Art|Unlimited

22 | Art Unlimited

JENNIFER ALLORA & GUILLERMO CALZADILLA
Title | Scale of Justice Carried by Shore Foam, 2010 Media | Polystyrene, resin, synthetic polymer foam; 380 x 520 x 290 cm; unique Artists | Jennifer Allora & Guillermo Calzadilla Jennifer Allora, *1974, Philadelphia, PA, United States Guillermo Calzadilla, *1971, Havana, Cuba Live and work in San Juan, Puerto Rico Gallery | Crousel Mobile +33 6 80 65 24 42, +33 6 79 89 39 38 Galerie Chantal Crousel FR - 75003 Paris | 10, rue Charlot Phone +33 1 42 77 38 87 | Fax +33 1 42 77 59 00 galerie@crousel.com | www.crousel.com Directors | Chantal Crousel, Niklas Svennung Artwork Description | A readymade scale of justice teeters precariously out of balance atop the turbulent crest of a handcrafted sculpture of foam. This mass of bubbles of gas and air is given solid form through the use of synthetic polymer foam, a chemical substrate found in everything from household, sport, and leisure products to transportation, industrial, and military applications. The image of foam by the seashore has come to occupy the public imaginary more prominently in recent years as a result of countless media depictions of man-made catastrophes – from the oil spill in the Gulf of Mexico to the now annual flooding worldwide caused by global warming. With these ecological events cutting across national and territorial borders, the scale of justice has become an object of explicit struggle. Presented here in sculptural form, this ephemeral froth stands as the remains of something that has come to pass, frozen in time, with the final balance of the scale left undetermined.

Scale of Justice Carried by Shore Foam, 2010

com | www.24 | Art Unlimited CHRISTIAN ANDERSSON Title | To R. Andersson makes direct reference to René Magritte’s painting The Art of Conversation (1950). 2011 Installation view. Sweden Galleries | von Bartha Mobile +41 76 317 84 63 von Bartha Garage CH . To R. Malmö. In To R.4056 Basel | Kannenfeldplatz 6 Phone +41 61 322 10 00 | Fax +41 61 322 09 09 info@vonbartha. emboding a surrealist dream in the form of a monumental sculpture. new timelines.cristinaguerra. or at least the writing of it.M.nordenhake. for EVER.291 Lisboa | Rua de Santo António à Estrela. Sweden Lives and works in Malmö. 2011 Media | Polystyrene. paint. 33 Phone +351 21 395 95 59 | Fax +351 21 395 95 67 galeria@cristinaguerra. and offers variations.com Director | Ben Loveless Artwork Description | In his artistic practice. +49 176 18 86 66 82 Galerie Nordenhake SE .M. Moderna Museet. 2011 .M. this gigantic quotation is not merely illustrative but more a trigger for an unpredictable visual and conceptual mise en abyme. for EVER. 680 x 800 x 230 cm Artist | Christian Andersson.com | www. Christian Andersson identifies unstable moments in history. new possibilities.1350 . From Lucy with Love.vonbartha. plaster. for EVER. steel. +49 176 18 86 66 80.com Director | Cristina Guerra Nordenhake Mobile +46 70 730 82 84. In its overtly theatrical nature. *1973. in which the word ‘rêve’ (dream) can be read in the bottom pillars of a multi-storied Stonehenge.com Director | Stefan von Bartha Guerra Mobile +351 96 302 37 00 Cristina Guerra Contemporary Art PT .11330 Stockholm | Hudiksvallsgatan 8 Phone +46 8 21 18 92 | Fax +46 8 31 18 95 stockholm@nordenhake. Stockholm.com | www.

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26 | Art Unlimited CARL ANDRE Title | 9 x 27 Napoli Rectangle. 243-unit rectangle on floor. United States Gallery | Artiaco Stand Phone +41 61 699 51 17 Alfonso Artiaco IT . NY. 0. 0.5 x 450 x 1350 cm total Artist | Carl Andre. Quincy.’ as the artist once described them. Andre created the 9 x 27 Napoli Rectangle. 2010 . Carl Andre’s floor pieces paved the way beyond Ad Reinhardt’s witticism about sculpture as something you trip over when you step back to look at a painting. 9 x 27 Napoli Rectangle.5 x 50 x 50 cm each unit. *1935.com | www. MA. The 243 hot-rolled steel plates were laid out in a rectangular configuration to occupy almost all the available floor in a repeated arrangement. not uncommon for the artist whose works often employ the Cartesian grid as a systemic form.80121 Napoli | Piazza dei Martiri 58 Phone +39 081 497 60 72 | Fax +39 081 19 36 01 64 info@alfonsoartiaco.com Director | Alfonso Artiaco Artwork Description | Intended to be walked on. 2010 Media | Hot-rolled steel. or ‘more like roads than buildings. United States Lives and works in New York.alfonsoartiaco. For his exhibition at Alfonso Artiaco gallery in September 2010.

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+49 178 500 44 50. approx. seven meters long.10969 Berlin | Charlottenstrasse 2/Durchfahrt Phone +49 30 25 93 86 07 | Fax +49 30 25 93 86 08 office@aurelscheibler. LCD monitors. Thirteen monitors. lashed to the poles. earth. 2010 Media | Video installation: raw wood poles. rope. France Lives and works in Brooklyn. Dinner Is Served.aurelscheibler. +49 177 823 70 34 Aurel Scheibler/ScheiblerMitte DE . 5 min. *1944. 2010 .com Directors | Rebeccah Blum.com | www. NY Artwork Description | Michel Auder’s Dinner Is Served draws inspiration from the remote landscape of the Danish coast and the country’s pagan past.28 | Art Unlimited MICHEL AUDER Title | Dinner Is Served. during which he has slipped into a variety of roles: silent participant. Denmark. constructed wall. At the heart of the installation is a curving wall which is suggestive of a ship that has run aground. when ‘witches’ were burned at the solstice holiday. the wall is pierced by raw wooden posts. water. transmit layers of translucent footage juxtaposing the elements – fire. sand. 300 x 500 x 1000 cm Artist | Michel Auder. Sensuous and absurd associations are conjured up in a loosely woven structure echoed by the web of timber poles and sailing rope. video projector. wind. New York. Soissons. but also from his archive material spanning the last 40 years. discreet accomplice or simple observer. The imagery of Dinner Is Served is culled from recent video shoots done at the Krabbesholm Art School in Skive. Auder’s poetic approach is rooted in an enduring fascination with the ordinary. United States Gallery | Scheibler Mobile +49 172 217 32 74. and sky – with the creatures that populate them. Alexander Hattwig In collaboration with Newman Popiashvili Gallery. NY.

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2000 Installation view .30 | Art Unlimited JOHN BALDESSARI Title | Five 1968 Films (New).8001 Zürich | Rämistrasse 37 Phone +41 44 261 68 80 | Fax +41 44 261 68 81 mail@mai36.mai36. Instead of directly documenting or portraying these events. John Baldessari refers to the end of the Prague Spring via the invasion of the Warsaw Pact troops in the Czech capital. United States Lives and works in Santa Monica. National City.mariangoodman. CA. 2000 Media | Multichannel video installation consisting of 5 synchronized DVDs. 140 min. *1931. The Thomas Crown Affair (love story).com Directors | Andrew Richards. Baldessari appropriates four American films of different genres which were being shown in Los Angeles cinemas on the day of the Prague invasion (August 20.com Director | Victor Gisler Artwork Description | In the Five 1968 Films (New).com | www. Rose Lord. edition of 4 + 3 AP Artist | John Baldessari. Five 1968 Films (New). United States Galleries | Marian Goodman Stand Phone +41 61 699 51 40 Marian Goodman Gallery US . 1968): The Green Berets (war). Lissa McClure. Rosemary’s Baby (horror). Alice Kim Mai 36 Mobile +41 76 322 50 24 Mai 36 Galerie CH .com | www.New York. Leslie Nolen. NY 10019 | 24 West 57th Street Phone +1 212 977 71 60 | Fax +1 212 581 51 87 goodman@mariangoodman. CA. Planet of the Apes (science fiction).

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11 x 14 inches each. 28 x 35. others are meaningfully charged points in the midst of a vast landscape. France.’ The images depict fallow land.com | www. paying tribute to its crucial influence on Conceptual Art since the 1970s. focused and skillfully executed. and the sharp contours of the Californian horizon cut through an almost white sky. remote places. *1945. yielding to a typically American theme: the development of territory in the almost infinite prairie. 1984 -1988 . 12 color prints. Space is created by a clash of formal precision and remote meaning. edition 4 of 5 Artist | Lewis Baltz. Baltz’s landscape photography could be characterized as a ‘topography of the emptiness of random. The view of the accumulated material and the abstract forms of the eucalyptus trees are both stark and geometric. and Venice.32 | Art Unlimited LEWIS BALTZ Title | Candlestick Point. While some piles of rubble in Lewis Baltz’s images may allude directly to the sculptural strategies of Robert Morris or Robert Smithson. these photographic records of the development at Candlestick Point move between social inscription and the open landscape.5 cm each.galeriezander. Italy Gallery | Thomas Zander Mobile +49 171 216 40 64 Galerie Thomas Zander DE . As such. Candlestick Point. United States Lives and works in Paris. 1984 -1988 Media | 84 prints: 72 gelatin silver prints. where piles of rubble and waste have accumulated in the middle of the prairie. Newport. CA. damaged. Natalie Gaida Artwork Description | The sociological and analytical rigour of Lewis Baltz’s photography finds itself explicitly set at the core of his series Candlestick Point.50968 Köln | Schönhauser Strasse 8 Phone +49 221 934 88 56 | Fax +49 221 934 88 58 mail@galeriezander.com Directors | Thomas Zander. Traces of technical land development – drainage channels and water dams – become visible. The series Candlestick Point is strongly oriented towards the tradition of Land Art.

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Boloss is elaborated around the figure of the cheater.com Directors | Kamel Mennour. Marie-Sophie Eiché. the main protagonist of this game. rue Saint-André-des-Arts Phone +33 1 56 24 03 63 | Fax +33 1 40 46 80 20 galerie@kamelmennour. Algeria Lives and works in Paris. Jessy Mansuy-Leydier Artwork Description | Playing with the codes of documentary films and images obtained by security cameras.34 | Art Unlimited MOHAMED BOUROUISSA Title | Boloss. approx. Characters wander in two areas. *1978. aspect ratio 4:3. Blida. the card table room and a little courtyard.kamelmennour. The door between the two spaces becomes the meeting point of two foreign territories.com | www. 2011 Media | Video. edition of 5 Artist | Mohamed Bourouissa. 2-channel projection. 17 min. France Gallery | mennour kamel mennour FR . The film reveals that the cheating here is by no means limited to the card table … Boloss. 2011 Video stills . the film Boloss depicts a poker game punctuated by interviews with the protagonists.75006 Paris | 47.

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Janice Guy Artwork Description | Matthew Buckingham’s Caterina van Hemessen Is Twenty Years Old takes as its starting point an extraordinary 1548 self-portrait by the Flemish painter Caterina van Hemessen. 2009 Media | 16 mm film installation. but are in fact printed in reverse. United States Lives and works in New York. a representation of the activity of looking (as the viewer’s eye might shift from detail to detail). marking a complex relation between artist.murrayguy. Nevada. our time with hers. dimensions variable. visitors can decipher them. NY 10011 | 453 West 17th Street Phone +1 212 463 73 72 | Fax +1 212 463 73 19 info@murrayguy.konradfischergalerie. +49 171 473 02 72 Konrad Fischer Galerie DE . What is depicted in a portrait is less an idealization of a person and more an idealization of time. Her image hails the viewer and synchronizes. artwork.com Directors | Margaret Murray. 2009 . and viewer. NY. Caterina van Hemessen Is Twenty Years Old. The film shows enlarged fragments of the portrait. edition of 5 Artist | Matthew Buckingham.New York. 12 min.de Director | Dorothee Fischer Murray Guy Mobile +1 917 293 35 07 Murray Guy US . *1963. revealing a series of contingent ‘reflections’ which draw out a meta-narrative around the painting. United States Galleries | Fischer Mobile +49 173 607 26 90. Buckingham’s work places us where van Hemessen stood in relation to her own painting.com | www. The texts appear illegible at first. for a moment. or rather. replacing the original whole of the painting with a typology of forms. Buckingham’s installation comprises a 16 mm film – reflected by a mirror across the space onto a freestanding screen – and a series of illuminated texts.40233 Düsseldorf | Platanenstrasse 7 Phone +49 211 68 59 08 | Fax +49 211 68 97 80 office@konradfischergalerie. ‘reflected’ within the perspective of the present.de | www.36 | Art Unlimited MATTHEW BUCKINGHAM Title | Caterina van Hemessen Is Twenty Years Old. which is considered the first known self-portrait of an artist depicted working at an easel. Using small hand mirrors. IA.

