l')j

• •
.'
KANNAGI, a gem of a housewife, a ' paragon of chastity',
has been immortalized in the pages of SliAPPADI-
KAARAM, the famous Tamil epic of lIango, the Che'a
prince-turned-ascetic_ It is the story of a clash between
thrftt) anklets: the anklet of the home, the anklet of the
stage, and the anklet of the palace.
An ill-fated housewife, KANNAGI loses her husband,
KOVAlAN. to the art of a dancer, MADHAVI, and finds him
again only to lose him to the blind law of a king. Her story is
set in the three ancient cities 01 South India_POOMPUHAR
the Chola capital where she grew up; MADURAI the Pandya
capital where she fell ; and VANJI the Chera capital which
placed her on a pedestal.
The epic is 8 rich record of a great civilisation, vivid with
descriptions of edifices shrines, docks, market - places,
squares, of laws and rituals, of""Natya (Science of
Dance) , musicology and musical instruments of the day.
Known for its high dramatic content, SliAPPADIKAARAM
is a shining jewel in Tamil literature.
The memory of lIango and his immortal classic has recently
been perpetuated by the Tamil Nadu Government by erect-
ing, at Kaveripattinam, a magnificent seven-story art gallery,
SillJppadikaaram Kalaikoodam, in ancient Dravidian
architectural style. The structure narrates the story in stone
caIVlIlgs.
TRAKAT
300 tit
@ISHPubllshefsPvtltd.,Bomboiy40002&
All nsht$ fe5efVed.
Pubhshed by H.G. MI.chandanl lOt 18H Pvt_ Ltd .• 22, Bhulabh,1I
Des.l' Rood, Bombay 400 026 and pnnted by h,m atlBH Punters, MJ.fol N.!ka..
VI$S"-InJI ROdd, Andhefl lEast), 60mbay 400 059.
Edllor' A"o,,' Poi SCripl wlhh. lta'lhp.,h; lll",'<o',o"o: Var"am
,
QUIET, CHIIRMI1Y6 KfiNNII6I.
C IN THE CHOLI1 KIN6DOM,
WITH POMP f INO CEREMONY.
THE 6LE55-
!N66 Of
THE
THE COtJPLE
OUT-

,I
I
I
,
,
I

I
FOR A 'fEAR.. WE WILL
uP THIS HOuSe..
... ANO I WILL MAICE
THAT Hou5E. fI
fOR YOU.

YE&.SHE 15
I
IW EXClTED
kDVtIL/lN
fIND AQUfET
K.flNNfi01
WENT HONI£..

15 THAT ALL
ONE NEED 00
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IN
'YOU NlU.5T
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f\LL HER
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DOES. 'YOU ARE
TOO 0000
fOR HIM.
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MY
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MOOOTO
DANCE .

!>Hf. I e. .... U ~ T
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5LJDDENLY-
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COMING
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,
I WILL NEVER
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M'Y LORD,I
M'f I\NIClET5 -THE
OF MY JEWEL5. WE
IT WILL feTCH 1\ SETTeR
PRICe. IN THE
Ml\CURI\I . LET us
00 THERE;.. _ -'
ONE Of
I CAN' T WflLK
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LORD. LET U5 REST
fOR A WHILE.
HOW COULD I HAvE EVER
fORSflKEN THIS 000D
fOR TWIT DflNCER! fie.
I EflRN 50IVtE MONE'V, I ~ ' , " ' I
MAKE. AMENDe>. !'JHE e>l-II'IL.L
NEVER KNO'N PI'IIN I:z:,<
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NOT 'lET.
"';'::C"CU:.: e>T IN I
TO itER. WOCCNL y-
roBE
II CIClC>OE550 IN
THE LflNO Of"
THE PflNDYf'5o.
M'f l.C)RD •• /\/VI
IIFRmD OF THE
"',:FUTUR.E .
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flHEI'ID OF ue.
COME,LET US>
Hfl5TEN TO
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,
• .5HI! 1$ F'QINnN0
\ I WONO€R. WHRT
' ~ ~ _ ' ; ; _ ~ N 0 TO
-
" ! ! ' ~ R BI6 (1T'f !
l05T
'IOU f\RE &0 TIMID.
CQ/IAE. LET ME FIND
50ME 0000 PEOPLE
IN WHO&E eM"
I CfItN LEIWE
SIR, MY N/WlE 15 t;:;.OVRLi'IN. I f'IM fI
TO THI!!:> OT'Y. I 5EEIC 'lOUR. HELP
fIND HQ5PITflUTY.
I:.:fINNflGI
ME 6000
'VOU'LL Sf.
PoM
WELCOME TO
HUMBLE. HO/VIE
I HAV!:. eoMf
fiT THE I
,
I'LL GIVE
QUEEN'S
TO MY WIFE ... AND
RETURN THIS ONE
TO THE QUEEN,
S!\YIN0 THAT THIS.
STRAN6ER. TRIED
'TO STEAL IT.
M'N
VVOULO. H E . I ~
THE QUEEN'S
I
--
/,
HI'f L U C . ~ ' "
5TAR 5HINE.5
1001'1'1. auT I'VE
5Ol0 M'I 50UL
THE. DEVIL. SO
WHAT'?
'I\ORX. LET
THIEF BE. T ~ l < f N
f'lWf't'f f'lNO
I
NO'
I "<
MflDALRI'

