lUDUI,g

modern drummer school
von

bernd steffen

band 1

MOL TO· MUSIKVERLAG

~

~J.Mr

UWE CZICHON ·KOLN

Vorwort
Diese Schule soll dem Schuler das Erlernen moderner Rhythmen ermoglichen, Sie ist leicht zu verstehen und so angelegt, daB der angehende Drummer systernatisch an aile Tanzarten herangeflihrt wird. Immer daran denken, jede Ubung langsam einstudieren.

Preface
This school is to enable the pupil to learn modern rhythms. It is easy to understand and is designed to introduce the future drummer systematically to all types of dance-music. Always remember to study every exercise thou roughly .

Aufbau eines modernen

Tanz-Schlagzeugs

Structure

of modem

drums

1 Crash-Becken

:2 kleine Trammel 3 Ride-Becken 4 China-Becken

5 grofse Toms (Stand toms) 6 grolse Trammel 7 Hi Hat (Charleston)

8

kleine Toms (Hangetoms)

1 2 3 4

Crash-cyrn bals
Snare drums Ride-cymbal China-cymbal

5 2 large Toms 6 Bass-Drum 7 Hi Hat (Charleston)

8

3 small Toms

Walzer Swing .Blues March . snare drum and bass drum Walz .Samba + 32 3 . snare drum and bass drum Slow beat Shuffle .Walz Swing .Rock Philadelphia sound + 26 + 27 + 29 + 30 31 + 26 + 27 + 29 + 30 31 Rumba .Bossa Nova Beguine Reggae Cha-Cha 20 21 13 + 9 + 10 11 12 13 + 9 + 10 11 12 kleine Trommel und grofle Tremmel Walzer .Blues Marsch .Bossa Nova Beguine Reggae Cha-Cha 20 21 14 Ubungen fur Hi Hat.Tango Twist .Foxtrot .Inhaltsverzeichnis Index Seite Stockhaltung Fuihechnik Notenwerte 4 5 Holding of the stick Foot-Technique Note-values & rest-signs Side 4 5 + Pausenzeichen 8 6 7 6 7 8 Zeichenerklarungen 20 Ubungen rur kleine Trommel 12 Ubungen fur kleine Trommel und Tom-Toms Sign & symbols 20 exercises for snare drum 12 exercises for snare drum and tom toms 14 exercises for Hi Hat. kleine Trammel und groBe Trommel Slow-Beat Shuffle .Slow wah 16 exercises for cymbals. Hi Hat. + 14 15 16 17 18 19 + 14 15 16 17 18 19 + 21 + 22 + 24 + 25 + 21 + 22 + 24 + 25 + Marsch Beat 23 24 25 28 + March beat 23 24 25 28 Jazz . Hi Hat.Foxtrot .Rock Philadelphia Sound Jazz .Samba + 31 Rumba .langsamer Walzer 16 Ubungen fur Becken.Tango Twist .

Stockhaltung/Holding of the sticks Linke Hand Left hand Rechte Hand Right hand 4 .

Technique CharlestonMaschine (Hi-Hat) Charlestonmachine (Hi Hat) Die Charleston-Maschine (Hi-Hat) wild mit dem Zehenballen niedergedriickt. The Charleston-machine (Hi Hat) is pressed down by the toe. The whole foot is placed on the pedal of the bass drum. Grosse Trammel (Bass Drum) Bei der gra~en Trammel (Bass Drum) liegt der PuB ganz auf. 5 .FuBtechnik/Foot.

Viertel Triole TnpltlS Crotchet. I I I I I I I I I Sechzehntel ate I I I I I I I I I I I is Note 1 I I I I Sechzehntel Triplets I '"3 3 I I I I I ~ 3 I I I I I 3 3 I I I I I '"3 3 Triole I I I Sern i qua ve rs 32-stel Note I 1 I I I ! I I I ! I I I I I I I IT Note I 1 I I I I 64-stel Note I I I I I I I I I I I I I I I 64 1 NOle 6 .Notenwerte Zablzeiten + Pausenzeichen / Note-values & rest-signs 2 3 4 Pausenleichen Resta Game Note Whole Note . I Achtel Note I I I I I I I I I . I I I I I I I 1 I I I I I 1Note B I I I . ! I I 1 I I I I I I Halbe Note Half Note I I I I I I I I I I I I I . I I ! I I I 1 I I Viertel Note * I I I Note I I 1 I I 3 I I I I I I I I I I I I I I 3 . I I I I I I I I I Triplets Quaver s Achtel Triole I ~ ~ I I I I I ------r----- I I I ------r----- J . I I I I I I I I I I .

