from Godsmack IV

Bleeding Me
Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Ebsus2

Bb5
8fr

1134

111

Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately slow Rock q = 92

D5

F5

Bbsus2

Riff A
Gtr. 1 (slight dist.)

   

   

 

mf

  

let ring throughout

7

5

D5

7

7
7

10
10

10

F5

Gtr. 2 (slight dist.)



10
8

10

8

0

8

10

8

Bbsus2

10
8

10

D5

 

12

8

8

8

8

0

F5

 

7

7

10

mf
w/ slide

3

 
 
 
         

  

 
Gtr. 1

5

7

7

7
7

10
10

10

10
8

10

8

0

8

8

10

End Riff A

 
    



  

10
8

8

9

0

0

5

7

7

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7

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Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING
All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved Used by Permission

10
8

10

8

0

1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal




 

Bbsus2

Asus2

D5

Gtr. 2


   
   

*Gtr. 3 (dist.)
divisi

f


3

F5

P.M.

3

7

0
0
0

3
3
3

3
3
3

0
0
0

*Doubled throughout



 

10

8

8

 

10

8

10

8

8

 

Gtr. 2

 


8

F5

8

8

let ring

10

10

10

10








        
        

3
2
0
0
0

3
2
0
0
0

3
2
0
0
0

3
2
0
0
0


 


3
3
3

3
3
3

3
3
3

D5

 

F5

3
3
3

10

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

10

12

12

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3
3
3

3
3
3

10

10

7

7




8
8
8

10
10
10
8
8

10
10
10
8
8

10
10
10
8
8

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10
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8

10
10
10
8
8



10

10

12

10

10

D5

10

10




    

9

10





10

7





10

9

9




Bb5 F/Bb



Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)

Gtr. 2

  

  

  

0
0
0



F/Bb

Rhy. Fig. 1
Gtr. 3

7

7

Bb5

f

3


 




Gtr. 1 tacet

D5

10

8

8

 





  

10

9

End Rhy. Fig. 1



















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8

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8

F5

      

let ring

10

10

10

10

10

10

10

10

10

 

10

13

Bb5



F/Bb

D5

 

10

10

   

 

10

9

10

10

9

10



10

12

12

  

  

10

9

9

10

Ebsus2


 

Gtr. 3

let ring

13

F5

(cont. in notation)



10

8

8

Verse
Gtr. 2 tacet

C5 D5

Eb5 D5

1. Way,
2. May

way
be

-


 

Eb5 D5

 

down
this

in
ba

time,

F5

-

G5

F5

 


   

side,
by,

   

there’s a hol - low
it’s
meant

G5

Ab5 G5


 

D5

soul.
be.

to

Rhy. Fig. 2
Gtr. 3

           
  

  


5
3

7
5

C5 D5

 

7
5

0
0
0


 

0
0
0

And
No

emp

7
5

0
0
0

Eb5 D5

7
5

7
5

0
0
0

D5


  
And
And

0
0
0

8
6

7
5


 

Eb5 D5

find
paid

it
the

7
5

7
5

0
0
0

0
0
0

8
6

0
0
0

3
3
3

5
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5

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0

8
6

7
5

0
0
0

7
5

0
0
0

 

5
5
5

C5


to - mor
ing
you

5
5
5

5
5
5

5
5
5

3
3
3

5
5
5


 

5
5
5

5
5
5

6
6
6

Bb5

5
5
5

5
5
5

0
0
0

C5

row.
or

me.

Oh,

yeah.

   
     
 

               
               

0
0
0

7
5

0
0
0

 

hard
price,

         

  
5
3

0
0
0

ti - ness
shall
lose
more
suf - fo - cat
-

I
I

     
       

  

          

  

5
3

        
        

Eb5 D5

  

8
6


     
 
 

8
6

to

7
5

Eb5 D5

breathe



 
 

0
0
0

0
0
0

0
0
0

7
5

7
5

8
6

7
5

5
3

5
3

5
3

sen - tenc

0
0
0

5
3

5
3

3
1

3
1

F5 G5

 
 
0
0
0

5
3

F5 G5

for
but you’re

 
 

5
3

me
-


 

 
in your
ing


 

 

com

-

me

pa

3
1

to

3
1

5
3

5
3

5
3

Ab5 G5

ny,
life.

ah.

        
        

     
     

3
3
3

5
5
5

5
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5

5
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5
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5
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5

3
3
3

5
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5
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5

5
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5

6
6
6

5
5
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5
5
5

5
5
5

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3     E/A    bleed   14    Sorgdal   me down ing                     11 10 8 8 8 11 10 8 8 8 11 10 8 8 8 10 10 10 8 8 10 10 10 8 8 8 8 F5  a                      3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. It’s 1. Fig.           3 3 3 3 3 3 3 3 3 3 3 1 1       to                      10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8  .ing. 1 (3 times) 2nd time.For educational use only . Asus2      noth .          10 10 12 12 12 10 10 10 10     D5 F5     And you’re End Rhy. Gtr.             9 9 7 7 9 9 9 7 7 9 9 9 7 7 9 9 9 7 7 9 9 9 7 7  D5      Bb5   Yeah!      Gtr. 3: w/ Rhy.Bb5 F/Bb    Seems And I             8 8 8 10 10 10 8 8 10 10 10 8 8     I’ve feel been I’ve tak put       - en in for let ring                            10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8 10 10 10 8 8           8 8   grant my     C5 - 8 8  G/C ed. Fig. time. 1 (2 1/2 times)   D5   break -    ing  F5    Bb5 F/Bb and bleed - me      ing me down    D5    to   F5    noth . 3 noth . Fig.  - Gtr.ing 4 F/Bb    - Ebsus2  gain.not for sale or trade.  Bb5 F/Bb       tear - ing me     down.ing. You’re  D5    break . 3: w/ Rhy.ing  F5  me Bb5 F/Bb     bleed ing me down    and -    to 2. 2                             12 12 12 10 10 12 12 12 10 10 12 12 12 10 10 12 12 12 10 10 12 12 12 10 10 3 3 3 0 0 0 0 0 3 3 3 Chorus 1st time. Gtr.

3   bleed Gtr. 7 7 10    10 8 10  8  0     10 8 8 5 Digital Conversion © 2011 Sorgdal .   7 Gtr.For educational use only .               mf      bleed   -    ing me. 7 D5 F5 Bb5 Gtr.not for sale or trade. 2   -   break D5  ing      -   ing   Bbsus2   me a   F5 me. 1: w/ Riff A (1 1/2 times) Gtr.    You’re    mp w/ wah-wah w/o slide Harm. 2    - ing     you’re   f   me. F5     D5  -    gain. No warranty of accuracy or useability is implied or claimed. 3 tacet D5 F5   Bbsus2       Oo. you’re Bbsus2     and bleed Gtr.Interlude Gtr. Sorgdal . 1   5  7   7 7      7 7 7 10 10    Harm.

3: w/ Rhy. 2 tacet Bb5    bleed F/Bb - 6 Digital Conversion © 2011 Sorgdal . 1 (7 1/2 times)  C5 G/C     D5        let ring 8 10 12 10 10 10  F5   D5 And you’re break      10 10 10 10 9 9 10 10 10 10  -     ing  F5  me   and  Gtr.Guitar Solo Gtr. 3: w/ Rhy. 2     Eb5 D5      Eb5 D5 F5 G5      F5 G5 Ab5 G5        D5 C5 D5  let ring 10 10 10 f w/ slide  10 10 10 10 10 10 C5   10 10 10 10 10 10 10 10 10 10 Bb5 10 10 10 10 10 10 C5             8 10 8 F5 10 G5 F5     8 G5    10 9 9 D5  13 12 13 12 10 10 10 Ab5 G5 10 10      8 10 10 8 Eb5 D5 10  Eb5 D5    10 10 Eb5 D5 13     10 10 10       12 9 10 10 Bb5 F/Bb    12 9 Eb5 D5              let ring 10 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10 Outro-Chorus Gtr. 2 C5 D5  Gtr. No warranty of accuracy or useability is implied or claimed. Sorgdal     ing me down    to D5    noth . You’re  . Fig.For educational use only . 1 tacet Gtr. Fig.not for sale or trade.ing.   F5    You’re Bb5 F/Bb       tear - ing me     down.

gain. 3 bleed ing  F5  You’re       let ring 13     -   let ring D5        Free time Bb5    me    10  D5 You’re     F/Bb 10 10     10 10 a . 2   .   D5 10 F5     10 10        down   10 10 10 12 12         10 9 10 10 12 Tear  10 10 10    10    break .ing   bleed  F/Bb  -    ing me.   tear Gtr.not for sale or trade.  D5 break Bb5   tear   -    ing F5     ing me.  10 10 10  10 10 10 10      -   ing  10 10     me  10 F5 9   and 10  10 10 me   a     - 10 10 10  Ebsus2    10                  Gtr. Sorgdal .     *w/ delay 10 9 10 9 10 12 12 10 9 10 9 10 8 8 *Set for quarter-note regeneration w/ 4 repeats. No warranty of accuracy or useability is implied or claimed.            to down   D5  10 13 gain.       Bb5 F/Bb      10 F5 You’re       let ring 3  noth .For educational use only .ing.ing  F/Bb bleed -  and  Bb5   me F/Bb -  D5  me      ing me down        F5 Bb5  a .gain. 7 Digital Conversion © 2011 Sorgdal .

for gtr.. Fig. Tony Rombola. MEEENGYA MUSIC. Sorgdal . C  12 12 12 12 17 17 17 17 15 C  A7sus4 Em                               12 15 12 A7sus4 13 12 Em                   10 12 12 12 10 12 12 12 12 12 12 12 12 12 12 12 13 10 12 12 12 12 12 12 13 12 12 12 12 12 12 12 12 12 12 12 12 12 12 13 10 12                  12 12                12 12 12 12 17 17 17 17 15 12 12 12 12 12 15 13 13 13 0 12 12 17 17 17 17 17 15 C 15 12 10 10 10 10 A7sus4 Em            End Riff A  0 12 12 12 12 12 12 13 Copyright © 2006 UNIVERSAL MUSIC CORP. Fig. HAMMERCLAW. 1 (5 times) C A7sus4    *Gtr. Rob Merrill and Shannon Larkin Aadd9 G6 Fmaj7#11 C A7sus4 Em 5fr 1342 1342 1342 32 1 3 12 Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb Intro Moderately slow q = 90 Gtr. **Fade in to mf. C A7sus4 Em C          ***Gtr. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC. †Fade in to mf. 1 (acous. 1                                                   0 0 0 2 2 0 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2  let ring throughout  1 0 2 3 0 0 0 2 2 0 3 0 0 0 2 2 0 2 2 0 2 2 0 2 2 0 2 2 0 1 0 2 3 0 0 0 2 2 0 3 0 0 0 *Two gtrs. 1: w/ Rhy. for one. arr. No warranty of accuracy or useability is implied or claimed. 1 Em End Rhy. next 12 meas.not for sale or trade. next 8 meas. 2 A7sus4 Em                               Riff A † mp let ring throughout 12 13 12 10 12 0 12 12 0 17 17 15 12 15 15 10 10 10 12 12 12 12 12 12 12 12 12 13 12 12 13 13 12 12 10 10 12 12 10 12 ***Mandolin arr. Fig.from Godsmack IV Hollow Words and Music by Sully Erna.)      ** pp Em        C A7sus4 Rhy.For educational use only . All Rights Reserved Used by Permission 12 10 12 12 1 Digital Conversion © 2011 Sorgdal . HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP.

   0 12 or 0 0 C would it A7sus4         0 12 0 0 0 2 0 0 0 2 13   0 0 0 2 12 12 10     1 0 2 3 3 0 0 0   0   And          13 13     pic .ter? Cadd9     12 C A7sus4 Em A7sus4    0 Same old         2 2 0  stay. 2: w/ Riff B (1 1/2 times)      C C A7sus4  Em . Rhy.       more  Fill 1   0 Gtr. Fig.Verse Gtr. 1  12    go   Gtr.For educational use only .way.  12 End Rhy. 1 (2 1/2 times)     1. Fig.pened. 2: w/ Riff B (2 1/2 times)    12 13                        0 3 0 2 3  Em hol . Sorgdal  -  - oth - y   - bod   er page -   y   know what’s  I  best   End Riff B 12 10 12    tell I if should A7sus4  Em        13 13 0 3 0 0 3 0 0 3 0 2 How 0 3 0 2 0 3 0 2 12    for   13   12 13 Fill 1  End  12 10                  0 3 0 2 3 0 3 0 0 3 0 0 0 0 2 3 0 3 0 3 0 0 0 A7sus4  3 0 0 3 0 0 0 0 2 2 0 Em  me?      turn in shame.ture feels so  12    13 12 13   I can’t 0 2 3 0 3 0 2 3 0 3 0 0 3 0 0 0 2 3 0 3 0 2 0 2 3        can an   An 2 Digital Conversion © 2011 Sorgdal . 1: w/ Rhy. 1: w/ Rhy. No warranty of accuracy or useability is implied or claimed.        mat . 1 (2 1/2 times) Gtr. One   Riff B   0 12     If it step and I      0     could fall a . Fill 1 C      Gtr.not for sale or trade.low. 2 Gtr. Fill 1 2 2 0   hap .

