dig subdivide / carbon copy digital delay wet 50, mix 10/10, 1/64, 1/16, 0, 0 xf 3ms, dmod 0, 0hz, filter 20 spacey digital delay

wet 50, mix 10a/0b, 50ms, 0ms, 101, 0 xf 3ms, dmod 2, .09hz, filter 30 slap multitap et 50, mix 10/10, 120ms, 120ms, 0, 0 slur 2, tapr -10, spread 3, filt 0 roto digital delay wet 100, 10/3, 5ms, 70ms, 60, 60 xf 23ms, dmod 4, 3.5hz, filt 30 reso eq vintage delay 50, 9/10, 1ms, 4ms, 85, 75 20bits, dmod 10, .60hz, filter 20 dreamy multitap 50, 10/10,v b 750ms, 650ms, 95, 95 slur 10, taper -2, spread 0, filtr 20 chorus vintage delay 50mix, 26ms, 2ms, 0, 0 20bit, dmod 10, 1.5hz, filter 50 reverse 50mix, 10/0, 500ms, 0ms, 60, 0 130ms, 0, 0, 0 __________________

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. *Depth/Wow now sets the depth of the flange.. needs a few more tweaks to get longer step settings.. I just recommend 20/80 for the traditional Flange sound.Digital Delay Mix: Up to you. ill crack it soon Tape Flange: Tape Echo Dly Mix: 10/10 Time A/B: 0ms/0-7ms Fdbk A/B: 20/80 Xnob:0 Depth:3 Speed 2: *w/Tape Flanger. Better U2 setting Vintage Delay DlyMix: 10:6 Time A/B: 370ms/124ms Fdbk A/B:15/0 Xnob: 15 Depth: 5 Speed: 1. Dly Mix: 7:10 Time A/B: 526ms/694ms Fdbk A/B: 30/43 Xnob: 3ms Mod/Filter off.81hz Filter: Off Bell Reverb .. add to taste.37hz Filter: Hipass The Seek Wah patch only sounds like its stepping thru 4 steps.. the two Fdbk settings interact w/each other. Seek Wah: Band Delay Dly Mix: 7:10 Time A/B: 470ms/222ms Fdbk A/B: 0/19 Xnob: 8 Depth: 1 Speed: 0. twist the knobs and see how many different shades of flange you can get..

X-Knob 10. Mix 30. delay times at 0 or 1 ms. Works with all the waveshapes. The slur will affect the texture the more you turn it up. Fdbk A 51 / B 50.to taste dly mix .MultiTap WetMix: 74 DlyMixA/B: 10:3 Fdbk A/B:94/31 Time A/B: 8ms/140ms Xnob: 7 Depth: 3 Speed: Filter: 33 Sweet & Low Tape Echo Wet Mix: 17 DlyMix A/B: 10:2 Fdbk A/B: 17/28 Time A/B: 795ms/795ms Xnob: 4 Wow: 4 Flutter: 4 Filter: 97 . triangle sounds the best at 0ms and sine sounds best at 1ms. this one is a great subtle delay that works well in many situations.0 . Dly-Mix A10 / B10. leads are fattened with a nice repeat in the background. I found some great bitcrusher/ring mod type sounds under FilterPong: Mix: 100% wet. expression sweeping the depth between 5 and 10.mine is set to A dly time ."Filter Pong" Patch: Mix . BPM 500ms i set the expression pedal to incrase the mix from 30 to 65. a-b mix 10/10.in contrast to the wacky patches. and/or panning between a and b. slur and speed multiplier all the way down to 0. Depth 0. Dly-Time A 234ms / B 306ms. Mode Multitap. Filter 62. feedback 50%. and it provides the right amount of space for strummy passages. Speed 5. Bitcrusher . and sounds more like a ring moddy metallic reverb as you increase it. filter 100 %. it sounds the most like a bitcrusher with it off.

0 speed . overall mix and a negative filter .84 crystal sucker Mod: Reverse Mix: 100 A/B: 5/10 dly A:1/8d dly B: 1/4 Xknob: 52 .1/8 dly time B .2 speed .65 feedback for A .6 (though doesn't matter I guess) filter .00Hz filter: -20 FBack A: 78 FBack B: 62 *important is the mod.10 xknob . the goal is a lower attack) depth: 10 speed: 1.1/4 filter .I have mine assigned to my exp knob to change the waveforms depth .0 depth .A -8.76 fback B .10/10 dly A .654ms xknob ."MultiTap" Patch: Mix .xknob .2 depth .lowpass feedback for both is around 70 Dancing delay things .16 filter .(to taste.758ms dly A .01 (maxed) dly time A .19 fback A ."Band Delay" Patch: dly mix . B .54 Dly mix .5.3 speed .33 Tremdelay .

