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ANONYMOUS, 1 1 A PROLOGUE
crawls up the screen -- with Narrator. NARRATOR In May 1900, Fidel Castro -- in an effort to normalize relations with the Carter Administration -- opened the harbor at Mariel, Cuba with the apparent intention of letting some of his people join their relatives in the United States. Within seventytwo hours, 3,000 U.S. boats were headed for Cuba. In the next few weeks, it became evident that Castro was forcing the boat owners to carry back with them not only their relatives but the dregs of his jail population. 3y the time the port was closed 125,000 'Marielitos' had landed in Florida. An estimated 25,000 had criminal records. This is the story of that minority -- those they call 'Los Bandidos.' The prologue is shredded diagonally by the blade of a stilleto and in the empty black void we: CUT TO 2 2 from the harbor in Mariel, Cuba. Vessels of every nature, waving masses, demonstrations.... ; I THE 3 I . i7 , 1 4 4 The flag of the ragged coastline fishing trawlers Beautiful" -type United States. Choppers swooping over the of the Keys. Emerald waters dotted with and pleasure craft, an "America the Immigration theme surging over 'this. 3 Sun and storm. THE LANDING - KEY WEST CROSSING Opening Montage - Documentary THE DISEMBARKATION Footage:
#02154 22/82 5 THE
2 Rev. 11/
PROCESSING 5 Long lines. Immigration and Nationalization Officials, customs, Public Health, FBI, Church and Relief Organizations. Babies bawling, arguments over paperwork, refugees being interviewed by TV news, people crying, people eating, families huddled on floors...chaos. The in stately as we: CUT TO INT. OFFICE - PROCESSING HALL - AFTERNOON - A FULL 6 CLOSEUP OF TONY MONTANA ant music theme continuing calm
6 and 7
7 the scar-faced one, in the young angry prime of his life. We dwell first on the scar which he likes to scratch now and then. We move to the eyes, pure in their fury. Finally we encompass the face -- the face of a man about to explode -muscle, tissue, brain -- a man willing to live or die and on the increment of a moment, inflict or receive either one. He is clothed in rags crossed with holes, his shoes broken cardboard, his hair unkempt, his complexion sallow from prison. Over this: Okay so what do VOICE #1 (0.8.) you call yourself? VOICE #2 (0.6.) Corn0 se llama? MONTANA (X) Tony Montana...you? Where'd , Tony? MONTANA (Xl Sailor. My old man -- he was American. I always know, y'know, one day I Bum. I see all the gonna come to America. movies.... VOICE #l So where's your old man now? He's dead. He MONTANA died. Somewhere.... you VOICE #1 learn to speak the English
VOICE #1 Mother? TONY She's D . #02154 6 and ant 7 7 What kind Tony? of VOICE #2 work you do in Cuba, Some con11/22/82 CONTINUED 6 3 Rev. dead too. CONTINUE
TONY This. That. The Army. struction work.... VOICE #2 Unhunh. Got any family in the tes, Tony? Cousins, brother-in-law? TONY (a beat) Nobody. Everybody's NO. MAN #I jail, Tony?
TONY Me jail? No way. We now reveal three men in civilian clothing in the dark afternoon light of the little room. Actually it's a plywood office somewhere in the processing hall and we hear the din from the hall over the question and answer. Two of the men sit around a desk, the Third Man stands in a corner, staring at Tony, the most authoritative-looking of the three. MAN #l (checking off a list) You been in a mental hospital, ? TONY
11/2 His eye movements are rapid (over shoulders. and colle CONTI Rev. (scratching the scar. what's he Just The voices cted throughout. like men. You should other kid. TONY (to Man #l) no.Yeah.objects -. NO i . Man #3 is stepping forward out of the shadows.NO. remain cool fuck's wrong think I am? Tony. NUED #02154 2/82 6 and ant 7 7 Fuck Arrested? . y'like to dress woman? TONY (to Man #2) Never tried it. What the (X) with this guy.lightly with the tips of the fingers. MAN #1 Vagrancy? Marijuana? Never. (grinning) in the boat coming over.. CONTINUED .. So This?. doors) and he does a lot of touching -.2 6 4 (Xl of answer the men the MAN #2 questions. sides. up like a MAN #1 How 'bout homosexuality. (a grim chuckle) see the where'd you MAN #3 get the TONY beauty ?' scar? . shrugs) I was a kid. Tony? You. TONY Nothing.
3 5 Rev. Tony. what's it to Hey.. Get him CONTINUED . TONY tourist.. 11/22/82 MAN #3 you mug him first? here! (starts to walk out) TONY so I fuck Castro. This one's new. Big deal.. MAN #3 Sweetheart? (to the other men) We been seeing more and more of these. Pitchfork means an assassin or something.#3 funny.a heart with the word "Madre" scaled through it. you wanna be like a sheep. Montana or you want to take a little trip to the detention center? TONY Hey. what to do.MAN #3 And this? He holds up Tony's hand and indicates the tattoo between the thumb and second finger -.You want to tell us. It's some kinda code these guys used in the can. Oh that was for TONY my sweetheart.. Baa baa? Puta! You want a stoolie on every block? You wanna work eight hours a day and you never own nothing? I ate octopus three .. like everybody else. you? You a Communist or something? How would you like it they tell you all the time what to think. so I was in the can once for buying dollars. CONTnmED #02154 6 -6 and am 7 7 That's Some What'd outta pretty Canadian MAN.
times a day, fucking octopus is coming out my ears, fuckin' Russian shoes are eating through my feet. Whaddaya want? You want me to stay there? Hey, I'm no little whore, I'm no stinking thief! I'm Tony Montana and I'm a political prisoner here from Cuba and I want my fucking 'Human Rights' just like President Jimmy Carter says, okay?... Silence. 7There's a certain eloquence to the man`s plea but it falls on disbelieving ears. One of them chuckles. MAN #l Carter should see this human right. He's good. He's very good. What do ix: you say Harry? MAN #3 (walking out) I.. 'Freedomtown.' Let them look at him. A long look. #02154 6 CONTINUED Pand 7 ant 7 TONY Hey, that's okay, too, Harry. No hard feelings. Man #3 at the door stops, looks back. TONY Send me here, send me there. This. That. Nothing you can do to me Harry, Castro didn't do -- nothing.... That taunting smile on Tony's lips as, to the music of the immigration theme, we: DISSOLVE TO WT. FEDERAL BUS - HOUR LATER 7-P The bus is packed with the harder-looking refugee-types. The noise The windows are caged and we see INS guards. level is high, like a sack of monkeys. Manny (Manolo) Ribera's got his feet up on an empty seat. (X) He's big, strong, handsome, with dashing darkly feminine eyes -- younger than Tony, and dapper in his cheap clothing. He's eating a Baby Ruth candy bar. Seat's taken. TONY So I'll sit in your lap. Tony pushes his feet off, sits. He takes the Baby Ruth out of Manny's hand, peels out the bar of chocolate, then -4 6 6 Rev. 12/16/82
returns the empty wrapper to Manny, TONY So what'd you tell them? I told them what you told me to tell them. I told them I was in sanitation in Cuba. .TONY I told I didn't tell you sanitation. you to tell them you was in a sanitarium, not sanitation. The bus pulling out now. CONTINUED #02154 7-A CONTINUED 7-A Is that what you told me?..You didn't tell me that. You know if mouth, they a horse. I had TB and Fuck You you 7-B we: 8 INT. TONY'S TENT - FREEDOMTOWN LATER) 8 A movie projector... - NIGHT DISSOLVE TO (SIX MONTHS EXT. of MIAMI FROM 7-B Miami as, to you Tony.... TONY right. I shoulda left TONY you hadn't opened your woulda thought you were told you to tell them you was cured. 6-A Rev. 12/g/82 (Xl
did nothing in Cuba.
BUS - ESTABLISHING SHOT the music of the Immigration theme,
We're watching . . . the face of Bogart -- unshaven, paranoid. a badly damaged 16 mm print of The Treasure of the Sierra Madre. It's near the end of the film and he's alone, talking to himself just before the bandits get him.... The rag-tag audience is noisily yammering back at the screen, the camera moving past Manny Ray, chewing gum, hair slicked, eyes in cat-like repose...to Tony, enrapt, eyes like an eleven year old, mouth hanging open. BOGART
What a thing. Conscience. Conscience. Xf you believe you've got a conscience, 'it`ll pester you to death. But if you don't believe you've got one, what can it do to you? Makes me sick so much talking and fussing about nonsense. Time to go to sleep. (closes his eyes but not for long) CUT 6-B #02154 9 Rev. 12/9/82 INT. TENT - LATER THATNIGHT Tony is moving down 23rd Street, the walk proud and jungle in the rock of the hips and the cast of the shoulders -now accompanied by his handsome compadre, Manny TONY That Bogart, Chico, hunh? CONTINUED #00766 9 __ 9 Fucking crazy, hunh! TONY That gold dust blowing in the wind. Y'see Manny, he's always looking over his shoulder. Hunh? Like me.... He hunches, darting exaggerated looks over his shoulder, imitating Bogart. Manny laughs. In his black shirt with zig-zag dots and colors and the baggy pants and sunglasses, Tony's starting to look American. He's even got himself a pop button pinned to his shirt that says "Fuck Off and Die." And hi6 English rolls faster off his tongue, his confidence more pronounced. TONY I . . don't trust nobody. Yeah all that gold, hunh -- I guess you get 60 crazy you never trust nobody no more. TONY Never happen to me, Chico. That's one thing I never gonna be. I never gonna be crazy like that. Yeah, how do you know.... TONY I know. I don't know. too, Tony. Sometime6 you crazy, CONTINUED 7 9 TO
Manny. . Want some peanuts? Pago's carrying tonight. what's going down. cigarettes. Tony moves on with a movement of the head for Manny. Spanish) Manny. Hey. "Later. Hey Oye CHI-CHf Usual shit. I love you! Yeah." He's in the middle of the "Boulevard" where a bustling black market in toiletries. TONY c'mon.. I don't it. A real snatch? CHI-CHI You're not kidding. intersecting a young punk.2 CHI-CHI (to Manny. I the CONTINUED #00766 s 8 9 9 CONTINUED . Chi-Chi. playfully punches Manny and they walk on into Tony humid night. You're like my brother. As they chatter. It talks. clothing. sure. know... and transvestites is conducted nightly in the harsh glare of barrack neon. You never go crazy with you. what she look like? CHI-CHI She look like you 'cept she got a snatch. Chi-Chi. I get all fucked up on CHI-CHI Want some new snatch? A pussycat name of Yolanda just rolled onto the Boulevard --Oh yeah. I go crazy.TONY Assholes.
As he finishes the number. he flips the snapshot over and we see a young girl. then at his own pace. VOICE Yes? . in shadow. Tony is dialing. His expression alters to uncertainty. Angel Frenandez has got the face of one. Then recognizes somebody in another phone booth and goe s over.-oth.. the fringes of the photo heavily tattered with handling.. 11/22/82 9 (X) 10 . Pause.NIGHT 10 Tony. about thirteen years old.He ambles past a bunch of young guys throwing a Frisbee. The faces of those in line peer in.. fiery. early twenties. in a phone bo the middle of a bank of them. dozens of Marielietos pressing to get in. but Tony ignores it. hangs up. TRANSVESTITE (passing) What about you sugar -. the next party raps on the door. Tony stares at it._ dy -- EXT. his eyes pensive. in . tiny. then hangs up. FREEDOMTOWN GROUNDS . He walks a few beats. TONY Angel. exits the phone booth. trying still to contact somebody -anybo on the outside.you wanna party? TONY (passing her) with whose cock. a worn phone book in his hand. slips the snapshot back into the wallet in his pants. his eyes shifting down to the telephone number written in pencil on the back of a snapshot. standing together with a dog and Tony. dark. A brief moment of repose we have not yet seen in Tony. as he argues on the phone.. Yeah honey? CUT TO 2nd #02154 Rev.Hello?.. past a "Viva Carter!" proclamation in graffiti.Who is this? Tony changes his mind. his mind drifting as the phone rings in a distant place. Someone picks up the phone. how ya doin'? ANGEL You know how many goddamn Fernandezes are living in fucking Union City? And I gotta call every fucking one of 'em . An older woman's Voi ce. a desolate look on his face. five minutes later.
listens. 11/22/8 catches fuck up to yourself. ANGEL Oh shit! What's I say. so what do you think the immigration's gonna do riot? You think they're gonna let us out? They're gonna throw away the key. Immigration is having these hearings. ANGEL Tony. y ' know? And they're saying nine out of ten of us is gonna get back! shipped TONY Oh yeah? Yeah. Tony. fires. -things are gonna pop here. In Pennsylvania. He hears we got problems. muchachos. that's what. I coulda told you that.to find my brother! TONY passing) (in Don't waste your dime. Chico.. things. is . TONY Shit. broken heads.. And a lotta shit just went down at Indiantown Gap. You know your brother hates you.. 10 2nd Rev. Yeah. I TONY don't he hears hear.. Go Manny CONTINUED #02154 2 (Xl 10 c0NT1NUED 10 TONY Whatcha hanging around with that hustler for? Hey What's comes Angel over. This gonna end bad. when we Chi-Chi's he hear okay. Riots.
He and Angel. . 'when you got 'em by the balls.DAY .he don't want us. oh yeah!' love you CUTTO #00766 12 EXT. something like Blondie or a nearby barrack. smiling at Manny The radio is playing hard Benatar from the stoop of sound and swings into it. shifts downfield. TONY (in awful imitation) 'Oh yeah America! Love-to baby.TWO WEEKS LATER 11 Camera on Tony shuffling and feinting a soccer ball in al impromtu game. I tell youguys this isn't Cuba here.ship us back to Cuba? Castro -.. Whatta they gonna do -. TONY (lying there) Aw fuck. he's covered with sweat.. their hearts and minds gonna follow' --hunh? and walks off. rock. The game. 11/22/82 10 (Xl we gotta hunh? sit here Tony winks TONY You worry too much. PLAYING FIELD . Like the man says. tires a fancy mo\ around a younger kid who not only steals the ball away fl him but manages to lay him flat on his face. They got nothing but lawyers here. what if another six months. his hips like Presley. leaving him behind. We're on the television.. 11 and 11-A gotta let us CONTINUE 2nd Rev. this is the United States. Nobody no place wants us so whatta they gonna do -.they go! D #02154 10 c0NT1NuED -2 Yeah. We're in the newspapers.put us in a gas chamber so all the people can see? They're stuck with us.TONY Hey. well. Chico -. Tony loves the snapping his fingers and rolling back-peddles. mi hermano.
FREEDOMTOWN . For both of us. you tell your guys Angel gets out with us. Chico. MANNY We can be outta here in thirty days. we're made? TONY Yeah. The refugees storm the barbed wire at the main gate. Tony signals him.there's a hundred greenbacks in it. walks off the fie towards him. (shakes his head) Forget it. We got a green card and a job in Miami! Hunh? We're made. eyes roving as the guard examines his papers. TONY (enthusiastic) Hey you're kidding. CUT TO MONTAGE . ANGEL Chicken liver. nervously smokes a cigarette. carrying bricks and wooden slats. ANGEL (at a distance) Hey Tony where ya going? TONY I got better-things to do. brushing himself off. just arrived at the edge of the field.DAY 13 The visuals are swift. go to Cuba and hit the Beard or what? c0NT1NuED #00766 CONTINUED 12 12 Angel is walking towards them. whadda we gotta do. cone? TONY Yeah.Qye ! Tony! C'mon! Mamy. that's great! But Manny. ALL 14 (looking zd) walk. Oh yeah -. As Rebenga. waves him o Tony. Not only that. You ready for the good news.THE RIOT . getting up. hunh? TONY (to Manny) Yeah? Let's They walk. dispassionate and documentary-like. in long-lensed closeup. 13 .
21 tracks him. 17 14 ANGEL INSIDE . Injured refugees lie bleeding on the grounds. Others 23 THE set POLICE fire to their mattresses. 20 REBENGA 2C nervously a into 21 a cigarette barrack. #00766 . Loudspeakers blast... signals. wielding SEVERAL 17 are scooting down a highway. AN ENTIREBARRACK 24 .. 15 REFUGEES 15 flee through a hole in the fence. hurries 15 REFUGEES clubs. 18 POLICE DOGS on chains are glimpsed. GUARDS 16 move on them.(in unison) Libertad! Libertad! NATIONAL GUARDSMEN AND STATE POLICE 14 form ranks outside.REFUGEES 22 22 are slats. going for the wooden AND GUARDS 23 are moving through the gates. in his mouth. restoring order.. pulling apart their beds.-19 REFUGEES 15 throw stones and debris from the rooftop of a barrack.
And Emilio Rebenga staggers wildly in the smoke.7 27 INT. 26 26 ebris the aftermath. Emilio Rebenga grabs his papers BARRACK he aisle ees. -~his lungs and his heart.. Rebenga sees him. unco mprehending eyes encased in broken glasses Sinking out of fram e.A MONTH LATER EXT. Rebenga snaps to the sound TONY From INUED #02154 Rev.DAY . .DAY The riot is over. The stiletto punches nine quick holes in . PROCESSXNG ROOM . senses danger. l/18/83 (Xl 25 _.24 now goes up in flames.And the figure of death is gone . with his satchel. TONY asses. shatters his gl smoke and flame. . 25 and INSIDE A THE 25 bewildered valuables. DISSOLVE TO 2.25 The work is fast.. The grounds are still. . Rebenga stumbles into a flees down t panicked refug bed frame. . hich Scarface now appears -Rebenga! of the voice. intersecting other Manny follows. Manny runs up on him. Out of w in his killing wrath. FREEDOMTOWN . smoke and d CONTINUED 16 (Spanish) the friends you fucked! CONT Into the An Immigration Officer passes a sheaf of documents across . then runs on.
Boats. kidding around. CONTINIJEID #02154 3 (Xl 27-A ?' CONTINUED 27-A TONY (looking around) J3oy -..oig the street in their hand-me-down clothes. the camera moving past blossoming skyscrapers.to the face of Mr. l/18/8 MIAMI. huge cranes. Insert a car sticker going by with the image of the American flag and the reminder: "WilI. Montana examining quite contentedly the rewards of his efforts.. The camera gliding along a Green Card pinned to the top of the stack. End of montage. the last American leaving Miami please bring flag?" Tony and MaMy bop al. Amerifirst). .past a giant billboard: HOW ABOUT A MILLION DOLLAR LO AN? COME TALK TO US.. It's official.. THE BANCO DE TODAY! Past banks of glass (Caribank. DOWNTOWN MIAMI . oogling the chicas and the bodegas (in a plush modern area of Miami). mirrors booming upwards into a beautiful blue Florida sky. glass. Cars. It says "ANTHONY MONTANA" and it has picture and stamps.can you believe this place . Buildings..' Chico? (Spanish) they weren't TONY (pointing to a little old man walking towards them) that old guy over 16-A Rev. Music continues. workmen.. fleeced with perfectly white clouds..SUNNY DAY The new Miami is rising UbiqUitOUSly above Biscayne Bay.a desk into a pair of hands. Banco AT Venezuela. as the camera moves with triumphant immigration theme music. See there? .. DISSOLVE To 27-A 27-A EXT. de Man.
Does it again. He'll give you the silver right outta his pants -. How do you know? TONY Go over there. Mira! He wiggles his tongue up and down. then it's gone. (*SEE Hey baby what TONY you say? (*SEE NOTE) NOTE) girl in heels comes down the sidewa She looks at him like he was the last thing in the world she'd say anything to. it looks like a baby robin's head peeking out of a nest iin his teeth. fast like a small whirring motor part. watch me. TONY . quickly. TONY 27-A . Before she can react.(*SEE NOTE) A hot Cuban lk towards them with a female friend. he hops away laughing as the two Cuban girls ad-lib Spanish expletives at him... then slips it back into his mouth in the flick of an eye.the fuck was #at? You didn't see it? You weren't looking. You wanna score one of these chicks. Hey you gotta watch for it. then changes his mind and runs up behind her and throws up her skirt and peeks at her ass. that's what they do here.2 Tony waves her off. Bey that's not cool. man.that's America man. Ask him gimme some money. CONTINUED #02154 27-A 16-B Rev. (almost believing) Yeah? Hey Tony catch this tomato.Yeah.. (adjusting his pants) Ooooh baby doll.. TONY Millionaire. l/18/83 (Xl c0NT1NmD .
TONY Come on? Manny follows as Tony now moves across the opposite lane. winks. TONY The w. Does it again. cool blonde across the avenue. then the blonde smacks him across the face blond look. they know.cono! How 'bout that one? Pointing to a tall. Tony shrugs. She looks at him.. confused. TONY Oooh. Be makes his own version of a funny face at the kid who looks back at him puzzled. Tony produces another face. Manny stops alongside.DAY 27-B Tony walks right out into the avenue. Tony tries but lacks the speed and agility. Manny has moved close to the and suggests something. he flicks his tongue. e Meanwhile. four.out his arm and stopping traffic. provoking Manny's laughter. #02154 16-C (Xl Rev.eating bugs? That's disgustin'. catches the gaze of a somber child.. his eyebrows raising. waiting off to the side. The kid now smiles. No problem. but they just love it when you flop that pussy with it. You think so hunh? Well you don't When know shit 'bout chicks Chico. l/18/83 27-B EXT. pretends to he catches her eyes. She smiles and moves along. sidles closer to her. toddling along with it's'mom..What the hell's that for -. sticking . mi sangre.. When blonde (points) Okay Rober Retfor. Cars honk angrily but he couldn't give a shit. They go crazy. It takes a moment. The mother looks over. a car screeching to a halt in front of him. the smile crooked. MIAMI SHOPPING STREET . Manny look back at Tony. has paused to look strut your stuff. Tony.. They don't resist me. (doing it again) Takes practice. Many double checks himself in a shop window. they see this. then back into the window. in a shop windo .
mocking. This country first gotta get the money. cafe. You lucky you have any friends. . then you get the women d then.who's getting CONTI NUED #02154 l/18/83 : 27-B 16-D . TO 28 HT gonna CUT (Xl LITTLE HAVANA RESTAURANT . Rev.. There you go talking bit again man.. TONY .NIG so where's this job? off. Spanish in influence. (Xl Don't push men. You don't know shit about the world... tourist haunt and late-night watering hole for various beasts of prey. The inside is a brightly lit glitterdome with fancy mirrors and chandelier effects. my friends take care of everything. family restaurant.. The parking lot is crammed with Moby Dick-size cars and casual Cubans in sports clothes bunched in conversations around their wheels or at the ice cream stand. over to him. then you the power and when you got the power. they walk As (Xl (X) Yeah. back to camera. and every It combines the social functions of a table is taken. hunh -. You lucky to have me as a friend. Who was it got us the green card.LITTLEHAVANA 28 on Southwest 8th Street. you got the world the balls.an by TONY Pobre hijo de puta -. nCalle Ocho". c0NT1NuED 27-B MANNY (Cont'd) us a job? You or me? Not you man. Chico. it al you get -.you got l mixed up. Por 10s conjones. who got us the friends with the connections..and walks Tony walks away.
the mark of status -.. A dish slips through Manny's fingers and crashes to the floor. The camera following past the pots and the pans and the steam and the yelling cooks -.fucking Cono! onions! They outta be picking gold off the streets... flash Chico. I didn't come to America to break my fucking back. A look between them suffices to tell us all. turning the tables at a speedy rate. They're filthy and exhausted.. darkest recess of this dungeon. . To reveal Tony Montana stubbing grease off the pots and Manny Ray washing a stack of dishes.The waitresses move like well-oiled troops along the paths to the kitchen. wiping the sweat off their faces with towels. familiar with the waitresses. kissing. (looks at his hands) Look at these. TONY Yeah. outside! You got CONTINUED 28 17 Rev. . TONY Junkie! -. a litte coke money don't hurt nobody. .. COOK (Spanish) Hey you two.. look at his clothes. Staring through the smeared window enrapt are Tony and M--q..HOURS LATER we are looking through a cubbyhole at the diners. shaking hands with friends. Young Cuban guys with chiquitas drift in with their fancy clothes. pizzaz!. CONTI NUED #02154 28 . 11/12/82 (Xl (Xl .to the deepest. His hands are shriveled white from dishwater..-TONY Your big shot friend better come up with something soon. talking loud.They got no fuckin' character.. Look at that chick man. look at the punk with her.NIGHT .large bodyguards. wow! Look at them knockers. (equally xated) Hey he's coming okay! What do you want? 29 CUT TO INT. LITTLE HAVANA RESTAURANT . What's he got that I don't got? He's good-looking that's what. They're out front with the flash./EXT. diamonds and -. querido.