Gtr.For educational use only . 1    I Rhy. Fig. 2: w/ Fill 1 (1st 2 meas. 2 13 13 I                  13 12 17 17 17 17 15 15 15 15 12 12 12 15 15 15 15 End Riff C          15 15 20 15 15 17 15 17 17 3 Digital Conversion © 2011 Sorgdal .sions brought me to my knees.not for sale or trade. Sorgdal .ci . Riff C  Rhy.one to                            so hol -                             17 17 17 10 End Rhy. in slashes) 0 2 3 3 0 2 0 3 0 2 0 3 0 0 3 0 0 0 0 2 3 0 2 3 3 0 0 0 3 0 0 0 3 0 0 0 0 0 6 7 7 5 G6        -  Gtr. 1  13 12         13 12 13  12 10  some .ed Fill 2       13  Gtr.)       And my        de . Fill 2 blame.    13  Aadd9 End Rhy.   A7sus4 Aadd9 C A7sus4            need . Fig. Fill 1 (1st 2 meas. 1: w/ Rhy. 2  Cadd9 17 17 17 17 15 15 15 15 12 12 12       12 15 15 15 15 15 15 12 15 15 15  15 X 13  (cont. No warranty of accuracy or useability is implied or claimed. 2  Chorus Aadd9 Gtr. 2                                low.) Gtr. Fill 2           feel End Fill 2    G6 Fmaj7#11 I Gtr.

Fig. 12 12 12 10 . No warranty of accuracy or useability is implied or claimed. 4 Sorgdal 17                13                     -           Riff D       Fmaj7#11 17 15 15 15 15 12 12 12 Fmaj7#11 15 15 15 15 15 20 15 15 15 12 12 G6 12 12 Aadd9                             for me. 3          17 17 17 12 17      17 17 15 15 15 15       12 12  12   15 15 15  feel so   hol -          15 X 15 20 15 15 17 13                 Time                12 15                 13 13 13 13 13 17 17              to do what’s best     12 12 12 Digital Conversion © 2011 Sorgdal .not for sale or trade. 12 12 13 G6     15    low.G6 Rhy.For educational use only . I be lieve I can                         12 12 12 13 12 13 12 12 12 12 12 12 12 12 12 12 13 12 13 12 13 - 12 13 12 10 12 12 12 12 12 12 12    change.

Fill 1 Gtr.  A7sus4 0 0 12 0 0              0 12 13 12 10 12 0 12 12 0 0 12    0 0   0 12 Verse Gtr. 2: w/ Riff B (2 1/2 times) Gtr.   C                0 12  C A7sus4 Em          Ah. 1: w/ Rhy. 3     ah. 1: w/ Rhy. Fig. Once    up . for gtr. Fig.not for sale or trade. 2: w/ Riff A *Gtr.For educational use only .  C  A7sus4 Em    So  hold   your breath    and  make     a wish    for me. 3: w/ Riff B (2 times)   C     A7sus4      Em   Female: (Ah. 2: w/ Fill 1     face.flec . 1 (2 1/2 times) Gtr.) Gtr.tions     that   I can’t Gtr.. 1: w/ Rhy. 3 12 Em      Ah. 1 (4 times) Gtr. C    A7sus4 Em      Ah. Sorgdal .     12 13   12 10  End Riff D 12 Interlude Gtr.          12 10                  C                17 17 17 17 17 17 17 17 17 17 17 17 A7sus4     Em End Rhy. 3 tacet     2. No warranty of accuracy or useability is implied or claimed.ken A7sus4 Em   dreams.    re . played mf. let ring throughout. Fig.on a    time   in  C      bro . *Mandolin arr. C     A7sus4      Cadd9  Take 5 Digital Conversion © 2011 Sorgdal .

For educational use only . 1: w/ Rhy. Chorus Gtr.       Time (Time. Sorgdal       (Feel so   G6  feel     hol - low. 2 (3 times) Gtr. A7sus4   Em               it If I could    do it     al .      I    to be A7sus4 Em    would     C by. 1 (2 1/2 times) Gtr. 2: w/ Fill 2     Gtr.     G6 Aadd9     low.     Aadd9        I low. Gtr. Fig. 1: w/ Rhy.not for sale or trade. Fig. 1: w/ Rhy.)  seems nev .Gtr. 2: w/ Riff B (2 1/2 times)        me to a bet     - C        pass -  ing       ter place.ways          waits Waits for for me.      Fmaj7#11    so hol  -  I   G6 Fmaj7#11    feel so G6   hol -      Feel so      hol -     low. . 2: w/ Fill 1 (1st 2 meas.)      Em      A7sus4 - n’t         change a     thing. 2: w/ Riff C (3 times)   A7sus4  Aadd9        I      -    6 Digital Conversion © 2011 Sorgdal . Fill 2 Gtr. No warranty of accuracy or useability is implied or claimed. 1: w/ Rhy.er     all one     more     C A7sus4 Cadd9   time. Fill 1 (1st 2 meas. me.) Gtr.

G6      - low. Me.    Feel so    hol - Gtr. Sorgdal . Fig. 2: w/ Riff D G6             Aadd9                    I - G6 Fmaj7#11     feel so   hol - low. 1 (till fade) Gtr.G6        feel so  Fmaj7#11        hol - low. Begin fade      C       A7sus4 Em  2nd time. 2: w/ Riff A (till fade) C           A7sus4 C     Em A7sus4 Em  (Ah. No warranty of accuracy or useability is implied or claimed. 1st time. Fig.) A7sus4 Em  Ah.       Feel so      hol - low. Fade out C   A7sus4 Em  Ah.) 7 Digital Conversion © 2011 Sorgdal . Aadd9          Fmaj7#11       Time           I be - lieve     I can G6        to do what’s      best for C        change.not for sale or trade.         me. 1: w/ Rhy. 3 Gtr.For educational use only . Outro Gtr. 1: w/ Rhy.

HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. Rob Merrill and Shannon Larkin Dsus2 Bbmaj7 13 114 Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderate Rock q = 132 * Dm (Sound effects & Dialogue) 26 sec..      Bb **Gtr.M. All Rights Reserved Used by Permission 1  0 1 Digital Conversion © 2011 Sorgdal . w/ phaser P. 0 2 2 0 0   0          let ring 5 3 3 0 0 1 0 Copyright © 2006 UNIVERSAL MUSIC CORP. 0 2 2 0 0 0     P. 0 3 3 2 0   0      P. 1 (dist.)       mp   grad.M.M. 0 3 3 2 0 0        P. No warranty of accuracy or useability is implied or claimed. 0    1 0 1 3  let ring 5 3 3 0 0 0 1 Dm     Bb   0      P.from Godsmack IV Livin’ in Sin Words and Music by Sully Erna. Sorgdal . cresc.For educational use only .M.M. 0 0  2 2 0 0 0    5 3 3    0 0 1 Dm  0 1 Bb C Riff A  End Riff A   mf P.M. **Doubled throughout  Dm  P. 0 0 2 2 0  let ring 0 0      5 3 3 0 0 0 1 0 1 *Chord symbols reflect implied harmony.M.not for sale or trade.M.M. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC.M. Tony Rombola. 0 0 0     P. MEEENGYA MUSIC.  0 0       P. 0 Bb       3 3 2      P.M. 0     0        P. HAMMERCLAW.M. 0 3 3 2 0        P.

Verse *Gtr. Bb  -  C side skin   to my be - C   self.        P. tween my the friend.  1. Once 2. Caught a be -   ** *Phaser off    **w/ echo repeat set for dotted quarter-note regeneration w/ 1 repeat. lines. No warranty of accuracy or useability is implied or claimed.   0 1        P. 0 0 5 3 3       let ring 0 0  Bb5        P.M.M. 1 0 1         f slight P.  Well. 1  0 0 0 3 2 know this how 0 2 Digital Conversion © 2011 Sorgdal . lies. 0 2 to 2 0 5 5 7 0        P. 1: w/ Riff A (2 times) Dm Bb       gain. live in.M.M.M. Dm     clouds life are of roll worth   storm my C Dm    Bro Shed - Bb    -    in’ less   ken ding in my   in. gin a          Dm can’t life seem that I to Gtr. 3 3 1 3 1 3 1 3 1 3 1 0 Bb              3 1 3  3 1 3 1 3 1 3 1 3 1 0  trend. 0 0       break don’t Sorgdal 3 0                 P.M. I 0 3 µ  3   Can’t can’t break take it! it!                        3 3 3 1 3 3 3 1 3 3 3 1 3 3 3 1 3 3 3 1 3 3 3 1 3 3 3 1 2 .not for sale or trade.For educational use only .

And D5  Bb5 F5    E5 D5 G5  E5 D5 I’ve C5 tall. Gtr. 1       0 0 0 0 0 0       10 8 10 8 D5 9 7 E5 D5        0 0 0 0 0 0    C5 Bb5  And I’ve seen      C5 it End Rhy. Sorgdal .     0 0 0 0 0 0     10 8 10 8 9 7    0 0 0 0 0 0         7 5 7 5 5 3 3 1    Where do    I   be -   3 Digital Conversion © 2011 Sorgdal . Fig. 1        0 0 0 0 0 0       10 8 10 8 9 7       0 0 0 0 0 0       12 10 12 10 9 7       0 0 0 0 0 0   walked it T o Coda  Bb5   Lived in  C5   C5 this          7 5 7 5 5 3 3 1 3 1 3 1 3 1 3 1 5 3 1. Fig. D5  F5   E5 D5    C5 Bb5   sin.not for sale or trade. Fig.For educational use only . 1       9 7 9 7 7 5       0 0 0 0 0 0                   7 5 7 5 5 3 3 1 3 1 3 1 3 1 3 1 5 3 Gtr. No warranty of accuracy or useability is implied or claimed. 1: w/ Rhy. 1 D5  F5   E5 D5 E5   D5 C5        all. Chorus   D5 F5 E5  Rhy.

2 (clean)         Rhy.Interlude Dm       Bb  C  Dm  gin?        mf w/ phaser P.M. off 3 1 Bridge Dsus2 Gtr. Fill 1       I know    3 2 0 don’t      3 0 0 3 0 0            now.  5 0 0 0 3 3 2 2.For educational use only . 0 0 0  3 3 2 0                 let ring 0 0 2 2 0 9 0 0 0 9 0 7 7 0 5        let ring 3 0 0 3 3 0        P.M. 0 0 0 2 2 let ring X X 0 5 0 5 0 7 7 0    9 9 0                 let ring   10 10 0 10 10 10 0 0 0 12   do I be -     dist.          9 X 7 9 X 7 7 5 7 X 5 .M. 2: w/ Rhy.   2 where     3 2 0 3 0 0           let ring 3 3 3 0 3 0 3 2 0 0 0        3 2 0  to go now. Fill 1 (2 times)     Fsus2 Dsus2 End Rhy.M.not for sale or trade. No warranty of accuracy or useability is implied or claimed. Sorgdal 3 0 3 0 3 2 0 0 0 Gtr.   P. Fill 1 mf w/ tremolo    gin?             mf  let ring let ring 3 3 4 Digital Conversion © 2011 Sorgdal .   Bb  C          Where                P.

7 5 7 X 5   help me now!                                 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 1 0 2 3 5 Digital Conversion © 2011 Sorgdal .Fsus2 Dsus2         I                let ring let ring 3 3 0 3 0    don’t know if I’ll              3 2 0 0 0 3 C 3 0 0 3 0 0 ev .head.           let ring let ring all    3 2 0 0 0 3 Fsus2        Dsus2 9 X 7  God. Sorgdal .     word spo -             9 X 7                        3 2 0 0 0 3 C                     let ring 3      not  3 0 0  ken.For educational use only .     no.not for sale or trade.             let ring 3 2 0 2          3 2 0    3 0 0 1 0 2 3 1 0 0 1 0 0 3 1 0 0 0 2 Gtr.           3 2 0 ken.er get      a . No warranty of accuracy or useability is implied or claimed. Fill 1 (3 times) Fsus2 Dsus2   Fsus2      It’s            let ring let ring 3 3 3 0 0 Dsus2      -    3 3 3 0 3 0 3 2 0 0 0 bro -  3 0 0 2 3 2 0 3 0 0   And don’t know    3 2 0 0 3 I 3 0 how  3 0 0 3 0 0 2 3 2 0 3 0 0 to go a 3 2 0 out. 2: w/ Rhy.

