512_4 | Lithography | Etching

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187. Joan Miró (Spanish, 1893-1983) Plate XV from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin, 385). Monogrammed “M” in pencil l.r., numbered “41/75” in pencil l.l., identified on a label from Retina Gallery, Boston, on the reverse. Color drypoint and aquatint on paper, plate/sheet size 19 x 23 in. (48.2 x 58.3 cm), framed. Condition: Deckled edges to three sides, subtle handling creases, not examined out of frame. Provenance: A private New England collection. $1,500-2,500 188. Joan Miró (Spanish, 1893-1983) La Chouette et l’escargot/A Greeting Card from Aime Maeght, 1964 (Dupin, 388). Unsigned, identified “Aime Maeght vous presente ses meilleurs voeux pour 1964...” in text in the interior. Drypoint with color aquatint on BFK Rives paper with watermark, plate size 6 5/8 x 4 1/2 in. (16.7 x 11.3 cm), framed. Condition: Toning, sheet folded to create a card. $300-350

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189. Joan Miró (Spanish, 1893-1983) L’Oiseau destructeur, 1969, edition of 75 (Dupin, 512). Signed “Miró” in pencil l.r., numbered “68/75” in pencil l.l. Color etching, aquatint and carborundum on paper, image/sheet size 28 1/2 x 37 in. (72.3 x 94.0 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $12,000-18,000

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190. Joan Miró (Spanish, 1893-1983) La Femme arborescent, 1974, edition of 50 (Dupin, 649). Signed “Miró” in pencil l.r., numbered “3/50” in pencil l.l. Color etching and aquatint on paper, image/sheet size 43 1/2 x 28 1/2 in. (110.4 x 72.3 cm), framed. Condition: Deckled edges, rippling, several subtle handling creases, not examined out of frame. $18,000-22,000

191. Joan Miró (Spanish, 1893-1983) Image from QUELQUES FLEURS POUR DES AMIS, 1964, edition of 225 plus proofs (Mourlot, 340). Signed “Miró” in pencil l.r., inscribed “H.C. III/XI” in pencil l.l. Lithograph printed in black and gray on paper, image/sheet size 16 1/8 x 12 3/4 in. (41.0 x 32.3 cm), framed. Condition: Deckled lower edge, not examined out of frame. $800-1,200 192. Joan Miró (Spanish, 1893-1983) La Japanaise, 1971, edition of 150 plus proofs (Mourlot, 829). Signed “Miró” in pencil l.r., numbered “58/150” in pencil l.l. Color lithograph on paper, sight size 13 3/4 x 19 1/4 in. (34.8 x 48.8 cm), framed. Condition: Pale mat burn, not examined out of frame. $2,000-3,000

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193. Joan Miró (Spanish, 1893-1983) Lot of Four Works from MIRO LITHOGRAPHS I: Plates IV, VIII, IX, and X, 1972 (Mourlot, 860, 864, 865, and 866). Unsigned, each identified in text on the reverse. Color lithographs on paper, sheet sizes approximately 12 1/2 x 19 1/2 in. (31.6 x 49.5 cm), unmatted, unframed. Condition: Each with a centralized vertical crease (with staple holes and binding residue) and pale staining from inks to the reverse. $800-1,200

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194. Joan Miró (Spanish, 1893-1983) Plate Five from ODA A JOAN MIRO, 1973, total edition of 535 (Mourlot, 907). Signed “Miró” in pencil l.r., numbered “70/75” in pencil l.l., stamped “GALERIA KREISLER DOS... MADRID...” on the reverse. Color lithograph on paper, image size 34 x 23 1/2 in. (86.3 x 59.5 cm), unmatted, unframed. Condition: Soft diagonal creases to image, old hinges to upper edge. $2,500-3,500

195. Henry Moore (British, 1898-1986) Three Sculptural Motives, 1970, edition of 50 plus proofs (Cramer et al., 158). Signed “Moore” in pencil l.r., numbered “44/50” in pencil l.l., identified on a label from Harcus, Krakow, Rosen and Sonnabend, Boston, on the reverse. Etching on paper, plate size 11 1/2 x 7 7/8 in. (29.2 x 19.9 cm), framed. Condition: Margins over 1/4 inch, not examined out of frame. $600-800