Moddelay mix:50 a10b8 Dl a.Wet:36 . 360ms Dl b: 120ms FB a:35 FB b:17 triangle dmod: 2 speed: 4.46 fllter: 0 Streets Have no Name: Delay Type: 78 Mix: 78 Dly Mix: A10 B5 Dly Time A: 1/8 Dot Dly Time B: None Fdk A: 46 Fdbk B: 26 Xknob: Wave 4 Depth: 2 Speed: 1..slap verb Mod: Vintage Mix: 25 A/B: 10/8 dly A:230ms dly B: 210ms Xknob: 16Bits depth: 0 speed: 0..Multitap Mix .00Hz filter: 50 FBack A: 50 FBack B: 55 *needs lots of fine tuning.8Hz Filter: 21 BPM: 127 Delay Type .

speed to . Vintage Delay mix = 15. filter to 30 or so for some nice DMM-like sounds. dry mix = 10-10. Delay Type: Filter Pong Mix: 53 Dly Mix: A10 B10 Dly A:494ms Dly B:238ms FdbkA:50 FdbkB:10 Xknob: Fully Clockwise Depth: 3 Speed: 8 Filter:100 THE BIG DISCOVERY (other than tape sounding much better: saturation at 7. now REALLY good. X knob = 20.20. I am a huge fan of what Andy Timmons does.reduce bits to 16. Time B = 500. Time A = 375. It sounds very similar to a zvex seek wah or maybe what you might expect from a pitch factor.9 Depth:Tapr 0 Speed:Sprd:2 Filter:0 Hey Came across an interesting tone while playing around with my TF. set mod intensity to 14-18. and viola: good dark and dirty DM-2-like sounds! Not sort of OK like before.reduce bits to 12 and filter to 95-100 (each number changes the sound subtly but importantly up at the extreme settings. and made a setting that took a while to make (which in my opinion is very close to his actual sound).38.A10:B10 DlyA:1/8 dot DlyB:1/64 FdbkA:94 FdbkB:46 Xknob:Slur . Try it out and play some arpeggiated chords. (Or set mod depth low and mod speed very high) . Speed = 0. Depth = 10.Dlymix. you can hear the "vowel" morph). Feedback B = 40. Feedback A = 40. filter at 40-60) is that VINTAGE is very very usable if tweaked like this: . Filter = 86 . increase feedback to help it speak some more.

Bits:14. very slight chorus almost. I also have the same setting in bank two but with FdBk A:35. Tape mode Saturation 5 Wow 6 Flutter 2 Filter 40 Delay 1 set to Dotted Eighth Delay 2 set to Eighth Both feedbacks set to around 50 Mix set to mostly delay 1 Adjust overall mix according to application Vintage Mode Bits: 11 Mod: 3 Speed: 4.Vintage Delay Bits:12. adjusting the Dmod up you can get a nice dark phaser type tone. Dly A:300ms. Dmod:0. Speed: . Filter:95. Dly Mix A:10+ B:10.50. Vintage Delay.20. Filter:50.30 Filter: 47 Repeats: 53 Mode: TapeEcho Mix: 36 Delay Mix: A 10 + B 8 Delay Time A: 1/8 dotted Delay Time B: 1/16 Tap Tempo: 130 Feedback A: 32 Feedback B: 70 Xknob: 4 Depth: 3 Speed: 3 . FdBk A: 6 (Dly B:0). Dmod:15. A good lead delay that plays well with OD is: Mix:50. Delay A: 85ms Feedback A: 1 (FB B:0) Nice dark slap for OD. Speed: . Also works well with open chords (clean) to give it a little depth. Using this base setting.

Feedback A = 0. Xnob = 3.20Hz Vintage Tone: 40 . Speed = 5. Xnob = 3. Delay Time B = 1/16. Depth = 3. Speed = 5. Delay Time A = 1/8 Dotted. but it's the closest I could get.Filter: 23 Mode 8: Mode = TapeEcho. Xnob = 3. Speed = 5. Delay Time A = 1/8. Delay Mix = A 10 + B 9. Depth = 3. Feedback A = 20. Depth = 3. Xnob = 3. Delay Mix = A 8 + B 10. Feedback B (Slur) = 73 (7). Delay Time A = 1/8 Dotted. Delay Time B = 1/16. Feedback B (Slur) = 70 (7). Depth = 3. Feedback B (Slur) = 63 (6). Filter = 12 "Hosanna" or "From the Inside (Out)" Vintage Delay Mix: 35 Delay Mix: A10-B5 Delay Time A: 1/8* Delay Time B: 1/4 Feedback A: 20 Feedback B: 10 Bit Resolution: 16 Mod Depth: 16 Mod Rate: 0. Filter = 12 Mode 11: Mode = TapeEcho. Filter = 20 Mode 10: Mode = TapeEcho. Filter = 12 Mode 9: This one I couldn't properly replicate. Feedback A = 33. Feedback B (Slur) = 73 (7). Speed = 5. Delay Mix = A 9 + B 10. Delay Time B = 1/8. Delay Time A = 1/8 Dotted. Feedback A = 30. Mode = TapeEcho. Delay Time B = 1/16. Delay Mix = A 10 + B 10.