Okay! (to Tony) what'd I tell you. he cuts a skinny figure at the wheel of a big beige Coupe De Ville. TONY You gotta be kidding! Whaddayou think we are -.company. .. That's great.. constantly smoking a cigarette and coughing between words.. Waldo mumbles something indistinct. 11/12/82 29 That's him -. flashing a lot of gold when he smiles. feverish intelligence. PARKING LOT OUTSIDE LITTLE HAVANA RESTAURANT . CONTINWED 10 Rev.. coma esta. nodding arrogantly. Omar's eyes move back to Manny. OMAR I got something for you.. (leaning in the window) Hey Omar. twentyfive tons -. heavyset with a receding hairline. Nervous.. Waldo. his face pock-marked and pitted like the moon from an old acne scars.What Oh yeah! gotta do? (X) We gotta unload a boat -.my friend I told you about. See.. darting eyes. Waldo Rojas. You get five hundred each. 30 CUT TO EXT.NIGHT Omar Suarez (El Mono -. In contrast he's amiable. Omar just stares briefly as Tony hangs back..."The Monkey") is so named 'cause he looks like one.Omar Suarez. idling the motor.baggage handlers? CONTINUED #cl2154 . 11/2/82 30 CONTINUED -30 Omar looks at him somehwat incredulously as Tony wipes his 19 Rev do we 30' . Tony Montana....with him is Waldo Rojas eating a large foot and a half banana.that's what we gotta do..El Mono's here! TONY (contemptuous of the name) El Mono? Shit.grass. crooked. #Oil54 29 CONTINUED .
TONY Shaddup! Omar head sniggers.. In the car. hunh? What was the Rebenga hit -.. Tony.. forward.shit! What'd I do for you guys in the slammer. Chico? Don't he think we coulda gotten some other space cadet to do Rebenga -. Manny grabs him.. The idea crosses Yeah.cheaper maybe.five hundred dollars -. Hey we. (Xl CON TINUED #02154 30 coNTINuEa -2 (back to i?y) All right.. --- . Fifty bucks? TONY (shrugs) So why didn't you? And who the fuck you calling a dishwasher. them OMAR let's WALDO Indians go. TONY . Steps Bey! -Tony. Guy's What (Xl He omewhat amused..this dishwasher. (shocked) Tony. you wanna make some big bucks? You know anything 20 Rev.. c'mon. . OMAR buys it. U/12/82 30 Omar's mind.game of dominoes or somethin'? You're talkin' to important guys here. it's okay Omar. his eyes shifting to Waldo who shakes his and laughs.hands on his greasy apron as he talks.. Omar looks over at Waldo. . (to Manny'Zy) So what's it with. I'll wipe your monekyshit ass all up and down this Boulevard. s a about lunatic.. smart ass.
I want you to go over there. You do that. They say they got two keys for us for openers. You get the money then. OMAR Meet me at Hector's bodega Friday at noon. No problem.feet and pulls the Coupe De Ville out of the lot. CONTINUED #02154 30 CONTINUED . OMAR You're gonna need a couple other guys. Tony. Something happens to the money. Flying in Friday.. (relieved) Tony you're pushin' your luck. Throws the remains of his cigarette at their...There's a bunch of Columbians...about cocaine? TONY You kidding. and my boss' gonna stick your head up your asses faster'n a rabbit gets fucked. (to Tony-) Hey. Pure coke. and if it's what they say it is. pobrecito. pay 'em and bring it back. OMAR You know how to handle a machine gun? Sure we was in the Amy together. OMAR .. c0NT1NuED #00766 30 CONTINUED . New guys. you'll make five grand. Tony says nothing. 21 20-A Rev.3 30 TONY (walking away) You worry too much Manny -.3 TONY I'm scared.. that sounds great.you' re gonna get yourself a heart attack one of these days. In a motel over in Miami Beach. 11/Z/82 30 (Xl (Xl ..
smoking a cigarette tensely. I plenty of plates here. In the delapidated backseat are Angel. 32 INT. art-deco cheaper hotels of South Miami Beach. MIAMI 3EACH . It's a beaten-up black and blue Monte Carlo. 31 got . I just don't like fuckin' Columbians that's what.MOVING SHOT 31 The somewhat run-down. rattles past. Spanish) Where you greasers going. Tony turns down the salsa beat on the radio.DAY 32 seen from the inside of the sedan. reading papers. the baby-faced punk. The porches are filled with senior citizens playing cards. whistles a vapid series of Manw. reflecting the tension.MI-1 22 RevBEACH . Driving is Manny.(catching7 Yeah. hunh.DAY . slowly walking the street. I just retired. notes under his breath as he waits for a light to change. They're animals! COOK (intersecting. jammed with Tony and his gang. TONY So nothin'. staring. `em Throws the Cook his apron../EXT. TONY'S CADILLAC . CUT TO EXT. jacked up on its springs with dune buggy threads and needing paint. COOK (Spanish) What the fuck you gonna do! TONY Look after my investments. #02154 11/22/82 -. The ramshackle sedan. both from Freedomtown. You'd arrest these guys on sight. TONY Wash yourself. and Chi-Chi. so who are these Columbians? TONY So what does it matter? So whatcha have that look on for when Omar bring it up? Tony strips off his greasy apron.
She talks to Yemaya and Chango like nobody y'ever heard. I just y'know forgot to make an offering. You `(Xl INUED #02154 32 CONTINUED ANGEL She knows her shit. 23 Rev. etc. (looking in the rearview mirror) &gel. Sharp teeth glinting. TONY Drive. whatcha wearing the ? ANGEL (tense. who is coming off the beach in a bikini.. (the light changing) willya.. sure. red and white beads. an old crone hunchbacks her way in front of the teenage chick. Camera Not her revealing (mocking) Sure. the teenager. I was supposed to go by the madrina today.Hey look at that chick. his eyes rolling in orgasmic imagery. it's okay. red kerchiefs. Cod of Fire and Thunder. hunh? Lookit those tits man. Many of the Marielitos in the film will be wearing this. she's begging for it! At the curb.. his head crowned with gold. As he talks Angel fingers a Negrita charm hanging around I his neck -. Not to worry.. black hand charms silverbangled bracelets. all relating to their Afko-Catholic spiritualism. his black face tilted at a carnal angle. also pendants with an eye to ward off the evil spirits. blocking her off. CHI-C?XI (looking over) you crazy? She's 103 year6 stupido! Her. making light of it) Ah.Chango. Tony -- Whatta old. You get a heart attack. 11/22/82 still going to that face for cuncha? CONT 32 (Xl .
. Chango -. TONY (angry) shaddup -.all of ya! I told (Xl Hey. the sign of a motel -. If I'm not out in fifteen minutes. (X) TONY Okay. it's in vogue. There's no gods. Angelito? CONTINUED 23-A #02154 Rev. Chango looking out for us.is coming closer. the car up. Let's #02154 thing.. Tony to Angel: TONY go. they pull out Ingram Model-10 with folding butt and suppressor. CUT 24 TO coNTmuED -2 ANGEL 3 . You gotta let him know you respect him._. Silence. you before I don't go for that mystical voodoo shit.. this is it..TBE SUN RAY -.. TONY (to Manny) Money stays in the trunk till I come out and get it. But you gotta pay him his dues. As Manny pulls machine pistol of kill power can be slipped gettting out. someI'm in Room 9. That's for the old cunchas waving their rooster cocks in some dark alley.. Nobody else. Pull over across the street. ready. So shaddup and act like you're in the United States here. You thing's wrong. You don't. ten inches capable of firing 1100 rounds a minute -.he gets pissed an'. 11/22/82 32 : .-Sure . there's no Chango -.. y'know.nowhere! You make your own luck. Angel? ANCEL Chango looking out for all the 'bandidos' everywhere.it into a man's purse. The motel is coming closer in silence. Through the windshield.(making fun) Yeah. Me.
Spreading his arms in such a fashion to indicate he's clean. gingerly down an exterior corridor to a room marked "9".. leaving it open a few inches.. it's not meant to be a body search.DAY Tony. She nods woodenly.. a nice guy. stepping into the conventionally tasteless orange and blue motel room (with heavy blue drapes blocking the windows). Sure. Marta. I'm Tony. TONY (as he steps in) How you doing amigo. soothing the tension. "The Lizard". 34 EXT. stays across the room.Rev. Behind her. and short boy-cut hair.. The protagonists intermittently flick their eyes to it. squat five-foot-fourinch Columbian. like Omar.DAY The door's opened casually by an ugly. 11/2/82 EXT. old acne scars on his face. he smiles. oye amigo. about five-two. TOAD I'm Hector. `TO@ problem. Tony knocks. Pause. the conversation clipped and nervous throughout the scene. TOAD'S MOTEL ROOM . SUN-RAY MOTEL . but this is only symbolic. TONY (checking out the room) Mind leaving the door open so my brothers know everything's okay. The Toad looks around the corridor. okay? Toad shrugs and readjusts.DAY 33 Tony and Angel come slowly. TOAD'S MOTEL ROOM . he's good-natured. 35 INT. So Omar says 25 35 35 33 (Xl 34 ... the television set is on to the Cable Newswatch. no CONTINUED #00766 3s CONTINUED TONY Hello. "The Toad". spreads his hands in a similar posture inducating he too is not carrying. she's tinier than the Toad.. TONY Yeah... Pause.? The other person in the room is a tough-looking little dark Columbian chick with expressionless eyes. This is Marta.. sports shirt hanging over his polyester pants. TOAD Hey.. Nodding to Angel who remains in the stairwell with the Ingram machine pistol. eases the door closed. He's in his forties. red fingernails..
CONTINUED #00766 35 CONTINUED . TONY Yeah well I don't got it either.. $0 check Angel out. but I don't got it right here with me. TONY What fuckin' difference does it make where I'm from? TOAD I like to get to know who I do business with. you got the stuff? TOAD Sure I got the stuff.. yeah.. TOAD Where. . I talk to him on the phone. TOAD Omar. Pause. .you're okay.. so you got the money? TONY Yeah. TONY Okay. Tony paces back towards. 26 35 .. It's like he's stalling for time. walk in and start over? TOAD (change6 subject} Where you from? Tony's eyes check out the bathroom. TOAD Hey I'm just a friendly guy. I got it close by. TONY So what do we do.. too.. I got it close by. maybe you don't. the door casually.The Lizard staring at him. TONY You get to know me when you start doing business and not fucking around. coiled and always watching. Hector. TONY You know Omar.. Everthing seems okay. Yeah.. in the parking lot? TONY How far's your stuff? No.2 TOAD Not far.. Omar's TOAD okay. TOAD Okay. The Lizard has made a move somewhere off-center andis now sitting on the bed.
SUN-RRY MOTEL . okay. is about a drug-related triple-homicide. muttering with the Lizard in fast Columbese slang. Toad. Toad begin6 assembling it as Lizard. not 50 ironically in Miami. what's the stall here? guy late or something? 36 Your 36 INT. rips out the stiletto taped to the small of Tony's back. Toad shrugs. you just fucked up. 11/2/82 3 6 CONTINUED LIZARD (slang Spanish) Don't! Get up! Now shithead! She's standing there with a . steal from me. completing the body search. As he mutters something in hard Columbian slang to the two kids who shove Angel into the bathroom. ANGEL Tony! Tony goes for his cheap handgun when he hears a frightening female shriek. both carrying Uzis with silencers. followed by two more Columbians. Even more worrisome is the chainsaw that the Lizard now pull6 out of the suitcase under the bed.DAY . approaches Tony.32 pointed steady at him. completes the deadpan process by turning up the volume on the television set. Angel is shoved into the room.TONY Okay. The news. There's no mistaking her ability to Shoot. TOAD'S MOTEL ROOM . then commotion. CUT TO: EXT. They slam the door. you gonna give me the cash or am I gonna kill your brother first? 'Fore I kill you? TONY Try sticking your head up your ass. still covering Tonywith her gun. "The Kids". he couldn't care less. neither of them higher than five-four or older than twenty.DAY There's suddenly a door slamming somewhere outside. CONTINUED #02154 27 Rev. The Toad pulls a 9mm out of the small of his back. See if it fits. like a bird. the eyes like angry steel. As Toad strips the handgun from Tony: TONY Frog face. You 36 (Xl TOAD Yeah. they look like hungry little pirranha careless about killing. you're dead. producing strands of thick rope. with their straight black Indian hair cut across their blank eyes.
28 37 CUT 40 ROOM DAY 40 Angel hangs suspended on the ropes from the top of the shower curtain bar. looks around. we know what's happening as we hear the chainsaw and we watch Tony's shock and rage. guns pointed at his brains. He glances at Tony. Toad.the Lizard -. The Toad smiles amiably and angles the chainsaw slowly towards Angel. The machine cuts off. Manny paces outside the car.DAY Manny TO INT. Tony.. t Lizard reenters the room. TOAD (to Tony) You watch what happens to your friend okay? If you don't want this to happen to you. the eyes between steady.DAY 38 A small woman -. you get the money. watches from the lip of the bathroom. glances. He bucks angrily but the two kids ram their pistols up against his temple and pin him to the door. SUN-RAY MOTEL . Toad slaps a tape over his mouth. Angel looks at Tony. blood splattered on his shirt. parked across the street. 39 EXT. connects a voltage TOAD'S MOTEL them adapte . sees nothing.c. SUN-RAY MOTEL . The Toad steps back from the tub. coverd by the two kids. shakes her head a the Toad who nods and turns on the whirring machine. no expression Lizard has on her face. his legs straddling the edge of the bathtub.37 Chi-Chi sitting at the wheel of the sedan. #00766 38 EXT. examjning his first cut like a butcher. well-prepared. casually goes back in. looks at 39 his watch.o.steps out in shadow in the parking lot of the Sun-Ray across the street. The two kids press tight against Tony. They're dead and they know it.. r and extension cord.
piss dead. eyes conscious and horrified.. CUT TO INT.. SUN-RAY MOTEL . CUT TO EXT.DAY 42 The Toad turns off the chainsaw and steps back. definitely suspecting something now. Manny waits. tears involuntarily dotting his eyes. impassively. At the door of Room 9. CUT TO INT. The kids shove Tony forward and we glimpse Angel lying hunkered at his feet in the bathtub. carajo? CONTINUED #00766 30 44 CONTINUED Tony. The Lizard watches from the lip of the bathroom. reaches up to Tony's . devastated. streaming blood. He looks at Tony. Kid two strap wrist. tape to across tighten Tony's the mou overhead th.DAY 43 Manny moves crouched down the exterior corridor. Go Toad's Kid one eyes slaps fuck narrow the spits in his face. They signal and separate. SUN-RAY MOTEL . meanly. my 'caracortada'. TOAD'S MOTEL ROOM . TOAD'S MOTEL ROOM . TOAD Okay.TOAD Now the leg. TONY yourself.'DAY 44 The kids are starting to strap Tony up to the top of the shower. in the steam of his blood. you can die too.. He nods. totally unaffected. hunh? CONTI NUED #00766 40 29 41 42 43 44 CONTINUED 40 A brief glimpse of Angel slumped by one arm like a cow on a strap. listens. past an older couple who pretend not to notice. The chainsaw whirrs once more. Ingram pistol in hand. Makes no difference to me. TOAD Last chance. Tony glances back at him with fury. a terrifying sight.DAY 41 Manny. now drenched with Angel's blood. CUT TO EXT. moves with Chi-Chi across the parking lot of the Sun-Ray Motel.
Manny is at the lip of the bathroom. with the stock of his own Ingram. fires and hits kid one. getting a grip on the machine pistol. Everything happens very fast now.. whirls after the Toad. The Toad.nly 45 The Toad turns on his there's a gunshot from the hall. climbing the window fires at Meanwhile. chainsaw in hand.32 at him. wounded on her knees. pinned against the blood-stained sink. wounded. In b-g. She crashes backwards into the room./EXT. c0NT1NuED #00766 31 45 through forwar 45 CONTINUED Chi-Chi him. Manny fires Toad crashes Manny now side. putting another ten craters in the mirror of the now-wrecked motel room. sending him reeling across the bathroom. . in the neck. wounded but with strength.DAY chainsaw when sudde and the door smashes open and Manny barrels through and shoots a surprised Lizard as she raises her pistol. yelling. In sharp f-g. Tony. who is turning. with the tape still stuck across his mouth. spins on kid two and smashes the unloosened strap across his face. he tears out the motel room door hysterical gripping the whirring chainsaw in a reflex action. a burst backwards. foaming blood. kid two. INT. Tony. In the midst of this. the Toad jumps up.. the window simultaneously blows out as Chi-Chi appears firing a burst with his Ingram. TOAD'S MOTEL ROOM . spins into into a wall. just missing Tony's gut by a halfsecond as Tony dances back. with a rattlesnake life in him. him and hit in the he at the d The Lizard. slashes Manny. produces a knife out of nowhere. Tony. He blows kid two away point-blank. smashes kid two. not tied up yet. is firing her . the Lizard crumples on her knees.
TONY Manny. CHI-CHI Fast! SUN-RAY MOTEL . walking after him deliberately. playing Mah-Jorigg on the porch. calmly walks back into the motel. Chi-Chi sees Angel. TONY (Spanish) Your'turn. There's no rush. chainsaw in hand. mutter in astonishment. holding his side. The Toad's body lying awkwardly arched in the gutter. eyes stark with terror.TONY I on got him! his gags.. Chi-Chi. the distance and the light sufficient to conceal Tony's possible identification. cabron!. Tony empties the clip into the Toad. CUT 46 TO EXT. The bystanders just stare. eyes set in cold fury. Si! (Xl TONY get the car.DAY intersects Manny. holding his side. Tony turns and with a passing disinterested glimpse at his audience. 47 Tony . you okay? Manny nods. TO #02154 47 EXT. Then an old lady faints. He stands behind the Toad. The Toad whips around to the voice. U/16/82 blowing the CUT . empties kid one who is still twitching. As Tony comes out.DAY 46 The senior citizens. hiin apart. pistol Manny. blood flying. stunned by ferocity.. SUN-RAY MOTEL . Their eyes follow. getting even is all that counts. As the Toad staggers out into the parking lot. moving like a jerky chicken. no fear of the police. machine gun swinging loosely at his side. with Chi-Chi ' 32 Rev.
CUT TO 50 EXT. Inside are several kilo-sized He shuts the suitcase. TONY Yeah. stops. you do that.somebody fucked up Omar. stoops. stacks of. OMAR'S You got the money? TONY i Yeah -. LITTLE HAVANA RESTAUWWT . past the bodies and busted furniture to the suitcase on the bed from which the Lizard pulled the chainsaw. Tony on the phone. The camera swinging to hold on the blue and black Monte Carlo disappearing into the traffic of the Strip as twb cop cars come screaming past them from the opposite direction. CUT TO 49 EXT.. 11/22/82 (Xl 50 CONTINUED 50 OMAR' s VOICE Look. tosses it back in the tub.C.48 INT. CONTINUED #02154 Rev. brings Angel's Change charm into our view.PHONE BOOTH . jumps in. the car speeding off. (shaken) let me check it out right 33 VOICE . looks in the bathroom at the corpse of Angel O. Omar. TOAD'S MOTEL ROOM 48 Tony strides into the shambles of Room 9. Tony hurries out. away! TONY YOU do that.DAY 49 Chi-Chi has the sedan waiting in the parking lot. bunch of cowboys!. Chi-Chi and Manny wait in the sedan. fingers it. The TV news still plays in the corner. and You got the OMAR'S VOICE yeyo? Bring it here.I got the yeyo. He goes. (Pisalo hasta (XI la tabla -.) Past the senior citizens who are retreating inside their rooms.Step on it. SUN-RAY MOTEL .. He goes.cocaine.DUSK 50 The booth is in the busy parking lot. exits.
He's of Cuban-Jewish extraction.. the hub of South Mi TO 51 EXT. was some TONY pick up you sent VOICE a swank high-rise district . eyes quietly trained like a Doberman pinscher.. #02154 INT. his.SOUTH MIAMI . but the eyes and bulk carrying an odor of danger about him.. now Americanized in a rough and handsome sort of way. okay. Me. Indian-looking bodyguard (Ernie).NIGHT on Bricknell Avenue in hangs up.. carrying the suitcase.. OMAR'S Yeah? That us on. OMAR s VOICE Okay. Look.. meet me tonight at Hector's at eight. and a profusion of mirrors and luxury items. and a hefty. comes down a carpeted corridor. e boss myself. l/18/83 and Coral Gables. LOPEZ CONDO . on the heavy side. walks that OMAR'S mean? back to the VOICE sedan. Frank Lopez. Frank's gonna wanna see you anyway. and Tony. through giant glass portals. Manny. somewhat preoccupied as he greets Tony. The doorman shows Omar. LOPEZ How ya doing. the face going slightly soft.. past seriously armed security cops in the lobby. TONY I'm taking it to th Not you. TONY Hey Omar.E'uck you. side bandaged. Pause. Tony? Glad to meet LOPEZ CONDO NIGHT 34 Rev. The boss. 52 52 A deluxe apartment with the latest in electronic security and surveillance. then Max-my with a phony effusion of warmth.. What's Tony CUT 51 adjacent Coconut Grove ami. All right. dressed for dinner in an expensive suit and shoes.
they all call me Frank. LOPEZ Not to mention of course the nice . right through.. hands with doing? (awed) yeah. l/38/83 52 (Xl Yeah..Yeah. How 'bout a drink? Mr. TONY Ray. #02154 52 c0NT1NuED Just the flesh. My Little League team. LOPEZ Howya .. Tony. caught one? his arm.Fine CONTINUED 34-A Rev. (to (Xl I hear you Manny shrugs. Went LOPEZ (heading for the bar) Omar here tells me you boys. real TONY pleasure. even the prosecutors 'round town. LOPEZ Call me Frank. Everybody calls me Frank. 35 2nd Rev. TONY Okay Frank shakes Frank.you. he was with us on the Manny job. works doesn't (Xl bother him too much. showing us the wound LOPEZ Manny) Manny. about TONY (glances at Omar) Omar's terrific. Lopez. (Xl good thing CONTINUED #02154 11/22/82 52 CONTINUED 52 .
He NUED #02154 /18/83 52 glances LOPEZ It's too bad about your friend.me. Tony steps forward and puts the suitcase up on the bar with the gin.. if people'd do business the right way.and your compadre here. Tony. That' s the Angel died `cause of this shit. his clothes feeling narrow and cheap on him.. eyeing the suitcase. . (produces the money) It's my gift to you -. there'd be no fuckups like this.I need a guy with steel in his balls. TONY two keys..2 52 Without opening it.that's i t . TONY Yeah. Lopez shakes his head. Still a little overwhelmed by the opulence of the place.. a guy like you Tony -.well.from me. which Lopez passes to him. You was don't fun. . . . I need him close to. Lopez signals the takes the suitcase and the money from under LOPEZ bodyguard Tony's nos who e. sighs. And here's the money. hard at Omar who squirms. l CONTINUED . CONTI 36 Rev. likes the kid's balls) Scotch? Gin? Rum? TONY Gin's fine. LOPEZ (pouring) Yeah. (Xl Pause. have TONY to mention it.job you guys did for me on that Commie sonufabitch Emilio Rebenga. That LOPEZ (smiles.
you stay loyal you move up and you move up fast. The big life undressing. ERNIE comes. TONY you gotta catch hunh? Go get her. You find in this business. to a little food? (finishes his drink at his impatient pace) Yeah Here #02154 53 TONY 53 looks up. With their eyes. (drinks) TONY Yeah. the other half I guess middle. is coming down the glassed-in elevator. I she TONY could eat a horse. distracted. The lady. adjusting her $10. down the he came. LOPEZ (to the others) The broad spends half her dressing. When she's not looking. Laurent burgundy dinner dress.000 Yves St. I/10/83 . LOPEZ Then you find out your biggest headache's not bringing in the stuff but figuring out what to do with all the goddamn cash. his eyes tumbling on the most beautiful blonde he's ever seen. 37 1x1 Rev. to Ernie. I hope I have that.They drink Don't think I don't appreciate this gesture. LOPEZ Where the hell's Elirira? will you. Salud! the toast. her in the / Lopez laughs. Lopez. LOPEZ Yeah. Mr. Ernie? bodyguard exits smoothly. it's ten o'clock.What do you say guys. I'm hungry. some corridor from which Lopez looks. LOPEZ Where you been baby.problem day. the bodyguard. ALTERNATIVE Oooh like LOPEZ sweetheart.. Tony.. you look a millions bucks. sure.