) r J .) I X beaten CHARLESTON-MASCHINE Hi Hat getreten :x I trodden I GLOCKE BELL J LINKE HAND = L LEFT HAND SCHWACH BETONT SOFT ACCENT =.•J J geschlagen KLEINES TOM SMALL TOM GROSSES TOM LARGE TOM BECKEN CYMBAL (Cyrnb.. = R v STARK BETONT STROi\JC ACCENT = 7 ..Zeichenerklarunqen /Sign & symbols KLEINE TROMMEL SNARE DRUM (Sn DL) J 2: GROSSE TROMMEL BASS DRUM (B.> RECHTC HAI'W RIGHT HAND . D.

.Trommel 20 Ubungen fur kleine .J J J R R L L :11 4 . { L I J .. R R L L IJ J J J It R L L IJ R R iii I J L .J J J I J J J J R L R R L It L L R iii I J J J IJ J J J L It R L R L L :11 L 5 tJ: t II: •. drum 20 exercises for snare 1 I ':111: J J J J I J J J J ·r.J . L R L L R L It R :11 6 9: til: J R JJJ L L R ill L I J J J I J J J J IJ 8 L R L R L L R L JJJ L It L :11 .l! II: J .J J J J IJ J J J R L L R L R R I J J J J I···J J J J .t .... R L R L R jnJ J JJ L R L :11 3 q:1 II: J J Ii .. J J J IJ R R R L L L L R n R R It R L 2 4 2 1 4 2 4 J J J :11 2 3 4 L L L 2 *J: 2 II: JJJJ R L R L IJ J J J R L R L IJ J J J ..

: ill: JDjJDjs!JJjlaJjjja.sJjJlJjJIDJJJj:11 1d + d 2 d + d 3d + d . 3 IJ L L J J 3 L :11 .sJjIJJILOlJ1lJjJjjjI..( d + d 13 ~:I II: J I R R R L ~ 2 J 3 I ~ J 2 L J 3 L R R R IJ 9 J 2 J.( d + d 1 d +d 2 d + d 3 d + d .( d + d 1 d + d 2 d + d J d + d 'd + d 1 d + d 2.L 7 ~:ll: i OJ I J R R OJ I J L R OJ I JJJ R L R IJ J J J L R R L I J J J J :11 R R L R 8 ~): J J til: R R L I OJ J L IJ J J J L R L L IJ J J R R L J IJ L L R JJJ L L :11 9 2:111: J J J J L L R R IJ J J J IJ J J J R L R R L L R R IJ R L I OJ R I OJ J :11 R 10 'Jt II: n n n n Inn n n Inn n JlI n n B n :11 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ RLRLRLRL RLRLRLRL RLRLRLRL RLRLRLRL 11 9:211: mmmm I mmmm I mmmm I mmmm :11 1dd2dd3dd'(dd 1dd2dd3dd4dd 1dd2dd3dd'(dd 1dd2dd3dd'(dd RLRLRLRLRLRL 3333 RLRLRLRLRLRL 3333 RLRLRLRLRLRL 3333 RLRLRLRLRLRL 3333 RLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRLRL 12 . d + d 3 d + d .

R L R L 14 ? ill! J J R L R J 1 J J J L IJ J • I L R L 1 J III R I • I L L :11 R L L R L L R L R L 15 tl: III: J J J IJ J J IJ J • I R 1 J J J :11 L R 16 2: 1.! I R R L L IJ J J :11 .J R J J L L R R IJ J J :11 L R R R L L L R 20 ~:iII: J I J J IJ J J 10 IJ J .J L J R J R . II: J J J IJ J J IJ J J IJ J J :11 L L R R L L R 18 2:! II: J J J !J J J IJ • L R L L R R I J IJ J J :11 R L L 19 '}:!i II: J J J .11: J J J R L R IJ R L R L R J J R IJ iJ I J IJ J J :11 R R L L R R L L R R L L 17 2:.

