This new edition contains seventeen songs ef the orig.inaI works of Scott Joplia published between 1899 and 1906 supplied to us by the Library Of Congress. Faithful color restorations, of tile-original evocative cover designs. by Mary Ellen Ho-od of Washington D.C. and Mar:grith Angstrnann of Miami, Florida prese'nt, possibly for the first time, anexample of the graphic concepts of sheet music of the era. These along with the variety of music type faces and printing styles .giv.e a truly color presentation of the original works of Scott Joplin. We hope yon enjoy the book. Bill Ryerson Editor

,

TheBest

o{SCOTT JOPLIN
RAGTIME PIANO COMPOSITIONS CONTENTS
II
(9

A COLLECTION OF ORIGINAL

(A fBreeze From A1a.bama(~gr ime Two, Step). ,(The) cascade$:,(l<~time Two'Step) . (The) Chrysanthemums (An. Afro Intermezzo) .
.

4.3 9

93
27

• (The) Easy Winners (Ragtime Two Step) ., Elite SY-!1copatidns .. (The) Entertainer Eugenia
.' .&

(Ragtime Two Step) .

75. 2:1 813:3

I
>

(The) 'Favorite (Raogtirn¢ Two Step), Maple Leaf Rag Palm,Leaf)~ag . Peacherine Rag . . . ('The )'R~gtime Uance SomechingDoing (CakeWalk March) Sunilower Slow Drag .
j

..
.' , ,

S
6S 69

"

49
~~ ,61

87 37

. ;~

Swipesy,(cake walk) . (The:) , Sycamore (Concert Rag) We-eping Willow (Ragtime Tw,o Ste:p)

15

ISBN 0:8494-058t-5,

lnternational

Copyrigh_t ©l-'J7.3 b,y Shartinger Intemajjonal PubJicaHoJ15 COpp;ig.\lt Secured 'Mane in' U.S.A. AU Rights. Rllser\(ed

FOREWORD
W,hen you think about Ragtime music, almost everybody considers .it merelysornethingplayed in saloons by piano players. 'Nith fun.ny hats; striped shirts ancC sleeve garter~ ... sittill:gun:dt;:.t" Tiffany lamps and slapping battered upright pianosvthat sourrd as it they l'oiad been dipped inwa.ter. Rage time? You mean t;h;>t. hcnky-tonle, rat-a-tat-tat music from the turnof the centurv? , mli,sS:¢. Ra,gtime musfcc_luhs have 'spn:rn:g up' with membership ro~t~r-s resemblil1g the 'HaU:of Fame, E±ghty..!elgll:t year-old rngdmepiariist, Eubie Blake, Jimmy Durante, and musiciansall ovet th¢wOI ld have 'ie-stored the ecological balance to a totally Arnericar; J'uu$,tcal faftn that b,adalitio_stdied O)Jt. Now, it.is co:miqg backl Much has been written about Ragtime iii the last ye_ar" In Jarillait, _1972" Joplin's: old rag . 9pera was performed in 'Atlanta and received unanimous aeclaim, Joshua R R- '£ki"~ $, -"'P' _l;'.·.n 'lahp .. ·ag~. 'b. y S ·tott J9.plin," 'o/.as among the 30 tc;)p besr -s'ellingtb.ssical albums of 1.971. W.e. chester, a rnusrcian who played die big~handdrcuit in the 2Q'.s,reo,alls, ('I wa~n'_t '_arQ'iind fQr rag. hut fremernber he<l;ring~ it at rn y gt_and Each er ~s, It·~·s a nice, . 'simp+e melQdy. It's 1;(att-hy.Pe;qple ... , immediately respond to it like .an ' " -, old fdend. ", ,And .nrbte than a:nythin;g., p eo p.le t@~day need this kind of a -nostalgic: outlet, The TImes!" abi,mpnt.bly newsp.a,pe( 'has -been estabhshedhy the Maple Leaf Club of Los AngeJ¢s ... de_dkate;d solely to; the 'pre:servatiol1Qf classic ragtime. It featl\res. news of'Qurren:c rag events, tigtinie record reviews and articles- by and about ragtim:epione.ers-. It has been ·seventy yea;r:s .,. tW9 (11)1huroan getieratiom (and one electric computer age) since a YQun;g Kentuckian named Ben I:furvey,playitlg and siogihga ragtime 'Song in aG()th~m vaud~ville theatre, inaugurated a temarka:bleer.a.SeNenty years ... lcmg eno.ugh ft;>,l' an AmedcantoHsiCt_o arise and bloom, to enthrall a nation (and Europe,' too), to :fadea:n.d he forgotten. And then to be 'ItnneniQ&ed a.gain ! In this hook, we bring back many of thecla.s~icsof oileo_{ Amedca's first blick _Ragt'ifue cornposers witharr_'Y\g8cmentCS intl:u~d_r origi~'a+_ fbrtn.s",qtt Joplin liaslongbeen dead, but his music lives ag~in ::l,'l1dmiaytfulke him, become one 'ofArnerica"s besr loved composers', }uditlf·iy.nnPot'ut'