) F5     D5   F5 F5 6 5 3                     X X 3 2 0 0 0 D5  3 0 0 3 0 0 3 2 0 2 6 5 3 3 3 3 6 5 3 10 1/4 10 12 10  1/2 12 10 12       let ring 3 2 0 0 0 3 0 0      grad. 2            f w/ dist. Sorgdal    1 D5  1 13     let ring Gtr. 1: w/ Rhy. Fig. release  1/4               X X C              1  let ring 3 0 0 12          13 14 12 let ring   12 10 12 1/4          3 0 0    3 2 0 2   3 0 0  1 1/2 13 13 12 12 12 12 12 12 10 12 12 12           let ring 6 5 3 3 3 3 6 5 3   Gtr.For educational use only .Guitar Solo       f 1/2 1 1/2 1 12 12            1/4 12 12 12 12 10 10 10 10 Rhy. 1        D5        Gtr. 3 (dist. bend 1 1/2 15        3        12 let ring 3  10 13 15 1 15 15 15 13 15 13 15 15 13  . 2 F5            10 13 10 0 3 0 0     3 0 0 3 2 0 2 10  3 0 0       F5 12   15 15 13 15 10 12     12 10 1 0 2 3 1 0     0 0  D5    3 13 15 15 End Rhy. let ring 6 5 3 3 3 3        3 w/ wah-wah Gtr. Fig. No warranty of accuracy or useability is implied or claimed.not for sale or trade. 2 1 0 1 13 15 0 0 0 2         3 grad. 3      1 X X 3 2 0 0 0 13 13 6 Digital Conversion © 2011 Sorgdal . Fig.

yeah. D5 C5   Bb5     Liv  - C5  in’  in Gtr. Fig. 1 (4 times) D5 F5   E5 D5   E5 D5 C5     Bb5    sin. 1         Gtr. bend 10 12                          3 15 D. Free time   Bbmaj7 Gtr.S.        13 12 10 13 12 10 13 12 10 10   Coda Gtr. Bb5    Liv    - in’ C5 in D5  F5 E5   D5 C5    sin. al Coda C 12 10 12 10 Yeah. 1: w/ Rhy. yeah. No warranty of accuracy or useability is implied or claimed.   Liv C5   Bb5    Liv  - C5  in’ D5   in sin. 1 (last 2 meas. 2    Gtr. F5     - E5 D5   in’ E5 C5 D5 F5  in E5 D5 E5  D5 sin. Sorgdal . 2 tacet Bbsus2     Where do      I   be   - gin?          1 3 3 1 7 Digital Conversion © 2011 Sorgdal .) D5   F5 E5 D5  E5 D5  C5   sin. 1: / Rhy.For educational use only . Fig.D5           F5   1/4 13 15 13 15 15    1/2 10 13 13 10 13 10 12 13 12 10 12 10       3 grad.not for sale or trade. yeah.

HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP.  Verse C             8 Gtr. Sorgdal . HAMMERCLAW.ma.. 2: w/ Fill 2 8 3 3 5 3 F/A  A5        1. ma .)      A5 C         mf 1 7 7 5 7 5 5 7 5 7   5 7 A5             F/A A5 1 1/2 5 7 7 9 8 8 9 9 8 10 8 10  10 8 10 **w/ slight dist. MEEENGYA MUSIC. 2 (dist.not for sale or trade.ma. 2   7     7 Copyright © 2006 UNIVERSAL MUSIC CORP. 1: w/ Riff A (2 times) A5 F/A      Gtr. Oh.from Godsmack IV Mama Words and Music by Sully Erna. Oh.’ve  gone and on . 1 (clean)    mf          2 0 0 3          w/ chorus let ring     2 0 2 0 3 0 2 0 0 2 3 0 2 3 *Chord symbols reflect implied harmony. 1: w/ Riff A (1 1/2 times) 2nd time. Rob Merrill and Shannon Larkin Fsus2 1134 Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately slow q = 83 *A5 F/A A5 C Riff A     End Riff A Gtr. Tony Rombola. All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal .For educational use only .ly A5  F/A A5   done seen   5 Fill 2 Gtr.            what if you have I could . Gtr. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC. No warranty of accuracy or useability is implied or claimed. 2 tacet A5 C   8 Gtr. ma . **Gtr. 2.

           P. 1  Fill 1  these thing - C      years I’ve    that done   I’ve and where    been I’ve gone? been.M. Fig. End Fill 1    let ring 2 3 A5 3 2            let ring  0 0 0 0 2 0 0 *Gtr. 3 2   G5  E5     Sorgdal C   F5   know you 3 3 3 if let me                 2 2 2 2 2 2  0 0 0    P. 3: w/ Fill 4 A5 F/A    A5      me thing    3 3 3  F5 E5 If My on    steady gliss.. 12 0 0 0 2 2 2 2 2 2 3 3 3 . Gtr.not for sale or trade. No warranty of accuracy or useability is implied or claimed.. 3 (dist.Gtr. 3: w/ Fill 3 F/A       with all ev .M.)        mf X X X 0 5 X X X *Doubled throughout Pre-Chorus 2nd time.’ry Gtr. 0 0 0 0 0  steady gliss.For educational use only .  way I Fill 3 Gtr. 3 3 3 3 3 3 5 5 5 2 2 2 2 2 2  5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 Fill 4 Gtr. I why          P. 1: w/ Riff A (2 times) C G5  A5  2nd time. 12 2 2 2 2 2 2  D5   too would E5   3 3 3 3 3 3  fast.M. ask. Gtr. 3          X X X X X X X X X F5   changed one X X X 2 2 2                   2 2 2 0 0 0 2 2 2 0 0 0 D5  0 0 0 2 2 2 2 2 2 E5  don’t did   3 3 3 life ly -             3 3 3 E5  2 2 2       3 3 3 D5   Rhy. 1           Digital Conversion © 2011 Sorgdal .

Fig.  Chorus 3rd time.   find    5 5 3     my     5 5 3   F5   E5 way     5 5 3 5 5 3    and. Fig. Fig. 2  0 0 0      14 14     2 2 0 2 2 0  3          0 2 2 0 2 2 0 2 2 0  3      0 2 2 0 5 5 3  14 3 Digital Conversion © 2011 Sorgdal .not for sale or trade. Fig. 2               3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 Fill 5 Gtr. 3: w/ Rhy.For educational use only . 2: w/ Fill 5    I grow can *   G5  A5 A5  last. 2         2 2 0 2 2 0 3 2 2 0 A5   0           2 2 0 2 2 0 0 3 2 2 0   5 5 3 *w/ echo set for half-note regeneration w/ 1 repeat. Gtr. No warranty of accuracy or useability is implied or claimed. 2 3rd time.               10 X 8 10 X 8 10 X 8 10 X 8 9 9 X 7 7 ma -    ma.       0 0 0 2 2 0 2 2 0    save  3    0 2 2 0 C5 me. Sorgdal . Gtr. 3: w/ Rhy. 1st time only. up so god damn fast? End Rhy.       2 2 0 2 2 0  3    0 2 2 0   5 5 3 2nd time. 1     3 3 3                       3 3 3 3 3 3 3 3 3 5 5 5 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 0 0 0 2 2 0 C5      Help me Rhy. Gtr. 2 (3 times)     F5 E5 A5    Help    5 5 3   5 5 3         5 5 3 5 5 3 5 5 3 C5  me End Rhy. Fig.

2 A5 F/A  7    5 7 5   5 7  5  7   7 5   5 7   7 5 .For educational use only . Sorgdal                F/A 5 8 9 7 5 5    5 5  5 8 6 8 D. in slashes) 5 5 3 5 5 3 5 5 3 5 5 3 10 X 8 10 X 8 10 X 8 10 X 8 9 7 9 X 7 0 0 0 2 2 0 2 2 0 3 2 2 0 0 2 2 0 2 2 0 3 2 2 0 0 0 0 0 Guitar Solo Gtr. al Coda 1 A5 C   7 5   7 C  5 Gtr. 3 tacet  Fsus2 Gtr.                  9 4 Digital Conversion © 2011 Sorgdal . 3     save A5    me. 1: w/ Riff A (2 times) Gtr. No warranty of accuracy or useability is implied or claimed.not for sale or trade. 2 A5 oh.To Coda 1  To Coda 2     find    to -   F5   E5 A5  day.         ma                      - ma.        please come            and         (cont. Gtr.S.

Sorgdal .     E5    F5 D5    0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0    0 0 0   0 0 0                P. 0 0 0  0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0                     P.    let ring          8 7 6 0 0 0     There’s noth        Rhy. 8 7 6 0 0 0    End Rhy.M.M. No warranty of accuracy or useability is implied or claimed.M.M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0  me.M.M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 Digital Conversion © 2011 Sorgdal .ered 8 7 6   12 0 0 0 0 0 0 0 0 0                P. 3 help steady gliss.  - 0 0 0 that 8 7 6 7 6                  P. 0 0 0 0 0 0 0 0 0     0 0 0 0 0 0                P. Fill 1           8 7 6    you can P.M.M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0                      P.     - ing more 7 6 Eb(#4)    It’s gone be         8 7 6    8 7 6  yond what you can 8 7 6 8 7 6 8 7 6 Eb(#4)   An emp       8 7 6     - ti - 8 7 6 ness        P.M. Coda 1 Bridge C5   save me. 0 0 0 0 0 0 D5  0 0 0 0 0 0 0 0 0     me through.M. 3  Eb(#4) P. D5 oh. Fig. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0    0 0 0                 P. let ring 0 0 0 8 7 6 6 7 6 7  0   has cov . Fill 1 Gtr. 3           0 0 0 D5 12   8 7 6 0 0 0  do. End Rhy.   0 0 0                  P.not for sale or trade. Fig.M. 0 0 0 0 0 0 steady gliss.For educational use only . 0 0 0 0 0 0 0     12 0 0 0 Rhy.

1: w/ Fill 1 A5 F/A    5 7 0 7 4 4 7 A5 7 4 5 C 4 4 7 7 5 4 5 5 5 5 7 5 7 7 5 5 7 7 5 5 7 5 7 5 Gtr.).not for sale or trade.      ma . bend 15 7 7 3/4 15 5 0 5 G5 **Gradually release bend while picking rhythm indicated. 8 7 6 F/A    7 7 5 8 7 7 7 5 7                            let ring  let ring  5 Gtr. 4 0 15 1 15 14 14 12 15 .ma. played mf. 2  A5  me. Gtr. 3 tacet Eb(#4)         Oh. 6 0 4 1/2 15 7             3/4 5 0 7 ** 3/4 0 9 3 1 0 0 2 D5 w/ wah-wah X X X 0 2 0                         Gtr. 2   A5            0 0 F/A  A5 C                          string 0 0 let ring noise 0 2 0 4 0 5 0 4 2 2             0 4 4 0 0 9 7 5 4 let ring 0 0 2 0 4 Gtr.Guitar Solo Gtr. 4 tacet E5 Gtr. Sorgdal 7  3 3 13 15 5 X X X 7 15 15 13   7   D5     3 3 grad. 4 (dist. P. Fig. 3: w/ Rhy.For educational use only . 2 & 4 let ring 0 0 0 2 7 0 4 5 0 4 2 *Gtr. 1 Gtr. 2      0 5    F5 E5 0 4 0    0 4         E5 4 F5    0  15 15 1 15 15 15 15 5 15 Digital Conversion © 2011 Sorgdal . 3: w/ Fill 4 C Gtr. 1: w/ Riff A (2 times) G5 4 7 A5 F/A A5            *Gtrs. 1: w/ Riff A (1 1/2 times) Gtr. No warranty of accuracy or useability is implied or claimed.M.     A5      come and      save 3 0    1 hold bend 1 8 7 6 C                          Gtr.

D.day.yond what you can Eb(#4)   noth .       ma . 3: w/ Rhy. Fig. Gtr. Gtr.not for sale or trade.  E5  D5   oh. 3: w/ Rhy.ing       more    that you can    do.ma. No warranty of accuracy or useability is implied or claimed.  E5 A5  12 12 14 14        A5 ma . F5  E5         15 15 C5 15         F5    Help me find my E5 way         find to .S. 3 D5               It’s gone be . 3 Eb(#4)    An      emp .For educational use only . Fill 1    save F5  me. 3: w/ Rhy. F5 and.      please C5 come C5 and Bridge Gtr. Fig. Fill 1 D5  help  me     through. E5  A5        13  Help C5 me 13 14 A5 oh.S.ma. D5     Eb(#4)     Oh.   me.ness    has cov .ti . Eb(#4)  There’s Gtr. Sorgdal . al Coda 2      E5  D5       1 E5   F5       1   13 13 G5 A5    14 14      12 14 1 15 14 13 0 0 13  Coda 2 C5 F5 save   me. 3: w/ Rhy. come and    save 7 Digital Conversion © 2011 Sorgdal .ered  me.ma. save      ma .

                     12 10 13 10 13 10  10 12 12  10 13 save         10 13 10 13 10 13 10 10           13 13     10 10 13 10             3 1       Whoa.    3 1/2 12 12 8 Digital Conversion © 2011 Sorgdal . 3: w/ Rhy. come    and save 6 1 3/4 10 12 12      -   3 1 12 12 ma                                   1  Oh. Sorgdal 12 12 12 12 12 12 12 10 12 12 10 12 12 10 12 12 10 12 10 13 10 10 15 10 12 15 10 12 7 14 . 2   10 13 13 12 12 12 13 12  13 13 12 13 12 10 13 13 12 13 12 10 10 12  me.  12 12 10 D5 ma.              Gtr.Outro-Guitar Solo Begin fade Gtr.For educational use only . 3 (till fade) D5        Eb(#4)    me.   1 10 12     1 Eb(#4)     3 1 1/2 12    3 1   13 12 13   please.   12  13 12 me.       13 12 10  3 Eb(#4)    1 D5  13 no. ma   -                     6 3 6 3 3 1 3/4 12 ma. Fig.not for sale or trade. No warranty of accuracy or useability is implied or claimed. 1 1/2 13 10  3 1  10     Oh.

Sorgdal . No warranty of accuracy or useability is implied or claimed.D5              save.not for sale or trade.For educational use only .                7 3         6   6 let ring 13 13 14 17 17 13 13 17 13 17 13 17 13 17 13 17 13 17 13 17 13 17 17 Eb(#4)                            1/2 15 15  13 15    13 1/2  15 15   13  15  13 13 15 1/2 15 15    13  15 13        Eb(#4)   15   15 15 15 15 13 15   3 15 1 1/2 1/2 15 15 Fade out              3 15 15 1 1/2 15  1 1/2 15 15  13 3 1 1 3/4 1/2 15 15 3 1 15   3 1/2 D5    6    3 13         3 13 13 15 13 14 13 15 13 14 13 14 12 14 13   3 12 10 13 12 10 9 Digital Conversion © 2011 Sorgdal .