Yeah. her throat flashing a of jewelry. you should try starving.000 strip .. do you? Maybe the catcher on your Little League team. Lopez laughs. l/18/83 ELVIRA You never know. her eyes flicking disinterestedly over Tony and Manny. ELVIRA Hello.. Neatly avoiding his intended smooch. (equally impressed) hi..Elvira. you wouldn't be too hard to find. Come on. Frank. slips by him $20. laughing) Me? Who'd want to kill nothing but friends... me? I got CONTINUED #02154 53 _53 CONTINUED 38 Rev. (coming toward her. fivesome. TONY Uh.She doesn't answer. she (Xl towards the door. I thought Babylon. Tony Montana.hi. LOPEZ I want you to meet a friend of mine. knowing what the evening's going to be and not too happy about it. ELVIRA You're always hungry.Manny Ribera. FRANK we'd eat at the 1 ELVIRA Again? If anyone wanted to assassinate you.. ELVIRA let's go. ELVIRA I assume we're going to be a Where are we having dinner? Oh.
upperclass in sleek dresses. ostly young. Lopez. tries to pick one of them up. ha dance to a black Americ "Partying Down Tonight". swimming pool. go. rich young coiffed playboys in their Porsches honking their horns in appreciation. a combination of 55 Caucasian and Latin. Brain drain. yell as they an . snaps at his men. bars. video games. a drug dealer haven and nighttime capital of South America. THE BABYLON CLUB . heels. she exits the a pause. and the carhops are moving Bugattis. is m lot of them coked. dance floor. Manny's coming from the toilets. TO 54 CUT EXT. Lamberghinis and Corniches in a long snaking line down the driveway. The crowd. the gi trim figures. rich and happy and a rls. hundreds of tropical plants. sensuous bodies.Tracking partment. polished a hauteur.lYANNY So whaddaya say. computers and a restaurant. Itrs a lavish fun spot that will play a central role in the film. prowl like big glistening tents back and forth across the entry doors.NIGHT 55 The interior is built like three or four plush apartments that run together on three separate levels with imaginative angles. wear little coca channel hats pinned to their heads and the barest pants with hose and high heels. twenty-piece band. Single girls in high-collared silver lame jumpsuits with cinched waists. hunh? ..NIGXT 54 . INT. BABYLON CLUB .. a after cool. "Celebrating" or CONTINUED #00766 55 39 CONTINUED 55 The waitresses. Down at the vid games are younger chicks in jeans and tough-looking tank tops with "Motherfuckah" and "Fuck Me" written on them. Rich young guys with a lot of gold and diamonds on their necks and hands huddle briefly in groups or chat. . mostly blondes.We know this is no workingman's dive when Lopez piles them out of his Rolls. mirrors. ts. LOPEZ let's Okay. music beat.
Him and his brother Miguel they got a big distribution set-up here to Houston and Tucson. finishing up a giant meal... TO 56 56 INT. powerful. CONTIN UED #02154 12/9/82 56 CONTINUED 56 r-LOPEZ (to Tony) . They' re versation with a girl friend who has stopped by. amus You got a buck? a buck. Their point of view -. takes his heart pill with a slug of champagne. poor? CHICK (indicates the machine) Put it in. flashes his tongue. sitting at the best table in the place. intoxicated. then confronts the complex machine} how do you play this Puck. compete looking man in conversation with a party of people. BABYLON thing? CUT CLUB Frank Lopez. concerned. let's play.Ronnie Echevarria. Elvira is in conOmar and Ernie look on.He ed. She CHICK looks at him. whaddaya think I Sure I got am. who is agog at all this wealth. * -Over there that's Ronnie Echeverria.. LOPEZ 40 Rev. I-had other things in mind. CHICK You check out on this and we'll talk about other things. He sits next to Tony. The empty spot belongs to Manny. (looks off. (Xl nt- .
dressed like a cheap to a bunch of chicas. EiD #02154 56 '\ 40-A 56 Rev. . y'know...the Nacho know more real Their point of view slob and playing up LOPEZ fat guy. Their point of view -. get high CONTINu . Tony? No . -. there's too many 'hazas' and they're the ones you got to watch out for. Course not everybody follows the rules. so he don't fly straight anymore.El Gordo is fat. never forget it! Lesson number one -. (eyeing Elvira) HEAD WAITER There you go. Tony boy. what's a haza? LOPEZ It's Yiddish for pig. .Gaspar Gomez at a table with a nother guy and gorgeous woman. That's the problem in this business. Lopez.. He's popped the champagne cork and pours Dom Perignon for Lopez. If they can fuck you outta an extra dime.El Gordo. See it all comes down to one thing.you 'Haza'? TONY Frank. LOPEZ know what a haza is. LOPEZ That's right. A haza. Stay away.don't underestimate the other guy's greed. bored. in the purple shirt -Gaspar Gomez.. Stone killer there ever was one. with the chicas is Contreras -. Tony. they'll rip you and flip you and then fuck you with a stick for the pure pleasure of it. Wouldn't it to look at him but he's got cash than anybody in here. ELVIRA Lesson number two -.don't on your own supply. 12/9/82 coNTmuED'2 The girl friend has departed and Elvira turns her attention back to them.. It's a guy he's got more'n what he needs. LOPEZ Head Waiter nods.. Bad news.That guy there. Mr.
almost everything. what do you think of that.isn't that something? CONTINUED #00766 56 CONTINUED . I taught him everything he knows. INT. He ambles off. Miami lawyer. Tony looking off at him.NIGHT 57 A Man passes the table. best goddamn lawyer in Miami. his voice a hoarse croak.. willya Jack? (to Tony) Five hundred fifty dollars for this bottle Tony. (to all) Enjoy . LOPEZ OY. his manner cool but amicable with Lopez.. Frank. #02154 42 new CONTINUED . BABYLON CLUB . remembering it. a cigarette dangling from his mouth. you look terrific.. . -how's the case coming? The Man's eyes thread the table. . heavylidded.here's to old friends.2 ELVIA (to Tony) In France. .. Neufeld. Lopez calls out.yourselves. SHEFFIELD (to Elvira) Elvira. it cost $100 but don't tell anybody in Miami.. LOPEZ I . Cost a brick to pick up a phone. hunh? For a bunch of fucking grapes -. (raising champagne glass) so.buddy.LOPEZ Give it to everybody and bring another. cigarette-eyed. This is George Sheffield. I shoulda come to you 'stead of that putz. SHEFFIELD Jack's a good lawyer. Hey. 57 41 56 interested. LOPEZ his. Tony catches her eye. She looks away.. LOPEZ Yeah.and friends. LOPEZ Hey. George -. He looks sharp.
57 toast. get you some new clothes. tweaks him on it was Holy The music ELVIRA away (waving cigar smoke) SO. there'll be other things. the kid. some $500 suits. away.2 57 ELVIRA (rising) Don't foam into the Omar. Frank.Rev . I'd like you and your boys to handle some stuff for me. likes the LOPEZ (checking Tony'6 threads) Yeah. Omar doesn't like Hey. this is good stuff. Frank or you want to sit here and have a heart attack? LOPEZ I'd rather have a heart Hedance? attack. Lopez laughs. 11/22/82 57 CONTINUED They Water. work with Omar here. Running a string of mules out of Columbia. CON TINUED #00766 57 CONTINUED . obediently. Frank. 43 Glancing at Her eyes say . fun. Tony? TONY Hey. you want to dance. that Thanks. sitting there Dom Perignon. you'll look real sharp. shifts it but sounds to slow glances TONY like dancing. you're not kidding. Tony tasting it like LOPEZ Well. Tony. You do good on that. check. yeah. We're doing something big next month.
It's not that he doesn't see the people he bumps off.. -: What LOPEZ (to Omar) do you think? peasant. OMAR I think he's a fucking LOPEZ Yeah -.forget it. . It's not so much an act of walking as it is an act of war. a tank bouncing anything or anybody off that gets in the way. Be just proceeds in a straight dead line. it's that he couldn't care less. CUT TO 59 INT. leaden in the legs and shoulders. eyes forward. Elvira CUN . leading Elvira. 1 TONY your name. BABYLON CLUB NIGHT 58 It's interesting to watch Tony walk to the floor. ELVIRA (to Tony) How about you? nods sure. BABYLON CLUB DANCE FLOOR . go. at his LOPEZ boss.but you get guys like that on your side. Be's no great shakes as a dancer.NIGHT 59 Tony and Elvira are dancing semiclose to a slow Billy Joel dance tune.so what's what? TINuE33 #02154 1/22/82 (Xl 59 CONTINUED 59 44 2nd Rev. they break their backs for you. looks Tony (waves) Go on! They 58 INT..
. ELVIRA Baltimore. He makes a ELVIRA I've got enough friends -. looks at him exasperated but Tony doesn't see.. James. So where you from? He bumps into an elderly couple dancing. part of the Cuban crime Tony. I didn't boat. 11/22/ . point of looking at her. . I didn't were so sensitive about matic status. Sounds like a nun or something. I'm a TONY come over on no political refugee banana here. ED #02154 82 (X) 59 CONTINUED 59 2 TONY . wave? ELVIRA Oh. I'm getting a headache. ignores them. Just trying to TONY be friendly.ELVIm St. James. Hey.you? ELVIRA (interrupting) . TONY Whatta you talking crazy whatsa matter with. it doesn't really matter. bangs once more into the elderly couple.and I don't need another one. Baltimore? TONY Where's that? ELVIRA Look.. CONTINU 2nd Rev. TONY Elvira St.. pissed... The man stops dancing. 'specially one who just got off the banana boat.I'm sorry. you got 45 and 46 know you your diplofor.Why you got this beef against the world? You got a nice face.
TONY (interrupting) Now you're talking to me..she loves Tony and Manny drive home in the broken down Monte Carlo sedan through the streets of Little Havana. She amused. That me. TONY thataway. What's the problem. 60 OMITTED thm whips Hey. even if I was blind. Tony I&IT. furious. . Jose whatever your name is. second don't call me 'baby. pissed. Let me give you a crash course. starved and begging for it on a desert island.' I'm not your baby and last. 60 thru 62 62 #02154 l/18/83 63 63 (X) -(X) smoking his cigar. you got the fancy clothes and you got this look in your eyes like you haven't been fucked good in a year..so fuck off. He watches CUT her. CAR-DAWN 47 thru 51 Rev. clothes rumpled.great legs. desperate. where. You got the picture now -. off the floor. chick he's TONY with. baby? Elvira laughs at him. you'd be the last thing I'd ever fuck. so you know what you're doing around here. TO . feeling good. why and how I fuck is none of your business. baby! ELVIRA First who. They've'been partying all night. ELVIRA You know you're even stupider than you look.
.a . Manny TONY -. workzen. 66 66 From his battered Monte Carlo across the curb. ..booze and a cuncha tells him what to do. TONY What are you kidding -. back in an TONY hour okay. TONY'S CADILLAC SEDAN . huge cranes. Tony. TONY'S MOTHER'S HOUSE .SIMULTANEOUS DAY EXT. fleeced-&th wrfectly white clouds. gets out carrying a bag of gifts. bathed by a torpid setting sun amicable to lizards and Spanish moss.they don't lie.LATE DAY .. Be ONTINUED 64 -$ The new Miami is rising ubiquitously-above Siscayne Say.(driving) Oh yeah.past a giant billboard:--f.. I seen it in his face -. the camera moving ?ast blossomina SkpCra~rS. spruced up and nervous in a new suit. sits undistinguished and without shielding trees in the midst of a lower middle class neighborhood with look-alike yards and streets without people. . You're serious? Tony. how you know that? The eyes. curious. glass.~ 63-A 63-A and OMITTED and 64 64 (Xl C UT TO 65 65 The house.--A COPS TALK TO us..* . He'll kill us. mLrrcrs boo&q unwards into a beautiful blue Florida sky. that's Lopez '6 lady. -. C INT.he's soft.SOUTHWEST MIAMI .. Pause. Manny is at the wheel.
ParaBise. music..c . .AT THE l3AXCO DE xL%xI. etc -.a w3rm womb-like plastic heaven. . Frankvs okay.' on a shoppirg szree.I.. tropical plants.n organization You thinkin' like A -- - TOW Organizaticn? I got more brains than Omar and he's bigger than ~TC. somebody oughta shoot YOUi Fut YOU out ta . saradisef I: coulda been a millionaire now. pihat do you do for a brain man? Piss in it?' ' . Get xy 3wn golf COXSP. ..ead again mNNY Frank*= got a.h. shoulda been here IO vears ace man. That's not an organization. Amerifirst)..yeah ve gotta make sore moves on our own Xanny...-oincr by with the image of the American flag and the rem&&x: *@Will the last Amrican leaving Miami please bring the fLag?'* Tony and Z-lanny. That`s a disorganization. Fuck you. your misery . This town's like a fig pussy dyin' to $5 fucked. escalators. .?ry name on the chicks* asses. . a boat. rr. TONY Yeah -. mhi I want 2 line of bluejeans vith . . TODAY! Past banks of glass (Caribank. TONY .an. Sop along an incredibly Wxurious shopping mall lined with the latest stores. . . Ranco de Venezuela. Insert a car sticker . 48..(seeing something) . .. fashions.cause he buys you a suit? a chicker. TONY . we never gcnna score the i3ig Xoney vorking for Frank. .
. then it's gone. TONY !. can react. . what do you girls say? you manna have some ice cream with us somewhere? . Manny primps for them. You think so hunh? Xell you did know shit *bout chicks Chico. Tony waves behind her . Ooooh baby doll * (SEE NOTES) TONY Yeah. crazy. MAW You didn't see it? You weren't looking.. . . . watch XW=. quickly. Nira! He wiggles his tongue up and down. . fast like a small whirring motor part.. man.eating bugs? That's disgustin'. .Hey catch this tomato :Z . then slips it back into his mouth in the -flick of an eye. Before she Cuban girls her off. . You war-ma score one of these chicks. Does it again . it looks like a baby robin's head peeking out of a nest in his teeth. They go they see this. they kno?~. TONY What the hell's that for -. .l . They glance at Tony and Nanny and hti&ry on. . . he hops away laughing as the two ad-lib Spanish expletives at him. 49. When . Key you gotta watch for it. .a Catching the eye of one of two young Girls passing. They don't resist me. thenchanges his mind and runs up and throws up her skirt and peeks at her ass \ :- .the fuck was that? I . Hey that's not cool.
. but they just love it when you flop that pussy with it. winks. Nanny looks back at Tony. *&am . mi sengre. catches the gaze of a somber child. Ia TONY (points) Okay Rober Retfor. Tony shruqs. Corn2 on1 Mar&T follows as Tony now moves across the oppcslte lane.. EXT. confused. KIA. . Tony.rJr a shop window. . Tony tries but lacks the speed and agility.. then back into the AndoT:. .. exiting off to the side. _and moves along.DAY. - it again) Takes practice. ches her eyes.. Tony vales right out into the. Manny double checks himself in _ . Pointing to a tall. She loo'ks at him.l e . She smiles The mother looks over. -l. MANNY No problem. . TONY' Oooh . cool blonde across the avenue. he flicks his tongue. strut your stuff. The kid nocf smiles. -pretends to look. f _~ provoking Na~y*s laughter. Tony produces another face. . sidles closer to her. a+. h!hen Se cat . four.?-c SHOPFIISG STREET . Nanny stops alongside. He makes his own version of a S'UMy face at the kid who looti back at him puzzled.aitenucs. TONY . toddling along with it's mom.Does it again. e.com! How *bout that one? . The blonde has paused to look in a shop window. a car scree-&ing to a halt in front of him..
. last time this year you was in a f ucki. .you gotta get th e UP* money. . . . ?4ANNY Hey Tony. then you get the power. then you get the women -. . . slow down. ? .a*. chico. then the blonde scks him across the fa ce . Camera moving with Tony as he glances in an elegant kindcw displaying jewelry. . one step at a time. *. Why don't you take it easy Chi co. the smile crooked. mocking.the n. be happy what you got you know? You get on your death bed you look aro und you think to yourself . .all mixed This country first._. . his eyebrows raising. TONf You be o me when I want what's comin' t __ *. Manny has moved close to the blonde and sug gests something. Por Lo s cojonesl . TONY Tnrn telling you man you got it. +. and when you got the power. you got the worldby the balls. . .and walks akay. takes a moment. It -.wSen vas I ever haPPy 7' . x Meanwhile. Tony walks up to him.n* cage in Cuba.
. CVT TO 65. TONY'S MOTHER'S HOUSE . . . I'm alive not when I'm dead. what's comin' to you Tony? .NIGHT PAGE 47 EXT. in Spanish) (Xl Mami. - 51-A #02154 Rev..SOUTHWEST . powerful face. long time. the camera panning to the diamond's in the window.. she's shook to her roots.LATE DAY A stout aging woman the paper bag held 66 CONTIN'WD Okay... be cool.- happy. TONY The world man and everything in'itl As he goes into the store../INT.. with r TONY (gently. . a Tony's Mother opens the door. IAMI . 67 67 EXT. 12/16/82 66 --a house.. TONY'S MYT.?! -. WUJNY (shakes his head) Yeah.EZR'S BUUSE . with high Tony approaches the against his chest.
INT. . so. Mother looks behind her. years? Last wrapped gift towards her.. cluttered.. got great big Yeah.deal but. postcards MAMS from jail. hunh? Mother He doesn't offer to kiss her nor she him. Now look at you. She opens the door. Catholic. TONY'S MOTHER'S LIVING ROOM . the impression clean. She's a naturally dark. Aztec-type tiles.. what's it been seven (Xl you time I saw you.. He looks. TONY Hi (moved) Gina.. Stepping forward to the center of the living room like a cautious cat is his ninteen-year-old sister Gina..NIGHT 68 The interior is comprised of small. Someone else is in the house.. no big. #02154 68 52 11. somewhat depressing.'22/82 Rev. GINA Tony? She looks at her mother confused. The floor is without rugs and mosaicked with inexpensive. curly-headed beauty with a slim. narrow rooms filled 'with religious objects from macumba and waist-high black Jesus statues in various corners.. (She might also be recognizable from the snapshot we saw in Tony's possession.. Their eyes lock. you're beautiful. you eyes just like me! He holds out a TONY I got this for you.(X) No Pause.. He steps in. look at you. graceful figure and large-lidded eyes brimming with the same energy as Tony's. about to give it. looked like a boy. looks back as if she has no choice..) TONY (covering his unwonted emotion) Yeah.
CONTINUED #00766 68 CONTINUED 68 I never never! Tony. GINA It's beautiful Tony...." just the gift. the room and rushes in TONY Hey pussycat. here.. again -53 eyes you! hi6 bo Tony. look. It's a beautiful diamond locket to wear around her neck.. "To Gina The Tony pulls out another present.. explodes across grasping him fiercely.. an unspoken 'why donrt . GINA it's beautiful. TONY you. GINA I'd see opens the you gift. .. over her shoulder.you think they can keep a guy like me down? Disengaging gently. he holds up the contents of the gift box in font of her. (offers it. c'mon -.. Her eyes open wide..and look -written on it.yeah for What I got From Tony..GINA to Gina his arms.. She stares at it. doesn't take it. Moving towards her. it's beautiful.for you too Mama.. Gina comes over.. mother is amazed at the cost of for her..it's ring mother's into him stonily.. Mama.. over her thought shoulder. takes it for her. catches Oh Tony! suddenly. GINA .. he opens the package and pulls out an exquisite peral necklace. TONY . Always..
TONY Oye ! To America! (singing) 'America. GINA It's his place. GINA . Plus I'm going to junior college -. all that's over with starting today.. looks.. .. .Miami Dade -. America. CONTINUED #02154 1/Z/82 68 Rev. well surprise.and in two more years I get my cosmetology license and then I'll be making enough. here we are hunh? The three musketeers! We made it to America hunh? Let's toast! 54 her own.. Remember Hiram Gonzalez? His father had the babershop? Tony nods. with things on her mind.and Mama don't have to sew in factory. I'm doing hair.. as Tony and Gina finish the champagne at the kitchen table.So Mama's still at the factory and I'm working part-time at a beauty parlor.Mama doesn't. TONY Yeah. fifties and hundreds. TONY . he pulls the last gift -.. Mama looks over at him on the words "bring up" and he catches her look.. and starts peeling them off on the table.. is silently cooking a lunch. He pulls out a bundle of cash. making light of it) Well anyway.' CUT 69 INT.... Mama stops working.NIGHT 69 (Xi Mama. you take it?') Gina puts it away with TONY (holding Gina by the shoulder. CONTINUED -2 68 Tossing the empty package aside. TONY (to Mama as he counts) TO 1 no .a bottle of champagne. I didn't bring up my kid sister to work in no hair shop. TONY'S MOTHER'S KITCHEN .
Things are different. what about the Cubans who come here and work hard and make a good name for themselves? What about. her fingers the bills. He's a .. TONY That's a thousand dollars there. -CONTINUED #00766 69 CONTINUED 69 Pushes a 55 thousand dollar stack towards right her.for you. She approaches it cautiously. a lotta political contributions. I'm working with this anti-Castro I'm an organizer now. I wanted you to see what a good boy I been. I wanted to surprise you.Yeah.. then looks back at her son. we get . Mama -. your son's made it Mama.. he's a success.group. you and the others? TONY C'mon Mama. Who'd you kill for GINA (aghast) Mama! I didn't kill (lying) TONY nobody Mama.. Sure you do Tony -. my face around before. That's how come I didn't show. this riffling Tony? No? What are you doing now -.. All we read about in the papers is the animals like you and the killings.with a gun sticking in somebody's face.banks or is it still bodegas.. GINA (springing to her feet) are you saying Mama! What son! He's your Son? I wish I had one.
I dont' need your money. I. no. thanks. she's worked up like a madwoman now) Who do you think you are.go on. soothing his scar. I work for my living -. Gina mutters something in the silence. TONY igently) Okay. So leave us alone... it stinks! She casts the bundle of bills back across the table at him like dead lettuce.. okay... (to Tony) I'm sorry Tony. GINA Oh Mama... A silence. about to explode.. (continuing) No.. we haven't heard a word from you in five years and you suddenly show up here and throw some money around and you think you can get my respect? You think you can buy me with jewelry? You think you can come into my house with your hotshot clothes and your gutter manners and make fun of. but doesn't.2 MAMA (Cont'd) (to Tony. get out! And take this lousy money with you.and I don't want you in this house anymore and I don't want you around Gina. .. Tony nods his head at his mother.. Tony sits there livid... come on. Mama...why do you got to spoil it for everybody.bum! He was a bum then and he's a bum n o w ! CONTINUED #GO766 69 CONTINUED . you don't know what you're talking about. TONY Hey Mama. You're not going to destroy her. CUT TO #OS?154 57 56 69 . that's not the way I am Tony and that's not the way I -(emphasizing it) L raised Gina to be..
NIGHT 70 Tony walks out icily. ten years. they --TONY Shaddup! He's climbing into the car when Gina hurries out the house. slicks his hair. Tony-. she's proud. CONTINUED #02154 Rev.. you got to understand that? TONY (making light of it now) Hey it's okay. hunh? A pain in the ass. (waiting in the car. 11/22/82 58 The Army.. 70 (Xl GINA (continuing) . y'know. TONY'S MOTHERS HOUSE . what do want. . it's Mama. Five years. 11/Z/82 EXT. . GINA Tony! Hey who's that? Checks himself in the rearview mirror..since Papa took TONY Hey forget Papa. GINA I know you did some bad things Tow. seeing his expression) Relatives. off. into some TONY Communists you know. they're always trying to tell you what to do. she's got a lot of hate in her Tony. Tony and Gina talk next to the car.-but just want you to know.Rev. I don't care. then. we never okay? He was a bum! had one. back trouble. she doesn't understand-. GINA Mama. she's Old World.-Mama GINA -. I know you got you I .
70 . She stares intently at TONY know.. any afternoon. but don't tell her I gave you this. asizing it.. He him. takes out TONY Say.sure.CONTINUED 70 GINA (Cont'd) it doesn't matter how long you been away. don't ever fuck around with. kiss. (feeling Sure..MOMENTS LATER 71 (driving) cone. Okay? Help Mama out.NIGHT . TONY'S CADILLAC SEDAN . EYeat) .1 She gives him a soft his money roll. I want you to keep this for yourself. A beat... Her He eyes smiles GINA You can come by the shop y'know. withdraw. you're my blood.. She peers in.her. what the hell? You gonna beat yourself to death at nineteen. I'll be there okay? fall on Manny at the back with charm. pause on him. Gina's eyes The sedan drives off. emph Hey I know. you -never told me you had Hey. 71 INT. catch you fuckin' around with her. okay? She hesitates. Pause. TONY don't ever let me MaMy. pussycat like you? He gets in the car.. TONY Go on! Go out and have some fun. Always. such Tony looks at tx: Stay away a good-looking doll for a sister! him icily. then wheel.. He nudges her on the cheek and slaps'the whole wad into her palm.
MIAMI .. confident. while Chi-Chi extricates another load from the kid's panda bear which is now in shreds... A nun is waived through the third line. who looks at him coldly. He waits. is removing OMITTED 74 gl 76 ottom THE .CUT TO 59 #02154 l/18/83 Rev. Mind opening CUSTOMS that. unzips the chic suitcase. A stockbroker waiting in a fourth line.oLD a sophisticated false b . A woman. back at the Officer who is thoroughly ransacking the suitcase looking for a false bottom. Tony. spruce in his new three-piece suit with the diamond on the finger and the expensive watch. 76 MAN Rafi. with a child and toy panda in a baby carriage.MIAMI INTERNATIONAL AIRPORT 73 - Tony. young Customs Officer. 74 75 75 EXT.DAY The mother-type unscrews the handles of the baby carriage. 73 DAY U. ances nervously (Xl in Tony's direction. calm. pulling out the wrapped cocaine. An old man is waived through a fifth line. looks like the young ethnic American businessman in import-export as he steps in front of a chunky. MONTAGE . DOLLY STASH'S HOUSE . sir? leather OFFICER single accompanying the flipping of calendar TIME CUSTOMS . his eyes drifting around. is cursorily checked through an adjacent line. Tony looks away.PASSING 72 72 Music leaves.S.