well .... gr.aJtclope..ra, it's

not,

however Ra;g-

time was toappeq;r in an opera called! "Treemonisha,' ·compose'd hy the selfStyled Ki1'lg CifRagt~m~,. Scost Joplin, in 1911. Rflgtime .. -hythms (came to l~h-t in r 1894. The piano style of the day h<idd ev el o p e.d a bo uncing, th ump-pah bass and an ornate; syn<;:o_pat_:ed melodic tille. Because it sounded as .ragged as a, torn cloth, it was called "ragged. time,"

~h. e~.,'~" "r~gt..lme:," It' effeCt was i",~x- ~. ", .~.. learIng, and it spread !"fpldly inrc v._ 14,,_,.. '\1." theatres, dance hallsartd ... via ,sheet F,'
music and piano rolls ... hermes. t-hrougho1J.t the. country. In thehands of authentic praetitionens like JQ.plin, Ragtime was a disciplined formcapable .of astonishiJig variety arit!. subtlety. O$uaUy it h_ad fbUI 16c.meas,W";e me'S, a 11d like d,- rondo, it habit ually the re prised its fi.r:st. theme immedia tel y aft.er the introdnction of each sutce€.diBg one. J9plih dtd fot the rag what ·Chopin did fOl- the mazurka, His style ranged from tones of tornrent to stunning serenades that- inccrporaredthebclera and th-e t;\ngo. Ragtime collapsed of overexposure and the rise of jazz. It began tosHt again litfullyaround. 1950. Ragtime Cl~bsspra:ng and some of rhe old-time rag artists regained some of their old fame. Then in 197Q, LP's were issued en which rags 'were played by such "legitimat~'" pianists .~'. Joshua Rifkin and William Bolcolrn.

"Ra:g

tIP

R~tjli1e is. .a "chord"

rediscovered

...

and for

some reli!;son,it bas found its preservaricn c:apital. in Las Angeles ... espedallyat the numerous Shaker'S PizZil Fadors, where rag.time pianist's spend hours playing requests for the voldtime
3_187