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196. Henry Moore (British, 1898-1986) Six Reclining Figures, 1974, edition of 99 plus proofs (Cramer, 353). Signed “Moore” in pencil l.r., numbered “42/99” in pencil l.l. Lithograph in colors on paper, image size 15 x 19 3/4 in. (38.0 x 50.0 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. $1,500-3,000 197. After Thomas Moran (American, 1837-1926) The White Mountains, 1874, published by The Aldine. Signed in the matrix, identified on a label on the reverse. Chromolithograph on paperboard, image/sheet size 11 1/4 x 15 5/8 in. (28.5 x 39.6 cm), framed. Condition: Toning, soiling. $400-600

198. Richard Mortensen (Danish, 1910-1993) Untitled (Blue Figure), 1966-1968, edition of 75. Signed and dated “Richard Mortensen 1966-68” in pencil l.r., numbered “41/75” in pencil l.l. Screenprint in blues on paper, image size 15 1/8 x 13 in. (38.3 x 33.0 cm), framed. Condition: Subtle rippling, not examined out of frame. $300-500

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199. Kaiko Moti (Indian, 1921-1989) Girl in Profile. Signed “K Moti” in pencil l.r., inscribed “IX/C” in pencil l.l. Lithograph in grays on paper, image size 22 1/4 x 18 in. (56.4 x 45.7 cm), unmatted, unframed. Condition: Margins 2 inches or more, rub/paper loss to upper margin, masking tape on verso along edges. $300-500

200. Shiko Munakata (Japanese, 1903-1975) Landscape, 1958. Signed and dated “...Munakata 1958...” and in Japanese characters in pencil l.l., chop mark l.l. Woodcut with hand-coloring on paper, image size 13 1/4 x 12 1/2 in. (33.5 x 31.7 cm), framed. Condition: Unobtrusive cockling, not examined out of frame. $5,000-7,000

201. Thomas Willoughby Nason (American, 1889-1971) Winding Road, 1939, edition of 125, published for the New Haven Print Club (BPL, 286). Signed and dated “TWNason 1939” in pencil l.r. Engraving on paper, plate size 6 x 7 7/8 in. (15.0 x 19.9 cm), framed. Condition: Not examined out of frame. $300-500

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202. LeRoy Neiman (American, b. 1926) The Green Table, 1974, edition of 300. Signed “LeRoy Neiman” in pencil l.r., numbered “132/300” in pencil l.l. Color screenprint on paper, image size 39 3/4 x 26 in. (100.8 x 66.0 cm), framed. Condition: Not examined out of frame. $2,000-4,000 203. Louise Berliawsky Nevelson (American, 1900-1988) Untitled/Sculpture for The American Book Award, 1980, edition of 100. Unsigned, identified on a label affixed to the reverse. Black cast polyester resin, 15 1/4 x 15 3/4 in. (38.7 x 40.0 cm), framed. Condition: Minor surface grime. N.B. The present work was awarded in 1983 to William Steig for the children’s picture book, Doctor de Soto, published by Farrar, Straus & Giroux. $700-900 204. Louise Berliawsky Nevelson (American, 1900-1988) Sky Gate I, 1982, edition of 90 plus proofs. Signed and dated “Nevelson - 82” in pencil l.c., numbered “63/90” in pencil l.l., identified on a label from Pace Editions, Inc., New York, on the reverse. Cast paper relief, sheet size 33 1/2 x 20 1/4 in. (85.0 x 51.5 cm), framed. Condition: Not examined out of frame. $2,000-4,000

