Adeste Fideles

 
SOPRANO    

Moderato

ALTO

TENOR

 
 
7

    

  

  

    

         

  

    

  

  

 



 


 

     

  


   

  

  

      

 

   

    

     

  

  

    

     

           





  


 
 

     

      

  

   




 

      

      

  

  



      

    
     

 






14




Allegretto de la Séptima Sinfonía
q = 80

Beethoven

 
SOPRANO  
    

    

    

    

    
 

    

    


   

    

    

ALTO

TENOR


      

9

 
     
      
    
 

  

 

    

    


   






      

    

   

  

    

    

 

Aria de Barbarina
Adagio

  
SOPRANO    
ALTO

TENOR

Mozart

                            

                             
 


 
 

                        


 
 
  
 



 



                   
        
7

                 
        
 

     


     







            





 

    
     
               

13



       
         






 
   






  
 

                   

19

 




        




     

 




    


                                      

  

  


  


    



       
 





2
25

 
       
 
  
  


      

   


 
 


         
             
 

 




30

    
  

     

  

    



  




 


 




             

   


  






       
 
  



 



  








Aria de Rinaldo Händel                    Maestoso SOPRANO               ALTO TENOR                     8                                 3                             16                                                                                                                   3                     .

Ave María q = 70   SOPRANO        ALTO TENOR                          7                                      3 3 3 13                                                 3 3                    Schubert                    18     3         3 3                               3         3             3  3                    3  3  3                         .

Ave Verum Corpus q = 70 Mozart    SOPRANO                             ALTO TENOR                                                    8                                                                                                               16                                                                  24                                   .

2                32                                                .

Canción de Papageno Mozart                SOPRANO                    Andante     ALTO TENOR                                                                 6                                                                              18                   12                                                                                                                                                     .

2                   22                                                                 .

Canon   SOPRANO   Maestoso       ALTO                                                          TENOR  Pachelbel 8                                                       14                                                                        19                                                                           .

2     23                        26                                                                                                                 .

Mozart                                                                      7                                                                                                        12                                                      .Das Klingen SOPRANO ALTO TENOR     W. A.

Due pupilli amabili Mozart                 SOPRANO                                                  Moderato ALTO TENOR                                                            7                                                                                                                                           13          18                                                                            .

Dúo de Pamina y Papageno   SOPRANO       Andante TENOR              6                             12                           ALTO   Mozart                                                                            17                                                                         .

2                                 21                            .

Gia la Notte Beethoven                              SOPRANO          Andante ALTO TENOR                                                                                                                                      7                                                                                                     12           .

La Rosa   SOPRANO            Schubert Allegretto            ALTO       7                             11                                                                              .

Los Adioses SOPRANO                                                                   ALTO TENOR Schubert                  Andante                                                                                                                                  6                                                                                                              12 1. . 2.

luci belle Mozart            SOPRANO                                                    Allegretto ALTO        TENOR       5                                                                                  13                                                           10                                                                                           .Luci care.

Marcha de Las Bodas de Fígaro Mozart                       SOPRANO              Andante                               ALTO TENOR                                                           9                                                                                                              19                                                                   29                                                                                       .

2                        38                                                                46                                                                        .

Purcell                   .Marcha Fúnebre       Lento   SOPRANO      ALTO TENOR                       8                                                           H.

Melodía a dos     Mozart Allegretto SOPRANO ALTO                           7                 12                                                                            .

Noche de Paz    SOPRANO                                                                            Andante ALTO TENOR          11                                                                                  17  .

O Esca Viatorum SOPRANO ALTO TENOR Michael Haydn                                            6                                                                               11                                                                                 .

Più non si trovano   SOPRANO    Andante ALTO TENOR     7                                                                                                                                                                                                                                     19        14                                                       Mozart                                             .

2         25                                                   31                               35                                                                                            .

Romanza Andante q = 60   SOPRANO     ALTO    TENOR       4  Beethoven                                                                                                             .

Haydn                                                                                                                             .Salmo 26    SOPRANO     Moderato       ALTO                              TENOR           9                                             27                                                                           18 J.

2 37                                                                                                                                                                                                64    55              46                                                                   .

3       71                                             .

Salmo 69 Andante SOPRANO ALTO TENOR                 8                      J. Haydn                                                                                               .

Soave sia il Vento Adagio Mozart  SOPRANO                                        ALTO TENOR                        6       12                                                                                                              17                                                                                                                                                          .

2 24                                                                  28                                      .

Stabat Mater   SOPRANO                       Andante ALTO      TENOR                                                                  8   Kodaly               14                                         .

Tannhäuser Maestoso    SOPRANO        ALTO TENOR                       3        8                                                                                                3 3                  3   3   17      3 3       Wagner                                                                                 25 3                                                                                3     3 .

2 35          42                                3 3           3     3                                                                           .

Terceto de "La Flauta Mágica" Mozart     SOPRANO                                   Adagio         ALTO                                                                   TENOR                                       7                                                                                              14           18                                                                                                                              .

Zarabanda q = 60 SOPRANO                                          ALTO                                             TENOR      8                                                                              13                   Händel                                           .