Related Interests

5
6UE5T'?
I MU
e.PEflK TO
fI MURDfRER.
WILL PROVE
WRf\TH OF
THE. 6005 WILL
ON 'fOIl.
-

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I
-

_ • ""lI •
. " "1 .-•• - -
. -.
. ... . ' . . ,
CHA5TE WIFE.
MAN,LET
CITY BuRN
IN mE
MY,/
LE r THE OLD, THE
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-
...... '.'
. -._,....,-
.
" .
TO
o KJlNNIt.
t::..INe> WIl'S
NOT I"IT FIlUL'T .
KIWNfl61 UNOERSTOOO.
-


-.
"
'IOU WILL 60 TO
HE/WEN WITH "lOUR..
HU5B11NO.HE. WILL
COME. DOWN AND
TfU;:e. ' fOt.J.N1RDURRI
WILL BE REBUILT .

I • WE
Of" ALL I:
PRINe. AND

l •
I
,
..
,
d
,
,j.
,
D/VINITYOF
? ....
\
j;
,

KANNAGI, a gem of a housewife, a 'paragon of chastity', has been immortalized in the pages of SliAPPADIKAARAM, the famous Tamil epic of lIango, the Che'a prince-turned-ascetic _ It is the story of a clash between thrftt) anklets: the anklet of the home, the anklet of the stage, and the anklet of the palace. An ill-fated housewife, KANNAGI loses her husband, KOVAlAN. to the art of a dancer, MADHAVI, and finds him again only to lose him to the blind law of a king. Her story is set in the three ancient cities 01 South India_POOMPUHAR the Chola capital where she grew up; MADURAI the Pandya capital where she fell; and VANJI the Chera capital which placed her on a pedestal. The epic is 8 rich record of a great civilisation, vivid with descriptions of edifices shrines, docks, market- places, squares, of laws and rituals, of""Natya Shastra~ (Science of Dance) , musicology and musical instruments of the day. Known for its high dramatic content, SliAPPADIKAARAM is a shining jewel in Tamil literature. The memory of lIango and his immortal classic has recently been perpetuated by the Tamil Nadu Government by erecting, at Kaveripattinam, a magnificent seven-story art gallery, SillJppadikaaram Kalaikoodam, in ancient Dravidian architectural style. The structure narrates the story in stone caIVlIlgs.

TRAKAT

300 tit

@ISHPubllshefsPvtltd.,Bomboiy40002& All nsht$ fe5efVed. Pubhshed by H.G. MI.chandanl lOt 18H Pub~!>hers Pvt_ Ltd .• 22, Bhulabh,1I Des.l' Rood, Bombay 400 026 and pnnted by h,m atlBH Punters, MJ.fol N.!ka.. Mathur~d;15 VI$S"-InJI ROdd, Andhefl lEast), 60mbay 400 059. Edllor' A"o,,' Poi SCripl wlhh. lta'lhp.,h; lll",'<o',o"o: Var"am

,

'~~N%:~:~,~~!,,::~~.IINDTHE CHOLI1 KIN6DOM, QUIET, CHIIRMI1Y6 KfiNNII6I. C IN
WITH POMP fINO CEREMONY.