"on time" --Tony's eyes moving to the mother. l/18 /83 78 THE MOTHER 78 picks up the baby and removes cocaine from its diaper. with a glance at his watch. TONY 80 counting looking 81 79 80 over- out the the cash for operation. laminated and difficult to detect 77 77 MANNY AND GASPAR break open wooden clothe6 hanger6 concealing cocaine a6 the (Xl stockbroker changes clothes.-we to Los Angeles -. While: THEFORMERNUN 79 in partial habit. adjusting her underpants. on which we now see approximately five kilos stacked. MIAMI INTERNATIONAL AIRPORT . #02154 60 Rev.and the boarding gate-. starts out the terminal.DAY 81 Again. now a housewife. Omar there. his mules. Tony. suitcase. 82 . she places a package of cocaine on a table. Manny joins him. now he child. OMITTED 83 without t TONY 82 83 thru . glances up at the electronic information board -move Houston clocks out the time.helped by from his . The roar of the aircraft blending with city sounds as we continue the rapid pace of the montage with music. buying her ticket-at the counters. through an exit gate carrying hand luggage. But this time going The nun. nodding okay. going out. steps out of the toilet.watching.
He told me to pick you up. Tony buys a beautiful dress for Gina who is delighted when she sees herself in the mirror. LOBBY . Elvira looks on.LOPEZ CONDO . Manny watches. hugs Tony. walks across the lobby.DAY 89 and Elvira steps out of the lobby into Tony is 90 waiting for her. swings his club at the ball like a baseball bat -. that. He`ll meet us at the race track. LAUNDRY 87 RESTAURANT NIGHT #02154 (Xl The plush millionaire's restaurant is to be seen again. CONTIN . shrugging when Tony looks over at him amazed. the driveway Elvira She UED He follows. unable to take his eyes off her. GOLF COURSE . contemplating him with distaste. TONY He said if he was late to bet Ice Cream in the first. TONY He got held up at the golf club. introducing him to a business-type. Tony never played before and gets frustrated. HIGH-FASHION STORE DAY 88 In a high-fashion store. kidding. INT. 61 and 62 hev. SALESLADY (admiringly to Tony) wife looks terrific in wife? You TONY gotta be Your My 89 and 90 .thru 85 85 86 (Xl EXT.DAY 86 Frank Lopez has Tony and Chi-Chi out on the golf course.MIAMI . sighs. She's surprised. l/18/83 07 INT. 88 INT. (Xl Frank has his arm around Tony. Chi-Chi naturally makes a perfect putt.Lopez getting a kick out of him.
He wants to buy one of them too. LUXURY MOTOR SALES . 91 (X) (Xl (Xl . looking at tigers. that's a Cadillac. looks around. Chi-Chi. ELVIRA I wouldn't be caught dead in that thing. the Salesman. The car is a yellow Cadillac convertible with 2 fins and Snoopy the dwarf dashboard statue with stickers over the fenders. Yeah it looks like one of the tigers from India. CONTINUED 1 := 89 and 90 #02154 CONTINUED . 91 INT. 11/26/82 89 and 90 She steps out in a Pucci summer dreds. He 90 points. Elvira waits aloofly off to the side.2 She big all and 63 Rev. red Jaguar -.DAY Camera moves around a slick.' ELVIRA It looks like somebody's nightmare.CORAL GABLES ..XG 6 -. TONY (hurt) Whaddaya mean.#02154 89 and CONTINUED 62-A Rev. l TONY .with Tony. accompanied by Manny. TONY It's got a few years on it but it's 'a creampuff.. TONY (to Elvira) So you like this better? ELVIRA ( shags 1 It's got style. 12/21/82 89 looks. Adding to the impression are Manny Chi-Chi waiting in the backseat. TONY Over there. (to Elvira) Tony been dragging me around to the zoos. ELVIRlP (registers it with distaste) That thing? You must be kidding..
Manny comes over and Tony walks him along the car. Fully equipped.here. Not that he got any now. okay. . TONY . 11/22/82 91 63-A Rev.Get these sections bullet-proofed ...And one of those radio scanners. y'know.(amused) He do that he gonna have no friends left. Yeah a good one.. ELVIRA (joining them) Don't forget the fog lights..... you'll see.these windows.here. ELVIRA You going to drive around with a tiger in your passenger seat Tony? TONY Yeah. 11/2/82 91 (X . TONY (genuinely) That all? SALESMAN Machine gun turrets are extra....2 SALESMAN ' Twenty-eight thousand dollars. (XI TONY . pick out flying saucers and stuff.and a phone with a scrambler. CONTINUED #02154 91 CONTINUED TONY You'll like the tiger Manny. c'mere. ... (X. in quieter tones. -maybe some lady tiger (to Salesman) How much? CONTINUED #02154 91 CONTINUED . TONY (circling the car) Funny guy hunh.Manny. 64 Rev... Yeah... TONY ..
3 91 TONY (glances at his watch) still got an hour..DAY 92 Tony leads her to ible parked (Xl out of eyesight of gotta TONY keep the animals out... but I'm ELVIRA bored. Check it out. We No You hungry? TONY Figgers. will you Manny and pay the guy and grab a taxi out to the track.. CONTINUED #02154 /82 91 CONTINUED .. 'I (Xl buy the car you didn't ELVIRA Planning on driving the ' aren't you? wouldn't like it. TONY (before leaving) Oh yeah 0-w He reaches into his pocket. his yellow the others. "Will the Last American leaving Miami please bring the flag. . a private joke. pulls out a decal. LUXURY MOTORS . Good idea.TONY Yeah in case I go to the swamps. girls crazy. Somebody 92 EXT. yeah. Thanks. ELVIRA (impatiently) I thought you were taking me to Frank? . He slaps it on the rear fender.. Cadillac convert TONY I'm glad you came.. 65 2nd Rev." Elvira wonders about it as he joins her. It's the same sticker we saw earlier of the American flag with the epitaph. 11/22 .
She pulls back. particularly coming to affect Omar who is insecure to begin with. black wavy hair. usually slightly behind the person or persons addressing Sosa -. Does a toot. ELVIRA (same tone of voice as before) Don't get confused. Accompanying him everywhere is the Shadow. On his wrist is a flashy gold ID bracelet with "Alex' written in diamonds and on the other wrist a gold Rolex with a bezel full of diamonds worth maybe $30.you They get in the car. the clothes.Yeah -. intense venomous-looking Hispanic man in his thirties. a casual polo shirt and the latest pants from Calvin Klein. She leans to take it. a thin. the TONY I like Frank. then takes a last hit through the mouth. he has the look of death in an unsmiling face. Tony. When he finishes he . casually hits one nostril. He reaches over and takes the coke from her.in a sort of garotte position. CUT INT. He is always in proximity to his Jefe. BOLIVA Alejandro Sosa is a playboy. his eyes swivelling to stare down the person who might glance at him.. She's uncomfortable. She goes with it.000. #00766 93 CONTINUED 93 67 TO 93 92 . As he puts the key into the ignition. He kisses her. about six-foot-two. ELVIRA Frank say? CONTIN 2nd Rev. staring at her. COCAINE LAB . then other. He is a continual source of tension underplaying the scenes. athletic body and a Copacabana tan. -but I like you better. Pause. And UED #02154 66 what would know TONY who. Tony has this wolfish grin on his face. 11/22/82 (X) c0NT1NuED She has a coke vial out. His eyes fizzle with an energy derived not from drugs but the continual excitement of his toys and his money. I don't fuck around with the help. makes as if to return it to her.DAY Subtitle appears: COCHABAMBA.BOLIVIA .
OMAR That's a big commitment Mr.2 SOSA Yes. somebody in the States who might guarantee me something like-. Something like that you should talk to him. CONTINUED #00766 93 93 CONTINUED . to look at a sample of the dried coke. . hunh? Nobody can run a business that way --OMAR I know what you mean Mr. month to month. SOSA (meanwhile) . Sosa looks at him like that's obvious and moves on... Sosa.sive iron kettles bubbling with coca paste. with the wet cigarette clamped between his nervous fingers. playing a game with him. Sosa. The chemists and Indians working there all acknowledge llel rey de1 rey" as he passes. TONY nice if he could 68 . past four coal-fired stoves. the demand varies for us too. other months I have to do 2 to 300 keys. as proud of his factory as a vine grower his vineyard. SOSA so this and my other factory 1 can &&A guarantee production of 200 kilos refined every month of the year. It's too bad Frank's not here. follows along... awed by the scope of it all. it would've been have come. Omar's not quite in his league with Sosa.. In his skinny suit. eyeballs him. it's crazy.Sosa is showing Tony and Omar through his coke processing lab.. Problem is I have no steady market. Tow. His expression says I like it. He moves on. Pause. stops Tony eyeballs him back.-say 150 kilos a month.Basically what I'm looking for is somebody to share the risks with me. Some months I can't get rid of fifty keys. The Shadow moves with him. we got the same problems up in Miami. The Shadow stops.across to a row of ovens where the refined coke dries. then samples the coke off his thumb into his nose. each with mas..
You cannot do better than that. SOSA (to Omar) . Omar. confusing Tony (ad-lib during scene). and he picks it up down here. watching Omar and Tony. sarcastic) So he sent you? TONY Yeah. something like that.BOLIVIA . 94 94 INT.DAY Omar glances we CUT TO The camera moves past a spectacular view of the mountains to a cavernous dining room highlighted by huge paintings from the Spanish classical period and ornate candelabra.. constantly changing dishes. not quite knowing yet what to make Sosa 94 69 .(cutting in) and he'd like meeting you too 1.say Lopez guarantees me 150 keys a month for a year. Tony. y'understand? SOSA (taking the measure of Tony. At the table are Sosa. annoyed. trying to fit in. Looking over the laboratory like it was his. risk of moving it.. I could sell it to him for as little as 7000 a kilo. we do that we gotta take the . Shall go.: Sosa. The Shadow sits impassively in a folding chair off to the side.. at him. Tony is impressed. SOSA We'll talk at my house. SOSA VILLA . looking at the plates.. looks over at him.. uncomfortable. Sosa -class A shit. the glasses. c0NT1NuED #00766 CONTINUED 94 OMAR Well.. He eats the salmon off a silver plate with oafish movements of his knife and fork as the servants move to and fro. Also we'd be cutting out the Columbians. the silverware. You know what that means? TONY That means we gotta go to war with `em. You sure got good stuff in there Mr. But with his trial coming up y'know. it's not so easy for him to slip outta the country right now.
5! What are you nuts? We still gotta take the shit to Florida. Forget it. He combines the physical qualities of an animal with an intellectual. loyal expression. his eyes falling CONTINUED #00766 CONTINUED .. They got frogmen. Sosa lends his ear and the Skull whispers his information.the Coluxnbians we take risks -. tall imposing man with academic. I'm doing the talking here! Tony shrugs. You know what that's like these days? They got the Navy all over the fuckin' place. ready to explode at his blithe assumption of power -.5 a key. Sosa waves him in. The Skull falters -just for a moment -. It's no duckwalk for us anymore. He whispers a second thought. he glances down the table. apparently with a message. Sosa glances at his gold Rolex.2 94 briefly on Omar who doesn't connect. As he approaches. SOSA Where were we? TONY Panama.then continues towards Sosa with the same stony. right? 94 70 . Then he nods. starting to be intrigued by this animal. TONY 13.. y'know. SOSA What do you suggest is a fair.on both sides. amused by his brashness. dismissing the Skull who heads out the room. they got fuckin' Bell 209 assault choppers up the ass. SOSA When we cut out. You're looking for a partner. The black aide Y. Sosa reacts minimally. Omar is looking at him.The Skull -. Guarantee your delivery as far as Panama. There I'd sell maybe 13.? Excuse me. 'horn-rimmed glasses and close-cropped hair on a huge and impressive skull. Sosa looks over at his black aide who suddenly appears at the door. they got EC 2s with satellite tracking shit in 'em. A beat.whereas Sosa chuckles. TONY Split the risk. SOSA Panama? Risky? It costs me more. (meanwhilzz Tony in a whisper) Shaddup willya Montana. we're losing one out of every nine loads. Interrupted.of this guy.is a slim.
okay ! I started you in this business. . but I can go back to Miami and talk to Frank personally. you got no authority here..phone. (chuckles) OMAR Look Mr. Maybe your partner's right. You can be back here tomorrow. Sosa. OMAR That's up to Frank -. Mr. CONTINUED 71 #00766 94 CONTINUED 94 . Sosa.. I have a jet there that'11 have you in Miami in five hours. sensing also an advantage in the split. I'm down on Frank's authority to buy 200 keys.. Maybe you should talk to Frank. -He looks embarrassed at Sosa who has been watching. all right..not you.something like that. speed of the p 3 . OMAR Hey Montana. that's my limit.. that's it. For lunch. Don't worry about it. So why don't we. OMAR I'm sorry about this.. My chopper can take you to Santa Cruz now. hunh? Let him propose his proposition. we're getting ahead of ourselves here. SOSA . I got no right to negotiate for Frank Lopez on anything larger than that. so shut the fuck UQ! TONY (shrugs) Frank'11 love it. TONY Hey Omar why don't you let the man finish. SOSA (without hesitation) Good.. oM?iR (a beat) I don't think this is something Okay..Omar shoots a poisonous glance at Tony. I want to do on an overseas. SOSA It's all right.
. the Armys in Angola. . Omar scowls. TONY You know why they say Cubans are all screwed up? SOSA Why? TONY 'Cause the islands in the Caribbean. with one hesitant look. TONY (overlapping the joke) .DAY 9 95 5 . laughs. While you're gone maybe he can tell me how to run business.. They reach the veranda.. The Skull waits inside with the Shadow.. TONY (lighting a cigar) Hey it's okay.. You tell Frank I'm keeping this guy on ice for him... The helicopter blades whirr. who../--~ EXT. and the people live in Miami. . * They got a beard there that's all. SOSA Maybe he'll move to Miami too.. Tony glancing past Sosa to an exotic-looking. l/18/83 SOSA VILLA . 72 Rev. Omar is taken aback by the OMAFi . Sosa laughs.. steps inside... and joins them. I don't Sosa CUT TO #02154 . held by a servant. Sosa walks Tony down an outside gallery towards the veranda where servants lay out the coffee and fruits. dark-eyed senorita who gets off her horse. SOSA (glancing at Tony. They both stare at: Omar. I Yeah I guess so. . to Omar) . the governments in Russia. TONY Great. the camera moving to the polo players exercising in the distance.. With a cigar and a big mouth.a woman on a horse rides by and we swing with her towards the villa..leave your friend here. The chopper lifts off the lawn. my (doesn't ?% it) think that..lan.
TONY Hello. tx: upperclass Latin way.Gabriella. they're destroying the grass.. ( ( ( 1 uninterested.. Sosa. You must move them darling. .. reaches for an expensive set of binoculars on the patio table. it's turning yellow. You got everything a man could want. pleased. GABRIELLA (distracted) Xl Lovely. dewyeyed and loving. SOSA 1'11 take care of it myself. They peck each other's cheek lightly. TONY I gotta hand it to you. a pleasure.. Gabriella Montini. She Tony watches her go. From Miami.but the sheep in the north pasture. have the 73 Rev. Tony Montana.how was the ride? Xl Sosa changes his personality completely with her.an associate of mine. She nods to him in that somewhat rude. SOSA Of course not. (to Tony) My fiance.. at the helicopter rising off the lawn. my rose -... Xl CONTINUED #02154 1/22/82 95 CONTINUED 95 GABRIELLA (turning to 90) . tx: GABRIELLA It's tx: withdraws.and don't forget we Rinaldi's at eight. Uh -. looks up through them. SOSA (focusing the binoculars) ..
away for life. the chopper moves out of e like rope stretches taut..Unfortunately I don't feel the same way about the rest of your organization. SOSA He put Vito Duval and the Ramos Brothers -. his hands tied to his back and a He is length of thick rope looped around his neck. looks the binoculars. snapping a broken doll on a string as . up.I like you Tony. struggling backwards in vain. glances up at the chopper which now hovers Tony. Tony glances for him. being positioned at the door of the chopper by the Shadow and the Skull. SOSA was recognized by my From several lunch. informer for Tony... the servant pouring coffee TONY getting SOSA Suarez.OMAR terrified.Nello and Gino -. CONTINUE D 74 #00766 95 CONTINUED 95 puzzled. In-l -. My associate used to work up there. Through the binoculars -.they chopper and he flies downwards throw Omar out of the and jerks back up as the He hangs ther his neck. In New York. astonished. He was an the police.. Sosa? I mean Omar at.Whaddaya Mr. up at the chopper. - 2 96 96 THROUGH THE 3INOCULARS . There's no lying in you. . there Sosa high above the estate. passes him This garbage associate at years ago.
get this straight right Hey now ! I never fucked anybody over in my life didn't have it comin' to him okay! All I got's my two balls -my word -. pours himself some coffee. I'll fix this thing up right between you. and 75 #02154 2nd Rev. But that's history. 97 silence.your boss -. it can happen to anybody -even you y'know. It's crazy business we're in. hodedor! SOSA (moves away) I think you speak from the heart Montana. 11/22/82 CONTINUED 97 TONY (Cont'd) For nobody. Sosa goes over. how can I trust his organization.and I don't break 'em. say it. 97 'chivato' CONTINUED (Xl . You wanna go on with me. his judgment stinks. I'm here. For all I know he's the guy who set me up and got my buddy Angel Fernandez killed. Tony looks back at him. up to him) Sosa -. So I think to myself. for his reaction. but I say to myself this Lopez -. TONY Hey Frank's smart.he has 'chivatos' like that working for him. lowers the binoculars.hunh? You tell me Tony. make your move.. You don't.. (then) You got my word on that. A 97 TONY Sosa watches him closely shaken.. I never trusted. I'll talk to Frank myself. He's not. contemplative. what other mistakes has this Lopez guy made. SOSA So how do I know you're not a too Tony? TONY stalks (awry. That piece of shit up there I never liked. Don't blame him for that animal.sight.
don't ever try to fuck me.we can`t lose money.till we see him approach Tony.. it's pure Frank.don't fuck me Tony. Against a background of used American cars without great distinction.__ 76 #02154 Rev. makes an elaborate gesture of putting his hands out. Their eyes locked together.you and I -.TWILIGHT In all its Caribbean splendor with the long curving beach and rich white buildings.MIAMI . Music theme continuing over. He jerks his head. he ad-libs his way through some customers and salesmen. LOPEZ Con0 my ass! TONY At 10. CUT TO AERIAL VIEW . no way.. Sosa now grips them. do business a long time together.we can work this thing out. REVERSE WIFE TO \.it's the only thing I ever tell you -. Inside. who is waiting for him with Manny outside his office.LITTLE HAVANA . They go. are you crazy! TONY Hey take it easy Frank. CUT TO INT. momentos. Seventy-five mill! That's serious money. Just remember -.DAY 99 In long shot we see an agitated Lopez entering his dealership with his bodyguard. focusing an intense stare on him. and lots of photographs. l/18/83 EXT. centering on JFK and RFK shaking the hand of Lopez who now stares incredulously at Tony. I think -.5 a key.. AUTO LOPEZ OFFICE . shaking hands and acting like everybody's favorite uncle. puts his out. Tony followng the pantomine.DAY 100 The office is highly decorated with plagues.Sosa approaches Tony. LOPEZ tx: Yeah and what's Sosa gonna do to me when I don't come up with the first five million dollars on this deal -100 99 98 . LOPEZ MOTORS AUTO DEALERSHIP .. Frank. cone. Cuban patriot flags. we make seventy-five million on this deal. SOSA You speak with your eyes muchacho. LOPEZ (livid) You what! You made a deal for fucking eighteen million dollars without even checking with me! What are you crazy Montana. bathed in a lovely violet light.
send me a bill? He's gonna send hit squads up here that's what. There's gonna be war in the streets. TONY Frank...Frank.... LOPEZ (ranting) You know what this fucking trial is costing me in legal fees, Montana? CONTINUED #02154 CONTINUED 100 LOPEZ (Cont'd) ...You expect me to believe Omar was 'Cause Sosa said so? And' a stoolie. you bought that line? (pause, eyeing Tony) Maybe I made a mistake sending you down there? Maybe you and Sosa know something I don't know? CONTINUED #02154 l/18/83 100 CONTINUED - 2 1oc TONY You saying I'm not being straight tx: with you Frank? Lopez's bodyguard to his belt. LOPEZ (carefully) Let's just say I want things to stay the way they are. For now. Stall your deal with Sosa. Tony's eyes meeting Lopez's. shifts. Manny slips his hand closer 78 Rev. (X) 77-A Rev. l/18/83 100
Long pause. gave Sosa his word.
...have He turns to leave,
TONY (finally) it your way boss. to nods Manny. LOPEZ
Montana... just remember I am the boss. Sure to the door, Manny Gets LOPEZ Y'know I told you when you started Tony, the guys who last in this business are guys who fly straight, real low key, real quiet.. -the guys who want it all, the chicks and the champagne and the flash -- they don't last. saying nothing, goes out the Manny. Tow, 101 k expression. Fuck (with him! TONY steel) CUT TO 101-A EXT. SHEFFIELD'S OFFICE BUILDING - ESTABLISHING SHOT 101-A NIGHT #02154 102 70-A Rev. 11/2/82 INT. LAWYER'S OFFICE - NIGET Tony, impeccable in Cardin whites, and Manny, also slicked UP, are shown by an elegant secretary into a plush office. Behind the desk sits the heavy-lidded, cigarette-eyed lawyer, CONTINUED 79 #00766 CONTINUED 102 George Sheffield smoking yet another cigarette, his voice a hoarse gravelled croak, the eyes -- with their deadxnan stare -- always pausing before they speak. He doesn't get up from his desk. His hair is flaming red. We saw him before, at the Mutiny Club. SHEFFIELD What can I do for you Montana? TOM! (indicates Manny) My partner. Manny Ray. 102 10: (X EXT. AUTO 101 Just outside LOPEZ the OFFICE door, Tony glances at Manny's question-mar you're TONY the boss. joining
Manny, standing in the b.g., nods.. -Sheffield shifts his eyes briefly, back to Tony who plops himself in a chair. TONY So George, they tell me you're the best lawyer in town. SHEFFIELD Did they also tell you how expensive I am? TONY Hey it's like J.P. Morgan says -- if you gotta ask, you're outta your league. SHEFFIELD I see you been reading your American history Montana, what've you done lately to earn a place in it? TONY (chuckles) I'm trying to stay outta it, y'know what I mean? I'm expanding my operation. So I want a class guy like you on the payroll -- advising me. Starting now. SHEFFIELD (a longer pause than usual) Cash. On ...Start with a $100,000. the table. TONY (an equal pause} Sure.... He sticks out his hand. Manny slaps an envelope in it. Tony begins counting out the cash, right on the tabletop. CUT TO #02154 103 Tony waits in his red Jaguar in the driveway of the building. Lopez and his bodyguard exit the building. A limousine pulls up. Tony watches. The threesome get in the limo and drive away. Tony gets out of the car, crosses to the entrance. INT. LOPEZ CONDO - DAY 104 Tony waits outside the door, pushes the buzzer again. Elvira opens it, a look of utter surprise on her face. in jeans, barefoot and casual. ELVIRA Tony? TONY Hi there. Elvira looks at him, still astonished and waiting for an explanation. There is none. ELVIRA. ml.. -you just missed Frank. TONY I didn't come here to see Frank. She`s 1C 80 Rev. U/2/82 EXT. LOPEZ CONDO - SOUTH MIAMI - DAY 1C
TONY I heard you was in Europe travelling 'round all by yourself. I heard. ELVIRA That's broad of you. do you like kids? ELVIRA Kids? Sure. Cause I like kids too. Why don't you make some drinks and act normal. She's waiting. She drinks to it. It makes things easier this way. He paws the ground. (pause. I like boys and girls. 11/2/82 104 (XI . Frank's going ELVIRA Why not? We're all normal 81 Rev. awkward as a bull. awkwardly trying to make conversation. TONY I got something important to tell ya. TONY Here's to the land of opportunity. TONY Yeah.She looks at him amazed. Travelling really helped. He drinks a toast. ELVIRA For you maybe.. TONY Hey. TONY What else d'you hear? ELVIRA I heard you and Frank aren't working together anymore.as long as there's a nurse. Next time make an appointment first. She tries to slam the door in his face but he blocks it and bulls in. Tony closes the door. no response) I been travelling myself. The balls on this guy! ELVIRA (cooling to him fast) This is not the time or the place. TONY Good. ELVIRA Broadening your intellect. She heads for the pool. Look. CONTINUED #02154 104 CONTINUED Sure. eases slowly across the room towards her. Woman like you shouldn't have to travel alone. Tony. why not -. here. don't it? She's puzzled. nonplussed..
re tigers. Look. time I seen you. a ... -. We' two of us. I could (Xl be like Frank but bigger -. Anyway what I you is that. The known this the first You belong to me. I could be somebody here in Miami.-. here's the story.. looking at him like he'. . With the right woman.uh you're terrific. I could go to the top. Yeah -.. I'm not the smartest guy in the world but I got guts and I know the streets and I'm making the right connections.The biggest!. I I think Elvira's n the moon. Rev.1 want yo be the mother of my c ELVIRA She Y Me? laughs. O N (sincere) Yeah. a (stunned) Marry you? short harsh T laugh. I'm from the gutter but I climbed out of it.. TONY Yeah. Silence. 11/22/82 104 CONTINUED 2 104 82 ' ELVIRA (Cont'd) to be back any moment and when he . -marry me.. u to marry me and hildren....-.fuck Frank... .s o TONY came up here to tell I like you. there's no stopping me. ELVIRA What about Frank? What re you going to do about Frank? TONY Frank's not gonna last.walks through that.CONTINUED #02154 2nd .
