Dl\S CHORWERK

herauegeqeben non Frteortch Blume Heft 49

GUllLJ\UME

DUFJ\Y

SAMTLICHE
zu
3

HYMNEN
4

uno

snrnmen

herauegegeben

non Ruoolt Gerber

UnoerlinOerte

Neuauflage

MOSElER

VERll\G

WOlFENI3UTTEl

2

Vorwort
Die vorliegende Gesarntausgabe des Dufayschen Hyrnnenzyklus "per totum annum" verfolgt einen doppelten Zwedc. Zunachst einen praktlsdi-kunstlerlsdien, der sich auf die entsdiiedene WiederbeIebung dieser feinglledrigen und klangsdionen Kunstwerke erstreckt. lhr Schopfer, der burgundische Grofimeister Guillaume Dufay (ca. 1400-1474), ist eines der grollten melodischen Genies, das die Musikgesdiidite kennt - der "Mozart des 15. Jahrhunderts", der die sdilidit-strengen W eisen der mlttelalterlidien Offiziumshymnen in einen bel canto von zartesrem Profil urnsdimilzt und sic, zumeist in der Oberstimme cines dreistimmigen Satzes, in liedhaft-diansonrnafiigern Vortrag "schonheitlich" darstellt. Der Geist, der uns aus diesen kleinen Kosrbarkeiten entgegenweht, ist der Geist der Fruhr enaissance, deren Raurnernpfinden und sinnlidre Bewulirheit man in der Melodie-, Klang= und Sarzgestaltung dieser Hyrnnenkornpositlonen in hohem Malle ausgepragt findet. Der Meister, der xu gleidier Zeit die klanggewaltige gotische Morette noch zu gestalten vermochte, hat mit diesen, die rnusik alisdie Renaissance ankundigenden liedhaften Gebilden Kunstwerke von hodister Intirnitat geschaffen, in denen burgundisdi-fr anz Ssl sdie Eleganz und italienischer Klangsinn eine bewunderungsw urdig e kunstlerlsche Einheit eingegangen sind. Wie die deursdie Liedkunst des 15. Jahrhunderts in enger Beriihrung mit der burgundischen Chanson des Dufay.-Zeitalters stehr, so lallt sirh nun auch ein Zusammenhang wahrnehmen zwischen diesen genialen Fruhwerken des grolien Burgunders und den deutsdien Hymnensatzen, wie sie uns etwa im Glogauer Liederbudi und spaterhin noch im Leipz igcr Apel-Kodex (vgl. die Auswahl in Heft 32 des Chorwerks) entgcgentreten. Damit wird das Interesse auf die geschlditlidie Seite dieser Veroffentlldiung gelenkt, deren weiterer Zweck ein wissenschaftlidier ist 1). Dufaysche Hyrnnen, soweit sie die T r ienrer Codices uberliefern, sind zwar bcreits vor Iangerer Zeit in den "Denkmalern der T onkunst ill Osterrcidr", Jahrg. VII und XXVII, 1. T eil ersdiienen. Doch handelt es sidi hier nur um eincn Bruchteil der Hymnensatze des Meisters, die aufierdern in vielen Fallen sdion deshalb nidit in einer einwandfreien, fehlcrlosen F assung vorgclegt werden konnten, weil die Herausgeber in del' Hauprsadie die oft unz uverlasslgen Trienrer Lesarten zugrunde Iegten und die Konkordanzen in andern QyeJfen aulier acht lielien. Die vorIiegende Ausgabe stutz t sidi hingcgen auf siimtliche erreidib aren Qyellen (s. u.), in denen Dufay-Satze vermuter wurden 2). Dabei erg ab sirh - neb en mancherfei kleineren Varianten, die der Revisions beridit auszucsweise rnitteilt - die tiberrasdiende Tatsache, daf die Dufayschen Kompositionen nicht nur in zeitgenossisrhen Qyellen vor, urn und nadi 1450 auf tau chen, sondern sogar (mit wenigen Ausnahmen) urn 1500 in del' papstlidien Kapelle in Rom, fur die sic urn das Jahr 1430 gesdirlebcn worden waren, nodi einrnal "aufgelegt" werden (Codex 15 der Cappella Sistina), und zwar teils in Obereinstimmung mit den Originalfassungen, teils "auf neu be arbcitet ", wobei sidi die veranrworrlidien Bearbeiter audi "historiscb" gebarden und neben die originale Dreistimmigkeit mandier Satze cine neukornponierte Fauxbourdonfassung setzen. Ober Einzelheiten gibt del' Revisionsbericht Aufschlull. Es ist jedenfalls von hodister Bedeutung und geradezu elnz igartlg, in dieser historischen Ferne das Schicksal von Kunstwerken uber sieben }ahrzehnte hinweg verfolgen und ihr Hineinwirken in eine neue Zeit in diesem Umfang beobachten zu konncn "). Angesichts des grollen Zeirraums, in dem die Hymnensatze Iebendig waren, ist es begreiflich, daf die T extierung sfrage bzw. die klangliche Darsteflung wcchselnd gehandhabt wurclen. In den alteren Qyellen (d. h. vor 1500) ist die Oberstimme te xtiert, wahrend die Unterstirnmen textfos, allcnfalls mit Texrrnarken versehen sind, wodurch cine vok ale Ausfuhrung des choralen Diskants (in Nr. 5 unci 17 der choralen Mittelstimme) und eine instrurncnrale der Ge genstirnmen (Blockflore, Gambe, Bratsdie. F ag ott in beliebig er. jedoch mogJichst kontrastreicher Gruppierung) nahegelegt wird. Dieser alteren Praxis tritt urn 1500 in RS die jungere Praxis der Durchtextierung aller Stimmen entgegen. Urn auch diese a cappella- Vortrag sarr im heutigen Gebrauch zu ermoglidicn. wurden samtlidie Hyrnnen der Neuausgabe in allen Stirn men textiert, audi diejenigen, die nidit in RS vorkommen (Nr, 8, 16, sowie Anhang Nr. 1, 2, 4, 5 a, 84). Gleichwohl durfte der gernisdit vokal-Instrurnentalen Ausfuhrung, da dies die ursprunglidie. von Dufay beabsiditigre Kfangform ist, der ersre Platz einzuraumen sein. Fauxbourdonsfitz e wird man iedodi stets am zwemmalligsten rein a cappella vortragen, da hier cine klanglidie Aufspaftung (vokal-Instrurncntal) der stllisrisdicn Glcichartigkeit der einzelnen Stirn men zuwiderlaufen wurde, Da der Hyrnncnvortrag dern Alternativprinzip unterliegt, so werden in der Regel die ungeradz ahligcn Strophen einstirnmig choraliter, die geradz ahligen rnehrstimmig figtrraliter vorgerrag en. In Ausnahmefallen sind diese Funktionen auch vertausdit. Von den altercn Qyelfen zeigen nur BL unci Mod.B diese Srrophenvert cilung , die ubrigen Handschriften bringen durchweg nur eine Strophe, rneist die erste. seltener die zweite (unter de:n Diskant), wahrend die einstimmige Hvmnenmelodlc vollkornrnen fortfallr (bis auf einig e Sarze in Tr). Die vorliegende Neuausgabe stellt jeweils die Melodie mit der ersten Strophe dern Figuralsatz voran, dem seincrseirs die zweite Strophe (in Nr. 15 ausnahmswcise die dritte) zugeordnet ist. Auch im 16. Jahrhundert ist die liturgische Praxis des Hymnenvortrags durch das Alrcrnativprinzip gekcnnzeichnet, nur treten hier an die Stelle eines gleichbleibenden Figuralsatzes mehrere Tonsatze von versdliedenem Geprage. Dieser Typus des quasi durchkornponierten Hymnus, der zwar auch sdlOn in burgundischer Zeit in Ansatzen erhnnbar ist, findet sim zum erstenmal voll al.lsgebildet in RS, das somit auch in dieser Hinsicht seine geschichtliche Bedeutung bekundet. Die zyklische Zusammensteffung der Tonsatze flach der Ordnung im Kirchenjahr ist bereits in den primaren Handsmriften BL und Mod.B sowie RS durchgefuhrt, und wird in unserer Ausgabe unter Heranziehung sarntlicher echten Dufay~Hymnen vervollstandigt. Die Nummern 1-12 umfassen dabei das Proprium de Tempore, 13-18 das Proprium de Sanctis, 19-21 das Commune SanctorulIl. Der Anhang verzeichnet neben jungeren Bearbeitungen Dufayscher Satze solche KOl1lpositionen, die offenbar falschlich Dufay zugeschrieben wurden (Anhang Nr. 1, 2, 8).
1) In diesem Zusammenhang soli nur auf die Hauptfragen kurz hingewiesen werden. Einzelheiten bringt meine demnachst abgeschlossene "Gesdlichte def Hymnenkomposition im 15. Jahrhundert". 2) Fur die Oberfassung von Photokopien bin ich den Herren Prof. Higini Angles (Barcelona, z. Zt. Munchen) und Prof. Dr. Heinrich Besseler (Heidelberg) zu warmstem Danke verplIichtet. 3) Folgende Dufay-Satze sind in den Hyrnnenzyklus des Codex 15 der Cappella Sistina nicht aufgenommen worden; a) def Michaelishymnus "Tibi Christe, splendor patris" (Fauxbourdonsatz), dessen einzige Qyelle BL 308 derart unleserlich ist, dall auch die vorfiegende Ausgabe auf eine Wiedergabe verzichten mullte! b) der HimmelfahrtshYl1lnus "Jesu nostra reclernptio" (Nr. 8) I c) def Franziskushymnus "Proles de caelo" (Nr. 16), bei dem die Echtheitsfrage nodl nicht restlos geklart ist. Delacroix (La Maitrise de Cambrai, S. 91) nennt Ferner noch einen Marienhymnus ,,0 quam glorifica luce corruscas" aus dem Jahre 1463 <also nicht zu dem ramischen Zyklus gehorend), del' aber quelfenmallig nicht weiter zu belegen ist. ') 1m aflgemeinen wird man eine Frauenstimme und zwei Mannerstimmen zur Ausfuhrung heranziehen (einfam oder mehrfach besetzt). Doch ergeben sich audl einige Frauenterzette und, bei sinngemaller Transposition in die tiefere Qyart oder Qyint, die man bedenkenlos vornehmen kann, Mannerterzette.