THE 6LE55!N66 Of THE THE COtJPLE OUT- .

.

. I FOR A 'fEAR. ANO I WILL MAICE • THAT Hou5E. WE WILL uP THIS HOuSe..I .. fI fOR YOU. • I • . I I .. ..

YE&.SHE 15 I .

..IW EXClTED kDVtIL/lN fIND AQUfET K.flNNfi01 WENT HONI£.

..BIN IT. OfT HER'? THAT MORE. - .::.• 15 THAT ALL ONE NEED 00 I"i-:::.

. CflD Hfl5 TA"-EN .uCH 1'1 6000 f\LL HER JEWEL~ ' . ND MONE't..5T EAT 5OMETHING.e:RVf..'IOU HAvE BEEN 5TI'IRVIN6. 15 i'lLvvf!Y50 IN TERR5 . 'YOU ARE TOO 0000 fOR HIM. DOES NOT Dee. 5HE.. POOR t(o'I/'iNA6I . I .. . SEND HIM "'WRY EVEN IF HE DOES.e. 'YOU NlU. .._/ ~ HE.

.MY I fV'{\ IN NO MOOOTO DANCE . . .

I 5LJDDENLY- .• !>Hf. I e. HE . . U~T OPINCER. . . MfrER COMING .

I ~nLL M'f I\NIClET5 -THE OF MY JEWEL5.I WILL NEVER NEOLE.-' _ MAA"'ET~ ... WE ONE Of IT WILL feTCH 1\ SETTeR PRICe.(T 'YOU M'Y LORD. IN THE Ml\CURI\I . LET us 00 THERE.

!'JHE e>l-II'IL."'I MAKE. I EflRN 50IVtE MONE'V.L NEVER KNO'N PI'IIN I:z:. M'{ LORD.I CAN ' T WflLK AI'f'( MORE. HOW COULD I HAvE EVER fORSflKEN THIS 000D fOR TWIT DflNCER! fie. I ~'. LET U5 REST fOR A WHILE.< . AMENDe>.

: I .'::C" Ue>T IN C:." NOT 'lET. "'.

.5HI! 1$ F'QINnN0 \ I WONO€R.LET US> Hfl5TEN TO " MflDURflI.C)RD •• /\/VI IIFRmD OF THE " '.E . M'f l. WHRT '~ ~_'. WOCCNL y- • . ._~N0 TO roBE II CIClC>OE550 IN THE LflNO Of" THE PflNDYf'5o.:FUTUR.TO itER. 00'i5 LIE flHEI'ID OF ue. . COME.

CQ/IAE. LET ME FIND 50ME 0000 PEOPLE IN WHO&E eM" I CfItN LEIWE ."!!'~ R BI6 (1T'f ! l05T 'IOU f\RE &0 TIMID.

MY N/WlE 15 t.OVRLi'IN. PoM WELCOME TO HUMBLE. . HO/VIE I:.:fINNflGI ME 6000 'VOU'LL Sf. HELP fIND HQ5PITflUTY. I f'IM fI TO THI!!:> OT'Y..SIR.:. I 5EEIC 'lOUR.

I HAV!:. eoMf fiT THE I .

. TRIED 'TO STEAL IT. STRAN6ER.. VVOULO. S!\YIN0 THAT THIS.I~ THE QUEEN'S I M'N I'LL GIVE QUEEN'S TO MY WIFE . HE. AND RETURN THIS ONE TO THE QUEEN...

5 1001'1'1. WHAT'? . SO /.-- HI'f LUC. auT I'VE 5Ol0 M'I 50UL THE. DEVIL.~'" 5TAR 5HINE.

'I\ORX. T~l<fN f'lWf't'f f'lNO I . LET THIEF BE.