. she's.. with a flashy young Cuban guy in a burgundy suit. Tony spots a Large Man coming towards him. Burgundy suit checks them out. She deep down -flattered. he's Some harmless. BABYLON CLUB .dazed. Tony nods. What do you give her money for if you don't want her to go out. it's just a disco for chrissake. He goes. TONY Keep your eye on her. . okay? I want you to hard. hesitates.T' ---- yet . spots his sister Gina. he works for Luco.. still CUT #00766 TO 83 INT.NIGHT 105 The place is raging tonight as Tony and Manny arrive. TONY Who's she with? kid... (puts down the drink. waves to him.. in tuxedos. Make sure he don't dance too close. Manny waves back. OWNER (indicating a table) Over here. 105 Caucasian. but I want you to about it. We might note Tony has refined the art of walking and no longer bulls Deonle out L L of his path... Hey c'mon Tony. . Tony stops. making their way through the crowd greeting the many people who know them now. he angles th?ough them. puts his hand on hers) I'm not looking for an answer now Elvira. about 250 pounds. (heading towards her) (stops him). have some fun? Gina spots Tony... it's okay. 1'11 see you the next stares at him. in an expensive looking dress. TONY What the fuck is she doing here. right think think time.
BERNSTEIN Are we gonna talk or am I gonna bust your wiseass spit balls... Tony baby -here and now? Tony looks at him.Sure Tony.. Tony. LARGE MAN (intersecting) Hello Tony. like a bunch of whacked Indians at the Sun-Ray Motel in Miami Beach. you remember me? CONTINUED 84 #02154 Rev... TONY Talk about what.Bernstein. 2 CONTINUED 10 105 1'11 (drifting away) be at the table.. (indicates a quieter area) Bernstein. You're. better talk. (snaps fingers trying to remember) . TONY Oh yeah? . right. Mel Narcotics. what's there to talk about? I ain't killed anybody lately.. ancient history. BERNSTEIN No not lately but we can go back to Like Emilio Rebenga. right? BERNSTEIN I think That's right. . 12/16/8 TONY (to the Large Man) Yeah.you know Mel whoever's giving you your information must be taking you guys for a long ride. we There's something ugly in his smile. sure.. maybe it's 'cause just the eyes do the smiling.
No shit -how TONY much? 85 Rev _ 11/22 BERNSTEIN (doodling on a piece of paper) There's an answer to that t He holds says "25. I got eight killers with badges working for me.that you're no longer a smalltime hood.. .. you're public property now. BABYLON CLUB . You feed me a bust now and then. and the Supreme Court says your privacy can be invaded. front of Tony. it hurts-. When we hit.000" * the paper up briefly in too. don't you? We tell you who's moving against you.TONY AND MEL in a corner of theeBabylon -. we shake down who you want shaken down.-Same thing works the other way. I That's TONY (reacts) a big number. You know how this works. so the news on the street is you're bringing in a lot of yeyo Tony... how do I . we'll step in for you.CUT 1C 106 (X INT.talking.CORNER TABLE .we like snacks.. some new cowboy wants to go into business you let us know -. yeah. if you have a real problem in a collection. TO CONTINUED #00766 /82 106 CONTINUED BERNSTEIN . TONY S'pose I give you the (Xl know you're the last bull I gotta money. BERNSTEIN cx: That's on a monthly basis. it looks good on the record. * . Every month the same thing...
Tony goes towards her.how do I know gonna come out from BERNSTEIN That's none of our business. Tony oints. (Xl we don't cross no lines. Comprendre? . 106 BERNSTEIN (Cont'd) (getting up) I don't want this discussion going (X) any farther than this table. p 86 Rev. MY WYS have families. glances in Frank's . CONTINUED #00766 11/22.NIGHT I like the scar. She sees him coming.Metro. the Owner. England.. Bernstein smiles. But you oughta smile more. then they're gonna make you suffer. then spots. eyes flicking back to the dance floor. He winks and goes.getting' embarrassed `cause if my guys are gonna suffer. the bodyguard. Tony. First class.floor. and Elvira drifts in. His attention diverted from Gina. grease? What about DEA -.Oh yeah and I got a vacation comin' up. Lopez is delayed at the door by his buddy. We never been there. I don't want none of `em .. Too close. they're legitimate cops. Lauderdale.`82 CONTINUED . Tony sits there brooding on it.. ' Throw in two round-trip tickets. BERNSTEIN Nice. I wanna take the wife to London. INT. Tony is getting pissed. Everyday above ground's a good day. Elvira walking into the club. directio .2 106 . Burgundy suit there is snuggling up to Gina on the dance . just stares at him. Enjoy yourself. he looks around for Manny. BABYLON CLUB ENTWWCE 107 10. Like Capone.. followed by Lopez and Ernie. what rock they're under? Tony.
The Frank. Tony comes right Hi. Frank. Lopez comes LOPEZ Hey Tony. TONY . (X) TONY (ignoring her) I don't hear so good LOPEZ You won't be hearing anything. TONY TONY so. glances expression narrows. 107 107 CONTINUED *-: ELVIRA Tony. and smiles at To you 12/16/82 87 up to her.what said? About the kids? Tense ard circles... Get lost. -ny.. conversation Elvira.Did you think about. sees Tony with Hello. look LOPEZ (without a smile) Then go do it somewhere else. in over. Tony. why don't you get your own girl? That's on what Frank's I'm face. he was ELVIRA only.. you're really nuts know.. his with the Owner.n. man. bodygu you really are.. takes Elvira's arm.. Maybe sometimes. ELVIBA Lopez. I CONT INUED #02154 Rev. over. . TONY doing. you go on like this.
LOPEZ C'mon! He crowds her. (Esfumate) closer to into Tony who back slides frame. just at the crest. ain't he? Lopez is letting me know he's got weight on me. Tony watches as they exit Angry. back Pause. happened? TONY That cocksucker! -.Frank giving is You gonna livid. They stroll back to the table..balls. the club. she goes. Manny bodyguard suddenly moves Blow. Maybe we should .. The move. that. What for? TONY The Emilio Rebenga hit. You're Remember What 80 10..2 LOPEZ (to Elvira) Let's go! ELVIRA Frank. kidding! TONY Who else knew about it? Omar's fertilizer. you orders. I don't know. turns away. 1X) doesn't ing Tony.He put that homicide prick Bernstein on me. CONTINUED #00766 107 CONTINUED . things don't look so good here. this is ridiculous. Tony. stop me? I'm LOPEZ You're fucking right I am. TONY (icy) Orders? There's only one thing that gives and gets orders. (Xl Something's about to Lopez abruptly turns pop. cabron -.
He stops. y'know. go up to New York? TONY You go. It crashes open on Gina in the act of snorting coke. BABYLON CLUB . He doesn't answer. Tony! crazy! the coke out You're and scatters . his irritation peaking now.the ladies. BABYLON CLUB .MEN'S ROOM AND STAIRS . No Gina. GINA (shocked) Tony! TONY What are you doing! What are you doing! He grabs burgundy suit by the collar and whips him several times into the wall..3 MANNY where you going? Hey. look back at him. Tony darts after her.. surprised.get outta town for a while.NIGHT 109 105 He moves over to the Men's room. INT.STAIRS AND LADIES ROOM . Tony moves past two men washing up. Without hesitation. CONTINUED 09 #00766 107 107 CONTINUED . with burgundy suit running his ha&s along her ass. There are four legs visible in one of the stalls. GINA (trying to him) restrain What're you doing! of her hands it He rips across the tiles. flings himself into the Ladies room. his eyes darting to pick out Gina laughing as she follows burgundy suit out of the main room and down the stairs to the toilets. throws the door open. and hurls himself against the door. CUT TO 108 INT. I like the weather here just fine.NIGHT 10E Tony comes down the plush velvet stairs.
TONY Go on! What the hell GINA is. my kid sister. that's what you are.TONY (to Gina) What are you doing with this shit. Tony! Tony shoves burgundy suit. CONTINUED #00766 CONTINUED 109 10! _-. you oughta --GINA What are you -. GINA Oh yeah! Go ahead! TON-Y . hunh? (back to burgundy suit) Get the fuck out of here.out nny. Snorting shit like that at your age. GINA Fernando! TONY (to Gina) Manny hall.. of the stall. y'hear. several others now looking in from the 90 TONY You think it's cute somebody puttin' their hands all over your ass. past Ma runs Shaddup! in.. hunh? In a toilet! GINA It's none of your business! TONY The fuck it isn't! Three dollar hooker. You can't tell me what to do! TONY telling ya! I'm I don't wanna see you in here again. maricon. I catch you in here I'm gonna beat the shit outta you. 1'11 kill you next time.a priest? A cop! Look at your life..
Come on. up to the bar. cup of coffee. raging. Manny helps Gina to her feet. let's go outside get some air. abated. Tony stands there. CONTINUED #00766 CONTINUED 92 110 110 TONY 11C . but disturbed. consoles Gina who is sobbing. 110 I'll buy you a the face. The crowd is silent. GINA You got a nerve. . Several more people are watching. no regrets.NIGHT Tony. She reels back CUT TO INT.-it's okay.. you got a nerve! You can't tell me what to do. reenters the main room. smacks her across into the toilet. circling the edges of the crowd. (tender) Come on. (strokes her face) TONY (disturbed. BABYLON CLUB .MAIN ROOM . don't push me!' GINA Don't fucking push me! CONTINUED 91 #00766 109 CONTINUED . get her outta here! He turns and bulldozes his way through the growing crowd. baby.. isolated and edgy. he didn't mean it. c'mon. to Manny) Get her home. The argument has moved across the bathroom to the lip of the hallway. I'll do what I want to do.2 109 Okay. it's okay.You're getting outta here right now! Don't push me baby. Manny moves across the floor and kneels down. pussycat.. X'll go out with who I want and if I want to fuck them then 1'11 fuck them! Tow. Tony.
He says it like it's personal.. a who? a doctor or a dentist or some look. pointing) Gimme a double of that! He turns. Never! He loves you. GINA (picks up on it) I like Fernando.111 (to the bartenderess.. (a face) What future's he got? On a bandstand somewhere? He's a bum. he's a nice guy. MIAMI STREETS . He don't want you to up to be like him.He's got a nerve the way he acts! Mama's right. So he's got father thing for you..NIGHT Manny drives Gina home in his two-seater Mercedes sports coupe. he knows how to treat a woman. He's been in jail five years and he still thinks I'm fifteen! Hey. The grow this you're the best thing he's got. only thing... He`ll never see me again. She says he hurts everything he touches. 12/16/82 111 CONTINUED 111 She gives him Like Like thing.like the sleaze ball in the red suit. Well he's not gonna hurt me anymore. Why don't you go out with somebody who's going somewhere? CONTINUED 93 #02154 111 Rev. She's still angry. protect you. catches a last glimpse of Gina leaving with Manny. GINA Against what? 'Gainst assholes -. GINA . what do you want. GINA . CUT TO EXT. GINA He still thinks I'm fifteen. He feels he raised you.
What about e me out? She's .. Tony's like my brother.. crosses in front of his headlights..NIGHT 112 Pulls the car over to the curb. okay? GINA So so. What? looking straight you? GINA Why don't you tak at him now. GINA (taunting) You afraid of Tony? You Tony's kid sister? Fuck 112 no. towards the house. I see the way you look at me -. re his kid sister. INUED 94 #02154 Rev. TONY'S MOTHER'S HOUSE .. okay.Manolo Ribera. you think about it real hard. (X) (nervous) Hey.LATER THAT NIGHT 113 113 .. Manny. BABYLON CLUB . you... 'Cause you don't know what you're missing... challenging Me? GINA Yeah. afraid of what? You' EXT. CONT guess we're here. 12/16/82 112 112 CONTINUED She leans across the front seat and lightly lays a challenging kiss on his cheek. The ladykiller is rigid in his terror. He watches. looking at him. CUT BACK TO INT. She gets out of the car. I Pause.. GINA You think about it.
Tony. and more screaming.. you coneheads...'Octavia' ! to (X) Lights dimming to the bluesy rhythm of the Sinatra song as sad-eyed Octavia suddenly appears in the shifting spotlight drawing immediate laughter. Machine gun fire rips through the upholstery. absorbed by his thoughts. . Tony. he gyrates grotesquely to the sleek song. bouncing around like yo-yos... the music suddenly shifts upbeat to "Saturday Night Fever" and the clown.. distracted by the clown.except Tony and the clown. weaving in and out of the sharpening spotlight in his white face as the act comes to its close. hit in the shoulder. He sprawls.. Out of the side of his eye. Tony is hooked by the image. Venezuela -. The second hitter is pinned. firing. breaking more mirrors.. His antennae warn him. we see the gaunt handsome face of a young clown in white paint with the large blackened eyes staring without expression at the laughing audience. Everybody is laughing.. I found him stoned in the jungle and there's nothing you'll ever see like him... Tony lets the gunman have another burst then runs out the 113 . the music drifting Sinatra's "Strangers In The Night'. With a red bulb for a nose.. smashing the mirrors.-. looks on. everybody is merry... another exciting evening at the Babylon.. his big eyes staring out at us in theatrical melancholy. rolls.The Owner appears at the mike. CONTINUED 95 #00766 CONTINUED 113 . hunh? Now I want you to check out this next hombre. The two hitters moving on him. I present with great pride.. He is dressed as an enormously fat old man with a Quasimodo mask covering both the front and back of his head and neck. is lucky this time. Tony moving under the tables. a haunting figure of mockery... Tony watches.... sitting alone. the man staggers across the disco floor firing volleys into the mirrors and ceilings. PJ%en the head mask comes off. More laughter. firing back. gets his Baretta out of his ankle. Hits one of the gunmen in the chest. 'from Caracas. more clothes coming off. once the mood of laughter has been established.. and pulling the girls out onto the floor to dance with him. Screams. firing. thin as a stick. The clown is down to his leotards.. building a tempo. towards the door. crowd diving for cover. starts shedding the stuffing from his clothes.. like a butterfly from a worm. OWNER All right. he sees..
Manny there? . SAFE 115 115 HOUSE . CUT TO EXT. doesn't express a reaction. his windows being blown out. accelerates climbing to top speed. his clothes ripped with blood and'glass. TONY Somebody else gonna be a lot sorer. Tony looks at it. gets a hold of his own Ingram machine pistol.. the hitters seeking cover. The clown. but is overtaken and crushed by the car.114 door. is attended by a Doctor. towards him. DOCTOR It's going to be sore for a few months. lies dead on the silent dance floor. CUT TO 116 116 INT. Exchanging shots with a third hitter across the parking lot.. CONTINUED 96 114 #00766 114 114 CONTINUED Tony now pops a button. wounded. The third hitter advancing. In an instant. who reveals to Us an ugly wound on his rib cage. CUT TO INT. to his red Jaguar. Octavia. cocks it and lays down a field of fire. He jumps into the Jaguar. (to Chi-Chi) Find out where Lopez is.. THE BABYLON CLUB .Tony. Carhops scattering. his warmobile in reverse. crouched.. he runs out of ammunition.. The second hitter. tries to get out of there. aching from his wound. running out of the club.THAT NIGHT Tow. Miriam? in panties and a tank TONY'S VOICE Yeah. his head exploding like squashed watermelon. is hit again.... Tony suddenly brakes the car and reaches down and slams the gear shift into reverse. Bulletproof blackout shutters whap across the shattered windows. As hitter three realizes it's too late. already wounded. He guns the Jaguar out into the lot. whining against the shutters.. Hitter two. bullets careening off the armor plating. MIRIAM'S APARTMENT . Tony reaching under his seat. carhops scattering.NIGHT Miriam's a tough-looking little ckick top with "Cocaine" written on it..NIGHT Tony runs out.
o. is snorting a line of coke off a mirror. Hey. MIRIAM'S APARTMENT . whatcha up on me. in bed. 117 TONY Look. SAFE HOUSE 12: ignores the - NIGHT doctor taping him. ) happened! doing -97 checking 118 MIRIAM'S 12c APARTMENT . in good spirits. 117 SAFE HOUSE . a grass- later CUT TO 121 his INT. I'll be back .' (hits the coke again) Don't do it all. Manny..NIGHT INT. Yeah. I'm better looking. 118 INT. SAFE HOUSE . MIRIAM This is worse than fucking hopper.MIRIAM Yeah. Tony watch. man. It's Tony. we can't TONY (v.NIGHT What INT.NIGHT (grabs his pants) I gotta go. That phone Move your ass! booth on 9th. too? #02154 11/22/82 Rev. takes the phone.. hangs Nothing up. get your fuckin' clothes on and meet me outside Lopez's office in forty-five minutes. fix. Tony cone. checking .NIGHT 114 119 Tony 120 INT.
you're kidding! Three to two? Son of a bitch!. his nose in a glass of scotch. I got it. y'know..... I'll call you back-. Ernie. LOPEZ'S VOICE .. Lopez's voice on the phone through the half-opened office door.Hunh! MUFFLED VOICE Congratulations.NIGHT Waldo remains outside.' CONT INUED 98 #00766 CONTINUED 121 . Mr. TONY (to Nick) Nick.. Tony. no problem. almost muffs it right there and then. (X Yeah. 122 NICK Yeah. Tony.fix the umpire? Lopez.great Frank. Manny and Chi-chi move gingerly along the darkened showroom. there. That's . LOPEZ MOTOR'S OFFICE ... it sure is Frank.. don't NICK worry Tony. My softball team....'Hello. the latter two with guns casually drawn. CUT TO INT. I got it. INT. LOPEZ Tony..NIGHT TONY Yeah. What'd you do -. the Little Lopezers? They won the Division tonight. call Lopez You got that? TONY All you say is you're one of the guys at the-club -. when we get at three exactly. LOPEZ MOTORS . there was a fuckup. gets the message from Chi-chi sliding along the wall next to him. 122 121 123 123 .. (cradling the phone) Guess what.-yeah. We're going to Sarasota for the State Championship.? Uh. Manny and Chi-chi slide into the room. covering the street as Tony. Lopez. but manages to recover. Hangs the phone up and rocks forward at his desk. he got away. Lopez's bodyguard.. Manny covering the other side of the room.
. They spoiled one of my $800 suits. TONY (sits at the edge of Lopez's desk) Nah.. always is. -What are the guns for Tony? TONY (shrugs) What for? I'm paranoid I guess. shoulder in a sling. Is there an answer to this too? BERNSTEIN (uneasy) Always is Montana. his two hundred and fifty pounds bulging with irritated surprise. we'll return the favor for you. CONTINUED #02154 CONTINUED 123 3 . lookit. they got a deep beef going back to the 'Sun Ray' thing.... what happened to you.. TONY Why don't you answer it 'Frank? CONTINUED `./. maybe it was the Diaz Brothers. In spades. Pause.LOPEZ Tony. TONY Hitters.Hiya ii:. I'm gonna take care of this myself. LOPEZ (awkward) Well.. face cut. 11/22/82 . shifts his eyes with camera slowly onto Mel Bernstein sitting there with a bourbon on the rocks. 100 #00766 12 99 Rev.. Tony.. LOPEZ Jesus! Who? in his ripped suit. The phone rings. Somebody musta brought 'em Never seen 'em before. TONY Hey. hunh? TONY Yeah. you might be right. Lopez lets the phone ring.. LOPEZ Jesus. Tony. LOPEZ Anyway I'm glad you made it Tony.
he's a cockroach! CONTINUED 101 #00766 . Tony... angry now. Pause. I'll be home in an hour.. no! LOPEZ Lissen! TONY You remember what a 'haza' is Frank? It's a pig that don't fly straight. grabs Lopez by the shirt and hauls him forward across his desk so his gut lies flat across it. up. After we left that joint she. Frank. Tony. -Hello?. TONY (reaches for it) tell her you're not here. LOPEZ (nervous) Why would I hurt you.2 123 -4' The phone LOPEZ m-l..123 CONTINUED . I gave you your start Tony.. Neither do you. TONY Frank. TONY You know what I'm talking about you fuckin' cockroach! Tony. * . (anxious) Yeah. you're a piece of Whatcha talking LOPEZ 'bout Tony? shit. Frank. I believed in you ! TONY Yeah and I stayed loyal to you. I made what I could on the side but I never turned you Frank.. all right honey. rings 1'11 again. don't worry.. never -but you -.. He hangs LOPEZ (grabs the phone first) Wait a minute! I'll talk to her.a man ain't got no word. You know women.. no big deal.Must be Elvira. I brought you in! So we had a few differences..
you always had somebody else do it for you.Elvira? You want Elvira? She's yours.. you'll never see me again. Manny. I never did nothing to nobody Tony! I never hurt nobody! TONY Yeah you're right Frank. amid his patriot flag and his Kennedy . Just gimme a chance. please! pathetically. I disappear.123 -3 CONTINUED 123 cockroach right in fr ont of He squashes an imaginary him further across th e desk. you mind piece of shit for me? TONY shooting this there impassively. draped over his desk like Marat in his bathtub. okay! I: 90 way Tony.. then pulls flailing.. LOPEZ I don't wanna die Tony.. LOPEZ Please Tony okay all right! Gimme a second chance! Ten million. to Manny. Mel! ! Mel sits sitting in it.. We'll get on a plane. It's your tree MEL Frank. all of it. *Frank's eyes. please.. In Spain. LOPEZ No! him Tony! with the silencer. you're Mel! Do LOPEZ something. steps No! shoots aside. It's yours. gimme a second chance Tony. Three Lopez crashes backwards. please He sobs He turns Tony Manny times. I'll give you ten million dollars right now ! I got it in a vault.
looks up astonished. reading them. . BERNSTEIN . said .Every He fixes his eyes dog on Mel Bernstein. Whoever He fires.I. BERNSTEIN (rising from his chair) You can 't Hey. BERNSTEIN Now wait a minute. gets w Bernstein takes it in the gut. so did you. His orried. But he ot hot tonight.Bernstein. Tony. Bernstein._-CONTINUED _ 102 #02154 Re v. y'know. Montana.. eyes. He fucked up. You are. BERNSTEIN (remaining calmly in his chair) I told him it didn't make sense cliptiing you when he coulda had y g b ou working for us instead. don't go too far. He produces his Baretta from his sling and holds it in his left hand pointed at the big man.photographs. 123 CONTINUED . . TONY you were one? TONY Yeah. Tony.' TONY has his day. about the road. TONY I'm not Mel. 11/22. . lemme go. what is this? shoot a cop. c'mon..4 .'82 123 . I can fix th . hits the floor...
Cuban. ELVIRA Tony?. Come Tony. Tony turns towards the door. Tony walks out alone into the darkened showroom. a LOPEZ She nightgown. she opens the front doo CONDO in her THAT silk NIGHT sheets. MANNY torch Okay. past the hulks of the used Cadillacs. fires several times into him until we can imagine he The bodygurad. see me TONY tomorrow... TONY Sure you can Chico. gets up. In r. So long. as we see the shadows of Manny and Chi-Chi moving in a stream of light. 124 rbell CUT TO INT. no C ONTINUED 103 #00766 CONTINUED . Elvira lies rings.. Ernie. Tony.) .. Mel. the middle-aged TONY Ernie? ERNIE Sure. Maybe you can hondle one of them first-class tickets (X He is longer of the living. (indicatize bodyguard) about him? -. The doo it! (0-s.to the Resurrection.5 12 123 What Tony notices. have a good trip.. You want a job ERNIE Thanks.ings up.-waits stoically.
breathing in the air.DAY 12 HANDS money.. PAN TO EUROPE.. the camera moving to one sign down there that says it all. We're going home. .. moves quietly past him'towards the bedroom. 12 HANDS 12 CONTINUED 12 125 $ 12 . CONTINUED 104 #00766 -. 129 ! Tony on the phone in Miami. 128 t Sosa on the phone in Bolivia. 124 4 Pause.DAY 13 WT. marching music. TONY'S MANSION . ELVIRA Tony just What's stands Where's happened? there. SOUTH AMERICA Tony drinks it in. flashing its big neon bracelet --THE WORLD IS YOURS AMERICAN.DAY 12 EXT. ELVIRA Frank? TONY Where do you think?.quaaludes. MONTANO REALTY ... SOSA VILLA ..Passing Time: MULTI-SCREEN IMAGES to lively.. . CUT TO Montage . She understands. still in his ruined suit with the arm in a sling. Spin 126 L counting 127 : sealing cocaine bags. The lights of Miami wink at his feet. AFRICA. .Tow. moves past her into the apartment.marijuana. Tony ambles over to the windows and steps out on the terrace. 130 ( EXT..Why don't you go pack your stuff.
