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Santo, the Silver N,lask, siarred in over iortv Mexican feature films battling rampires, mummies, Nolfmen, zombies and evil women. This time, the undisputed king of

Foieyvision

fi1Js the

r,oid wjth nes, dialotue, nerr sound eiie.t\, and nelr music Pertormed

Ll\iE in the theaterl

"This lilm is not actuallv a scene-fot-scene lemak€ 0f the Ceorge Lucas landmark although it shmelessly pirated the special effects iootagc frorn the 19i7 origlnal and tacked it hto a ie\erish the minds tri lLrnaiic nightnaLe of celluloid dementia thich needs to be sten if or.lv to prole how filmmakers {an run. Long ago in a Turkish-speakmg galaxl far, far awatl tht urur.r't i'ieing imperiled by a quartei of evildoers; hvo bush-haired men I emng \1ardi Cras costumes r Juti\ t'aLre -leopatra, and a blue robot rvith an ambulance light 0n his head. Their i.leet oi spere:irips dressed as go to war again,st ihe flying saucers of a heroic grotip 0i rebel.i, md for scleral ninute: the:rcen is iilea rvith l/X footage lrorn a battered print 0i'Stil \!ars. Theres no Luke Sknaller here but

il

insicad rve have two middle-aged space jockevs (Cunevt Arkin and Al'etkin Akkava) I no ue leading the rebel atiack. UnfortunateLv, there t'as no budget for a spaceshiP set here' so iht heroel are phoiographed in verv tight close-ups n'hlle footage lron Star \\hrs plavs on a rear pniection L'ehin,1

ihem.': Filn Thnat The story follotts some elernents oi the Lucas original (all'avs lnterruiting bal" ttr the origiral source maierial w4rcn mmginallv appropriate), theLe s a lovable robot, and mechaneroiiei ButthercareaLommrnivt:ritl VadergultanimpisonedprincessandsomestolmtrooPertvpes mache monsiers, a truly wacked out rock punching training regimen, llterallv dozen-q oi liooJr decapitations, gratuitous use 0f trampolines, rubber-suited monsters, and a space gorilla \tith i:irueldraped fingers who may oI may not be a Chewbacca figure Although thousands of video iunlles anil

You

,r h#

completely immersed in this absurd x-rav into the modem oihtre 0i \oung American teens as vor watch Briinev taking shorvers, changmg tackv ctxeL of Joan Iett s I Love Ro.h n Rol1, md rumiag arar ilom home to find fame and fortme in Hollvwood. At times it seems like Shoygirls inci at other times like a Baby-sitter s Club road norie \bu rrill roli out of rour seats with iaughter ri'hen you hmr irer recite hu poetry by a Sinus cretr w111 be ihere, microphones in hand, ready to 'spear' this campire..."l m not a gir1, not vet a noman' . and delinitely noi an aclressl The

lviil

be

outfits, singing

i

\lr

hilariouslv bad piece of trash with

a sharp stick. -Jerm

Pollet

Mr. Sinus loves

preppy and destroys

flick, and thh is one oi the goodesi: a 1980's Romeo md Juliet story stanhg Mollv Ringriald ai a p00r teenage tail0r who ialls for a Duckie. tr\h1le the brlght coloru are fury the syndr-band nusk iroplring, and the lrat'packv msi e\ceptional (Harry Dem Stantory on Crfer,-Ju*es Spud€1 endLew \{cCarthli Andretv Dice Clall and Showglrls Gina Ceruhon), the seio$ hith dmnalit \ras nriter lohn Hugh! tirst non-comedy) coiny dialogue, and that butt-ugly prcm dLes Lrltimatcly make PIP a plump and juicy tomato tbr Jern, |ohn md Owen to skettet. Come dressed 1n your plnk
a good chick a
f

best and join the Sinus crew as ihei utilize their sharply honed mocking sklls b iinally gi'e Rlngrtld a iittle pavback ior breakng a grck s herot. ' hm Poll€tt. Editgrs troter It is worth nentloning that after dirccting lour mega-blockbusten in just 2 yean, lohn Hughes took some time oli and phoned this one 1n from the (rvho also directed Hugher Sont Kird ol i\lndnfl). beach, npping the storyiine fron \hiley Cirl andhiring first-tiner Howard Deukh t0 helm the piciure

fa

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The first ComedyT Risk Factors shor,s were such a smashing success that we just had to ask those improv conic masterminds {rom the fondlyside{plitting good times. 0f coure, this is the Alamo, not iust some random theater space, and so tlie Risl Factur" shor nril be the most hearilv multi'media dependent imptov shorv in toln. Fou comedians lile in penon, short films,
remenbered National Comedy Theater back for atrother mund 0f

.,. ".i-**.,r..-.

*ffi#;c
Ps

ner theatrr gamts, and lorr:l* oi fun for the whole family {provided everyone h yonr family n comforlable rvith some amount of sexual humor and a little bit of bil languag$. Be amaz€dl Ai the d€ft sklll emplol'ed by conics who adlib nerv dialogue in scenes fioni your favorite nor,ies - rlght before.you eyesl Thrilll io the all-neir skekh comedv short filmsl Quir,erl \\lth pleasure rvhen Lcs lvlcGehee chooses youl sugEestion t0 stari a nen scenel This is
improv comedy the way
1t

should be.

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Over the past fir'e vears, the London-based collective, Shynola, has gained world-wide notoriety for their animated short films and musrc rrdeos..\ collaboration bom out of the group's boredom with art school members Gideon Barvs, Jason Groi'es, Clurs Harding, and Richard 'Kenny" Kenworthy have developed their own process and eclectic style. With a baiance tri sophistrcated artistrv and luvenile humor, they've furureled diverse influences into some of the most int'entile short norks in recent years. This retrospechve ol the group's work includes animated short The Littlest Robo {teaturing the loice of Kurt Wagner of Lambchop and music by Caiexicq) their award winning "blip" campaign tor Radiohead s 'Krd A' album, and music videos for UNKLE, Quannum, Radiohead, Lambchop, Stephen Mailmu.. lrunir :.nior and uther..

1961, Twentieth Century Fox released The Hustler, Besides representing a break-tluough film for then-young actor Paul Neivmary the movie sparked an important renaissance r'vithin one of America's most fiscinattng sub-cultures. Pool-hall America: a merciless macho world where success demands absolute mthlessness, and coming in second means a personal hell of inadequacv and doubt. Fast Eddy (Newman) is the young hopeful on the way to challenging past master of the green

In

baize Minnesota Fats (Jackie Gleason) for his world title. R.A. "Jake" Dyer, author o{ the new book Hustler Days rvill host a screening of the film at the Alamo Drafthouse-Downtown on Jan. 10._ The offbeat sports biography describes the pool expiosion that swept across America {ollowing the film an

explosion that prompted new table sales, created new pool halls and led to nationwide teievision coverage,-The ner craze also brought lifelong fame to the real-life Minnesota Fats, the Illinois charlatan n'ho stole his identity fr"om The Hustler's Jackre Gieason character. Dyeq a prize-rviming Austin lournalist, will drscuss the film's httle-known impact on American culture, and be on hand for a Q&A,

-

A\MA s, or maybe you'll just call this the Best of AMN 2004 like we do. This first annual an'ards ceremony for the best locally produced music videos wrll showcase work fiom all of Aushn's best bands, its most creatir,e video producers, and will also include a couple of live appearance surprises. Awards wiil be given for Best Roc( Best Hip Hop, and Best Country videos, and we'll even go so far as to have the winner's name rvritten dolrn on a piece of paper in a seaied envelope.
You might call them the Amrues, or the

Look for a complete list of nominees on our website in eariy January and don't miss this rare oppottunity t0 experience Aushn's best music videos on the big screen with booming digital sound.

Access Denied condenses hours of mind-numbing cable access television into a 90 mrnute test of mental endurance. Chopped, spliced and cut with the attention deficient viewer ir mind, Access

Denied features rare and hard{o-find clips irom decades of American cable access, including Austin footage from the 80s and 90s
Access Denied has something to satisfy even the most peculiar fetish. Are vou into religious fanatics? Political extremists? Nude freaks? The mentally disabled and disturbed? New age UFO cults? Unfunny comedians? Conspiratorial pranlsters? Weird music? This program shamelessly covers all o{ these subjects and more. Access Denied is an exheme and uniensored window into some of the lveirdest moments that cable access has to olfer

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One of the

nost inJamous experimental fiims of ail iime, Shuji Teravana's Enperol Tomato Ketchup is an apocal,vpiic vision ol a wolld run bl angrv children who supplant their parents in e\,ery aspect ol japancse life, from politlcs to sexual reproduclion, and th, nuresuk, oith. popular Stereoia-b album. The dialeclical lvork of playrvLight, scmnnriter and filmmaker Teravarna and the post-shingeki theatre'(ischool of theatre trvo sieps remoi'ed from Kabuk) in general has been described as "a complex,.chaotic, incohereni maze of runy diverse, interacting dimensions." Teralama's films ue belond merelv subversive; they are blasphemous,

r

ear$+hatterilg and taboo-brealing, Whiie he rvrote manv filns for popular Japanese director Shinoda Masahlio, his olvn films rvere stncti,v non,comnercial and avantgarde. For thi,s special presentation at ihe Alamo Drarthouse, tle filn and thc Stereolab album of the same name will be ftrsed togither 1lve in dre theatre tkough drc teclmical wizardry of Peter Slopchinskl of Brorvn

\{lomei. - Kier-la lanisse

lDunPnantom ollhG 0Dol8:

lore md revenge in the Crand Nothing to do with the rvarblings of Slr Tin Rice and Lord LlovdlVebbc {bar the storyLlne), ihis is the classic tale oiltli iron The lhantcm thai certain Opera fiouse, laris. At fhe Opira House, all is not weli backsiage. The nanagenent are lecelving mysterious tlueait

cdtd.frophe,.lllstri\, rrVargue"ire,tl.cunJersiudr'or\c e:dng adr.dre'norprrfom.tal".tropheen'ue. rrd,lel\'rl :I'dnro'\larguente phin miliurr 'r \' r l0 Ln ro 'tre let q m lht mr'lenou' ialjng her to lu'undetg'0urd laubinedih the opeia \otte +ael ll ' uP i0 )'4rrrruer'l" enohit,Chare,vresists thaniom. LonChmey,ihcgreatestsiarofthesilentera,nsuperbinthetrtlerole-PowutulJrl'righteninqand\et\h?ngellpiol_othlothurols Hunchb,tLoiNoheDame tromhamningitupindpliysthePhantomrvithadelcatebiimceofhorrorandhumanism pertomance that bii llesh anallood), hisiombination oi contortion and makeup (he vras his own nake-up arti$) steal the screen an'l make
and

fi

more spine-lingling The Phaniom

s

presence

infamous

scenes such as ihe masked ball and the grand hnale are

mo:tir Chmer: doing

Ab0unhc &0lden

[m lrio:

You rvill remember it forever.

