Velva L. Price
D-1-GN-23-000368 District Clerk
Travis County
CAUSE NO. ______________________ D-1-GN-23-000368
Ruben Tamez
Plaintiffs Walden Hagelman, Andie Haddad, and Dana Havlin file this their Original
Petition against Defendant Diane Elizabeth “Betsy” Cornwell, individually, and allege the
I. INTRODUCTION
1. This suit involves sexual offenses committed by a trusted educator against minor students
in her care. Plaintiffs are all alumni of James Bowie High School who were involved in the
Starlight Theatre Company under the direction of Defendant Cornwell. Rather than create an
environment where young theatre students could flourish, Defendant abused her power over the
Plaintiffs for her own perverse ends. Specifically, Defendant forced the minor Plaintiffs to engage
in “intimacy sessions” that were nothing more than choreographed sexual assaults. Plaintiffs now
file the present suit seeking civil redress for the crimes committed against them.
II. PARTIES
2. Plaintiff Walden Hagelman is a resident of Texas and may be served through the
counsel of record.
4. Plaintiff Dana Havlin is a resident of Texas and may be served through the undersigned
counsel of record.
Texas and may be served at 8400 Seminary Ridge Drive Austin, Texas 78745.
III. DISCOVERY
6. Plaintiffs intend to conduct discovery under Level Two (2) pursuant to Rule 190.3 of the
IV. JURISDICTION
7. Plaintiffs seek damages and relief under the common law and statutory laws of the State of
Texas, and the amount in controversy is within the subject matter and monetary jurisdiction of the
8. Pursuant to Texas Rule of Civil Procedure 47, Plaintiffs seeks monetary relief over
$1,000,000.
V. VENUE
9. Venue is proper in Travis County, Texas, pursuant to Texas Civil Practice and Remedies
Code § 15.002 because the facts from which this suit arises occurred in Travis County, Texas.
10. Plaintiffs would show that all conditions precedent have been performed or have been
waived.
11. Plaintiffs are all former students of James Bowie High School (“Bowie High School”) who
were involved in the Starlight Theatre Company (“STC”). The STC was led by Defendant
Cornwell (“Cornwell”) in her capacity as both a teacher and Director of the STC.
12. As members of the STC, Plaintiffs often spent 12 hours a day at school, with most of that
time in theatre. The STC needed to be a safe space for them as their second home. It was not. It
was a sexually abusive environment led by Defendant using her power over vulnerable students in
13. Each of the Plaintiffs recall that Cornwell’s approval was deeply important and of constant
concern to STC students. It was also hard to come by, with Cornwell issuing and withholding her
approval and hurtful criticism to manipulate STC students. They knew that if they did not do
exactly what she told them to do, Cornwell would retaliate against them in a multitude of ways,
including refusing to cast them in roles, blacklisting them from leadership positions, and targeting
14. Each of the Plaintiffs remember “romance” or “intimacy” rehearsals. During intimacy
rehearsals, Cornwell called students into a special session in the evening and directed them to
“have sex,” meaning they had to practice whatever sexual conduct Cornwell desired for their roles.
Cornwell would force the minor students to engage in open-mouth kissing, groping, and simulated
sexual intercourse in order to “convince her” that they sexually desired each other.
15. Each of the Plaintiffs remember Cornwell touching male students in a way that made them
uncomfortable. Cornwell would task herself with using stage make-up to paint abs on the boys in
as well, including making them sit on her lap and stroking them and pinching them.
16. Walden Hagelman was a student at Bowie High School from 2010-2014 and participated
17. Ms. Hagelman was cast as a Vietnamese sex worker in the STC’s production of Miss
Saigon. Ms. Hagelman was forced to give lap dances and imitate sexual acts on her male peers
while on stage. Upon information and belief, this stage performance was so graphically sexual that
complaints were made to Bowie High School and to the AISD Superintendent.
18. In or around the spring of 2013, Ms. Hagelman was cast in the UIL One-Act play Front, a
prestigious and competitive production. A few weeks into rehearsal, Ms. Hagelman and the male
student playing her spouse were called into a “romance” rehearsal, alone with Cornwell. Ms.
19. The rehearsal took place in the evening, with the theater locked and the hallway lights
purposefully turned off. Cornwell directed Ms. Hagelman and her male counterpart to step onto
the stage. All the lights in the theater were turned off except for the spotlights downstage, which
were trained on Ms. Hagelman and the male student. Cornwell sat in the front row and made it
clear that the rehearsal had been called to address the scene where Ms. Hagelman and her scene
partner were to kiss. Cornwell had previously critiqued the kiss for appearing “juvenile.”
20. Ms. Hagelman felt good with the scene after running through it a few times, thinking she
should be done with the rehearsal. Cornwell, however, continued to be visibly frustrated and angry
with Ms. Hagelman and her scene partner, until she eventually stopped the scene altogether.