. GaSpar.exits the Montana Realty Company in Little Havana..DAY 133 Camera moving from a sign saying "Banco Del Sur Miamil' to (X ) Chi-Chi and Rafi unloading duffel bags from the back of a Volkswagen van in the parking lot of the bank. MONTANA DIAMOND TRADING COMPANY . 134 TONY'S 134 MANSION - DAY Chi-Chi's Gigi. and Ernie -.with Manny. .. Gaspar and Gigi -. l/18/83 EXT.with another ladyfriend. the camera moving back down the telephone cord to the receiver. the four of them now moving towards the bank bent under their weights-like a column of ants carrying the sugar. on (XI the phone worried with 'INT.with Manny.. the ambushed a GASPAR'S 132 STREET DAY EXT.enters the Montana Diamond Trading Company in Little Havana.Tony -.3! APARTMENT - DAY Manny's on the other end -. 131 : Tony -. 132 Marielitos. Tony shaking hands in an office with a young bank president They sit down to talk.. CUT TO MANNY'S 1. (to be seen again). INT. both stripped down.DAY 13 133 EXT. BANK . is nd blown up One in of his car. Tony and Manny supervise. -^ 105 #02154 Rev. 135 : .
. this I year!" VIC.NIGHT Marielito. another handcuffs from a suburban stash NEWSPAPER 138 Time Magazine "Raid Nets tash!" covers.13 INT. flashy 14E car.GINA exits 140 141 OMITTED HANDS 143 stripping false bottoms from suitcases. 13 EXT. is house by the 13 HEADLINES led off cops.DAY 136 The tap -.the camera moving along the tape spools to the two narks listening. .simultaneous. $100 Million Cocaine S -139 . "135 THE 12 NEWSCASTER ON homicides TV so far drug-related 106 #02154 Re v.. TAP TRAILER . 137 in Rafi.NIGHT .trailer -. in Cuban park. 11/2/82 (Xl 139-A 139-A NICK THE PIG shaking down punk 139-B 139-B LITTLE HAVANA . STASH HOUSE .
145 INT.* CUT 150 TO 15f EXT. as the morgue piles up with rows of corpses. winks at her.. their tagged toes sticking out from under the white sheets like used cars. . 14( INT. Manny. Gigi and Elvira looking on. BEACH 141 . another sprawls dead over a video machine of in the Marielitos. AMUSEMENT ARCADE . looking up at the cl new MOTHER'S suit. . TONY'S MANSION MORNING DAY MORGUE DAY .. EXT. . 107 MIAMI #52154 Rev. 148 EXT.DAY 14: Gina.142 _. KITCHEN DAY STORE DAY 143 144 INT. now an amusement arcade. 149 . Hernando. . He suppresses his smile. ock. TONY'S BEDROOM .. GINA'S BEAUTY SALON . INT. and a bloated Cigi floats in from the ocean onto the lush white surf of Miami Beach. and the beat goes on. then her eyes linger on Manny. Waldo. alongside some kids playing with their shovels.DAY 14' And Hernando. . with Tony.. l/18/83 (Xl 149 INT. 146 147 . MENS' CLOTHING 14: a Manny buying TONY'S 144 Mama washing dishes. cuts the ribbon for the new Gina Beauty Salons in Little Havana. She looks towards her brother.NIGHT 14! Elvira OMITTED snorting.
In an exclusive area of Coral Gables. l/18/83 (Xl 1 MaMy Tony' laugh 151-B INT. Tony and Elvira kiss. TONY'S 15 GROUNDS SAME DAY Tony. the camera moving to Gina. . . CONTINUED .. a striped nine-foot Bengal tiger stretches majestically under a solitary banyan tree.. Just like it should be. eating his wedding cake. #02154 151-A 51-A From their point of back to the mansion cake. security gates. her eyes covertly tracking to Manny who gazes back at her. Tony has erected his fortress-like Shangri-La. evenly and openly as. Tony tiger. TONY'S MANSION OFFICE . acres of lawns and a guarded boat dock on a canal. his arm around Elvira. as Tony and Elvira take their marriage vows in front of the Monsignor.GUARD HOUSE . with an extremely short dress. the triumphant montage music rising to its full glory as a beggar's banquet of gang members and various girl friends (but no sign of kids) looks on. .DAY Behind some nearby bushes. Intercut and Chi-Chi to: kidding around with the 151151-A EXT. to which he has. making shushing signals. looping earrings. nuzzling her. freeze. Across a moat of water.MONTH 51-B 1 .with a sense of humor -. Chi-Chi is with a girl who looks like an animal.-. 151 EXT.. TONY'S MANSION . we see Tony leading the entourage as Chi-Chi throws the Bengal his wedding CUT TO DATER CONTINUED 108 Rev. view. They hear the sounds of s voice.added a large neon sign on the front lawn that says: THE WORLD IS YOURS MONTANA TRAVEL CO.DAY . shows his entourage his new hobby. surrounded by walls. Gina and are making out in the grass. extending a giant claw and licking himself. then almost when they consider their childish state.
You gonna TONY what... y'know..yeah. The more cash you give us the harder it is to rinse. TONY . y'know. TONY 'cause. Jerry. The IRS is coming down heavy on South Florida. I can't pay that no more Jerry.. BANKER (Cont'd) got stockholders. hair coiffed.. I'm gonna be bringing in more'n I ever brung in. c'mon. CONTINUED #02154 151-B CONTINUED 151-B Tony. can't do. chairs -but not one sign of a book on the walls. That's too bad. Tony. BANKER f-leY. accompanied by Marmy. That Time Magazine cover didn't help any. We gotta do it -. There's an abundance of electronics -. that's crazy. we gotta. So I think it's time you bank boys come down a bit. couch. sound systems. thirtyish bank president into his office. l/18/83 (Xl . a guy who never stops thinking money. we're not a wholesale operation here. The fact is we yan't even take anymore of your money less we raise the rates on you. which is rigged with video monitors surveilling all areas of the house and grounds.. That's serious money.. we gotta percent on the first twelve that's in denominations of 109 Rev. like. video games. y'know. well.. computer toys. walks a young.. the type of guy who follows the Hong Kong money markets on weekends. desk. is slickly dressed. sweetheart. the Banker. y'know.Tony. BANKER Tony.televisions... Jerry? BANKER Tony. we're a legitimate bank. I'm talking ten million a month now. Tony. we go ten million. the eyes scooting shrewdly back and forth.
you're an old and wellliked customer. CONTINUED #02 154 151-B CONTINUED .I don't trust 'em. H OW 's married life? Say hello to the princess See for me -. .you trust us. Take care. You're not gonna find a better deal. And then what? You gonna trust some monkey in a Bahamian bank with twenty million of your hard-earned dollars? C'mon Tony. BANKER Stay with us. Jerry glances at his watch.. uggesting he has another engagement. Tony watches.twenty. Tony looks broodingly. -guineas 109-A Rev. raging inside.it's no conspiracy. I gotta run. Tony -. BANKER You gonna fly it yourself.. As he snorts: TONY That prick. you..2 -E TONY I don't know. some maricon on a boat. Jhat's come over he think I am. You're in good hands with us. So why don't we talk to this Jew Seidelbaum? He's got his own exchange. BANKER Tony. She's beautiful. He pulls a drawer It's the open and reaches for a private cocaine supply.. Mob guys -. TONY Then fuck you. that WASP whore.on a regular basis? Once maybe. first indication we have of this. he charges four percent tops -. Going. we're all doing it. your ten on your Ten Hey. We'll go eight percent on dollar bills and six points fives.and he's connected. don't be a schmuck -. l/18/83 (Xl 151 s .gentlemen. TONY points! we Tony. I'll fly the cash to the Bahamas myself. Tony -.okay.who else can you trust? That's why you pay us what you do -. go someplace else.
Yeah? TONY Hey Manny when does it take days to rig a cable. the Banker. thousand it set us back.VIDEO MONITORS Tony's eyes fixing on the cable TV truck parked across the street.On the video monitor. We're living on the 110 Rev. casually -passing the vial to Manny who does his hit. TONY You check it out. There are other private A man is hauling cable. then we're gonna that fuckin' truck back to Bogota. Spanish moss. sure. hunh? cops. this month? Five there? 1 TONY'S MANSION OFFICE . cypresses and quietly respectable million dollar houses with their Spanish tile roofs and balconies.DAY . The truck could be not the only dopers block y'know. TONY What if it's the Diaz brothers? What if they're gonna come and get me? I'll check it out. I told you that. gates visible. Tony hits the other nostril quickly. Now beginning to see things through the glass darkly. anything. Tony watches Jerry. TONY See that cable truck 152 52 INT. leaving. TONY (eyes wandering across to another video monitor) You get the house sweeped The cars? Yeah. The area is lush with gardens. (Xl l/18/83 three blow CONTINUED . #02154 152 CONTINUED 15.
TONY'S MANSION .BATHROOM . civilian-looking. it lets me sleep good at night.our attitude. Hey I'll check it out. Twelve percent y'know. We're not fucking hungry anymore! CUT 153 thru 157 157 #02154 83 A-158 EXT.NIGHT . looks back) I'm telling you we're getting sloppy -.ESTABLISHING SHOT A-158 158 (Xl INT. l/18/ 153 OMITTED thru TO . now. (walks away. So the guy hood. There's that fat guy again.our thinking -.NIGHT . fifties. TONY'S MANSION . TONY You worry about it.for a guy in charge of my security. Manny looks over at a jogger running by the the porcine quality. TONY do you know what he is? Hey if he's a cop don't you think running in circles around a house is a pretty dumb way to watch it? TONY Maybe not. I'm just telling you we're spending too much on this counter-surveillance shit. of our adjusted gross -. TONY I seen him every day. stops. He's How the fuck jogs some 'Bout a week gate -..TONY Hey you got some attitude y'know Manny -..CLOSE ON 111 Rev.that's not pocket money.of around the neighborfat accountant.
and a radio and portable bar all within reach." Camera pulling back to reveal Tony watching in his huge goldleaf bathtub. glinting glass. It's some bathroom -gigantic with a chandelier hanging in the middle of it. #02154 Rev. . cranes. rugs. Manny straddles a chair next to the tub watching the m news that was interrupted by the Florida Security Trust commerical. Italian marble. l/18/83 158 CONTINUED 112 . Charging me ten points on my money and they're getting away with it! ThG's no laws anymore..158 TELEVISION COMMERCIAL (Xl A television spot for Florida Security Trust (or Miami Security Trust or Dade Security Trust depending on legal options). CONTINUED .. We'll be here tomorrow. with his TV hooked to one side of the tub.. plants. etc. anything goes. He looks like a character in a Futzie Nutzie loafing cartoon... Behind him Elvira's in d robe. skylights. these guys been here for a thousand years. BANK SPOKESMAN s . a cigar clenched between his teeth. a long phone line to the other.. They got all the angles figured. A respectable business-type walks along the sidewalk with a renascent dpwntown Mimi as a backdrop. A e 1907. TONY (to the TV) Yeah that's 'cause for seventy-five years you been fucking all of us over. Skyscrapers. We've been around for seventy-five years. that's why. -Here at Florida Security Trust we've been putting your money to work for a better America. (to Manny) Somebody oughta do something about these whores. fixing herself up in front of a giant mirror.. logo for the firm over with the reminder "Sinc l Listen.
it says "Editorial. bubblehead? You ever do nothing 'sides get your hair fixed and powder your nose? You do too much of that shit anyway. TONY to this. Know got to talk like that? (changing the subject) So I had a pow-wow with this guy Seidelbaum today. TONY Row would you know. He checks out. I'm n TONY what? Why do you always doing a toot of coke off a flat true capitalist ELVIRA if ever I TONY capitalism is . Underneath his face. I thought I'd take Chi-Chi with me.got another meet set up. guy's of wet. Visual of silver-haired television Anchorman -. on the TV. She's mirror.with a bit of show business image in him -.feet wet with this guy. TONY (Xl That's a lot ot Tony points Rockefeller. TONY When? Thursday ten o'clock." Not yet.to be seen again. A met one. to a figure listen always (X) Hey. good for a laugh. I .15E You know what -Getting fucked.Vie Phillips -. You should know that Tony. Do a million (Xl and some change. ELVIRA Nothing exceeds like excess. Get my.
the question is how with a small law enforcement budget do you put a dent in an estimated $100 billion a year business? It seems at times all you can do is put your finger in the dike and pray but now we are hearing voices that say the only way we can solve the drug problem is the same way Prohibition was solved. an immigrant spit (Xl 1 1 3 Rev. .`. (pause for effect) & am not one of those voices. it's boring! TONY What's boring? ELVIRA (X) You're boring. TONY 'Cause Frank was dumb. can't you stop saying fuck? -.. They're the bad guys.: . Money. money. They'll fuck anything for a buck. money! That's all I hear in this house.. (Xl ELVIRA You know what you've become Tony -an arriviste..you never been right in your life.. l/10/03 15E .. It's the guys like him.. . Frank never talked about money. ELVIRA And what about you Tony? Can't you stop talking about it all the time. CONTINUED #02154 158 CONTINUED . These voices say that will drive out the organized crime element. the bankers and the politicians who want to keep the coke illegal so's they can make more money and get the votes to fight the bad guys.. (to Manny) Guy never fuckin' tells the truth. TONY (responding) What do you know -.. Not by outlawing the substances but by legalizing and taxing them. Vie baby..it's boring.2 NEWS ANCHORMAN .
work with blind kids. l/18/83 . TONY Why don't you get a job y'know? Be a nurse.3 158 ELVIRA (Cont'd) about how much money he's got or how he's getting fucked. What ELVIRA (at the lip. Why don't you just dig a hole in the garden honey and bury it and forget it.my problem. of the bathroom) . open a stationary store..millionaire who can't stop talking. Tony? is TONY '. . TONY what your problem is 118 2nd Rev. lepers.. 11.. I don't give a shit._.. #02154 '22/82 158 CONTINUED . Hey you know pussycat. Anything beats lying around .you got nothing to do with your life that's what.. (indicates the bathroom) CONTINUED 114 thru 117 Rev.. -CONTINUED #02154 158 CONTINUED . You would've been a nicer person.. I worked my ass off for all this.3 151 ELVIRA (starts out) It's too bad. Somebody should've given it to you. c'mon. TONY What're you talking about.. .. Tony.
. this is dumb! the water in his we tub and fight slams the CONTINUED #02154 coNTIm . Frank was horn...4 118-A 2nd Rev. (very surprised) It's my deal. Chico? A friendly smile but Tony just stares glumly after Elvira. you're Don't toot your not that good. guilty) Hey c'mon Elvie. that's why. (Xl ELVIRA ( stung 1 honey. You . whatta for. (rises) I gotta hot date. of it. ELVIRA (guietly) an asshole. TONY better? You're She goes.waiting for me to fuck you all the time. 11/22/82 158 (watching) I guess married life's not all that it's cracked up to be. TONY (calling after her. hunh. coNTmuED #00766 158 CONTINUED .4 158 TONY (glaring into his bathwater) Seidelbaum thing? 119 This Yeah? TONY Me and Nick'11 take care stay out of it. TV He splashes shut. why! TONY You stink as a negotiator.
You like the ladies more'n you do the money -- that's your problem Manny. Hey wait a second, I'm your partner Tony, you can't trust me, who the fuck can you trust?. Tony mumbles something, barely TONY Junior Junior partner. (catching7 partner my ass!
TONY I'm in charge. Do as I say. You go to Atlanta, you handle the Gomez delivery there. (a You oughta muchacho. He bath. leaves, pissed, Tony beat) lissen to your You are an wife, asshole. to himself in his
TONY (to himself) Puck you too... what do you know, who the hell put things together;..me! .Who do I trust -- me, that's who.... DISSOLVE T O #00766 159 120
EXT. WAREHOUSE - ALONGSIDE MIAMI FREEWAY - DAY Tony and Nick The Pig get out of a van, frowning in the glary sunlight. From the continual sound of jet aircraft taking off and landing we might sense we're near an airport. As Nick hauls a duffel bag on his back, Tony, carrying a suitcase of his own, reads the sign on top of the warehouse: "CONSOLIDATED CARRIES INC. INT. SEIDELBAUM OFFICE - WAREHOUSE - DAY The office is bare and ugly, the furniture naugahyde black. There's noise from an outer office, and people on phones, moving, talking. Tony and Nick sit on a couch stacking twenty dollar bills from the duffel bag and suitcase onto a coffee table. Two men in casual sports clothing sit opposite them in chairs, one of them -- Seidelbaum -- squaring the bills and passing them efficiently through a money-counting machine which clicks at rhythmic intervals throughout the scene. Seidelbaum's a small, fat 7th Avenue-type with a lot of rings on his fingers and sharp, porky eyes. The other guy -- Luis -- a dark Cuban, is long, lean and smooth with aquiline nose and dancing eyes. He drinks coffee, smiles a lot and bullshits -- two sordid guys who 16
look the part. It's a tedious process counting a million five in twenties, it takes four/five hours; and throughout the desultory dialogue Tony, absorbed by the money, and Nick never stop the monotonous work of counting and stacking and noting the At all times all four men, thoroughly aware of amounts. the large stacks on the table, move and talk gingerly although they appear casual and bored. They drink a lot of coffee. LUIS . I . yeah back then I worked in pictures I was in that picture down in Columbia. Burn, y'ever see it?.. with Marlon Brando. We're good friend. I was his driver.... NICK (stacking) Oh yeah? LUIS Yeah, in Caragena, they shot it there .. . Gillo Pontecorvo, he was the director. Italian guy. CONTINUED . #00766 160 CONTINUED LUIS (Cont'd) (pause) Yeah, I also know Paul Newman. I worked with him in Tucson. NICK THE PIG That so? Say, you know Benny Alvarez there? LUIS uh.. . . SEIDELBAUM (interrupting to Tony) Now you want a company check for $283,107.65? TONY checking (pause, his fingers) uh.. . I come up with 284.6 SEIDELBAUM (pauses, looks again at his figures) No, that's just not possible. The machine don't make mistakes. Well, we'll TONY count it again. 121 1%
SIEDELBAUM Oh . TONY Hey business is business. We're talking $1500. SEIDELBAUM (exasperated) Okay, you keep the change okay, I don't give a shit. Okay but I'll with you. Seidelbaum ignores TONY go through it again it, counting up SEIDELBAUM check now, this Realty TONY Company. CONTINUED #02154 82 160 CONTINUED - 2 160 NICK (to Luis) How come you don't Alvarez? TO 161 know Benny DISSOLVE INT. SEIDELBAUM'S WAREHOUSE OFFICE - DAY 161 They're drinking another round of coffee, exhausted, smoke filling the room. The table now resembles a Mount Everest of green and they're still counting. The money, like discarded food, is spread all over the place -- in boxes, brown paper bags, on the couch. They stretch, rub their eyes. We're up SEIDELBAUM to what? 122 2nd Rev. 11/22/ another one stack. goes Jesus!
Okay... This to the.... Montana
LUIS (consulting his notes) Seven checks. A million three hundred twenty-five and six hundred twenty-three (Xl ...plus eighteen cents. TONY (grins) we're almost finished. Another thousand and we can take a leak.
(Xl hunh? CONTINU ED #02154 /82 161 CONTINUED Luis 161 moves around Tony to disarm him. Get 'em up. ankle and rises.Fulls a Yeah pistol but from this'11 his SIEDELBAUM do fine. TONY Oh shit. What's Photograph that and say. Considering the options. Montana. of those? where can I g LUIS Cabron! You call yourself Cuban? You make a real Cuban throw up. The Rico Statute. The little fat (X) man's eyes are suddenly agile and mean-. SEIDELBAUM (to Luis) (Xl Get it. Agency Hey et one TONY (impressed) that's good work. 11/22 Luis. SEIDELBAUM Looie! Cool (unfazed. hoves under it TONY So how do I know you guys are cops? produces a wallet with identification. 123 (Xl 2nd Rev. Drug LUIS asshole? Enforcement s Insert: ID. lifts his arms. wiping the sweat off) it. -You're not kidding (Xl Eyes darting. TONY . Tony astonished.. SEIDELBAUM You're under federal arrest. for a continuing criminal conspiracy.-Tony reads them. Tony's nose.
.. You know it. 124 2nd Rev. I '.DAY . TONY Yeah. turn it off. Tony is not that clear an image as he glances briefly.REVERSE ANGLE ON VIDEOTAPE Blurry image of the men in the room.. I call my lawyer. (points) Say hi. Seidelbaum.Call your dog off. 162 in IN'P. SEIDELBAUM Lotta good he's gonna do you Montana. goes SCENE SEIDELBAUM (reciting the Miranda) All right. into the camera. you have the right to remain silent. He's so good tomorrow morning you're gonna be working in Alaska. 11/22/82 (Xl The 163 BACK 163 angle TO Okay....m here changing dollar bills is all. I wanna call my lawyer. uninterested. There's an eye there the wall. TONY (cuts him off) I know all that shit. black... handcuff him. Montana. You have the. save your breath. Seidelbaum. is that what you front of Seidelbaum? jerk off in CONTINU ED #02154 162 CONTINUE3 NICK Oh shit and I was supposed to meet this chick at three. SEIDELBAUM'S WAREHOUSE OFFICE . Seidelbaum.. honey. SEIDELBAUM (to camera) Danny. What a pain in the ass. So you wanna waste everybody's time here. Best lawyer in Miami... It ain't gonna stick. As they . I know it.. Anything you say can be taken against you.
adjusts 3s hair.DAY Tony. LAWYER'S OFFICE . page SHEFFIELD . It's like going to a hotel. SHEFFIELD I'll delay the trial. 126 16r .DISSOLVE TO 164 INT. maybe less if I can make a deal. 11/22/82 King Posts Record $5 of Tony. what's three years? ltvs not like Cuba here. TONY What am I looking at? SHEFFIELD Five years. TONY'S BATHROOM . CUT TO #02154 166 INT. He snorts a large amount. checks himself in the mirror. Sheffield rasps through a his desk. you won't start doing time till '85. .a front Sheffield. A vial of coke appears. goes out. and Million Bond" -.you give me a check for a hundred grand plus three hundred in cash and I guarantee you walk on the conspiracy charge. TONY For what! Three years in the can! For washing money? This whole country's built out of washed money! CONTINUED #00766 166 CONTINUED Hey.. tense.DAY 164 "Drug photo CUT TO 165 165 XNT.NIGEXT 166 Tony is pacing nervously. It's the first time we sense he might be using the stuff on a steady and increasingly heavy basis. you'll be out in three. Red-headed of cigarette smoke behind Rev.and they'll get it. Tony. the lawyer. But they're gonna come back at us on a tax evasion -. Tony shakes his head. 125 2nd (X) Manny cloud looks on. TONY'S BATHROOM . Elvira. grimacing like he's having an epileptic fit. two years. A year and a half.
cage. Now where's the money? Tony nods to Manny who hauls a briefcase up on Sheffield's desk. Tony paces back and forth like a tiger. corking his fury.. TONY All right-. SOSA VILLA . George. . Tony abruptly walks out. SHEFFIELD (cool) The point is made. CUT TO #00?66 EXT.000 dollars.TONY they never get me back in a No. . It's real simple. the judge.-all right.you. There's no 'reasonable doubt.. nothing's gonna stop I'm gonna come and tear me...' If you're rain-making the judge or you fuck me for the four hundred grand and I come in guilty on the big rap -. the prosecutor. he whirls and leans across Sheffield's desk. y'hear? your fuckin' eyeballs out. TONY Alex.' I'm an expert at raising that doubt but when you got a million three undeclared dollars staring into a videotape camera..all in casual clothes.the law has to prove 'beyond a reasonable doubt..Tony. SOSA (rising) Tony. a vial appearing in his hands as he steps out of the office. Abruptly coming to a decision. hunh? SHEFFIELD Tony. He sniffs. I do the three fuckin' years but lemme tell you about my law.no. -never! HeyI George I go another four hundred grand -.I go 800. SOSA I'm glad you made it on such short 167 127 . honeybaby. it's hard to convince a jury you found it in a taxi cab.DAY 167 Camera gallery several coffee follows Tony with Ernie and Chi-Chi dowr'the outside onto the veranda where Sosa is reclining with other men -. They hug like they were the closest of friends. enjoying their after lunch. Pause.BOLIVIA . okay? With that you can fix the Supreme Court.
is in civilian clothes. chairman of This Andes Sugar here. SOSA General Eduardo Strasser..Tony Montana. He smoothly guides Tony towards the group of men who rise.with the other men at the meeting. SOSA I guess you'll have to work harder. TONY Hi. I appreciate it. Tony. GOODSON Mr. Montana.. Montana.. The cameras moving past Sosa's black aide. They laugh.in tune.. Elvira? She's okay. CONTINUED #00766 167 CONTINUED 167 PEDRO QUINN A pleasure. Commander of the First Army Corps. * Charles Goodson rs from Washington. music assuming a faint martial stride. How`s TONY How's your wife? SOSA TONY Three more months.. Camera tracking through ad-lib introductions..Tony Montana. . SOSA -a friend of ou ... nervously. Sosa is a little more reserved with him than before -. SOSA Tony. How do you do.notice. That's great. from the Ministry the Interior... of t 128 he The man SOSA Ariel Bleyer. to an Americantype in a Brook6 Brothers suit who stands. I want you to meet some friends of mine. the Skull (who nailed Omar) silent behind his sunglasses. Mr.. come. . TONY (sore point) I'm working on it. SOSA And you. when are you going to have another Tony to take your place..Tony Montana. SOSA is Pedro Quinn.