LRLRLR LR usw. 6 6 5 ~lil: t JJjjjJJJJJJJJjJjJJJJJJJJ + 2+ 3 6 :11 + 6 2: til: J i i 0 [UJJJJJJ~]iEbDJ]JJj + 2 888 :11 + . + 3 + 4 + R L L R R 7 2:111: J I J 2 J 3 L R L R L J 4 :11 8 2: III: A A HA + 2 L R R L L R R L L R R L l R + 3 + 4 + :11 RLRLRLRLRLRL L RLRL 3 RLRLRLR 3 3 RLRLRLRLRLRLRLRL LRLRLRLRLRLRLRLR 9 '}: 111: DJ ria ill DJ 2 3 4 :11 10 ?: 111: j J J J J J J J J J JJ J J J J + 2 :11 + 3 + 4 + RLRLRLusw. LRLRLRu5W.. RLR LR LR L usw.J]]#JJJJlJIJ + 2 lUJlWJJJlWJ + 3 8 8 + 4 + :11 11 . :11 2 ~):A H A A i II: + + + 2 L L R R L L R R L L R + 3 . LRLRLRusw. :11 ~ R LRLRLRLRLRL LRLRLRLRLRLR 3 2: 111: DJ 2 3 JC:JC:J 3 RLRLRLRLRLRLRLRL LRLRLRLRLRLRLRLR ffl 3 3 DJ 4 3 :11 4 2'UJJJjjjJjjjjJJJJJ + 2 ~I 3 + + 4 + R LR L R L uSW. 11 2: III: JJJJJJdjjj]JJJmJJJJJJ :11 1 6 6 6 R LRLRLRL LRLRLRLR 8 \J5W uS" 12 + 2 + 3 + 4 + 5: 111:.12 Ubungen fur kleine Trammel und Tom-Toms R L L R R L L R 12 exercises for snare drum and tom toms R L L R R 1 I '}: 2 II: J J 2 j 3 J ...

til: ~ f~r I~ r ~f :11 12 . 234 1234 14 ?. kleine 114 exercises for Hi Hat.i 2 3 1 2 3 ~ ~ I ~ A ~ 1 :11 1234 1234 9 ~:H: p ~ p ~ I ~ ~ ~ ~ :11 11 'U ppepl '234 rrrr 1d 1234 .---_- ---~ 14 Obungen fur Hi Hat. Hi Hal zu geschlagen 1 Z 1 2 Trommel und groBe Trommel snare drum and bass drum 1+ 2+ 1+ Hi Hat R Snare L 2+ 1 2:U: ~ ( I~ ~ :11 2 2: !ill: ~p~p I~ P ~ p :11 1 2 3 1 2 3 1 2 3 1 2 3 3 2:411: ~ I ~ P 3 1 ~ ~ ~ :11 4 'J~ II: ~ F ~ F ~ r I 1 A ~ r 3 1 :II 1 2 1 2 3 1 2 3 2 5 2:211: ~ : i I ~ r I ~ I ~ ~ ~ ~ ~ :11 6 ?: III: ~ ~ ~ I :11 ~ ~ ~ 1 2 J 1 2 3 1 7 1111: ~ ~ ~ I ~ ~ ~ :11 8 2:i II: p .

r ?:U: ~ 7 ?2 II:~ f ~ I. [Ir 1 2 3 1 ft 2 3 Snare L :11 2fl ~ II: ~ 1 ~ ~ ~ ~ ~ 2 ~ ~ ~ 3 1 ~ ~ 1 ~ ~ ~ 2 t 3 ~ :11 3 .Walzer/Walz 4 Takte= 41/2 sec.~.. 1 ?:~II: 3~ pe p P r u: p rr p P r 1+2+3+ 1+2+3+ :11 2 2:ill: pprj P Pr: 1+2+3+1+2+3+ 1I :11 4 5 'JU:fPpIP Fp:11 ?:~II:P :rrllr 65' 7 9 r P HI PP H r f IPF P:II :11 13 8 10 p r P IFF P:II 'JUI:P PH IP P :PP RiP p n ill: Roll 2:ill ':~II:F pp IFf r :11 :11 . CymbaJ R 1 H II:~ [.f~· I·P I :11 8 r~ r+~ I ····f • ~ :11 :11 Langsamer Walzer/slow walz 4 Takte = 8 sec .:u ~ r ?:~ II:f fir rr :11 4 5~ II:~ f f+ ~ f r I~ f :11 5 f~ l~ ~~ :11 6 :ru ~.