. ro the altered fortune of Stark.riir'cult and composed in hotels and t00:m. Stark heard the Maple Leaf Rag and decided to :3.m Maple Leaf Ra.first wife had died.pera entitled "'A Guest Of Bona! . bought alatge house and began. aU within the ye~J:" Q1ICe again he hit the entertainment ." a folk ballet based on material composed three year.t« the Joplin piece. Prosperous . A local firm turned it down <is did a St. to St. and attempted to win favor of his new compositions.articularly aroused theinterest o-f 'an old Ge_rmanmusic teacher. The return to Sedalia marked a crucial turning point 'in Joplj.il1. A break 'for Joplin came in l899 through a local Sedalia music . Following the break with his wife .8~ to 1893 playing. music. piano in local . until. He . atew first . costumes. Due. where he worked at translating the elusive :r:hythms of ragtime into musical notation and also continued. ultimately lead to a separation. to refine his creative imagination. Wh0' had ne interest-jn. After the debacle. In 1909 he remarried happily. 1868.t~ Hespital in the Fall of 1916. Void of scenery. . an educational institution for blacks sponsored by the Methodist Church. then. and honky-tonks_ that sprang up around the World's Columbian Exposition. He d:e~ide. 1917 at the age of 41}. c!'ud settled in a house on Wes't41st Stree-t later to move uptown to Harlem.ne 9£ a number of musicians who sought work among the clubs.!cWia. Louis from l8. 1902 b-rought "Rag Time Dance. Leuis and' on to New York. Louis: publishing house which had bought his qriginalR~s. or orchestral backing. For a brief period following. The' best pianists. Soon after came his Br. the two men develop-ed a very close relaeionship." Neither qf these efforts met with any. St.rned't'a he a .rag which he caJled "The Maple Leaf Rag'" immortalizing a club in Sedalia by that name. who took him as a pupil.gROUses. He now began to .st tagt~bl.owess had reached the white community and p.~rs he spent t9uri. settled in Sedalia.clud:iI:lg'po~¢J!ltial backers.rehearsal.s earlier. The audience. he was raken to Manhat'tanS'ta. He taught himself to play with considerable pr:~oficiencyso that by the age of 1_1his'pI. some of wlllGh he published ~ a pair of waltz songs and three piano pieces. Although he continued to turn out rags. JQplin retired (rom the ragtime world of piano playingc.id.devote most of his time to: a new operawhich he 'called "Treemonisha. concentrating oil.n"s career. It was during this phase that Joplin began to write his own compositions.r~g with a vocal group he had formed. Missouri where he played second cornet in the Queen City Concert Ba:t. His baby -daughter died only months after birtlrand relations with his wife. his early teens hoping to find his fortune through his talent efrnusie. hedecided to move to St. hats.se'e.BJOGRAPf/Y Scott Joplin was born in Texarkana.s put Sedalia 9:n the map. Louis.lighting.this took place in Harlem in _1915. problems began to afilictJoplin.1.y-tonks." The original production of "Tteemonisha'treceived 'ol1iy a single per:fbrma:n<i:e during Joplin's. Scotr corn posed his publish it) producing instant nationwide success for Joplin and Star'k. resulting £17o.• J0plin moved hrieHy back le Chjcftgo.dealer flamed Joseph Stark. composingand teaching. T_hi.d toattepd George Smith College. Texas o~ November 24'. Joplin left home in. He grew up ina musical environment since most 'of his family playe4 an instrument or sangand consequently y9ung Stott became fascinated with the piano. The vocal group dissolved in 1396 and Scott returned to $!. his' disintegration increased. the drama s¢~ed·· then unconvincing.87 . The next two ye. He lived in.h orrk. he tumed his Bights to larger and broader horizons.soon followed with his new bride and despite the barriers of color and age. Mr. success and at the same time personal. Thedisaster of "Treernonisha" dealt a mortal blow to Jopliri)sspirit. being . was jn(:hf£~r'e_nt a~d walked out. D.lifetime .ce o. ~l1. flocked to the Maple Leaf Club whkh had become a fav0rjte in Sedalia.g.due. he. since his .Chicago was his next stop. ]pplin despite this fame had difficulty gCi!ttingthe cornpositiorr published.neven recovered and died in the hospital April 1. Even there he continued to compose during his occasional lucid moments.from his royalties. and set up a much expanded publishing firm. Joplin. Joplin accompanied a group of singers on the piano resulting in whftt.

