OR CHALLENGE CODES AND CONVENTIONS OF REAL MEDIA PRODUCTS? Chloe Walsh and Chloe Challenger In what ways does your media product use codes and conventions of real media products? In our music video we use a number of different traditional codes and conventions of the pop genre. For example, we have used similar props and costumes to what have been used in other existing pop music videos. In the video, the female artist wears a quite heavy make up, similar to other music videos An example of this can be seen during the first shot where the artist is shown. The shot is a close up of the female artist and her heavy make up is clearly visible. Mulveys idea of the male gaze can be applied to our product as the female is often in a close up shot, amplifying her beauty. Wolfs beauty myth can also be applied to the use of heavy make up in our product as she states that, womens standards of physical beauty have grown stronger because of the commercial influences on the mass media. An example of this can also be seen in Zara Larssons Aint My Fault video, as they use a lot of close ups of her singing with heavy make up on. They also use long shots and mid shots of her walking and singing in a small dress with high boots on representing her as a sexualised figure. Another code and convention we utilized in our music video is the camera language. We use a variety of shot types in our music video and all of these are conventions of the genre pop. For example, we use a variety of close up shots of both artists during the performance shots. This promotes the artist according to Goodwin, these close up shots will meet the demands of the record label because of this. Another shot utilized in our music video that conforms to the genre conventions is the use of two shots and point of view shots. For example, a two shot is utilized showing the two characters driving, this establishes the relationship to the audience. POV shots are used to represent the nature of the characters relationship and to put the audience in the position of the character. An example of where this is used is in Jonas Blues Perfect Strangers music video, they utilize POV shots when the two characters first see each other to create empathy in the audience where they are placed in that characters position. In addition, a two shot is used in Justin Biebers Love Yourself In what ways does your media product use codes and conventions of real media products? Furthermore, we use the same lighting as used in similar pop media products. In most pop music videos, high key lighting is used to coincide with the upbeat instrumentals. Throughout our music video we utilized ambient, utopian lighting in the studio shots of the artists performing and we also used high key ambient lighting for the narrative shots. Goodwins idea of the relationship between music and visuals can be applied here as the feel-good, upbeat instrumentals are reflected in the highly saturated colour palette and the use of ambient lighting. An example of this can be seen in Maroon 5s Dont Wanna Know music video as it uses ambient lighting for the narrative shots and high key lighting in the studio shots. In addition to this the colour grading that we have utilized in our music video follows the conventions of a pop music video. In our music video we use a very warm colour palette and is reflected through the use of ambient, utopian lighting. An example of an existing product that uses similar colour grading is Katy Perrys Roar music video; the music video is set in the location of a jungle, and the use of a warm colour palette is reflects the instrumental. Goodwins idea that there is a relationship between the music and the visuals can be applied as the upbeat and summery feel to the instrumental is reflected in the colour grading of the music video. institutions mass audience conventional In what ways does your media product develop codes and conventions of real media products? We develop a range of codes and conventions in our music video. For example, Goodwins Genre Characteristics for the pop genre generally have the same artist and protagonist in the music video. An example of this is Justin Biebers What Do You Mean music video as the artist is also in the narrative. However, in our music video we challenge this theory as our artist and protagonist are different people. However, we did use some narrative conventions in our music video. Typically most music video narratives follow a linear structure which is also what we used. This means that there is a clear start and end to the narrative, ours being that their relationship became more intense as the music video continued. This is similar to Charlie Puths We Dont Talk Anymore music video they start not knowing each other which is illustrated through the use of a split scene and by the end of the music video they are talking to each other. Furthermore, the secondary key feature of a music video that Goodwin identified was that there is also a relationship between the music and the visuals. This can be done through the use of illustrating, amplifying, contradicting and also asynchronised. In our music video we have developed this feature as we used straight cuts in synchronous with the timing of the music in 4/4 timing. We only used this in some parts of the music video, however we didnt do this the whole way through to allow the narrative to be clear and come through. One existing music video that does this is The Chainsmokers Dont Let Me Down music video which inspired us to do the same with our music video. This is due to the shots being cut to the beat of the music which ties it all in together, however they only tend to do this when the beat drops in the chorus of the music video. They cut between long and close-up shots which gives it a choppy effect. The use of cuts as a transition in our music video is a convention of the genre as they tend not to use any other transition such as a fade, apart from at the end of the video. Another development that we made in our music video is Mulveys idea of the male gaze which can be applied to our product as the female is often in a close up shot, amplifying her beauty, however doesnt come through too strong. Wolfs beauty myth can also be applied to the use of heavy eye make up in our product as her idea is that women's standards of physical beauty have increased due to the commercial influences of the media. An example of this can also be seen in Zara Larssons Aint My In what ways does your media product challenge codes and conventions of real media products? One way in which our music video challenges codes and conventions of real media products is the way we used different characters in the narrative to the artists themselves. This worked successfully through the layering of a black and white filter on the artists to distinguish between the two. This allowed us to portray the love between the male and female as we could give a clear representation through the visuals. Both the black and white effect and the style of different characters to artists subverted the codes and conventions of real media products of the pop genre. Another way we subverted from the codes and conventions is the location of the shots. For example, due to the low budget, we wasnt able to get utopia life-like shots. An example of this kind of shot is the establishing shots of the beaches in Benny Benassi and Chris Browns Paradise music video. However, we did get the opportunity to have the use of the vintage BMW car as a prop which connotes class and relates Judith Butlers gender performance of the typification of the males passion for cars. One more way that we challenged the codes and conventions is through disrupting the Realism Abercrombie theory. Media products always mediate or encode reality. We have challenged this theory as in existing music videos such as Justin Biebers What Do You Mean video, the level of realism is quite low as he plans a robbery in his house to get the attention of the female. However, in day to day life this wouldnt happen. In our music video, we have subverted to this as there is a great sense of reality represented through the couples relationship.