11 'U~FPF IFrF 2~II:FFFFF' :11 ~u:rFFIFrF I .22: ..11 10 14 .J -3 l_3~ 3 5 7 9 .!..u:pFR IFF" III 1+2+3+ 1+2+3+ 1 +2+3+ 1+2+3+ 4 :11 6 :11 8 :11 2211:PFR .11 ~:nrrF Ip:rr:11 ~arrFlftP ~nrrmirrm:11 II:fPrfflA3? pm :11 2 3 '111:r" :11 4 6 ~I 8 L3_!j L3.. 2 3 1 2 3 upFrIFrp:11 1 2 J 1 3 3 3 3 3 3 3 5 7 9 ~~ IrFF 'tll:rrr IrrF~1 "U:ptFIFfPP.aFFR 'FpR IPPM .nFFF Ippp .nFrF Iprp :11 ..

3412: rr I~ ~r ~ :11 34 2 2: H~ f ~f {~f I~ 12341234 :11 6 1+2+3+4+ 1+2+3+4+ ~:Hprpp fPPP'l1 1+2+3+4+ 1+2+3+4+ 8 "Up F PP IP rp p :11 10 12: 341234 ?:U:rrrrIrrFr 12341234 1+2+3+4+ 1+2+3+4+ :II 14 . kl.T rommel und gr. 1 +2:+3+4+ 1+2+3+4+ 111:ppFF IPpep :11 I"> . bass drum Cymbal R Snare L 1 '1 II{ ~ 12. snare a.16 Obungen fur Becken. Hi Hat'116 exercises for cymbals. T rommel HiHat.

11 .rfir p .:rRrr. li&E} BlJ&& B ?ill.iF?.pf.1 16 18 .rRrq.11 2'UP ijr g !FAf ij. 1+2+3+~+ 1+2+3+'+ 1+2+3+4+ 1+2+3+4+ 3 5 7 9 f fir F .11 5:1 16 'H:F¥Fr'N'PfR~1 17 19 IllJPErI &rEf.EhEbb&6£1:11 i 1 .'upfigr fABp:'1 ~t 13 1.iFPIF¥.tl':bfbF'bFbP:. pAl?:11 12 5'upAgA 'FAgA. 20 II.uPryPF Ipijp F..'I '11'PApg fijpij~1 ?UfA&F 'rAB?:'1 lO'IIIPfiffn 'rA&ij~1 2:U 6 1+2+3+'+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 2:U~~ D ~ r I~ f ~~ r .'1 t 14 .Slow-Beat Hi Hat zu geschlagen 4 Takte = 8 sec.11 . 1. "R:n 15 'U.11 4 'n~~~~ ~D I~ ~~~~ .II p 8 11 .

Snare Cymbal R L I ~I 1234 3 3 1234 3 3 3 'u~r{jrrr@rpi 33333333 12341234 3 3 17 . Cymbal R Snare und Toms L 12341234 Blues 4 Takte = 16 sec.Shuffle 4 Takte :: 8 sec. J 3 1 2:111: 1 12341234 r@rF rlrF J 33333 I :11 2 ? t II: 3 rife per.

