKIN PARK

Moderately J. = 58 Intro:

D5

I

Elec.

Gtr.1 j tw/dist.) •

f

-

-

-

Elec. Gtr.2 tw/dist.) RillA

end RillA

Elec. Gtr. 2 cont. simile
E~5 F5 B~5 G5 AS
I xxx ,-... xxx xxx ,-... xxx
ii 1l8fr. I 1l7fr.
Rhy. III III III III
Fig. 1 III end Rhy. Fig. 1
Elec. jJ J ,jJ J , jJ J ,jJ J , jJ J ,jJ J , jJ J ,jJ J ,
Gtr.1
.~ III: - 1 - 1 - 1 - :11

Verse:
Dm C B~ Gm Am
S· you.i, Keybd. tarr: for gtr.)

Bva ---------------------------------------------------------------------------------------------.,

1. I don't know

2. Ten - sion is

who_ build-ing

to trust, in - side

no sur - prise. } stead - i - ly.

t r E r !

(Ev- 'ry=one feels so

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

All Rights Reserved

53
.
Keybd. cont. simile "
Dm C B~ Gm Am
II ------
t. r t r s r· ~
far from me. { Heav - y thoughts sift __ though dust and the lies.
t a -way Heav - y thoughts fore - ing their way out of me.
_,
Dm C B~
~
t »; x. x x x x x x x »; x »; »;
Try - ing not to break but I'm so tired of this de-ceit, ev- 'ry time I try to make my-self get
lCeybd.
~ 1*- 1*- 1*- .. .. 1*- 1*- 1*-
t.
... .. .. ... ... " .. .. ..
T " " " .., " .., v ... v " v ... .., " " ... " ...
I v v v u u v v u v
4
-""
C

Gm Am Dm C
II ~ I I
t. x 1<. X 1<. 1<. 1<. [ C r If ~ c.....r [ c r I [ LJ I
back up on my feet. All I ev - er think a-bout is this, all the tir - ing time be - tween, and how
(I
" 1*- 1*- 1*- .. ..
I'~
" .. .. .. " ... "
T v ... v ... ... " " " ... " ... " ... " " v "
_! u v u u u v v u v
A
.""
c

N.C.
Elec. ~. ~ J J J J
B~ Gtr.1
~ -I I =-~ "I "I
t. [ - c r I [ C r I l r r r r ~ ~ ~
try'ng to put my trust in you just takes so much out of me.
)
~ 1*- 1*- 1*- 1*- 1*- 1*-
t.
.. '" '" t: .. '"
_T " " u u u " u
I v u v u v v
A
n
c
take __

ev - 'ry - thing__ from the

in

side_

G5 AS
I -. xxx
m7fr.
III
III
'1 r IE P r p
I
and throw it all a -
To Coda-$- 1.
G5 AS
xxx -. xxx
I m7fr.
III
III
r r IE p r p :11
I won't trust my - self with 54

.~ *Chorus:,

wlRby. Fig. 1 (Elec. oo. i) 2 times

wlRiff A (Elec. Gtr. 2) 2 times 05

I

.........---... ...- ....

~~ r r E r I (--C

F5

ii

III

E

r

*Band tacet, except Elec. Gtr. 2, first two bars third time only.
05 F5 B~5
OOQ)(XX xxx -. xx,x
Ii iI m8fr.
III III
-
,~ r· r E -
r I F' e E ~ I r p 'f
J i
way 'cause I swear __ for the last time 05