2            1.from Godsmack IV No Rest for the Wicked Words and Music by Sully Erna. Rob Merrill and Shannon Larkin D5 Drop D tuning.)    Eb5 Riff A    5 5 f 0      0 0  D5   6 0 5 C5  0  Ab5 G5         5 5 5 3 0 6 5 D5  0 Eb5   5 5      0 0 D5 6 0 5 *Doubled throughout **Chord symbols reflect implied harmony.) w/ talkbox. 3 3 3 5 5 5 0 0 0 0 D5    Riff B  0    7 5 7 5    0 0 Eb5 D5   8 6 7 5 0 C5   0 Ab5 G5           7 5 7 5 5 5 5 7 5 3 0 6 6 6 ***Gtr. 2 (dist.M. 1 (dist.      P.. HAMMERCLAW.not for sale or trade. 3 3 3 5 5 5 0 0 0 0        0 0 0 Copyright © 2006 UNIVERSAL MUSIC CORP. 2: w/ Riff A F5   5 D5 G5 End Riff A     5 0 5 5      P. played f. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC. down 1 step: (low to high) C-G-C-F-A-D Intro Moderate Rock q = 108 ** D5     *Gtr.      P. HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. Tony Rombola.M. Sorgdal .  Verse D5 Eb5 D5 F5 D5 G5 D5 Gtr. Been through the skin      line. Walked a fine 2. MEEENGYA MUSIC.M. No warranty of accuracy or useability is implied or claimed. of a slipped drag - End Riff B   0     7 5 7 5  0   0 0     8 6 7 5    0       7 5 7 5 7 5      P.M. All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal . ***Gtr.For educational use only .

a - way.For educational use only .’ry a -   bove day      5 5      a I su live i .ing feel .ing I’m                 0 0 0 5 5 5 5 5 5 5 5 5 0 Digital Conversion © 2011 Sorgdal .way. un . 2 tacet      the on -  edge    0 0 0 0   Rise ev .na       3 3 3 5 3 3 far fall    a . 5 5 5 3 3 3 3 3 3 5 5 5 0 0 0 5 5 5 5 5 5 0 0 0 Fsus2                2 Sorgdal G5 0 0 0 3 3 3     it’s go .der a thou . No warranty of accuracy or useability is implied or claimed. live.ing gon . times.ing still I’m     6 0 5   it out not -    0 0 0  0   ta a - me.  Gtr.not for sale or trade.  15  0       5 5 5 3 0    6 5 Eb5  D5    5 5    0 0     6 0 5 Pre-Chorus F5  D5       5 G5  D5 F5      Got Got a a feel .cide and for you.                         5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 .sand    D5      C5     0 0     tak .      G5  Yet      Ab5 me.

Rhy. Fig. Voc.. 3: w/ Riff C (5 times) Bbsus2    Yeah!  Bb5 14 12 12   1. tacet on beat 1. strip               10 8 8 10 8 8 10 8 8 10 8 8 10 8 8   0 0 0 Voc. Tak 3. Sorgdal .ing Give me the a wounds sign. 8 8 8 8 8 8 10 8 8 C5    Gon . 1   10 10 10  Csus2 down      to noth  - D5   ing. End Rhy.not for sale or trade. Gtr. Voc. Fig.) 3 Digital Conversion © 2011 Sorgdal . 2.na   12 10 10    Dsus2 12 10 10 12 10 10 14 12 12 14 12 12 10 10 10  (Fly. Take                         10 10 10 10 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 *3rd time.    Lick . 1          X X X 8 8 8 2nd & 3rd times.For educational use only . Bkgd. Fig. No warranty of accuracy or useability is implied or claimed.D5 Eb5     D5 F5  G5 D5 G5  0     7 5 7 5    0 0     8 6 7 5 0    0               7 5 7 5 5 5 5 7 5 0 0 0 3 3 3 3 3 3   0 0 0  Chorus       from son yes I that  -   ter should - D5 Dsus2   * day. Fig. stay.: w/ Voc. 1 3rd time. Bb5    - ing     8 8 8 Bbsus2  C5   my    time.na                      10 8 8 12 12 12 14 12 12 10 8 8 10 8 8 10 8 8 10 8 8 10 8 8 14 12 12 14 12 12 one rea -             5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 14 12 12 14 12 12 Csus2       fly.   10 8 8                         10 8 8    Rhy. 2                 12 10 10 12 12 12 14 12 12 14 12 12 14 12 12 14 12 12                   10 10 10 12 10 10 12 10 10 12 10 10    12 10 10   12 10 10  try. Fig. 1   12 10 10  C5 Gon .

: w/ Voc.For educational use only . *Grad. fade Bkgd. Voc.na fly.) Bb5       Bbsus2   2nd time. 1 & 2: w/ Riff A D5   Eb5 D5   C5 Ab5 G5  D5 Eb5 D5  F5 D5 G5   wick . 2        P. Gtr. 3: w/ Riff C (7 times) C5    But Csus2   there’s  no  Gtr. 1 (last 2 meas.1. Fig. 1   rest  D5 for Dsus2     the    wick . 3        C5      12 4 Digital Conversion © 2011 Sorgdal .not for sale or trade. *Gtr.M. Fig. Take Riff D Gtr. 2. Fig. 3: w/ Riff D (2 times)     Csus2           Bb5    Bbsus2 A5      But                                       there’s     no rest    for the End Rhy. Gtr. 3rd time. 1: w/ Rhy. Fig. 1: w/ Rhy. 10 10 10 10 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 8 8 8 10 8 8 10 8 8 10 8 8 10 8 8 7 7 7 0 0 Interlude Gtrs.ed.ed. 1     Csus2          Bb5 Bbsus2    my time. No warranty of accuracy or useability is implied or claimed. Sorgdal     strip  1 10 10 Csus2            down to noth       1/2 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12 10 10 12  - ing.   . C5     Gon .

But there’s Interlude Gtr. 1. 2 D5 Dsus2     C5  Gon  . 3   3 3 3    6 6 6                        (Gtr.not for sale or trade. Fig.na Csus2    Bb5         Bbsus2  A5     try. in slashes)   5 5 5 0 0 0 0 0 0 6 6 6 5 5 5 3 3 3 0 0 0                 0 0 0 0 0 0 0 0 0 3 3 3  D       0 0 0   0 0 0              0 0 0 0 0 0 0 0 0        3 3 3 0 0 0 0 0 0              0 0 0 0 0 0 0 0 0   3 3 3   12fr   0 5 21 5 Digital Conversion © 2011 Sorgdal . Fig. Sorgdal . No warranty of accuracy or useability is implied or claimed. Rhy. in slashes) 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7                       0 0 0 0 0 0 0 0 0  ed.T o Coda  Gtr. 1 End Rhy. Fig. 3       0 0 0 0 0 0  Gtrs. 1 tacet  Gtr. 3 Gtr. 1          D5     no rest for the wick     -                        f (cont.For educational use only . 1 & 3              0 0 0 0 0 0 0 0 0  Gtr. 3 (dist. 1: w/ Rhy. 1 F5                0 0 0 0 0 0 *w/ wah-wah 0 0 0 0 0 0 0 0 0 3 3 3 0 0 0 0 0 0 3 3 3 *used as filter D5 F5 Ab5 G5 D5 Ab5 G5 F5 D5 Gtr. cont.) Gtr.

X X  Gtr.ter    o - pen? Ab5     F5 F5  G5 D5    man?   F5 Ex Ab5  F5 G5  ways?  - F5 But End half-time feel D5     ig  - nor      -    ance F5   D5    and    ar   - ro   -       F5   gance D5      are   my (My F5    ways.not for sale or trade. *w/ wah-wah  P. 3 tacet D5      Are   you Ab5 G5 read D5 Ab5 - G5  F5   D5 y to know F5   D5           D5    pose me    Do you Ab5   just   G5    who   D5 Ab5  to   F5   your F5 I am? F5   D5    you can make me G5 D5   Crack me F5           think    D5 F5         D5 D5       a bet .For educational use only . + = closed (toe down) Ab5 G5 the wick .ed.) Absus2   Oh.by! C5    1/2  13  13  10 10 *o = open (toe up). 1: w/ Riff A (1st 2 meas.Bridge Half-time feel Gtr. Sorgdal        Eb5 D5     D5  yeah.              No rest      13 12      for ba . No warranty of accuracy or useability is implied or claimed. Gtr. ways. 1       8 6 6 6 Digital Conversion © 2011 Sorgdal . 3 (3 3/4 times) Gtr. 1: w/ Rhy. Fig.S. 3    10 10  .) Gtr.

S. No warranty of accuracy or useability is implied or claimed. 0 0 3 3 3 0 0   5 5 5 7 Digital Conversion © 2011 Sorgdal . P.M. al Coda (take 2nd ending) D5             Eb5 D5      10 10 12 12      10 10 12 10 10 10 10 12 12 10 10 12 10 10 10 10 12 12  Coda    Gtr.Guitar Solo Gtr. 1: w/ Riff B (2 times) D5     Eb5           13 13 13 D5  13  F5      D5  G5    13  10  10      10 13 D5            13    0       D5     Eb5        13 13 13 13     13 13 13 G5    D5   10 10 13 Ab5      let ring  10    Eb5     C5  C5 Ab5 10 10 G5   3 3 10            1 10 D5 1/2 13 10 13 10 10 12 10 D.  0 0   5 5  Eb5  Eb5  Gtrs.not for sale or trade. 1 & 2 D5            0  D5 Outro A5 5  F5 1 1 1 10 10  Riff C   0 0 0 D5      6  6 5  F5  0    5 5 5   6 5 D5 G5         P.M.For educational use only . Sorgdal . 1    no rest      for the                   7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7     C5 Ab5  G5 5 5 5 3 0 6 5 D5            G5  End Riff C   10 10 10 10 12 12 10 10 10 10 12 12 10 10 10 10 12 12 wick 0  -  5 5 0    0 D5   ed.

MEEENGYA MUSIC.tized.    drown .. Intro Moderately slow q = 88 **3rd time. next 4 meas.  D5 End Riff A  and drained  of an  is in . No warranty of accuracy or useability is implied or claimed. Fill 2 Gtr. HAMMERCLAW. Gtr. All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal . HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. Oh. 1: w/ Riff A (last meas.not for sale or trade. 3.  -             1/2 2 2 2 Gtr.For educational use only . Tony Rombola. Gtr. played mf.. Sorgdal .. Em7  man .no . 2 (slight dist. 2.ning by.)   *p let ring throughout 4.cence. 3     I’m I times Em7  gain. yeah. Em7 so D5 F5      D5 A I went D5 F5    D5     A ing trau . 1 & 2: w/ Riff A (3 1/2 times) 2nd time. **Gtr.’ve and G5 G#5 G5  why been I’ve Em7    must left  lone crawled F5     it be? feel - F5 G5 G#5 G5 F5    man Raped G5 F5    - run .y   ly.) 16 sec.ma . Rob Merrill and Shannon Larkin Drop D tuning: (low to high) D-A-D-G-B-E 1.from Godsmack IV One Rainy Day Words and Music by Sully Erna. 3: w/ Fill 2 D5 F5     D5 Em7 F5    1. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC. 2: w/ Riff A (2 times) Em7 F5 G5 G#5 G5 F5 Em7 D5 F5 Riff A   (Rain)        Gtr.).          0 2 2 2             2 2 2 0 0 0  0 2 2 3 3 5 5 5 5 5 5 2 2 2 3 3   3 2 2 2 2 2 2 0 0 0 3 3 3 Verse Gtrs. And since then  G#5 G5  F5  tired should . Oh.  man. when    0 3       *Fade in to mf.ing     slow a  2 Copyright © 2006 UNIVERSAL MUSIC CORP. 1 (slight dist. 2.

        one rain . one yeah.For educational use only . round. Em7               G5 G#5   Gtr.pen side.Em7 gift      ly.  com . End Fill 1  F5 0 3 5 0 5 0 5 0 5 0 5 0 5 3 3 0 3  .       3 2 2 2 keep gaze D5 F5    can’t still I and   0 2 2 2    o . deep.ing           2 1 2 1 2 C               0 2 1 2 2 2 End Riff B   Like a drop Fill 1    1     of rain    1 0 2 3 T o Coda Cadd9        B7 3 C     falls    3  to the    1 3       o - 0 3 2 3 Guitar Solo Gtrs. with no            oh. 3 (dist. Gtrs. No warranty of accuracy or useability is implied or claimed.    1 3     0 3 2 3 *Composite arrangement 2nd time. a -       fall tears    are   - ing. by my  D5 F5 a Chorus C  Cadd9     2 2 2 0 0 0   2 2 2 0 0 0 3 3 3    1 0 2 3     3    skies Riff B         G5 G#5 G5 F5 bove. 1 & 2: w/ Riff A (2 times)   B7    -   cean      a a and comes back   - round.     Em7 And he lost   D5  Em7 *Gtrs.y yeah. Sorgdal 1 0 2 2 1 2 1 F5  3 let ring w/ wah-wah 2 1 2 G5 day.not for sale or trade. 1 & 2    D5 F5        C  3 way too day.ver time. 1 & 2: w/ Riff B (1 3/4 times)        are down. we’ve  lone. gone through this one rain .)              mf 2 Digital Conversion © 2011 Sorgdal .y O .