1 ? III: ~p~ 1 P + I~ P ~ 1 P + 11 2 ?III:U 1 + 2 + 2 + b IU U 2 Cymbal R Snare L :11 + 1 + 2 + s 'n~ R np . ~H:f ~Cr FIF rr'F F.p B IP B R R R L R R R L :11 :.II ~~ n I ~ R L R L RI_ > R LR L RL n: > 18 . 2 ?u.sp RLR L R RLR L I~ :11 6 'U:EPO IEPB R RLR L R RLR L :11 Tango 4 Takte = 8 sec.Marsch/Marsh 4 Takte = 4 sec.

ql' 123412 J 4 19 . 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 3 'UpijPP fRry:" :FrFPlvFfip:11 123412 J 4 5 20U 6 4 '111l nrn IPApin :11 :J t II· ppp Irrrp:11 p Hi Hat R Snare L 8~ uPflPf} rnA.ell:rr P r If r r r:'1 'O¢IIPrrr IPf P r:11 HllPgPP Ipgp ~111 "¢"=fNP~ fijPij:1I ?UP~PF IPijPr:11 '¢"P"f" IP ijPij 4 Takte = 6 sec. a ?H:r= r r r= IF f r F :11 siehe Bild see illustration 4 Takte == 7 sec.Twist 1 3 5 6 . Cymbal R Snare L 2 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 4 ~I HI Hal zu ~eS~hlagCll 1 g B. a Q a g g.

Cymbal R Snare + Toms L 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1 ''t'':Frfr 'fTfP~' R RLR LR LRL R RLR LR LR L 2 1+2+3+4+ 1+2+3+4+ ?UrTPr= IfTp(lll R RLR LR LRL R RLR LR LR L 1+2+3+4+ 1+2+3+4+ 3 ?:np'pPP 'pHfrp:" R RLR LR L RR R RLR L R L R R 4 '):u:pppp IPPrpt RRLRLRLRR RRLRLLRLL 20 .Beguine 4 Takte = 8 sec.

~Ittl i? JiJ~1 - RLRLRLRLRR 3 I ~ 4 Tak te == 8 sec. Hi Hat zu geschlagen 1 '1 II: RPOOI rpOO.11 I 12!) t II:PrPF Br BF~ I 21 .+ 1+2+3+~+ 11 ~III:efBr IPM Pf I I I .91_p.tl~f!re.l:11 RLRLu"~ .:11 Snare 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ Hi Hat R L 1+2+3+~+ 1+2+3+4+ 1+2+]+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+.1 ~. 1+ 2+3+4+ 1 +2+3+~+ 1+2+3+~+1+ 2+3+4+ RLRLRLRLRR J 3 'J'H:£!D .11 2' t II:CPPP I Apr.i Reggae P.

=l1 2:U:@gGGI&6&b:11 Hi Bat Snare 16 '111:FErbIF8f1J:11 17 21 23 '): 'Up EI F IF EI r :11 ~tI~rEPF. • .. .. .. .. . 111:b8bEp E£:66=11 . 25 2 arm PEfr :11 ":F5FEP ft:" . • " IP£ff :11 1":PErF1OP F6fE. . -II .21E. t 27 2: t II:m . . .J. iii !II . 24 2 ... ..J.... 28 ...... 11 " ... ..~1 . .1J1[JJfj11 R L 22 t _- . . . 29 2: 1" fflfp UEif? 22 30 .. . 1+2+3+4+ 1+2+3+4+ 15 2:nMJFplpp.." EI II:m I[!llllf" til:r.. F I 26 .13 'lll:F8rpl r&rF:11 1+2+3+4+ 1+2+3+4+ 14 ~t II:mpgl rgrB:11 . .

R 1 ? ~II: ~ 1 n( RLR RL R RLR RL D I~ . Fp~~I.J :11 2 + 1 + 2 + + 2 + R R LR R L R R LR R L 3 'J! II:~.t~~lt fP~Plt f fp~~:11 t~~:11 1+2+3+4+ Marsch Beat/March beat 4 Takte = 4 sec. Bell (Glocke) 1 ?n~ F 1+2+3+4+ t~l~Ft 1+2+3+4+ ~J 22'U=? f '+2+3+4+ t ~It f t ~:II 1+2+3+4+ Bell R Snare und Toms L 3 ~'H:t 2'tII:~ .t"3 ~ D :11 n R > > > >~ > 4~ i 11:& tf Iun~~ :11 > > >~ > 5 5'U:~ 1 Dr RLR > RL > R RLRLRL £J I~~'==n ~ BJ :11 + 1 + 2 + Rt R + 2 > R RLR 7 2' ~ II:~ !3 rn > > I~ nitJJ:11 RLRLRL > > 23 . I~ . f 5'Ut 5 . n ~. D ~ D :11 + 1 +2 2 1'i 11:t! 1 + tfll t.p.J t.Cha Cha 4 Takte :: 8 sec. t~P«I t p t~~~:11 + 6 +2+3+4+1+2+3+4 1+2+3+4+ ..pp~r:11 4 2'111:.