3
An tedmisdien Einzelheiren hinsiditlid; der Einriditung der Hymnensatze in der vorllegenden Ausgabe Ist einlges zu bernerken. Die Stlmmenfolge ist in [edern T onsatz: Diskant, Contra, Tenor. In Fauxbourdonsarzen ist die erganzte Contrastimme klein gestodien, Die Smhlsselsetzung bel ein und dernselben T onsatz innerhalb versdiiedener Handsdirlften wediselt gelegentlidi , Varianten werden [edodi nidit besonders verrnerkr. Auch offenslditlkhe Fehler in den Handsdiriften, unwesentlidie Abweidiungen in den Klauseln, abweidiende Ligaturen u. a. werden im elnzelnen nidit namhaft gemadit. Hinsimtlim der Mensur ist das Tempus perfecrurn fUr die Dufay-Hyrnnen besonders diarakteristisdi, wobei [edodi das Mensurzeimen in den alteren O!Jellen nur ausnahmsweise vorgezeidinet ist. Fur die Obertragung gilt: 09 = 3/, ZU den Ausnahmen gehoren: cp (Nr.14), in der Obertragung: cp<c> = 8/8 ferner: ( (Nr. 16), in

J.

der Obertragong:

tragung :

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Nr. 1 wurde

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Rev iS ion s b e ric h t 1)
Mod.B. fol. 1/ Tr 4.416/ Mu fol. 85'/ RS fol. 4'. DTO VII, 161. RS besitzr T. 12 irn Diskant die Subsernitoniumklausel, T. 15 im Tenor h (statt b). Hingegen wurde irn Tenor T. 16, 2. Viertel die Fassung RS gewahlt (altere Hdss. ohne g). 2) BL 294, Mod.B fol. 1'/2, Tr 1493, MC 295, RS fo!' 5'/6. Veroff DTO VII, 160 Nr. 3. - Die prirnare Qberlieferung (BL, Tr, MC, RS) zeigt einen Fauxbourdonsatz, wahrend Mod.B einen etwas ungelenk en, wohl kaum von Dufay herruhrenden "Contra besitzt, der in Verblndung mit dem or iginalen Diskanr- Tenorgerust einen obligaten 3 stg. Satz mit einigen klang lidien Harten bildet. Die Stimmenkombinarionen sind daher : 1, 2, 4 oder I, 3, 4. Wahlt man die Fussunz Mod.B (I, 3,4), so mull man folgende, in dieser Handsdirift getroffene Abanderungen berudcsiditigen ; T. 2, 2. Viertel mull es irn Tenor heiben : 1) BL 292,

Veroff

3)

4)

5)

6)

7)

8)

9)

ubernahm diese Varianten, obwohl hier der Fauxbourdonsatz vorliegr. bel dern Abanderungen nidit erforderlidi waren. Der originale Fauxbourdonsatz findet sidi ubrigens aurh BL 306 und RP fol. 182 zu dem Allerheiligenhymnus "Christl' r edernptor omnium conserva", was dadurdi moglim war, daf beide Hyrnnen auf dieselbe Melodic ge· sungen werden. BL 295,. Mod.B fof. 3'(4, Tr 1583, RS fo!' 9'/10. Veroff, DTO VII, 162. - Auf die Varianten bzw. Fehler in Tr Contra T.2, 3, 5, 15 und Diskant T. 14 sci summarisdi hingewiesen. Derselbe Satz findet sidi in Mod.B. fol. 2'/3 audi zu dem Weihnamtshymnus "A solis ortus: (ad Laudes), auf den der T onsatz indessen nidit ursprunglidi komponiert, audi nidit von Dufay zugepafit sein durfte. Mod.B fo!' 6; RS fol. 18'/19. Veroff von A. Sdiering. Musikgesdiichte in Bcispielen Nr. 38. Die gleimnamigc Komposition aus MC 297, die als An han g N r. 1 mitg eteilt ist. wird im Original Dufay zugcsrhrieben, dem sie [edodi nidit zug ehoren durfte. Es handelt sidi offenbar um cine italienisdie Arbeit aus der 2. Halfte des 15. [ahrhunderrs, die wegen ihrer anfanglimen Verwandtsdiaft mit Dufays Satz (Diskant l) die Annahme von Dufays Autorsdiaft bewirkt haben rnodite. Ca fol. 157', Mod.B fol. 5', MC 298, RS fo!' 15'/16. Da hier die Hyrnnenweise in del' Mitrelsrirnrne (Contra) liegt, erfolgte audi die einstimmige Choralnotierung auf a (nichr, wie im OriginaL auf d). Die Neuausgabe folgt der Ubcr liefer urig in Ca. das in T. 1/2 in Tenor und Contra die bessere Lesart zeigt. Ca besirzt nom ein figurales "Amen", auf dessen Wiedergabe hier verz iditet wurde. Ca fol. 258' / Tr 1428, Mod.B fol. 6'/7; MC 299/ RS fol. 20'/21 und 22'/23. Veroff DTO VII, 168. - Der Sarz steht in Ca und Tr in der tieferen Cl.!,lafte. Aile O!Jellen aufier MC besitzen nom ein kurzcs figurales "Amen", das hler nidit aufgenommen wurde. - RS fol. 20' br ingt zu dem DufayDiskant nom einen Fauxbourdontenor, der verrnutlidi bereits in Mod.B dern obigen Satz beigefugt ist (das Blatt konnte nidu eingesehen werden). Der daraus zu bildende Fauxbourdonsatz ist als Fassung b wiedergegeben. Varianten (Fassung a betreffend): MC im Diskant beim Qbergang von T. 1 zu 2: fj a (start g/b), im Tenor T. 5, 2./3. Viertel: fig, ebenda T. 17, 4. Adirel d (start f), im Contra T. 16, 2. Note g (statt h). Das h an dieser Stelle ist in del' transpou ierten Ca-Fassung (hi er lis) besonders hervorgehoben. - Nadi Tr mull irn Contra T. 7 das letzte Aditel a heifien, T.8 das letzte Viertel g (ohne f), T. 14 das letzte Aditel d (starr c). Mod.B fol. 7'/8; Tr 744/745,. RS fol. 23'/24. Veroff, DTO VII, 159. - Die Neuausgabe transponiert den Satz in die hohere Cl.!,larte. Mod.B bringr nom einen Fauxbourdonsatz (vg l. Fassung b) auf die geradzabligen Strophen, der in Tr in abgewandelter Form ersdieint (DTO VII, 159), in RS dagegen nidit mchr auftaudit, - T. 13 (Fassung :t) ist der Zusammenklang auf dern 3. Adirel durdi sarnt lirhe Cl.!,lellen bestatigt. BL 298,. Mod.B fo!' 8'/9. In diesern Zusammenhang sei auf einen andern, nur in nordisdien Landern komponierten Himme1fahrtshymnus hing ewiesen, auf das "Festum nunc celebre". Eine Kornposition dieses Hyrnnus ersdieint anonym in Tr 151} unter Dufays Narnen hingegen in M u fol. 151'. Aller Wahrsmeinlimkeit n adi ist jedorh dieser etwas manieristische Satz nidit von Dufay, u. a. spre dren die Duopartien in der 3. Grollzeile mit der Aufteilung der dioralfuhrenden Stirn me gegen Dufays Hyrnnensril. Del' Satz ist im Anhang Nr. 8 abgedruckt. BL 299,. FM fo!' 5'/6; Mod.B fol. 9'/10; RP fol. 184, Tr 1389, 1823 (hier ohne Contra), Mil fof. 55 (in der tieferen Cl.!,linte, Contra unvollstandigj , MC 305; RS fol. 29'/30. Veroff DTO VII, 167; K. Dezes, Messen- und Motettensatze des 15. Jahrhunderts (Barenrelter) Nr. 4, J. Wolf, Sing- und Spielmusik (Wissenschaft und Bildung) S. 37. folgen die O!Jellen und Einzelbemerkungen.
= = = = =

r ~/

T.7,

1. Viertel

irn Diskant d' (statt der Choralnote

e !), die Dissonanz

auf dern 2. Viertel wird nidit behoben,

MC

I) Die Ordnungszahl zei g t die Nummer des betr. Hymnus an, darauf Abkurzungen fur die Handsrhriften : BL = Bologna, Liceo musicale Codex 37. Mod.B BU = Bologna, Bib!. Univ. Codex 2216. Mu Ca = Cambrai, Bib!. Municipale Codex 32. RP FM = Florenz, Bib!. Naz. MagI. XIX 112 bis. RS MC = Monte Cassino 871 (Photokopie in Barcelona, Bibl. de Cata!.). TI'

Modena, Bibl. Estense Cod. lat 471. Munmen, Staatsbibl. Codex 3232a. Rom, Armivio di San Pietro B 80. Rom, Cappella Sistina Codex 15. T rienter Codices (nam Nummern zitiert).