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38 | Art Unlimited DANIEL BUREN Title | Autour du retour d’un détour – Inscriptions. Autour du retour d’un détour – Inscriptions. paint. there were contrasting red and white stripes. 2010 . In the 1988 exhibition at Le Magasin in Grenoble. on the inner side.com | www. ink Artist | Daniel Buren. Buren used the old fencing of the site to create a path that reproduced that of the Palais Royal. During the construction phase there was heated debate about Buren’s intervention and about the concept of integrating ancient and contemporary art.53037 San Gimignano | Via del Castello. A version of this work is presented here. 123 x 1480 x 990 cm Work in situ. France Lives and works in situ Gallery | Continua Mobile +39 348 580 59 96 Galleria Continua IT . Boulogne-Bilancourt. Versione IV‘ Tables of rough wood. Lorenzo Fiaschi.galleriacontinua. Galleria Continua. 1986 -1988 Media | Tables of rough wood.com Directors | Mario Cristiani. 11 Phone +39 05 77 94 31 34 | Fax +39 05 77 94 04 84 info@galleriacontinua. to whom the artist deliberately chose not to deny a view of the site by erecting a perimeter barrier that was only waist high. On the outer side of the fence (the one delineating the walkway) it was possible to read what the passersby wrote. Passersby. San Gimignano.000 square meters. Maurizio Rigillo Artwork Description | In 1986 Buren conceived a permanent work for the courtyard of the Palais Royal in Paris. paint. contributed to the querelle by writing their comments on the outside of the fence. it consists of a series of columns arranged in an area of 3. Photo-souvenir: ‘Circa il ritorno di una svolta – Iscrizioni. Entitled Les Deux Plateaux. *1938. ink.

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Switzerland Galleries | Bartlett Mobile +44 77 71 80 36 06 Laura Bartlett Gallery GB .freymondguth. such as water and dirt and the appropriation of (art) spaces by the public.laurabartlettgallery. Madeleine Martin Freymond-Guth Mobile +41 76 320 92 89 Freymond-Guth Fine Arts Ltd. representation. Müllheim/Baden. edition of 2 + 1 AP Artist | Stefan Burger. subversively applied counterpoint. 2010/11 Media | Wallpaper. attention is particularly focused on forces opposing institutional order – for example. ascending water and diffusing dirt act as physical embodiments of the overflowing ignorance towards the fundamental parameters of space – the horizontal and the vertical – in which art is examined and received. Sabbia con aromi draws a reference line between conventional representations of art and classifications of space and content. installation-specific dimensions. diverse materials. As in many of Burger’s works.com Directors | Laura Bartlett.com Directors | Emma Nilsson. *1977. Sabbia con aromi. CH . Germany Lives and works in Zurich.40 | Art Unlimited STEFAN BURGER Title | Sabbia con aromi.com | www. Sabbia con aromi.London WC1N 2JG | 10 Northington Street Phone +44 20 74 04 92 51 | Fax +44 20 74 30 17 31 mail@laurabartlettgallery. and reception of art in regards to content. and are juxtaposed with a humorous. Fotomuseum Winterthur . In the work. With such ostensible concerns Stefan Burger hyperbolically displays the instability of art’s parameters with elegance and wit. combines his interest in photography expanding into space and issues related to production.8004 Zürich | Brauerstrasse 51 Phone +41 44 240 04 81 | Fax +41 44 240 04 87 office@freymondguth. Jean-Claude Freymond-Guth Artwork Description | Stefan Burger’s illusive photo installation. 2010/11 Installation view. metal.com | www. organic physical elements.

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200 x 200 x 200 cm each Artist | Waltercio Caldas.galeriaelviragonzalez.’ Lá Dentro.28004 Madrid | General Castaños. Rio de Janeiro. 2011 Media | Painted stainless steel. wool. others keep their distance. granite. Tension creates the world … and other things outside ‘the World. and wool.com Directors | Isabel Mignoni. The space creates tension. Elvira Mignoni. The space between the sculpture/ object is as important as the structure of the work. 2010 Stainless steel. 3 Phone +34 91 319 59 00 | Fax +34 91 319 61 24 galeriaeg@entorno. emphasize the similarities between the external and internal spaces of the sculpture.’ Four stainless steel sculptures. Fernando Mignoni Artwork Description | The work is based on the situation suggested by what the artist describes as ‘naming the spaces between things.42 | Art Unlimited WALTERCIO CALDAS Title | What Is ‘World. with wool and vinyl on the walls. polished metal. Brazil Lives and works in Rio de Janeiro. acrylic.es | www. *1946. 170 x 180 x 180 cm .’ What Is Not. The sculptures are fixed in the space and relate to each other: some works touch one another. Brazil Gallery | González Mobile +34 699 49 68 75 Galería Elvira González ES .

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and mural art – examines the dichotomies between original and fake. Hall in Tirol. photography.mai36.com Director | Victor Gisler nächst St. mirror.com | www. and New York. painting. Stephan Rosemarie Schwarzwälder AT . depending on the angle. is joined with a reflection of a mural painting that is not directly visible to the beholder. 2011 Installation sketch .8001 Zürich | Rämistrasse 37 Phone +41 44 261 68 80 | Fax +41 44 261 68 81 mail@mai36. rue Quincampoix Phone +33 1 42 71 74 56 | Fax +33 1 42 71 74 58 info@galerienelsonfreeman. and the contexts of art reception. Austria Lives and works in Frankfurt am Main. 2011 Media | Installation. 400 x 875 x 875 cm Artist | Ernst Caramelle. United States Galleries | Mai 36 Mobile +41 76 322 50 24 Mai 36 Galerie CH . water). wall painting (pigments. *1952. as well as of the conditions of art are subjects that Ernst Caramelle has elaborated on since his first exhibitions in the mid-seventies. Stephan Mobile +43 664 33 88 173 Galerie nächst St.44 | Art Unlimited ERNST CARAMELLE Title | Untitled. His conceptually based oeuvre of diverse media – including drawing. Untitled.galerienelsonfreeman.1010 Wien | Grünangergasse 1/2 Phone +43 1 512 12 66 | Fax +43 1 513 43 07 galerie@schwarzwaelder. Cécile Barrault Artwork Description | We see a view of a painted room that. video.com Directors | Peter Freeman. NY.schwarzwaelder. of the reliability of the visible. The questioning of reality. production and reproduction.at Director | Rosemarie Schwarzwälder Nelson-Freeman Mobile +33 6 80 28 78 24 Galerie Nelson-Freeman FR . the perception of art. Germany.com | www.75004 Paris | 59.at | www.

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46 | Art Unlimited ETIENNE CHAMBAUD Title | The Encored Separation. The mobile is balanced with elements of various sizes. Labor. *1980.com Directors | Nina Höke. The elements of drywall that serve as weights and counter-weights are removed by hand from the existing wall units. On Hospitality (i.40213 Düsseldorf | Poststrasse 2 + 3 Phone +49 211 301 43 60 | Fax +49 211 13 56 68 post@sieshoeke. Mulhouse. The box does not stand for an architectural space or a pre-conceived design unit.com | www. 2010 Steel. which the artist has extracted from the box’s wall panels. leaving rough edges and exposing the view to the underlying structure. Mexico City . Both are separate units juxtaposed and connected only by a steel wire. France Gallery | Sies + Höke Mobile +49 177 773 02 89 Sies + Höke DE . Alexander Sies Artwork Description | The Encored Separation consists of a large-scale mobile suspended from the hall’s ceiling and a room-sized box created from standard art fair wall elements. 2011 Media | Steel. but rather serves as a stockroom for the mobile’s weights. dimensions variable Artist | Etienne Chambaud. dimensions variable Architecture and Engineering by Meir Lobaton Corona Installation view. thus pierced and cut open. The structure of the box. The white-cube like exhibition space is transformed into mere material ‘balancing’ the work on its edge. exposes a partial view to its own interior. volcanic stone.e. The process of balancing the mobile is key to this installation. crane. The box is thus ripped open and shaped by these extracted elements. France Lives and works in Paris. drywall. Exclusion).sieshoeke.

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2010 Media | Single-channel HDV projection.F. Disidencia. From this unique footage she developed Disidencia (2010). Mexico Gallery | kurimanzutto Mobile +52 55 52 86 30 59 kurimanzutto MX .48 | Art Unlimited MINERVA CUEVAS Title | Disidencia.2010 . 2008 .com Directors | Mónica Manzutto. 25 min 43 sec. Colonia San Miguel Chapultepec Phone +52 55 52 86 30 59 | Fax +52 55 52 56 24 08 info@kurimanzutto.com | www. edition 1 of 5 Artist | Minerva Cuevas. a stream of strong poetic images that take us on a trip around permanent and transient scenarios of resistance in Mexico City. color.11850 México D. *1975. 2008 . Rafael Rebollar 94. Mexico City. José Kuri Artwork Description | For several years now. Mexico Lives and works in Mexico City. sound. Minerva Cuevas has been mapping opposition in Mexico City by recording both its more evident and its inconspicuous signs as a part of a video archive. | Gob.kurimanzutto.

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Light and shadow create a play of the elements from the outside. Scene I. its atmosphere and characteristics become a metaphor for Shakespeare’s play and its eponymous protagonist. changes in light and shadow build up narrative momentum.com | www. and the encroachment of nature and weather forces build up a purveying sense of isolation. Act I. Here the room. 2011 Media | HD Video installation. Here the interior of a room takes on the identity of a personality as elements from both within and without change the character of the space. +49 176 18 86 66 82 Galerie Nordenhake SE . Borås. 2011 Study for Macbeth .com Director | Ben Loveless Artwork Description | As in his earlier works. *1970.11330 Stockholm | Hudiksvallsgatan 8 Phone +46 8 21 18 92 | Fax +46 8 31 18 95 stockholm@nordenhake. Sweden Gallery | Nordenhake Mobile +49 176 18 86 66 80. In this film. 5 x 4 m. paranoia – and perhaps madness. Macbeth. approx. Sweden Lives and works in Stockholm. edition of 6 + 2 AP Artist | Jonas Dahlberg.nordenhake. Dahlberg uses architecture as a key to accessing memory and psychological states.50 | Art Unlimited JONAS DAHLBERG Title | Macbeth.

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com | www.com Directors | José Freire. Miriam Katzeff Artwork Description | The installation Barricade (Basel) by Gardar Eide Einarsson is made up of found car tires from the city of Basel and cast resin bamboo poles.1760 København | Ny Carlsberg Vej 68 Phone +45 32 54 45 62 gallery@nilsstaerk. Oslo.teamgal. *1976. United States.52 | Art Unlimited GARDAR EIDE EINARSSON Title | Barricade (Basel). 2011 Installation view. NY. dimensions variable. Bonniers Konsthall. Rendered in the artist’s signature black-and-white palette. NY 10013 | 83 Grand Street Phone +1 212 279 92 19 | Fax +1 212 279 92 20 office@teamgal. Barricade (Stockholm). The sculpture takes its form from the civilian barricades constructed in the streets of Bangkok during the city’s politically motivated street fights in the spring of 2010.dk | www. 2011 Media | Car tires and cast resin. unique Artist | Gardar Eide Einarsson.nilsstaerk. Lone Weigelt Team Team Gallery US . the installation investigates the architecture of radical politics as well as the contextual nature and latent violence of everyday objects.dk Directors | Nils Stærk. Stockholm .New York. Caroline Bøge. Japan Galleries | Stærk Mobile +45 40 88 77 66 Nils Stærk DK . and Tokyo. Norway Lives and works in New York.

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54 | Art Unlimited HANS-PETER FELDMANN Title | Stamps with Paintings Media | 180 stamps in passepartouts. 4 x 6 inches each Artist | Hans-Peter Feldmann. NY 10011 | 547 West 21st Street Phone +1 212 255 11 21 | Fax +1 212 255 55 63 info@303gallery. lives in Düsseldorf. Germany Gallery | 303 Gallery 303 Gallery US . Barbara Corti. Stamps with Paintings .com Directors | Lisa Spellman.com | www. *1941. Mariko Munro Artwork Description | Featuring paintings of nudes.New York. Each stamp is glued in a small paper frame.303gallery. Mari Spirito. Stamps with Paintings is a set of 180 original stamps (no copies) from post offices worldwide.

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died in Riverhead. Chuck and Leonard). installed in a corridor 8 feet high and 8 feet wide Artist | Dan Flavin. corridor. 8 feet high.New York. NY.56 | Art Unlimited DAN FLAVIN Title | Untitled (to Barry.com Directors | Paula Cooper. which are specially constructed hallways bisected by a barrier of lights. Steve Henry Artwork Description | In 1972 Dan Flavin first began developing the barred corridors. The square or rectangular configuration of the lights also allowed Flavin to refer to the picture plane of painting and the idea of perspective. 1933 .paulacoopergallery. United States. United States Gallery | Cooper Mobile +1 917 860 26 81 Paula Cooper Gallery US . Untitled (to Barry.com | www. Mike. Mike.1996 Born in Jamaica. Untitled (to Barry. The corridors allowed the artist to extend his experiments with intermingling and contrasting background and foreground colors in a contained environment. is an eightby-eight foot installation of paired pink and yellow light fixtures installed back to back.1975. NY. 8 feet wide. 1972 . NY 10011 | 534 West 21st Street Phone +1 212 255 11 05 | Fax +1 212 255 51 56 sph@paulacoopergallery. Mike. Chuck and Leonard) from 1972 . Chuck and Leonard). 1972 .1975 .1975 Media | Yellow and pink fluorescent light. This important and unique work is one of only five made by Flavin during his lifetime.