~ pj ~ p~ ~ I~ :1 24 . + 2 :11 + R L R I.~ I~ I~ =II . R > > R R I.'utre ItfEJ > Cymbal R ~I Jazz.Walzer /Jazz.9.11 9 ~U.Walz 4 Takre = 41/2 sec.11 7 p~ P~ I~ :11 8'JU. 1 5U:~ 1 P1 Pr I~ 2 3 1 2 Snare L 2 :>'U:~ Pf Pf I~ 1 2 J 2 3 :11 4 5 '!II.! B~.I! R~ ~ '7' ~ ~ "/'~ . R > IR > > > > I~ :11 14 2ill:tlf!J > > Itle > :11 15 'III:~n~ > > >> I~ nm :11 3 jl 16 .~ 2'U:~ P~ i p~ 1 :11 6 P~ F~ 'n~ F~ P~ 'U. III: t n~J JJ I~ n~J R > RLRLRL > » R RLRLRL > > > > » > > J J jl 10 "III:tI@J ILP~J:II 11 'U:~npt 1 R > R 13 fl' U:~ nr nr nr R LR LR R RLR LR I~ 1 :11 12 "III.tr@ 1 + 2 + + 2 + + 2 + 'tfB .

Rock 4 Takte '"6 sec.aD IJ 25 .1 II:ppp Ippp ?:i 1 2 3 1 2 J :11 2 2:U:PPP IPPP:II 1 2 3 1 2 J 5 'Ju:PPP rrp I :11 10'III:rPR IPPR:II Swing ~Foxtrott . Cymbal R snare+TomiL 2 12341234 ?'U f 12341234 r~ FI~F~Fli n D .

1 ~~ II:PPPP1rPPP:11 12341234 2"~ II:ppprl prpr!11 12 J 41234 3 ')'nppppftfp:" ?1$11:PPfPIPPPfiJ:11 4 f):!~II:ppppIPfPr:11 2'IjiII:rrPF1PfP.:11 5 6 9 oJ ~ II:PPPP 1PPf¥J:11 26 10 2' 11:f?Pff IPPPP:II It .

II:~ii· fN ~:1no~p~p~ II: PFR' M+8. 1234 ?.(HI:~ F'~PJ~:II PJ ?." 9 '):1£ 1':A1rF''':'1 27 .¥ (11~ t.H:~ ~~ 123 ~I~PJ . 1234 n~til~Q ~:II PJ fi~1 3 HII:qpfl??f(~1 ~n~~ :>'1.pl~ij fill r f# pl~PJPil ?. FtlPP'11 II:ft1Pf!IPfPf111 7 .u:~f..:ft1Ff.V·r:11 4 'H:~ H PJ ~I~ 6 II:~ 8 ~H:~ N 9 10 2 H W fN Q... 123" ~~I 3 'H~ ~ 5 7 ~H~.:'1 P ~~I ~~I 123 ..2 123 . c1 5 1.

£1h~V" .:11 hf I ~h~ 1+2+3+4+ 1+2+3+4+ 9 ')n~h~furJlI(~tEfr 1+2+3+4+ 1+2+3+4+ h~1 13 . +2+3+4+ 1+2+3+4+ 1I~~ h~ f~hf f t~ . Hi Hat R Snare L 1 :>: 1II: h~ h~ h~ h I~h~ h~ h~ h :11 ~ 1+2+3+4+ 1+2+3+4+ 2 2:1 II:~ hr 1+2+3+4+ \ hr h I~ht h~ hf h... .11 1+2+3+4+ 6.. II~ ~ " 1+2+3+4+ h=1h~~I~ hMJh~£~I l " 1+2+3+4+ ~ 14 ') t II:~ 1+2+3+4+ h~ . ~~I ~ " I 1+2+3+4+ h.' " .Philadelphia Sound I Hi Hat zu schlagen 4 Takte '" 8 sec.