MflDALRI'

Related Interests

5 I "< 6UE5T'? I MU NO' .

e.PEflK TO .

WILL PROVE .fI MURDfRER.

WRf\TH OF THE. - . 6005 WILL ON 'fOIl.

.

.

.. • ' . - • - CHA5TE WIFE. _ " . .LET CITY BuRN IN mE MY.• ./ . . ..HIWE. I I I . • ""lI • "1 -.. MAN. I DONE. .

THE AND Tl1E .LE r THE OLD .

.. .. . • .... ..INe> WIl'S NOT I"IT FIlUL'T.-.- '. TH~ t::.... .. ~- . .' ".._. ~ «=_ .. KJlNNIt.LI~T'EN o TO ~...

.KIWNfl61 UNOERSTOOO .

. . -• " Of" ALL I • WE I: C"~R£R. PRINe. d . 'fOt.I l • . HU5B11NO.. WILL COME. ~ .:e. • ~ .J.HE.TNQ.iL"':.'IOU WILL 60 TO HE/WEN WITH "lOUR.N1RDURRI WILL BE REBUILT.j. -. DOWN AND TfU. AND •..

.D/VINITYOF ? .. \ . . j..

Related Interests

5
6UE5T'?
I MU
e.PEflK TO
fI MURDfRER.
WILL PROVE
WRf\TH OF
THE. 6005 WILL
ON 'fOIl.
-

HIWE. I DONE. I I
I
-

_ • ""lI •
. " "1 .-•• - -
. -.
. ... . ' . . ,
CHA5TE WIFE.
MAN,LET
CITY BuRN
IN mE
MY,/
LE r THE OLD, THE
AND Tl1E

, -
, .. «=_ ... ,
-
...... '.'
. -._,....,-
.
" .
TO
o KJlNNIt.
t::..INe> WIl'S
NOT I"IT FIlUL'T .
KIWNfl61 UNOERSTOOO.
-


-.
"
'IOU WILL 60 TO
HE/WEN WITH "lOUR..
HU5B11NO.HE. WILL
COME. DOWN AND
TfU;:e. ' fOt.J.N1RDURRI
WILL BE REBUILT .

I • WE
Of" ALL I:
PRINe. AND

l •
I
,
..
,
d
,
,j.
,
D/VINITYOF
? ....
\
j;
,

KANNAGI, a gem of a housewife, a 'paragon of chastity', has been immortalized in the pages of SliAPPADIKAARAM, the famous Tamil epic of lIango, the Che'a prince-turned-ascetic _ It is the story of a clash between thrftt) anklets: the anklet of the home, the anklet of the stage, and the anklet of the palace. An ill-fated housewife, KANNAGI loses her husband, KOVAlAN. to the art of a dancer, MADHAVI, and finds him again only to lose him to the blind law of a king. Her story is set in the three ancient cities 01 South India_POOMPUHAR the Chola capital where she grew up; MADURAI the Pandya capital where she fell; and VANJI the Chera capital which placed her on a pedestal. The epic is 8 rich record of a great civilisation, vivid with descriptions of edifices shrines, docks, market- places, squares, of laws and rituals, of""Natya Shastra~ (Science of Dance) , musicology and musical instruments of the day. Known for its high dramatic content, SliAPPADIKAARAM is a shining jewel in Tamil literature. The memory of lIango and his immortal classic has recently been perpetuated by the Tamil Nadu Government by erecting, at Kaveripattinam, a magnificent seven-story art gallery, SillJppadikaaram Kalaikoodam, in ancient Dravidian architectural style. The structure narrates the story in stone caIVlIlgs.

TRAKAT

300 tit

@ISHPubllshefsPvtltd.,Bomboiy40002& All nsht$ fe5efVed. Pubhshed by H.G. MI.chandanl lOt 18H Pub~!>hers Pvt_ Ltd .• 22, Bhulabh,1I Des.l' Rood, Bombay 400 026 and pnnted by h,m atlBH Punters, MJ.fol N.!ka.. Mathur~d;15 VI$S"-InJI ROdd, Andhefl lEast), 60mbay 400 059. Edllor' A"o,,' Poi SCripl wlhh. lta'lhp.,h; lll",'<o',o"o: Var"am

,

'~~N%:~:~,~~!,,::~~.IINDTHE CHOLI1 KIN6DOM, QUIET, CHIIRMI1Y6 KfiNNII6I. C IN
WITH POMP fINO CEREMONY.