Das im Tenor T. RS). 11) BL 302. RS dgl. 166.. 18) Fassung a (Fauxbourdonsatz): BL 311. Mod. 14'/15. Veroff DTO VII. 4 (s.B foL 17'/18. I. 3. Veroff DTO VII. wie es in An han g N r. 71 u.B foL 11'/12. Dufay fugre [edodi dem Diskant. Tr 1584. 30 lux beata trinitas 13 Pange lingua gloriosl . 186. . Mod. . Nr.B foI. J n Gt e Ben. Tr 781. im September 1937 Rudolf Inhaltsverzeichnis Seire Selte Gerber Selre Ad coenam agni 10 A solis ortus cardine . ist im Tenor T. . 26 Proles de caelo 19 Sanctorurn meritis 23 Urbs beata Jerusalem . Wie man siehr. Mod. del' zu Diskant und Tenor einen zu lmprovisierenden Contra erfordert (so in BU und Mti).B vorliegt. . Veroff. 63'/64 mit zwei neuen Tenoren zu einern real 3 stg. 2 wiedergegebene . . p 21) 3. MC 328. 14. daf der Satz in RS foI. J J. Moglidrerweise handelt es sidi um die Arbeit cines Trlenrer Musikers.RS fol.B fol. Viertel h (statt b).28 Christe redemptor omnium conserva . Satz cine Qyarte tiefer.RS fol. 16) ModB fol. Orel halt beide Stimmen fur Dufaysches Erzeugnis und komponiert die "Ave rnaris'<-Mefcdie als Diskanr hinzu. In diesern Zusarnmenhang ist del' von A. 14) BL 310. f. 55'/56. auch mit dern Hyrnnus "Jesu Corona virginum" (In Festo unius Virginis) verbunden : BL 316. 69'/70) ist del' 4 stg. Mod. 2 und bei K. 184'. 21 jedodi nach RS. wie er in BL und Mod. 9). 11/ Ma fo1. RS foI. . hat del' T rienter Komponist die Takte 5-9 des Dufay. . 56'.B fol. Irn Original (RS fo1. 2. 66'/67 verbindet den Dufaydiskant mit zwei neuen Tenoren = An han g N r. 13'/14. 69'/70 wird dieses Diskant. BU fol. wie er in BL usw. . RS foI. 68'/69 bringt aufierdern Dufays Diskant mit einern neuen F auxbourdontenor (wie oben N r. FM fol. 7'/8 auch zu einer Strophe des W cihnachtshymnus "Christe redernptor omnium ex patre" (in del' tieferen QIarte) benutzt wird. . RS fol. 27 Ut queant Iaxis 16 Veni creator spiritus 12 Vexilla regis prodeunt . dessen Alt und Bafi urn 1500 neu hinzukomponiert sind = An h an g Nr. 73.B fo!' 20'.167. Mod. Satz verbunden worden: An han g N r. Veroff von F. 165 In diesern Zusamrnenhang sci der im Anhang Nr. . VOl'.B fol. 1448. . kleine Terz tiefer). 67'.69'/70. . In Wirklidlkcit handelt es sich jedoch urn zwei neu komponierte Tenore eines T rienter Musikers. RP fol. 58'/59.Der Choral ist nadi BL wiedergegeben. Mod. . . wo zu Dufaysdien Choraldiskanten neue T enore kornponiert wurden. 27 melodlsdie Klauselvereinfadiung. . 25 Ave rnaris stella 18. 15. RS fol.B fol.. . Mod. DTO VII. Ahnlich verfuhr man. Viertel h (statt b) in RS. Orel in DTO XXVII. .Tenorgerust noch einen "Contra sine Fauxbourdon" hinzu (BL. . Fassung b (reale Drcistimmig keir): BL 311. 62'. RS fo!. 13) und DTO VII. 19'. 12. Die originalen Klauseln vg!. 32'/33. Mod. RS 50'/51. .. 8 o . 20 nul' in RS. Tenor T. 67'/68 fagt das originale Dtskant-Tenorgerusr in einen 4stg. Mod. von denen jene r die Oberschrift tragt: "super . . Diskant und Tenor lassen sidi aus dern 4 stg.T enorgerust einern 4 stg. Diskant 24. . 5a. 2). RP fol. 73.-21 fehlerhaft uberliefert. in der Weise zu verblnden sind. Viertel: c'/h. so daft del' Satz audi als real dreistimmiger musiz iert werden kann. O.B fo1. .Dufays Choraldiskant ist auch in diesern FaIle in RS foI. . 4'/5.B foI. Mod. 3.. dgl. 12'/13. RS fol. Tr 1582.). . Tr 1376. 189'. 29) genannt. a. b) RS fol. del' sidi dazu durch den editen Dufay-Satz hat inspirieren lassen. S. .Pange linguar-Satz Tr 1578 (veroff. 4. 2. Dufays Choraldiskant ist spaterhin nom mit ie zwei selbsrandig en Tcnoren versehen worden: a) RP fo!' 187' = Anhang Nr. . 12. Ma fol. . Die Obertragung an diesel' Stelle hat nur provisorisdien Charakter. Haberl in Vt. Tr 1585. . die mit dem Dufaysdien "Ave rnaris" -Diskant.. wie verschiedene Beispiele irn Anhang zeigen. Da del' Choral in del' Mltrelstimme (Contra) liegr. Aile Anzeidien spredien dafilr. X. 163. 53'.1i fol. Mod.. Auf eine besondere Rekonstruktion des Fauxbourdonsatzes wurde verziditet. 15) BL 305. DTO VII. RS fol. 34'/35. wie ja bereits umgekehrt del' originale Satz dieses Weihnachtshymnus audi auf den gegenwartigen Allerheiligentext Anwendung fand (vgl. 21/20'. . .Tr irn Contra T. Veroff. I (Betlage S. 18. MW. Bemerkenswert ist. . . in Tenor und Contra. 12) BL 304. oben Nr. fehlerhaft. . 17'/18. 29 20 32 o 30 11 24. . 19) BL 312. 5 Conditor alme siderurn Deus tuorum militurn Exultet caelum Iaudibus Festum nunc celebre Hostis Heredes impie [esu corona virginum [esu nostra redernptio Iste confessor 5 22. 8 Aurea Iuce 17 Aures ad nostras deitatis preces 7. 3. Dez es a. 13. 7 b (Orig. 1-f-. 29' versicht den Dufaysdien Diskant nom mit einern neuen Fauxbourdontenor. dazu im Contra zwei g/h (statt Achtel g). RS fo!' 12'/43. dessen Zuweisung an Dufay (trotz Signierung) nidit mit unbedingter Sidierheit erfolgen kann. 53'/54 u. . .B fol. u. b) RS fof. 29 letzte Triole e c d. 4 gesdiehen ist. . 71 u.4 oder 1. Mod. 81. 37'/38. Ma und MC sind (besonders im Contra) rlimlidl . und fol. 1580. Satz zugrunde gelegt. Dufay sefbsr hat den ursprung lidien Fauxbourdonsatz. 1. RS fol. 10) BL 300. 13) BL 309. irn Diskant T. 6. Der Satz. S.B fo1. 164.Tenors Irbernomrnen. . 18'/19. 23. . 39'/40 und 41'/42. wie im Original. 56'/57 = An h a n z Nr. von f aus.. daft man es hier mit einern Pseudo-Dufay zu tun hat. urn 1500 in del' papstlidien Kapelle. MC 309. der als Nr. Satz ein. . 20.Ave marls'. 15'/16. auf dessen Wiedergabe [edcdi hier verz idiret wurde. BL 314. nidit. 6 Audi benigrie conditor . 20 Christe redemptor omnium ex patre .2. erfolgre die einstimrnige Melodienotierung von c. .22 vercffentlidite "Ave maris=-Satz Tr 1579 zu erwahnen.B. Nr. RS im Diskant T. . . T. .4 RP und RS haben keln SdlliissefMp irn Tenor und Contra. 160. 62'/63 u. Die Stimmenkombinationen sind daher folgende : 1. Mod. . 5b.3 i rn Anhang ab gedruckt ist. der irn Index des Trienrer Codex 92 ebenfalls Dufay zug esdirieben ist. 17) BL 307. Anhang Nr. 17: RS irn Tenor T. FM sdireibr irn Tenor ein Sdrlusse l-]. . DTO XXVII. . RP fol. Es handelt sidi hier primal' urn einen Fauxbourdonsatz. RS foI. 2.RP besitzt irn Tenor kcin Sdilussel-j». r.. 20) BL 313. Auch in Verbindung mit diesern Text ist Dufays Chorafdiskant in del' papstlidien Kapelle spaterhin neu kontrapunktiert worden: a) RS fol. 10'/11. Mod. Satz heraus leidit zum Fauxbourdonsatz vervollstandi gen. vorlie gt. Veroff DTO VII. 7 a. Dufay sine Fauxbourdon". . Das Original besteht hier lediglidi aus Tenor und Contra. RS fol. Tr 1581: RS fo1. die Diskantklauseln in T. Ma fol.

ten - Glanz. Licht . tu du. ~ ~ Va .ste. Glanz. --- .um__ iem_ An -..- • cre der • den mdll • ti lux -.. tu~_ ~t~~ .pi .ces sup .tris VrJ -. tris. -------.ben" -.tel'S .t er.h'an . ' o .Du 'It Tu j -I" . Wi!tt.... Va -... . ~ fu~ du c. rung. tu ___ du~~ . Welt. - um. o ~ # .ier mni .ell me .: -I " _spes r..urn.!I ~ Can Gott __ ..schar. Lin me di de urn. ex __ v01n~ pa ..zeit.. _spes_ du _ _ ew' - Fauxbourdon II&'> Contra sine . .ste. Glanz.. trts.~.tre. du_ ew' - tu __ spes .pli .. rung. -. .==~?'~~~~~==~~f?=--==. -. na ..~. ex er -- au }.men !VQ/J . -- . tris. j 'des -j splen -- -. • --- Va.der-n.--------.t ers einz' ger ___ ni ce.. - -.ters tu . .. red Er em ti.j - tris..cum.~====-=~==-'~::--... --- -t-----t 1J!)Fauxbourdon Contra au ~ I "- _f)u fu grr:Jl Iu •- men Licht ...::JL~¥~=-=-=-€'...f~l Glanz.ci . u ef fa . Fl • • iii • --------=-. tu __ . flu ~ LiC~b~: du tU' . . si em - ptor ser ----~--=. ~ eur -- lu grQ/J -- men L. di de urn. _ ew' spes - Aile Rechte vorbehalten .---~~===-=== I • .tus in hi at tein von_ al g"-nn_. In Nativitate Domini 0- _ .~ • ~ ill SohOp 1. . du splen des .. 2. Chri .me Lin und SCh?if~t den .!=~-~~-----: Chri . bet. =}wch • - • Ste»: al • Chri C)wi • ste. ---------~--__'-:~===~-===t=~--. ste.r:Mn -.nacht der Mensc}zAeit sre . splen dor pa Va -.q ell - - mni tel' at - urn.~. ria heil-test du_ die .. !1C=-:..kl' re .r-::---> --0-so Ius an te prin . dll - ter ew' - na ges Licht • ill rier ...' lu -.ters - - Glanz. des r----..--=a nen -. In Adventu Domini • tor --fer. pa ..be T - ser __ ptor~~ ~ at .. =t=--=-'-_& me a-m. dor pa . Ii tel'.re . • de • IU1Il.07' /Jei pre ..r: IVeIt -- ge oo ren~~ wun . heit .der --sam..is __ _ re .------.di urn. ------red Er • til -- .men J)u_{51'qJ1 Licht __ ~ dea splen - -_ dol' pa Va . ~ Tu_ lu .. z u. -- - dol' pa <:> ..._ __ • __L •j Sohn. $J • nen ftormn • (lr.