[b0ut llanool 0flhc ilOnh:
even been coined Filmmaker Nanook oi the North is regarded as the first sigrufirani nonJichon feature, macie h the dars before the term.'documentary" had 0f thm on an inJormal Robert Flaherty had livedimong the Eskimojln Canada for manl leari :s a prorpector md explorer, and he.had shot some footage

basisbeforehJdecidedtonakeimcreformalrecordofthelrdailviives
hunhns, burldrne an ieloo
long after

-

to carry along his narrative. The fiim's trenendous success

RathiihinslnplvrecJrdeventsastheyhappened,Flaherhstagedrenes-fishing, ionltmed Flaherty's status as a firsllate sionteller and keen obsen'er

tlu film

s release.) -Tom

l\\ener
Texas, seeking an

nbofilina tarsh ald thc crB0tiue oDD0iluniu o]chesfia:
ln
1980, a

group o{ professional musicians inAustl4

emenble ior periorning origlnal Fzz and improvlutional mnsic, founded the Creative

qportuniiy Oicheitra (CO2). Although these musicians rvere regularil' performing !n small ensembles, most ielt restricted bl the pres:ues of commercial ' ntgirt,lub p,rfo*un(:, ond wanted t0;xplcre composition and lnprcvisation Possjbihiies in a largc-group format. ... music that tramcends the usual 0utPul and scored of"a nomil big jazz band b,v a huge fac'tor .. preciiion ensemble playlng, composidotr\ tlat Provide a seamiess inierpla,v between 1mpro\'isation
elements
... a

subtle baiance 0i organization against sPontaneityl" DiSltal Discoveries

' Denrer, Colorado

lnoil

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Abox office mediocrig in it's injtial reieasc,Office Space has since gone on to gain mbeliclable cult status and norv rank 'I{ttl rvell-drawn characters and situations insiantll familim to the whiteas the nost profitabie video release of all time, love collar milieq he captures the jovlessnes ol nanv a cube denizenh rqork life to a T..]ennifer Ani:ton plals.leius, (The Drerv Crey Shorv) interest, a waitress it Chotchkie'i, a generlc beer-ind-bnrger loint i la Chili s, and Die&ich Bado
has aminor buthilarlous turn as Pettr's mustached, long-haired, dryr'a1l-installin'neighbor"

--lern Renshaw

lDourlncY[0piG Pricls

rvildct dreams, Meet the new cgrporate raiders of rock - ihe luppie lncls. Handsunre, talcnted and rich bevond your girlfriend, they don't need ,vou - you need them. |ust hope ihel dnn't bacL or er 1 ou r th Lherr BNltrV's aiier siealing lour mme losir. Before olfice Spme, the Yuppie Pricks will raliy forth wih stock trps, groomrng_ advice, fashion mhooiing and
r

strdight

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Atter behg raped by three dishrrbed brothen and witnesing their bruia1 nurder of her husband, Hamie Caulder (Raquel Welch) gets tutored in the line art of rerenge br bomh killo Robert Culp md gmsmiih Christopher Lee. Buri Kemedy's semhal rvestem rrrll aln 11 s be firmly impnntcd rn ou minds ior its timeles glarnour brought along by l{ekh's eroti{ drive (she is tota}ly naked mder her Eastrvood+tvle ponchol), conbining her image as an indonitable gmfighting womm ivith the brutal riolence typical of {talian westerns, Iepr€sented here by the denented and delirious three brothen (Emest Borgnine, Jack E}an and Shother Martir} hel ragged
opponents. They kill md rape

ruthlesly while quureling among themselves
one played by SharonStone

as

ii ihey

rvere just a bunch o{ monsirous children who refuse to grow up.

Hmie

Cauld'ei is

the be$ exmple of European i{estemieaturing an inplacable femaie avenger as the leading star. l{elch's sexy and r,iolent female character, ertremely detemrned in her relenge,

vould inspire, many yeaslater, the

inThe Quick and the Dead. - Federico

de

Zigno

"Meiko Kqi is m emt+trogen venion of Clinl Eashvood's Mm With No

Nme."
pimacle

Fmtasia

pmtv of liimshi Tahigahaia, the
Meiko hlaji of

Female Convict Scorpion series was the

of Japanese erploitation,

Filn Festival. With ihe uuelty of Teruo Ishii md the stilring the 5'hmng md silent lead

hdl

Snowblmd. The second md most weil-hown eniry in the Joshu Sasod series, faiihouse 11 stan Meiko Kaji as a woman who

hm bmn wrongll
of compt the

rnt to prison and endures daily humj.liaiiom at the hmds of the sadistic one-eyed prison warden Goda and his establshment gua6. Dmg a prisoner hansport, Scorpion md six luscious and imane fellolv imates break iree (emasariating one ol ihe gumds in

pmes$, followed dosely behind by Goda and his men, The land of ihe risirg sun is not knom for 1ts kindness to women in fi1ms of the ii ever there was a Japanese fenini$ fJ1m, lailhouse 41 is it. lapanese folklore is brimrhg lvith vengeful long-haind womery but none so bewildering h beauiy as Meiko Kaji, ndo also sings the theme musig exmples of which resurfaced in Tarantino's Kll Bill. - Kierla lmisse
1970'9 but

feme action star Meiko Kaji (Female Convict hip t'akuza beau starts shanghaiing her girls as sex slares. Sex Hmier is the third in a series of five Allev Cat Rock Gometimes calied Alley Cai Rock n' Roll) Iilms and is an exiension of Hasebe's earlier film Savage l{olfpa&, lt is openlv antl-Anericary reflecting the dimate o{ the times, although markedly insplred bv American pop cultrre, combined with the efios of the Spaghetti
Director Yasuharu Hasebe (Black Tighi Killel$ delivere the goods
Scorpion)
1n

ihis mod delinquent dassic. Phenomenal

strs

as the

girl gang leader lvho

has her sociai conscience arvakened rvhen her

rvestem. The youtl is Violent and frivolous and ihe cinematographv - as with marv fapanese exploltation films ofihis period - is luridly colored and exheme. A provocative and nilllistic revenge story made all the more watchable by Meiko Kaji s shup costme design and piercing glances. - Kierla janisse

FIW FINGERS 0F DEATH is Quentin's iavorite kung fu film (he acually listed it as his favorite f1lm in a Sighi and Somd poll). "lf i had to pick a kung fu movle favorite, this would be the one, since it encompasses virtually every kung tu filn situation and everythlng I 11ke about the geme in one mid-epic of a movie." - Harn Cuerrq Exhumed Films. Enter the Dragon 1s usuallv credited wiih starting the Kung Fu Craze in ihe US, but ii was actually the revenge eplc Five Fingem ofDeath (AKAKing Boxer) tlat initialJy opered ihe floodgaies as the fint widely distributed popular American chop*ocly fiin. Directed by the legendary Chang Cheh and starring (and rvritten by) Kung Fu superstar L0 Lleh, FFOD delivers ilre goods; gruesome eye gouging, hmd smashing hot coal training disemboweling, iron*kull technlque, and supematual-glowing-fislpower charm.

:.r, '4"

W

"Soneone once wrote

tlut revenge is a dish that

has to be eaten cold. ,.The way you're going vou'l1 end up

with hdlgestion". Rym

(Lee Van

Cid)

"DEATH RIDFS

A HORSE is, beyond a shadow of a doubt, the best Non-Leone Spaghetti Western er,er made and, that's sai'hg quite
a

h

our opinion, the best Iialian i{estem with a revenge theme
John

(md
of

bit, considering 90fi of all spaghetti

s

have revenge scenarios). It s

sinilm to KILL BILL in plot, with

Phillip Law! character hunting down
so you know that QT thought

and vioJently nurdering the men who wonged the picture at some poini

hin, ln additiorl

one of Morricone's musical cues for the

film was used in Kill Bill,

duing the creation of his fiJn." - Harry Cuerro, Exhumed Films. Death

Ride.q a Horse screened at the

Aimo

Lhree years ago at the

Quentln Tarmtino FiJn Festival. As always with our Spaghetti lVestern Sueenings, your ticket indudes Ali-you-can-eat Spaghetli"

Focaccia and Caesal Salad.

Noting the

success of oriental

inports in the

1970s (especiallv

in drive-ins md skidtow theahe$ Roger Corman's Nerv World Picluns bought the

US rights to

the

Lone Wolf and Cub fiims Sivord oi Vengeance and Baby Cart at the River Styx with plans to release inio a hungry market. He hired David Weiman (director of Edie: Ciaol Marhattan) to oversee the two films nelded into one over-the-top-sanurai action epic, and ihe result actualll' stands competentlv beside the Japanese originais. Shogm Assassin features a relentlessly gnm, neversleepint hero who wheels his iniant son around in a stroller armed with swords. The dishonest

wulord rvho fired him
film,
vs. as

sends

hjled krllen t0 d0 him in, but the Ronin becomcs even more resolute and difficult to defeatbccause hls son

s l1fe depends on him.The

with all the baby cart films, hosts some of the most stuming cinenatography and fight choreography erer committed to celluiloid. - Bill Landis my baitle in the ihird ilt 0f Kill Bill 1: that's the essence of Lone trVolf and Cub (tust minus the cub, of couse).