an-all-btack east.ed_andchoreograph.Eied 'one of A rnerl ce's great compossrs. Scott.!!ge in Atl~nt-a.Ql.carrre .i¢ra "Tre's_ffi<.Joplin .a pri.!'S0f.vafehall Harlem. The 197.y.2 performance b.ed by the cielEibrated black dancer Kath-erirleO'unh-am ana was well reteive:cl by aud lenes andpress al ike'.OII.ls~C.r. O'PE-RA FROM THE FATHER OF RAGTIME: A REVIVAL SCO'TT JOPLIN r I is .Stott .GRAND.it~tio:n lrr. "Treernonisha' is ex per ienci ng tremendous interest in mus:i¢ circles and may prove that Jbpl in is ind.ary19i2.:for the first time since Joplin's 1915 ~reser.s performed iii Janu.Jopli. This production was direct.ass: TREEMONlSHA in eli max to an Aft-o-Amer iean music workshop sponsore_Q b'y M()reh.i-hisha'" iJyJa.

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. AU Rights. I ~ ~ • '~ ~ ~ -- . '" · · .. r-r j!.bEli ~ .s.:~ 1. -F--- '. ~ TT j!. · . t1 I LEAF RAG.. International Copynght Secured Made'w U..bT'l' JOpLIN. '' ..Re!Jerved .[ I... t.~ " I~ J - .A.. i!" 10_ ~ .--.F~~ . BY ~C. vri Copyright@ 1972 byShattin~I lnternatiarull_PUbllcations.6 MAPLE Tempe di marcia. "- --. II . • L.._ . " .

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. ... . .S. r - -----'" .A.. .~-.1 ........'I _r If' ~ " . t.-- t. ~ -n I---"" r. - _ . I'l ~ ..:.-----... SCQTT JOPLllV. A Rag Not faitt..-. l:... ...·· ..... ...._ r ..... .!II..... ~ . II ~ f ~ .' 1 :::::... T .... --..- . .I~- "V' • I..- .J . ~ .' . t. ... - ... - ~... I' ~ .. .')72 by Shattihger Intemarional Publicanons International Copyright Secured Made. ~.16 WEEPING WILLOW...J I --.---.. .. ~ • . .. [ ....In U.it-. . r' . ... All RightsReserved ... -- • '. ' ..-' -I __ fl ~ I 't> · · .~ II'" r"'_ -.. "J ._ r- u_ . V . --..I -I-..... r[ · " """""!I .. Time Two Step. _ _ Copytight©}. • [.

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( Afi R litERA SJV!IiiW CAKE WRtK src.TEPTO JIIHES BKOWII-t>!I/SH/I}VPIJJJM CLUB BY COMPOSER OF SIJNf~W!R S1JJN MN'il LfAF/?RS Pf!ACJERJJElUB DRIB 711£ STRENVous litE . e71Me liJNCE{JOfIf!} .. .t7E/JICA.. E"Tc.

'Ali Ript& Reserved ....... BY S'. RAG TIME TWO S7'EP.. I: ~ '::'--- " _.- ~ • .COTTJo.PLIN... F • ~ r p e- ~ ~' I II < p I.J Jl J '1 I I ~ .. I Not JdHf..A.- .. lTrbnJ -~. - ~ _~~#~ ~. INTRO: ( < ~ . THE ENTE. If' .RTAINER . - ( I /t~~ - ..n.' - '..' . .. ~ (~~ .--- ~ ~~..Copyright©J972 International Copyright Secured by Shattinger InjematipiiaLPuhUclitioDB Made in U.!: ~~~ ~ ..dicaledlo J'a_mttll B_rOYD and his Mandolin Club. .\ -1 . . . ..f [. ..s.. _ .4..._.- ~~ ~ .

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24 .

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SCOTT JOPLlrt KI"G O'F' RAGTIME. WRITERS .