spa}m de .!d der u. WeLt. I1lS 1'17.LI//. Zit Nicld ei .sti .stum Chri .-~-.ken hat. tu das - I per __ or T'ret: bem____ en fa .gna E wi- ere . He ro 1'0 ->. 110. Chri ..f __ .@ ~..a.m. stel-Iam __ des Ster iI zu el' .sti ve Her ni . siro-mt. IVidt.ta Ir ----==--.an re nahri quid ti .6 in _ arlit --- ten.le .de----c----.3!eer uon llit ces t r n.ner en: li.>".rant. • dat ges li a qui der re . des _ . 0./..II~~~~--=~~~~~--~=gr. di - sc/ies sehen .'(xkt dicit ~.Vund lTIlI dei . .nis Huj/-nuf}.1<1__ quas das -~---- -- " o III /cab per ge - en.t ten-de ~ a 1I. 3. .• . im tlik pi ke e reic/i. In Epiphania Domini Ho .en ge llqtf - .g" in _ ach..-~- per . t_ quas + d as • 1"'11 fL s' ~ fun Meer _ um.stis flu .:nd He - sc!.mes? wohL? Fe. _ Non e ri pit mor . o oL rnni ~ '------- --_- ler' -_ UlTI. lIob in tena c/it de ovJ _ quas das pre . des des.

In Quadragesima ::J==j=:::t:::--=l==-::::._ dern. . de..---=t-. lam un ser pa Licht ent z icn. _ urn lind 1"'1'1 sen (jotl nut (.licit _ _ se und_ re mil no.."(1 - - b erc reo reich._. ~~ II/tn _ rnels .7 n l:_.:t:::~'j:::=t::. 4.t nro vu l . - de __ an __ Iu mi dei - ..j:::::::--:J=-. tu _.Blid._~ llc)t! . f"eund . ~==iF::_~~~ de san ct o _ ne __ spl all! .

.wiih?· be re Be -- mis Jrei - si ung - 0 Von __ r-------.wii .~ (#) # - last. __ .urn. • • fle u. Seru. unt. - .iu . ne __ nem :. - pel . die Sr<l.-+" • stras uns re pre .bras scheuch.- - - ·4 pe de - - Sar-gen pel. am.fl'ei re..Flilch-ten . vi .zen... sten. .dra dein 1. -- um.be .beut.is ex . - • um.den - sis ex .7' fu sas u n» .d~~ u rid .nIS von del' 0 II ":' gra Sun - - - nis ..sis ex te. ""d de ie pe-cto-re no von u n-sern. •• I ful .di Her • • 8 tn .zeit. die __ urn. (lott..Ie S07' . .na bes • ri ge . k en nst __ du__ al . zen.~ . 0.(.. verscheuch.~ ' ------:J - .me :..ser • he. . # ' 5 r= -- o • Leid .--.ta - to'r __ -__ - £. eto.ees Bit .-=be a • lie - ni .~ -= 5. U· I~ ~ ~. II •• uns ~ • pa ge est - op ti G.gen pe von • nem (}ei . •• ti4 Ve xiI INe »< - • la nigs Iro re .chen . st«. - - stro. '/. du ri . In Tempore Passionis • gis nen II • de vat' pro wehn .: lien.d um_ lle1'z __ .l sa .1'01'-- -+===J Scru-ta . pel SOT von - - li-j. III ~ cor . . ne - bras at ~ 6- .be ge . # Be . bu II . am. - del' gra sa» - - ti den - last. -1'------' ~ le gen .~ le _ _ ~ - cto-re '--1 no Her un-sem .for . -• nimm. ne tu fJ_ u te ver - - ne . -# ~ . ler-toiirts.--. in fir ~ rna ~ tu __ kennst_ Kr . in - .ioii-cii.en.. und_ -r+z-: - --. nem (lei ne tu te . ---- cwn ten.ri .---. In Quadragesima con . am.scher al... • ri der ...___ al . ward.. ..re ti • bus Not J II o.euch. ... blinkt - ----._r-----.der • .i den - - . di. ste . zen..ni gen Fa • -. • .le "f. .: a« - tu d te vel' :6i: sch.ns • 0 • • qua . car • nis ~ eon at • tel' . . Her - stro . • I Ii=no aU . .hi ge r:. • fert • 10.ier uidrts. " . ~ II!'-~.zes - If'Un ste G. den ___ ad r zu_ te_ dil'_ Fl iioh.______ .ta .8 /fl r-----.schein. .Kreu . r-------.. tor __ ...tel' -f/#:- Siron..get es • eru des '\ • quo an • ear dern.fir Schnoii - rna - chen tu ___ se ia.' • - 6..=-ad te @ .spen im Fleisch sus fur - .den di-r III - hi . Sinn _ eor- .fah - G an. __ ie . her_a! ...frei - mis - si -ung - 0 von de'!' - nis gra su« - den ti last.fh· fo1'r-----.hi ge wiihr re Be - . .. ~-~ -1'---- ..mis - ung si - fl- -:» - . at Sch.'1 """ r::=:::::t.l' - ~ tu ~scisvi kenrtst _ du.. /~ Seru .ri.. den zu • vel' .gne ber ..------. ad den te zu re . warts.ge .ten-den ~e - ver - .. 0. Herz.. -w ~_ rna l.ier __ COl'-d i Sinn u.. " - .-=:. r die in . cis • my • • - ne SchOp -fer di tor Welt su .ne - bras al - de le - . . tor.n.di ~ urn.re no Her - un-sern . al at- me_ ier __ 0 schel'_ 1lI~.ten . st . ~~ 'l f.' - . at-tel' - -.-----::! I - - scis vi .urn. ~ 0.tr . - stro. .me __ at . hoc die • • ...ver f dir FlUch .waM . al .~ ----.ero -..

.SCM ~~-_i~~~~~~ t=~-==-=~~~~l •• ~~~-~f~~~s ~~ mi na gojJ vit _ Was . rou V01n ero .-_ . .1Itin ii 1It- - . if ~ schar -- ./er ---~- @ con ai - ier di _ te» der ri schein.. ~- . 'f#tUB er -' tus er in U I'. ra . um.. . .~. quo an dem del' car . -~..V(l- ne de - di .. su her su ~.___ - - - mi .) -!ll t..s'_ #L ne. cri UJa -.- . - - Suo nd lifi -e JlTun vul -..: (riigt er " n" den . . . fen_ ce - Ifl Speers.nis. -p>- re..- - 'II - . ber - - -SUnd' 'Von . -~--~-- # ~----r--- ted ___ di di --#- des -- ro Ian . rna ver g'?Ji na _ re.- l!!!!! ~ o dies r---. - ut dajJ nos __ er ____ Sund ...-------'. rein.ser_ da et u nd san teu - gui res stc« ne." - . sehe1A. - ne"'tUB ra aen :. ".... . des _ ~E§~§~~-§---~---~~~-=~~~~~~~ nis .ro t eil des --- Ian scha r - ce -fen ee ut _____ da/I nos er Ia von _.>: --..: triigt in . c. ..{9- - ne de » - P er dies mu vom ero ScAne..L con fel' __ at - Ler di ."'111"_" - per . -- ~~ '!9- vul Wun - den /triigt rie-ra - . dqft --~- :t nos er . - - UItS - " va ret Siind _uns " cri 1.Sclmei-dene ___ .a) II.il schar - . lie. Elut. -. - r-4-U "::-J-. _11- von Ia . Die Kt} nen V07' an. gui res __ lm~§§-~fk~~I.fen _j_ Speers. -- bel' -".-~~~~==l=~if=-~~~R~~ ne. mi - - c-------"'- ~~- ~-- ~~i==E -- eea - ro des -i.n..ser _ 'l'f!'}.----- su - - dies ---- per muVOln cro . ScAnet' Q uo Und Wun - vul ... rna ver W---- na vit 1J1' Ull - IVil...ne Scht}p car- ." .. .~a-~~'* la va ret _U1t8 ~ ~ ret wa eri -.

41 1P- .. ~~-~:~}~~ ~r f!: I" h -~.~ . Fleisch. 0.do __ _J Gott zu__ ie VI - ben VI - mus __ iJIl De mer o. - Blut_ un8_ - 0 __ malvnt. .... ~ se mahnt. .. dar. tJ farb e - - nes :. su _=.'.vi . 10.! des ~~- Domini .. im.~~=3~-:--~e~t~·-~:-~s·~to~-~_[~IJ~iS~--~--~----=~a~l ~-~b~~~' s~~c:--gott . in stroll ge .i---:i~. U 4- . ward..- Fleisch spen _ f----.ne8 __ e- IUS __ Blut ro - icns rucr gu ...--I-~--~~~~~~~~~-~a ./iLl'b - ne8__ ius __ --1-__ -+-_ ro fI.~" Be II- ~ fI. SUS fiLr est u.wand ~~~~~~~~-=... .s -------f------~- .ge .Iiir ---(1'----" est WIS ~ __ ---+- ------...t.~- -/felt _~_ tor i-rn.wolL .:. pa ge ti op - bu '-- /"rl_ 10. ..ten LanI1Jl.• __ ~• ~ .. ~ -.j -c::.ben __ - mus De -.-4:-------------..: ius._____ 4- tor Welt SU spen im. .'/l.nrit am Kreu tor dum xes - cru J!fidu ~~ o 10 J Selll sen re m~~~~-~~~~~~·~~~~-t~-~-~.len ._ spen .ehl' - stes san ctis /lei si h~ J1!Jltn tUIII) ill UJflld :L (UIS- _ ge l'a _ cru bra.u r (iott__ stan - zu do vi le - vi ben_ mus __ im.."_ sus . _. --:.stan . gu n.Fleisch_.. ward.. 7 In Resurrectione ZU1n ff_[ah.Blut ro - - u. post weit a) ius It 'iir __ cor J1el~ pus J..-41--------- pa ge 7 4ti up - -j j - #.: fI.~_-_--_} hii/it __ . 0 farb .1ner - dar. De mer 0.humrd.~ -.. ~i" .---bu :). dar.dr:s (ie .do z'll Ie vi ... ~'. ..stan (/otl_ . a nacr gu .n.ns se - rna/ira. .1"'1' sus est unoi' -__ _ p<L g" ti op ~ 10.fer! -_ Welt tor su in. :=!' e ..i.:..