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Not all home movies are created equal, as proved by this {ascinating dorumentary assembled almost entirely out of the subject's own voluninous archive of self-lensed reels. obsessed with shooting anything and everything, Sellers here is revealed on.. ogoin as a mm who was -Evidently spldm "offl--because when he rvas, depression took over Given footage of him on wts o{ now-classic features, at home and at play (with the Royal Fmily, Sophia Loren and others), this unique "autobiography" is a film buff's delight. "Apparently, the restless Sellers became addicted to filming his {riends and co-workers from an early point ({ootage glimpsed goes back to 1948)... More, these weren't just goololf or family-portrait shots, bui often quiie eiaborately staged/edited micro-features that made full use of his "Goon Show" co-conspirators ind later, uuen .ore {amous pals... Beyond such diveriissements, the film gzurally traces the arc of Sellers' career, as well as the less triumphant themes in his oft-unhapp,r' pmonal life... A paranoically jealous husband, he "thought nobody ioved hinr," (second wife Britt EKand says) though he's shom here as the uao.ea lfe ot a noNtop party that at various points included Princess Margare! Prince Charles, George Harrison and Ravi Shankar For the most part, the iilm is quite jubilant caPturing a comic Benius clowning about amid celebrity friends and exhavagmi settings. Footage from what is apparently a huge Sellers-shot achive is first-rate in tems of framing eye-popping coiour and preservahon qualiry Co-directors Anthony Wall and ieter Lydon haie assembied a tight package that works weil in {eature-narrative iems.-Demis Hawey, Variety

"lt's one o{ dre greatest - and undoubtably the most hilarious - antiwar statements ever put to film. See it before the world ends." - Marge Baumgarten, Austin Chronicle
masterpiece, the Cold War is seen as an enormous collective expression of the sexual insecurities of middle-aged men in powel Sterling Hayden is General Jack D. Ripper, who starts World War 3 to compensate for his impotence, launching bombers which are as phallic as his cigar. Professional anti-communism is represented by Buck Turgidson (George C. Scott), the increasingly manic general who giggles over casualty figures, and Dr Strangelove (Peter Sellers), a cyborg ex-Nazi with an unconhollably heiling erectile arm. A Cold War comedy with some serious Fu Mandru megalomania, the hoarding of precious bodily fluids and Slim Pickens as the greatest pahiot this country has ever knowu.

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"An enormously entertaining movie, like nothing we've ever seen before, and yet completely familiar" - Roger Ebert, CHICAGO SUN-TIMES "Crackerjack entertainment - nonstop romance, music, suspense and action." - Jeffrey M. Arderson, SAN FRANCISCO EXAMINER "A ripphgly good, old-fashioned movie epic that takes the best of Bollywood cinema ,.. and elevates it for an intemational audience." - Edward Guthmam, SAN FRANCISCO CHRONICLE

Would you believe the most enchanting musical of the year is an epic-lengiF. story about a ragtag group of 19thcentury Indian farmers who fom a cricket team to take on an uttogu.it Btitish capta;? The oldJa;hi6n"ed fiollywood musical is alive and well in India's Bollywood industry, where the joyful explosion of music and dance and innocent romance abounds in sweeping epics. In this infectious tale of bloodless revolutiort the underdog outcasts and oddballs of a frachrred village pull to€ether into a unified team to take on the oppressive colonial Brits at their own game. Think The Longest Yard meets The Seven Samurai by way of Rudyard Kipling, rvith cricket bats, choreographed dance numbers, romantic triangles, and a rousing call to solidarity. There are no surprises, but what spiri! what color, what
good fun! -Sean .drmaker

PNOGffIIS BTIIEfIT THT GAPlrOl ARTA ]OOII BATI(

New from Deep Blue Funl Films, the folk that brought you Radiohead vs The Mahix and Dark Side of the Rainbow comes another alchemical experiment in film-music synchronicity. The gorgeous and disturbing German horror fable {rom 1911 THE CABINET OF DR. CALIGARI tells the story of a travelling fair, a mysterious somnambulist - a dreamwalker who when woken can predict the future and a series of gruesome murders. This expressionist nightmare is a ripe fit for a new soundtrac( and MASSryE ATIACK'S album MEZZANINE, with its dar( brooding, tdp-hop beats is the perfect
accompaniment. Insane nightmares never sounded so sexyl

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The Alamo.s.always going to have lots of original programming that you

won't be able to see myrvhere else, but we re also ihe best place in torvn to see movies you know andlove. WhetheryoumissedsometlingyoumeJntioseeatanotheitheaterorvouwanttorelivea{avoritemomentonthebicsoeeu.tvercthebestr)la.einfown

Tracy (Evan Rachel Wood) is justa simple Valley girl with a dream of being coo1. She liles rvrth her single mom (Holiy Hunter), an at-home hairdre'ser. and wa-le, her time studlrng ior selenth grade unlll she meets molherle.s Fvie rNi$i Reed),ilco thirteen, who defines cool for Tracy. That means hoochre tops, body piercings, shoplifting, drugs, bad boys, oral sex, lap dances and a threeway thai Er,ie tries to negotiate with Trary and a hventyish hmk (Kip Pardue). Every parent's nighhnare abodt how girls go wrong is pacled into Lhts movie and 0nio Hunler\ l'rau zled iace as.he watche' her daughiei deterioraie. The whole $ing ivoull <tin}, o'f

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strikingly good as Evie, She should be: She was thirteen when she rvrote the semi-autobiogr;phicai script with Hardrvicke, u'ho used to date Reed's divorced dad, But the revelation is Wood, 15, formerly of TV's Once and Agairy who makes Tracy's trancformalron harrowing and haunting Sher a lite rvire. Brace lourseli [or lhirleen - itll cau.e a conmotior. - leier Travers.
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Amelie understands our little insanities and appreciates ls for them. A swift-speaking narrator capsules Amelie! biography. The fisireyed, almost cartoony cinematography, attention to bizarre cherry-earring detailslnd the si11y tone of nanation [ik-e that of "Rocky and Bullwinkle") maintajn a di'zy-danqt tilted humor that will rvin vour heart immedrate\.and never let it go. Ah, but once we are brought up t0 speed, Amelie begins to speak for herseif, Sculpted {rom a fiiendless sheliered childhood, ad-ult Arnelie eventually stumbles across hvo missiors: 1) falling in love u,ith a stranger as harmlessly ecceniric as hersel! 2) playing a sort of secret aniel to the plethora of colorfully dysfuncti-onal characters in her"daily 1ite. The Iomer being io tenjbly frighiening to her, she tends to both in a behind the scenes, strategic, yet plav{ul manner. Unrque and original, this film is simply charming. Though she rvon't react well to it - you'll fall in love ruith 'Amelie.'
- Ross

FREE CREME BRULEE WITH EVERY TICKET!

Anthony

'queami'h. well-ad1u'ted E"ther lDe \anr rnlure. herelt at a pa{: only to derelop an odd ta.te uhen the 'eemingl\ lriterally) for picking at the resulldnl .car. a: well a" o{her, urunlured parir ot her bodr. lthi e De Van filiq hei frame< rv,th unnemng extremely graphic mages 0f cutting instruments being pressed into flesh, In Mv Skrn is also something of a satue of ou nervous Iascination wiih our olvn bodjes the way rve're c0nstantly trying to rid ourselres o[ zits, hangniils and other perceived lmperfectrons. Ard it contains some spot'on, Bunuel-ian observations about bourgeois atlitudes to\vard the aberranf when Esther's colleagues and lii'e-in boyfriend (Laurent Lucas) start to catch 0n t0 her djsorde!, ihel're less interested in helping her to overcome it than in helping her io go arvay lest she spoil one ol their posh dimer parties. The mol're surelv owes somethiry t0 Polanski, Cronenberg, et al,, in its use of an apparentlv placid, upper-middle-c1asi sethng as the background for perverse horrorg but De Van's {eariess, high-wire performance is uniquely its 0M. - Scott Foundas

This highlv impresive firsi leature, directed by French actress and screenrvriter Marina De Vm, tums an Oprah-worthy subject remare -eli-muhlahon jnio a grue.ome and .urprisinglv fumv bit of Crard Cuigrnl 561 r1 all for the

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dmong [Von Triers] better and mosl revealing movies - giving iull renl to hi\ ob.e\\ion5 rvith cinematic puri$. behavioral acting.UdoKier.h6-pilsls.and,most.pectacularly,thenoliono[ciremal.hypno.i'. J.Hobeman.\illageVoice Lars von Trier's 1987 Epidemic was the Danish provocateur's second theatrical iilm, as well as his Irrst erperiment in programmatically lorvbud6el crypto+erile. and an erample olihe_surpri\ing rdrietv von lrier. minimali'l approach can bnng to the.creen. A lllmdborrl an epidemic i. being made >uddenlv. the director and the <creenrvriler appear l0 corha(l plague-like:ympton., On ihr< rlendere:l o[ premr:es. having voluntarilv armed him'elf rvith only the re.ource5 oI d cludenl filmmaker von Trier create- ar inlenre. AIice-through-the-looklni-gla* tale of thi intellectual seductiveness 0{ his craft. Basically an experimental horror-psychodrama, Epidemic has a pleasingly slapdas[ undirground quality that recalls early Fassbinder and Wenders. Although" rvith its cynical premise and frequent infusions oi Wagneg it exudes the prankster snarkiness characterisiic of von Trier. Dont miss thjs ultra-rare 35mm screening ol one of the Danish auteur s strangest filns,