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205. Louise Berliawsky Nevelson (American, 1900-1988) Untitled, 1985, edition of 250, published by Pace Editions. Signed and dated “Nevelson-85.” in pencil l.r., numbered “122/250” in pencil l.l., identified in information affixed to the reverse. Cast paper relief print, 13 5/8 x 14 1/4 in. (34.5 x 36.2 cm), framed. Condition: Not examined out of frame. $1,000-1,500 206. Dale Nichols (American, 1904-1995) Sleigh Ride. Signed “+DaleNichols” in pencil l.r. Lithograph on paper, image size 9 1/4 x 13 1/4 in. (23.4 x 33.4 cm), framed. Condition: Toning, unobtrusive mat burn, not examined out of frame. $300-500

207. Dean Nimmer (American, 20th/21st Century) Spiral 42, 2003. Signed “DNimmer” in pencil l.r., signed, inscribed and dated “DNimmer #4400 2003” in pencil on the reverse. Color monotype on paper, image/sheet size 15 1/8 x 11 1/4 in. (38.3 x 28.5 cm), framed. Condition: All but the lower edge deckled. $500-700

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208. Dean Nimmer (American, 20th/21st Century) Untitled, 2003. Signed “DNimmer” in pencil l.l. and in white l.r., signed, inscribed and dated “DNimmer #4136 2003” in pencil on the reverse. Color monotype on paper, image/sheet size 15 1/8 x 11 1/4 in. (38.3 x 28.5 cm), framed (without glass). Condition: All but the lower edge deckled. $500-700 209. Claes Oldenburg (American, b. 1929) Geometric Mouse Scale D “Home-Made,” 1971, edition of approximately 3,000 (Axsom & Platzker, 73). Signed and identified in the matrix on the base piece. Offset lithography on five laminated paper pieces affixed with metal fasteners and chains, base size 19 5/8 x 16 5/8 in. (49.7 x 42.2 cm). Condition: Unobtrusively toned and light struck, creases to base piece. $300-350 210. José Clemente Orozco (Mexican, 1883-1949) Hombre con Manos, Sobre la Cara, 1928, edition of 100 (Orozco, 7). Signed “J.C. Orozco” in pencil l.r. Lithograph on paper, image size 11 3/4 x 9 7/8 in. (29.9.x 25.1 cm), framed. Condition: Subtle toning, not examined out of frame. $2,500-3,500

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211. Victor Pasmore (British, 1908-1998) Lot of Four Images: By What Geometry Must We Construct... from WORD AND IMAGE, 1974, edition of 60 (Pasmore, 39c); Am I the Object Which I See... from WORD AND IMAGE, 1974, edition of 60 (Pasmore, 39d); When the Lute is Broken, 1974, edition of 60 (Pasmore, 40); and Linear Motif in Two Movements, 1974, edition of 60 (Pasmore, 46). Each monogrammed and dated “VP 74” in pencil l.r. Etchings with aquatint on paper, plate sizes approximately 15 x 15 in. (38.0 x 38.0 cm), framed. Condition: Not examined out of frames. $800-1,200

212. Margaret Jordan Patterson (American, 1867-1950) Coast Cypress, edition of 100. Signed “Margaret Patterson” in pencil l.r. and in pencil within the image l.l., numbered “no 29/100” in pencil l.l., titled in pencil l.c. Color woodcut on paper, 7 1/4 x 10 3/8 in. (18.3 x 26.3 cm), unmatted, unframed. Condition: Margins 1/4 inch or more with deckled lower edge. $2,000-3,000

213. Gerry Peirce (American, 1900-1969) Arizona, edition of 100. Signed “Gerry Peirce” in pencil l.r., titled and numbered “...81/100” l.l. Drypoint and aquatint on paper, plate size 6 x 8 in. (15.2 x 20.3 cm), matted, unframed. Condition: Margins 3/4 inches or more. $300-350

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214. Joseph Pennell (American, 1860-1926) View to San Giorgio Maggiore, 1883. Signed, dated and inscribed “...Venice 6 9 1883 Saturday 7 pm” in the plate. Etching on paper, plate size 4 x 8 3/8 in. (10.0 x 21.2 cm), framed. Condition: Subtle toning and rippling, not examined out of frame. $300-500