stirrn un·r.tum ma uris lias flS __ /(0 ru te Aleet.-2 ---I=~-. a - Go/t.mo in fi ne tem po .urn. . Ze-i LauJ._...I'd/ nen ri .a tor 0 mni . no ! Stl'Cl re ._--_-_ .hiiUt _ _ (. tell - ulid 3iensch zu . be ._~ __ prin .fer at ln' A're tn r ho .dern .ltiUlt al des bis can . Sch(ij) . post trans-I h i-n..n..te r ._-- uns no stra re cri "'Ns ..nm.di Ir" .su Je S'll Domini it - . no U:}lS ut ____ ma.d de si er de . In Ascensione Je . ioeit ea . ~.wand Chri .'" . - te d(~fJ___ fer dlf t ru gst res --_ . dieh.~§ cit de - no u ns re~ stra. 'W/)' u.mus gen 8.sill .pti Ih' ld ser 0 mor ill' et o en: Ii II" - du.~~ ~~~=~~~:_-=L=~~~~~===~](~j~~=-=~~~-:~~-~~~ ~=l De .um.rum.gteich um.b) hiilLt 11 di~~~ _ d i- di _ _ ge . m:::d==~-Jr~-~---.=-=.na .di .us cre .~~-~~~!~t~-.

Feuer.L__ ca - . .:.tod __ de .de . _+-- .frar - - em tel' e mo'1 .si (Jot .-- -61CI'U - den ."i___ V(}lIl - de te 0- - - zu ~ __ ~ ~~ be le - . du __ tem_ .ron.. ~ ens __ n a iimst c: -..:---. C-/ r-------. •. - tl dich_ - .71"* . den Iem mor-tem Mar .-'-J:-. le be - be - *- /rx~? res? res? ___ . r--:. 1\ ~.*'11 se - - tat. do (Je - num sch. I ben __ .ns. .!.Le .f'rein? res? .1__ ~ mi.. _ _ - .en_ - Got tis - 4J1 __ .. ut ." I~ ..ti . ra.. die qure tu cre 61' du . - *-:J: u 51 t es tlvron .« - - .{L!'. 1g~iS.. Lie ~ - -'. Feu - gnIs_. '*" pa .lrefn? . fons All Le VI .·I._..'r - - 71.-~- - .. mor . na..dicit I - ens.m ise- mi se - - tat. fons vi All -Le - ""'" @ _r gnis.ter .sch1. 'Fro . '. . • i--.J 1)e1' d.1 ~ ~ r::----.__ . rm.._ Tru . ".uln utt.tes . Gna de u.tm __ tad du. auf - <::: F7=-+= ~- -Cl'U - • r----... ml .. fons vl . koch - aI sten_ tis Got .a. um r-----. ~~-f-m~~-·~~-~4¥=_-·~~~~~~_~_ ~ f_~_~~~~~-~___ ___ ~ ___ q q . .- .sten __ i al - tis ...nru. i ___ a.= . ===t--- Lie ea - • C:l . /ca. __ -.!!:_-...._ • 1---·----~~~-.tad du de _-"- - pa auf pa auf ti dz'"h __ --4r----::.vus __ . ."'. ~ de z u. e-r . urn nos uns +--__:1.12 /f) r--v-' # r------.ens __ ---- r---:--. Lie ~--.ster eli .lern mol' Mar .ple er SlJ per - . ----====+ --' - ¥t " ':it te» --r---. ut nos___ a mor To . .~~·~~·~~g~~~~~~~~~ -==-=-~d ~ ~ im .__ +-.ster na gra . - - )]11 .te vom To tol - _+===::I --~-- .enk De v01U _ ~ hoch . ..-----. cri sr.fiJll mit hDch . th.u pa - riL al s _.- - --- Ie ~. - ~ - - thron..vus_...l hock -- - - - c. - ..ter . __ .~== ~~~:~~~=4=~--~' ~~~~o~r~~~~·gbg_~·.tus -ums di vOJn _ Qui /fl 'fl t... '- ~ Mis cri - ... -+_ --_. naAmst.. i ben __ .tus di uns be ce r is. All. na..ster __ eli ..r. - - - na den cru . e7.fIM - a - sti __ ZU ___ eio pe - - cto - gem Se+n...::·~~.~ -e- . - vus. U - i-* . .

_:-= te_~ did.~i=!=:~~~--=--=-~$~=j=f-Ei~.. ~~ ~_ __ ~ 10- pre ben ce io mur ir __ " ~_~.."ie . bus.:~----~E~~':.plex tip. _.·n .. (f.gel' un Bal - cti sarn o.~-4ft~~I-· ~§~gg~~~@ no . so in .__ ZUl' ve A- spe bend te __ ~~_ dich __ ~ --.ni .lie Feu lu ._ -. .~.men . ~.stra plex _ glo un I~ r-----.# _-==-- cti - sam- du. ·~--:~.nen. die et prin do cit irn ci •- pa • ====- Ii=-= -=4: iJ. gne . baLl. duft.:H - ni /ted tas. • .rnu - .us.ta.'.-~---It-~ . a .=J. cti satn - o.lt.de .---~-:-:• o 10. In Festo Trinitatis tri Drei o lux set ges be Licht. g lo un - - ri S8J' Sang a per in .. tas.• lis de u (}run ~~~-~=~r~~I=._£B= cor .er 'HIS Her».. der .schwebt re - ce - der dit Son i - . duft.heit giU.di ins gg iarn wie do rt sol ent . o. a Sang l~~~~~~~g~~~~~~~~~~··~~~~~~~~ ---~-su Jl . tft---.) -1"+--t--. ist .:=~~--i-fi~.fun !.----t----tr=:11==i=-=~=i=.

~~.we -~.det ~ K- - - cu Wtg - la ~. =--.d gen .ne - I'D - si.nis . .po .""" H 8 Sm'" 1nn!!JJillnd Pan . SIB #- - - - - r - - - - fL' I'- r---.i mo- . sa ~ ~ r. '" ne u . ~.ri . Heits ~? -- -----F- ~-----tus g en. --- 5e Wort -- . 5P ar gieJ3t ver . Wei .sa - FJ=_-=-ritJ-tus gen..fu dit nig ren. . und det s J!:.50 __ giejJt ~--~ _~f'L-_r-----.. --SO ___ er: - . at« rex ef .bo l'en ([US in da ta J Ulig - Jr'a u vl.. ge ge na gt! .ZIWgt uorn.~ mi - ne Heils . -t--- .·s a ns su ..urn. ge ... der.to . tus Un". sein hi p.be.-§: ((I CUll -- - eta Ie - _ __l----+_ det und see - ~ -.

- .¥:-• ..---.ste .ti Blut 0- _:-.de in - 1+we - - tus gen. spar .---._-~ ~---~-~~.ri je nem 0 - Lei be si der cor .... oe-schrei-oe.gab. moJ<'n- - - ras de -~ . '" ~ ((I - CUll - cta Le Zeit lau. ge .~ I~~.'" rei - gi neul. In Festo Corporis Christi .ti .._'! .d r-:::::---< sse- ---- -s: f:T- I~ -~ wig ~- la ke it . e'I' __ Wiwt se - des __ mi _.e ..------.--. ras 19-' -r::=)= Ii#sei f{n . sdbst hin . si. lao rio ..bi aus sein. ~. "It lau Zf!1l 1ali Zeit - .. sich.\Im_~Wun-der san-gui . ne ScJwjJ _ _ <ieht et er Mn __ mun a uf do J<'. ~ al cun - - - - Ie eta C( I'fC'_ ._-- _- -.yo-- .. ~ BU su bis ~- - ~ n.birgL_ • rend spin kost-lich ~.sung pre .ti . . cu - Jceit..que pre .---:=::-. - •- - - # eli wig" ~ J... quem in mun.ris die hehr-sten my .'" ver aus . .- hi sein..---- ver . -- ~ spar r--t--- gieftt __ - so er vel' au.1i'" .14 /fJ r---.. ~.. - .urn brin!rt.-~ ~-___j_.. . I. glo .n.ge lin von gua.:- se Wort - - - ii des __ brs - i a?ls . '" ~ u. ~ K . con d en.•• 11.....di das der Welt fir . Heils 1II{1.~.

i . fe . . __ . o _*_*rfrfi! - - gl~ tn. : -p.ru:r hoi -r"'