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. ) no I' -4L II' '• I--I . / - :..-r L . ' .. .. m( .-....~ rt L -* -..".._ ._ i ~ - · · 4- .....Secured ~fade' in U$. . I" ~'~ Ii' -.. • I " ... . . All Ri$htii Reserved • .Copyi:ight@1972 by Shattinger IntemationalPublications lnie-rnational.......I - :- . '117 SCOTT IOPLO. D..' -.~..-. ..34 "THE FAVORITE" . - •• nl n. 'I"" * ~!: ftd.. • . ~* .A.V -. ~ - ---+:. • • ftd.. ....... II - - .. CompOser: f "I.* .. ~AGTIME TWO-STEP.. ~ .. DIBO I' ~. .-.. I ..• ~ _ I"" • I"'" • !t • -~ - -. . . · • • • .:_ r ': * !!: I . "on.- _. ftd.---. ... ' . e- '"' r -.. 1 ~ ·IL . :..: "' --. ftd... i\ ~ 1 '-.......- jJ. ~ ~.".. . i\ i\ -. -...' . ~ .J1Mck' .COpyright . . e: ...... . .. ... .. . • Tempo.. . .. ~ ~ != . .A.. - / . I - ... i-.. •• _ _~ . -- "" ~ & I r - .. ..le o ~ Leaf Bag". ... == . -- r l ..-* ...~ ~ /fir "-:--" - ftd. __ .J_ • - " "- - ••• - 5 .

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...... By SCOTT JOPLI~ and (NT...- '..SLOW DRAG._ .-' International 'Ci:!pyngirt :secll(ed . A- . . Copyril!hf~ 1912 by Shattinger International --- ns~A. in I... . • I /1. - _... ... Publications -- ~ ~ t- -. .JI ... - '*' v 4 1\1 . • "*' i1" -~ ~.. .".4(~ Tl...RO.. I ~I . .= e- A...~ . hi ~ ' .. Not faNt.- ~ -.. --. - ~ Au Rights'Re$eiVJid . oil I ~ ...~~ .... :"-..." E 'I'U'U srI' J<1 p. I ..-r". ~ ... I ~ .. ~ -- h. ftl. - .-' •• ...... AI i ~ ~ - - .-- • __..f '....- 4 I " . • ~ I ~ ~ ~ ..-~ 4 v - • . I .J .. '" I - AI . -• "*' it1''--' Made. r-P~.._\ 41 .._ • 111' ~ - ...38 SUN FLOWER .... _ ~ ~ ---- .~ '. . . _ ~ _. ' .-.-_ . .: • . I. _ ... H . ~ -r:\ _ ~-f#'. ce. " +- ~ ~ c~-". • v . • -' ~. SCOTT -UAYDEN..

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· .' A RA6TIHe TWOSTeP

SCOTT' JOPLIN

BY

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COM,POSeR OF

MAPLE LEAF

RAG

SUNFLOWER SLOW DRAG PEACHERINE RAG 5WIPSEY (,AKE WALK
ENTERTAfNER THE RAG TIME DANCE

THE

AUG-U5TAN

CLUBWAL

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-f .. _' P i ~ CQPyiigilf©1972 ..A..• _ - .-S. !: .. llY sco-rr a-nd JOPLIN MARSHALL .'-- i': : .! ......--' -. • .. ~ • • r -- • 1 f ~ ~ ..~ ... f > (( ~.. . .~ -. f ..bllcatiofls International Copyright Securea Jdadein'U."8WI PESY" CAK E H'. .. ~ • ~ I I. • -- ~ _ 1'...._... ~.._. ARTH15R . - .by ShattiligerJn:temationalPu.. .-. !.• ~ ~ ~ .... '"I t: ~- ~L ~l . I ~ I... ~ c.L K..A..- .... *1. toi». All Ri_giIts Reserved . -r _.Ii -..

