Chords/Kurt Rosenwinkel - Mark Turner's solo

Transcribed by Shaul Barkan
changes Transcribed by jeremy popard

From the album "The Remedy"
1st chorus

Am7

 

10

 
 

 



F#m7/A

A¨maj7



  


 

  Emaj7



A¨7sus4   

Cm7




   
  
   







   
G¨7sus4

40

4

4

48

Bmaj7

    



4

4

4


70

  

Cmaj7

Am7

 



78 A¨maj7

Fm7

 





F/C

 



Fm7 

A¨maj7

 

 

    



B¨7sus4

 

 
      A¨7sus4

4

4



          
E/B

F/C

    Am7 




 
      
£

E¨maj7

Fm7
Fm7
A¨maj7 Fm7
Emaj7
       A¨maj7











     


      
A¨maj7
Cmaj7  
Fm7
A¨maj7
E¨maj7    Am7












 
 
           
 
 
3

Emaj7   Fm7
      A¨maj7






 
 
 
 

86




Cm7

Cm7

Fmaj7/A
       Fmaj9/G#










 


      
E/B

B¨m7
 








    









 

Emaj7

56

63

   


 



     Am7
 
  





20

30

Am7

      A¨maj7
         Fm7
   

Fm7

        




    

   
    



  







100  
 



       
  





  



 

93 A¨maj7

Fm7

A¨maj7

2nd chorus

Am7

Copyright © Transcribed by Shaul Barkan

2

  

 

108



  4 
        
  


117 
     
 
    

4

4

    

    

  
     

         



  
124









   

    










  
 
4
131  
4
       





 


  


 


4
139
4   
4
4

                       



 

  
    
147 
  
     
4
                







     


154







 
       

             

 
    

            
 
3

160






 



  
 
        
  










      
 
 
 

4



173





    
    












 
  
167

  


    






     



 
   


3

186
  


       

















  

    
 
 
193

3rd chorus
   

                       




180

     





  








            


4
207
  
               
 







 

  
 

    

3

200

3

 
 
 

213

3

222

3

et ze lo haia lee koach lichtov




3

3

3

3

3

  
    

           
    
 

3

             







 
  
   













 
    

236




    







  
  




 


   
4
4
4
4
    
246






      3
  

 



    

4
      
253
 

    
   
      




    






3

260

   
 
    


















230

3

 


        

267



3
                   

   
273  
   
   






   







       

4

281 
         3        3      3       3




 

 
 
4th chorus

287




  




 
 

 
  

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