-.hi?'?nt in Htm -meis: hb ./fJ .ra . - - ras de sei -~ .~~·~~·~~~~~~~G~~ --Uib'S--be ... la . In - .tUf II 1'6'm Herrn Do.si go - bawt.ItJ7n. • del' r---- glan:a or - • ~ - ..._--- @ /IIF • ut spon-sa den Schd - .. co .----. -. hen... ~~~A=1-'-- - - im __ 11'- ro __ clau- - der ~- sit -. ius ~ sin d ex au au . p a p. b anct . gl a n» m i. i.au . . ·ff!:--f:. PIa . co ner. lie... irn. pi . di er .. no. ge_ tus _ - --..cis vi . - --'----+'--1co ta .lten.-. JI!:. II. qUiP Cal - Stadt des Oh.-- -.mrbe - ._ pt..sa .. Wun 15 0 co .-. co - pu /JUn. or ...na .-""-~-"-~-~-_~=~~~2E-' Vl .s i e pa .-Itii r-. ~ e_ ClE une _ nlt:!:.kes.. ne. Je : r1l .=:~~~~II~~..mi . .leicht sie ----- ei ~ ner __ fa - ta h ol s P on > - sa Schon. r:--. 1'e ri e .6.1'e_ Stra-jJen. --.sa lern. *..a s £1Il ___ ..e1·~fiP'-. di· bus.::~: -+: -1 _:::::::::. - la Tn -rr r----. -. r----. ris - si ge mo.-----+- nu .machge· ....---------= 1 ~~ 1-'-- ~ _ . fur Braut-ge. Her rn -t+--F--rni . h...jit. • ta __ Iten~." den __ ___ Jlerrn Do be rnl - . mo.llfin glt'l. ta..ta. e hm. auf .ee I +-. ~ ---f---1-clau Wun . di(. Q. iiI - -PtUf 'J'fnlt .va V<: ni· a lUI ens H{lIl.ffi et mll ri . 4- 0 ..ro __ I>" rein - stem - __j~(jold ge ris - . . _ JJrun elau ~~ f-F-+ge sei .s: --- .h' - - co. _. ner r----.l}fa~ ex -~f~)ui au-.tur in lis Jt' i0. -:+-: :~ Ie. spcrrden sa . ih 1'e_ J/au e - - . in .3Ffir. a- sclcncii ckt.--.!l!. II!iI ern. 12. . mi das -. . fiP' l'h '" . strahu.. ~~~~~1-:~.-. a -_:--c. rein stenl~ ~I - pu. - rno :4-u -r- gletcht pr se - sie pa ... or glaJlz_ - di er -. Ie iit '" L p rffi . ulld et von an· ge . _.Ie M .das mi· ini ro sit . ne. tus .: J:e· ben aus ex den Std .e: ner s. la Til ~±. ~1fJ"' • - ------ - er di~ - str ahlt.teo chen be ..ius .fIut -H't-e: ::~". ra er --+-ner -die_ ___.. .Ih PIa - .----. ~ . da F1'ie . . pi I . ." @ pu r--.---' re Stra .-_:_ ru . .ta__ u>t'. ro __ > sfpm pu· ris Gold -- . -• strahlt. tur D0 . --- --!-'--- - fh· re re et mu .lis li'n-geln rt'ngs ge .:-' no ___ gIuckt __ -- - .k.si con-stru .*" Sl - v baut._L .---r-co . -r-~i= r=+ ei ..-: /"-. be ditf_VOll glUckt.Ia Ta - tus ge._. ilt et mu .ilt - e Malt - ius Arn ex silui aus au . mo.VIS !__fi==-~:~ ut spon.krij . jJ ~n. _ .ro .p. .s it del' zutn mo .M'! • ·4 Pta n-g e n d No .dens.---... b7'all t . 0 ne.sa .net co . In Dedicatione Ecclesicc ~--':__-~~~~~~~~~?4~~_lI:. ~~_ . - r----.fO"_ d. _ _]:~ ro __ el'~I-- 1..te . d eta pa . die von ._.ta .pu . re IA ._~g. fL1. . r ta hal ut .ri_ Stra~en. . r::---.

0 . .s t& weg -te~ und rr d ei em Item ge Ge - '/11 -v u (]e ge - ren schik - - r_ dffi ke .re . • • de« - • tie • Ii /11 IIV' • tu ..--tu -J'Il Ill.der..a - sci hen - _ ~Q--_--------. d er . fo von 1'e na . ' bud.bris st.t-~-r--F~=jf$....ben. eel her ob so ... burt. • u-a- San ....sci .na Kelt ie • • • ti VO?J .• Nun . - # .a . dung.rUlli.ra a/ ie ge . .. Johannis Baptistoc Konn . mit.nes .. us mUM _ - so __ ab __ en5 ___ Hoch - . drin lym - ~ -ft--!" vc-nt vo/L der_ Bo .pen.. burt.. ~ - - - - .~/"-k - dre ke - dffi ke <... em Ge . .uieih. ----... or laut___ die dl - _ - ne Vel' kun pro - m it. pO te __ pa tri Va - _ ---- brz-71!.ens __ Hoch r-------. eel her -.mu - • • • ent . ~. • • tilg SchVp-.s tIC weg und --r---- ri dei- -r-tu Ge rum.mund 1":-f'- lin ..- ---. _ Jlla ter': _ gnum dein von fa der re na na ..--. or - - di die_ - ne Vel' 1":- pro _r • kun - - - - dung.. - - - .ten - II" ~ -. Na no men lnen.~ fi .ten bi .- - --~- bUJ:f{ ___ - .-' hen __ - 19-' po fi lrringt -------.ten Ut • que . .----.. _ del' ni - ens Hoch: - 0 burg _ d r irc - - --ri: gend.. .cte ger -a Jo .:ab I Iym ~ - ten -- - so 11on ve - .-. - . te - tri _ gnum dein. .hp gen. Nun Bo ti us rrucnd - - b. nem ~..---::.sto .-sr.. .# tu Ge - ~ rum. r-----. . l - #._--. '" se - Na no men lnell._.. et Le vi b e-n.1*.TIl der von ..-pa dern ~ rna ter _ '" na gelid.-----_.bens vi weg tffi se 1Fna' r_ 1'I --- em __ ne".ve ai pol . _No ~- __ (]e no . . U Nun .. - kiln pro .. In Nativitate S.fungs-wun sol .han .d . di - Ver ne . .i re . -- .lu ie Schuld • - be • la den - gen rni . ----!'--...he-n - '" _ rna ter po br ingt te pa - - - gnum d ein... .-------~..16 13..tr eu. ge - f'-_-fL_ r .ten .. =$=.rum (]e . o- - burg __ - l yrn drrrc - - r-----.rt dem. # - U· - dung_ mit.-./~7:~_.en fa ..ti .d em. - ren schik - - taut r------:.. • - Jo . et vi Le .nes. tri Va - Va.ant - • do cit la mit xis fri scher re - SO .han ...ti - ~-her eel .tum.. fo u uri re der na 11.n. ~ .~.us Bo . ve • ... ?-~~ ren taut -- or - dz-e . Lip .---..-. .· .sci .mell_ men __ • le et .n __ dei -_.

ter . nnrner.._ . de ""~. r::-- re . tl'i urn ter F£i'j_:_ ~ sc/noerc..test - sti see ." - ter ni - -F.li r---. bei vi ---..---fIt- J'a - - tor Cal Hiul - li . du ai= le Welt.flu .ten. siegl a m. ri ... der pa - - z>: - Wet . . al jt! tel' __ ner __ . lux lu= ois L. II -----0- .ter - effi Hilll -m. ..met mit herr .-..eo .phans ~~_-:t-~-'cAwert. en d u rc/v das se Rl(:!. • • :- Liciu». r-----.. Leh -=' or leh - - bis rer -~ *. Le/i-rer p a.los in . .- - - tffi_ ward - __ - nit del' - tJ'rn lau ...eli .. iu RicA - di ter c es der _ _ ve ih - re -=-4=~=~--::=::-~¥=::=:=~= ~~~~§£ per die al ner durch tel' en -'~f=-=~:===~~--!===~~*~-~~~~~~ na per die cru .ft • -. . L=:=-+--.ni . .cern ser ten. - re ro - se - 0. 1':\ phans VI bei - den tee urar d :. ten./ Il 1J!) -IlP -- --1'r I~ .oens - ti .beer lau . . '-. teil.ten.~~ den _ _ ~:e den_ r-----....----'--_ -r·--·~ Le - Ie . • -- und _du r do - ctor . -- ~&E W{ich ---.-- .. dent.ri del' Ifel . • ve Cna =de e.. quse dat - len Sicn-dern. .t er des :. - • _L_ Ja - =mt- . der - • .. und do ...era r--. beet' als a- - . tea..ter. or _..- " ~. G Iii • di schmuo/eest de . lAcht des _ - ~.. • •• at • di sei dem Tag. • ~ vi .. - - . be..tor_ere Wiich . -1-- I _-'--L_ - dent. niets do und ctor or.der ___ r----.re Mit - .. mar-ty .. -- ~----+--. se r+..rnne • u- 17 per-fu ._ ere . tor des mels 111:- Ii. Petri et Pauli ..rans die_ Him .nl . ----.is - ni - am.to 0 .-------..ge7J~ ScI. . ti - pas.J--X ais ___ . --=-= • • p.tod. al .ter.===+--1':\ __ . word • na . .ctor - - bis rer der pa ri IVel - ter.el-v Ii.~ . . gol- Au .ri - Hell hac sa . du.chem Zeu -een. .re a Le ti b ens pos· preis SI zu dent. -. tea. .: Him Ja ." si zu -*.b is du.a • nem_ a lu 14. • bens 1':\ •• urn . =- .- --~'- -- ~ Wach -- .. • • • . tum Lor - -. si preis zu r-e- b.---.sciuoert .re - it r-- ~.» du.. __L_. -. .preis pos - - .cu-lum...si .. Kreuz. ter . ~--- .• • Schein und mit ee et de - eo ro .?J • bringt. .. -.' . In Festo 5s.: del' se na _ tum __ Lor bee?' ats lau .' . . ber -.~e Lor.-----...- _. phans -....

- re Ie .###BOT_TEXT###quot; Los der 8.rauhcutund e : w'f5 __ __ .11c:-:::_ __. te.18 15. fe-lix Gffi-li por-ta. bo . sel'-ge n!rn-m.. (}u - .wer - le----+-~------t_~ f----- + bo Gu na cun nur __ eta pO- pe I steu.eta.=ti A-ve.~ ~~~r~~~ ~f!~ ~~=E-=~f-L..na __ teO' nur~_ cun - eta pO be . Sol Contra sine - is~ . __ __ • ~---. ma-ris stel-Ia_..-_ -._ ::== ::±::-L_ -re fL !----".- stern steu strapel stern S t ra ~.wer - .. cis. "'.t. I ::::. In Festis Beata: Maria: Virginls _~_I_.. *. dass: Licht _ - den.-::= •• =.Stern des ilfee-res_.. ~ -. iI/1ft-ter (J(. ~ I . -l""'t~- ~ po be . ..~~§~~~b·~---mm~~m~~~ · ~ ----+-------1-tes be . La- no - +nur =r.--a=-~~~~=-t!-=. stern steu.tes n'u1'_ be .<n - der re Pes - seln __ .Fe..L. -.. . Jl<l1gj. - r'e ----+-------f-- J (Ju .-~--.'i~:r===~l~=~=f:=::-=:~=::~:f_ii1\='~~==+ re is _ ..tl'S md-de.ser n. - . ma .wer - . De-i ma= ter al-ma at-que sem-pervir-go Eeil dir.ds-p/or-te._------8 n_ ••• =~-~==:-=--=·===-~~ ----~.:.':eLlt ---- ~ ..wer - eun .----- see.----..-=:_~~===-=r~=-~::::_ ~--: =. ~i~~. Ia ten.~3-::.