er 1 0 2 3 14   D5     I’ve giv        make feel  me 3     2 2 0 2 0           en you all I can. Sorgdal . 1 & 2: w/ Riff A (4 times)            oh.     2 2 1 2 2 Guitar Solo Gtrs. No warranty of accuracy or useability is implied or claimed.er          2 2 1 12 14 12 14 14 14 3 1 12 14 D. 1 & 2 2 2 1  Coda C 0 2 3 12  Em7            0 2 F5 3  Em7 12 2 1/2  D5 3 0                                    wah-wah off 1  Em7 way     a - gain.  D5 F5 2 0 F5   0 2 2 G5 2 2 G#5 0 G5 0 12 14 12 14          14 14 12 14 Cadd9    I swear I’ve  12   Nev . Gtr. al Coda 12 14 C Cadd9   will you 14      3       3 3    14 C ev . 3  F5      15 15 14 14 14 15 12 3 3 1 15 14 15 12 15 14 15 12 15 15 14 14 3 Digital Conversion © 2011 Sorgdal .    on this Em7  3  one rain .For educational use only .   0 1 14  giv - C  10  3 12 0           Gtrs. B7  this 0 2 1 2 2       3     0 2    1 D5 3  B7 - F5 1 0 0 2 en.not for sale or trade.S.y  G5 F5                  let ring 1 0 G5 G#5 day.

bend 1 1/2  1 14          Em7 5 15 15 G5                      14 15 12 15 12 15 12 12 12 .not for sale or trade. No warranty of accuracy or useability is implied or claimed.               3 steady gliss.For educational use only . 12 2 D5  3 1 1 12 0 G5       2 2                1/2 2 G#5 2 1   G5 12 3 D5  12 14 w/ wah-wah 1 1/2   12   3 Yeah.Em7      let ring        D5 F5      15 15 14 12 14 12 15 12 14                   F5 G5 G#5 G5 F5 12 14 12 14 12 15 15   14 12 14 14 12 12 14 12  12 14 12 12 14 14                  3 3 3 rake  1/2   1 14 14         D5      1 14    12 Em7  12     Em7  1 15 14 D5    12 14 14 12 12 14 12 14 15 12 F5 15 D5 12 15 X               Em7 F5   1 15 15 1 15  G#5 G5 F5 1 3/4 D5 F5 12 D5           1 2 15 12 15 12 12 12 15 12 2 2 12 15 15 14 15 14 12   3                   2   2 2 2 2 2 2 2    2 0 2 1 4 Digital Conversion © 2011 Sorgdal . Sorgdal 14 F5 6 1 1/2  12 14 14 12 12 14 12 12 2 0 2 2 0 2 2 0 F5   2 2 0 2     hey.    1 Em7  14 F5 1/2 2 2  1 Em7 grad.

pen  C skies are fall . 1 & 2: w/ Riff A (till fade) Gtr. ooh.       D5  (Exhaled:) ha.Chorus Gtrs.        oh. 37 sec. (Inhaled:) ss.ing           1 12 11 12 14 12 14 Gtrs. 1 & 2: w/ Riff B C    Cadd9             B7                                O . No warranty of accuracy or useability is implied or claimed.not for sale or trade.ing.  5 Digital Conversion © 2011 Sorgdal .        one    rain -    1/2 13 12 F5 G5 G#5 14 12 11 12 11 9 8 8 8 Outro Gtrs. 3 tacet  Em7        y      day. 1 & 2: w/ Fill 1 C     Like     a drop Cadd9 of   C     rain    falls to     the o -            12 12 13 12 cean   and comes back     let ring       a   - round.   G5     one G5 G#5 G5 rain F5       3  it’s been F5 just -   one Em7 D5 F5      y day.  3 12 com .    D5   rain - y one Em7 D5 F5  3     rain .y day. Sorgdal . Em7 F5       day.For educational use only . Begin fade   Em7   F5 G5 G#5 G5 F5  Em7  D5 F5  D5 Em7 F5 G5 G#5 G5 F5    Fade out   Em7 D5 F5   D5 Em7 F5 G5 G#5 G5 F5   µ  (Rain) 1 min.  3 12 15 tears are 6 15 12 15 12 15 14 12 14 12 11    B7  down.

0 2 3 0 2 3 2 3 2 3 2 2 0 2 2 5 0 5 7 2.M 2 2 2 2 2 2 2 2 0 P.M. All Rights Reserved Used by Permission 0 P. Fill 1 End Rhy.ing through the si . 0 µ Rhy. Rob Merrill and Shannon Larkin E5 F5 G5 5fr 111 Drop D tuning. Tony Rombola.M 2 2 2 2 2 2 2 2 0 P.from Godsmack IV Shine Down Words and Music by Sully Erna. 2 2 2 2 2 2 2 2 Copyright © 2006 UNIVERSAL MUSIC CORP.M.M. 2                                                  P. A5 *Gtr. 1 f  F ** 0 0 5 0 5 7 0 1. 2 2 2 2 0 1 Digital Conversion © 2011 Sorgdal . down 1 step: (low to high) C-G-C-F-A-D Intro Slow Rock q = 84 111 111 µ      (Street noise & Harmonica) 31 sec. 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0 P. C5 D5 µ C5 End Rhy. Fill 1            5 3 5 3 5 3 7 5 Bb5 7 5 7 5 A5               7 5     day.ver .shot Day and eyes night 7 7 0 0 8 8    and takes the its sweat toll Rhy. 1            5 3 5 3 5 3 5 3 7 5            7 5 7 5 0 7 5  Verse A5     2.M. MEEENGYA MUSIC.)        5  F  0 5   7 *Doubled throughout A5 G5       A5          0 2 3 0 2 3 2 3 0 0 2 3 0 2 3 2 3 2 3 µ 2 2 5 0 5 7 A5        F A5        µ     P. P. 2 2 2 2 2 2 2 2 0 P. A  1. me.not for sale or trade. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC.M.M.ing D5 G5 A5 Bb5 G5 Rhy. Sorgdal .whelm .      2 3      P. So dead 5    0 5 7    tired sleep . 1 (dist. HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. 0 0 0 2 2 0 **Chord symbols reflect overall harmony. 0 5 5   blood . Fig..M. No warranty of accuracy or useability is implied or claimed. Fig.M. Fig. HAMMERCLAW.lence o .For educational use only . 2 2 2 2 0 P.

way  from    me.ing in . 1 (1 3/4 times) 3rd time. 1     3 3 3        5 5 3 3 But I          5 5 3 3 5 5 3 3  G5    still      in im . 2 2 2 2 0 Gtr.one a .                            2 2 2 2 2 2 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 I I   picked know my I’ve      head been up a -                       P. strong!    5 5 3 3 And I          5 5 3 3 5 5 3 3    know there’s                5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3   Chorus Gtr.not for sale or trade.    from on my my  G5  bod san . µ    no. 1: w/ Rhy.M. All Found no I’ve been these years Pre-Chorus    F5 Fsus2 Gtr. Fig. 8 7 5 5 5 5 5 5 hope a    tal love.ing To Coda 1       F5 Fsus2               8 7 5 5 5 8 7 5 5 5 8 7 5 5 5 3 3 3 me. Fig.mor    G5 be - lieve                          5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 5 8 7 5 5 5 5 5 5 rea hid - - son.             2 2 2 2 2 2 2 Digital Conversion © 2011 Sorgdal . 2 2  And And ty.M.For educational use only .bove. 2       yes way ter too Bb5 A5          day. Fig.            8 7 5 5 5 8 7 5 5 5          left feel .M 0 0 2 2 2 2 2 2 2 2 P. 1: w/ Rhy. 2 2 2     P. End Rhy.i A5     - y. no ing. . 2 tacet E5  G5        some .side of I’m com . long. Gtr. No warranty of accuracy or useability is implied or claimed.  µ A5 F G5          don’t take it a .M 2 2 0 2 2 2 2 2 2 0 P. Sorgdal 2 2 2 5 5 5 µ A5           F Shine          5 5 5 5 0 5 7 A5 down.

F5 Fsus2   Fsus2 that’s            5 5 5 F5 D5   8 7 5 5 5 G5 D. Fill 1 C5 -  yeah.not for sale or trade.ing for µ  -   ev . 1: w/ Rhy. No warranty of accuracy or useability is implied or claimed.       5 5 3 3 5 5 3 3    feel  it. al Coda 1  8 7 5 5 5   Gtr. 8 7 5 5 5 8 7 5 5 5                8 7 5 5 5 8 7 5 5 5 8 7 5 5 5 3 3 3 5 5 3 3       the ground.            Gtr.er to         some - F     just give me a chance      path 5 5 5 5 5 5    get me off      to find              5 5 5 5 5 5 8 7 5 5 5 8 7 5 5 5 up a                          5 5 5 8 7 5 5 5 8 7 5 5 5 8 7 5 5 5 8 7 5 5 5 8 7 5 5 5 3 3 3 5 5 3 3       my way.A5 F      And F     And you   know you A5 C5  know  down. To Coda 2 To Coda 3 A5 F      A5    It’s   tak .S.    2 2 2 G5           2 2 2   G5 to Bb5       a A5  Show     G5    And give    µ    to bove. al Coda 2 µ                     5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 5 2 2 2  pray.          5 5 3 3 5 5 3 3     E5  me a          5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 me rea . Sorgdal .son D.For educational use only . A5   D5   µ      shine µ  I    A5 A5            5 5 5 5 0 5 7 3 Digital Conversion © 2011 Sorgdal . 1 G5 one      Coda 1 G5  µ how.S.S.

Sorgdal  µ         2 2 2 2 2 2 2 2 2     2 2 2                  2 2 2 2 2 2 3 3 3 3 3 3 5 5 5 2 2 2 2 2 2      5 5 5     5 0 5 7 . No warranty of accuracy or useability is implied or claimed. 1: w/ Rhy. 2 Gtr. Fig.S. 4 (2 times) F5 G5                         1 1 F5   15 15  15 15 14 14 14 14 14 14 14 16 E5        8v a 1 1 15  15          17 15 14 16 14 16 F5  14 14 14 G5          16  1 17 15 17 14 16 14 1 1/2 17 17   1   G5            1 1 15 15 E5 End Rhy. Gtr. 1     2 2 2 4 Digital Conversion © 2011 Sorgdal . al Coda 3 E5 Gtr.For educational use only .not for sale or trade. 4 17 D. Fill 1 C5 D5 G5 A5 Bb5 G5 E5  Rhy. 1: w/ Rhy.S. Coda 2 Harmonica Solo Gtr. 1 yeah. Fig. *Gtr. for gtr. 2 8v a  F5 loco                    G5          3 1 17 17 15 17 15 1 15 15 1 hold bend 1 12 15 12 15 12 12 15 1/2 15 15 15  1  15 15 15 15 15 15 Gtr. 4       get me  off the     ground.    1             f    1 1/2 15 15 15      *Harmonica arr. Fig.

1: w/ Rhy. Outro Gtr.  Gtr. Sorgdal . shi A5 µ Oh.    F G5 F    C5 ba . tacet on beats 1 & 2. A5 down. A5 µ Shine µ     Shine F  A5 µ     Oh. Begin fade Repeat and fade         let ring A5 F A5 µ Gtrs. shine down.. Fig. 1: w/ Rhy. Fig.For educational use only .   A5    yeah. Voc. 3 (dist. 1 (1st 2 meas. No warranty of accuracy or useability is implied or claimed. D5  ba . 1: w/ Rhy. 4 (dist.by. A5  µ    down. C5  A5   ground.) C5   get me  A5 D5 F     µ      off the µ     Oh.by. µ    Oh.    Oh. A5 F    Shine G5 yeah. 3 & 4 6 8 5 A5   8 5  F    G5        let ring 5 5 µ                      A5 F µ  5 7 A5 6 7 A5 F  5 7 7 5 G5 µ  7 5 5 7 5 7   5 5  5 Digital Conversion © 2011 Sorgdal .)    A5    w/ wah-wah let ring 5 8     f w/ wah-wah let ring   8 A5 F A5 5 6 G5 µ 7 7             5 5 7 1/2 5 6 7 1/2 6 6 7 6 1/2 6  6                            5 5 F         let ring 5 8  7    A5            5 5 µ       let ring 5   5    5 8     Gtr. 1 (2 times) i -   ine down. 4 times) A5 F A5 µ          * Gtr. 1 (last meas.not for sale or trade. Coda 3 Gtr. µ      i i - -   D5 - shine    down.      shine down.) G5 µ  f   F 7 6  5 5 7 7 7 1/2 5 5 7 6 6 7 7 6 6 7 1/2 6  6 *2nd time. A5   F down. Fig.