215. Joseph Pennell (American, 1860-1926) Lot of Two Views: Leadenhall Market, II, 1903, edition of about 50 (Wuerth, 254); and The Woolworth Building, 1915, edition of about 100 (Wuerth, 675). Both signed and inscribed “JoPennell imp” in pencil along the lower edge. Etchings on paper, plate sizes to 11 x 8 1/2 in. (27.8 x 21.5 cm), matted, unframed. Condition: Both with unobtrusive toning and staining, former with mat burn, the latter with masking tape residue to edges. $300-500 216. Joseph Pennell (American, 1860-1926) Great Cranes, South Kensington, 1903, edition of about 50 (Wuerth, 288). Signed and inscribed “JoPennell imp” in pencil l.c. Etching in sepia on laid paper, plate size 8 3/4 x 11 in. (22.2 x 27.9 cm), unmatted, unframed. Condition: Deckled left edge, soiling, subtle toning. $300-500

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217. Joseph Pennell (American, 1860-1926) Bridge of Alcantara, Toledo, 1904, possibly from the 1909 edition (Wuerth, 322). Signed or inscribed “J.Pennell” in pencil l.c. Etching on paper, plate size 10 x 8 in. (25.4 x 20.0 cm), unmatted, unframed. Condition: Margins about 1/2 inch, toning. $300-350

218. Joseph Pennell (American, 1860-1926) St. Paul’s Pavement, London, 1905, from the 1910 edition (Wuerth, 366). Unsigned. Etching on paper, plate size 8 1/2 x 11 in. (21.5 x 27.9 cm), framed. Condition: Toning, mat burn, gentle rippling, not examined out of frame. $300-400

219. Joseph Pennell (American, 1860-1926) New York, From Brooklyn Bridge, 1908, edition of about 150 (Wuerth, 490). Signed and inscribed “JoPennell imp” in pencil l.c. Etching on paper, plate size 11 x 8 3/8 in. (27.8 x 21.3 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

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220. Joseph Pennell (American, 1860-1926) Song of the Search Light, published 1920 (Wuerth, 687). Signed and inscribed “JoPennell imp” in pencil l.c., identified on a label from Rose B. Lee Fine Prints, Los Angeles, on the reverse. Aquatint on paper, plate size 4 x 7 in. (10.0 x 17.7 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600
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221. Joseph Pennell (American, 1860-1926) Standard Oil Building, 1923, edition of about 50 (Wuerth, 817). Signed and inscribed “JoPennell imp” in pencil l.c. Etching on paper, plate size 12 1/4 x 9 1/4 in. (31.0 x 23.6 cm), unmatted, unframed. Condition: Margins 3/8 inches or more with minor nicks to some edges, gently light struck. $300-500

222. Joseph Pennell (American, 1860-1926) and Elizabeth Robins Pennell (American, 1855-1936) Lithography & Lithographers; Some Chapters in the History of Art, published by The Century Co., New York, 1897, including original lithographs by John McLure Hamilton (American, 18531936), Alphonse Legros (French, 1837-1911), Alexandre Lunois (French, 1863-1916), Charles Haslewood Shannon (British, 1863-1937), William Strang (British, 1859-1921), Thomas Robert Way (British, 1862-1913), and James Abbott McNeill Whistler (American, 1834-1903). Identified on the title page, 14 x 11 in. (35.5 x 27.8 cm), cloth cover. Condition: Unobtrusive wear and toning. $1,000-2,000