THE 6LE55!N66 Of THE THE COtJPLE OUT- .

.

. I FOR A 'fEAR. ANO I WILL MAICE • THAT Hou5E. WE WILL uP THIS HOuSe..I .. fI fOR YOU. • I • . I I .. ..

YE&.SHE 15 I .

..IW EXClTED kDVtIL/lN fIND AQUfET K.flNNfi01 WENT HONI£.

..BIN IT. OfT HER'? THAT MORE. - .::.• 15 THAT ALL ONE NEED 00 I"i-:::.

. CflD Hfl5 TA"-EN .uCH 1'1 6000 f\LL HER JEWEL~ ' . ND MONE't..5T EAT 5OMETHING.e:RVf..'IOU HAvE BEEN 5TI'IRVIN6. 15 i'lLvvf!Y50 IN TERR5 . 'YOU ARE TOO 0000 fOR HIM. DOES NOT Dee. 5HE.. POOR t(o'I/'iNA6I . I .. . SEND HIM "'WRY EVEN IF HE DOES.e. 'YOU NlU. .._/ ~ HE.

.MY I fV'{\ IN NO MOOOTO DANCE . . .

I 5LJDDENLY- .• !>Hf. I e. HE . . U~T OPINCER. . . MfrER COMING .

I ~nLL M'f I\NIClET5 -THE OF MY JEWEL5.I WILL NEVER NEOLE.-' _ MAA"'ET~ ... WE ONE Of IT WILL feTCH 1\ SETTeR PRICe.(T 'YOU M'Y LORD. IN THE Ml\CURI\I . LET us 00 THERE.

!'JHE e>l-II'IL."'I MAKE. I EflRN 50IVtE MONE'V.L NEVER KNO'N PI'IIN I:z:. M'{ LORD.I CAN ' T WflLK AI'f'( MORE. HOW COULD I HAvE EVER fORSflKEN THIS 000D fOR TWIT DflNCER! fie. I ~'. LET U5 REST fOR A WHILE.< . AMENDe>.

: I .'::C" Ue>T IN C:." NOT 'lET. "'.

.5HI! 1$ F'QINnN0 \ I WONO€R.LET US> Hfl5TEN TO " MflDURflI.C)RD •• /\/VI IIFRmD OF THE " '.E . M'f l. WHRT '~ ~_'. WOCCNL y- • . ._~N0 TO roBE II CIClC>OE550 IN THE LflNO Of" THE PflNDYf'5o.:FUTUR.TO itER. 00'i5 LIE flHEI'ID OF ue. . COME.

CQ/IAE. LET ME FIND 50ME 0000 PEOPLE IN WHO&E eM" I CfItN LEIWE ."!!'~ R BI6 (1T'f ! l05T 'IOU f\RE &0 TIMID.

MY N/WlE 15 t.OVRLi'IN. PoM WELCOME TO HUMBLE. . HO/VIE I:.:fINNflGI ME 6000 'VOU'LL Sf. HELP fIND HQ5PITflUTY. I f'IM fI TO THI!!:> OT'Y..SIR.:. I 5EEIC 'lOUR.

I HAV!:. eoMf fiT THE I .

. TRIED 'TO STEAL IT. STRAN6ER.. VVOULO. S!\YIN0 THAT THIS.I~ THE QUEEN'S I M'N I'LL GIVE QUEEN'S TO MY WIFE . HE. AND RETURN THIS ONE TO THE QUEEN...

5 1001'1'1. WHAT'? . SO /.-- HI'f LUC. auT I'VE 5Ol0 M'I 50UL THE. DEVIL.~'" 5TAR 5HINE.

'I\ORX. T~l<fN f'lWf't'f f'lNO I . LET THIEF BE.

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