 f  3 2 5 X 3 X 2 X 2 3 2 2 2 3 2 5 X 3 X 2 X 2  33 22 22 22 3 2 5 X 3 X 2 X 2 3 2 2 2 3 2 5 X 3 X 2 X 2 End Rhy. 2 2 2 2 E5 G5 F5                    5 5 5 3 3 3 X X X 2 2 2 X X X 2 2 2 2 2 2 F5 E5     E5 P. P.not for sale or trade.   3 3 3    F5 2 2 2 2 2 2 E5 2 2 2 2 3 3 3 2 F5   2 2 2 E5 5 5 5 2  X X X G5 3 3 3 X X X F5 2 2 2 X X X 2 2 2 E5 3 3 3 2 2 2 F5 E5  2 2 2 2 2 2 2 2  3 3 3 X X X 2 2 2 D5 X X X 0 0 0 0 0    me.ter mind. No warranty of accuracy or useability is implied or claimed. 3 3 3 2 2 2 2 2 2 2 2 2 2 2 3 3 3 2 2 2 2 5 5 5 X X X 3 3 3 X X X 2 2 2 X X X 2 2 2 3 3 3 2 2 2 2 2 2 2 2 2 2 2 3 3 3 2 2 2 Copyright © 2006 UNIVERSAL MUSIC CORP. 3 3 3 2 Verse F5 E5 F5 2 G5 X X X F5 E5 Free.from Godsmack IV Speak Words and Music by Sully Erna and Tony Rombola Drop D tuning. MEEENGYA MUSIC and HAMMERCLAW All Rights Controlled and Administered by UNIVERSAL MUSIC CORP.)                                                                P.M.  P.. All Rights Reserved Used by Permission 2 0 0 0 0 0 0 0 0 0 0 0 0 0 1 Digital Conversion © 2011 Sorgdal . way F5 E5      3 3 3 2 2 2 F5 E5      2 2 2 2 2 2       2 0 0 0 F5 E5  D5    2 0 0 0 F5 E5  you - be yond your con - trol 3 3 3 2 2 2 2 F5 E5     ing - D5    bet .M.M. Fig. And And (Mind. Sorgdal . 1 Rhy. Fig. love                                                                  P.M. 1 (dist. P.)  3 2 2 2 2 2 3 2 2 5 X 3 X 2 X 2 3 2 2 2 2 2 3 2 2 5 X 3 X 2 X 2 *Doubled throughout  F5 E5        3 3 3     2 2 2 2 2 2    P.M.For educational use only .M.) (5 sec.M.M. down 1 step: (low to high) C-G-C-F-A-D Intro Moderately slow Rock q = 104 F5 E5     (Sound effect) F5 E5 G5 F5 E5 F5 E5 F5 E5 G5 F5 E5                                                                P. 1 *Gtr.

M.F5  E5 F5 E5 G5 F5 E5   F5     hide. 2                                  9 7 7 5 7 5 9 7 9 7 9 7 9 7 10 7 10 7 10 7 10 7 10 7 9 7 way. Gtr.  X     I nev . Fill 1 Gtr. 2 2 2 2 2 2 2 2 2  F5 yes - ter       lies. No warranty of accuracy or useability is implied or claimed.er E(b6)   knew E5    but . D5   C5  yeah. 2 (3 times) 2nd & 3rd times. 2   9 7   er End Rhy.M. 1: w/ Rhy.    53 33 2 0 0 0 5 3 3 3       0 0 0 0 0 0 0 0  Chorus 3rd time. Gtr. 1: w/ Rhy. Fig.For educational use only . 9 7 7 5 7 5 7 5 7 5 5 3 5 3 5 3 5 3 5 3 7 5 7 5 1st time. 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 2 2 2 2 5 5 5 2 X X X 3 3 3 X X X 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 2 2 2 2 3 3 3 2 X X X 2 2 2 X X X 0 0 0 *1st time. Fig.        2 Digital Conversion © 2011 Sorgdal . F5    E5 F5 E5 G5  F5 E5   D5     all your          0 0 0 0 2 0 0 0 2 0 0 0   from - cious         3 3 3 2 2 2 P. 2: w/ Fill 1 E5 E(b6)        Speak  the E5 D5 or make    truth  C5      your peace     D5 oth - some Rhy.                       3 3 3  2 3 3 3 2 2 2 2 5 5 5 2 X X X X X X  X X X        -      days. yeah. Sorgdal    E5    yeah. no E5 F5   E5 F5  E5   D5   * or more be - liev X X X 2 2 2 3 3 3 - ing in run all  a pre way - 0 0 your                                                                P.not for sale or trade. Gtr. Fig. w/ echo set for half-note regeneration w/ 2 repeats. Fig. 2 (7 times) E5     E(b6)     E5   Oh. 2 14 D5 14 Well.

D5    I C5 D5       be lieve that - E5    your trust E(b6)    in me. 1  G5 me.    E5 D5  C5     will speak  oh. me. C5 3    2 D5      your peace some oth . E5          Speak the truth  or  0 E5 E(b6)     E5     way. D5 will speak to me. No warranty of accuracy or useability is implied or claimed. Interlude Gtr.er D5            knew C5 but I be - lieve that your E5 E(b6)        trust in E5 D5  C5          * oh. 1: w/ Rhy. Sorgdal .M. T o Coda E5          Well. D5    to me. w/ echo.er E(b6) E5 D5  E5 will speak to                   5 3 2 0  5 3 2 0 5 D5 E(b6)            2. *1st time.For educational use only .   3 3 3 2 2 2 D5   make     2 2 2       2 2 2 3 3 3 2 2 2 oh. yeah. D5     Oh. F5 E5 F5 E5    F5 E5  D5    D5 C5     P. In Gtr. as before Interlude E5   D5          12 9 D5 E5      let ring 9 C5 12 9 12         let ring 7 10 5 8            let ring 8 5 10 7 9 12 9 12 9  12 3 Digital Conversion © 2011 Sorgdal . C5    D5   yeah yeah. 1 (1 1/2 times)   F5 E5  F5 E5  G5  F5 E5 F5 E5 F5 E5 G5  F5 E5 F5 E5 F5 E5  G5 F5 E5 2. I nev .1.not for sale or trade.   yeah. Fig.

1 F5 E5       F5 E5 G5 F5 E5 F5 E5    Gtr.M. P.). than E5  to    speak  the truth. Fig.M. Sorgdal 6 1/2 12 12 12 3 3 3  12 12 Gtr. No warranty of accuracy or useability is implied or claimed.  or   make D5   let ring 12 9 12 9 9 your   peace in some other way. 1 2 2 2 4 Digital Conversion © 2011 Sorgdal . * Spoken: D5  C5          10 8 5   E5   let ring 7 D5    but there’ll never be a better source   D5 8 5 12 9 12 9   let ring    10 7 8 5   D5 8 5 10 7  let ring 12 9 C5     *w/ echo set for quarter-note regeneration w/ 1 repeat (next 4 meas. Gtr.Find balance between lies and trust. 2 E5 2 2 2 2 2 2 2 2 3 3 3 2 2 2 2 5 5 5 X X X 3 3 3 X X X 2 2 2 X X X 2 2 2 3 3 3 2 2 2 2 2 2 2 2 2 2 2 3 3 3 2 2 2 15 12 15 12    2 0 0 0  15 14 15 14 12    2 0 0 0  14     2 0 0 0 12 14  P.not for sale or trade. F5    7 7 5     7 7 5   10 10 8 Guitar Solo Gtr.M. 0 . 2 (dist. P. 1: w/ Rhy.M.For educational use only .) F5 E5 G5 F5       12 9 f  1212  w/ wah-wah  12 11 F5 E5       F5 E5 G5 F5 E5 F5 E5  F5 E5    D5              7  12 15                                                                 P.

2 1   1/2 E5 G5   1 (14) F5   1 14 14 E5 F5  2 E5 0 0 2          2 P. 1 (3 times) F5     E5 F5 E5 G5 F5 E5 F5 E5  F5 E5  Speak!  F5 E5  F5   G5 F5  E5 Oh. No warranty of accuracy or useability is implied or claimed. al Coda (take 2nd ending) Gtr.M.not for sale or trade. 2  3 3 3               F5  E5 X X X 3 3 3 X X X 2 2 2 X X X 2 2 2 14 14 14 14 12 12        2 0 0 0 2 0 0 0 14    12 12 14 14 14    14 14 12 12 14    5 5 3 3 12 12 14 14 14       5 5 3 3 5 5 3 3 12 12 14 12 12  Coda Outro Gtr. 1 F5 E5    F5  Gtr.S. 0    F5 D. 3 3 3 F5     3                      E5                     G5 1 fdbk. Sorgdal . 1: w/ Rhy.M. Fig. 1: w/ Rhy.Gtr. Fig. E5 G5  F5 E5 F5 E5 F5 E5 G5 F5 E5  speak! 5 Digital Conversion © 2011 Sorgdal . 3 3 3 2 2 2 2 2 2 2 2 2 2 2 E5   2 0 2    F5 2 2 2  2      2 2 3 2 3 Fsus2  0 12 12 4 5 5 5  E5 1/2 D5 P. 1     (14) 14 G5   F5 E5 1  Gtr.For educational use only .

Sorgdal    Speak! Gtr.not for sale or trade.M. P. No warranty of accuracy or useability is implied or claimed. 3 (dist. P. 1 3 3 3 2 2 2 2 2 2 6 Digital Conversion © 2011 Sorgdal .)  G5                                                           0 12 0 13 0 13 f 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 13 0 13 0 13 0 13 0 13 0 13 0 13 0 13 0 13 *Doubled throughout F5 E5  F5 E5    G5 F5 E5 F5 E5 F5 E5  G5 F5 E5  speak!    0 15                                                      0 0 15 15 0 0 17 17 0 17 0 0 0 15 15 15 0 0 0 0 0 0 0 15 15 15 15 15 15 15 0 17 0 0 0 17 17 17                                             P. 3  µ 2 2 2 2 2 3 3 3 2 2 2 2 5 5 5 X X X 3 3 3 X X X 2 2 2 X X X 2 2 2 3 3 3 2 2 2 2 2 2 2 2 2 2 2  0 17 0 17                3 3 3 2 2 2 5 5 5 3 3 3  2 2 2  0 13 0 13 .F5 E5  F5  E5  G5 F5 E5 F5 E5  F5 E5  Speak!  F5  E5 Oh.M.For educational use only .M. Gtr.   *Gtr.

Tony Rombola. No warranty of accuracy or useability is implied or claimed.from Godsmack IV Temptation Words and Music by Sully Erna. 1 & 2 (dist. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC. shit!          0 0 0 0 6 6 6 6 6 6 6 6 6 0 0 0 0 0 3 D5 F5 1/2 0   Oh. µ  3 3 3 D5 Eb5 F5 Eb5                    1/2 0 F5 1/2 0 3 F5 1/2 0  1/2 3 D5  D5 0 0 3 1/2 0 0 3 0 0 0 0 Copyright © 2006 UNIVERSAL MUSIC CORP. Sorgdal .not for sale or trade. Rob Merrill and Shannon Larkin Eb5 D5 6fr 134 Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately q = 116 ** D5    F5 D5 F5 D5 Ab5 D5 F5 D5 F5 D5 Eb5 F5 Eb5 *Gtrs.)                 mf  1/2 0 0 0                       1/2 0 3 0 1/2 0 3 0 0 0 6 6 6 0 0 0 1/2 0 3 0 0 3 0 0 0 1 3 1 *Composite arrangement **Chord symbols reflect implied harmony. HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. MEEENGYA MUSIC..For educational use only . All Rights Reserved Used by Permission 1 3 1 1 Digital Conversion © 2011 Sorgdal . HAMMERCLAW.  D5 F5 D5 F5  D5 Ab5 D5 F5  Spoken:           1/2 0  0 0 0 F5      0 D5 0 0 3              0 0 D5 0 6 6 Ab5      6 0 0 D5      F5 0 3   no.

M. No warranty of accuracy or useability is implied or claimed. 0 1/2  8 7 6 0 D5 Eb(#4)    P.M. 0 0 3 0   8 7 6 0 D5 0 1 Eb(#4)    P.D5   F5 D5 F5 0 0 0 F5   0 0 3 D5 F5         1/2 0 0 0   0 F5 0 0 0 6 6 6 0 D5 0   D5 F5 6 6 6 0     0 0 0 0 0 6 6 6 0 D5 6 6 6 6 6 6 0 0     6 6 6 0 0 0 D5    6 6 6 Eb(#4)    8 7 6 8 7 6 0 0 0 3 D5 F5 0 0 0 D5 Eb5 F5 Eb5                    0 Ab5 D5 1/2 1/2 0 3 F5          3 F5  1/2 0 3 D5    D5                0 6 6 6 Ab5     0 3 1/2 0  1/2 3 D5     F5 1/2 Riff A  D5 1/2 3 D5  Ab5                   1/2 0 D5 6 6 6 0 0 3 Eb(#4)    P.  with        X X X 0 0  . 0 0   D5 1 Eb(#4) End Riff A    P.M.For educational use only . Sorgdal 7 7 5 0 0 .out        a pulse     5 X 3 5 X 3  fdbk. 7 X 5 7 5 Pitch: A 2 Digital Conversion © 2011 Sorgdal .M.not for sale or trade. 8 7 6 0 3 0 0  12 Verse D5   Riff B      It crawls      down deep in        - C5   side.

 in notation)      It’s Gtr.Ab5 D5    will  let ring 6 6 6 6 to 1/4 Not 6 3 known sym - pa C5   -       thize.ings End Fill 1          suf . No warranty of accuracy or useability is implied or claimed. Sorgdal . Gtr. o = open (toe up).way    my    X X X X X X X X X X X X X X X   life. 3                                                                        1                Gtr.er thing C5       in .side of         Eb5 Gtr.For educational use only . It’s Riff C               End Riff C                             *w/ wah-wah 8 8 6 8 8 6 0 0 0   X X X X X X X X X    X X X X X X  X X X X X X X X X X X X    X X X X X X  X X X X X X X X X X X X    X X X X X X  X X X X X X X X X X X X    X X X X X X X X X * + = closed (toe down).’ll Ab5      get Dsus2   gets    its way.not for sale or trade.   that I      see is how it        (cont.    0 Dsus2     a      6 6 6 D5        or       F5 X X X 0 0 End Riff B       5 5 3 5 5 3 5 5 3 Gtr.)        takes   and lets  the     mf      feel .ing  new.     0 3 2 0 0 0 0 0 0 3 to       1/4         die.oth . 1 tacet Gtr. divisi X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X 15 3 Digital Conversion © 2011 Sorgdal .fo -      cate. 2: w/ Riff B Eb5 D5       And now       it   takes what it Fill 1 Gtr. 3   time to Gtr.  D5 F5   D5    An . 3: w/ Riff C (3 times) C5         noth . 3 (dist. 2     me and  tears   a .   it .