. Hi Hat zu n Hi Hat offen geschlagen 1+2+3+4 + 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 9 '111:PffP 1+2+3+4" 'ftFP ~ ~' ~I 1+2+3+4+ 11 ?'t II:PRtR IpRfP " 1+2+3+4+ 1+2+3+4+ ~ :11 12 2:U pPfPlpRfB:11 " .. ~ II • ... • •• 13 ?i II:gpgpIEfgp :11 ?:III:mlbbB6=:11 14 1+2+3+4+ 1+2+3+4+ 29 15 "III:E/Ef IEf Ef :11 .....~ .. ..4 Takte = 8 sec.' .

--- -'. ... -- .. . 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 10 9' t 11 2' t 11:£&&21& ~~~ =?:II 12 :} II:MIMM:I: t II: bE!.. '<Ii . 1 - .... ... . .._------_- ------ -- 4 Takte = 8 sec.-. R LR L LRL RLR L LRL 1 ~t II:~~~I ijij:11 1+2+3+4+ 1+2+3+4+ ... Beat each exercise alternately on the Hi Hat.) &bbb: ill • • • -. .... • • 1+2+3+4+ _..R..... _.. -.LR LRLRL ~ L R L I 1+ 2+3 +4 +1+ 2+3 +4 + 4 2' lll:tJ6tfjIIifj:11 • .. Hi Hat zu geschlagen Jede Obung auf der Hi Hat abwechselnd schlagen.... -". - - 1+2+3+4+ - . .. • .... Snare 2 2lll :pFpF PFFF:II ~ KLRL .. 1+2+3+4+ 1+2+3+4+ 30 ..

rJ'Pff:" RLRRLR RLLRRLL 2 7J'¢11:~ R 1+2+3+4+ Pfp 'r.L R :>:> 4 UII:: P ~ P Ir 12 f @ :11 RLRRLR RLLRRlL :>:> :>:>:>:> R R 7 ~¢II:F r F r ~rp r r p @ LRRLR RLLRRLl :>:>:» R RLRRLR Ir I~ IZ ~pP P:II RLlRRLL 31 . 1 ~IIPfff 'ffff:" RLLRLLRL RLIRLLRL RLLRLLRL RLLRLLRL 1+2+3+4+ RLLRLLRL 1+2+3+4+ RLLRLLRL L')i¢ liPf r PiP @ f P RLLRLLRL RLLRLLRL 1+2+3+4+ 1+2+3+4+ :> :> :> :> > :> :11 5 :HII:PfPP 'PfPf:" :> :> Rl LRLI > Rl RLLRLLRL :> :> :> 6 H"PtlrP'rRff:" :> RLLKLLRL > RLLRLLRL :> :> :> > R 1 2¢11:~ R 1+2+3+4+ fff .Rumba 4 Takte = 6 SeC.PfP~' RLRRLR RLLRRLL 1+2+3+4+ 1+2+3+4+ 3 ~¢I~l fff'r1fr11 RLRRLR RLLRRl.

!tII:~ ~~ r~ h~hp~ hl~ :11 . 7 9:¢II:~ ~~Pptl~h~hPr:11 ~2rrl~hrPr:11 RR 9 'H:~ Cymbal R Snare + Toms L R 1 ~ It II:~ •.:~T~t ~p~ p~ h I~ ~~ :11 1+2+3+·4+ 1+2+3+4+ 1+2+31"4+ 1. F Prl~ ~ hp i ~~ r~ r~:11 p:11 4 ?H:~ ~ PVI~h(P ~ :11 ~~ h I~ ~ h h~ 6 .+2+3+4+ 3 HII:~ ~ 5 'It It.Cymbal R 1 S. )l~ ~ 1+2+3+4+ r lL R RR I~ ~)\~ 1+2+3+4+ r LL 41 1+2+3+4+ 1+2+3+4+ 6 HII:~ 8 32 'H:~ e ~t~l~H~ k f~ t~n:11 ij:11 ~I~ e .

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