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com Director | Liza Essers Rodolphe Janssen Mobile +32 475 47 14 02 Rodolphe Janssen BE . Joanna Stella-Sawicka Goodman Gallery Goodman Gallery ZA . Maurizio Rigillo Friedman Stand Phone +41 61 699 50 22 Stephen Friedman Gallery GB . Lorenzo Fiaschi. 1993 Media | Bricks suspended on nylon rope. while also remarking on the essence of human nature when placed in extreme circumstances. 11 Phone +39 05 77 94 31 34 | Fax +39 05 77 94 04 84 info@galleriacontinua.58 | Art Unlimited KENDELL GEERS Title | Hanging Piece.London W1S 3AN | 25-28 Old Burlington Street Phone +44 20 74 94 14 34 | Fax +44 20 74 94 14 31 info@stephenfriedman. South Africa Lives and works in Brussels. unique Artist | Kendell Geers. Parkwood Phone +27 11 788 11 13 | Fax +27 11 788 98 87 jhb@goodman-gallery.com | www. 1993 . Hanging Piece. targeting any car passing beneath. David Hubbard.galleriacontinua. *1968.com Directors | Mario Cristiani.2193 Johannesburg | 163 Jan Smuts Ave. The installation references this indiscriminate violence and the regime that ignited it. Johannesburg.1050 Bruxelles | 35 rue de Livourne Phone +32 2 538 08 18 | Fax +32 2 538 56 60 info@galerierodolphejanssen.com Director | Rodolphe Janssen Artwork Description | Kendell Geers’s Hanging Piece (1993) alludes to acts of violence carried out by young people who suspended rocks from motorway bridges at car windscreen height during apartheid South Africa.galerierodolphejanssen.com | www.com | www.goodman-gallery.com | www. Belgium Galleries | Continua Mobile +39 348 580 59 96 Galleria Continua IT .com Directors | Stephen Friedman.53037 San Gimignano | Via del Castello.stephenfriedman.

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Lebanon Lives and works in London.London N1 6PB | 48 Hoxton Square Phone +44 20 79 30 53 73 | Fax +44 20 77 49 74 70 enquiries@whitecube. 2009 Media | Black finished steel. this cube which appears so delicate from a distance actually consists of barbed wire rods. *1952.com Directors | Jay Jopling. Daniela Gareh. Germany Galleries | Continua Mobile +39 348 580 59 96 Galleria Continua IT .com | www. Susan May Artwork Description | Impenetrable appears to float in the space: a delicate and precariously suspended cube. and Berlin. However. Beirut. Maurizio Rigillo White Cube White Cube GB . and juxtaposes notions of magic. The barbed wire is a deadly encumbrance but at the same time an ethereal and astonishing structure of minimal form. 300 x 300 x 300 cm Artist | Mona Hatoum. wonder. This floating cube is ghost like. 2009 . 11 Phone +39 05 77 94 31 34 | Fax +39 05 77 94 04 84 info@galleriacontinua. but at the same time it has a physicality that possesses the space. on closer inspection. fishing wire. Impenetrable.53037 San Gimignano | Via del Castello.com | www. Tim Marlow.com Directors | Mario Cristiani. Lorenzo Fiaschi. and fragility with those of danger and fear.whitecube. United Kingdom.galleriacontinua.60 | Art Unlimited MONA HATOUM Title | Impenetrable.

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edition of 5 Artist | David Hominal. a mental space. 2010 Media | Video. a no-space. this space. 7 min 54 sec. Entering into a space. a history of the movement. From all Greek movements.62 | Art Unlimited DAVID HOMINAL Title | L’après-midi d’un faune. Gingolph. Switzerland Gallery | mennour kamel mennour FR . an abstraction. Nijinsky’s L’après-midi d’un faune (The Afternoon of a Faun). Marie-Sophie Eiché.’ (David Hominal) L’après-midi d’un faune. 2010 Video stills . Digging into a kind of mental emptiness. A tiny particle that becomes a cosmos. Mapping the void versus Mapping the Studio of Nauman. rue Saint-André-des-Arts Phone +33 1 56 24 03 63 | Fax +33 1 40 46 80 20 galerie@kamelmennour. France Lives and works in Zurich.75006 Paris | 47.com Directors | Kamel Mennour.kamelmennour. Jessy Mansuy-Leydier Artwork Description | ‘Stuttering language.com | www. St. slant way. Searching for a lost space. Becoming this void. space. Tweaking the walls. *1976.

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Tragedy. Vevey. Nebula. the time when the eyes and spirit waver: dreams. The work’s monumental dimensions. *1957. Position.64 | Art Unlimited ALAIN HUCK Title | Tragedy or Position.ch Director | Pierre-Henri Jaccaud Artwork Description | Tragedy or Position is a set of four monumental charcoal drawings.1205 Genève | Vieux-Grenadiers 9 Phone +41 22 321 61 61 | Fax +41 22 321 02 33 info@skopia. reality. an aerial view captured by a drone over Afghanistan. Switzerland Gallery | Skopia Stand Phone +41 61 699 51 46 | Mobile +41 79 611 56 72 Skopia P. and culturally remote: a triumphant baroque setting pierced by the Crab Nebula. historically.skopia. the light of dawn. the swaying back and forth between the viewpoints of the different works. charcoal on paper. a concentration of vegetation in a tropical green house.ch | www. 271 x 400 cm each Artist | Alain Huck.-H. Tragedy or Position. Jaccaud CH . memory play off an immersive setting. the veil that blurs and darkens yet also reveals these images give the onlooker an uncomfortable sensation of being confronted with forces beyond himself. Switzerland Lives and works in Lausanne. a dark mass dilated on the central pages of Euripides’s Bacchae. Edenblock yoke together references that are geographically. 2011 Media | 4 drawings. disturbing light. Individually. 2011 Studio shot (detail) . Each drawing is autonomous yet submitted to the same obscure.

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precision and displacement. 2010 Press board. The observer is confronted with the work in direct proximity. static and dynamic. the construction seems regular and precise – but this widespread schematic landscape hardly allows for the distance required to view it.com | www. paint. dimensions variable Artist | Daniel Robert Hunziker.66 | Art Unlimited DANIEL ROBERT HUNZIKER Title | Grat. 2011 Media | Chipboard. Swiss artist Daniel Robert Hunziker explores the interaction between artificial and natural. Manifest as fractures and displacement. +41 79 277 03 70. scantling. this stored energy is articulated in the joints of the surface. Switzerland Lives and works in Zurich. Switzerland Gallery | von Bartha Stand Phone +41 61 699 51 08 | Mobile +41 79 320 76 84. the different colored individual panels appear to be the result of the illumination by natural and artificial light. *1965. As if disarranged by internal forces. Walenstadt. von Bartha Garage . however. clear coat. In Grat the lacquered rhombic and triangular chipboard panels fitted together give the impression of a highly abstract landscape. Viewed from a distance. even though all of them are painted in the same hue. the ends push against one another. This gives the work elevated tension and physical presence. and an overview seems all but prohibited.com Director | Stefan von Bartha Artwork Description | In many of his works. similar to the tectonic composition of the Earth’s mantle. previously joined parallel to one another.4056 Basel | Kannenfeldplatz 6 Phone +41 61 322 10 00 | Fax +41 61 322 09 09 info@vonbartha.vonbartha. The seams. Abhang. prove to be slightly displaced and distorted. dispersion. surface and matter. On closer inspection. 310 x790 x 910 cm Detail shot. square timber. they pile up to support the impression of an ongoing and dynamic compaction. +41 76 317 84 63 von Bartha Garage CH .

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com Directors | Jane Hamlyn. United Kingdom Lives and works in Edinburgh.18 Golden Square Phone +44 20 74 94 15 50 | Fax +44 20 72 87 37 33 info@frithstreetgallery. 232 . The resultant installation is comprised of these watercolors with excerpts from Tóibín’s story. and. in turn. NY.London W1F 9JJ | 17.New York.68 | Art Unlimited CALLUM INNES & COLM TÓIBÍN Title | water /colour.com | www. Susanna Beaumont Kelly Stand Phone +41 61 699 51 97 Sean Kelly Gallery US .page book. United Kingdom Colm Toíbín. and New York. *1962. The exhibition is accompanied by a full color. water / colour.frithstreetgallery. United States Galleries | Frith Street Frith Street Gallery GB . Innes produced 101 watercolors in response to the text. Sean Kelly Gallery had commissioned a short story from Tóibín inspired by Innes’s work. Maureen Bray Artwork Description | water / colour is a collaborative project between the artist Callum Innes and the writer Colm Tóibín. NY 10001 | 528 West 29th Street Phone +1 212 239 11 81 | Fax +1 212 239 24 67 info@skny.com | www. 2010 Media | Installation Artists | Callum Innes & Colm Tóibín Callum Innes. which includes reproductions of the complete group of watercolors and Tóibín’s story in its entirety. United Kingdom Lives and works in Dublin.skny. 2010 Installation views . *1955. Ireland. Enniscorthy.com Directors | Cécile Panzieri. Edinburgh.

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plastic pipe. binoculars. The Pipe or The Alley of Longevity.com Directors | Vladimir Ovcharenko. For the old men. Nadia Totskaya Artwork Description | Originally produced by the group Inspection Medical Hermeneutics in 1995. This leads to the old tradition of putting one’s hope in death as the ultimate medicine for all illnesses and. 1995 Installation drawing .70 | Art Unlimited INSPECTION MEDICAL HERMENEUTICS Title | The Pipe or The Alley of Longevity. one sees a cozy little room with miniature furniture. 1995 Media | Installation: 22 drawings. the closeness to the tunnel. All this creates a ‘quasi-Fedorov’ situation. which ends in the coziness of the home of the other world. positioned parallel. Mike Ovcharenko. and on the other side are schematic drawings of unborn babies whose ‘minus-age’ decreases rapidly as they move away from being born into the timeline of negative time. in the end. Light shimmers at one end and. the installation The Pipe or The Alley of Longevity symbolizes the cessation of birth and death. from death itself. separates the old men stuck in immortality from the ‘children’ stuck in pre-birth. The tunnel. if you look into the tube with the binoculars provided. In the center of a big room is a long black tube hanging from the ceiling. Russia Gallery | Regina Regina Gallery RU . is the source of longevity.com | www. doll’s house furniture Artists | Inspection Medical Hermeneutics (Pavel Pepperstein and Sergey Anufriev) Formed in 1987.105120 Moscow | 4th Syromyatnichesky pereulok 1 Phone +7 495 228 13 30 moscow@reginagallery. Moscow. On the left and right sides of the tube are two galleries of portraits: old men whose age (shown on the portrait itself) increases to astronomical numbers on one side.reginagallery.

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galleriaminini. What drives the life cycle of Kapoor’s sculpture is what he repeatedly calls the ‘nonobject’: it is the emergence of new space that is also a virtual or negative space. Daniella Betta Artwork Description | ‘The viscous. between material and object – we will see something of the oblique obligation that art bears to society. bloody mass assumes its shape as artobject only by losing its bodyweight. fraught though it may be. 2008 Media | Resin. It becomes a presence in the world. leaving traces of its being on walls and floors.’ (Homi K. that is engendered through the splitting of the object. the artobject is both kinetic and mimetic. when it creates ‘new’ virtual spaces by splitting the object itself with a fissionary force: the waxwork shedding itself. paint. It is this fissionary act. and the making of art becomes an endless act of attrition that flays the incarnate material. India Lives and works in London. Bhabha) Push – Pull. an object of visuality. *1954.it | www. (…) If we return to the formative gesture of Kapoor’s work and note the continual torsion that exists at the heart of ‘objectness’ – the tension between the kinetic and the mimetic.72 | Art Unlimited ANISH KAPOOR Title | Push – Pull. that creates the possibility. United Kingdom Gallery | Minini Mobile +39 335 23 38 17 Galleria Massimo Minini IT . and steel. In each of these instances. 2008 . wax. of a new future. however. in the act of becoming a work of art. But it is the wont of Kapoor’s creations to find their way back from the future to the mimetic realm of the present. Mumbai.25128 Brescia | Via Luigi Apollonio 68 Phone +39 030 38 30 34 | Fax +39 030 39 24 46 info@galleriaminini. 300 x 600 x 150 cm Artist | Anish Kapoor.it Directors | Massimo Minini.

