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Master of Architecture

Biography • Born in Manila to a family of


architects
• Graduated BS in Architecture
in 1953 in University of Sto.
Tomas
• Passed the board examination
for Architects in 1954
• In 1957, Arch. Manosa finished
a Landscaping Course in
Tokyo University in Japan
• From 1962 to 1976, he was a
partner of Manosa Brothers
and Associates, a design firm
composed of his architect
brothers
Awards and Recognitions
• Papal Awardee of the Noble Knighthood of the Pontifical
Order of St. Gregory the Great in September 1982
• Recognized by the Professional Regulations Commission
as the Most Outstanding Professional of the Year in
September 1994
• Recipient of the 7th LIKHA Gold Medal Award given by the
United Architects of the Philippines in April 2003
• The Cultural Center of the Philippines (CCP) bestowed
upon him the Gawad CCP Para sa Sining in the field of
Architecture in June 2004
• One of The Five Outstanding Filipino (TOFIL) by the
Philippine Jaycee Senate and Insular Life in December
2004
“I design Filipino”
“Architecture must be true to itself, its
land, and its people.”
“Three factors make architecture truly
Filipino, Filipino values, Philippine
climate and the use of indigenous
materials”
Amanpulo Beachside Casitas

• Location: Pamilican Island,


Palawan
• Design Concept: Bahay Kubo
• Square in plan but diagonally split
to form two rooms.
• Glass doors maintain a feeling of
openness
• Outside benches also allow the
deck to be used at all times of the
day to meet and converse with a
larger group of people extending a
living space beyond the bedroom.
• Year Established: 1993
Pearl Farm Beach Resort
• Location: Samal Island, Davao
• The area is blessed with various
natural attractions and flourishing
flora and fauna.
• Design Concept: Maranao/ Samal
ethnic tribe
• The interiors of the different
houses focus on the Yakan,
Tausug, Maranao and Badjao
culture and craft
Coconut Palace
• Also called Tahanang Pilipino
• Location: CCP Complex, Manila
• Design Concept: Coconut Tree
• The coconut triumphs as the
ultimate “Tree of Life”. From its
roots to its trunk, its bark, fruit,
flower and its shell, all have been the
source of design forms, elements,
and ornaments throughout the
structure.
• Inspired by the salakot hat of the
farmer
• Year Established: 1978
St. Joseph Church

• Also Known as the Bamboo Organ


Church
• Location: Las Pinas, Manila
• Design Concept: Bamboo Organ
• It underwent extensive reconstruction
which involves meticulous design and
authenticity
• Year Completed: 1974
Lanao del Norte Provincial Capitol

• Location: Tubod, Lanao del Norte


• A personification of Muslim
Architecture
• Design Concept: Environment
• Plant boxes, recessed slanted
windows and wide overhangs
ensure that even without air-
conditioning, the building interiors
will remain cool and comfortable
for the users.
• All building materials used are local
to the region and from sustainable
sources thus protecting the
environment.
Canyon Woods Clubhouse
• Location: Laurel, Batangas
• The development created a
mountain resort which looked at
the log cabin as a prototype.
• Infused with distinct Filipino
characteristics that is responsive
to the clients needs, the local
culture and the environment.
• As such the Canyon woods
Clubhouse is a uniquely Filipino
Building. The distinct roof lines
mimic the local houses while the
exterior rustic treatment is
influenced by western prototype.
Mary Immaculate Parish
• Location: Las Pinas
• Design Concept: Nature
• Situated within a forest of mango trees
• Sheltered by an anahaw/cogon
combination tent roof. It is basically a
suspended roof structure and open at all
sides.
• The church is nestled in nature’s bosom
and the surrounding are integrated with
the church itself.
• The interiors make novel use of capiz
shells in the form of doves in flight in
the interior not only illuminating the
space but adding a sense of movement
that makes this place unique.
San Miguel Building

• Location: Ortigas, Pasig City


• Year Built: 1976
• The unique and memorable
San Miguel Building in Ortigas
is among the institutional
landmarks that Mañosa
created.
• It reflects the Philippine
National identity
Sulo Restaurant

• Location: Makati City


• First built in 1962, it was
rebuilt in 1978 after it caught
fire.
• It’s architecture was markedly
Muslim inspired and its various
function rooms influences from
north to southern Philippines.
• The structure was brought
down in 1985 to make way for
the expansion of the Makati
Commercial Center.
Mactan Shangri-La
• Location: Cebu, Philippines
• An “ocean-to-shore” theme of
warm, golden sand and fresh
turquoise ocean hues to integrate
seamlessly into the resort’s
existing structure and seaside
location.
• Tropical elements such as coral
and seashells inspire room
accents.
Architect Francisco “Bobby” Mañosa has taught us to explore the
potential of indigenous materials here in the Philippines. In order to
earn the respect of his colleagues, he modernized our very own bahay
kubo and raised it further to greater heights. When it comes to
travelling around the world, we should follow his example for
evangelizing the magnificence of Filipino architecture. Many Filipinos
also admire him for his knowledge and decades of unparalleled
experience. Architect Bobby Mañosa’s vigour never fades. We should
always keep in mind that we are Filipinos; therefore, we design in
Filipino styles. In 6-7 years, if we become Architects, we must
remember that in spite of all the works, we can still manage to be the
kids’ best playmate, just like what Architect Mañosa does right now. He
has also said that he never worked a day in his life, he just had fun. He
shared a quote from a song in a Disney movie, “In every job that must
be done, there is an element of fun, and if you find that fun - the job’s a
game!” Architecture to him has always been a game. And like all those
games, you win some, and you lose some - but it’s always fun.


As long as we live, we’ll design Filipino. We should never
forget Architect Bobby Mañosa’s remarkable stories, particularly on
how he helped in shaping Filipino architecture. Mr. Mañosa is now
in his eighties yet we see Peter Pan in him, the Neverland hero who
never gets old. In the years to come, the things that should be seen
in us are the spark of energy, the good sense of humor and the child-
like behaviour in every action we’ll make. Known as the most
outspoken champion of an indigenous Filipino architecture, Mr.
Mañosa’s nationalism, complemented with his kind-heartedness,
makes his name much bigger than the landmarks he created, much
enchanting than the world-renowned resorts he designed, and as
revering as the churches of different faiths he built. “Architecture
must be true to itself, its land and its people.”

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