I

III

trust

my - self

with you. _

I won't

E~5

I

III

Bridge:

wlRiff A (Elec. Gtr. 2) 2 times

Cont. in notation

D5

N.C. D5 E~5 D5

N.C. D5 E~5 D5

N.C.D5E~5

fl ~ ~ ~ ~ ~. f ~.
. . .
U
waste my - self on you! You! You!
Elec. Gtr.1
fl ,. ,. I I I
.
~ ; ; '; '; ; ~ ; ; '; '; ;~ ; ; '; '; ;i
~ . ~ ~ ~ ~ . ~ • • •• ~ • .~
"T - " ...
~ ... " n. n.
A n. " " " u " " " " n. u " " " " " " "
_ri ~ ~ ~ ~ ~ ~ ~ ~ ~. ~ ~ ~ .x x ~
u ~ ~ ::: x ~ ~ ~ x ~ ~ ~ ~ ~ ~ ~
v _ v v v v V V V V V V V 55

D.S. ~ al Coda

N.C. D5 E~5 D5

N.C. D5 E~5 D5 N.C. D5 E~5

waste

my - ... self

on

you!

You!

You!

I

wlRhy. Fig. 1 (Elec. oe.n 2 times w/RifT A (Elec. Gtr. 2) 2 times

G5

-I

Coda III

4~r

AS D5 F5 B~5
_ xxx cccxxx xxx _ xxx
BIrr. a g m8fr.
III III III
- -
p r p I r· r r r If E E r IF 0 C ~
'f J
my - self with you. Ev - 'ry day from the in - side and just trust