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but as objects in space. of course. rue des Arquebusiers Phone +33 153 60 90 30 | Fax +33 153 60 90 31 info@galerieartconcept. they take on all the lights. NY. no.8 Phone +32 2 639 67 30 | Fax +32 2 639 67 38 info@xavierhufkens. shadows. In fact. creating burn marks around the edges of the silver paintings. no paint.com Director | Xavier Hufkens Artwork Description | ‘Just twenty-six years old. it emerges with a reflective silver surface. 2011 . the camera projects light onto its film.74 | Art Unlimited JACOB KASSAY Title | Untitled. United States Galleries | Art : Concept Mobile +33 614 48 67 45 Art : Concept FR . and the subsequent chemical process fixes the image into place. Lewiston.xavierhufkens. 68 x 36 inches each Artist | Jacob Kassay. Working with an electroplater in Pennsylvania. *1984.75003 Paris | 13. and fixed. is about capturing lights and shadows. electroplating involves using electrical current to fix a layer of metallic material onto an object. the artist began plating a series of primed canvases. A process commonly used to create shiny silver surfaces for jewelry or silverware. his canvases transform blankness into aura and emptiness into reflection. With their shimmering silver surfaces.1050 Bruxelles | Rue Saint-Georges 6 . These paintings have no color. By painting a canvas with a thin layer of acrylic primer – making the surface of the fabric impermeable and able to hold the metallic deposit – and dipping it into a silver-electroplating tank.com | www.com | www. Kassay considered putting a painting through the photographic development process of being dipped. These are paintings about the experience of being in a room with a painting. NY. With the click of a shutter.com Director | Olivier Antoine Hufkens Xavier Hufkens BE . United States Lives and works in New York. Kassay’s training is in photography.galerieartconcept. bathed. New York-based artist Jacob Kassay pursues the lineage of paintings as places for light and shadow. and no image. The chemical process singes any parts of the canvas that are left unprimed and exposed to the chemical solution. colors. and images of their surroundings. 24) Untitled. but the entire photographic process. 2011 Media | 10 paintings: acrylic and silver deposit on canvas.’ in Mousse Magazine. ‘Jacob Kassay. Familiar with the chemical reactions involved.’ (Excerpt from Anthony Hubermann.

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Warsaw. of 12.2002 Installation view. edition of 3 + 1 AP Artist | Katarzyna Kozyra. embellished dancers to fill the roles of Nijinsky’s idealized virgins to question our assumptions about the limits of the body and its transformations over time. The dancers movements are organized in mystical circles and squares.76 | Art Unlimited KATARZYNA KOZYRA Title | The Rite of Spring. eventually they fall down from exhaustion and remain still. as connotations of virginity and definitions of beauty and biology are challenged.zak-branicka. 4 min 50 sec.com | www. Poland. Monika Branicka Artwork Description | Taking the larger questions of dance and performance art from a historically informed and critical perspective into consideration.10969 Berlin | Lindenstrasse 35 Phone +49 30 61 10 73 75 | Fax +49 30 61 10 73 75 mail@zak-branicka. *1963. and Berlin.com ˙ Directors | Asia Zak. The task of the chosen victims in Nijinski’s ballet was to perform a dance to the death. color.’ from The Rite of Spring. Germany ˙ Gallery | Zak Branicka Mobile +49 177 501 81 90 ˙ Zak Branicka DE . Poland Lives and works in Warsaw. Zache National ¸ta Gallery of Art. to rise again as if through the music and to begin anew the Sacrificial Dance. 1999 .2002 Media | Multi-channel video projection. Berlin The Rite of Spring. Within three years Kozyra has animated and edited together of a sequence of movements. The naked dancers’ ambiguous gendering also pushes the work further into critique. She used elderly. takes its title from a ballet scored by Igor Stravinsky and originally choreographed by Vaclav Nijinsky in 1913. Warsaw . Technical support by Eidotech. Katarzyna Kozyra’s The Rite of Spring (a seven-screen video installation). sound. In Kozyra’s interpretation the chosen victim dies in order to be animated according to the artist’s will. frame after frame. 1999 .000 photos according to ‘The Dance of the Chosen Victim.

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Cornelia Tischmacher. archaic techniques and equipment. The aspect of the artist’s pain that Malevich intentionally hid from the viewer becomes the center of attention.10117 Berlin | Marienstrasse 10 Phone +49 30 27 58 30 30 | Fax +49 30 27 58 30 50 mail@johnengalerie. The work bears testimony to intense physical labor by visualizing the exhausting efforts.de | www. 2011 Black-and-white photograph. Kus ´mirowski’s presentation reverses the process of perception and translates Malevich’s arduous intellectual process into a weighty analogy. 50 x 37 cm . Poland Lives and works in Lublin. *1973. his exhibitions also have the materiality and appearance of a bygone time.de Directors | Jörg Johnen.78 | Art Unlimited ´ ROBERT KUSMIROWSKI Title | Malevich Square. In Malevich Square the purity and essential reduction inherent to Malevich’s work gets turned inside-out: Kus ´mirowski’s interpretation presents a black square as a physically manifest. not unlike those undertaken by workers tarring the streets. dimensions variable Artist | Robert Kus ´mirowski. Bitumiarz/Bitumen Worker. With his work Malevich Square. haptic counterpart to the delicate. 2011 Media | Mixed-media installation and performance. Manuel Miseur Artwork Description | Robert Kus ´mirowski reconstructs historical artefacts and settings to examine and manipulate historical themes. By using old. Łódž. Kus ´mirowski aims at exploring phenomena in art that are usually invisible and undiscovered and – as they are part of the creative process – barely tangible before the decisive idea for the artwork-to-be. Poland Gallery | Johnen Mobile +49 171 218 23 60 Johnen Galerie DE .johnengalerie. elusive original.

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com | www. Iris Scheffler Artwork Description | A photograph taken at Christie’s auction house in New York in November 2010 has been stretched in proportion to the wall of Art Unlimited.com | www.com Directors | Monika Sprüth. rue Vieille du Temple Phone +33 1 42 71 09 33 | Fax +33 1 42 71 87 47 paris@yvon-lambert. NY. United States Lives and works in New York.yvon-lambert. Franziska von Hasselbach.80 | Art Unlimited LOUISE LAWLER Title | Light and Dark (adjusted to fit). Helene Winer. NY. Light and Dark (adjusted to fit). Olivier Bélot. Tom Heman. United States Galleries | Lambert Yvon Lambert. NY 10011 | 519 West 24th Street Phone +1 212 206 71 00 | Fax +1 212 337 00 70 gallery@metropictures. Paris FR .metropictures.spruethmagers.New York.10178 Berlin | Oranienburger Strasse 18 Phone +49 30 28 88 40 30 | Fax +49 30 28 88 40 52 info@spruethmagers.75003 Paris | 108.com Directors | Janelle Reiring. Séverine Waelchli Metro Pictures Mobile +1 917 576 14 06 Metro Pictures US .com | www. and installed with the exposed edges of the wall acting as the mat of the image.com Directors | Yvon Lambert. printed on vinyl. Allison Card. 2010/11 . Bronxville. 2010/11 Media | Adhesive wall material Artist | Louise Lawler. *1947. Philomene Magers. Manuela Mozo Sprüth Magers Stand Phone +41 61 699 52 37 Sprüth Magers Berlin DE .

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produced. Material generated from within an institution.demon.co. *1964.London EC1V 9HX | 49-59 Old Street Phone +44 20 72 51 61 14 | Fax +44 20 76 08 24 14 art@cabinetltd. the MK Gallery. like stuff. but turning into things. The soundtrack can either function as a narrative accompaniment to the installation as a whole or to the film with which it coincides. in this case. The self-contained construction suggests a form of automatism.com Directors | Martin McGeown. 2010 Media | Mixed-media installation. ‘The voice isn’t saying something. Milton Keynes . Liverpool. video: 17 min 41 sec. like a human search engine. Healey.82 | Art Unlimited MARK LECKEY Title | Concrete Vache. and press files. was simply sent a series of verbal visions that were then returned as drawings.cabinet. Milton Keynes. represent a sort of surrogate automatism. Concrete Vache. 1979) A series of drawings.uk. 2010 Installation view. The voice-over is similarly composed from catalog texts. United Kingdom Lives and works in London. executed by professional cartoonist Lee Healey. internal memoranda. edition of 2 Artist | Mark Leckey. Andrew Wheatley Artwork Description | Notes on Concrete Vache Concrete Vache is a film and installation composed entirely of images copied from the catalogs and documentation files of a public art gallery. Plasma. +44 79 50 92 01 26 Cabinet GB . as if the imagery is machine-made.’ (Barrett Watten.uk | www. United Kingdom Gallery | Cabinet Mobile +44 77 11 06 69 35. MK Gallery.

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Untitled (Wailing Wall). 304. said to be the last existing remnant of the Second Temple built around the time of Herod (19 B.5 cm Artist | Robert Longo. Jill Silverman Van Coenegrachts Artwork Description | Untitled (Wailing Wall) is part of an installation titled God Machines composed of three immense works dedicated to the three major monotheistic world religions. is one of the most sacred sites in Judaism. 2011 . *1953. The abstract minimalist depiction of the Wailing Wall. United States Gallery | Ropac Stand Phone +41 61 699 53 95 Galerie Thaddaeus Ropac FR . Each of these monumental works is a multi-paneled iconic depiction of a sacred space: Mecca in Saudi Arabia.8 x 825. 2011 Media | Charcoal on mounted paper. NY. rue Debelleyme Phone +33 1 42 72 99 00 | Fax +33 1 42 72 61 66 galerie@ropac. Worshippers come to this site to mourn and bemoan the destruction of the Temple. Peter’s Basilica in Rome. and the Wailing Wall in Jerusalem. Brooklyn.).net | www.C.net Directors | Thaddaeus Ropac. United States Lives and works in New York. St.ropac.75003 Paris | 7. NY.84 | Art Unlimited ROBERT LONGO Title | Untitled (Wailing Wall).

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and the highest part of the building is perfectly square with each side housing an enormous clock. United in an architectural setting. at night. During the day. 246 x 246 cm each Artist | Vera Lutter. NY. Constructed on a rectangular footprint.’ (Vera Lutter) Installation rendering of Folding Four in One.New York. United States Gallery | Gagosian Gagosian Gallery US . 2009 Media | Film between 2 sheets of plexiglass (4 pieces). 96 ⅞ x 96 ⅞ inches each.com Artwork Description | ‘Number 1 Main Street. transform the site of inscription into a new experience. Each corner is opened to allow the viewer to engage within the pavilion of image and time. the large clock-windows illuminate the space within. Germany Lives and works in New York. Kaiserslautern. different perceptions of the four vistas unfold. blending in and out of one another and the space in which they are installed. 2009 . NY 10075 | 980 Madison Avenue Phone +1 212 744 23 13 | Fax +1 212 772 79 62 newyork@gagosian.gagosian. The glazed clocks give way to a view onto four different neighborhoods while time unfolds in the spinning indicators of the clock. When navigating the space. each side of the building faces exactly one of the directional poles on the compass.com | www. Folding Four in One is a project I realized in the summer of 2009 as an installation of four images taken from the Clock Tower’s interior. I had waited a good 14 years for this opportunity. *1960. the four suspended plexi-panels. Backed with clear glass. organized in a square formation. the clock faces allow for an exchange of light. is an old warehouse building in Brooklyn crowned by a massive Clock Tower.86 | Art Unlimited VERA LUTTER Title | Folding Four in One. the interior space illuminates the clock faces.

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the Walker institution’s founder and legendary lumber baron. B. Walker. Timo Kappeller Artwork Description | Goshka Macuga’s Lost Forty is monumental black-and-white woven tapestry that depicts a 40-acre tract of land in northern Minnesota’s Chippewa National Forest – an old-growth forest that survived logging due to a surveyor’s error in 1882. Lost Forty. Drawing upon lumber-industry publicity photographs taken by Berenice Abbott in the 1940s. sipping cocktails at a 1965 Walker event. The tapestry weaves a specific American narrative with economic and nationalist mythologies of the American landscape and character. such as T. *1967. the tapestry offers potent critiques of the frontiersman myth. Macuga visited and photographed these woods. Warsaw. United Kingdom Gallery | Kreps Mobile +1 415 713 07 83 Andrew Kreps Gallery US .’ Within the tapestry. Paul holding up a protest sign. Former Walker director Martin Friedman appears with Marcel Duchamp. 2011 Media | Tapestry. In October 2010.andrewkreps. and Native American children from Cass Lake in Northern Minnesota plant a tree.com Directors | Andrew Kreps. Poland Lives and works in London. known as the ‘Lost Forty.88 | Art Unlimited GOSHKA MACUGA Title | Lost Forty.New York. NY 10011 | 525 West 22nd Street Phone +1 212 741 88 49 | Fax +1 212 741 81 63 contact@andrewkreps. to the left is a Tea Party demonstrator whom Macuga photographed while visiting a Tax Day demonstration last year at the state capitol in St. Macuga has collaged images of individuals related to her research. 426 x 1475 cm.com | www. edition of 2 + 1 AP Artist | Goshka Macuga. Liz Mulholland. 2011 . who stands in the foreground.