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series from WCBH Boston that reflects lhe mltLue and concems of the l.atino communi[ Tovates Boslon, rvherc he produced Science and the doomenta"n, televlsion producer He caile to Am'erican Experience hom Blackide Productions, lnc. oi .*, *e Brcakthrough *ries He also lvorked as a producer on the ten-part WGBH renetAmtnt* Tor ares n the ptodutei/dnmior/rvriter of n lqil Lnr Angelortho dand 1o challenge the unwitten Zoot Sult Rjots, a one-hour film for a)002 American Experience episorie about Mexican American vouth to present the filn md conduct a Q&A follorving. social co6es of wartime L..{. md paid a heav,v price. foieph Tovrues rvill be live in person

lr.*r" li

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thl*iti

favuite documentarv follows the dailr hres oi four people al Fountain House, a rehabilitation progtam for people wlth in Ne* yutr Citvs Hells Kitchen. Shot orer three ve,ur rnd risembled fron mtrre than 350 hours of tape, the film offere an l\iith \jtrlualh' unlinited-and unprercdmte6 windotv on the Lives ot people rho are seldom un.lcr:tld, usuallv ignored and oJten feaed. 1J ['.\ifl.r. ]. n.r-o'. I i.ht.n'tcir dro lcnp-r'efitcnte'v raintair unire,cJenLed-ncce..,n rhe 1il0,\lrLe mernbc'. ni Founiain Hou.e- l-or ! c-.-t(:.:.
uilu

u,,loi*.d

anci aur]ience

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,.ail.i# -a ,ir", arugs; Zeinub Whli, un incredible cook whose abusii e husband iett.her liring on a doomtep rhen she fell ill I'ith schizophrenia; and Ter overcome tremendous obstacles iorion, . io*" toa* $a! whow stepmother had him cornmitted after his fathei died. The slories, about people aitemPting t0
*itt t u*o*
cindma vdritd

in the fines1 opiimism and grace, u* roung and dramatic. TolLl enhrelv \\Itlrrrui intenitrs or natratjon, this is radical, engaged filmmaklng iling us holv to respond iridition: it obsirves its subjcctslron a distance, rcithout judging then, rrithoul iraning ihem in a ncssge, rL:^ -^^!-^i-r makes our experience, as .h..rrr^r. all rh" more nori,prhrl rn,l untorgettable Ot I wilh lhe filmmakers iollon filnnakers iollowing ihe screening Ihis restralnt - -L^" ^,. " ^-h^;nh.d .. spectaiors, "ll the notp porverful and rnioropft:hle Q&A I ith
r

ort of the neo-reali-st With Italy's economic improvenent in the 1960s came an explosion of cinematic creaiivitl' H,ith sf'les and Stories n0\'ing
aesihetic.

in drrir nanv untorgettable lilms debatetl. Catholicisn aid Marxisn fought it out on the screen, but art and humanisnr generullt triumphed The series I'ill begin trith Fellini s \ights of This AIS series of nine films lvill focus"on an entire range of major works and forgotten films. time of this printhg, no other tiiles are knoNr, Cubiria on toesday, .1an 13 and close r,ith Viitorio De Sica;s Garden of the Firui Continis. At the jncredibie period of cinema' and rve but as soon as thef are available, thev will be posted ai wwridrafthouse.com. Regardiess, this is a robust,
can gualantee a

Newworkb).Fellini,Ant6ni6n!Bertolucci,Pasoiini,Visconti,andmanvotlerltaliardirector\rileeagerlr

mticrpateJandfiereir

bountiful feast of film

leading latll iitift' Giulietta \{asina Nights of Cabiria; A year after his international breaktluough film.La Shada, Federico Fellini and his un Lhe 'ln et. o{ Rone. 1.r. n; . noor- a..d r nd colL oo rated 6n znsltpl 6a,lcrpiece d mag'cd I mi' ot n.oreal-i.m dnd rcmar hc oph mt:m .et ,\ cI a rhjld r n ,ran IiLL a Leanr brighreved Cabiria i. a pds.rondte.treclsdlker rrth r hcan a, big d. lrih and Lhe emononal )ponlaneiw weakness is falling in love n'ith merienarv creeps. Ior a couple of hotrs ive share the dreams and iif. "h0..'constant .f C.biria as she rattles around Rome-before once again losing her heait. The bittersweet hearibreak is tempered n'ith a soaring i.[-U,.,r"-.iif,. f,"r." spirlt: no other Feilini film offers such honist hopc in the face of such bitler devastation lellini left the pooLand the a film that conld have sPrung from Cabirias workinq class io revel rn tie decadence of Rorne's high societv for his neit film, La Dolce Vita, f,if.r*"'r,f,i"",.*rfude rvith a mahnee idoJ (playeibv Amedeo Nazzari). Rambling and ieisuLelypacd, Nights of CabiLia is a srveet film of role in Bob It became the basis of'Neil Simn's American musical Sweet Charity, u'ith Shlrlcv lvfaclaine iaking Masina s

;J;r;;;t lirifi"r."r*r

*ur*ti-onJ rirpt. gtace. Iosse s filn version. -SeanAxmaker
Garden

Viltorio De Sica of the Finzi Coniinis: Set in northem lta11 s Ferrara conrmunit), at the outbreak of World War II, ihis ciassic filn bl concemsarold,arirroirahcleri.h urit".ftrl'nii-tontni' rhomainlaintheirisolared.idvll,cuar'wthinlhe'tone'r'rll:'rrrherrlu'hc\rdle

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his focus from the i*prisons jer.s outside.' De Slca traces the disintegration 0f a lost and btauti{ul rvay of life, slorvly turning Tlris oi iennis courts and private libraries to police biiriers.and rooms rvhere ielvs await hansport t0 concentlation camps. "frg. *o,L"of r"*ory tragically captures a loss of imoience on both the most personal and historical stages -Tom Keogh ps 14 - ilamo ltlflfln0use Ginema -409 B c0l0Hd0 st. - 0nlinc riclet$ auailablG atT{ww.dralth0us8.c0m

of the 20th cenhry.

Mmy of the fllrns have noi been

seen since

tleir creation ovel a century ago, and until now almosi all have been unavailable in qualiq/ prgection pdnts.

2/12101 l:00 Picturing

r HGtloD0lis:

llYG Unreilcd 94 minute$

Since the beginning of cinema, filmmakers have been infatuated with caphrring on film dynamic images of New York City. Avant-garde cinema turns up in the most unlikely places - tum of the century short films, commercials, radical and lyrical newsreels, and even a Busby Berkeiey dance number * sharing scenes of New Yorkers in situ against the skyscrapers, streets, and night li{e of Manhattan.

2fl2l0{

9:30 Ughr RIty[lm$: telodics & llonlages 08 minulGs

Early visual symphony filns by Oskar Fischinger, Francis Bruguidre, Emlen Etting, md otler Americm artists

m

compared and conhasted

with Hollywood montage sequences

Aaron Copland and Lewis Mumford's collaborahon rvith Ralph Steiner md Willard Vm Dyke on The City (1939).

2fl9l0f

7:00 n0voluion$ in lcchni0ue and

Genre classics Manhatta (1920), Le Retour

lom, 88 minut8$ ii Ia Raison (1923), Ballet Mdcmique (1924), and Al6nic Cindma (1926) are grouped with previously macknowledged exmples o{

Walter G. Chase's Epileptic Seizures, No, 1-8 (1905) and Dudiey Murphy's Soul of the Cypres (1920) with the surprisirg pomographic interpolatioro.

2/19/04 9:30

DanGe, [anGG,

0ancG:

minutes

and fom choreographed into novel compositions of light. Predating and influencing American Abstract Expressionism, films envisioned by Stella Simoq Douglass Crockwell SarahArledge, and Francis Lee are pime exmples of abstract film dance.

2/2Sl0{?:00 GinGmr'E

SGGret

GardGn:Ihc lmatcur

rslutour

102 minutcs

Amateurs ]oseph Comell, Ted

Hufi

and Archie Stewart made films outside the limelight of commercial cinema production and distribution. Their home-spun iilms incorporate a

the hermetic nature of each maker's eclectic sense of cinema.

2/26/114 9:30Ihe llechanircd Eye 92 minulcs
the view oi
a

Young

m unflinching cmera lens. A most brazen approach to looking at objects in motion was realized in Henwar Rodakiewicz's avant-garde Mm (1925-31), a study oi wateq trees, smoke, and machine parts. [GUil'$ PINIlninU: I0mas$c llytfis and tairyTalss 85 minulcs

16

mm masterpiece, Portrait of

3ftlolt:00 lhc

19th century stage magic and lantem shows crossed-over into the early cinema productiom where bizarre sets, {antastjc costumes, md a belT o{ cinematic tricks reigned as experimental foms. The spell of The Cabinet of Dr Caligari (1919) and its influence on American experimental filmaking were finalll' broken when filmmakers {aced the lean times and social inequalities of Depression era America.
B W Griffitn, tary tll0n 8fl0 and Eusby BclkGlcy 88 minme$ Gri{fth, Bute, and Berkeley are examined for the experimental elements explored by each artist. Bute and Berkeley fomed parallel cinemas where multiple figures, human and mimated, coalesced into kaleidoscopic designs accenting catchy music and songs. Grif{ith coaxed scripting, actin& cinematography, lighting, and editjng into

3/l/0{ 9:30 Wli$n0ltith ligntning:

The fihns of

psyrdological narratives, an amalgam thaiborders on abshaction.

3/11/04 t:00 lorer$ 0t Ginoma Sl minutes
persons romantically inclined to same sex partners, The program presents early gay cinena including Lot in Sodon (1930-32), one of the most provocative and uncensored films ever released in the United States.

3/11/lll

9:30 tirst Stcls: IarB tfl0ll$ Du [0llyxr00d Dilector$ 86 minute$

lbland to future Holllnvood

careers,

UNSEEN CINEMA is a collaborative film preservation prcject between Anthologl Film Archives, New

Yor( and Deutsches Filmusem, Franlfui am Mai4 sponsored by Cineric, Inc.

ticlrGts and addition0l inf0mation a[0ut GaGh 0tmc fioglams are auailablc atwwflJlafthouse.com
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*ith to.ut yupun"r. pop-culture enthusiast and archivistTony.salvaggio to-compile the definitive collection of Japanlr" oJjiti.r, ,t unge surreal animation, A-list American celebrities pimping themselves out for cheap Japanese prodricts, .ru.l ,nd inlr11un" game shows, ban'dy-situation comedies,_unexpeitei nuditv, extreme pro-wrestling, biane anti-flatllence products, nonsensical Engiish phrases, supreme goofiness, and more, more, more! We've tempied your
tastebuds in :he past with

We've been longtime fans of bizarre Japanese advertising, television, and video. We have teamed up

nIpIAI$ tn0il m$I yI[R'$ Irto]il(tv Blsfl!

before midnight {eatures, but now, we are unleashing the fuli insanity of therisingiun with HAPPY FUN MONKEY BASH DX GAIDEN! I{ you choose to not attenithis show, you irill hau" no concept of how joyous and wonderful life can truly be