2.~ ~ t> .. . .- ....- . l.... --. .S ~ ..j ~ . --• . ~ l~~ ~.... __ J -_ 'II . ~ ~ -I: .. I <.. ~ - ..~ ~1 I- ~....01 I • ~ : • ~ . v . -.._ ......- ...... .. ~ t ..& 'T : . ...J ~ ":I' ~ e l.._ -..- ""'1 I ~ I'fb• ~ .. . - I..

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L.Oedlcattd tn Minryie."orrt~om~~ A {jJNCfRT HA{j by JeOTT JOPLIN comRofer of tnefdmOUl « MAPlf LfAf RAG" .

thts Reil¢tY'oo . ~." A CONCERTRAQ.. * I I IntematiunaJ-Copyright topyrigttt.A. 'I Rag"....~ 'r-! I : '<._ . _ .....62 ·'THESY..Leo! " Tmpo ill JitJnM..©1~1i by Shattinger-intemational Publications: seemed Made ·hi'U:~. CWn:poaerof ujf~.-... I I . • II> ~_ ·f l~_ ..CAMORE.:i>~ • _'.:Ali Ri.. «C~ ~---'1... By Scott Joplin. l:ft.

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EAF RAC --- D1}6 . ~MAPLL 3 ~ L. The kingof ragtime writers @Inposer of .A SLOW DRAG. SCOTT JOP'LIN.

_. .. I -... - SCOTT JOPLIN I'Maple Lear Rag" r" -- _. -.lit ~ t.. I ~ c- . ~ -I ~ fJ- "..~ '.~ 1')[ ...r.! . ~ r. ~ . I . l- III _"1'-~ •• I I L.. ~ ..' - -----.. Il'.~ T~ Copyright©1972by Intern.-~ ~ ..-- iIt k ./ . Shat'titig~J ~t~tloJllllPUblicati. . --" ~.66- PALM LEAF RAG Playa 1"1 t I little slow ~ Cemposerof • _...S.ons: Made in U...... . • ~ .....- .. ~.... All Rights Reserved .A.~ -! .. • II'· .atiQII<II COPYright SeCureil ...~.. _.-~ 1 I - ~~---.. ...... l- I 1"11 t- ....j·:i ' . . ..-.

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. .... ... _...o-. r > r -.. A1 ..~ " _ . Not too tut. ~ .. i .JOPLI'N...f- ..-J :-= _. w... 'I :1:= - I~ .rnational PublicationS Made in U..J . 1 !.1 I' ill I f~ ~ .. _ Ail R..~ ... by SCOTT .. _.._ . --~~:t . _ Copyright©1972 International Copyright Secured by Shattinger fub. 1&-/' I-....RINE RAG...$.. I..~ 1i... - ~ ~ _ =-- oil I - .. -1.~ ..7.. b·~... J • ..:A:. . A I ~ I' .ights Reserved .- c..J .. ~.~ ~ -- ~ - " . _. ' - "-' - -.. - "..0 P'EACHE... ==I '7 . r .~ "r: ~ ..

. 1 ' -IIi '.J • III' • - I '1 • . 71. ... -.~ .l "l'" • f ~ .. ..... _l II p • -_ • -J · . " . .---... ..... - . -=. . . :.. • ' . e ... tJ I'" I_ . _II :~ I ·Ii I:..' _L --- I t • . •• · ...iii • rr .. _III ..~ :~ :... 'II- 1'-' -... .- _A J. ....-- ~. . ~ I -'II- .

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. ilAr ' " OO-mAlHrA '''W' 6ii) . E-LITEr BY TH_E-KING RAGTIMEWRITE'RS. .or ere.GOPADO Dolce.".