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*1970. All this forms the cultural and economic backdrop for a whole generation of Kreppa Babies. Kreppa Babies. and Milan. dimensions variable. where aspects of both an anthropological and a folkloristic nature are condensed: the illusion of affluence spread at all levels of society.10152 Torino | Via Piossasco 29 Phone +39 011 536 40 00 | Fax +39 011 919 12 34 info@marconoire. a work of art can never be without. Italy Gallery | Noire Mobile +39 339 715 81 65 Noire Contemporary Art IT .com | www. The Kreppa Babies are the clearest manifestation of a historical nemesis: where the crimes of the fathers – guilty of having wholeheartedly adhered to the western capitalistic system and having passively succumbed to the magnetic lure of the United States – must inexorably be paid for by their children.marconoire. and pantheistic faith. *1973.90 | Art Unlimited MASBEDO Title | Kreppa Babies. Italy Jacopo Bedogni. Silvia Chessa Artwork Description | This video installation goes beyond the scope of the traditional art video and may be considered a ‘documentary’ that tackles several important civil and social themes. amplified stereo sound. literally the ‘children of the crisis. Sarzana. The result is a moving portrayal of life in Iceland. Italy Live and work in Berlin. 5-screen rear projection: 5 DVD players. according to the artists. and the ancestral customs of a community imbued with a strong sense of identity and belonging. whilst highlighting the emotional and aesthetic aspects of life and the world – those elements which. Milan. myths. 2010 Media | Video and sound installation. 27 min 38 sec.com Directors | Marco Noire.’ taking their first steps on a terrain that has become inhospitable and treacherous due to the recent socioeconomic upheaval worldwide. edition of 7 + 2 AP Artists | Masbedo Nicolò Massazza. such as the utopian ideal and its relative failure. 2010 . Germany.

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1992 .’ 74 gradini riappaiono in una crescita di geometria concentrica. 430 cm diameter Artist | Mario Merz. Elsbeth Bisig Artwork Description | An outstanding example of Mario Merz’s late production.galerie-tschudi.8750 Glarus | Eichenstrasse 26 Phone +41 55 640 63 60 | Fax +41 55 640 26 23 info@galerie-tschudi. died in Turin. spiral design that develops from one stone to the next and from one igloo to the next summons up a theme common to Merz’s poetics.92 | Art Unlimited MARIO MERZ Title | 74 gradini riappaiono in una crescita di geometria concentrica. ‘growth’ always takes on the form of swirling dimensions. The swift. these skeletal igloos crisscross the exhibition space in staggered succession. 8 igloos.2003 Born in Milan. involving both space and time.ch Directors | Ruedi Tschudi. 74 gradini riappaiono in una crescita di geometria concentrica (74 steps return in a growth of concentric geometry) was executed by the artist in 1992 at the Galerie Tschudi in Glarus. In his works. Seventy-four squared-off stones are arranged on the ground to form a sequence of circular perimeters. Italy Gallery | Tschudi Mobile +41 79 769 96 53 Galerie Tschudi CH .ch | www. Like a meandering river in a landscape. as suggested in a note by the artist himself on the origin of the stones here: ‘74 stones were probably used as steps over the ages and. 1992 Media | Stones and metal. 1925 . iron rods arched between the stones generate eight hemispherical structures. renewed in time. through this work. Italy. each igloo: 210 cm high.

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com | www. The restaurant remains a site of projection and desire – a site of negotiation and display.94 | Art Unlimited SARAH MORRIS Title | Points on a Line. Morris utilizes The Four Seasons. NY 10011 | 535 & 537 West 22nd Street Phone +1 212 680 94 67 | Fax +1 212 680 94 73 info@petzel. Mies van der Rohe’s infamous 860-880 Lake Shore Drive. Illinois. Points on a Line. NY. These two buildings were the result of shared ideas and collective desire. The soundtrack.petzel. Morris’s film is both a record of preservation of two structures and a document of power plays that left a mark in the pragmatic idealism of the late modern period. United States. Morris filmed at both sites over the course of several months.New York. Architect and architect. But they also complicate ideas of the copy and the original and the chronologies of Modernism. Mies van der Rohe and Philip Johnson. Vera Alemani Artwork Description | The Farnsworth House in Plano. as the meeting point between the two architects. among other locations including The Four Seasons Restaurant in the Seagram Building. directed by artist Sarah Morris.com Directors | Friedrich Petzel. a place that Philip Johnson practically used as his personal office. and London. *1967. edition of 5 Artist | Sarah Morris. United Kingdom Gallery | Petzel Stand Phone +41 61 699 50 90 Friedrich Petzel Gallery US . 35 min 44 sec. 2010 . documents the desire to build structures that might change the way we think about a house: a form and a context. Sam Tsao. Andrea Teschke. and the Glass House in New Canaan. American Lives and works in New York. composed by the artist Liam Gillick. lends an atmospheric progression to the film. Architect and curator. Connecticut. and Chicago’s Newberry Library. Points on a Line. 2010 Media | Video.

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unmoving.96 | Art Unlimited JAMES NARES Title | Pendulum. to ultimately transform this quiet New York City alley into a scene pulsating with anxious energy. industrial buildings (polarizing movement versus stasis). London. NY. CA 90048 | 8071 Beverly Blvd Phone +1 323 658 80 88 | Fax +1 323 658 80 68 info@kohngallery. Using a Super 8 camera.com Director | Samantha Glaser Artwork Description | James Nares’s Pendulum (1976) is a hauntingly lyrical example of No Wave film. but also of the cultural hangover of the early 1970s. Hand Catching Lead (1968).kohngallery. Inspired by the repetitive imagery of Richard Serra’s film. 1976 .Los Angeles. Nares incorporates themes not only of the city. Pendulum. Juxtaposing images of the ball flying through space with the cold. edition of 6 Artist | James Nares.com | www. Nares filmed a suspended. 1976 Media | Film transferred to mini hard drive. United States Gallery | Kohn Mobile +1 310 770 80 15 Michael Kohn Gallery US . swinging metal sphere. 17 min 15 sec. United Kingdom Lives and works in New York. *1953. Pendulum appropriates an element of visual redundancy while quietly noting qualities of city life in the 1970s.

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98 | Art Unlimited

ˇ DEIMANTAS NARKEVICIUS
Title | Ausgeträumt, 2010 Media | HD Video, aspect ratio 16:9; color, sound; 5 min 35 sec; edition of 5 + 2 AP Artist | Deimantas Narkevicius, *1964, Utena, Lithuania ˇ Lives and works in Vilnius, Lithuania Galleries | gb agency Mobile +33 6 11 13 48 62 gb agency FR - 75003 Paris | 18, rue des 4 fils Phone +33 1 44 78 00 60 gb@gbagency.fr | www.gbagency.fr Directors | Solène Guillier, Nathalie Boutin Mot Mobile +32 475 56 30 71 Jan Mot BE - 1000 Bruxelles | Rue Antoine Dansaertstraat 190 Phone +32 2 514 10 10 | Fax +32 2 514 14 46 office@janmot.com | www.janmot.com Director | Jan Mot Weiss Mobile +49 160 742 25 07 Galerie Barbara Weiss DE - 10999 Berlin | Kohlfurter Strasse 41/43 Phone +49 30 262 42 84 | Fax +49 30 265 16 52 mail@galeriebarbaraweiss.de | www.galeriebarbaraweiss.de Directors | Barbara Weiss, Charlotte von Uthmann Artwork Description | As in many of his other films and videos, Deimantas Narkevicius reveals the ˇ ongoing conflicts between memory and history by using storytelling to explore historical fact from personal points of view. The title of Narkevicius’s latest ˇ work, Ausgeträumt, suggests a nostalgic longing for innocence. In this film, the artist follows a group of teenage musicians in Lithuania with ambitious dreams of international fame. Here post-socialist architecture is offset by the romantic sounds of Indie music performed by the newly formed band. Narkevicius reconˇ nects to this particular state of mind: their youthful energy, unaffected by the probable failure of their endeavour, stands as a reminder of the naiveté of a young artist – the driving force behind creative ambition. In presenting a portrait of the band, whose lead guitar player is in fact the artist’s son, the artist also provides an intimate memoir of his own ambitions to become an artist in the late 80s within the wake of a crumbling Soviet Union – a seemingly impossible dream that echoes that of a father’s son.

Ausgeträumt, 2010 Featuring the band Without Letters

100 | Art Unlimited

DAVID NASH
Title | Black Dome, 2011 Media | Charred oak, 12 parts; approx. 230 x 650 x 650 cm Artist | David Nash, *1945, Esher, United Kingdom Lives and works in Blaenau Ffestiniog, United Kingdom Galleries | Juda Stand Phone +41 61 699 50 46 Annely Juda Fine Art GB - London W1S 1AW | 23 Dering Street Phone +44 20 76 29 75 78 | Fax +44 20 74 91 21 39 ajfa@annelyjudafineart.co.uk | www.annelyjudafineart.co.uk Directors | David Juda, Jill Capobianco Lelong Mobile +33 603 85 40 68 Galerie Lelong Paris FR - 75008 Paris | 13, rue de Téhéran Phone +33 1 45 63 13 19 | Fax +33 1 42 89 34 33 info@galerie-lelong.com | www.galerie-lelong.com Directors | Daniel Lelong, Jean Frémon, Patrice Cotensin Artwork Description | David Nash’s first Black Dome was made in 1986 while in residency at Grizedale Forest. In Nash’s own words: ‘When I was working as a resident sculptor in the Grizedale Forest in 1978, I often came across centuries old charcoal burners’ sites – level oval spaces, barely discernible on the hillside, always with the same combination of plants. Presumably the carbon residue from the charcoaling process had leached into the soil allowing only certain species to flourish. These spaces, although nearly invisible, had a sense of human presence, an echo of ancient forest activity. Eight years later I was one of a group of artists invited by the Forestry Commission to consider making sculptures in the Forest of Dean. The works had to be based on our response to the forest, sensitive to the environment, and accessible to the public. The Forest of Dean has a history of charcoal manufacture, and, remembering my experience in Grizedale, I chose to make Black Dome. Ideally the sculpture would have been a mound of charcoal, but being so brittle this would not have survived ‘public accessibility.’ I therefore opted for charring sharpened sections of larch trunks. To make a dome 8 meters in diameter and 1 meter high required nine hundred pieces of wood. The interest in the form has evolved from many small charred stakes butted up together to a larger element spaced apart that makes an experience that can be walked into.’ For Art Unlimited, Nash has made a Black Dome consisting of 12 pieces of charred carved oak, varying in size from 75 cm high to 230 cm high, creating a dome approximately 650 cm in diameter.

Black Dome, 2011

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2010 Media | Full HD video. 11 Phone +39 05 77 94 31 34 | Fax +39 05 77 94 04 84 info@galleriacontinua.com Directors | Mario Cristiani. NY 10011 | 509 West 24th Street Phone +1 212 680 98 89 | Fax +1 212 680 98 97 info@marianneboeskygallery. and. color.53037 San Gimignano | Via del Castello. finally.galerie-krinzinger. our conceptions of labor and leisure.102 | Art Unlimited HANS OP DE BEECK Title | Sea of Tranquillity. it has a complex.New York. As such. Though an autonomous work. 2010 . Turnhout. Adrian Turner Continua Mobile +39 348 580 59 97 Galleria Continua IT . aspect ratio 16:9.at Directors | Ursula Krinzinger. 29 min 50 sec Artist | Hans Op de Beeck.xavierhufkens. Thomas Krinzinger Artwork Description | The Sea of Tranquillity is the name of a cruise liner created by the artist.com Director | Xavier Hufkens Krinzinger Mobile +43 676 324 83 79 Galerie Krinzinger AT . strange.8 Phone +32 2 639 67 30 | Fax +32 2 639 67 38 info@xavierhufkens.marianneboeskygallery. Furthermore. and menacing cruise ship as it softly cleaves the night.galleriacontinua. safe. mixing live video recordings of actors and digitally created surroundings.1010 Wien | Seilerstätte 16 Phone +43 1 513 30 06 | Fax +43 1 513 30 06 33 galeriekrinzinger@chello. Maurizio Rigillo Hufkens Xavier Hufkens BE .1050 Bruxelles | Rue Saint-Georges 6 . which serves as a postmodern metaphor for our attitude towards time and space.at | www. Hans Op de Beeck expressly composed an old school jazz song to serve as the theme song for the film.com | www.com | www. virtually plunges the viewer into the cavernous. and unimaginative leisure opportunities on offer on board the ship – a staged environment reminiscent of shopping malls and gated communities.com | www. sound. Belgium Galleries | Boesky Marianne Boesky Gallery US . darkly poetic charge. Lorenzo Fiaschi. towards mortality. but also presents a touch of irony regarding the superficial. Annie Rana. This mid-length film (30 minutes). the Sea of Tranquillity is also part of a new body of works collected in a traveling solo show. Sea of Tranquillity. Belgium Lives and works in Brussels.com Directors | Serra Pradhan. *1969.