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llare Their eleckifving perfommces blaze a paih of destruction rvhich stands beiween the dental Cimminaer and his final showdown with Lord Ook, the evil mastemjnd-b-ehind ttre plot to suppress and control the Lost Arts thoughout "inner space,,. AFTER WAVE,TWISTERS, check out the premiere of DOCCIE POQ the new (orean anime based on the best sellin[ children's book Doggy poo by author Jung-Saeng Kwon. ln this tale, a seeningly worthless piece of a dog s excrcment eventuaily liscovers its self worth in a friendship developed with a smail flower. Doggl Poo won the "Besi Pilot Prize" it The Tokyo Intemational Anime Fair 20b3
D,J

Wave Twisters_(WTM) is an eve-popping, hip-hop-meets-Hama-Barbera, animated adventure synched slqatch for skatch with DJ QBert's turntable masterpiece of the same name. Each track ol QBert's originai album was designei to provide the audio framework for anodrer chapter in this ri-fi/kung-fu epic; evew aspect of the story muiig sound effecs, ev"en dialogue has been accounted for and ieamlesly integrated nto Q8erl: origina mu.ical compo\ition\. WTI\I vi:ual erprerrion to QB"et. narrrtive whilv pioneering the concePi of risual slratchirg, samphng from a rvlde variety of techniques (fron traditional cell animation to 3D to live action to photo,mtdgel, WTM defines a unique visual style malogOus to the supercharged rutting and slcatching of a tumiable DJ. \4.IM cataPuits the bar on the correspondence bet*.:l and image, iaking the Fmtasia concept to the nextl dizzying leve1. When the music says, "Jump!' the animation aslc, "Hon high?" The hero o{ WT\4 ii the Imer Space Dental Comnande4 crJss behveen Luke Skywaiker, David Carradine, md the familv dentist, who must fulfiI1 his destiny by reviving the "Lost Arts,, (i.e., the four pillars of hip, hop..*1,i", MCl& rapping, graffiti, and, most importantly, skatching). Ti do so, he and his posse(the'mischievous medical droid, Rubbis[ his lovely assistant and comrade-atams, Honey, and B-Boy drandpa, the last nruiviig lhk to a bvgone era when the Arts flourished) battle their wav tluough an intreasingly suneal collection of villiins, pitfalls, and boiby-traps. Aniong the villains are an elite corps oi tumtable rvarriors, played by key members of the Invisible Slcakh pikiz; yogattog, uni l-Stvl.iptu,

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Ben Hur and more brutal than Gladiatot'

ih. audien.i rviih an obviou'ly unideniriiable

Darkness, Bruce Campbell, an othert'ise ,nkno*t B-movie actbr, secured a rabid iiothv-mouthed fan base that rivals that o{ Brtnlr Spears. Army oI Darkne" finds Bruce Camo6ll iraoped in ihe middle age5 He mu:l recorler the bbok of the dead, batile the literal Armv o{ Darkness (a well-executed Ray Harr'vhausen homage; and return back to modirn times. I he'lean 80 minute plotline, however. i. predomlnantly a backbone for Bruce to shoucase hi, physiial humor and zing
out more quotable one-liirers lhan a generation
of Schwarzenneger movies. TRANSFORMERS THE MOVIE 1986, d, Nelson Shin, 84 min
Jan 22,

nobiliiv in order to tell u: lhat the tuling class pets ofi on the degradation o{ its subjects. It is ! Lechniou. that"workr nithin the conte\t of the trlm i. well, 'o thai in the end you wrll be
more intellectually engaged than oiiended

Ot course, it doe\ alc0 hate very well-sh-ot 'So we'll let rcene: ol leenaged serual torture rou choore whither vou want to come out t0 .ee an exuloitive tilni of urination and {orced
nature'oi evil. FONG SAI YUK
1993. d. CoreY Yuen,100 min

.o,lomy cjr d pen.ive lhink-piece on the real

As a trrbule to Robert E Howard ' Pylp,hero' as a stand-alone movie, as an Arnie vehicle and luii oictute, Conan is now almost a cla:sic irre,'thete are {aults but you'll be too damn
entertained to care.

teb )0, Midnight, Alamo Downtown ruled the
International martial arts film star Jet Li (Black Va.l, Romeo N4u5t Die) is probably most famous lor his portrdydl of Chinese patriot first thlee Wons Fej-hone in T'ui Hark in'iaTlment, ofihe Once Upon a Time rn China

Midnight, Alamo Downtown
1080s, one catloon >eries

Durine the

,ir*ui.r
ti'IN

THE IERK 1979.'d. Carl Reinet,94 min Jan 8 - 10, Midnight, Alamo Downtown

The lran.former: Thi' paragor of consumerism was created wrth a-dua1 purpose-lo enlertdin and to galvanize children to buv

'

SPECIAL MENUI TUNA FISH

b..ur'. u cull
.oecifrcallv

the line, ihe 'hori favorite." so in lqSo ther faihioned an epic tale oi good ver"us eril

l"rl s"t.*t.r.ilong

..ii.. Ho*.t.t, Li's alio
interesting Fong Sai Yuk,

iamou' iieure {rom China'' Pa51 (and

p)ayed anotler

a

characler n"ho, ctuite similar to Wong Fei-hong

tEit

opHa,Nst PIZZA IN A cuP! TWINKIES!

TAB COLA!

u'nderertidate this movie; ihere i' definrtelt more to it than meets the eye. --Jeremy Storev
SALO:120 DAYS OF SODOM 1c75, D. Pier Paolo Pasolini, 115 min Feb Ic - 21, Midnight, Alamo Downtown

ior the big sireen But

don

t

as uell), ihe lesrer known but equally

Navin (5teve Martin) was a white boy adopted into a black familv a, an infant when he was ieJi on theit door{tep in Misi"ippi He finds lhi' out on hi' biithday, when hi5 m0ther oreoare, him a .pecial siack o{ Tuinkies and firr'*t it. the reit o{ the family eatc a hardy meal. His father hands him a zippo lrom the war and \avin breaks down c11ing erclaimtngthat he. havins thai funny feeling again, as tt he doesn t belo"ng Aiter realiu ing that he can t beat time to the Uue. with hi5 f;mily, but can to the oldies on the radio he 'els out to search

\\onc and I 0ne were e.sentialll the same side
oi thE coin -boih were iiercely loyal io the Han race. both here maiter> of iarious iorms of Kunr Fu. both opposed the corrupt Manchu dvnJrtv, and non'hoth hare been rohanlicized on rl.e big screen and brought to life b1 Tet Li MONTY PYTHON & THE HOLY GRAIL 1q75. d. TerrY Cilliam,9l Minutes Mar 4 - o, Vidnight, Alamo Downtown The silliest movie evet made is either about

Ihe Alamo Dralthou:e j. proud to present a new J5mm print oi Pa'olini 5 conlro\er'idl
masterpiece.

Whv is the Iilm controversial? Well, there's the

ioi hii iutut..
and

The heart-trarming advice before he venture' into the world: ll i*"t"iiite tL. difference betu een shoe polish
fam-i1ial

ixcrerient.

2) Don t trust Whitey

ARMY OF DARKNESS 1993. d. Sam Raimi, 81 min Jan is - tz, Midnight, Alamo Downtown STILL haven
seen Army sf fslknqsr? From ," eLto Derspeclive, it'd a pillar in every seliresoectins' mo\ iegoert cultural literacy, and' iniane, lovable over-the-t0P. BrLice

nn*lninn sc*n* and premise ior the film: a niouo %f teenaAers are rounded up and in.nected. then th"e mo't dttractive are whi'ked n1['10 2 qastle where they are subiected to several ser acts by ihe piovince < pre:ideni and guests, then .ystemrticall) tortured and -get lo -ee ajl sort' of killeJ. 5o you homo,eruality, chi1d" nuditl, :catologr. torture'
and good stuff

irti'" '"rtchins lor lhe Holi Grail or a handful ot mentallv u"nbolanced feople who parade

kine Arthur and his knrghts oi the

Round

lile that

t

" iro't per[ormance l0 dale

Becau)e

of Arm)

oi

Whv i' the [ilm a masterpiece] Becau:e unlike a tr'ue erploitation film, none oi the crueltie' and atrocities ceen here are throun in lust for .hock value or as a means of >elling ticket'' Rather, lasolrni show, u: the srene ol an itptiro.*l girl forced t0 urindte on one oi thc
B

around tn hedieval clorhing and think there ut. in ..ot.h of the Holy Griil . probably the ldtter. Ol cour:e the insinity all starts wilh the :;;;;rt;'i'k.lu in responie to a budget that KnlP,hts hop couldn't afford hore-, all the Knights h9p coulcln't aIford around the Dark Age' while their valets make ih. ,ouna. of trottinq hor.e, with a bunch of saicl coconuts. ln trudlvthon fashion no one is
quite sure where the coionuts came {rom'

ps.20 - ilamo llnlth0uso cinema -{0g

G0l0rad0 st. - onlino ticle$euailable atwww.dlanh0u$0'c0m

CTERKS

- JAN I 6- l 7 (1994, d. Kevin Smith, 92 minutes,

35mn) Kevjn Snith actuallv pulled it off. Clerks for me rvas kind of like

the Beatles on Ed Sullivan were

for

spewingpointofreferencervillsomcdavfieevoufr6ntheshaiklesofyouriwnprivatehetL.livairntheumcspot.-sroat.ia;"'dplfi,iiii.;i;;;"

''-''-"'

retease,orficespacehassincegoneon 1:9g:,e0nin,R,35mm) togainunbelievablecultstatusandnoq ranlsa5themostpr;fit;blevideoreleaseolarrtire- "wltt'werl-arawncharactersanJrii".iir.riirtr"tryfamiliartothe miliu, he captures,the,Jolle5sne\s 0t rnan)' a iube denizen's work life to a jemitel Aniston plays petel's love interest, a waitress at Chotchkie,s, a generic beer-and-burgcr joint ir la Ihrij s, and Dtedrich Bader (The Drew carey Show) has a minor lut hiiuiiotis turn as peter,s ,rrtrir,li, r."g-h.iJ;;;y;;L white-collar instailin'

OFFICE SPACE

- JAN,23-'-2-4-(]?i?t{:Yif

Aboxof{icemectiocriryinitsimtial

f

neighbor. ' --Jerry Renshau.

VAMPIRE'S KISS 'JAN 30-3

:lqiq J lilcrlBirtman,lJmmir lnin.il.i5mn,\ampire,|.i..maibet]remostunderroredcomedvof

thegOs,andproves

cocluoach in the name of art. tr -impl .