Francisco u 19 iii - tens pro der - un'rle di te gi - er.. fe . r . da s Mee1' un ver - seltrt durclt . er das LIcht.l'clwnk ..scltnlt. <. 0 ris. dit ziert __ fa den_~ - Sun ctus - fe - ____ - .te __ . .~ der-n.mel ~~-~=~-If~~=~~~~~-=-~ _.... _.ft~k~g. Gluck - - _ - se . - - dern. ~-~~§g~~~~~g§ rem _~ at vel __ iern. den lJlt'n - den .sea. • iI?'• 16.~~r:-----:--=--:----~:_-=-:-----:-~~ ~~~~-. fa den_ - Sun ctus_~ - fe - . pro __ ... 1 . ris.fc=- - -t--------r -#' den 1*' ~ -_ .--. leam der ed Ie Sprojf.. . er der ' ~_ t ra ns der __ - ~. und neic e Wlln EJ :~~~~~:~~t-..:~_~v~:~s~ • ..ru . ._.. e1'___ Gliick ~.~~ Him .. fa z~'e'rt - J Sun ctus :.Rett . sic . - . Rei> pe Clt(!~1 ris "'Ieid rn u t nec_~ bei __ men tu m ~_... De S... per dou - di e r-nd - . ria. mi Gliic!c ..ernd ~.di ..mr~ 11!' pro er .__ . ..it.. - .lum Ci£ - cis a pe ...-~ ri- dit...cis rna er re ve sti gi - is.-~_~~~ . dern .~ "'sl lix --=J= 7t~ pro er -- ~. ""1fT r. - - r-. siert . lix ist ~ . ~.~ 8 p~ Vorn. - 1*" .. -~f-t c--dit.se - und ___ . .__ ~~_~ "____ - men per tum dau - . is 8 cre .lix IS! mi .. # - s-a.se und - .-----.

~-~-r zu der A po stet Lob u. In Festis Apostolorum ~21Eji~=:=.n. pl'ffi wt'hl't - teab . VatJr.'01' at tu tern. - ta be _ que te a Iit"Jn gmi me/ s na sc/car-n. ra rna kii??!! gell __ _ uns be t e..~:?~--~~~~~~~===~~~~~~~t~..7W fa t reu.. mu es __ ge - flEd los.1'.~~.ri von uns ~ ~.rang fu - sen ti nes Leia .~ .==. ell . a.20 17.-===~ ""'-III ptor __ ser.tum. Flehn He Auch ~ 1'11.ir-ni f.lung-frau - nis . ioa hrt.~=-:~~'-===:'~---~~ uo-r al .J~ ri lOOn - tu ne urn..d Rullm er _ khng (k sa?11( t11i __ flei liM' .:~~?~-:. . ier Tf'elt.--:. fu '(. 18. W n :can be III • va te l[ - ser hu tu dein - 08 - . __ a! 0 -lr • II mni .~___ prte vel' _ j~. ww till der sem hed' - . In Festo Omnium Sanctorum • wre li'r dern 10 .per gel! vir gi - . votl.Ie sei ' sti gen deT_ um __ Gei spi . .urn.

t{.

--. wir vo _ tis fleA.

.."h1'__ • wah . .mur aus cor _ euch Her- -- um gt'und___ au er hurt __ te d. o ge pli - zahlt...-... pre _ ca _ mur cor _ zu "uclt aus Her . YO - tis fle"n . ca eu..tis /l~"n m! ser _ _ _ Willi._.-----~Hf:!r - - urn.I-- "- a cli te Rich iu - -j _ :ti . rm na. - ca ..-----:: _ b. und u et ve - ra r» -.1'e ve _ ra . et und ve _ ra __ uiah=re__ -./11 tJ r----.--t=str :__E?_ _ Welt. _ sel' Welt.l- "----- i tis YO wir -- ----.=£-4-+-+'-.re ___ ~ Vos Ge -.a) . __ sup _ ten..j ihr __ .Ilehn vo E -..tis uiir flekn_ -- cor~ Her' - zens di - um.u cue" aus cor . un r ...-~"==+ pre pre .?' ...na.ten ._ .he u . iuRich _ seid __ _ ~i . ~ Leuch mun _ _ ten di die """" Iu _ mi _ ser . <::» 21 Vos (k . .gr1Vnd.I- .± ..grund) .. -i_ cor H"r _-j :J ~ - - z. ~ ter ___ _ di--: ih1'_ ces 1<na et und ve _ ra ___ wah . di - "!!. Welt.ces Ihi .die "-l: ..c h. ----t-: __"J==-rIu mi die .se r +-t. -j mur aus.. cum. ---. o seid ___ lU- r-----. na.I- :.--1"1-.. /1 VOS_ G'e sre cl i__ lU te __ recn -r:-----.f' mun Leuch ten di_1-lu t--. II. _ - - ~ ._ : . YO .re ~ seid __ di uns ces und et wah .~~ -t -+--di III _ .~ti_!_ ter ___ IU eli . sre rech --" .------f: mun Leuch di ten -~I~~Iu die pre-camur . ~ - sre rech _ - _ -JJ-L h::.. Rich sti __ ter \.e pre .te r---.. _ zen s - ~l_#j JltI1U - u mu n L~ . .P= . di len f--- ~-=±:=--=-:-mun Leuc/t .u . ue«. au fir - zens .ten.------ . HI ::_-:::¥-+. ria. hiYrL di - "f--f:- " --=:::: mi na . _ "'II 4J..... ces un. -- .

ZiL be . ren __ .sol .~~-~=ii-~-. sern : daJI Iau wir des ihn ca .ns ab .s(!t' 0) ~# et . 1'0' - prlP - lohn mi 8(.pu er Ie kannt. zlihlt.Ii .n is..us.~==~-=~:===:-:~.ge __ ~ Lust _~~~ zu - .// lim. In Festis unius Martyris ~ 8 --~~~~.sti a.den und et und L)e1' at - Fre u den __ gau. heh - . rand ~~~ mit Recht_ _~~~ .~:~.2nd .len.nen ..-~~i=~~~-=~-=~I_-~~._~ _ II ._. 19.schick et und co - ['0 - En - na.di du! ..ve von den La ne Xli stern cr i mi .~~~~~~~~~~~=~~ __ ==:.di gau.~~H:_ 8 Gott.. tu des - 0 - t-reu - rum en Zeu .di - er .ty .tum P.gte''''/r als eit .fret·n. .di d. so['s Ge .i' J(!1' .hdrt __ . u.tes Mt - ten mar .te d.~~~E~~t===-~=~~~t=~g~=~~-==-~~ Herr De .gen mi . Lohri. t-~~~~:~~-===:~~=:~::=..'e~~__ flit pre ces --il--~- te ~~_____ er Alirt die pre -'ht ten _ un - pl i gP Gum.~ ·IS~~~:~.zt a et ?ind al - le _ .--=~~m-.t0f~=~.ris at tc zed.22 au .'eis.

-.AajJt. . ~_~f'-.-----i .. .~~f.. ~~ . folg - te .~. die re - ti Ie - hens __ Welt __ nens Wet: mun .dir nach.mus. a tel - -_cu dig_ - gar ri .i..'l' -_.rum di .ta gau . ~--.~a~~~.J'. _ nam _ ste . • III •• ••• 23 . - spre - vel' ve -. re ~ at - lID .. die ___ quos __ - r I'- ~-~ f'- ~ .scit glit .. tajJt tins..ri .a pan-ga ..J 11'/ • •~ ----.te folg tUB. .ten ni - /~ ~." . spre sie ___.~-~~~~~~~~ ~ hor ru ste __ ge . so . ~ . - -.kwrmt...'e Hi Ste Hi sunt ___ sind's __ --- al - - --ft-~f" r" re at - - _ Bunt __ sin d's __ ..t .a _ <. - ~- .-1t---~vel' spre . ~ te ~ . denm.ri - Pracht ii flo: ih - per 71er~ ec - hor - . sie.het das Her16.. d a __ - psum er -L------::r=_ - -~----+~.-=:i.i .ti rex . da i psum er: - nam -----l--- sclnen.~ • • • I• I• • • • ••.re perei ~ tJ . Herr ~.... -- ten ni- - -"'"""'1-- tel a . riU'Os '-t-_ -- te __ <.Ii de ren Pracht flo ill - ~~~t=~-~~-. 81'e.' .t. - . a . - pe pe scheu.nus 0- •• ptl-mum.~=-...-------:.. ge • star-que for- •• • • I .t"'.'e .• • • . aue-h del' Tap-fern ill.lin tJ Hi Sie sunt. tus.-__. dei .. - ..~ .. ~ r ).j vi he! - • ge . .ei . que __ Be freu eu . nach . I .rum me .Kd-~. Bru .ncr ti • a. to .ben. __ -+-__ de ..-....ru f!.ve sie - +- . . cs-« Chri folg - - .sclaen de . ~~~----~~-~~--~~~~-~~~" . sunt.g ~ . sciuen b..dcens: be..~.16 der_ Heil .cli. ten ten.~ • • bus I @ • . nach. Iii ten. re ab- .. ..dum bald ® • r-- --~- tel a - ri ~ gar f'- - =T'ii~.hajft.::. b..del'. "e" re - it.sen eto .__ que __ freu - -- dig eu . ab r-------._L---+-. - que ten - freu ~~ se se- - ·Hl~=~ ti ~ d. rex H~ . ti ..nen - per 8i - -- -~=b~ ~ .. ~ 1!z /_/j _??: Sa n .-::::: . it.nivmus pro-me-re Ine-dern ean-ti 16U prei ..dum -~ bald.gen. - ve ve'/' -~--t-.. Herr re'x p.tis Rullm u nd (}lan. - ni - - _ - gar ri ~ dum bald. ~.8 ... d. in r.-~-~~~..---. Hut . re - .._ ste ~~----=~-.j~~--~'~-~. .schen..__sunt.§ ~-E~~+='~~-~~~'_§' hor ste @ q:-~IT=_ -r 7_--__=-~~=:~-=.l'en Ver. tus.ru ge - lu(jJl it ~±':::. drr f'd..di . psum __ n<lm ste - da_ er - .----:' -sunt. ---t=: t=~ --.-ftt ~ r: _. In Festis plurimorum Martyrum L.. 20. - ste_ 8t6_ ~. ti mun einBt Nif- in - - - B-= ~---~S.£it.scheu» pe - .dus einst aufs r--.ren ..ren ste .-~ # . sind's.' .----.ri . - . de .ri Pracht Ii flo ilt - .---- '- aoifs dus tief in -f"--- )- ~ dus __ atifs_ • intuf- - ti Ie - nens Welt etm'I__ mun - '~~UI~~~T~--t~-~-~tJ~.. I-f'__"~ste ab re - - scheu - --ten ___ - . quos . -#----1Ii-~~-@~g. II . uns nam g li.cto .