AS
_ xxx
G5 AS D5 F5 B~5 m7fr.
xxx _ xxx oooxxx xxx 18fr.
I m7fr. a g III
~~~~1 JJ J , JJ J ,
III III III
III --- --- throw it all a - way __ ' cause I

swear_ for the last time

I won't trust

my - self

with

D5

I

you.

Elec. Gtr.2

You.

You.

By LINKIN PARK

56

NOBODY'S LISTENING

All gtrs. in Drop D, down 1 112 steps: @=B @=E

@=F# @=G#

@=B (!)=C#

Moderately J = 98 Intra:

"'F5

41

-

-

-

-

"'Implied harmony throughout.

yo. ·*C-c - c - c-coming at you, coming at you, come, coming at you. **Sampled vocals.

Verses 1 & 2:

F5

411:! Q ,j J j ,I

)J I xl =' J i I F I J I
r r< « (<" >< r «-f< r r f< >r_
x \
\ ) x .,j x l.Peep the style and the kids check-ing for it, the num-ber one ques - tion is how i: could you ig-nore it? We

heart full of pain, head full of stress, hand - ful of an-ger held in my chest.

4u'

'I

J1

i

x

drop right back in the cut 0 - ver base - ment tracks : with raps that got you back-ing this up :»: like re-

And ev- 'ry thing left's a waste of time I hate my __ rhymes but hate ev- 'ry-one els es more.: I'm

4 E ~ ; --~< g r g f< b£J' I r r f( r r r f( r f( ; -7( ,&1 ~I ; J I
J LJ ! ! .,j wind that. We'rejust roll-ingwiththerhy-thm, rise fromtheash-es of sty-lis-tic di-vi-sion with

rid-ingon the back of this pres - sure guess-ingthatit's bet-terl can't keep my-self to-geth-erbe-cause

these non - stop lyr- ics of life liv - ing not to be for-got - ten but still:.: un - for-giv-en.

all of this stress gave me some-thing to write on, the pain gave me some-thing I could set my sights on.

4 ; ~ i ~ L I C:t E ~x e- O r I r r
& -7< 6 r< >(-r r r f< 0 f<
g J
d
But in the mean - time there are those:.. who wan-na talk this and that, so_ I sup-pose that it
You nev - er for-get the blood, sweat and tears, the up - hill strug - gle 0 - ver years, the fear and 4 x r r r )J ] I ,....,
j g f( I ( r< ; r gr x r r f( x r r g 6tJ
! x ! ! !
! gets to a point wherefeel-ings got to get hurt and get dirt-y with the peo-ple spread-ing the dirt,_ it goes.}

trash talk - ing and the peo - pie it was to and the peo-ple that start-ed it just like you.

© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/

Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/ Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)

AU Rights Reserved

57
.
~ Chorus: '0
*FS ms
,fl ~,.. ,.. -- ~ «>; -- ~,.. ,.. -- ~ c=>; --
Thy to give ' you warn - ing but ev - 'ry - one ig - nores_ me.
t
~leC:-<>'
~.1 Riff A
fl
!t! ~ ~-~ ~. ~ ~ ~-~. ~--~' ~.
I"r

.

" " " "
OJ OJ OJ OJ
*Implied harmony.
FS E~S mS
~ t .. h ~,.. -- ,,_ --
to
But no - bod - y's lis - t'ning.
(Told you ev - 'ry - thing loud and clear._)
~ end Riff A
tJ ~ ~,-;~ ~. ~ ~ ~-~. ~'-'~ ~.

~ ..
!
a
- ...
o.u " " " "
OJ OJ OJ OJ
FS mS
f! ~,.. ,.. -- ~ ,,_~ -- ~,,_ ,,_ -- ~ «>; --
tJ
CaU . tv you so clear - ly but you don't want to hear __ me.
f!
tJ ~ ~-~ ~. ~ ~ ~-~. ~--~' ~.





- - OJ
i G~5

J

58

F5

To Coda-$- 1.

E~5

But

no

bod - y's

lis - t'ning.

2.1 got a

you ev - 'ry - thing loud and clean.i.}

no

bod - y's

lis

t'ning. 1 got a

heart full of pain,

head full of stress,

2. E~5

G~5

J

Verse 3:

'.
, LJ E r I LJ (J' I LJ , (J LJ (J'