J

r.'
r

r

ier
.d

r-i

b;;ier

iilr"

,t i,.

nr ii.itrig *rrlh

,o

,o,i;

--

xi.,

irl;r...
aLe

.'

Wl

tD

STYTE

' FEB 6'7

1-qEl

Chalie Ahearn,

(

35mm) The four elements of hip-hop

crucial to-thn storli n hich has long been considerecl the greatest film of its

BusrBeeTheRork5lerdrirerlhetnJtru.hB:nthenandmjnrmnrela-Wild5nlebccrne.r

re.onu"nttu,r"tnot6oiur*t 1*or'rioi"u.r*''

BREAKIN - FEB l3-14 P.g::j::11{:

r19:l d

loel Shilburg,PG,35mm,90min) ...,KellymeetsagayNegrou'hotakesherovertoVeniceBeachsoshecanwatchpeopledo

r'g.Fridav-night mrble

dance.

$e guit irem. watts wipe

em

off the floor because thev ha". u ii"i

lirro u"i

a;;;

i;il;'"';:;

riey decide to teach

a

BEAT STREET FEB {1984, d stan Lathan, 105 nin, PG 35mm) The most criminally overlooked of the 80s hip-hop films, Rae Dawn Chong plavs ihe spoiled'white'giri irom up_to*n;-A dorwtrodden Hlspanic grif{iti arrist iooki r"t tt. *r't;;l;;i;';;ri;;;;"J,rir,ir'rorry cans; swelling hip-hop mu'ic bv l\4ellc \iel. Dorg L Fre.n trool Voe Dee rnd ih, Roci,teady und.,-ioi.. ^iyirri.ir tt. ir;#;y.

'

20'21

t,.*

liji arrr);;j ;[;;i;i;.

''t

TRANSFORMERS

' FEB 27.'28

(1986, d. Nelson

shiry 84 mi,', PG, 35mm) During the 1980s, one cartoon series ru]ed the airwaves... The Transformers. This

responsibie. Don't undereshmate ihis movie; there is definitely more to it than meeii the eye. -jeremy storey

good as the stickers and the bubblegum, becairse itrs j movie, but is stillone 0f rh" gre;r€;i, a;d rvin something. A nice one. - IlvlDB user conment, possibly from foreign lands
as

Iwanrr0biteitl llAR,5-q Thi-movrer'rboullnelrd.nr'he-.licler-.thegarbageprle.rrict.who.pendrimeha'in;r"n lrtirgir""UI.,.mee{ingn,l..niur...lnatorellinlove.ltrnot Thekidsinrhisfilmsaresocute,

GARBAGE PAIL KlDS -

(1987,d.RorlneyAmateau198735mm96min.PG,35mn)

ir".ra.

to

i'.

"r

goSa;,

,i,;,'tr.i'iiitr.

puppet should

MONTY PYTHON & THE HotY GRAII - MAR l2-13 seedescripriononpage2o MICROCOSMOS - MAR 12'13, I 9-20 ' rquo. ci. Claude \urid-nr & Varie Pererneu, J5mmJ

vicrocosmo.

i5 an

amarins film rhar alrows ,s ro nppr

Francisco. I'm not saving

tiat people like to get high and watch miiiocosmos, but, weli, they"do.

P9.21 - online tickels ond informolion ot www.droflhouse.com

TARZANA THE WtLD GIRL - JAN 7

(tg6gd.GuidoMalatesta)How-doyouknowwhenyouleatotalhudcorefieakazoidcase?

Oneverygoodindicatorm*

Qt THE WINGED SERpENI

. JAN I 4

(1982 d. Larry cohen)

only a filmmaker

as

skilled

as

Lany Cohen (lT's ALIVE, BLACK CAESAR, BoNx) couid make this bizarre mc;':

;;;i.;; h;g; great lme and the'fn is contagoui. \\riih excellent stop-motion effects workiv David Ailan CGI can bite my ass. WHEN THE SCREAMING STOPS - JAN 2l (lgT6d.ArmandoDeOssorio)Dontletthegenericiitlefoolyou;thisisonesuper-cooi,superweirdpiat

I'll iake clay and wires any

dal

-

Lars

and even a ',fear flasher' ,o

rurn unuruuily ,.nriiu. uuai.n* r.*rers
(1965,

oi impending unpleisanhress.

In other words: this movie is better than

crack Do not miss - Lars
I'our imemosi thoughts

SHADEY - JAN 28

d. philip Savrlle) NIild mamered auto mechanic Oliver Shade,v.is ordinarl, in all

ways save One: he can.read

m:

.gJ.i"gi;firi*.shudeyslongrooghtsxl,r.r"g."p.t.ti"ia..sourherosucnr,btotheirdemands

lsuppo'ethiithisdesirealsomakesshadeyabnomal -Tim

SLAUGHTER lN SAN FRANCISCO - FEB 4

(1e7ld.Lolvei)\{hathapprns.r'henChinesefilmmakus,tw,lomcldih:{l1l_t::!T,"lA*ricancopmori*

BEHIND TOCKED DOORS - FEB

ll(1976d.ChurlsRomlne)Asinguiarlychrmles,creepi'goon,N{rBradlev)ikes.touptrimentonhaplesgogogrrlsin}r

ptoducedby ma1es. - Lats

bUf l'Of THE IRON FIST - FEB I 8
chop socky

film into

a

tum of the centurliga.gu.r

y*.

: (tszt, d. chang cheh) This film overlaps the.Kill Biil lnlluences series. .Legendary director Chang cheh drops make you expect to see a bunch c: rrsteud of romny G"un uutitr,, you g.t fung fu. The tone and set design of the film
TheresnoiafistinLhewholedamnmovie,letaioneanironont

il;illjf;:lif:lririir*r.,.'.'*"rrnf"almtechdquerhatmustb"emastercitoavenge,thefimilvhonor. io,pu"r*gkill n,l, ouel
of the lron

iit

u,as the inlluence of The Krller and A Better

lbmorrow'Tim
LusciousLolaFalan4parolec

LADY COCOA

-

FEB 25

0s7:a.rarttCimler)AblaxploitationoddltylromdireciorMattCimbo.(BLACKSIX,\\rlTCH!{H0CAMEIROMTHESEA)

TIFFANY JONES

- MAR 3 (1973d.peterWalker)

oK,there'snoneedtofightitmymore.

Inthe.pastlvehadlessthmcomplimentary.thngstomyabortBritish

n*.lrf#if,.t"rlfyputsthelrmeinthecoconut.

lromthedircctor0lcrowdfav.IiteCOOLITCAROL.

-Lan
\\'lTH THE

DIXIE DYNAMITE - MAR I O (1976 d. Lee Frost)The

great Wes Bishop/Lee.Flost ieam (RACE

DilIl,

BLACK CESTAPO, THINC WITH

n{O

HEADSI

;;,j;il;b,il;;;;;rnt,.-i*tyJt,uitortLesensel.

Agreairiovieexperienceandapersonalfavoriteofr'lr.QuentinTarantino

-Lars

SUPER M,/ANCHU

- MAR 24

itglld.

Some Chinese

cuy) The three most powerful

mind_

aliering drugs in the ruorld me LSDDMT, and old-school kung fu

ioi:,jt;;ffi;;;;..0g..,"aRr;shrnlarmusiciorpeoolervhoneedlogrounctthemselte'belorefactngtheout'idewnrld

-Lan

TEENAGE MOTHER - MAR 3l
passion. Teenage

Moth., pu,k ,l *or. of

,i*",i""ri

*f,.ir"p if,ui.

King and Mel Gibson's The (tsos a. |erry Gross) This lilm screened at this year's Butt-numb-a-thon alongside Return of the vierving of Tenage Mother was mv both.of tho* fil*, combined. I am going on record as saying the December

"*qu.n*,.to*og"ph.ato,t

*.t.,,ri.i.r..luut,r..'t.rrycross"need.tobeinducredtosometvpeoihrllutfameorlegionuf'uperheroe'

-Tim

Pg.22 - online tickets snd informotion qt www'droflhouse'com

not see the light 0f the projector at Alamo Village. The list oi tilms beiorv are certi{ied grade-A prime cinematic

eniertaiment.

SHOCK WAVES - JAN 16'17

(D. Ken l{eiderhorn 1977 35mm 90 min. PG) "The best underwater Nazi zornbie movie over made.,,

- Variety Jolm

is in fact a mvsierious Nazr

tugitire rrho commands an army of zombie solciierl - Nathin Shumate
(D. Tibor Takacs, Canada 1987 35mrn 85 min. lG-13) Tr-eh'e'inch-high clenons r{irh slin likr Siliv l\rth.and ams like a dead lizard $e parents.are spending the weekerd in Oshlosh What happens js that h;o krd dig up a meteor in the backl arcl and accidentally mumble

THE GATE

- JAN 23-24

are trying to desiroy America n hile

babies.Tripphasthebestline: \busee.rreaccidentallvsummonedthesedemonswhousedtoruletheuniversetocomebackandtakenrertheuurldli-yoeAolniiggs

STREET TRASH

- JAN 30'31
il

(D..]im1\4uro198735mm102min.unrated)

"The{rlmachrallvrunslike'AsthelVorldTurnsHomeless.",-BadMovies.com.