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223. Gabor F. Peterdi (American, 1915-2001) Lot of Three Images: La Grande Bataille, 1939, artist’s proof, etching and engraving; The Hunter Hunted, 1948, edition of 35, engraving; and Murdered in the Cathedral, 1964, edition of 25, etching and aquatint in blue/black ink. Signed and dated “Peterdi...” in pencil l.r. and inscribed in pencil l.l., two titled in pencil l.c. Plate sizes to 35 1/2 x 21 3/4 in. (90.0 x 55.2 cm), framed. Condition: Not examined out of frames. $1,000-1,500 224. Lot of Two Prints: Gabor F. Peterdi (American, 1915-2001), Untitled, 1953, edition of 35, color etching and aquatint; and Walter Spies (German, 1895-1942), Hymenoptesa, 1925, woodcut. Both signed and dated in pencil l.r. Image sizes to 15 3/4 x 11 3/4 in. (39.9 x 29.8 cm), framed. Condition: Latter with staining and losses to margins, not examined out of frames. $300-500 225. Gabor F. Peterdi (American, 1915-2001) Lot of Two Images: Stormy Sea, 1962, edition of 50; and Under the Reef, 1969, edition of 130. Both signed and dated “Peterdi...” in pencil l.r., titled in pencil l.c. and numbered in pencil l.l. Etchings with aquatint, each printed in a different blue/green ink, on paper, plate sizes approximately 18 1/2 x 23 3/4 in. (46.9 x 60.2 cm), both matted, the former framed. Condition: Margins over 1/2 inch, several pale fox marks to Reef, Sea not examined out of frame. $800-1,200

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226. Gabor F. Peterdi (American, 1915-2001) Blooming..., 1965, edition of 25. Signed and dated “Peterdi ‘65 Imp” in pencil l.r., numbered “14 - 25” in pencil l.l., titled in pencil l.c. Color etching and aquatint on heavy cream paper, plate size 19 3/4 x 31 1/2 in. (50.2 x 80.0 cm), unmatted, unframed. Condition: Margins 2 inches or more, several gently pressed vertical creases, subtle soiling, hinges on verso near upper corners, annotations l.r. $400-600

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227. Pablo Picasso (Spanish, 1881-1973) Céphale tue par mégarde sa femme Procris from LES METAMORPHOSES D’OVIDE, 1931 (Geiser, 156; Cramer, 19). Signed “Picasso” in pencil l.r. Etching on laid paper, plate size 12 1/2 x 9 5/8 in. (31.5 x 24.2 cm), unmatted, unframed. Condition: Mat burn and other staining, foxing, deckled right and lower edges, edges reinforced, annotation to lower edge (recto and verso). Provenance: From the estate of Mary Gershinowitz, sold for the benefit of the Harvard Art Museum. $1,500-2,500

227A. Pablo Picasso (Spanish, 1881-1973) A la ville de Cordoue from VINGT POEMES, by Luis de Gongora y Argote, 1948, total edition of 275 (Cramer, 51). Unsigned, numbered “II/XXV” in pencil l.l. Aquatint on paper with crest watermark, image size 11 7/8 x 9 1/8 in. (30.1 x 23.2 cm), unmatted, unframed. Condition: Toning, mat burn, annotation to lower edge. $300-500

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228. Pablo Picasso (Spanish, 1881-1973) Le Vieux Roi, 1959, edition of 1,000 (Bloch, 869). Stamped signature in red l.r., signed or inscribed “Bon a Tirer Picasso” in blue pencil l.l. Lithograph on Arches paper with partial watermark plus Mourlot watermark, image size 25 3/4 x 19 3/4 in. (65.4 x 50.0 cm), unmatted, unframed. Condition: Narrow margins with deckled right and lower edges, several minor nicks to edges, creases to corner l.l. (slightly into image) plus minor handling creases. $2,000-4,000 229. After Pablo Picasso (Spanish, 1881-1973) Image from PORTRAITS IMAGINAIRE, c. 1969. Signed and dated in the matrix, numbered “319/375” in pencil l.l. Color lithograph on paper, image/sheet size 26 1/4 x 20 in. (66.5 x 50.7 cm), framed. Condition: Soiling to edges, not examined out of frame. $1,500-2,500 230. Pablo Picasso (Spanish, 1881-1973) Vase with Two High Handles, 1952, edition of 400 (Ramie, 141). Inscribed “EDITION PICASSO” on base and stamped “EDITION PICASSO” on base. Turned earthenware vase with engobe and knife decoration with glazes in black, white, and gray, height 15 in. (38.0 cm). Condition: Surface grime. $3,000-5,000

