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ratings:
Length:
16 minutes
Released:
Mar 16, 2023
Format:
Podcast episode

Description

“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit. Giuseppe Verdi’s opera, based on the play Shakespeare wrote in the very early 1600s, centers on the Moor, Otello — an African who becomes a much-celebrated Venetian general for leading a successful war against his fellow Africans. Despite that, there’s no lasting comfort in store for Otello: the rage and jealousy of his lieutenant won’t stand for it.  In this episode of Every Voice with Terrance McKnight, tenor Limmie Pulliam and baritone Kevin Maynor join Terrance to examine the character of Otello. This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
Released:
Mar 16, 2023
Format:
Podcast episode

Titles in the series (21)

“Every Voice with Terrance McKnight” is a show that spotlights the vibrant stories and perspectives that reflect the whole of the American musical experience. There are many different kinds of classical music, depending on where you are in the world. While this music typically preserves the traditions of a given society, classical music in America remains wedded to its Western European roots. On this show, we want to know why — and what America’s classical music really sounds like. Through interviews, historical investigation, and personal storytelling, Terrance McKnight unearths the hidden voices that have been shaping our musical traditions all along. Our debut season examines the representation of Blackness in opera. While character flaws are universal, stereotypes often fall along racial lines. We look at the loneliness, jealousy, self-loathing, and cultural appropriation associated with African characters in 18th and 19th century operas by Mozart and Verdi, and we introduce the African-American personalities found in the operas of Atlanta-based composer Dr. Sharon Willis.