It [0r $l,a boit]e Ther eat it up \r,1

in irm. eats.them up

-

a

low rumble in the stomach turns to a churning gas, follorred by dissulving tlsre ana tinattv

i

tupoi

m0rel0ine5:entiallyflar,ie..e': ':;r':n,,vci-il',Frca{com;cpenormdnceolJame.lolnuil-rrnkcnlrooLerlo.rhrcuikr:tJonrman.-l.rerLa

EVEL KNIEVEL

- FEB 6'7

'iglt d

N'Iaruin Chomskll

:.s1y,

nl

N1!;eoLg.e Hamilton performance \'ou have ever rviinessed

mll

prepare you {or the

credits, you are in for a shor'. see

ihen birlh. rou are riding

a

tornado of fun. - Tim
(1981 d. Jim

PSYCHO FROM TEXAS FEB I 3- l 4

leazell, R, 89 min) Alreadv a cult favoriie annng the most discriminating hicksplolration comoisseurs.

home address. - Lars

BTACK GODFATHER FEB

20'21(D.JohnEvans197435mmR) LerovJacksonisonebarl_muthatlt

He'svranredbythe\tafia,theFBl,drugdealers.and

writers come up n'rth such dialogle?ll Classicj -

IMDb

"
88

BMX BAN D ITS FEB 27 -28
donsherhelmet,shemagicalh

(1983, cl. Brian Trenchard-Smith,

rnin, PG) Nicole Kidman's first starring film rolc prrs her and her Aussie BMX bucldies against

gainsaboutS0poundsandpuilso{fsomeheliaciousshlnts.BMXBandiis=dir$shame{ulB0'-.tun.-Tim

(1973, d. Denis Sanders, R, 88 min) Male research screnhsis are chiins of sexual erharistion. A government man (\\!liiam Smith, biker movie vetcran) dLscor ers that a group ol lvomen have turned themselves intg sterjle but seruallv dur ln l'ir.., uho leave t6e men and turn on dre radiation. Beauti{ul kiilers rn dark sunglasses emerge - Psychotroilc h\.riier Nicholas lv{ever rvent on to rurite Star

INVASION OF THE BEE GIRLS MAR 5-6

Tnk

2 ancl Fatal

Attraction)

WONDER WOMEN - MAR I 9-20

(tsi:

a. nobert V O'Nei11,

(

82

rnin)l{'e re thrilled to finally be able to offer vou ths hoiv grail of marie-inrhe-philippines

Aragon (Greedo from STAR WARS.)-Lars

JOYSTICKS

- MAR 26'2T

-ld

Greydon Clar( 1983,

(

88 min) From the director of Satan's Cheerlear]ers antl Black Shampoo comes this B0's time-capsule
-

and teenie-bopper strumpcts band togethcr to fight the

power If the word Zarron sends shivers dowr t oui spine, be thrrc.

Tini

P9.23 - online tickets ond inlormqtion ol www.drofthouse.com

pg.24, ilam0ltmm0uso cinema - 40s s G0l0nd0 sl. - 0nline tictets awila[le 0lwsw.dlalln0[sG'G0m

#"%

ffi

ffiwK $ffi {ff\t$ rli

rn January $e Alamo Drafthou'e Downton,n ir proud to announce that we will be,ho*i,rg op.n du".ni.the,rveek in the deaI and hearing_i#paired And for our friends who arE foriunate enou8h. to hdve perfecl hearrng and vision. rve olfer thic opporturuty lo cee {irjt run fijm" in a Downtown afmorphere that'' the perfecl ercuse inr lear ing n orl e;rly.

lesumins

at J our triend. !^,'t,:::.,*.y finally hxe real access to the best moviepm ,o rhar town. community.can l.l:l:",jlir' :):V theater in

All films will have quahtv caphon5 on them right up on the screen with the picfure 50 Lhdl even/one.s qot the chmce lo follou lhe aclion on:creen u ithout having to wait lor any sort or tran.lation.
Films rviil be changing ftequently, so check in often at our website to see what movie will be plaving in any particllar week. Sdreduled films for lanuaw include The Return of the King, stuck on you, and more. -

Iltt t|Irl[

malingitimpossibletoieel 'aremnrhere.The5ccomment:certainll takeonadded.ignificance:,iotircurrentiime., but also show how ear it i; irr anl hdividual to get caught up in ideas about tde 'greater good." - Marjorie Baumgarten, The Austin Chronicle

Checking in with some of the agrr.co:e members of the infamous late-sixties-seventies radicai group the Weather Underground proves to be a rrtrnle::;l :eaiih'check. When last heard from, many of these figures"were on the run or still m prison or busy reinreniri:er Lre. ior tlre nen centuru. lhis thouqht-proroLing"dorumentarv combines reflective intervrews witlr a neali rr;vri,,,l nens iootdge o[ lfie ndicals ind ihe dem8n.ttations, Vietnam ancl Altamont. BIack lanthers md R;thri \rrun. De.pite rts hiitoriral riche., lhe Weather Underground i. hardly a stroll down memory lanc. ln {act it: s:rie $e opposite: lhe.t voice: and image. trom the par'i cnuJd hot seem m6re urgently contemporary. \larhv ii - $. tmes rre lile in. bul the me'cage the;e old revolutiontrie: bcar rbout the thjn line that erists between politc:l jetermjration and social despair hai never sounded more trenchant. Their stories show the ease with n'fuch docSrare beliefs can cross over into moral righteousness and violent action. They show with startling clarity hott ar ndiridual cm come t0 believe that passivi{ in the face of horror is in itseif a i<ind of violence.SomesaythattheungonrhrrinYietnam&ovethemcrazy.Otherstalkofa children':crusadegonemad. Their effort to brrng the rtar hrme- tr'a: a terrurict eilort to disquiet Middle Amerrca by bloning up L.uiiding, and

"Thi. r'probably

bunchofothermen,sial,heredinbabyoil,flerandpreenbeiorewhoopirgcroncls."

the.onJy acceptabie rca\on tor d grown man to ever spencl an hour-and-a-hall watching

a

-cjne-schlock-o-Rafia The documentary{ilm that launched Arnold schwarzenegger's career is enjoying a renaissance with Arnie's gubernatorial victory and the Alamo is proud to capiiaiizein itl

From Gold's Gym_inBrookJyn to the-showdown in Pretoria, amateur ard professional bodybuilders prepare lor rhe lq75 Mr Oiympia and Mr. Unjter.e contesl) in thi. part+criptdd, part-documeniarv fi]m. Five-time cham.pion Arnold schnarzenegger deiend. his Mr. olympia title jgain,i Serge l\ubret aid Lhe deal Lou Ferrigno. Thr: rs a short and snect docu-diami fur anydne intereited in the field of :hy. Youlg bodybuilding. as well as ihe art o[ p.yching out" your opponenti, ,r coniept that 6-time Mr. olvmpia n inner Schwarzenegger obviou'ly masle,ed ai per his mljoi cocky, conJiclent and cold ailitude tluo;ichout thi' movie. Hon cold i. Schn arzenegger when he's trdining? Al some point in lhe film, he remarls th"at hi, mother once called him two monthJbefure a competition io tell him ihat his father had died. but Arnoli could not be bothered to flv bacl home f,'r hi' funcial ("what's the u"e? He. already dead."l ouch. He also deliver' a slew o[ hilariou. one-liner. (you can iee hi" action hero per]ond in trainine herei. includins mv personal, f;rorile in uhich he.compare- 'pumplng up' to cumming, a5 well as his in:wer to r queltioir about nhether or not he drinls milk: 'Milk i. foi bibier when voir get older, you drinL beer." '- D\D
Clinic

P9.25 Draftn0usc GinGma - 409 B Gototfld0 St. - 0nlinc ticlets arailanlc fltuww.drannOuse.c0m

Mark talor Rogou.kirlontnc ieftcalrl,atind lhronelornrrchoftie.rghde- ndnqd.e'ame$d\eolc\tremr.kdteboa"ding Ton| Haul ,rnd (hriihrn Hr.oi. Honever. I I'e a 'lale reler iior ..'ie. or ?e-dr mu\rl: Betrr. thr spon .onn lo:L 'l: iommerciai appeal, leaving such skahng icons t0 waste alav in the dust of obscunh: "Stoked - The Rrse and lall ol Caior" is a
popu anled by cautionary tale exploring the disashous con5equences alternahve culturet rebeil'cice This diabolical act is made all the more repelient alier thc r

of sudden fame follored bv ialtering iortune. Its hero - once a svmbol of - eventuallv sellsout bigtine, then cap: oft his descent bv mpin-g and murdering a female acquaintance.

r e've gotten io luou Rogorrski. Like news of a flarved fiiend landing in jail for lawler.mirdced,.iregriraceerrn.''rvequeilioiluhedrer.u$rlatera.net'trhi.:rrNeJi.dmc.mcll,ngd,lfttmentarvthat-hohs

ulnerabrlitv and bruialih - that emeige rvhen one rs shorvered in recogmtion, onlr to hare such iame pulled out fiorn under him. in 11 dilfeient cities ald 6oastLng dozens oi inten'iews rvjth other celeirated skat; bufis, Shckler's comprehensn'e study iakes its faniliar "fall from grace" theme and urjects the same hr,ists and turns that Gator mlght c\mse rrith his skateboard. It's a vertical, highflyrng rush ol a molje. lFrlm Thrcai) STOKED IS PRICEDED BY ROBBII HLILS l.rcal siateb.rrdng tiln PASTTIN'IE, a 45-nrinuie .liateboarding film core.ng lhe pa.t and prerent time. or Au.mi fne't 'l,rtctr npp;:: 'l un ,q'p iv 4r1s-5 thi U5. I hi( mu-l..pe film highlights sucli names as Jon-Erik Palmer, Zach Marhr, \fil Tarlor, P I. Sul\i m. Daud Hean, Bnm Ciarbrook, and Austin Legend jm-packeii ieai'.ire. Jake Num. Cameos bv oiher recognizabie top skaters round out the
Shot

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since WILDSTYLE' Amy Taubin, The Village & DIs fiom the earlv 1980's to the oresent dav FREESTYLE: The Dls from early present day, :it rarelr recorded art form of r\ming spontaneously; off the top of the Art of Rhyrne is a film that explores the rsorld of impro..-.a:.? ::: ;rrnakers, b-boys, d1s, and MC's known as The Center lor Hip-Hop head. Maile over the course oi note than seven vears, b\' : iL-\'a:::i: :.:rmhed dimensions of hip-hop as a spiritual and commuruty based Education, FREESTYLE takes the iierver on a journev tlucu* .:..rrht & iuestlove of the Roots, Freestyle Feliowship, Lord Finesse, arl lorm. ihe prqecl reatLre- dppedrr:e- L'r Supemahr; \1, - l'. 1.1::: Cut Chemi't. Craig L, Juicc. DJ(ool Herc, Boots oi the Crup. ),1.i:.: :r:: r-.:: Sr ar, Crzy Lcgs, Jurassic-S, 'i,Vordsvorth Bobiito Garoa, and Chemist, traig, G, Juice, DJ hcol Herc. B,'oi. of rhe :i : .rihque in story and r\me that is designed to bring aboui a The Lasi Poets. FREESTYLE offers u.q a context in irhich tc r:e; cathaliic transioruation of irusiration inlo beautv -{.s ihese aiili: ir::.-;-* :.:t:. rui oi a n.Lir oi language, poLitics and cultrre that make up their lives, ive discover revoluhonary norlds where the Enghsh languare i. ,.i,::.e :.::rarpropriated aia tool 6f economic and social empowement