Cornwell told Ms. Hagelman and her partner that they looked “like children” and that they should
partner to stand behind her and put his arms around her waist. Ms. Hagelman began to feel anxious
at this point, but she continued to run the scene to appease Cornwell. Cornwell had manipulated
the students in the STC so that they knew they had to do exactly what she asked in order to avoid
Cornwell retaliating against them. Cornwell’s approval was everything to Ms. Hagelman.
21. Eventually, Cornwell erupted angrily and told Ms. Hagelman and her scene partner to stop
running lines and to kiss. She began to coach Ms. Hagelman’s scene partner on how to kiss Ms.
Hagelman and hold her body. Cornwell told him to press her closer, to push his hips into her back,
to run his hands up and down her torso. Ms. Hagelman did not consent to any of this. Cornwell
wanted Ms. Hagelman’s scene partner (a teenage boy) to look like he “sexually desired” Ms.
Hagelman (a teenage girl). This “coaching” went on for a long time. Cornwell eventually stood up
and yelled that she “didn’t believe [Ms. Hagelman and her scene partner],” telling Ms. Hagelman’s
scene partner to “prove it!” in reference to his sexual desire for Ms. Hagelman.
22. At Cornwell’s urging, Ms. Hagelman’s scene partner then put a hand under her shirt,
grabbed her breast, and put his other hand down under the waistband of her jeans, all while
squeezing her tightly to him. His hands then grabbed her—with one hand groping her breasts under
her shirt, with his fingertips under her bra—and his other hand touching her under her pants and
underwear without her consent. Ms. Hagelman stopped breathing and her body went rigid.
23. Ms. Hagelman’s scene partner froze when he heard her sharp breath and felt her body lock
up. He stepped back from her. Ms. Hagelman and her scene partner both stood there, stunned,
looking at their teacher. Cornwell beamed and clapped, telling Ms. Hagelman and her scene partner
that she finally believed that her scene partner “sexually desired” Ms. Hagelman and that they had
done a good job. Ms. Hagelman believed that Cornwell was aroused by watching the performance.
the theater and told Ms. Hagelman to come off the stage and speak with her. When Ms. Hagelman
did so, Cornwell pulled Ms. Hagelman into her lap, smiling. With a hand on Ms. Hagelman’s upper
inner-thigh, Cornwell proceeded to rub Ms. Hagelman’s back, telling her that she had “made [her]
proud” and that Ms. Hagelman had proven that Cornwell’s trust in her had not been misplaced.
25. When Ms. Hagelman was dismissed, she was very distressed. Shortly after leaving the
romance rehearsal, she ran into her scene partner again. Ms. Hagelman was leaning over a couch
in the office area when he came behind her, leaned into her, and put both his hands on the couch
next to her sides such that she could not move. Ms. Hagelman felt his erect penis through their
clothing. “What if I just took you right here,” he told her. Ms. Hagelman told him to stop and he
26. Defendant’s conduct as described above caused Ms. Hagelman extreme anxiety, anguish,
27. Dana Havlin was a student at Bowie High School from 2011-2015, and she participated in
28. Ms. Havlin was cast as a Vietnamese sex worker in the STC’s production of Miss Saigon.
Ms. Havlin was forced to give lap dances and imitate sexual acts on her male peers on stage. She
was encouraged by Cornwell to get a spray tan, dye her hair black, and paint on winged eyeliner
in order to “look the part” of a Vietnamese character. Upon information and belief, this stage
performance was so graphically sexual that complaints were made to Bowie High School and to
an honor to be cast in a leading role, and an especially significant privilege as a junior. Ms. Havlin
was cast across from a senior male who was playing her character’s romantic interest. A few weeks
into rehearsals Ms. Havlin saw their “romance rehearsal” on the schedule. These rehearsals were
infamous and regular occurrences that Ms. Havlin had heard of often. She was terrified. Ms. Havlin
30. Ms. Havlin entered the choir practice room the day of the rehearsal. Ms. Havlin remembers
being alone with Cornwell, her male scene partner—and to a reasonably certain degree—she
remembers her understudy being there as well, watching them. Cornwell instructed Ms. Havlin
and her scene partner to recite lines back and forth to warm up.
31. Ms. Havlin and her male scene partner began by sitting next to each other on a bench,
reciting their lines. Cornwell then instructed Ms. Havlin and her male scene partner to kiss. Ms.
Havlin had never kissed anyone before and she was very uncomfortable.
32. Cornwell then instructed the students to come off the bench and kneel facing each other,
telling them to kiss every few words or so while reciting their lines. Cornwell told them that this
was not enough, and that they should just kiss more passionately. They then began to kiss with
open mouths using their tongues. This was still not enough for Cornwell.
33. Cornwell instructed Ms. Havlin and her scene partner to lie down together, stop saying
their lines, and to just kiss each other. She then instructed them to roll around on the floor together.
Ms. Havlin’s scene partner began running his hands down her sides.
