Foreword
Here’s what you need to know about Baba Yaga
, the great, iconic, Russian fairy tale witch. She lives in a house in the wood that walks about on chicken feet. She calls to it:
“Turn about, little house, turn to me,” and it rotates until its front door is right before her.
She flies around in the sky in a human-sized mortar (the kind used for grinding herbs), which she steers with a pestle. She has an iron nose and iron teeth. Smart and bold little girls like Vasilisa work for her and are rewarded, but Baba Yaga devours naughty boys. Some stories say she has a fence around her house made of the bones of the children she has eaten. But that fence also migrated in storyland to the house of the Hansel and Gretel witch, so I have put it there instead.
Baba Yaga represents the ageless life force. She’s a mag
ical crone, once both feared and worshipped by Russian peasants. In fact, these days around the world, she is better known than any other Russian folk tale character, more popular than Vasilisa,
Kostchai the Deathless, or Firebird. She’s appeared in novels
, graphic novels, movies, and TV series.
Added to that, Baba Yaga is both my hero and the nightmare figure in my dreams. I have taken all the characters, added a modern family, and the rest is a novel in verse that mixes Russia folklore and American realism.
—
Jane Yolen