hand - ful of an - ger held . in my chest. Up - hill strug-gle, blood, sweat and tears,
, r r (J' f r r (3' I LJ Lt· LJ Lt·

noth - ing to gain, ev - 'ry - thing to fear. Heart full of pain, head full of stress,
, LJ E r -x LJ (J' I LJ , [J LJ (J'
d
hand - ful of an - ger held in my chest. Up -- hill strug-gle, blood, sweat and tears,
D.S. ~ af Coda , Cd U' r L r U' I Cd U' Cd U' I Cd U' - II
noth - ing to gain, ev- 'ry - thing to fear. Heart full of pain, heart full of pain, heart full of pain. 59

'<;

Coda E~5

~

G~5

J

w/Riff A (Elec, Gtr. 1) 2 times F5

no

"bod - y's

lis

t'ning

(I've got a heart full of pain,

head full of stress.)

Elec. Gtr.l

F5

No

bod - y's

lis

t'ning.

(Hand - ful

of an - ger held

in

my chest.)

F5

No

bod - y's

lis

t'ning.

(Up - hill

strug - gle, blood, sweat and tears.)

G~5

F5

No

bod - y's

lis

t'ning.

(Noth - ing

to gain,

ev - 'ry - thing

to fear.)

F5

No

bod - y's

lis

t'ning.

*Come, come, come,

come, coming at

you.

*Sampled vocals.

G~5 , •

F5

Come, come, come

come, coming at

you.

Come, coming, come

come, coming at

you.

N.C.

4

-

-

II

Come, come

c

c - coming at

you

from

every

side.

60

,.,
SESSION
All gtrs. in Drop D, down 1/2 step: By LINKIN PARK
@=C# @=F#
@=G# @=A,#
@=C# CD =D#
Moderately J = 94
N.C.
Sample 1 tarr.for gtr.) * Play 4 times
RitTA end RitTA
Bva - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - . I
fI ~........-...... .0.
.
· ·
· ·
u
p --c::::: mf mf===-p p -=:::::: mf ~ p -=:::::: mf =====- p
harm. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --j
"T" -r ''"
~ · .r: ·
Ll · ~ ·
- ....
D
*Drums enter third time.
Sample 1 cont. simile
H Em H
xx x xx 00:< x x x
II m II
321 3 321
2 <> o o o
- I - I - I - :11

Sample 2 cont. simile
H G Em
xx x xx x x x oo x
II I m
321 3
321
e 3 (arr.for gtr.)
RitTB end RiffB
~~ ~ ~ ,._ ~~ ~ ~~ ~ ,._ ,._ ,._ ~ ~ ~ ,._ ,._
. ·
·
~ ~ ... ~ .. ... ... '" ... ...
v v v " o v v " 'v 'v
·
·


© 2003 Zomba Songs Inc. (BMI)/ Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/
Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/
Kenji Kobayashi Music (BMI)/ Pancakey Cakes Music (BMI)
All Rights on behalf of Chesterchaz Publishing (BMI)/ Big Bad Mr. Hahn Music (BMI)/
Nondisclosure Agreement Music (BMI)/ Rob Bourdon Music (BMI)/ Kenji Kobayashi Music (BMI)/
Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI)
All Rights Reserved Sample

411:

Sampl

61

Samples 1 & 2 tacet N.C.

Sample 3 ~ ~e-

Sample 3 tacet

t

T v

-rO

o

Sample 4 (arr. for gtr.) RiITC

end RilTC

8va ---------------------------------------------------------------------------------------------------.

~ ~ ~.~ ~ ~~

t

harm.

harm.

harm.

harm.

,~

,~

A

o

~v~ ---------------------------------------------------------------------------------------------- ~

I'l ~ . .-.

harm.

harm. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1

'"

...

T

....

..,

....

-,....

wlRilTs B (Sample 3) & C (Sample 4) F#

,II:

G

Em

-

-

-

-

=11

wlRilTs A (Sample 1), B (Sample 3), & C (Sample 4) simile

Fr G

, tI

321

<>------<>

<>

Em F#
xx oo x xx x
ii Wi
3 321
r.'\
<> <>
r.'\
- - .11 - II
·1 Sample 2

,II:

-

-

All gtrs, in Drop D, down 112 step: @=C# @=F#

@=G# @=A#

@=C# (j)= Q#