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the economists. he lay down and rested for all eternity. 15 min.com Director | Juliètte Jongma In collaboration with Ambach & Rice. the Netherlands Gallery | Jongma Galerie Juliètte Jongma NL . Los Angeles. they have wished to absolve that which God has cursed.’ (Excerpt from Paul Lafargue.’ Jehovah.com | www.1073 VX Amsterdam | Gerard Doustraat 128a Phone +31 20 463 69 04 | Fax +31 20 463 69 04 info@juliettejongma. who profess neither morally or economically to be a Christian. preached for laziness: ‘Contemplate the lilies of the fields. Paris. France Lives and works in Rotterdam. 2011 . This moribund passion for work pushed out all the vital forces from the individual and his progeny until they were hollow. they don’t work or tire themselves.. I. the bearded and rebarbative God. in his speech from over the mountain. *1979. The Right to Be Lazy. edition of 5 + 2 AP Artist | Pablo Pijnappel. call upon their judgment in accordance with the judgment of their God (. These blind and narrow-minded men have tried to be wiser than God. 1883) Quirijn.. And yet I tell you: Solomon in all his glory didn’t live more beautifully. This madness brings social and individual miseries that have tortured humankind for two centuries. 2011 Media | 16mm film. gave his followers the supreme example of the ideal laziness. approx. CA Artwork Description | ‘A strange madness has overcome the working classes from nations where the capitalist civilization reigns. after six days of work. In lieu of reacting against this mental aberration.) Christ.juliettejongma. and the moralists have worshipped work as sacred.104 | Art Unlimited PABLO PIJNAPPEL Title | Quirijn. This madness is the love of work. weak and despicable men. the priests.

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Matthew Armstrong.com Directors | Peter C. shifting mores. Rauschenberg took as his subject matter the anarchy of American culture in the midst of social upheaval.New York. 182. edition 2 of 6 Artist | Robert Rauschenberg.’ Currents. sports. advertisements. they are raw. international violence. 72 x 720 inches. died on Captiva Island. and the work has very rarely been seen. featuring a sixty-foot long hand-printed silkscreen comprised of collages of headlines. In notes added to the catalog that accompanied the initial showing of Currents. immersed in what seemed unsolvable conflicts. a world that cried out for change. Freeman. direct. Currents presents a distilled synecdoche of the precarious state of the world circa 1969. Blair Asbury Brooks Artwork Description | In the autumn of 1969. gossip. racial tensions. 1925 .2008 Born in Port Arthur.106 | Art Unlimited ROBERT RAUSCHENBERG Title | Currents. Robert Rauschenberg began planning an exhibition that would take place at Dayton's Gallery 12 in Minneapolis.’ On a more personal note. TX. 1970 Detail .9 x 1829 cm. Inc. The edition of Currents was limited to six. Rauschenberg banished color from his image and made certain that no matter how anarchically arrayed. United States. United States Gallery | Freeman Peter Freeman. and advertisements. government corruption.com | www. Suite 602/603 Phone +1 212 966 51 54 | Fax +1 212 966 53 49 info@peterfreemaninc. Thick with intimations of war.peterfreemaninc. Both the show and the large-scale print were entitled Currents and opened in the spring of 1970. rampant drug use. and polarizing. and political subterfuge as well as the banality of weather. the components of the collage – whether text or image – are crystal clear. NY 10012 | 560 Broadway. and news stories from major American newspapers. US . 1970 Media | Screen print. the artist then concluded with a slightly wistful lament: ‘Give the world a chance by changing it. As had Manet and Picasso when they felt compelled to refer to the stark actual facts of the violence of contemporary news. FL. Rauschenberg wrote that ‘the world condition permitted me no choice of subject or color and method/composition.

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108 | Art Unlimited JASON RHOADES Title | Untitled (From the body of work: My Madinah: in pursuit of my ermitage.’ As Eva Meyer-Hermann notes.). and Black Pussy. 96 colored plexiglass panels. Angela Choon. 2003.davidzwirner.com | www. p. and power strips. 2004 . 2005/06). and transcendental insight intersect’ (Eva Meyer-Hermann. United States.8047 Zürich | Albisriederstrasse 199a Phone +41 44 446 80 50 | Fax +41 44 446 80 55 zurich@hauserwirth. Sara Harrison. in part. Greg Lulay.com Directors | Kristine Bell. and were inspired. sexuality.. Bellatrix Hubert.hauserwirth.New York. Neil Wenman Zwirner Mobile +1 917 297 82 34 David Zwirner US . by the collective trauma caused by 9/11.. Jason Rhoades. My Madinah forms part of the artist's Pussy Trilogy (including Meccatuna. this work was originally part of the artist's seminal installation My Madinah: in pursuit of my ermitage… Following its initial installation in 2004.. overall dimensions vary with each installation Artist | Jason Rhoades. The multi-colored. Justine Durrett.. and consumerism. 93). 2004 Media | 96 neon phrases. rubber end caps. cable. he carried out a continuous assault on aesthetic conventions and rules governing the art world. Made up of 96 neon lights hanging from the ceiling. CA. Rhoades grouped together individual components to create unique artworks that each reflect a specific aspect of the overall project. Together the three projects constitute a complex investigation of contemporary manifestations of religion. culture. United States Galleries | Hauser & Wirth Stand Phone +41 61 699 50 44 Hauser & Wirth CH . While Madinah is a reference to the holy city of Medina in Saudi Arabia.). Hanna Schouwink Artwork Description | Common to Jason Rhoades’s practice is an underlying interest in the conditions in which art is made and the subversion of any conventions that stand in the way of its production. 96 transformers. Up to his untimely death in 2006 at age 41. neon words in this work belong to Rhoades’s larger project of creating a cross-cultural compendium of synonyms for female genitalia. died in Los Angeles. its English pronunciation presents a further play on this research experiment by loosely rhyming with ‘vagina. NY 10011 | 525 West 19th Street Phone +1 212 727 20 70 | +1 212 517 86 77 | Fax +1 212 727 20 72 | +1 212 517 89 59 information@davidzwirner. CA. where spiritual experience.com Directors | Florian Berktold. Cologne 2009. wire. 96 metal hooks.com | www. Untitled (From the body of work: My Madinah: in pursuit of my ermitage. Ales Ortuzar. erotic ecstasy. 1965 . ‘the whole installation becomes a satirically exaggerated cult space.2006 Born in Newcastle.

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128 x 120 x 27 cm Artist | Ulrich Rückriem. and ceiling form one space – and all these elements are presented through one of the three sculptures.41061 Mönchengladbach | Kaiserstrasse 58 . walls. The ground sculpture consists of two ends of a larger stone block. United Kingdom. a relief. but at the same time there are relationships between the different forms – a free-standing.’ For the wall relief. cut. Christian Löhrl Artwork Description | The three sculptures are independent. Ground.galerieloehrl. The surfaces are polished to appear denser. +49 172 207 20 72 Galerie Löhrl DE . 1984 .60 & 67 Phone +49 21 61 20 07 62 | Fax +49 21 61 20 86 61 info@galerieloehrl.de | www. Each sculpture implies an architectural understanding emphasized by Rückriem in the tectonic quality of the materials and through the clarity of its rational structure. The base-stone and the broken surface show the natural structure of the granite-stone and emphasize extreme contrasts. and Cologne. Two vertical cuts form a rectangle that is cut parallel to the wall with a polished surface. Düsseldorf. 13 x 325 x 210 cm. *1938. The characteristic structure of the granite block remains visible. and a ground sculpture – that constitute the ‘whole. Germany Gallery | Löhrl Mobile +49 171 371 44 74. Germany Lives and works in London. 128 x 55 x 55 cm. The horizontal split forms a base and a square. more compact.de Directors | Dietmar Löhrl. polished. Both forms flow into each other and converge to a ‘whole.de | www.110 | Art Unlimited ULRICH RÜCKRIEM Title | Untitled (room installation). placed above a base-stone.’ The free-standing sculpture is obelisk-shaped. a rectangular granite end-piece was cut in such a way that it appears to belong to the wall.impulsegalerie. but broken towards the top (the only obelisk Rückriem ever made). Untitled (room installation). 1984 Media | Granite. split.

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turning a perhaps too-familiar fiction into a physical reality. 2010 Media | 10 framed pigment prints on paper with cutouts and 15 standing sculptures: pigment prints on paper mounted to AB marine-grade plywood. as well as his own personal history.com Directors | Carol Greene. Ruppersberg portrays the contemporary moment’s increasingly complex relationship to materiality. overall dimensions variable. 2010 Installation view. Allen Ruppersberg. its slippage between mediums. Ruppersberg often looks back through the records of preceding generations. with empty holes denoting where these figures have jumped out into the room. Big Trouble. Ruppersberg first sent this cartoon anonymously to a list of Los Angeles art world contacts under the acronym ‘SPPA’ (Society for the Prevention and Preservation of Art). the artist has cut these objects out and incrementally enlarged them to form freestanding sculptures. Greene Naftali Gallery. Also reprinting the entirety of the cartoon. edition of 3 Artist | Allen Ruppersberg. Cleveland.be | www. New York. By transforming the space into a comical realm. Jeffrey Rowledge Szwajcer Galerie Micheline Szwajcer BE . CA.2000 Antwerpen | Verlatstraat 14 Phone +32 3 237 11 27 | Fax +32 3 238 98 19 contact@gms. Selecting key objects (mostly depictions of monumental sculptures) from the comic strip. and displaying what is left behind. Allen Ruppersberg has consistently engaged with language. he has hung the pages along the walls as a legible story. OH.greenenaftaligallery. United States Lives and works in New York.New York. Ruppersberg revisits a comic strip he used for a mail-art piece in 1969. NY 10001 | 508 West 26th Street Phone +1 212 463 77 70 | Fax +1 212 463 08 90 info@greenenaftaligallery. It recounts the character Scrooge’s competition with a rich potentate in a show of one-upsmanship for the grandest reputation in Duckburg.com | www. and its situation amidst pop culture. NY. Ruppersberg again turns printed matter into social substance. In his installation Big Trouble. Now literally reviving the story.112 | Art Unlimited ALLEN RUPPERSBERG Title | Big Trouble. 2010 . for material to reanimate. *1944.gms. In the context of early Conceptualism and the eradication of the art object. United States Galleries | Greene Naftali Greene Naftali Gallery US . Alexandra Tuttle. and Santa Monica.be Director | Micheline Szwajcer Artwork Description | One of the first West Coast conceptual artists.

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ch | www.’ as Sandback called it. or diagonally at different scales and in varied configurations. the artist developed a singular body of work that elaborated on the phenomenological experience of space and volume with unwavering consistency and ingenuity. Untitled (Sculptural Study. built of thin lines that left enough room to move through and around. overall dimensions vary with each installation Artist | Fred Sandback. Gianfranco Verna Zwirner Mobile +1 917 297 82 34 David Zwirner US . he dispensed with mass and weight by using acrylic yarn to create works that address their physical surroundings.davidzwirner. Leeds. 1982/2010 Media | Black acrylic yarn. Henry Moore Institute. [and] more of a diffuse interface between myself. with an ambivalence between exterior and interior. By stretching lengths of yarn horizontally.2003 Born in Bronxville. vertically. Seven-part Right-angled Triangular Construction). Still sculpture. United States. brochure. n. exh. of everyday life. 1982/2010 . Hanna Schouwink Artwork Description | Fred Sandback’s sculptures outline planes and volumes in space. spatial relationships established by the artist. died in New York. and others peopling that environment. NY.) Untitled (Sculptural Study. 1999. Ales Ortuzar.annemarie-verna. In his own words. the ‘pedestrian space. my environment. NY. Seven-part Right-angled Triangular Construction). p.’ (Fred Sandback in Here and Now: Fred Sandback. though less dense. A drawing that is habitable.ch Directors | Annemarie Verna. Seven-part Right-angled Triangular Construction) is a room-size installation that is composed from twenty-one lengths of black acrylic yarn arranged to form seven right-angled triangles. Justine Durrett. NY 10011 | 525 West 19th Street Phone +1 212 727 20 70 | +1 212 517 86 77 | Fax +1 212 727 20 72 | +1 212 517 89 59 information@davidzwirner.New York. Sandback described his sculpture as being ‘…less a thing-initself.com Directors | Kristine Bell. Angela Choon. United States Galleries | Verna Stand Phone +41 61 699 52 55 | Mobile +41 79 351 14 28 Annemarie Verna Galerie CH .com | www. Greg Lulay.8032 Zürich | Neptunstrasse 42 Phone +41 44 262 38 20 | +41 44 201 32 35 | Fax +41 44 262 38 26 office@annemarie-verna. Though he employed metal and elastic cord early in his career.114 | Art Unlimited FRED SANDBACK Title | Untitled (Sculptural Study. with the vertical elements flat against the wall and the horizontal elements flat against the floor. 1943 . Bellatrix Hubert.