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231. Pablo Picasso (Spanish, 1881-1973) Tête de chevre de profil, 1952, edition of 250 (Ramie, 145). Stamped “EMPREINTE ORIGINALE DE PICASSO” and “MADOURA PLEIN FEU” on the base. Oblong earthenware dish with engobe decoration with glazes in black, white, green, and blue, 12 1/4 x 20 in. (31.4 x 50.7 cm). Condition: Surface grime. $8,000-12,000

232. Pablo Picasso (Spanish, 1881-1973) Dishevelled Woman, 1963, edition of 100 (Ramie, 509). Inscribed “51/100” on the base, incised “T.103” on the base, stamped “EMPREINTE ORIGINALE DE PICASSO” and “MADOURA PLEIN FEU” on the base. Earthenware plate with engobe decoration with glazes in black, white, green, and blue, diameter 10 1/2 in. (26.4 cm). Condition: Surface grime. $1,500-2,500

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233. Giovanni Battista Piranesi (Italian, 1720-1778) Veduta del Palazzo Farnese, plate 113 from LE VEDUTE PITTORESCHE DI ROMA, 1773, probably an edition before the Paris edition. Signed and identified within the plate. Etching with engraving on paper, plate size 16 1/2 x 26 1/4 in. (41.8 x 66.5 cm), framed. Condition: Subtle rippling, probably cleaned, not examined out of frame. $700-900

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234. Andre Racz (American, b. 1916) MOTHER AND CHILD/A Portfolio of Twenty Works, Plus a Title Page and Cover Image, 1949, edition of 50 plus proofs. Each numbered, signed and dated “2/50 Andre Racz 49” in brown ink beneath images, and on the colophon page. Etchings and engravings with plate tone (some with aquatint and/or printed in blue inks) on paper, sheet sizes 20 1/4 x 15 3/4 in. (51.4 x 40.0 cm), presented in the original portfolio. Condition: Minor handling marks and creases, unobtrusive wear to cover. $4,000-6,000 235. Odilon Redon (French, 1840-1916) Christ, 1887, edition of 25 (Mellerio, 71). Unsigned. Lithograph on tissue paper, image size 13 1/8 x 10 3/4 in. (33.3 x 27.0 cm), framed. Condition: Margins 1 1/2 inches or more with deckled left edge, glued to facing mat along upper margin, subtle rippling. Provenance: The estate of Sir Edwin A.G. Manton. $700-900 236. Odilon Redon (French, 1840-1916) Je me suis enfoncé dans la solitude, j’habitais l’arbre derriere moi, plate IX from TENTATION DE SAINT-ANTOINE, 1896, edition of 50 (Mellerio, 142). Unsigned. Lithograph on chine collé, image size 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm), framed. Condition: Not examined out of frame. $400-600

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237. Odilon Redon (French, 1840-1916) Untitled (Femme coiffee d’une toque et rejetant le buste en arriere), 1900 (Mellerio, 188). Unsigned. Lithograph on paper, image size 9 x 8 in. (22.8 x 20.3 cm), framed. Condition: Subtle rippling and toning, not examined out of frame. Provenance: The estate of Sir Edwin A.G. Manton. $300-500 238. Ad Reinhardt (American, 1913-1967) Untitled from TEN WORKS + TEN PAINTERS, 1964, edition of 500 plus proofs, published by the Wadsworth Atheneum, Hartford. Unsigned, Ives-Sillman, New Haven dry stamp l.r., Fogg Art Museum duplicate stamp on the reverse. Color screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm), unmatted and with original folder, unframed. Condition: Margins 4 inches or more, hinge residue and annotations to the reverse. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $500-700 239. Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Self Portrait in a Velvet Cap and Plume, 1638, an 18th century or later impression (Hind, 156; Bartsch/White & Boon, 20). Signed and dated in the plate. Etching on paper, plate size 5 1/2 x 4 1/8 in. (14.0 x 10.4 cm), framed. Condition: Margins over 1/4 inch, not examined out of frame. $4,000-6,000