No warranty of accuracy or useability is implied or claimed. 0 6 6 6 0 6 6 6    No time                 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 D5 F5  -  D5 F5 6 6 6     Ab5   6 6 6   6 6 6 D5 6 6 6  at Ab5   way.ing            1/2 0 0 3  0  crate. Fig. 1 & 2         0 0 0    C5  face   It’s time to 3 0   to face 0 0 3 0  0  try .ing to des     5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 X X X F5  D5  all            1/2 0 0     C5    ta 0 -     5 5 3 4 Digital Conversion © 2011 Sorgdal . 1 6 6 6 0  still   F5    - 0 1/2 0 D5 It’s  6 6 6 Ab5    D5 6 6 6     F5 F5 hate!     6 6 6 0    D5 1/2         1/2    D5 Sorgdal Ab5          1/2     0 0 3 -           1/2 0 0 0 3 0 0 0 6 6 6 6 6 6        got a hold on me. 3       0 0 3  tion e    -   6 6 6  Ab5   to break a             0 0  0 Ab5   0 0 3   com . Fig.not for sale or trade. 6 6 6 .For educational use only . 3 tacet D5    F5  D5 F5  D5  love! Rhy.Chorus Gtr.  Temp          1/2 0 D5 End Rhy. 1 Gtrs.

com . 3: w/ Riff C (6 times)    Ex .plete.pect    the de . 2: w/ Riff B (1st 3 meas.ing me         let ring 0 0 0 0 3 2 3 2 0 Gtr. No warranty of accuracy or useability is implied or claimed.  X  X X  X   X  X X  X    X  X  X  X             Gtrs. 3: w/ Fill 1 D5   know    what I  know.Verse Gtr. Sorgdal . It’s Gtr.out  F5   a heart -  mf P. 4 (dist.) Gtr. C5 3     mak . 1 tacet Gtr. wake Ab5          It                               D5 breathes with . 1 & 2                 X X X 1/4 3 2 0 0 0 5 X 3 D5      - Dsus2     beat.)      a - C5        e .not for sale or trade.mon   down be    - low   C5   to      sur .S.For educational use only . 4 tacet D5        2.face through     my mor - 5 Digital Conversion © 2011 Sorgdal .        Gtrs.ven when you sleep. 1 & 2 5 X 3 3 5 X 3 5 X 3 3    And now      0 0 1/4 I              5 X 3 8 X 6 X X X X X X 8 X 6 X X X X X X Gtr.  0 0 0 6 6 6 6 6 6 6 6 6 Eb5      6 6 6  in .

    F5   And now it      let ring 6 6 6 6  looks  to be. 3           (cont. then flip the switch to the rhythm position and back to the lead in the rhythm indicated to simulate the re-attack.ing as it’s kill .not for sale or trade. 3 tacet  time to  love! It’s             time to   time at   Harm. X X X 4   to face F5 D5   Ab5     try .      eye     to D                    It’s Gtr.   Gtrs.   Ab5     tal Gtr. No warranty of accuracy or useability is implied or claimed.ing Ab5   break a X X X face D5  - way.ing  it’s 3    me             0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3   * 1/4 6 0       1/4 6 6 6 D5   -  D5  0 0 0 3 0 0 0 5 5 3 *Using a guitar with Les Paul-style electronics. set lead volume to 10 and rhythm volume to 0. in slashes)   D5 F5 D5 F5 D5 Ab5 12fr eye.tion No   still  Ab5    got a hold . Fig. 1 & 2: w/ Rhy. Sorgdal  It’s F5 D5 F5  D5  X X X X X X  to Ab5  X X X    C5  com .ing F5 D5  to des - Ab5   -     e . 1 (3 1/4 times) Gtr. 5 5 3  5 5 3    D5 5 5 3 5 5 3 F5 D5 F5 D5   hate! D5     all 6 Digital Conversion © 2011 Sorgdal .For educational use only . C5  Temp     ta . Strike the strings while the pickup selector switch is in the lead position.crate. 2       soul.          smil . 2   to  day.  Chorus C5   day      Eb5 Gtr.

ta .M. 1/2 0 3     -   It’s Ab5      Ab5     all C5   F5 D5 hate! T o Coda D5 F5 D5  (cont. Sorgdal .        P.)     mf                                                                      10 X 8 12 X 10 15 X 13                                            7 X 5 5 X 3 3 X 1 7 X 5 7 X 5                7 X 5 7 X 5  Riff D 7 X 5 7 X 5  7 X 5 7 X 5 7 X 5 Eb5 7 X 5     Gtr.For educational use only . 1 & 2 tacet * F5 D5 Gtrs.    C5         face It’s   to face    D5   time to Ab5 try . in slashes) 0  0 0 0 6 6 6 6 6 6 5 5 3 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 Interlude Gtrs. Temp Gtrs. 5 (dist. 3 Gm 7 X 5 10 X 8 5 X 3 10 X 8 5 X 3 10 X 8 5 X 3 10 X 8 5 X 3 10 X 8 5 X 3 12 X 10 3 X 1 12 X 10 3 X 1 12 X 10 3 X 1 12 X 10 3 X 1 12 X 10 3 X 1 8 X 6 15 X 13 8 X 6 15 X 13 8 X 6 15 X 13 8 X 6 15 X 13 8 X 6 15 X 13 8 X 6 *Chord symbols reflect overall harmony.tion Spoken: (Temp . No D5   It’s    - Ab5    love!      F5 D5 time   time at to  F5 D5  F5 D5  Ab5 D5   way.crate.not for sale or trade. No warranty of accuracy or useability is implied or claimed.ing to  F5 D5 des      e . 1&2     Riff D1 Gtr. 1 & 2             1/2 0 0 0  F5 D5                 0 3 com .)       F5 D5        got on a   hold   me.ing  Ab5 to break   a - F5  still       ta . 7 Digital Conversion © 2011 Sorgdal .tion.     on me.

3 & 5 tacet Eb5 D5                      Gtr.                       Gtr. Sorgdal 8 X 6 8 X 6 8 X 6 8 X 6    7 7 5 7 7 5 . No warranty of accuracy or useability is implied or claimed. 5 Gtrs. 6 (dist.M. 4 to left of slash in tab.) divisi      mf Riff E1    End Riff E1 * 3 0 3 5 1 *Gtr. 4    w/ wah-wah  Gtr. 1 & 2                  ** P. 3 & 5: w/ Riffs D & D1 D5 F5 End Riff D1 3 X 1 3 X 1 3 X 1 8 X 6 8 X 6 8 X 6 8 X 6 10 X 8 8 X 6 Gtrs. Gtrs.M. 4 & 6: w/ Riffs E & E1 F5 Gm Eb5 D5 Riff E Dm F5 Gm End Riff E Gtr.D5 F5                     7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5             7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 Gm Eb5 Dm Eb5                                                         10 X 8 12 X 10 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 8 X 6 8 X 6 8 X 6 8 X 6 10 X 8 8 X 6                                                 5 X 3 3 X 1 5 X 3 5 X 3 5 X 3 5 X 3 5 X 3 End Riff D 3 X 1 3 X 1 Gtrs. 3 8 X 6 8 X 6 8 Digital Conversion © 2011 Sorgdal . 8 X 6 8 X 6 8 X 6 8 X 6 8 X 6 8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0                  f  0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0                 7 7 5 7 7 5 7 7 5 7 7 5 **Gradually lift P.not for sale or trade.For educational use only .

M.) D5   Uh. Gtrs. Sorgdal .M.M. 0   0    P. 1 & 2   P.not for sale or trade.D.    0 0  12     0 0 0 9 Digital Conversion © 2011 Sorgdal . 8 7 6 0   0   8 7 6 P. 8 7 6 0  0     P. - D5 Ab5   ah. D5 D5 F5  Temp Eb(#4)  D5     F5   Eb(#4)  ah.      F5  -  D5 F5  D5 F5 D5  tion. No warranty of accuracy or useability is implied or claimed.  D5    F5 -   tion. D5 ta     F5 D5  3 3 3 D5 ta F5 D5   6 6 6  D5 Eb(#4) - ta  - D5 F5  tion.M. al Coda  F5 D5  F5 D5 Ab5  D5 F5 D5  F5 µ      It’s                            1/2 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 0 0 0  Coda to                  1/2 0 3 time 0 3 0 0 0 0 6 6 6 0 0 3 3 3 0 0 0 0 0 0 0 3 3 3 Outro Gtrs. 1 & 2: w/ Riff A (1 3/4 times)      got a hold F5    on me.S. D5 D5   Spoken: (Temp Ab5  D5 Eb(#4)   Ab5 D5   Temp Eb(#4)  Ab5 - ta F5 D5 F5 D5 Eb5 F5 Eb5   -   tion.For educational use only . Temp  D5 Eb(#4) D5 Eb(#4) D5   - D5 Eb(#4) - ta Temp F5 D5 D5 Eb5 F5 Eb5 - tion.

Fig.M.M. MEEENGYA MUSIC. 1 (dist. All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal . Sorgdal . Copyright © 2006 UNIVERSAL MUSIC CORP. 1    *Gtr. HAMMERCLAW. Fig. HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP.not for sale or trade. 1 Gtr.For educational use only . 2 (dist.) End Riff A                                                f w/ wah-wah 8 X 6 7 5 7 X 5 8 X 6 7 5 7 X 5 8 X 6 7 5 8 X 6 7 5 7 X 5 8 X 6 7 5 7 X 5 8 X 6 7 5 8 X 6 7 5 7 X 5 8 X 6 7 5 7 X 5 8 X 6 7 8 X 6 5 7 5 7 X 5 8 X 6 7 5 7 X 5 7 5 End Rhy.)           f              0 0 0 0 0 0          P. 1  8 X 6                         ** P. No warranty of accuracy or useability is implied or claimed.  0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 *Doubled throughout Riff A Gtr.M. Rob Merrill and Shannon Larkin Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately fast Rock q = 164 D5 Rhy. MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC.from Godsmack IV The Enemy Words and Music by Sully Erna.. Tony Rombola. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0         0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0         0 0 0 0 0 0 0 0 0 0 0 0  12 **Gradually lift P.

oth . 2 Gtr.bin’ son of talk .        that . 2 Ab5 D5      know! see! D5        at your best. Hey! 2.er shit - stab . want to be. 2: w/ Fill 1 D5      *    1.For educational use only . 1             0 0 0 0          0 0 0 0 0 0 0 0                    0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0          0 0 0 0 0 0 0 0  0 0           0 0 6 6 0 0 0 0 6 6 6 6 *w/ echo set for half-note regeneration w/ 1 repeat.    F5  . Fig. You’re        mis . 1: w/ Rhy. Gtr.y knows you been blind . to be.   e . 2  0 0                  0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 **w/ echo as before.ed try to by    as down.in’ punk a to Ab5    bitch. You!     Oh. Gtr.   You’re You’re a Rhy.er in’. Gtr.’ll tion  0 0 soon be for what I                     0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 F5 **     And And I I End Rhy.bod .ing  in in       0 0 0 0         0 0 a spi - - world ra -         0 0 0 0 0 0        dy nev .not for sale or trade. Sorgdal 7 3 5 1       be like me.ter back an . what you be . a man shut          you up Fill 1 Gtr. D5     liv . No warranty of accuracy or useability is implied or claimed. 7 X 5  12    But e .qual like you   steady gliss. back up and sit    Ev You’ve ’ry .Verse 1st time. Fig. 2 tacet 2nd time.lieve. 2         could and act   n’t     2 Digital Conversion © 2011 Sorgdal . me. Fig.ing liv .ven And now    half need of me.

Gtr.    so clear  -                               3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 5 3 5 3 5 3 5 3 5 3 5 3 5 3 ways. oh.        10 8 10 8 10 8 10 8 10 8 10 8 10 8 3 Digital Conversion © 2011 Sorgdal . Sorgdal . 3 tacet D5     I am  3 2 0 0 0 0 0 re           Gtr.y’s   lost 3 2 0 0 0 0 0  their        3 2 0 0 0 Bb5           C5 A5    And         5 3 5 3 5 3 5 3 5 3 5 3          3 2 0 0 0   D5     C5          3 1 3 1 3 1 3 1 2 0 2 0 2 0    C5      I see it.           3 2 0 0 0 0 0  sim . No warranty of accuracy or useability is implied or claimed.ple D5   F5   3 2 0 0 0   ly.not for sale or trade.                 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0     now that it’s   here. Chorus 3rd time. 1             3 2 0 0 0 F5 -   al - iz    - ing                             3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 5 3 5 3 5 3 5 3 5 3 5 3      that  ev                  5 3 10 8 10 8 10 8 10 8 10 8 10 8 10 8 -   ’ry -  bod .For educational use only .