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net Directors | Stuart Shave. organic and mineral flesh. Belgrade.116 | Art Unlimited ˇ ´ BOJAN ŠARCEVIC Title | He. *1974. while its sensuous materiality and ambiguous purpose lends a disquieting presence. 2011 Media | Onyx. Germany. this slab of raw stone was transported by road to London for carving and finishing. France Gallery | Modern Art Stuart Shave/Modern Art GB . Serbia ˇ ´ Lives and works in Berlin.net | www. and Paris.25 Eastcastle Street Phone +44 20 72 99 79 50 | Fax +44 20 72 99 79 51 info@modernart. 245 x 165 x 45 cm Artist | Bojan Šarcevic. square cut shapes and cavities. Precisely worked with rectangular. Its presence offers up a wavering reflection on sculptural tensions: fragility and resilience. it suggests a semi-functional form. Jimi Lee Artwork Description | Bojan Šarcevic ’s He (2011) is the newly-realized sculptural counterpart to She ˇ ´ (2010). weight and gravity.London W1W 8DF | 23 . while revealing the fundamentally unchanged and highly aesthetic qualities of this rich and elemental material. geometric and organic form. She.modernart. 184 x 124 x 40 cm . From the quarries. The interplay of brute shape and man-made geometry evokes notions of change and transformation. The monolithic sculpture is carved from a single block of Persian onyx acquired by the artist after traveling to the ancient Silk Route city of Yazd in central Iran. 2010 Onyx. shape and texture.

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pp. In a third group. 1992 Media | Wood. The series of graphics all display the same image but in different colors. Wolfsburg 1966. Oldenburg. raising the question of whether the row of caskets are simply waiting to be filled.com Directors | Antonio Tucci Russo. Stories.5 cm each Artist | Thomas Schütte. Tucci Russo Studio per l’Arte Contemporanea. *1954. Elisabetta Di Grazia Artwork Description | ‘The work Untitled (1992) develops a complex context within which the threedimensional works comprise only one element. The strict and regular nature of the installation provides structure to the room. not leaving any space for another work of art beside it. The pictures are located in a row half way up the wall above the crates. 50 coffins: 33 x 118 x 58. 19 . 1992 Detail . a pair of boxes are placed on top of one another.5 cm each. cat. the image becomes a part of the realm of death mentioned above.tuccirusso. a much larger number are lined side-by-side in a single row at uniform distances. Several of the crates lean against the wall. exh. The installation dominates the entire room. The installation consists of 50 wooden crates and 44 prints. Städtische Galerie und Kunstverein Wolfsburg. Germany Lives and works in Düsseldorf. 1992 Installation view. ‘Spaces.10066 Torre Pellice (Torino) | Via Stamperia 9 Phone +39 01 21 95 33 57 | Fax +39 01 21 95 34 59 gallery@tuccirusso. Monuments. aniline on paper.com | www. The three-dimensional elements are complemented by two-dimensional objects on the wall. Since the draped bodies of the compact figures remind viewers of mummies. The view inevitably directs our thoughts to death.’ in Thomas Schütte. The open crates are grouped in the room in different ensembles. the images on the wall provide a narrative message. In this case.118 | Art Unlimited THOMAS SCHÜTTE Title | Untitled.20) Untitled. 44 prints: 97 x 65.’ (Excerpt from Susanne Pfleger. with their open side facing to the room. creating closed objects. Germany Gallery | Tucci Russo Mobile +39 335 627 15 04 Tucci Russo Studio per l‘Arte Contemporanea IT .

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at | www.120 | Art Unlimited SUDARSHAN SHETTY Title | For All That We Lose. and circulating liquids all come to denote the absent body while exhausting the viewer by the seeming futility of their repeated actions.com | www.com Director | Jack Tilton Artwork Description | Sudarshan Shetty. NY 10021 | 8 East 76th Street Phone +1 212 737 22 21 | Fax +1 212 396 17 25 info@jacktiltongallery. has long been recognized as one of the most innovative conceptual artists in India. 354 x 278 x 106 cm Artist | Sudarshan Shetty. mild steel.com | www. Shetty’s work engages with ‘memory at large’ and explores the social life of objects and their capacities to offer new kinds of subjective experience by creating hybrid devices that engage with the idea of a philosophical ‘loss of body’ as a social and biological condition. India Galleries | Krinzinger Mobile +43 676 324 83 79 Galerie Krinzinger AT .galleryske. India Lives and works in Mumbai. Thomas Krinzinger SKE Mobile +91 98 45 08 99 32.at Directors | Ursula Krinzinger. *1961. Trained in painting. 2011 . Shetty found himself increasingly attracted to the idioms of sculpture and installation. His work often alludes to absence: not as a mere negation of presence but rather the idea of ‘being elsewhere’ – empty jackets. electromagnetic mechanism.com | www. while revealing the mechanics of its working in plain sight. For All That We Lose.New York. developing a sculptural language that entices the viewer by its grandiose scale and hypnotising movement. 2011 Media | Carved wood.com Directors | Daniel Templon.560025 Bangalore | 2 Berlie Street. steel sword.danieltemplon. Mangalore. rue Beaubourg Phone +33 1 42 72 14 10 | Fax +33 1 42 77 45 36 info@danieltemplon. foregrounding the artifice that is involved in mounting a show. +1 41 35 59 14 92 GallerySKE IN .com Director | Sunitha Kumar Emmart Templon Stand Phone +41 61 699 50 86 Galerie Daniel Templon FR . vessels.1010 Wien | Seilerstätte 16 Phone +43 1 513 30 06 | Fax +43 1 513 30 06 33 galeriekrinzinger@chello. best known for his enigmatic and moving sculptural installations.jacktiltongallery. Langford Town Phone +91 80 41 12 08 73 | +91 80 65 95 19 72 | Fax +91 80 22 23 83 12 post@galleryske.75003 Paris | 30. Anne-Claudie Coric Tilton Mobile +1 646 241 79 12 Tilton Gallery US .galerie-krinzinger.

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2010 . Peter. John. NY. which materialize the abstract shapes in porcelain. Like the Gutenberg Bible – which as the first mass-produced book embodied an estrangement of object and source – the installation triangulates around poles of uniqueness and reproducibility. In contrast to the film (a medium whose essence is reproducibility). Cambridge. and negation. Peter. singularity. Rachel. John takes its starting point at a group of arbitrary shapes formed by railroad ticket clips.com | www. sections of each film have been punctured frame by frame with the ticket punches. John. Both punching these forms into 16mm films and expanding them into sculptures. bronze. pewter. *1975. Caitlin. and plaster. Skaer treats them as ciphers for repetition. copper.com Directors | Margaret Murray. Peter. and plaster. these objects behave as unique ‘prototypes’ – both mute and charged with a potential for action or transformation. Rachel. Caitlin. difference. another closely follows the roaming eye of a cat. self-reflectively poses a complex question of what it is to look at or be looked at by a ‘singular’ work of art. whose shapes are unique – as each has to identify a specific railroad conductor – and yet infinitely repeatable. burmese blackwood. bronze. Caitlin. United Kingdom Lives and works in New York.e. United States Gallery | Murray Guy Mobile +1 917 293 35 07 Murray Guy US . edition of 5 Artist | Lucy Skaer. copper. 2010 Media | 3-channel 16mm film installation with porcelain. Janice Guy Artwork Description | Rachel.New York. Skaer asks not only how we might ‘name’ something as unique (i. pewter.122 | Art Unlimited LUCY SKAER Title | Rachel. dimensions variable. Voiding the footage with a gesture of economic invalidation.murrayguy. John). burmese blackwood. Peter. Each film in Skaer’s installation depicts a highly auratic subject: one shows pages from a Gutenberg Bible. Amongst these films are a group of sculptures. NY 10011 | 453 West 17th Street Phone +1 212 463 73 72 | Fax +1 212 463 73 19 info@murrayguy. but also. Caitlin. and a third shows a series of Mark Rothko paintings.

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an ordeal.New York. by the end of his journey he yearns for the return.biz Directors | Gavin Brown. aluminum table frames. 2011 . NY 10014 | 620 Greenwich Street Phone +1 212 627 52 58 | Fax +1 212 627 52 61 gallery@gavinbrown. an increased erotic obsession.’ (Artist’s rendition of an excerpt from Michel Leiris. a method of concrete knowledge. What does he find? Few adventures. wood. United States Gallery | Brown Gavin Brown‘s enterprise US . the artist embarks on a spiritual expedition crossing this planet. a symbolic way to stop growing old. felt. Argentina Lives and works in New York.124 | Art Unlimited RIRKRIT TIRAVANIJA Title | Untitled 2011 (Passport to the underworld).biz | www. L’Afrique fantôme. Buenos Aires. Corinna Durland. to deny time by crossing space. an emotional void of growing proportions. research that initially excites him but soon reveals itself too inhuman to be satisfying. Despite his distaste for civilized people and the life of metropolitan cities. 1934) Untitled 2011 (Passport to the underworld). NY. *1961.gavinbrown. 2011 Media | Polished steel. viewing travel as poetic adventure. Lucy Chadwick Artwork Description | ‘Sick of his life in New York. 37x 375 inches Artist | Rirkrit Tiravanija.

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126 | Art Unlimited

LUN TUCHNOWSKI
Title | The Alpha, 2010 Media | Painted fiberglass, 4 parts; approx. 240 x 580 x 520 cm Artist | Lun Tuchnowski, *1946, Deiningen, Germany Lives and works in Munich, Germany Gallery | Juda Stand Phone +41 61 699 50 46 Annely Juda Fine Art GB - London W1S 1AW | 23 Dering Street Phone +44 20 76 29 75 78 | Fax +44 20 74 91 21 39 ajfa@annelyjudafineart.co.uk | www.annelyjudafineart.co.uk Directors | David Juda, Jill Capobianco Artwork Description | Lun Tuchnowski was a student of Robert Jacobsen, the well-known Danish sculptor, who greatly influenced him. His sculptures combine two different ideas of the 20th century: geometrically orientated shapes engage in compositions with organic shapes, allowing the seemingly contradictory to compete and communicate with each other. His three-dimensional formations are settled between the constructive body and organic growth, distinguishing themselves through a fragile balance. The language of form often takes on a physical character: single parts reach into space, break through – open, close or become more compact. From the early 1990s, Tuchnowksi has deepened his references to architecture. Lun Tuchnowski’s The Alpha is made of fiberglass and painted in bright colors, which underline the almost playful character of this work.

The Alpha, 2010

128 | Art Unlimited

JAMES TURRELL
Title | Joecar Blue, 1968 Media | Light projection Artist | James Turrell, *1943, Los Angeles, CA, United States Lives and works in Flagstaff, AZ, United States Gallery | Rech Almine Rech Gallery FR - 75003 Paris | 19, rue de Saintonge Phone +33 1 45 83 71 90 | Fax +33 1 45 70 91 30 contact.paris@alminerech.com | www.alminerech.com Directors | Thomas Dryll, Michaël Gumener Artwork Description | ‘I use light as a material to work the medium of perception; basically the work really is no object because perception is the object. And there’s no image because I am not interested in associative thought.’ (James Turrell)

Joecar Blue, 1968

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and vinyl texts. Deurne. and consumerism.com Directors | Guido W.New York. wood. color.galerie-krinzinger. van Lieshout opened a temporary shop in an abandoned unit in the Zuidplein mall. For van Lieshout. He lived in this neighborhood for 15 years and made a few of his films there.com | www.1010 Wien | Seilerstätte 16 Phone +43 1 513 30 06 | Fax +43 1 513 30 06 33 galeriekrinzinger@chello.net | www. engaging them in characteristically frank and often very funny conversations about roots.’ Examining the impact of figures such as the Rotterdam-based Rem Koolhaas and the assassinated Dutch politician Pim Fortuyn.net Directors | Michele Maccarone. Commission is ‘my commentary on the socio-political powerlessness of people and of art. located in a working-class district that is home to several large immigrant communities. Baudach DE .130 | Art Unlimited ERIK VAN LIESHOUT Title | Commission. HD Video. a shopping mall in the South of Rotterdam.13347 Berlin | Oudenarder Strasse 16 .guidowbaudach. *1968. NY 10014 | 630 Greenwich Street Phone +1 212 431 49 77 | Fax +1 347 394 00 43 info@maccarone. he used his shop as a base from which to (re)connect with the neighborhood and its people. 2011 . sound. the Netherlands Galleries | Baudach Mobile +49 174 949 39 44 Galerie Guido W. Rather than simply selling goods. The commission by Sculpture International Rotterdam and Hart van Zuid as part of a long-term art project was an opportunity to examine this area again and also his position as an artist.20 Phone +49 30 28 04 77 27 | Fax + 49 30 45 02 44 81 galerie@guidowbaudach. Thomas Krinzinger maccarone maccarone US . In the summer of 2010. Berit Homburg Krinzinger Mobile +43 676 324 83 79 Galerie Krinzinger AT . It is also my quest for a home. security.at Directors | Ursula Krinzinger. Baudach. Ellen Langan Artwork Description | In 2010 Erik van Lieshout was commissioned to make a film about Zuidplein. half-hopeful attempt to become an agent of social good.maccarone.at | www. the Netherlands Lives and works in Rotterdam. 49 min Artist | Erik van Lieshout. Video stills from Commission. regeneration. the film is both a portrait of a place and of an artist’s half-skeptical. 2011 Media | Mixed-media installation: carpet.