J. I~ < I "' 'If'~. . .16 EL.... · 0 .-....".~ ..11 I · .j I--- ~ ..-• I!!!!!!!!!! .... =====-~ .=1 By SCOTT' JOPLllf. 1'-' L J L1 .~ '. I .ITE SYNCOPATIONS'...~~ . .... ") f"""'""""I ~ I .......... -. - I" .4 . .. .. ~....A~ All Rights R~er....J · · · • rJ _l . J ...~=r-. "'- . r'l .. I· · - ..:S.....' ~ ..ttlngeI InternanonalPublications Intemational Copyright Secured Made in U.ve.. 1t • "D" __ - ~~ ~ .... ... b. ~A I.. ~ _:In . . ~ CopY._ .: -r . Not fast...:J ft: . r .r '~ .~ ~~ .-- r 'Jl.I 1-:1 j '-.. .t L---- I: - !: ~C: ~ ~ .. ..' · · ~.. ~'~h.~ ."" I.J . .!t . ... "": 4J r- • ~ " ~ .IigIit©l Q73 by Sha. c.I - ..LJ] r-']. .--:..

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Compo5cr of .[~on&c. -.5~®aJ®~~llim .a t:Y MAP~t1 LEAr RAG-"'cA~CA D.~ --_ if} hed fop Publ BAND AND ORCHESTRA .

I t'J . EUGENIA.00111 ~ .~ ... 111/ ...... r Ll -r r [ .... e I-~- . .._.- 'q.ii_. * I - '-.I ..1.. ~ .-.-0:. ... .'[1 -I- po .1'._.. L-- ..tioiis . .....l!!oo -..- I-- .--.".~ .. -M:!dl' in U....IJo.... ... - . - Ant-!lJr Slow Mareb'Tempo I (. . 11 &.. ...'_F= .---....." L...A...__. .oIi Copyright © 1973 by Slni..-...'~ . ~ ':Jl I- L . . ~-.. ... ~. • "1' ..~ · • I".f? ....$}i~ce f"$.. =- ~ f:__ . L. ..JJ etc...... ~ er ...." -r::: -f'I' ... - .L I- I- '. .- l- I- -.. ~ :JOiiiii ~ . .._... !'.-...-..tfinger LnJerilapqnal PUbli6a.. fJ.-. - 2 • • -~111'__"'5iO"'- I '~1. ~.iII . AU Rights Reserved... == -- tf • - -• ...-- . .. c...S... ... -~ Ii ~••.0- ~ • -"It-.. ~ :"1I. ..'rler rigkNo P/Q/J<fJG#mljosl....( ~'Castt"ifes.. C()1JIjosfr It iUItl... - of ('Mope J.it I . ~ . By ¥COTT JOPLIN. -"-"'" lie'if RlIg" .ecuicl'o ..... .I .I-- ~ ~ 61 I' . .82 NpficeJ...... . I< .t) ....::72 • - ~"iI .. -- -===== .... I..'-t'.....LJ oil ~ i1... FII:I . . Ij I ~ • ~ - • .. H•• wv·' ~ ~ . J r-T"J ... ~ '" f . :..: .... l- I.0" .. ....oiiiiI --.. ..1 ploy fi.. lnternational Co1)vU\!htS....

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.BY ~~~. .V' HIIP/. PFACHERWE/(R6·.sWIP5SY CRlfE WHLk.·£ LERP'J?Jl6J $UNFLOWES· Stow f)R/lG.

..- .. ~ I ._~ ...Secured Made-in U. \ l1L tJ .~ ~ ... AU1UghtsReseJ:ved .e 'c. ~}_ - J : D <J ~ \. ~ ~ ~ e'... ~ ~ _. ' .~~._ l- ta- c- • \.A.~.. ~ .... •• . t .. I .S. I 'I I J~lJlqJJ I' .J .-~ ~ .....Copypght ©1973 'by Shattinger In:~llIAti.._..88 Rag ._ ime' Dance T A Stop -Time Two Step By SCOTT JOPLIN Not tOQ fast (j tJ L - J~J . z: • • ~ .onalPuiilicationB lnternational Copyright .-"_ - J~rn LJI I " i.-- .

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