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240. Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Self Portrait Drawing at a Window, 1648, probably a late 18th century impression (Hind, 229; Bartsch/White & Boon, 22 v/v). Signed and dated in the plate, identified on a label from Otto Lambert, New York, on the reverse. Etching on paper, image size 6 1/4 x 5 1/8 in. (16.0 x 13.0 cm), framed. Condition: Margins trimmed to or within the plate mark, staining, not examined out of frame. $800-1,200 241. Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Woman Bathing Her Feet at a Brook, 1658, probably an 18th century impression (Hind, 298; Bartsch/White & Boon, 200). Unsigned. Etching on paper, plate size 6 3/8 x 3 1/8 in. (16.0 x 7.9 cm), framed. Condition: Margins 1/8 inch or more, not examined out of frame. $700-900 242. After Frederic Remington (American, 1861-1909) An Arizona Cowboy from A BUNCH OF BUCKSKINS, 1901, published by Robert Howard Russell. Signed and with publication information within the matrix. Color lithograph on paper, image size 15 3/4 x 13 3/4 in. (40.0 x 35.0 cm), framed. Condition: Laid down, subtle toning, several pale fox marks or stains, not examined out of frame. $1,000-1,500

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243. After Frederic Remington (American, 1861-1909) A Breed from A BUNCH OF BUCKSKINS, 1901, published by Robert Howard Russell. Signed and with publication information within the matrix. Color lithograph on paper, image size 16 3/4 x 13 1/2 in. (42.5 x 34.3 cm), framed. Condition: Laid down, subtle toning, several pale fox marks or stains, not examined out of frame. $1,000-1,500 244. Pierre-Auguste Renoir (French, 1841-1919) Femme nue couchée, tournée à droite (2e planche), 1906, probably a later impression (Stella, 14). Unsigned. Etching on paper, plate size 5 3/8 x 7 5/8 in. (13.5 x 19.3 cm), framed. Condition: Unobtrusive toning, rippling, and mat burn, not examined out of frame. $500-700 245. Grant Tyson Reynard (American, 1887-1967) Art Dealers Window. Signed “Grant Reynard” in pencil l.l., signed in the plate. Etching on paper, plate size 8 x 6 7/8 in. (20.3 x 17.4 cm), matted, unframed. Condition: Margins 1 inch or more, subtle toning. $300-500
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246. Aiden Lassell Ripley (American, 1896-1969) Grouse and Grapes. Signed “A. Lassell Ripley” in pencil l.r. Etching on paper, plate size 6 1/2 x 8 3/8 in. (16.4 x 21.2 cm), unmatted, unframed. Condition: Margins 1 inch or more. $400-600

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247. Manuel Robbe (French, 1872-1936) Lot of Two Images of Paris: Le Jardin des Tuileries, 1904, and Aux Tuileries, 1906. The former signed in the plate. Color etching with aquatint on paper, image sizes 13 x 19 1/4 in. (32.9 x 48.8 cm), framed. Condition: Toning, not examined out of frames. $300-500

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248. Manuel Robbe (French, 1872-1936) Booksellers Along the Seine. Signed “Manuel Robbe” in pencil l.r. Color aquatint on paper, plate size 9 3/8 x 11 3/4 in. (23.8 x 29.8 cm), framed. Condition: Unobtrusive toning and staining, not examined out of frame. $300-500