34. Cornwell eventually stopped the students to correct Ms. Havlin, telling her that “the man’s
legs go between the woman’s.” Cornwell instructed Ms. Havlin to open her legs and let her scene
partner put his body in between her legs. Cornwell instructed them to pretend to be having sex.
she complied with Cornwell’s demands and spread her legs wider. The simulated sex demanded
by Defendant included over the clothes touching of Ms. Havlin’s genitals. Ms. Havlin believed
35. This experience with Cornwell, coupled with Cornwell’s manipulation and verbal and
emotional abuse, caused Ms. Havlin to be hospitalized for suicidal ideation less than a year later.
36. Andie Haddad (“Ms. Haddad”) was a student at Bowie High School from 2009-2013 and
she participated in the STC for all of her high school years.
37. Ms. Haddad was cast as Abigail in the STC production of The Crucible in or around 2012.
38. Cornwell scheduled a special rehearsal for The Crucible, which immediately made Ms.
Haddad and her castmates fearful of what was to come. Ms. Haddad was 17 years old at the time
of this rehearsal.
39. Cornwell instructed Ms. Haddad and her castmates to start on the stage of the performance
theater. The lights were turned off. Cornwell told the cast of students to stand in a circle. She then
instructed Ms. Haddad to get in the middle of the circle with the boy who was playing John Proctor,
her love interest in the play. Cornwell instructed Ms. Haddad and her male scene partner to act out
the scene from The Crucible implying that John Proctor and Abigail have an affair. Cornwell
instructed Ms. Haddad and her male scene partner to be intimate with each other, lie on the floor
and kiss, and pretend to have sex, all with their fellow castmates watching. Cornwell instructed
Ms. Haddad and her scene partner, John Proctor, to have sex – to have an affair. This made Ms.
Haddad extremely uncomfortable, but Cornwell insisted, instructing Ms. Haddad to “go have an
began kissing. This was not enough for Cornwell, who instructed Ms. Haddad and her scene
partner to lay down on the floor. Ms. Haddad and her scene partner complied, laying down on the
floor and continuing to kiss. Cornwell continued to yell “more, more, more!” at Ms. Haddad and
her scene partner, urging them to increase their level of passion until the two teenagers were rolling
around on the floor together, touching each other and making out, including kissing with tongue
and groping. This “groping” included the male scene partner fondling Ms. Haddad’s breasts with
41. Meanwhile, Cornwell had instructed the circle of students surrounding Ms. Haddad and
her scene partner to jeer and insult them as they carried out Cornwell’s directive to “have sex.”
Later during that same rehearsal, in the black box theater that Cornwell had moved the students
into, Cornwell berated Ms. Haddad, calling her a “slut,” telling her she was dirty, and saying the
only way people would love her is if she used her body. These comments were extremely
42. Defendant’s conduct as described above caused Ms. Haddad extreme anxiety, anguish,
43. Plaintiff Havlin repeats and re-alleges the allegations contained in the paragraphs above,
44. Defendant caused, with the intent to arouse or gratify the sexual desire of herself or others,
Plaintiff Havlin to engage in sexual contact by causing another person to touch Plaintiff Havlin’s
46. Plaintiff Hagelman repeats and re-alleges the allegations contained in the paragraphs
47. Defendant, knowing the character and content thereof, authorized and/or induced Plaintiff
Hagelman to engage in sexual conduct and/or a sexual performance in violation of Texas Penal
49. Plaintiff Haddad repeats and re-alleges the allegations contained in the paragraphs above,
50. Defendant, knowing the character and content thereof, authorized and/or induced Plaintiff
Haddad to engage in sexual conduct and/or a sexual performance in violation of Texas Penal Code
sec. 43.25.
52. Plaintiff Havlin repeats and re-alleges the allegations contained in the paragraphs above,
53. Defendant, knowing the character and content thereof, authorized and/or induced Plaintiff
Havlin to engage in sexual conduct and/or a sexual performance in violation of Texas Penal Code
sec. 43.25.
55. Pursuant to Rule 193.7 of the Texas Rules of Civil Procedure, Plaintiffs give notice to all
parties in this matter that Plaintiffs intend to use any and all documents produced by any and/or all
X. DAMAGES
56. As a direct and proximate result of the acts of Defendant, Plaintiffs have suffered damages
60. Plaintiffs are also entitled to pre-judgment and post-judgment interest at the highest rates
allowed by law.
Plaintiffs herein request a jury trial and tender the jury fee to the Travis County District
Clerk’s office, pursuant to Rule 216 of the Texas Rules of Civil Procedure.
3. Plaintiffs be awarded costs of court and such other and further relief to which they may be
justly entitled.
STYLED ___Walden Hagelman, Andie Haddad, and Dana Havlin v. Diane Elizabeth “Betsy” Cornwell
________________________________________________________________
(e.g., John Smith v. All American Insurance Co; In re Mary Ann Jones; In the Matter of the Estate of George Jackson)
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Jay D. Ellwanger jellwanger@equalrights.law Walden Hagelman, Andie Haddad, and
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