He smells like a government guy. Sosa summons black aide -- in a hushed voice. SOSA Nicky, have Albert0 meet us in the living room. The black aide goes. SOSA (solicitous) Tony, come, please sit
Tony is shown a chair in the middle of the veranda, surrounded on all sides. There is a strained beat to the proceedings. Ernie and Chi-Chi hang around the edges. He suddenly catches a glimpse of the sloe-eyed Gabrie lla moving with another woman past Then she's gone. Sosa pulls most touching knees. up a chair right opposite Tony, al a window of the house.
SOSA Tony, I want to discuss something that concerns all of us here.... CONTINUED #02154 /167 6 TONY Sure, Alex. SQSA Tony, you have a problem; we have a problem... I think we can solve both our problems. waits. SOSA We all know you have tax troubles in your country -- and you may have to do a little time. But we have some friends in Washington who tell us these troubles can be taken care of ...maybe you'll have to pay a big fine and some back interest, but there's no time.... Pause. Tony looks. gaze away. The American guy, Goodson, shifts his TONY your problem, Alex? And Sosa looks around, stands up. SOSA Come I I'll show you. Tony cautiously stands to follow him. CONTINUED - 2 1 129 Rev. 12/165/82
CUT TO INSERT - INT. SOSA VILLA LIVING ROOM - DAY - VIDEOTAPE MATOS STUDY A "Phil Donahue-type" setting. A segment now in progress with the "Donahue-type" interviewing Dr. Orlando Gutierrez.
Xl Gutierrez polished enormous is a young charismatic man, very well dressed and in a South American manner who exudes a sense of passion. GUTIERREZ than 10,OOO'of our people are ...More being tortured and held without trial. In the past two years, another 6,000 have simply disappeared. And your government -- what does it do? It sells my government tanks, planes, guns, but not a word -- not-a whisper -- about human rights! CONTINUED 130 Rev. (Xl 168 CONTINUED 16l INTERVIEWER I've heard whispers, Doctor Gutierrez, about the financial support your government receives from the drug industry in Bolivia. GUTIERFSZ The irony, of course, is that this money -- which is in the billions, J i m - - is coming from your country. You are the major purchaser of our national product -- which of course is cocaine. INTERVIEWER So what you're saying Doctor Gutierrez is the United States Government is spending millions of dollars to eliminate the flow of drugs into our streets and at the same time is doing business with the very same government that floods those' streets with cocaine.. -that's a bit like robbing Peter to pay Paul, isn't it? GUTIERRBZ (laughs) Let me show you some of the other characters in the comedy, Jim...my organization just recently traced a purchase by this man --l/18/8:,
Gutierrez holds up a photograph -- insert the face TV screen, dour, ruthless. GUTXERREZ . . . here he is, the charming face belongs to General Cucombre, the Defense Minister of my country. Two months ago he bought a twelve million dollar villa on-Lake Lucerne in Now if he's supposed Switzerland. to be the Bolivian Defense Minister, what's he doing living in Switzerland? Guarding the cash register? Laughter. 169 TONY 169. a watching, touching m the coke usage. .I.a #02154 170 GUTIERREZ 170 (Xl holds up another the TV screen. GUTIERREZ (Xl ...this is Alejandro Sosa. Interesting character. A wealthy landowner. Educated in England. Gocd family. The business brain and drug overlord of an empire stretching across the Andes. Not your ordinary drug dealer.... INTERVIEWER (X) What are you suggesting we do this, Doctor? GUTIERREZ (Xl (passionate) The United States Government has.to stop supporting these facist gangsters that are running my country, that is what your country has to do. You have to set a strong example by calling for the observation of fundamental human rights. about photograph -- insert the face Communist SOSA -- financed 131 by Moscow. his nose lot, blowing it,
. his venomous eyes flicking over Tony. You have no. He's embarrassing. 132 .. up. Sosa flips He's alone with lights come on.._ #00766 CONTINUED 171 171 Albert0 nods icily. thin and quiet. People everywhere are starting to listen to him. The Skull leads him in.That*s our problem. British. CONTINUED #02154 171 131-A 171 Rev. The Tony. Sure. you know Tony partner from Florida.. Japanese television. intently at him.* . CONTINUED .. remains SOSA standing adjacent. TONY (remains seated) How could I forget? Montana -my SOSA Alberto.171 TONY 171 staring (Xl You Americans have no idea how important your country is as a symbol and a bastion of those rights... You've met SOSA Albert0 before?. off the television.he's scheduled next for 60 Minutes. reluctantly GUTIERREZ impressed. l/18/83 CONTINUED The Shadow (seen before at the disposal of Omar) comes into the room. SOSA .. Italian.. TONY Sosa looks Yeah. Tony. He's going on French.
Vie -.. 172 175 A millionaire's place. Tony? Tony looks around the faces. like "The Forge" on Arthur Godfrey Road.. and Manny are shown to their table by the maitre d'. Alex nods..who we saw before editorializing on television.. rich people TONY (waves to them) TONY now. Elvira. Tony.-cranes his leonine white head of hair around with a patrician annoyance reserved for bores in restaurants. intersects a group of people at another table and stops.Tony Montana? CONTINUE D #00766 172 CONTINUED (beaming ignoring who comes retrieve that's me.-__ . Tony. Alex.. . and he needs a little help. Hold on Tony. is an expert in the disposal business -. Manny to him) in the dinner party 133 THE LAUNDRY RESTAURANT . Hey. pleased. is that so? TONY Yeah. (*en) Is that a problem. you know.MIAMI NIGHT . The half-dozen are intrigued. Aren't you.but he doesn't know his way around the States too well. putting his hand on a heavyset man's shoulder. Vie. He blows his nose again. he doesn't speak English. a little loaded. then: TONY That's no problem. you know that two hundred kilo DEA bust you was congratulating the cops for on the toob the other night? VIC . VIC Oh.(to Tony) So you see Albert0 here is going to help fix our problem.. Alberto. . I watch your show everyday. CUT TO INT. Yeah. TONY Hey.
that's not a once more on cool. the best roast beef. Another huge meal is being consumed. Tony. CONTINU own vial under the table . right? Ask your friends. don't get up. He's an asshole! Never fucking tells the truth That's the trouble in this on TV! country. y'know what I mean? Okay. the cops. I heard like it was 220 kilos went down.. cigars. about that -. Nobody fucking tells the truth! Not caring if he's overheard. Vie. that's what. Anyway. have a good dinner. bottles of red and white wine. whole world's turning into politics.CUT TO 173 TONY 17: sits with Manny and Elvira. and leaves them murmuring. .... . check it out. he's got lotta friends in. so what's the big mystery. but don't believe everything you hear. (reproving) Hey. Waves farewell to them.Hi folks.. That means twenty is missing. TONY I don't give a fuck. who is dipping into a vial of coke in the purse in her lap. what 1 . Tony seems to be in the grip of an anguish he does not understand. nice to meet you people.and keep up the good work.. Vie. pats Vie the shoulder. happened down there with Sosa? Lot The ED #00766 173 `_ 173 He pulls out his between eating _CONTINUED 134 TONY of bullshit. Politics.
what's wrong with it? . TONY You don't like it! It was you got me into this mess in the first place with that fuckin' Seidelbaum! What's with this? Tony sighs. She quickly does one practiced move135 Seidelbaum got to do guy who don't bl guy you one thing we always stay Manny kid. The ed out of was politics.and drinking. points to Elvira's untouched plate.2 17: ELVIRA I'm not hungry. He surveys the table with the bored satiety of a Roman Emperor.. ELVIRA (unheard) What guy? (to Tony) I don't like it. unnoticed. Tony. Run things down here. nostril with a quick. 1'11 be up in New York next week. TONY Yeah. TONY No free rides in this So who's this back with you. so what do you think Emilio Rebenga was? Politics or what? remembers. CONTINulm #00766 173 CONTINUED . brought He takes . world. a hit. the ink? ELVIRA What guy? TONY (to Manny) You stay out of it. turning his attention to Elvira. TONY Why don't you eat your food .
He passes a silent burp. encompassing the restaurant. drinking. Manny? Eating. at (trying to shift the mood) So what about the trial? I heard Sheffield thinks he can get a new postponement. Tony. ELVIRA I lost my appetite. continues look at Elvira. not so bad Tony. Two beats. then away. She does the other nostril. fucking? Then what? You're fifty and you got a bag for a belly and tits with hair on 'em and your liver's got spots and you're looking like these rich fuckin' mummies in here? Is that what it's all about? It's worse.. snorting.. could be to CON . I is that what I worked 'for? With these hands? Is that what I killed for? For this? (turns his gaze stonily on Elvira) A junkie??? I gotta fucking junkie for a wife? Who never eats nothing. .. who wakes up with a quaalude. TINUED #00766 CONTINUED .3 173 173 TONY 136 you're drunk. who won't fuck me 'cause she's in a coma! (gently) Tony.. So what'd you TONY order it for? her. bleary-eyed now and drunk.. who sleeps all day with black shades on. TONY (doesn't hear) .. TONY (ignoring the question) Is this it? Is that what it's all about.ment of her hand. Tony looking One beat.
What kind of father do you think you'd make. I can't even have a fucking kid with her. acidly quiet. Tony? You really think you're still going to be alive by the time he goes to school. Tony? You're dreaming. Tony. ELVIRA You sonufabitch! You fuck! They got a black tie audience now.. But did you ever stay home without having six of your goons around all the time? I have Nick the Pig as a friend? What kind of life is that Tony? What kind of life is that? CONTINUED #00766 / 173 CONTINUED . the camera moving over faces of Vie and his rich friends. Tony slowly wiping the food off himself. what do you do? Deal drugs? Kill people? Oh that's just wonderful Tony -. too. back The the to Tony her. ELVIRA How dare you talk to me like that! You call yourself a man! What makes you so much better than me. ELVXRA * . her womb's so polluted. You want a kid. I can't even have a fucking little baby! Elvira reacts -..a real contribution to human history. Tony? What kind of stories are you going to tell the kid before he goes to sleep at night? You going to drive him to school in the mornings. Slop drips all over him. looks around TONY I kill at the people. Sit down before you. . She gets up and dumps her plate filled with food on him. involved.. Tony. The waiter tipping around to clean up the mess. you're dreaming! audience is hushed.is this how it ends? And I thought I was a winner? Fuck it man.wanting to kill. You think of yourself as a husband.4 173 (in a tone) ELVIRA softer (Cont'd) 137 .
ELVIRA I'm not stoned Tony. we're not winners. Past the silent spectators. Silence. and TONY Let her go! . Come (rising. eyes follow her. stoned. She starts wobbling out.. we're losers. . trying to put his arm on Elvira) on...Oh Tony don't you see? Don't you see what we've become? We're losers. Elvira disappears r. you're stoned. Tony's Stumbling once. (to Manny) Manny.I'm not going home with anybody.5 173 The whole room is watching him sitting there covered with Pause. honey. Pause. (staring at Tony) I'm leaving you.. I'm not going home with you. There's this awkwardness all of a sudden like two actors who forgot their lines. You're No. Tony's fury has passed. l/18/83 (Xl CONTINUED . no you stay right there Manny. TONY (softly) Go on. You're so stoned you don't even know it.. NUED #02154 173 138 Rev. ELVIRA No. I don't need this shit anymore.. All right I'm TONY stoned. their eyes moving between her and Tony... Manny. Manny rises to follow. out the doo CONTI .Another guaalude she'll lpve me again. get a cab home.. baby. I'm going home alone. So has Elvira's.
NEW YORK . Tony moves into frame. the silence cathedral. You're no better'n me. He walks out. looks: TO He wobbles Tony shakes him to help. staggers. signals okay. Two rich-looking male lovers stroll past with their dog.an extended beat. the Shadow (Alberto) moves towards a sedan parked along the curb. against the table. proud. TONY You're all assholes. He starts 138-A Rev. out.even when I lie.. I always tell the truth -. quick . wiping at the food and throwing several hundred dollar bills on the table. CUT 174 EXT.food. Behind him. intersection of the avenue. l/18/83 feeling everything's okay.. Be slips under the car. You just know how to hide -and how to lie. Tony 135 ERNIE 17: down the street at the surveying traffic.a nervous. carrying an airline bag. 176 176 --d-CHI-CHI waits Tony. the stage without its star -. Me I don't have that problem. does . Manny bringing up the rear.NIGHT f-74 A quiet East Eighties street. A moment of silence. TONY So say good night to the bad guy.and then the audience begins to buzz with horror and delight. Manny tries loose. You know why? 'Cause none of you got the guts to be what you want to be. The room is empty for a beat -. You're never gonna see a bad guy like me again. in Tony's sedan double-parked down the block. He stands. then looks up angrily at the staring millionaires. GUITERREZ' STREET . TONY You need people like me so you can point your fingers and say 'hey there's the bad guy!' So what does that make you? Good guys? Don't kid yourselves. #02154 .
noticing him. it's around here somewhere? Jesus my kid's gonna go crazy when he hears I lost 'im. ing the Tony hurries initiative. tak Shadow douses (Spanish) La Jara! it and Apaga. taped -.. towards us.the Shadow. a little white poodle. Oh boy am I gonna be in trouble. bends down. TONY 178 170 sees it. FEMALE COP Why don't you check the ASPCA okay? They handle that stuff. paces next to the vehicle the Shadow disappeared under.the Shadow continues to wind his black tape trying to secure the bomb as tight as possible. the passenger cop. 139 A cop car comes cruising off the avenue up the street. using a pen flashlight. who delicately presses a tester. a female. Tony looks up just as the cop car pulls alongside. With subtly inexorable music. Tony hurries to the car... A glass button on the bomb now flashes red at soothing intervals as the Shadow winds a roll of black tape from the bomb to an axle of the car.. #02154 Rev.wired. .a malignant centipede in the long agile fingers of the Shadow. TONY Psst! The osition. uh you haven't seen a little dog have you. the camera frames and moves on the bomb -. Jesus. Ground level -. Ground level -. out into the street. 177 ERNIE si-gnals. her partner who eases the car to a halt. removes the bomb from the bag.. soldered. saying something to . TONY The ASPCA? What's that?. freezes in p TONY Hey officer.snort. 12/16/82 x.
NEW YORK the haven. . FEMALE COP (in a hurry) Look it up in the Yellow Pages okay.eating pizzas and drinking beers.NEW YORK . GUITERREZ' STREET . (signal to her partner. waiting -. l t What Hey 180 corner.. phone. buddy. hunh? CUT TO 179 EXT. SHADOW (Spanish) the fuck you doing! TONY (winks) that was close.is rapping on PHONE . TONY Hey smiley. appears under the car..nah. The morning has come down ice cold. and the Shadow huddle cold and uncomfortable in the sedan. he realizes it's a joke. INT. _ yeah. TONY . come on outta here. unsmiling. Chi-Chi..DAY . the DAY uns from When 140 Rev. nah. takes another snort. . you're under arrest! CONTINUED #02154 /18/83 178 CONTINUED 17E Pause. Tony -- . BOOTH 18( At the phone booth up blearyeyed -. gun drawn. Yeah. bangs on the hood several times..EARLY NEXT MORNING 175 (Xl Ernie. they drive off) Tony looks at them go. The Shadow. walks over to the car. his eyes blaze at Tony.that's not the place where they chop these dogs up is it? .you tell (X _ Sheffield keep his nose out of it. glowing with perspiration.
183 183 (X) 184 184 He gets in the driver'6 seat. TONY'S SEDAN . Furious he slams it back down. The Shadow's next to him with the radio transmitter. at Tony. (Xl seemingly unaffected by the weather.DAY OMITTED VOICE CONTINUED 141 Rev.Have you heard from Elvira? He waits. moves ba at the other end.. how's Baltimore?. I got everything under control. BOOTH .. starts dialing. CONTIN UED #02154 182 182 ELVIRA'S (Xl '---' Yes? TONY Hello baby. DAY impatie angry. He picks (X up the phone again. l/18/83 . In TONY'S the NEW 18: sedan.hey (Xl look Elvie. in the back. snorting and forth as the phone rings PHONE another nostril. Tony. you know and.. now! That 182 ck INT. starts eating it with a plastic spoon.nt..the dashboard of the car cluttered with cartons of half-eaten INT. The phone goes dead. yeah. SHADOW (Spanish) What the fuck's he doing sonufabitch. I been thinkin' 'bout us. stalks (Xl back out to the sidewalk.. Finall y she picks up. He alternates ice cream with coke through the scene. In the booth. snorts some more.. 181 there's not gonna be no trial. hangs up. reaches for an open pint of ice cream.. Chi-Chi. the YORK SEDAN peers Shadow over..NEW YORK r DAY 18. INT.. Tony.
save a lotta bullshit. . staring out at the street with a hate-filled expression. l/18/83 TONY It's like when you die. brownstone. He's a kinda (Xl symbol.Chinese food. y'know? It wasn't like you just lived it for yourself. #a?154 186 INT.. Tony snorts another line -. that's what he is. Where is this fuckin' I don't got all day to piss WY? away. CHI-CHI (concerned) Everything okay Tony? TONY Yeah roses. CHI-CC1 What the fuck's that mean -symbol? -CHI about this guy a Communist? 142 Rev. No movement. CHI-CHI (nods his head somberly) the rearview . your life meant something to somebody. Probably Jeezus 185 185 The door of the there's increasing pedestrians. THEIR POINT OF VIEW THROUGH TONY'S WINDSHIELD . disgusted with all this mess. The Shadow. restrains himself. Though now traffic on the street and passing CHI-CHI fucking his wife.. we oughta shoot him when he comes out the door. TONY'S SEDAN . (eating pizza) it's cold.seen through mirror.DAY TONY .. . but you did something for the rest of the human race too. saying nothing.DAY 1BE CHI What's so important anyway? What's he (Xl TONY (snorting through his mouth) Nah he's no Communist.
. I wanna die fast. With my name written in lights all over the sky. MATOS' Tony Matos hand. to Ernie) what time? CONTINUED 143 . 187 EXT. out something in preemptory Spanish. But I lived better when I was here.. you to do. CHI-CHI Whatcha talking 'bout Tony.Yeah? TONY Me.DAY 18 around. SHADOW Sit Hey. out the CHI-CHX coming! (Spanish) down! don't TONY tell me what sees: door. He died doin' it. TONY (doesn't hear him) . And that's what counts.. The Shadow (nervous. #00766 .. briefcase in . Tony Montana. Pause. you. TONY Ernie. you I barks He starts out the door. So what? The cockroach fires the bullet's gonna end up in a coffin just like me. ain't gonna die.So I'll end up in a coffin. TONY (opening his door) gotta call Manny. Tony..186 CONTINUED Ten 2 18f ERNIE to. looks coming he's STREET .
right in front of it. TONY'S SEDAN .The UN -. excited) .no more you just stay inside thirty metres. Just tell me one time. most excited of all. The chatter comes out jagged. irritating the Shadow who doesn't understand Tony's English anyway.when you like. Tony breaks open a fresh vial. 144 warming up his car.r okay -. okay. The Shadow. #00766 191 191 XNT.DAY 16 Matos gets into his sedan a quarter block down from his front door. to Chi-Chi) What's he saying! You tell him stay inside thirty metres of the ca. That's the way they want it. just tell me okay -.DAY 1E Tony staring. 189 190 looking THROUGH TONY'S WINDSHIELD .Tony 188 THROUGH gets back in the car. INT. TONY (English) Hey okay I heard you the the first time. (snorts) SHADOW (Spanish) I tell you thirty metres okay! You . eyes alive for the first time. TONY'S WINDSHIELD .DAY SHADOW (Spanish.DAY 1s Matos sits there back at the brownstone. One time okay.. TONY (English) Hey okay I don't give a shit where. SHADOW (Spanish. like a panther that just spotted his prey. TONY'S SEDAN . In the daylight.. you can blow him up when you like okay.
193 INT. TONY'S SEDAN . TONY'S 19 What's oing? 194 MATOS' BROWNSTONE . She did fuck= 196 CHI-CHI boss. madre de dios.SIDEWALK .DAY 19 The wife opens the door. INT. by two schoolchildren. prepares to pull #00766 192 CONTINUED car. ho 195 back TONY You said the at Chi-Chi. What Matos nks. TONY (English) Okay. I swear! every TONY (to Chi-Chi) he doing? Where's he g SEDAN DAY comes to TONY the a --halt.in the 19 Matos stops his direction of his front door. moments later. books in hand. backs up -.DAY 19r The two children are now climbing in the back of Matos' . double-parked. What the fuck! ife took `em in the other car. steps out -. cool it willya all right. out when: CONTINUED 145 Tony puts his car in gear.DAY 192 of the Mates pulls his car out parking space. She did it day.DAY is. okay. 19 THROUGH TONY'S WINDSHIELD .followed. Tony looks astonished.understand. okay. why this hop-head is driving! CHI-CHI Okay. Matos waves to them to come along. w THROUGH TONY'S WINDSHIELD .
angling into a deep pothole. Co -0 He has the strength of a born psychopath. muttering to himself. SHADOW (to himself. going into a slow angry burn at himself. SHADOW _ (Spanish) No! Mr. swerving out into traffic to pass a car. he does another giant snort. snorts.. He stares a hole through Tony who gives way to his intensity. glances. The Shadow making the final adjustments on his decoder. turns sharply to TONY Hey Chico. towards the UN. lding in Tony. the Shadow. He now sticks a key in it.aw fuck this. over the bui dashboard .DAY 19: Tow. A red light pulses at intervals. Matos' sedan. has a near collision with an insane bus driver and has to brake suddenly. no kids! We hit this fuckin' guy we hit him alone okay.. brooking no other reality but his own. goes to his vial. peering to see if the bomb came loose. TONY . the tension him.sedan. 197 INT.FOLLOWING MATOS' 191 through Manahattan. 198 SEDAN NEW YORK STREETS . looks on (X fuckin' worried. putting the sedan in gear and going after Matos. CONTINUED #02154 Rev. They drive off. upset now. Sosa says we do it now. l/18/83 CONTINUED 197 19.DAY . this asshole! in the back. the wife getting into the pasenger seat. 146 Chi-Chi. The Shadow goes nuts. TONY'S SEDAN . driving. shaking the car and honking angrily after the bus. no fuckin' way! No wife. We do it.
. Shut the fuck like a madman TONY . He #00766 199 INT. this is sloppy doing it this way.._.DAY 20( sedan pulling off at 47th and Second Avenue heading Mato's for the United Nations building which now appears at the end of the street. 147 Thirty Go! Honking a truck.. they go that street! I see 'im! TONY I see `im! SHADOW (Spanish) metres! Thirty metres! Go! TONY up! and accelerating his . TONY (muttering) .now. Right here. my bomb! -.don't you fuckin' fall.. sneezing. INT. in Spanish) You're losing them! There! That street. my little baby! starting to break out feels the sweat coming on on..... (Spanish) now. intense nose running. SHADOW (equally tense. Tony also Spanish) Madre de dios. at the wheel... 200 THROUGH TONY'S WINDSHIELD . man...DAY hcinks furiously at a cab that tries to cut him off.. TONY'S SEDAN 199 Tony. you don't do it like this.this is fuckin' crazy. ..his Perspiration forehead.. SEDAN DAY 201 ..what am I doing? What the pas t fu ck am I doing here?. TONY'S 20: SHADOW Okay.
Aw .at the corner.DAY 202 20.... nice 'n' easy. -. when he pulls up at the corner.pulsing red light.DAY Jesus 20! (X The red bomb light. 148 Shadow in fuck you. snorts. fuckin' vul finger depresses the first key of the decoder.. SHADOW (Spanish) . 204 INT.. okay.The Tony Easy. Easy! TONY (muttering) . l/18/83 THROUGH TONY'S 203 20: The Gutierrez sedan pulls off the sidestreet into the thick (Xl of First Avenue traffic -... hovering around the decoder. ture.approaching the striking facade of the United Nations. The TONY'S Shadow is SEDAN 204 in a full sweat. decoder. leaning TON? (muttering) kids in the car.okay. . forward a Two Christ! 205 UNDER GUTIERREZ' CAR . The #02154 Rev. pulsing . The His UNDER MATOS' CAR .DAY bomb -.. you stark profile..jarred by -a bump. DAY WINDSHIELD . His key of finger the second Chi-Chi cross the in the seat. tx: back.
