Notes on the development of the SX-70 camera at Polaroid Corporation, by W. P. Lane, an engineer who worked on the project. (It is about the camera, not the film.)
My father Leonard Dionne, managed one of the model shops at Polaroid where the camera was developed. He saved this document, which was written by one of the engineers on the project.
1980, 12 pages, PDF
Original Title
The Birth of SX-70: Recollections of one Design Engineer
Notes on the development of the SX-70 camera at Polaroid Corporation, by W. P. Lane, an engineer who worked on the project. (It is about the camera, not the film.)
My father Leonard Dionne, managed one of the model shops at Polaroid where the camera was developed. He saved this document, which was written by one of the engineers on the project.
1980, 12 pages, PDF
Notes on the development of the SX-70 camera at Polaroid Corporation, by W. P. Lane, an engineer who worked on the project. (It is about the camera, not the film.)
My father Leonard Dionne, managed one of the model shops at Polaroid where the camera was developed. He saved this document, which was written by one of the engineers on the project.
1980, 12 pages, PDF
"DHE BIRTH OF SX-70"
RECOLLECTIONS OF ONE DESIGN ENGINEER
WPLane
9/18/80In the beginning there was a black block of wood. Dr. Land
had in his left hand a black, rectangular block of wood. It was
about 7 inches long, about 4 inches wide and about 1 inch in thick-
ness. He unbuttoned his suit jacket and deftly slipped the wooden
block into his right inside jacket pocket and then re-buttoned
the coat. The block disappeared into the jacket not to be seen
until removed from its place of hiding to spring into action as
the SX-70 camera. That small, smooth, black block of wood was
the actual physical space representation of Dr. Land's greatest
dream. A dream where the photographer merely had to decide what
he wanted to capture on film by a simple focusing action and then
deliver a finished, brilliant photograph by the mere touch of a
button. Recent evolution of course has seen the perfection of this
dream with the advent of the SX-70 Sonar Camera. The photographer
now is free to aim and frame with no worry except to press the button
when the exact image desired is in view. One single press of the
button and it is true One Step Photography. That, however, is jump-
ing ahead of the story too quickly.
The block of wood that Dr. Land presented to his Engineering
Department was an exciting challenge and adventure into technologies
that yet remained to be invented. Unlike any other camera in the
world that normally was designed from the inside out, this one was
to be designed from the outside in.
The first form that this camera took was along conventional
lines. It was a rangefinder model and the main body used die cast
construction prevalent in 35 millimeter cameras of the day. The
cross sections of material thickness for the covers were very thin
by industry standards but that didn't deter the engineering design
group from pushing the state of die casting art. A working model
of our "dream camera", code name PT-3, was now in our hands. Almost
immediately, a major flaw was apparent in the rangefinder system.
The rangefinder was conventional in its design but with one major
difference. It received its direction from a complex series of
Linkages that travelled from the focus wheel up to the rangefinder.
It seemed impossible to solve but Dr. Land had the ultimate answer.On a bright, early morning in 1970, Dr. Land made a visit to
his design nerve center high in a security floor in Technology
Center. He went directly to the drafting area and there for a
privileged few began recounting an actual dream he had the previous
night. He spoke of a reflex design camera that would fit into the
space of his original wooden block. There was disbelief among those
standing there because a reflex design camera for the film size we
had before us would require a pentaprism weighing over 5 pounds
and certainly the laws of Physics that Dr. Land usually seemed to
bend would fight this latest scheme. No, he said this camera would
be a reflex viewing (through the lens) and would not use a solid
glass pentaprism. He went on--the film would be capped with a pivot-
ing, moving assembly that would have a taking mirror underneath.
When elevated, the taking mirror would bend the light rays just at
the perfect angle to the now uncapped film below. But how would we
view the image? Dr. Land repeated then what would be an often re-
peated phrase--"Io solve a problem, you must begin by defining it.
Once properly defined, the problem is already partly solved."
It was true then and continues to be true now; Dr. Land is a
person with the drive and ability to legislate invention. It seems
that all he needed to do was think enough about it and a scheme that
seemed impossible to some people was already headed toward reality.
Dr. Land said we would have a moving mirror and so it would be.
The problem of how to view the image when the mirror capped the film
loomed larger than life but it had been defined. The space allowed
for a viewing lens couldn't exceed .020 of an inch if the camera
was to be so thin. Impossible? Not so! The old lighthouses that
once dotted our New England coast held the answer to the viewing
lens problem. In the days of whaling ships, o11 lamps were magni-
fied into brilliant lights by the use of a series of tapered rings
of glass. The top surface of each ring was tapered at an ever in-
creasing angle. As the rings grew larger in diameter, the rays of
light were crisply bent inward.