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In memoriam: Nina Simone, 1933-2003

In honor of the great Nina

Alano Drafthuuse presents this erhaordrnary rarely seen doarqe:: :: : .J-r P]is c.rnied. Simones artistry"deiies classification. lrom the 1950s until her paismg away last spring, she ionhnuallr t..la::i::::.::::':.rmdries,
Simone, The

roaming across ciassical, jazz, blues, fol( pop, and soul music. The unique perspectives and social proiesli n rt: generaiions. And of course there is her voice - a poter'rt inshument urmatched rn soulful emohon ard det: turbulent time for Simone. Embittered by racism, rvar, and music industry greed, Nina renounced her homeir.i wanderer, roaning ihe llorld. The many musical moods of this legendary songstress are captured in ihis rire5n{

incelebratingtheollenunp"edictableand.rluaycbre,rlhla\'ngHrghl'rie\trrc0l50ul.-PeterLuca.
work ol perionnance art, one of the besi I've seen.
- Jonathan Rosenbaum,

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CHICAGO READER

Before lViarilyn Mansory David Bowie and Alice Cooper there was Screamin' Jal Harrkrr.. Ii rou n:rer i u'orld o{ Scriamin Jay, then this iilm is a good place-to start. For the first hne Saear,rin lal r. :hori as th,' original and flambo1 ant

:'.ti :.'::

:*: ::,r::j:: ::
:: :

i:r.le,

:::ick,

stange but as

arii'l

n ho inrented ' lheatrical rock

.

iactor(ho\raperl.rneirr.:c:..r::,:::::i,rncerthalls Thefilmisnotjustasiraightrock-bio.Althoughitdoeshavethelanriliar'ris:andIalf oneclaytop)r1ing A'l y6urunert nb joint."therertl.neal.olerrnabouthouI.,1 .loyal iollorin;m'.iJre',tu\::;i:;:.':el\rmthe -(c,)griliorhedecrrvrd,rnhichhefinrlll {inds in Greece and Europe). There is some amazing Lire fmtage hom the il s :.. :; lhere:.-omeamauirghreiwla:' i'mil:ti'-i'::-:::rnomance" :.rtomances y [indsinLnr'ccand[uropc). rec')8nrt10n

r:

in 2000. This film isnt Just 10r the tans, 'n2000.Thi'lilmr,n'tlu.tforthefa'c.il-riruvgreallookatamanuhointroducedtl^talrelorocl bv the main-stream. - Luke Wnterton

onih.r,'re;t$r-i.-ir:r::r(tjppreciated
\\rllians ard
morel

Featuring insights fiom friends and collaboraton induding jim Jamusch, Diamanda Galas, Bo Diddleri Eric Burdon.,ll.dre

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C0l0rad0 St. - 0nlinc

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l{hile

Tom Dorrd may not be a household narne, many of the countless recordings

that this illustrious producer and recording engineer has helmed are staples 6f contemporary popular music. This new documentary illuminates Dowd's
extraordinary life and work, from his teenage years during WWII working on the Manhattan Project, to his recording sessions with such legendary artists ai Aretha Fralkli+ Ray Charles, john Coltrane, Tito Puente, Otis Redding, Cream, The Ailman Brothers Band, Booker T. & the MG's, and Eric Clapton (to name just a few). Dowd's talent for arranging and mixing music, his resourceful innovation of the recording process, and his unwavering positivity brought out the best in each and every artist he worked with over his S0-year career. The Language of Music is a fitting tribute to this great unsung hero. - Peter Lucas "Music fans of every stripe should kill to see this film, one of the very best music documentaries in recent years." - Tim Merrill, FILM THREAT

Rock That Uke was a revelatory experience for me. Prior to seeing Bill Robertson and Sean Anderson's documentary about Ukeleles, my experiences with the maligned instrument had been somewhat painful. A distinct memory of a retarded Asian man with camouflage face makeup touting a beaten-up Uketeie and chasing me through a ratty porno theatre (frue story) was proof that Ukelele-torture. But seeing Rock That Uke made me realize that while I'd often heard people make unbearable noise with Ukeleies, I had never actually heard anybody playone. The

musicians that coior RTU are extremely talented and widely varied in their approaches to the tiny instrument - although many admit to turning to the Uke as "the anti-guitar". Narrated by Holly Hunter (whom the fimmakers iefer to as "the human rock n' ro11 ukulele"), RTU is a love letter to the bastard instrument that has consistently been regarded as nothing other than a child's ioy. Indie rockerg comedy acts, ragtime bands, heavymetal hairband Uke Til U Puke, the irrepressible Oliver Brown (who was bom the day Lenny Bruce died because the world wasn't big enough for both of them), a guy who sounds like Lou Reed and another who plays Slade covers (!) - all see the uke as "the ultimate punk
instrument" that may be stunted, but reaches for the stars. - Kier-La ]anisse

HLllllllilGns

COCKFIGHT is a voyage into the urderground world of rooster fighting. The film Caiifornia and fights to preserve the ancient but embattled sport. The second, Clara,

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[U$$t11a 10RI1l

ilHllltll tlut lil PIRS0il!

chronicles the harrowing and hilarious adventures of three wildly different characters. The first, Manuel, is a salty 73-year old who attends illegal cocKights in

is a vibrant Latina who was forced to quit cockfighting when the sport was

outlawed in Arizona. The third" Larry is a firebrand ex-patriot exiled to Mexico
where he fights roosters for a living. Cockfight pierces the veil of secrecy that cloaks this enormously popular yet controversial activity. By bringing you in contact with people whose daily lives are defined by cockfighting, the film seeks to demonstrate how people can draw meaning, value and humor from something many see as savage and barbaric. The filmmakers will conduct a Q&A after the screening.
PS

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April 2002,
the world aivoke to thc ncws that Venezuelar President Hugo Charez

lnd0[endent liur oilce rnd

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up. anC pLcbrbh tlte r lrld's iirst medir up!lier t0 lhr Lrlt.,i Slrtci hr lq!a Husr Charez hd jluc t0 iltc been democralicall_v clected presidelt by r landsLidr nujoriq. prulisuiu u cld comption nd te-,1llf;'cLr:e 1ir. fri rir 800i, ofthe population rvho lived ir poven,r. But lrcm his frnt dal n oflcc Chrrcz lirtd iuertrl ;rc:rier fltLi nsidr ud outside \tnezuela. hnt over 12 nonths rgo fivo ir[h docunietrlin-makcrs. Kim Banler :lJ Drl:;ir. L-] Siirrt r:r'eiled ttr

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Alano Draflhousc Cincnia l0r One dght of leftist GLrardian has crlled The Fountain al ftc

: .::.r ,1;epir unirshionable book. u,hich is about Chuo Salgado, a reclusive : : : : i.\r.{\3stc plart in nofiheast l\{exlco, and hls brother Evan Hatch. a

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scarch

ol a bonc-nanow tissue natch. A staldnp

comedian for sirteen I'ears.

\clm:r r::::: :r: : :.: - ::j:.. -;r .\cr t0 ph!' thc 12.000 scilt \Vcnble-y Arena. making lrorl page : ,:: 'i:.r:'.rl pertbrmed alongside Nlicliael N{oorc in London's biggest anti l(\\). rhcr.r.c Bi I H.1",'l,J t 'bericllt

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::::::ilbi,qliistorico-politicalstand-upshowFronCalibanl0Taliban:..iiriJLh ucti\c \\'ilh Rcclaim lhc Streets, the Lirerpool Dockers, :::::::i: he $\e lhe ke.!il0te speech at ihe Peoplc & Planet conference ::: \:rlrn,i Alamo shory will he readings fiom the new novei, bits .:-:: ,,: Hrurnitrrian Inlcrvelti0n" and even a little ukulelel Books

will he on sale in thc lobbvi

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such as The Freethinker and La Conmune. critical maLvses ofthe duectorlaL rppLoach to take place rvithinthe trhis themselvcs.

The War Game

- ln tlin hjghlv

controversial dramatization

0f he afiucflects ol a nucleu attack on Engiand. \\ttkins

cirn:

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"mathematicallagic"toesrimatethehlclycxperience-bothlogisticandpusonal--olnlclearn'ar,basinghislisualizatiorondttBntisi:.r,::-:. contingcnc,vplansmdscientificrcscaLchiltotheefleclsofradiationonthelumnbodl'.TheBBCconsideredthchlntobeertssr:.r:i:::.-: ,-: distulbing and rcfused to aiL it. 0nli- rcluctantly, afteL \latkils Lcsigned lrcm the BBC in prutcst, did the nefi\'Ork agree t0 r tlteatncal reler:;. , ari i. : - -,: the broadcasring bar renained rn phcc for nr entv years ln aD odd testanert t0 Lts $iking realisn, the hln went on to I in the Acadeni
docmentary. Filmed in what ivould becone thc directoL's rrdrmark "scmidocunertan" $yLc. Thc
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Punishmrnt Park - Punishnenr Pa* remains onc of Peter \\httjrs rno$ accornplished rvotks. Sct in r fictional Anetican prison caqt tor hippr; t. radicals und subveruives cjrca 1970, we are led though a vicious, naddening tribual in the nrliile 0l the descrt, u,hich upor oorelusion 'rti unwilllng participants condermed to I dals in 'Punislnent Park'. The pmitive cmiculul requires ther! I0 \randel lrorn one etd oltlte conpound to dre
other 1n sconhing heat

lvifi n0 food or

brainwashirg s0 that the prisoners

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ivater loL sererrl days until they reach ihe iconic Americal flag at the uthcr end (r penerse means ol comc to yie$ the flag witlt Lcveicrce). What thc) d0n1 klow is $at as the,r $rugglc throngh the blcak ttmir

bickering among$ themselves, the guards (one ofwhom would later plal- one oi Swan s henchmen fiom Phantom ofthe Paradise)

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