Moderately J = 108 Intro:

By LINKIN PA~

62

NUMB

N.C.

Keybd.1 (arr. for gtr]

Bva ------------------------------------------------------------------------------,

fl I 1:'\ _.. ~""'.,.. ~-? _.,... ~""'~_

~ ,
mf
,.,. .. , .. ''7 , .. ''7
.,. 'v '''' ,'" , .. ,,,, ,... ,.,
'u 'u u 'u ,,,,v '''' 'v '''' 'u
IJ
'r-
0 I '"

'" '" '"

"

" "

;

Elec. Gtr.1 fl I

Cont. in slashes

Bva o

P fdbk.

I

I

, .. ,

.'"

-,...

c

Rhy. Fig. 1 Elec. Gtr.1

Keybel. 2 [arr: for gtn)

__ u ~~_u

Bva ------------------------------------------------------------------------------------------------,

Keybd. 1 cont. simile
G5 EI6 B~51F F5
xu I xu ux
I g II
111 314 III
III end Rhy. Fig. 1
o o o o '"

'"

'"

'" ... ...

'"

, "

'"

'"

", ...

,'" "

,'" ... '" .... " ...

'''' ...

,,, "

", ..

,,, "

,,, "

© 2003 Zomba Songs Inc. (BMI)! Chesterchaz Publishing (BMI)! Big Bad Mr. Hahn Music (BMI)!

Nondisclosure Agreement Music (BMI)! Rob Bourdon Music (BMI)!

Kenji Kobayashi Music (BMI)! Pancakey Cakes Music (BMI)

All Rights on behalf of Chesterchaz Publishing (BMI)! Big Bad Mr. Hahn Music (BMI)!

Nondisclosure Agreement Music (BMI)! Rob Bourdon Music (BMI)! Kenji Kobayashi Music (BMI)!

Pancakey Cakes Music (BMI) Administered by Zomba Songs Inc. (BMI) All Rights Reserved

P'"
63
Verse 1:
Gm E~ B~
I'j I
- -
t. - I ---
I'm tired of be - ing what you want_ me to be,_ feel- ing so faith - less, lost
Keybd.l
Bva=
'I I no
t Bva:'
Keybd.2
,~
T '~
_! u
.
- ...
0

Piano (arr. for gtr.)
Rhy.Fig.2
.o_ .o_ .o_
'l L - -
t mf
~
T 'v v 'v
!
A
- ... u
U ~
Piano cont. simile
F Grn E~
~ I
- . -
tJ r I •
I un - der the sur - face. I don't know what you're ex - pect - ing of me_ put
Ke bds. 1 & 2 tacet y

end Rhy. Fig. 2

B~

F

64

un - der

the

pres

sure

of

walk - ing __

in __

your

shoes.i,

Elec. Gtr. 2

mf

Pre-chorus 1: *E~

.6&.

1333

r t r t t
Ev - 'ry
(Caught in the un der-tow,_ just caught in the un der-tow._)
Piano Rhy.Fig.3 Elec.Gtr.2 Rhy.Fig.3A

*Frames for piano (arr. for gtr.) only.

r
65
Om .. ~ B~
110&. ..
mIDSfr.
13421 1 243
~ I • • .- . • -
- -
t. -
....'step that I take __ is an - oth - er mis - take __ to you.L,
t'1 /_JIt", ~
_fl_ L It a end Rhy. Fig. 3
t. 0'
or
n in
A ~::; '"
_ri ~~
u v n
-
~-~ ~-~ end Rhy. Fig. 3A
fl L ""' •• • .- .. • .-
t.J
or ,- n n
! u u - -
A
_ri
u
Elec. Gtr. 2 cont. simile
E~ F
.&fr. • •
_Sfr.
1333 1333
fl Ir.. J.
't. ~ t t .f t t- f---t r t t f t t f---I
t
(Caught in the un - der - tow,_ just caught in the un - der - tow._)
Piano
fI I n it
t.J -
or n ,n
! ~ :~
A x ~
_ri ~ '_v
U ~ V
""-4.'
Elec. Gtr.1 Bva
fl L ~
t.J P f

fdbk.
or n 66

~ Chorus:

wlRhy. Figs. 1 (Elec. oo.t) & lA (Keybd. 2) both 2 times

*G5 EI6

I

III

Ef If

R f

Bb5/F

mi

31'

g f r Ir:

D f

I've

be - come

so__ numb,

I can't feel

you

there,

be - come

so __

*Frames for Elec. Gtr. 1 only.

F5 G5 EI6 Bb5/F
Ii xxx _xxx mi
I m
III III 314
III
4~ f U f c I f ~ f f f If U f r I ~ f f
!
I To Coda -$-

tired, so much more a - ware. I'm be - com - ing this, all I want to

do

is be more like

F5

Ii

III

Verse 2:

wlRhy. Fig. 2 (Piano) 2 times wlRhy. Fig. 3A (Elec. Gtr. 2) 2 times

Gm

E~

fl I • • • • • • • • • ~ . ~
t.!
