OMA

DUBAI RENAISSANCE
UAE, DUBAI, 2006 

…offices and business forums, hotel and residential suites, retail, art and urban spaces.

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IDEA VERTICAL CAMPUS. JAPAN. TOKYO. 2004 New Campus Building for 3 colleges in Shinjyuku. Tokyo .

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2008- . USA. Miami.Herzog & de Meuron 1111 Lincoln Road.

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NOVI SIMBOL ARHITEKTURE LUKSUZA? .

1931 .Waldorf=Astoria Schultze and Weaver.

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Burj Al Arab. Tom Wright of WS Atkins PLC 1999 .

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2007 . Dubai.Atelier Hapsitus THE CLOUD UAE.

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NEW NEW YORK ? .

MINIMALIZAM? .

Kunsthaus. 1994-1996 . Switzerland.Peter Zumthor . Bregenz.

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NIVO SUTERENA .

NIVO PRIZEMLJA .

TIPSKA ETAZA .

DETALJ .

2007 . Kansas City. USA.Steven Holl .Nelson Atkins Museum of Art. Missouri.

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SANAA EFPL LEARNING CENTRE LAUSANNE. 2008‐2009 . SWITZERLAND.

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FOLDING .

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PARIS. France.Rem Koolhaas/OMA . 1989 .Tres Grande Bibliotheque.

Boston.Institute of Contemporary Art. Scofidio + Renfro .Diller. 2006 . USA.

OMA SCIENCE CENTER IN HAMBURG. 2004 . GERMANY. HAFENCITY HAMBURG.

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FINAL DESIGN, 2008

OMA/Rem Koolhaas Design for a skyscraper for Japan at the ’Content’ Exhbition in the Kunsthal in Rotterdam

UAE. 2006 .Convention and Exhibition Center Ras Al-Khaimah.OMA OMA .

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Rem Koolhaas . Paradoxically.So far the 21st century – in a desperate effort to differentiate one building from the next – has been characterized by a manic production of extravagant shapes. where any attempt at ‘difference’ is instantly neutralized in a sea of meaningless architectural gestures. the result is a surprisingly monotonous urban substance.

Invented long ago. but through a return to pure form. Rem Koolhaas . (The sphere even existed before man itself…) Yet both geometries still continue to feed the architectural imagination: perfectly autonomous shapes. within their bounds the promise of a perfect world – made possible only by the seamless integration of engineering. both the sphere and the bar explicitly abandon claims to formal invention or ‘originality’.This project represents a final attempt at distinction through architecture: not through the creation of the next bizarre image.

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Scofidio + Renfro BLUR BUILDING Yverdon-les-Bains. Switzerland.Diller. 2002 . SWISS EXPO 2002.

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 ITALY. 2004‐2007 .MASSIMILIANO FUKSAS LA NUVUOLA – CONGRES CENTER ROME.

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GERMANY. 2010 .HERZOG DE MEURON ELBPHILHARMONIE HAMBURG.

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 CHINA. 2008‐ .ZAHA HADID ARCHITECTS SOHO CITY  BEIJING.

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 2012 .ZAHA HADID ARCHITECTS OLYMPIC VILLAGE NEW YORK.

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 2007 .UN STUDIO  (UNStudio in Amsterdam. DENMARK. ) LIGHT HOUSE AARHUS. 3XN in Aarhus and the urban environment experts Gehl Architects.

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UN STUDIO  FIVE FRANKLIN PLACE NEW YORK. USA. 2007 .

Ben van Berkel .

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I still use that as a slogan for my way of thinking. Often we rethink things and start all over with a new idea.” I liked that. I don’t like when we get too fixed on a particular paradigm. said. “You have to start all over. In fact.Alvin Boyarski. You know too much. or we’re only following one direction. In the studio. . You have to forget everything you have learned.

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 2008 .RAFAEL VINOLY ARCHITECTS EDIFICIO AQUA PUNTA DEL ESTE. URUGAY.

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2002 .OMA AND MVRDV Koningin Julianaplein Hague. Netherlands.

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300m2.000m2: offices 42.000m2.000m2. public bicycle parking 7.500m2. parking 11. housing 34.300m2 . retail 4.Total 100.