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The text/creation of form has evolved according to my subjective decisions as I try to find a diagrammatic method of notation. 2 küssen sich-Generationsablauf. Position. Horizont. The development of a theme emerges through the extreme reduction of a phenomenon to its most typical (neutral) parameters. Schussfeld. *1977. The observation behind the development of this diagrammatic notation is phenomenological and incorporates popular collective stores of knowledge. This working method developed from the motivation to find an extended form of notation – which expands on concepts (or the naming of objects) – enables a totality and simultaneity of connotations. which behaves in a ‘real’ way in reference to the object. Therefore. Mögliche Farben des Horizonts.klosterfelde. Bewegungsrichtung. Airport. Frankfurt am Main. rhythm. Territorium. 2011 Detail . These themes have emerged from a debate with social and cultural surroundings.132 | Art Unlimited JORINDE VOIGT Title | NEXUS (Schweiz 1 – 5): Superdestination. Kontrollfeld. These are given values of time. which should always be understood as an experiment and also as documentation of thought processes. Territorium. pencil on paper. Bewegungsrichtung. Horizont. and space.10785 Berlin | Potsdamer Strasse 93 Phone +49 30 283 53 05 | Fax +49 30 283 53 06 office@klosterfelde. speed. Himmelsrichtung. The image that finally evolves from this process is a textual image. Himmelsrichtung. processual sequence of various themes developed within the last two years. ink. Rotation. Kontrollfeld. this procedure constructs a coexistent reality in reference to the context observed. Germany Lives and works in Berlin.’ (Jorinde Voigt) NEXUS (Schweiz 1– 5): Superdestination.de Director | Lena Kiessler Artwork Description | ‘The five-part work depicts a diagrammatic. Germany Gallery | Klosterfelde Mobile +49 163 283 53 05 Klosterfelde DE . Mögliche Farben des Horizonts. each drawing is an image of a real analysis. The process of developing the notation. 2 küssen sich-Generationsablauf. Airport. At the same time. and singularity influence the realization of the theme’s own dynamic structure. 2011 Media | Set of 5 drawings. serves to investigate the perception of events.de | www. Schussfeld. 270 x 200 cm each Artist | Jorinde Voigt. direction. Position. Structurally. as well as the actual implementation of the notation. Rotation. elementary considerations related to rotation. oil crayon. my work should be understood as a score or performative notation. and so it becomes possible to decline the individual parameters and visualize the spectrum of inherent possibilities.

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United Kingdom Galleries | carlier gebauer Mobile +49 157 86 84 03 91.donaldyoung.com Director | Anthony Reynolds Young Donald Young Gallery US . Suite 266 Phone +1 312 322 36 00 | Fax +1 312 322 30 33 gallery@donaldyoung. *1959. The sense of vulnerability of the sleeper can be attributed to animal defencelessness but it also has socio-political basis: the lack of composure of the unconscious face is a far cry from the idealized image we would like to present to the world.com Directors | Marie-Blanche Carlier. however. 24 parts.com | www.com | www. are banal pictures of people asleep on public transport.134 | Art Unlimited MARK WALLINGER Title | The Unconscious.carliergebauer. Thomas Krinzinger Reynolds Mobile +44 77 98 60 63 43 Anthony Reynolds Gallery GB .Chicago. The photographs have been gleaned from websites dedicated to the genre. Chigwell. The Unconscious. What is delivered. 2010 Detail .at Directors | Ursula Krinzinger.galerie-krinzinger. United Kingdom Lives and works in London. Ulrich Gebauer Krinzinger Mobile +43 676 324 83 79 Galerie Krinzinger AT . edition of 3 + 1 AP Artist | Mark Wallinger. as if their subjects are partially leaking away from the callous world of public transport. Sleep is ultimately a vulnerable and intimate state and distribution of these photographs as a currency of ridicule creates unease tinged with the horror of colonised tribes who feared the camera would capture their souls. 2010 Media | Digital archival prints mounted on dibond. drifts of interference encroaching protectively from the dimension of sleep.com Director | Emily Letourneau Artwork Description | The Unconscious cues expectations of Freudian psychoanalysis or a feast of Surrealist imagery.London W1F 7BG | 60 Great Marlborough Street Phone +44 20 74 39 22 01 | Fax +44 20 74 39 18 69 info@anthonyreynolds. IL 60604 | 224 South Michigan Avenue.10969 Berlin | Markgrafenstrasse 67 Phone +49 30 24 00 86 30 | Fax +49 30 240 08 63 33 mail@carliergebauer.1010 Wien | Seilerstätte 16 Phone +43 1 513 30 06 | Fax +43 1 513 30 06 33 galeriekrinzinger@chello. The images lack the solidity of high-resolution photographs. +49 160 90 98 56 89 carlier gebauer DE . overall dimensions variable.anthonyreynolds.com | www.at | www.

136 | Art Unlimited

NARI WARD
Title | CarouSoul, 2011 Media | Rope, tires, metal support, shoe tips, shoe tongues, and tire rims; approx. 246 x 144 x 144 inches, 624.8 x 365.8 x 365.8 cm Artist | Nari Ward, *1963, St. Andrews, Jamaica Lives and works in New York, NY, United States Galleries | Continua Mobile +39 348 580 59 96 Galleria Continua IT - 53037 San Gimignano | Via del Castello, 11 Phone +39 05 77 94 31 34 | Fax +39 05 77 94 04 84 info@galleriacontinua.com | www.galleriacontinua.com Directors | Mario Cristiani, Lorenzo Fiaschi, Maurizio Rigillo Lehmann Maupin Lehmann Maupin US - New York, NY 10001 | 540 West 26th Street Phone +1 212 255 29 23 | Fax +1 212 255 29 24 info@lehmannmaupin.com | www.lehmannmaupin.com Directors | Rachel Lehmann, David Maupin, Carla Camacho, Courtney Plummer, Stephanie Smith, Bethanie Brady Artwork Description | Jamaican artist Nari Ward, known for his dramatic sculptural installations composed of systematically collected material from his urban neighborhood in Harlem, New York, presents CarouSoul, a large-scale installation comprised of rope, tires, metal support, shoe tips, shoe tongues, and tire rims, created specifically for Art Unlimited 2011. By exposing the numerous emotions inherent within found everyday objects, Ward’s works examine issues surrounding race, poverty, and consumer culture. CarouSoul, reinterpreting the classic fairground ride, initially conveys amusement and nostalgia, though a more thoughtful look reveals a delicate balance between playfulness and fragility.

Detail of CarouSoul, 2011

died in Houston.’ Elective Affinities was also a turning point in the technical development of Wilke’s practice. set in grids across four painted boards. 1978 Media | 86 white glazed porcelain ceramic sculptures. kneaded erasers on board) and in smaller floor pieces.com | www. according to curator Tracey Fitzpatrick. varying sizes. 3½ x 29 x 29 inches Artist | Hannah Wilke.alisonjacquesgallery. Roger Tatley. on 4 painted boards. Philip Abraham Artwork Description | Elective Affinities (1978) is a work comprising 86 white glazed sculptures. each board: 8.18 Berners Street Phone +44 20 76 31 47 20 | Fax +44 20 76 31 47 50 info@alisonjacquesgallery. each a signature folded gesture evocative of vaginal and labial imagery. 1940 -1993 Born in New York. TX. Wilke explored grid systems in her career in other media (for instance.138 | Art Unlimited HANNAH WILKE Title | Elective Affinities.London W1T 3LN | 16 . United States Gallery | Jacques Mobile +44 79 17 19 49 38 Alison Jacques Gallery GB . ‘deeply biographical.7 x 73. NY. Goethe used contemporary scientific theory relating to the irresistible chemical attractions between particles as a guiding metaphor to explore the inevitability of certain social and romantic relationships. The work was made not long after the dissolution of Wilke’s relationship with Claes Oldenburg and is.9 x 73. The title of the work is taken from a Romantic novel of the same name. but Elective Affinities marked the first deployment of geometric strategies of arrangement in such a large piece.7 cm. She had made her first large-scale floor sculpture in 1974. written in 1809 by Johann Wolfgang von Goethe. Elective Affinities. United States. but in no other work did Wilke explore a formal relationship to minimalism with such assiduity. 1978 .com Directors | Alison Jacques. a theme which resonated with Wilke as she addressed adult experiences of desire in her practice.

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Belfast. and I know that my work is brought about by these experiences to an extent. *1966. I am for the dead being companions for the living.140 | Art Unlimited CATHY WILKES Title | Non Verbal.’ It’s not nihilistic. United Kingdom Lives and works in Glasgow.com | www. Sentimentality is important to object relations.. And being non-objective brings all the mysteries of my mind into my work.themoderninstitute. Andrew Hamilton Artwork Description | ‘I know that it’s impossible to be objective – I have concluded that over time.. ‘meaningfulness. United Kingdom Gallery | Modern Institute The Modern Institute/Toby Webster Ltd GB . I can see and feel that my work shows loss and sadness. I’m in it to give everything: to the death!’ (Excerpts from Cathy Wilkes in conversation with Bart van der Heide on the occasion of her 2011 solo exhibition at the Kunstverein München. 2006 Media | Mixed-media installation Artist | Cathy Wilkes. Munich) Non Verbal.com Directors | Toby Webster. It’s also possible to imagine that an artwork is a companion to spiritual suffering and change. but I am not interested in being confessional. I think these parts are very important to any artwork: not knowing why something is exactly as it is or why it’s there at all. I don’t want to share my story or something.Glasgow G1 5QN | 14-20 Osborne Street Phone +44 141 248 37 11 | Fax +44 141 552 59 88 mail@themoderninstitute. There are objects in my work that I want to give a continuing purpose – that is true. The dead can enjoy some of the pleasures of life. Not for separation. Sentimentality relies on an acknowledgement of loss. memor y. 2006 . Like a suffering nurse. I want to show these mysteries in an expanded way.

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com | www.whitecube. *1958. including installation works. This consists of a multi-layered soundtrack or sound collage created by Wyn Evans using various audio sources amongst which are his own piano arrangements and field recordings gathered by the Lovell radio telescope in Jodrell Bank. ‘Mirrorspeakers’ reflect and deflect the sound off the surrounding walls. sixteen mirrored discs gently rotate in mid-air. Daniela Gareh. United Kingdom Lives and works in London. and text. 2010 . Tim Marlow.London N1 6PB | 48 Hoxton Square Phone +44 20 79 30 53 73 | Fax +44 20 77 49 74 70 enquiries@whitecube. dimensions variable. Llanelli. United Kingdom Gallery | White Cube White Cube GB . photography.com Directors | Jay Jopling. C=O=N=S=T=E=L=L=A=T=I=O=N (I call your image to mind) is a polyphonic sound mobile adapted from a series of ‘audio spotlights’ by the American holosonic inventor Joseph Pompei. Susan May Artwork Description | Cerith Wyn Evan’s conceptual practice incorporates a wide range of media. film.142 | Art Unlimited CERITH WYN EVANS Title | C=O=N=S=T=E=L=L=A=T=I=O=N (I call your image to mind). For Wyn Evans. Suspended in tiers. creating a phenomenological experience that can neither be shared nor repeated. C=O=N=S=T=E=L=L=A=T=I=O=N (I call your image to mind). ultra-sonic beams of sound. transmitting directional. 2010 Media | Mixed media. installations should work like a catalyst: a reservoir of possible meanings that can unravel many discursive journeys. unique Artist | Cerith Wyn Evans. sculptures.

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David Zink Yi has worked within the ceramic tradition to create a series of sculptures modeled on Architeuthis.johannkoenig. Minneapolis. 29 x 486 x 115 cm. David Zink Yi: Horror Vacui. 2010 Media | Ceramic. Berlin DE . NY 10021 | 32 East 69th Street Phone +1 212 794 49 70 | Fax +1 212 794 49 71 newyork@hauserwirth. the giant squid had never been encountered alive. Lima. Midway Contemporary Art. Peru Lives and works in Berlin. The 16-foot deflated form rests in a blackened pool of liquid. In his largest ceramic sculpture to date. Zink Yi uses the transformative power of heat and pressure to create a handcrafted creature that we understand only through the knowledge of its surface – a body without depth or animus.de | www.com Johann König Johann König. provoking the viewer into a powerful encounter with the grotesque. Germany Galleries | Hauser & Wirth Hauser & Wirth US . Erin Somerville Artwork Description | ‘Over the past few years.de Directors | Johann König. water. 2010 Exhibition view. Lead and copper glazes play off each other to create variation within its metallic surface.10963 Berlin | Dessauer Strasse 6 -7 Phone +49 30 26 10 30 80 | Fax +49 30 261 03 08 11 info@johannkoenig. 2011 . *1973. human experience of this life form was limited to corpses we discovered washed up on beaches. the deep-sea-dwelling giant squid. coated with copper and lead. Erika Weiss. unique Artist | David Zink Yi. Until only a few years ago.New York.144 | Art Unlimited DAVID ZINK YI Title | Untitled (Architeuthis).’ (John Rasmussen) Untitled (Architeuthis). an elusive creature prominent in myth and legend.

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