me and be less like you. 2. Can't you see that you're smoth - er - ing me,_
Keybd.2
fl I Bva=»
t.!
T a
~
A
n
IJ B~

4~' E E C co J' '

F

Keybd. 2 tacet

Gm

hold - ing too tight - ly,

m I • r , ...... [ m I ~ r [ r r F [-I
! r r V 'f
I .,
a - fraid to_ lose., con - trol. 'Cause ev - 'ry - thing that you thought., E~ B~ F
4~b~F F l I F ~ m I' r?! m--II
• r-~ , J F r-~ 'f ~--~ F
! I r
I I !
I would be_ has fall - en a - part.L right_ in_ front_ of you.; F
lJ ~ r r
t
Ev - 'ry
caught in the un - der-tow.i.) Pre-chorus 2:

wlRhy. Figs. 3 (Piano) & 3A (Elec. Gtr. 2) both 2 times

E~

r .... ~ _ .... t_t rl.. __ t_t~r .... _ ... r

C' •. ~..L .. ,

---------------------------------------

(Caught in the un - der-tow: just

67

Gm B~
4~b f f F r-j j j fif f F r-p r p-
I
step that I take_ is an - oth er mis - take ___ to you.L,
E~ F
4~~f I ~ ~ !1 )\ j r II

r t t t t r-t r t t t t t t-f
And ev - 'ry
(Caught in the un - der - tow,_ just caught in the un - der - tow._)
Chorus: wlRhy. Figs. I (Elec. oe n & lA (Keybd.2) G5

I

III

II f ' p f

Gm m
r---3~
4~ f f F r-j j j r Ie r e e r
'-, sec - ond I waste., is more than I can take. , E16 B~51F

I If

III 314

4 ~ f EJ F r I ~: p f

F5

Ii

III

a If

I've be - come so_

f f f f

numb, I can't feel you there, be - come so_ tired, so much more a - ware. I'm be-com - ing

E16 B~51F

I Ii

III 314

4~ f EJ F r I ~

f f f f

F5

Ii

III

If

this, all I want to

do is be more like

Bridge:

wlRhy. Fig.lA (Keybd. 2) 1112 times

E16

I

Elec.111 Gtr.l o

f f f f

f'- __ -

II f ,0 L::r I

me and be less like you.

And I know_

68

<>

D5

I J~-~n

jJ

,

I may

05 AS B~5 D5 EI6
xu -xxx xu cccxxx I
I m7fr. II m
III 314 111
111
J J J J <>
~ If r~ t:~-
c· W r l rir p I
I r , aJ
end __ up fail ing __ too. __ But I know.L F5

Ii

111

<>

,

F5

Ii

111

<>

'\ L""'-r; ~ • ~. ~""'~ ~--~ • ~ • ~. ~I"".~ ~,-...~ • f'- ~,-...
to
- you were just like_ me_ with some - one dis - ap - point - ed in you.;
Keybd.2 Bva ------------------------------------------------------------------------------.
II I
t.. L J I I I I I I

'" .0. "
or ,- ,- _ _ ,- ,- _ _
_ v v _ v v _ v
A
."",
C <>

Coda

F5

Ii

111

D.S. ~ al Coda

'\ L '-r;.
to
-:--"
.
(Bva) - - - - - - - - - - - - - - - - - - - - - - - - - - - - ..,
II L
t.J L I I I L I I I

" " " "
.,. ,- " ,- " ,- " ,- "-
! u u u u
A
-"",
u II I • • • •
t.. - I
me and be less like
Keybd.l Bva - - - - - - - - - - - ..,
'\ I
..
to -
.,. ,~ ... ,~
! '''' , ... ''''
A.
-"",
u
. 69
wlRhy. Figs. 1 (Elec. oe n & 1A (Keybd.2) both 2 times
wOOff A (Keybd.l) 2 times
GS
xxx
I
III
ftdf , P f ~f F f
E
I've be - come so __ numb.
(you.) (I can't . feel you
B,SIF FS
xxx xxx
m g
f~ii: III
, - -
r r F r F j r- I~f f r r~ -F
D J
there.)
(I'm tired of be - ing what you want_ me to be. __ )
GS
xxx
I
III
f~ f Ij P f ~f F f f f
r
I've be - come so __ numb.
(I can't feel you
FS
xxx
~ g
B'SIF
xxx III
m Elec. j j J J J
, Gtr.1
314
f~-r ----
~ F 5 ~ F j F- I~ f r F~ F
D J
there.)
(I'm tired of be - ing what you want_ me to be. __ ) Band tacet

N.C.

Keybd.1

8va ---------------------------------------------------------------------------,

fl I •• ~-~ .,.-....,.,. ~. .-.,. -... ~
tJ -
~
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