M.M.my.     with                 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 3 2 0 0 0 5 3        P.    Oh.my. 1 D5   en  .e . Sorgdal         Come to me. 3 2 0 0 0 Bb5 the                 P. 4 Digital Conversion © 2011 Sorgdal . Interlude D5 Ab5         en .e . Fig. Interlude Gtr.      P.not for sale or trade.M. 1 & 2        A5 Bb5 D5 G5 A5 D5 F5       0 0 0 0           0 0 0 0 0 0 6 6 6 6 6 6 G5 D5 E5 F5 D5 Eb5                 5 5 0 2 2 3 3 1 1 0 1 1 1 1 2.e . 1: w/ Rhy.  0    7 7 8 8        0 5 5 7 7 0 3 3   0 0 Gtrs. No warranty of accuracy or useability is implied or claimed. 5 3 0 3 1 0 3 1 3 1 3 1 3 1 2 0 2 0 2 0 1.     0 0 0 0  0 0     0 0 0 0 0 0  0 0   0 0         0 0 0 0 0 0 0 0 0 0 0 0 D5  0 0  0 0         0 0 0 0 0 0  0 0 0 0 0 0 0 0 0 0 0 0         0 0 0 0 0 0 10    Come to me.my.For educational use only .    the   . 0 A5   Oh. T o Coda D5   I’ve come   to     3 2 0 0 0 0 0    face             C5           face the en .

M.M. P.       Come to me. 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 3 3 5 Digital Conversion © 2011 Sorgdal .M.    Come to me. 1                   P. P. 2 tacet D5 Eb5 D5        So       pre - Eb5 D5 dict Eb5 D5     ing. 1: w/ Riff B (2 times)      Eb5 D5    Eb5 D5 Gtr. 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0                 P. 1   8 X 6   0        7 5 Ab5 G5 8 X 6 0           7 5 D5 0 13 X 11 0 12 12 X 10 10 Eb5 D5 Eb5 D5     8 X 6 0   0        7 5 C5 8 X 6 0 D5 End Riff B        5 X 3 5 X 3 7 5 0 0     0 *Chord symbols reflect implied harmony.Gtr.M.M.my.              P.e .not for sale or trade. 2: w/ Riff A    en  .For educational use only . Sorgdal .                    P. Gtr. 2 0 Ab5 G5 D5 0 7 7      Eb5 D5 0 7   0 0 7    0 0 0 7    Eb5 D5       Eb5 D5    D5 0 2     10 0 D5 0 8    Eb5 D5 0 5    C5  10 0 Eb5 D5 0 2 8       Ab5 G5 8    Eb5 D5 C5 D5 0 5 5 Bridge Gtr.       Oh! Half-time feel * Eb5 D5 Eb5 D5 Riff B        Gtr.M. you’re   - Eb5 D5       the Eb5 D5 rea Eb5 D5 F5    - son Gtr. No warranty of accuracy or useability is implied or claimed.

Interlude Gtr. 1: w/ Riff B (4 times) C5  Gtr.D5    Eb5 D5   Eb5 D5 Eb5 D5  why Eb5 D5   I lie. Fig.M. 1: w/ Rhy.           P.For educational use only . 12 12    D5 Eb5 D5 Eb5 D5 loco 0 0 7      10 0 6 Digital Conversion © 2011 Sorgdal .M.M. P.            P. Fig.M.M.not for sale or trade. Eb5 D5   Eb5 D5   to fly. Fig.          P. 3  End Rhy. No warranty of accuracy or useability is implied or claimed. 3            P. check . 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 3 3 Gtr.mate! *w/ echo set for dotted half-note regeneration w/ 4 repeats. P.M.  Eb5 D5 Eb5 D5 F5   Rhy. 3 (2 times) D5 Eb5       D5   Sim -   de D5     ple Eb5 D5 - ci - Eb5 D5          time   took Eb5 D5  Eb5 D5     sion.     me Eb5 D5   Eb5 D5 too much Eb5 D5      Eb5 D5 F5      Eb5 D5 F5   * Oh. Sorgdal C5    D5 Eb5 D5  11 0    Ab5 G5 D5     11 0 Ab5 G5 Eb5    D5       0 0 0 7 Eb5 D5 7    D5 Eb5 D5  11 0 Eb5 D5 8     11 0 Eb5    D5  8 10 0 End half-time feel C5 D5 . 2     8v a    fdbk.

D.M. 0 0 –2 slack  Coda Outro D5        en . al Coda Gtr.e .              0 0  0 0 0 0 0 0  0 0         0 0 0 0 0 0               0 0 0 0                 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0  0 0 0 0 0 0 0 0         0 0 0 0 0 0 0 0 0 0 7 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed.For educational use only . Gtr.my.S. 2     Gtr. 3 (dist.not for sale or trade. 0 6 6 6 *Gradually lift P.)   mf                              6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6  * P.M. 1        0 0  0 0       0 0 0 0 0 0 Come  0 0             0 0 0 0 0 0 0 0         0 0 0 0 0 0 0 0 to         0 0 0 0    0 0 0 0  0 0  me. Sorgdal . 2 tacet D5 Ab5 Gtr. 1     w/ bar     fdbk. Gtr.

HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. + = closed (toe down)        Gtr. Tony Rombola. MEEENGYA MUSIC.from Godsmack IV Voodoo Too Words and Music by Sully Erna.. All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal .)  0 0 0 **o = open (toe up). No warranty of accuracy or useability is implied or claimed. Sorgdal .not for sale or trade. * D(b5)  (Bass & Drums)         mp **w/ wah-wah    fdbk. HAMMERCLAW. 1 (clean)  mp     let ring  3 1 0 *Chord symbols reflect overall harmony. 2 (dist. Rob Merrill and Shannon Larkin D5 Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderate Rock q = 132 µ       (Chanting) 10 sec.For educational use only . MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC.                                  13 13 13 13 13 13 12 12 12 12           3  12   13 3         13 13 13 13 13 13 13 13   3   13 13   13 13 13  let ring 0 1 3 1 Copyright © 2006 UNIVERSAL MUSIC CORP.     Gtr.

se . 2 tacet 2nd time. bod -   y. 1 tacet 1st time.. 3 (dist. Gtr.si up . No warranty of accuracy or useability is implied or claimed. Oh. bend 1/2 10 10  1 0 10  let ring 0    12    12   0 0 Verse Gtr.. 2   -  re. O 2.   a so chill warm pass with ev es -   you ’ry  by.. End Riff A      mf    F5              let ring let ring 3 1 1 0 3 0     3 3 0 3 3 3 3 *Doubled throughout Gtr. me.For educational use only .  a it      Ah. tive.not for sale or trade. Dsus2(b5) Rich Rain Sorgdal   F5    su ..  ** 7 **Rock wah-wah pedal. Gtr.per cleans . 2: w/ Fill 1 D(b5) Dsus2(b5)      1... In -   pen still your the Riff A *Gtr.)        eyes.es  -           sti me in ev - - tion with dis ’ry F5    -     Dsus2(b5) guise drip.duc - D(b5)     with down     de ..on Fill 1 Gtr.. 3: w/ Riff A (3 times) D(b5)   A Dance prem    to o a -    ni .tion vi . breath.   Dsus2(b5)      let ring 13 8 10 10 10  D(b5)             3 10 10 10 10      3 10  0 0 1 3  10 12  3 1           12 12 grad. 2 Digital Conversion © 2011 Sorgdal .ing so strong.  .sion    com .

3: w/ Riff C 2nd time. Gtr.) 7  Chorus D5 I’ve    let ring 8 ment ah. Gtr.ish   F5   F6 dream       you can 9 7       Em7 touch a fall 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3               - sky ing or End Riff C        0 3 2 0 2 3    5 3 3  5      3       5 2 2 2 3 2 0 1.ised Bbsus2                 I for       Riff B         8 that          10 10 8 10 8 10 8 3rd time. Sorgdal . 3: w/ Riff C (2 3/4 times)                  D5 fly to the heav . No warranty of accuracy or useability is implied or claimed.ing me it’s all      Em7 voo      - doo.not for sale or trade.   End Riff B                let ring 9 9 7 7    gift F5         10 8 been  oh.to where scent you’ve prom .doo 3 Digital Conversion © 2011 Sorgdal .    be .         voo .long. Gtr. 3: w/ Riff C (3 times) 3rd time. the nour .D(b5) Dsus2(b5)    draws A me in .For educational use only . Gtr. Gtr. 2 tacet            Have you  ev .er Riff C       0 0 f   3 2 0 0               won - why in dered      5 a - ed. 3  - Asus2  (Ah. 1st time.ens that watch      o      - ver you?               F6  Tell .

Interlude
D5


 
Gtr. 3


too.
Voc. Fig. 1

      
Chanted:
(Boom,

 

bah,

Gtr. 2

 

 

boom,


 

kah,



 

chik, boo,

koo,

da.

    


Boom,

       
       
3

 

 

 

bah,





  





10

chik, boo, koo, da.)

    


10

10

13

13

10

13

Gtr. 3 tacet



let ring

10

kah,

let ring

10

dim.

   

3

    

10

12

12









10

12

12






er

won

-

 



 

boom,

10
10
10

Bkgd. Voc.: w/ Voc. Fig. 1

End Voc. Fig. 1




Harm.

1/4

10

12

7

7

2.




 
-




D5

doo.

F6






 


dream

you

can

touch

a

fall

  

Em7




-





Have

you

ev




ing

sky


-



D5

or

fly


  



o

4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-




ver

you?





Tell - ing

me

it’s




 
 
all

dered


T o Coda

F6

 
 


Em7

voo









-


why



to

the



doo,




in

a



heav - ens

that

watch


 
 



voo


-

doo



Interlude
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

D5
Gtr. 3

 





too.

Voo


-

doo

too.





It’s

all

voo

-

doo

8v a

Gtr. 4 (dist.)



p
fdbk.

0

Gtr. 4 tacet

dim.





too.



8v a

Gtr. 4

 

mp

fdbk.

0

0

Gtr. 2

 



mp


fdbk.

0

0
Pitch: C

Guitar Solo
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
Gtr. 3 tacet

µ
Gtr. 2






mf

10

10

10



12

12

12


P.M.

10

10

10

10

10

12

10

12

0

5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


 

 



 



10

12

10

9

D(b5)



10

 

1

10

12



13

12

  

10

11

Dsus2(b5)

 

11

F5

1

11



1

12

12

    

11

12

12

3

10




10

10

12

Dsus2(b5)

      
   
3

3

3

1

1/2

1

10

12

12

10

1/2

11



12

D(b5)

9

      


 


5






semi-harm.

10



1/2

Gtr. 3: w/ Riff A (2 times)








 




13

12

12

10

12

10

13

13

13

10

13

10

13

12

10

12

12

10

10

12

Gtr. 3: w/ Riff B



  

 





F5

Bbsus2







12

10

Asus2






12

10

12



12

1

1/2

1

10

13

Sorgdal

13

10

13


    

  

13 10

12

13

12

10

12

10

12

Gtr. 3: w/ Riff C (1st 2 meas., 3 times)

D5




f



steady gliss.

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

10

F5

1/2

6

13

12

1

12

           
    
3

1

13

10



10
12

12

10

12

10

12

10

12

10

10

1/2
12

5

12

3  12 13 1 1 1/2 1 1/2  12          let ring 0 0 0 7 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed.For educational use only . 2   15 12  10 10 12 12   10 12 10     0 0     3 2 0 0        15 15  F5   13  15   15 15   3 13 10 12      5 12 12 12 10 12 10 12 3          0 0 3 3 3 3 3 3 3 3 3 10                       w/ bar  13 13      15  1 13  14 13 1/2 10 13     1 1/2 13 D5  14 12 13 3 1 Gtr.   12 10 13 10 13   Gtr.not for sale or trade.                 3      13 12 10     13 13 3 1/2 10    10 13 10 10  10 13 13 13 12 10 12                       10 12         12    13 12  10           semi-harm. Sorgdal .

3      1  Outro D5 F5       3 1  doo  . 3 doo 2  5 3       2 3 3 3 3 3 3   3 3 3    (cont. al Coda (take 2nd ending)            D(b5)      steady gliss. Gtr. Sorgdal - 3 1 0  dim. in slashes)      1     It’s just voo 8 Digital Conversion © 2011 Sorgdal .not for sale or trade. No warranty of accuracy or useability is implied or claimed.For educational use only .S. 10 8 0 0 0 0 0 0 0 0 Pitch: A        3 3 3     3      3 3 3  3   let ring 1 0 0 0  Coda -      doo.       13 13            fdbk.    It’s all   voo   0 0   -   doo  3  3 0 3  too. 1       too. voo      - Gtr. D.     1 3 0 1   let ring 3 3 1 let ring  too.    Gtr.

3  Dsus2(b5)   0 9 Digital Conversion © 2011 Sorgdal .         It’s just           what you do.not for sale or trade. Voc.: w/ Voc. Sorgdal .doo  3  1 0 Bkgd. 1 (2 1/2 times) Gtr.For educational use only . 3: w/ Riff A (2 times) D(b5)     too. 3   let ring 3 3 0      All  1 1   that      voo . No warranty of accuracy or useability is implied or claimed. Fig. D(b5)      D5  Dsus2(b5) F5  F5     Gtr.

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