mi .~~-~~-~¥=. /ieu. Ii.~~ .fih-"t 21.nen.:==_:~-==-~·~t=if=~=~~_~~ __ =~~~~_~=-~~~~_~::.. ~. Ui/"r/ ".. ce .n.de .Ie. ho lie - r--------.ne __ Fatsch.rn.sor (Jot . ~~-i~!~~~~~ lce'uJ'ch} hri - us.i-~~_fl~=~~~~~~.U eft' schall - ta cn sean .. .tes Do .r Iz' .cra .it__ False.tus C7' se - me .it (:1)1 - se 2.ru .meis - ~--~r===:=:~~~ tum .~=-~~=:::-~~~==~-=::~~~1=~~t=i~~S~=.t - - - ... .{-i::=:~~:~=-=~='==~H Zeu.hem.ste .bel' ~~~_-~E~@~=~ -~-f0-W=t=Chr i .. sa . JUJCh .<Ii .te scltu'ebt 110.. . .~.' vol .. so . In Festis unius -Confessoris H f4:.ee con . 0"- .brat z t: Set- per neJlz or . C.tus.. __ .p - pf".Iwi . pne Ie bens zed er . lo be. al .::~.Ie .sta plebs tUk eu C1' - held ius .

f'e . ._ et u.sch « Uon .d qui _ st-rene'. {'1' - '/.=::-~===~==:=~~::~~~. ca- @~r4==t~=-i'-=f-::f~*~_ _ i==/~ @ fu .els ..bri ten lIS.ta ZU1'__ dum./er eus.re 111>nl'tn - r.fes ..~:."CT ~=-_=~~=-=~~.f urst.::==~~-:= Die - I .Hi -rr-t n.e 1m .c'lt __ ta. __ .Wc!.'eu e _ en der. .t:::~4=ii:·:~~=+i'~=~=~f~~ Him .Ii'!rt.~=-=.ste __ CAr': ste .ni ist uns ge . .. L-"-_.

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- .¥:-• ..---.ste .ti Blut 0- _:-.de in - 1+we - - tus gen. spar .---._-~ ~---~-~~.ri je nem 0 - Lei be si der cor .... oe-schrei-oe.gab. moJ<'n- - - ras de -~ . '" ~ ((I - CUll - cta Le Zeit lau. ge .~ I~~.'" rei - gi neul. In Festo Corporis Christi .ti .._'! .d r-:::::---< sse- ---- -s: f:T- I~ -~ wig ~- la ke it . e'I' __ Wiwt se - des __ mi _.e ..------.--. ras 19-' -r::=)= Ii#sei f{n . sdbst hin . si. lao rio ..bi aus sein. ~. "It lau Zf!1l 1ali Zeit - .. sich.\Im_~Wun-der san-gui . ne ScJwjJ _ _ <ieht et er Mn __ mun a uf do J<'. ~ al cun - - - - Ie eta C( I'fC'_ ._-- _- -.yo-- .. ~ BU su bis ~- - ~ n.birgL_ • rend spin kost-lich ~.sung pre .ti . . cu - Jceit..que pre .---:=::-. - •- - - # eli wig" ~ J... quem in mun.ris die hehr-sten my .'" ver aus . .- hi sein..---- ver . -- ~ spar r--t--- gieftt __ - so er vel' au.1i'" .14 /fJ r---.. ~.. - .urn brin!rt.-~ ~-___j_.. . I. glo .n.ge lin von gua.:- se Wort - - - ii des __ brs - i a?ls . '" ~ u. ~ K . con d en.•• 11.....di das der Welt fir . Heils 1II{1.~.

i . fe . . __ . o _*_*rfrfi! - - gl~ tn. : -p.ru:r hoi 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~-~-r zu der A po stet Lob u. In Festis Apostolorum ~21Eji~=:=.n. pl'ffi wt'hl't - teab . VatJr.'01' at tu tern. - ta be _ que te a Iit"Jn gmi me/ s na sc/car-n. ra rna kii??!! gell __ _ uns be t e..~:?~--~~~~~~~===~~~~~~~t~..7W fa t reu.. mu es __ ge - flEd los.1'.~~.ri von uns ~ ~.rang fu - sen ti nes Leia .~ .==. ell . a.20 17.-===~ ""'-III ptor __ ser.tum. Flehn He Auch ~ 1'11.ir-ni f.lung-frau - nis . ioa hrt.~=-:~~'-===:'~---~~ uo-r al .J~ ri lOOn - tu ne urn..d Rullm er _ khng (k sa?11( t11i __ flei liM' .:~~?~-:. . ier Tf'elt.--:. fu '(. 18. W n :can be III • va te l[ - ser hu tu dein - 08 - . __ a! 0 -lr • II mni .~___ prte vel' _ j~. ww till der sem hed' - . In Festo Omnium Sanctorum • wre li'r dern 10 .per gel! vir gi - . votl.Ie sei ' sti gen deT_ um __ Gei spi . .urn.","static_promo_banner_cta_url":"https://www.scribd.com/"},"eligible_for_exclusive_trial_roadblock":false,"eligible_for_seo_roadblock":false,"exclusive_free_trial_roadblock_props_path":"/doc-page/exclusive-free-trial-props/81048619","flashes":[],"footer_props":{"urls":{"about":"/about","press":"/press","blog":"http://literally.scribd.com/","careers":"/careers","contact":"/contact","plans_landing":"/subscribe","referrals":"/referrals?source=footer","giftcards":"/giftcards","faq":"/faq","accessibility":"/accessibility-policy","faq_paths":{"accounts":"https://support.scribd.com/hc/sections/202246346","announcements":"https://support.scribd.com/hc/sections/202246066","copyright":"https://support.scribd.com/hc/sections/202246086","downloading":"https://support.scribd.com/hc/articles/210135046","publishing":"https://support.scribd.com/hc/sections/202246366","reading":"https://support.scribd.com/hc/sections/202246406","selling":"https://support.scribd.com/hc/sections/202246326","store":"https://support.scribd.com/hc/sections/202246306","status":"https://support.scribd.com/hc/en-us/articles/360001202872","terms":"https://support.scribd.com/hc/sections/202246126","writing":"https://support.scribd.com/hc/sections/202246366","adchoices":"https://support.scribd.com/hc/articles/210129366","paid_features":"https://support.scribd.com/hc/sections/202246306","failed_uploads":"https://support.scribd.com/hc/en-us/articles/210134586-Troubleshooting-uploads-and-conversions","copyright_infringement":"https://support.scribd.com/hc/en-us/articles/210128946-DMCA-copyright-infringement-takedown-notification-policy","end_user_license":"https://support.scribd.com/hc/en-us/articles/210129486","terms_of_use":"https://support.scribd.com/hc/en-us/articles/210129326-General-Terms-of-Use"},"publishers":"/publishers","static_terms":"/terms","static_privacy":"/privacy","copyright":"/copyright","ios_app":"https://itunes.apple.com/us/app/scribd-worlds-largest-online/id542557212?mt=8&uo=4&at=11lGEE","android_app":"https://play.google.com/store/apps/details?id=com.scribd.app.reader0&hl=en","books":"/books","sitemap":"/directory"}},"global_nav_props":{"header_props":{"logo_src":"/images/landing/home2_landing/scribd_logo_horiz_small.svg","root_url":"https://www.scribd.com/","search_term":"","small_logo_src":"/images/logos/scribd_s_logo.png","uploads_url":"/upload-document","search_props":{"redirect_to_app":true,"search_url":"/search","query":"","search_page":false}},"user_menu_props":null,"sidebar_props":{"urls":{"bestsellers":"https://www.scribd.com/bestsellers","home":"https://www.scribd.com/","saved":"/saved","subscribe":"/archive/pmp_checkout?doc=81048619&metadata=%7B%22context%22%3A%22pmp%22%2C%22action%22%3A%22start_trial%22%2C%22logged_in%22%3Afalse%2C%22platform%22%3A%22web%22%7D","top_charts":"/bestsellers","upload":"https://www.scribd.com/upload-document"},"categories":{"book":{"icon":"icon-ic_book","icon_filled":"icon-ic_book_fill","url":"https://www.scribd.com/books","name":"Books","type":"book"},"news":{"icon":"icon-ic_articles","icon_filled":"icon-ic_articles_fill","url":"https://www.scribd.com/news","name":"News","type":"news"},"audiobook":{"icon":"icon-ic_audiobook","icon_filled":"icon-ic_audiobook_fill","url":"https://www.scribd.com/audiobooks","name":"Audiobooks","type":"audiobook"},"magazine":{"icon":"icon-ic_magazine","icon_filled":"icon-ic_magazine_fill","url":"https://www.scribd.com/magazines","name":"Magazines","type":"magazine"},"document":{"icon":"icon-ic_document","icon_filled":"icon-ic_document_fill","url":"https://www.scribd.com/docs","name":"Documents","type":"document"},"sheet_music":{"icon":"icon-ic_songbook","icon_filled":"icon-ic_songbook_fill","url":"https://www.scribd.com/sheetmusic","name":"Sheet 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