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249. Georges Rouault (French, 1871-1958) Le condamné s’en est allé..., 1922, from MISERERE, published in 1948, total edition of 450 (Wofsy, 125). Dated and initialed (twice) in the plate. Etching and aquatint on paper, plate size 19 3/4 x 13 1/2 in. (50.0 x 34.3 cm), framed. Condition: Toning, subtle rippling, not examined out of frame. $300-500 250. Georges Rouault (French, 1871-1958) Lot of Two Images from MISERERE: Celui qui croit en moi, fut-il mort, vivra and Mon doux pays ou etes-vous?, published 1948, edition of 425 plus proofs (Wofsy, 135 & 151). Both signed and dated in the plate. Etching with aquatint on Arches paper with “Arches” and “Ambroise Vollard” watermarks, plate sizes approximately 16 1/2 x 23 in. (41.5 x 58.5 cm), unmatted, unframed, presented in their original folders. Condition: Deckled edges, subtle handling marks. $500-700 251. Georges Rouault (French, 1871-1958) Homme Conduisant Un Autre, 1936, from PASSION, published 1939, total edition of 270 (Wofsy, 340). Initialed and dated in the plate. Color aquatint on paper, plate size 12 7/8 x 9 1/8 in. (32.6 x 23.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. Provenance: From the estate of Mary Ann and Frederick Lippitt, Providence, Rhode Island. $1,000-1,500
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252. Jan Pietersz Saenredam (Dutch, 1565-1607), After Hendrik Goltzius (Dutch, 1558-1617) Minerva Leaning on Her Shield. Identified in the plate, John Witt Randall Collection and Fogg Art Museum duplicate stamps on the reverse. Engraving on laid paper with armorial watermark, plate size 13 1/2 x 10 in. (34.2 x 25.5 cm), hinged to backing mat, unframed. Condition: Margins trimmed to just outside the plate mark, subtle toning and fox marks, thin spots to some corners, annotations on verso. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $400-600

253. Fritz Scholder (Native American, 1937-2005) War Cry, edition of 100. Signed “Scholder” in pencil l.r., numbered “76.100” in pencil l.l. Color lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrinkwrapped. Condition: Not examined out of wrap. $300-500

254. Georges Schreiber (American, 1904-1977) Southern Siesta, c. 1945, edition probably of 250, published by Associated American Artists. Signed “Georges Schreiber” in pencil l.r., titled in pencil l.l., identified on an AAA label on the reverse. Lithograph on paper, image size 8 3/4 x 11 7/8 in. (22.0 x 30.0 cm), framed. Condition: Not examined out of frame. $300-500

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255. Emil Schumacher (German, 1912-1999) Untitled, c. 1961. Signed “Schumacher” in pencil l.r. Etching and aquatint on paper, plate size 9 x 8 3/4 in. (22.8 x 22.0 cm), framed. Condition: Not examined out of frame. $300-500 256. Ronald Searle (British, b. 1920) Image from HOMMAGE A TOULOUSE-LAUTREC, 1969, edition of 200. Signed and dated “Ronald Searle 1969” in pencil l.r., numbered “154/200” in pencil l.l. Lithograph on paper, sight size 9 7/8 x 9 1/4 in. (25.0 x 23.4 cm), framed. Condition: Not examined out of frame. Provenance: The estate of Sir Edwin A.G. Manton. $300-500 257. Kurt Seligmann (Swiss/American, 1900-1962) Image from THE MYTH OF OEDIPUS, 1944, edition of 50. Signed and dated “K Seligman 1944” in pencil l.r. Etching on paper, plate size 17 3/4 x 11 3/4 in. (45.0 x 29.8 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, subtle soiling and rippling. $600-800
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258. Paul Signac (French, 1863-1935) Le Pont des Arts avec remorqueurs, c. 1927, edition of 250 (Kornfeld & Wick, 24). Signed within the plate. Etching and aquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm), framed. Condition: Subtle toning and rippling, not examined out of frame. $600-800

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259. Tavik Frantisek Simon (Czech, 1877-1942) Lot of Two Views: Park in Winter and The Market Place. Both signed “T.F. Simon” in pencil l.r. and monogrammed in the plate, the former with the artist’s chop l.l. Color etchings with aquatint on paper, plate sizes approximately 13 x 13 in. (33.0 x 33.0 cm), framed. Condition: Subtle toning, former with breaks to sheet along plate mark and gentle rippling, not examined out of frames. $1,000-1,500

260. Richard Smith (British, b. 1931) Horizon I, 1970, edition of 75. Numbered, signed and dated “48/75 R. Smith 70” in pencil l.l. Color lithograph with collage on paper, image size 9 1/4 x 22 1/4 in. (23.4 x 56.4 cm), framed. Condition: Staining near edges, not examined out of frame. $300-500

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