206 f 207 THROUGH TONY'S WINDSHIELD . sHliDow Shut up! CHI-CHI (suddenly panicked) He's gonna get out! Hurry UP. the traffic 20' . traffic Honk. INT.bunch of fuckin' vultures. TONY motherfucker! The Shadow glances over at Tony.DAY 201 Gutierrez' sedan inches the traffic and (X eases along the curb. His face twisted in agony. makes you feel good.. hurry the fuck up! CONTINUED #02154 __ -. Well fuck you! What do you think I am? You think I'd kill two kids and a woman..f man. blowing his face off and smashing him against the door of the moving sedan. you gotta hide. 149 * Rev. levelling it on the Shadow. Well fuck that! I don't need that shit in my life. CHI-CHI Oh Jesus Christ! Jesus Christ! What the. Tony swerving the sedan back across the Avenue.. Big .. to a climax DAY 20' his way through building with himself.. 11/2/82 . CPNTINUED 207 TONY (ignoring all the commotion) . astonished. you fuckin' vulture. You don't have the guts to look 'im in the eye when you kill him. honk. blood and brains splattering the windows and the seat covers. TONY'S SEDAN its way out o Tony honking after them.. he reaches down and snaps his Baretta free from his ankle holster. Tony pumps two shots point-blank into him. * . TONY (muttering) . hunh? Killing the wife and the kids. He swings it around sharply.
so what'd you think I was.THAT NIGHT 150 (Xl 2c (2 Rev. Tony's still wearing the same clothes with patches of blood on them. hunh? A fucking worm like you! I told you don't fuck with me! I told you no kids! You shoulda listened to me you stupid fuck! CUT TO 208 OMITTED #02154 3 . Tony. y'know. except a six-year-old girl in an adjacent vehicle.around them honking and moving along at its normal pace as the Shadow's body slumps down out of sight.-\ 209 205 Planes 210 21c Chi-Chi waiting in a busy lounge covering Tony on the phone. can't 1 trust anybody anymore. everything whatsa --TONY no? Where the hell's Manny? I calling all over. Puck been ERNIE'S VOICE delivery... JFK AI RPORT EXT. you all right? TONY . ERNIE'S VOICE I don't know. Tow. another Monday morning traffic accident with blood and brains splattered up against a passenger window and nobody really sees. He's been gone last couple of days.. she wonders momentarily. then dismisses it. INT. TONY What! Where! I left that sunufabitch in charge! What the hell is going on here. he just took off. JFK AIRPORT ... TONY Ernie? Where the fuck you been? I had a go okay. he didn't say nothing. TONY (continuing to mutter) . roaring. Didn't say nothing. Tony. l/18/8 ERNIE'S VOICE. I don't know..
CONTINUED #02154 83 210 CONTINUED 210 TONY Gina's gone? Where! Oh fuck!. I'm not all right.NIGHT 211 Plane taking off. Tony? TONY Tonight! (repeating to himself) Where the hell is that cocksucker? I can't trust nobody no more.how 'bout Elvie -? ERNIE'S (a No. She got to see you right . TONY Yeah. okay.. I'm pissed off! And when I 'get there I'm gonna kick some ass all over the fuckin' place! ERNIE'S VOICE When you coming back. AIRPORT . your mama called.THAT NIGHT 212 Tony drives up in a white Corniche (the red Jaguar having been shot to shreds earlier in Lopez's attempt on Tony's T ERNIE'S Tony. snaps back. moment of despair. okay. Okay? ERNIE'S Right..Tell her 1'11 be there tonight. okay? Yeah..listen if she calls. CUT O 212 EXT.No. Tony.away. CUT T VOICE Then he beat) VOICE 151 (X) Rev. l/18/ . tell her I love her. okay Tony hangs up. A snorts another spoon and O 211 EXT. You think just 'cause I'm a nice guy.. pauses) uh -. Gina's gone. VOICE did she call . ERNIE'S VOICE Uh.. TONY'S MANSION .. TONY (about to hang up.
Tony. No . He snorts.life) with Chi-Chi. Tony. TONY ERNIE mama called again.. Your She gotta see ringing every line.. all right. I hear you. Tony breaks open a new vial. pours the entire vial of coke out across the desk into a thick quarter-moon pattern. stalks off. Yeah? Hi. CONTINUED #02154 /83 (Xl 213 CONTINUED 213 TONY Yeah. I Okay? ERNIE Tony Right. towards his office. hysterical and angry. And Sosa's been half-hour on the eleven he sounds pissed. Not really listening. In the office.. 214 TONY'S OFFICE Amid his computer space games and half-dozen televisions and stereos. cocksucker. Her voice on the phone sounds The other phone is ringing. TONY What about Elvie -Ernie shakes his head. Chi-Chi goes. rushes in. Tony picks up the ringing phone. get on the line. he. jumps out in the same bloodstained clothes. e TONY You keep trying Manny. l/18 No Tony..Chi-Chi. you. him 152 Rev. yeah. yeah. TONY Mami. anything? I need that need him here! 214 INT. TONY (into the phone) Yeah. Chi-Chi signals he's got Sosa on the other line.. 213 INT. TONY'S 213 Ernie meets Hear MANSION them at from the Manny? NIGHT door. you hear.
cold. snorts. TONY * . The voice at the other end is very controlled. SOSA'S VOICE 153 Pause at . very So what happened SOSA'S Tony? VOICE CONTINtTE D #02154 Rev. well. okay. . he didn't do what I said so I cancelled his fuckin' contract.-214 CONTINUED 214 TONY Oh Yeah How'd we (casual) had some I`heard. TONY Hey Alex. The telephone should be the latest in gimmickry. plenty other 'Albertos'.I'll be there! problem. There' 8 so I'l problems. He wasn't supposed to give that speech. SOSA'S VOICE e . TONY you hear? SOSA'S VOICE 'Cause our friend gave a speech today at the UN. so whaddaya say Alex? Pause. no big deal. your guy Albert0 was a piece of shit. l deliver the goods next SOSA'S VOICE (suddenly angry and letting Tony know) month. the other end. TONY (shrugs) Yeah. then pushes the button Chi-Chi indicates. M-y partners and I are pissed off. . He hangs up. l/18/83 (Xl .
fuck me VOICE you me like at it like it was a face. Ernie driving. CONTINUED #02154 /83 214 coNTINuED 214 TONY Who the fuck you think you're talkin' to.. l/18 Slams the guy! CUT 215 (Xl EXT.No! We can't do that. EXT. They found Fiat was under the car. Chi-Chi with him. hunh! Whatta you think I am? Your fuckin' slave! You don't tell me what to do. TONY The fucking nerve of that room.SOUTHWEST MIAMI .NIGHT TO 216 . _ear -' and Tony holding the mouthpiece talking away from his ago. gonna be a next time. Tony. And the heat's coming down hard There's not onme and my partners.NIGHT 215 Tony in the backseat in his white Corniche staring straight ahead.. the he listlessly 154 and 155 Rev.. Sosa. You blew it. you don't talk to that! Who do you --SQSA' S (simultaneous) I told you a long time little fuckin' monkey. not to and. you got it? phone down. MIAMI STREETS . In the cavernous silence of turns (X) to another line of coke. And our friend's got security now UP the ass. you fuckin' dumb cocksucker! TONY Hey. You ' re shit! You want a war. MOTHER'S HOUSE .
minutes... made weaker than previously.don't you see what you do to her. TONY (to Chi-Chi) You try Manny again.. One day I in a taxi. she. he grips his mother by the shoulders.216 The bulletproof white Corniche pulls up. MOTHER'S HOUSE . 156 21: Gimme five He hurries #02154 217 2nd Rev. . Ernie and Chi-Chi getting out first.NIGHT Mama is angry and ravaged with worry. Four hundred nine. -- . was there a guy with hex? I don't know. she got don't tell follow her this fancy a place of her own.. she me where. dollars you gave her!.. what do you think -. I know if I went in there. 11/22/82 INT. don't you. Tony following quickly. checking the street. TONY Mama. she don't She says to listen to me anymore. Tony's face filling with the old wrath. She goes into house in Coconut Grove. TONY Where's this house. Yes. she's been getting thiseway. Ever since you come back. TONY I never gave her that kinda money. towards the house. thousand. as if overhelmed by events. tell me! Citrus Four hundred something.' (XJ (Xl (Xl (X) Exactly like you do to me. gotta talk to her Tony. . she'd kill me.. there was this other car in the driveway. you did! One time one. she's like you. TONY The Grove? Where'd she get that kinda money? You ! You were giving her the money.. You Drive. He turns to leave but she clings to his arm. me 'Shut up! Mind your own business...
because I was putting food on the table..when I was in that Army jail in Cuba. where were you?.. (interrupZ$) Nagging and bitchin'? I only demand a little respect and dignity in this house. one letter... TONY (shakes himself loose.. I wasn't that -never good enough for you. that's right. it's you drove her nuts with your nagging and bitchin'... not once.Where wereyou? CONTINUED . I wasn't this. they left the country not one word. is that why I am nagging and bitchin'? TONY (continuing) . Mama -nothing! (interrup=) . rotting my ass off. because I suffered for both of you. I never felt nothing from you. I hadda come out into the fuckin' streets to find out my mother and my sister are gone from my house. .CONTINUED #02154 _217 : Don't you see what you do to her? Don't you see? Why do you have to hurt everything you touch. Mama? Not 'cause of me. U/22/82 TONY .. TONY First time I ever needed you. . why do you. Where was I? CONTINUED 21 157 2nd (Xl Rev... . .and you did the same thing to me. 'Cause of you Me? TONY Yeah. turns on her) No! You know why she left.
you gave me heartbreak and humiliation and shame. God help me. right. you would convert my house into your gangster headquarters. What do you think Papi left for? And Gina? At least I didn't walk around with my head hanging down between my legs my whole fuckin' life. If I were to listen to you.as As she had finally answered her own questions. So beautiful. Dies Santo.#02154 217 CONTINUED . You're an animal! Tony storms out of the door as Mama pursues.. TONY That's right! That's did you expect!.. what have I done to you? You were a beautiful baby. Tony takes a strong hit of coke. Tony slams the door.. if EXT. How? How. MOTHER'S HOUSE 218 Tony stomps into his white Corniche..sin verguenza. and stands there staring from the doorway -. we hold a beat on her face -. CUT TO #02X4 157-B 218 (Xl . iAed:... 12/16/82 217 (X) ( interrupzg ) You ! .that's what you brought into this i&use.. Mama.g. Like Papi -. I'm somebody and I'm proud of it.What do you expect now? To be You got no love in you. Ernie discreetly closing the door and getting in with Chi-Chi as Mama rips open her door in b. The car Whistles off. (interrup=) Somebody? You're proud? You're a (Xl (Xl (Escoria!) nothing.like the way you made Papi feel.weeping and staring across the dark. TONY . What (interrupFg) . From the time you were five. I used to watch you sleep. did you become such a monster.. I made something outta my life...2 157-A Rev. such an ugly little monster...
Hey Tony. CONTINUED #00766 219 158 21 EXT. The door opens casually. there 219 CONTINUED . Tony holds the gun. 11/X/82 . listening. (surprised) Tony? . separated from himself. the pause. Manny slowly slumps downward against the doorjamb.2nd Rev. stunned. He rings a buzzer. a big smile of welcome for her brother. terribly surprised.Tony stares. suburban. 219 21' Tony in the backseat of the Corniche the house from across the curb. c'mon The gun fires. Manny lies at his feet. eyes on Tow..in a bathrobe. staring down. HOUSE .a-.COCONUT GROVE . GINA Tony! No! Tony fires a second time. GINA Tony! (eyes suddenly moving downward in alarm) Tony with his Baretta pointed at Max-my.THAT NIGHT CONTINUED Tony. waits. He approaches the front door. the hand sliding into his pocket. his expression filled with loathing. Standing Hold is Manny -.with a towel around his waist. the gesture drawing Tony over the edge. seething. Gina now comes into view behind Manny -. goes. snorts another line of coke laid out on the crystal bar dividing the backseat. and rewed. CONTINUED #OCj766 159 we was. Inside a wistful Billy Joel song plays over the stereo. Manny smiles easily and shrugs.2 2: GINA Manny! . with Chi-Chi studies quiet. rich. dead.. TONY (to Chi-Chi) Wait here.. It's not calling attention to itself.
oh Manolo. NANNY'S HOUSE . what'd What'd he do? She hugs his corpse tightly to her makes horrible strangled sounds with her seen the Chi-Chi hurrying up to Tony. the chest. GINA We got married just yesterday. launches herself on Tony. screaming incoherently like a madwoman. numbed. Chi-Chi and Ernie have a demon on their hands. down to her knees. scratches furrows of flesh from his face. worried shooting. her eyes huge with disbelief. We were gonna surprise you. She beats him around the head.NIGHT 22 Lights coming on neighborhood. come Tony... do?. on. sh GINA Manny! She looks UP. 160 in the houses arou . here. #00766 220 nd the EXT. somebody's stunned by he the news. GINA Shaking You her killed head at him? him incredulously. oblivious. doubly GINA Manolo. at last to yank her off Tony. They manage . He stands there. Ernie follows. stunned out of her mind.She goes akes him. kicking and continuing to scream. insanely. at Tony. breast and GINA Noooooooooooo! And shoving Chi-Chi aside. Tony stands there..Gina! berserk. Come Suddenly she on goes (to Gina) baby. trying to kill him. CHI-CHI We gotta get out of throat.
gain. TONY'S MANSION GROUNDS THAT . by the front gate a EXT. hauling goes. CUT 22: MIAMI STREETS .Chi-Chi and Ernie. Chi-Chi propping MaMy into the driver's seat with him. The camera curving to reveal two sedans inching up the shadowed street. T h e cars Eight men emerge silently. towards us. ERNIE (to Chi-Chi) the body! the Manolo back.. l/18/83 . looks down a Get Tony. GINA' MaMy!. The camera closing on Gina as she looks through the glass partition of the Corniche. Chi-Chi lifting Nanny's it.__ -. stop. gravel flying.NIGHT 221 a hearse The white heading hell. The car roars away. their lights out.g. I the music surging unexorably. 222 NIGHT nd up the It goes roaring driveway. She continues to scream.at the slumped head of MaMy in f. blending into the shadows. CHI-MI Tony! Pulls him. staring grabs Tony. Yeah! He y. The Chi-Chi eyes of runs back at sightlessly. desperate now. door. Corniche for whistles by like 22. Tony getting into the Corniche. drag her forcefully along the pavement into the Corniche. #02154 161 R e v . Ernie pinning Gina against the front seat. .Manny! No! TO bod Tony snaps out of TONY it. of the trees.
CHI-. turns and walks away.. Put her in my bedroom..as Tony stares. Oblivious to the dust. She looks up at him through her stupor and spits in his face. (to Gina) It'll be all right.cHI What do we do with her Tony? TONY Do what? Where? Put her upstairs. A haze of coke rises off the 'Tony slumps on -his couch. strides through the front door into the marble foyer. Pause as he lets it sink in. I'll take care of you. he cuts open a fresh plastic kilo 'bag of coke and spreads the entire pound out across the black marble coffee table. Tony upset but passive. TONY'S MANSION . Tony snorts a truly giant amount in a large pendular swing of his elbow across the length of coffee table. scratchesacross his face. 224 224 .NIGHT . . Chi-Chi and Ernie pull her away -. Tony pays ile (Xl of coke. who is numb with shock. TONY'S OFFICE .. Ernie and Chi-Chi noticing the p INT. (Xl They trundle her up the stairs. We're gonna close that no attention. pussycat. breakfast. what we gonna do now? TONY Do? We're gonna war that's what we We go&Z-eat Sosa for gonna do. Flashing his silver tooter.223 22 INT. velvet like a snow scene painting on a Christmas card.NIGHT Tony.. you'll see everything'11 be okay. she's cooling down. CHI-CHI (worried) Boss. (X) CHI-CHI (Xl We got some pills into her. Another Marielito is waiting (X for them at the door. Ernie and Chi-Chi come in. Ernie and Chi-Chi are almost carrying Gina.
+. . . focuses.LATER THAT NIGHT 225 The Bengal tiger paces his spot. a little scared away. Jesus fuckin' Christ whatsa matter with me.fucker #02154 Rev. TONY'S MANSION GROUNDS . see Tony. . staggering and muttering to himself... He's done so much coke now he's practically catatonic. Then there's a burst of loud music from the stereo speakers on the balcony -. The f lamingoes flutter. . we track him to the edge of the balustrade. . on another The of him now. Ernie. throw open the terrace . CONTINUED 162 224 Chi-Chi (Xl sharing a look. . are Tony coffee CUT 225 tless. wind blows through the starts table. uncompromising. something smooth and easy about the high times and how fast they go. Chi-Chi (X) follows.a Billy Joel song. tu trek along the TO EXT. CHI-CHI (Xl (eyeing the coke) Hey Tony. . in long shot.. trees A on monsoon-like the estate. hunh? eyes rns Tony looks up at him. overlooking his estate.. 224 CONTINUED Ernie and down. res The monkeys listen quietly. and we doors and stagger out onto the balcony.. . ..On a closer angle. .. l/18/8.. why don't you go easy on that stuff. get a hold of y'self now these cocksuckers gonna run over you let 'em try I bury the cocksuckers. TONY (insensate) .
.he's a star. hunh? What the hell happened to us?. now. 163 Rev..we still are Manny. shooting stars -. Tony echoes back at him. Manny. The dark emptiness The wind rustling the treetops.I said to you. I said I never go crazy and you said.the fucking best.His point of view -. Fan mail.Ooooh fuck Manny.. on the video monitors in his office we see: The main gate and guard shack -.. well what the hell happened. Television stars. movie stars. Covers of all the magazines. Manny. starts climbing up as: TONY .see. Manny.. They knife the other Marielito A third monitor. In far b-g.oh Manny. On the balcony. how the fuck did I do that? How the fuck!. I'm gonna be King Cocaine you hear me... we'd do anything. As Tony turns and starts back through the terrace doors into his study.. almost incoherent.Tony Montana. I would you sonofabitch and you was right. turns. TONY .. we was on the way up. checks the gate. always understood. I'm gonna wipe out all them fuckers out there. you buy you buy from me -. those were the good days hunh... l/18/83 shadows mov A shadow .... . we was crazy back in those days. Tony is oblivious to it all.. Another monitor now reveals two more figures moving into the interior of the guard shack.a Marielito crosses into (X view. nobody nothing coulda stopped us cause we were the best hunh -. you understood. the camera glides around to a view of a hook flying up and catching the balustrade. carries another image of ing through the trees on the estate. shaking his head at himself.. we still are -. He struggles. One of them garrotting the Marielito.you were there for me. spent... I'm gonna run the market. you were the one.. He starts to cry! CONTINUED #02154 225 CONTINUED 22 TONY .. you and me. Suddenly two figures spring out at him. behind Tony.panning his estate.
an expression like a demented angel. the chair spilling. the reveal Gina standing there half-dressed in her eyes blazing with hatred. hit again in the thigh. is that it? She hand. TONY'S MANSION 226 As he crosses into his office. He spins across the run away from the desk. . it's too late. turns. She fires again.. She sees him scurrying. So you want me Tony. The bullet grazes Tony in the leg. Is shocked. I'm all yo fires Well here I am 0-T the Baretta we now see in her . I'm all urs now. we see outside GINA me! Fuck Before yours GINA Tony. offering her sex. Come on Tony. firing.#02154 Rev. scrambling over to the terrace windows. offering her body almost naked to her GINA you want this what Tony?.. trying to put distance between them. X/21/82 164 (Xl 226 ra moves to doorway. methodically shooting out the clip at rhythmic intervals. She steps brother. INT. Tony sees her. shocked. Again. Tony squirming away. snapping him from his catatonia as he goes reeling across the floor behind his desk. fuck me! Fuck me! Advancing on him. Tony GINA You can't stand another man touching me. Bullets ripping into the desk. OFFICE came the forward.. The furniture tearing up. television sets and computer toys shattering. Her next shot shatters the window and as Tony ducks again to the side. She advances. GINA Come and get me Tony.
l/18/83 ( Hey me? was. yells something. I . Ernie runs into view on the far side of the pool.. He doesn't hesitate. He comes to a dead stop. wildly runs back into his office to get more guns. up --( 2 165 R e v . by a burst of X silencer bullets.CONTINUED #02154 CONTINUED 226 2 A young Columbian punk no more than twenty -. hit in the face. they're everywhere! here! Ernie suddenly wheels. you still angry at I didn't mean to kill Manny. .blown across the room. crosses to Gina corpse. We catch a brief glimpse of Sosa's black aide. reacting to the broken window. looking questioningly in her face. Tony. kneels.I was. tossing the empty machine gun aside. moving quickly along the wall of the house -. It takes him by surprise. turning his machine gun on Gina.onto the terrace behind him: . spots X yells Tony. and Tony now runs him backwards across the balcony and hurls him over the balustrade.one of the hitters -. grabs up the punk's machine gun and empties the whole clip into the figure thrashing in the pool below. Tony sees it. TONY (gently) Gina come on. in the same instant swivels to knock the barrel of the machine gun aside. Tony. Gina is torn to pieces by the firepower -. The punk lands in one of the shallow pools on the grounds at the base of the balcony. spine severed and dead before she hits the floor. ( X ERNIE Get outta Tony. the Skull. from above.directly underneath the balcony on which Tony stands.is crouched there. not having seen Tony. The punk is taken by surprise.
Tony. .. gently lifting her eyelids. Blood's running out of her mouth in rivers.. the hitters are now darting across the foyer and coming up the left and right hand stairs. On the monitors. at the height of his mad glory.Mami's gonna be angry baby -.ooh is she gonna be mad at me!.. Open up! On the monitor we see Chi-Chi suddenly spin and open fire down into the foyer.2 TONY Come on Gina. runs to his sideboard. He looks up at the monitor.Running his hands along her face. one of the hitters screaming. motioning to-each other. CONTINUED #02154 226 c0NT1NmD . steps out at the apex of the stairs. Karroooomph! The rocket tears down the door and blows the Columbian It sounds like punks off the landing into the foyer. trying to rouse her. say hello to my little friend here. looks up. Return fire decimates him. blows him up against the door. 12/21/82 22f tx: (X: (XI . Tony finally hears it. then over at the monitors. get off the floor. Three of them are already huddled outside the door. 12/21/82 166 Rev. around the corpse of Chi-Chi. A grenade goes off. firing his machine gun and yelling. CONTINUED #02X4 226 6 Whores! Cowards! TONY You think you (X c0NT1NuED3 22 166-A Rev. There's been a steady pounding and calling now on the door of the office. ihtends to beat them to the punch. Come on open your eyes my baby. Armageddon. You're all dirty now. TONY So you wanna play hunh. Tony loading his rocket. -give me a smile. TONY Cheeee! He now seems to come out of his catatonia. One of them reveals Chi-Chi standing there outside the door pounding it. talking to himself. smoke billowing wildly. laying a grenade at the base of the door to blow it out. CHI-CHI Boss ! Hey boss. hauls out a rocket shoulder-fired rocket launcher and straps an Uzi across his shoulder. open your eyes. you need a bath.
A grenade goes off. He floats quietly face down in the lit blue waters. I take you all to fuckin' hell! Left. past the hitters pillaging and looting and drawing that obscene word "Chivato" in blood on the outside walls. 31/26/82 CONTINUED . with the looters running after it across 168 Rev. c 226 22E CONTINUED . it was. Tony is hit again. TONY You need an army you hear! An army to kill me! Behind him we see the remainder of the pound of cocaine go up in a burst of wind. CONTINUED #02154 . It is a ghostly effect out of which now appears the face of the Skull moving from the terrace towards _ Tony's back with a sawed-off shotgun.) can kill me with lousy bullets hunh? He #02154 226 f2 Another hitter tumbles down the right-hand stair. TONY Ha ha ha ha ha! You whores./-P.4 Our camera now distancing itself from the body in the pool. off the stairs into the pool below. for the brief moment. As the titles begin their crawl up. I piss in your faces !!!! Ha ha ha ha ha!! Skull. you scum. It says: "THE WORLD IS YOURS" And so. panning past the dream villa. whipping around the office in auras of white. past the shambles and the wealth. The camera moving off Tony to catch the reflection of the lit sculpture on the surface of the still waters. Right Another hitter drops. pulls the trigger The and blows Tony's spine out his belly. TONY Who you think I am? I kill all you fuckin' assholes.3 2 167 Rev 11/26/82 (X) CONTINUED . now inches from Tony's back. Laughing like a madman. screaming. but keeps on firing away. Tony crashes forward over the bannister into the interior swimming pool below. past the stacks of cash blowing across the floor like leaves in autumn. the music theme is expressive salsa with a dash of gaiety.
the busted door with the tropic wind blowing down Coconut Grove -.to the Miami skyline across Biscayne Bay THEEND .
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