Drama is the act of enactment in real life From the Greek term “dram” w/c means to do or to act.
Theatre is the building specifically
design for theatrical or dramatical purposes. The Masks Thalia - The Mask of Comedy . The patron of comedy. One of the Greek nine muses.
Melpomene – The Mask of Tragedy. The
patron of tragedy and is also belong to one of the Greek nine muses. FOUR GREEK DRAMATISTS 1. Aeschylus 2. Sophocles Tragedians 3. Euripides 4. Aristophanes – the only comedian • They used a classical greek icons in their dramatical plays. • Tragic flaws were the usual complication. Aeschylus c. 525 – 456 B.C The first dramtist from the Trio. - A musician and a figther, one took part in the Battle of the Salamis. - Won 13 times in the annual drama festival. - Was defeated by Sophocles in his next attempt. - From his 80 plays 7 of which survived today. - Trilogy o Agamemnon was his famous Tragedy. Sophocles c. 496 – 406 B.C - At 15 he was a singer and a leader of a chorus. - He was the one who introduced the used of paintings as backgroud in his dramatical plays. - Was worshipped by the Greeks before he died. - Wrote 123 plays 7 of which survived. - Oedipus Tyrannus was his greatest tragedy. - Oedipus – refers to “swollen foot” - Tyrrannus – usually translated king or rex. Euripides c. 485 – 407 B.C - The last from the Greek Tragedians, the most modern. - The poet of the world’s grief but not necessarily the most tragic. - He knew pain better than exaltation. - Was attuned to the suffering of an individual because he realized that individual’s inherent worth. Aristophanes c. 450 – 385 B.C • The master of Greek comedy. • His plays were “The Wasps”, “The Birds”, “The Frogs”, “The clouds” served as the Greeks antidote to their grief emotions. • Used a lot of means to provoke laughters in his audinces like the use of vulgar words, slapstick, dumb gestures and etc. Classification of Dramatic Plays 1. Classical Tragedy – tells of a high and noble person who falls because of their tragic flaws. 2. Domestic Tragedy – concerns the lives of ordinary people. It is seeming true to life or naturalistic. 3. Romantic Comedy - is a love story. Main characters were the lovers while secondary characters are the comic. 4. Farce – comedy at its broadest. 5. Sentimental – comedy mixes sentimental emotion with its humor. 6. Melodrama – has a plot filled with pathos and menacing threats by a villain. Elements of Drama 1. Plot - the sequence of events or incidents of which the story is composed. - a good plot involves “paripety” - it involves complication and it must arise at the middle of the play. Conflict – is the clash of ideas from the characters. CLASSIFICATION OF CONCLICTS 1. Person against Person 2. Person against Himself/herself 3. Person against Environment Plot Progression • Exposition is the beggining of the play which sets the time and place of the action. • Complication is the middle of the play which develops the conflict that was started in the exposition. • Resolution or Denoument the part where there is a falling action right after the climax. - It is the transition from an important event – the point where there is a shift in the fortunes of the chracters. 2. Character
They are the persons who appear in the play.
They may be a Protagonist or Antogonist. 3. Setting
- It is the locale and period in which the drama takes
place, or the scenary, props and costumes used in staging. - It is the background of the story in relation to where it takes place or where it took place and time when it happens. 5. Set Design - Is the arrangement of theatrical space; the set or the setting in the visual environment which the play is performed. Classification of Set Designs 1. Realistic 2. Abstract 3. Subjective 4. Functional 6. Dialogue - It provides the substance of a play. - It is the only way of telling what the drama is all about. 7. Lighting Design
An ephemeral art in the drama and theatre
presentations. It has two basic functions:
1. To create mood and control focus of
specatators. 2. To illuminate the broad area of the stage and the performers. Two Basic Type of Lighting Instruments 1. Flood Light – for the illumination of the stage.
1. Spot Light – focus light more intensly on a
smaller area. Four Controllable Properties 1. Intensity 2. Color Placement of the stage 3. The movement 4. Visible changing of the first three properties Special Intruments in the Lighting Effect Gels/Filters – softens the effect of the light Dimmers – controls the intensity of each lighting instruments. 8. Costume Design
Costume is whatever worn on
the performer’s body. - It conveys information about the character and aid in setting the tone or mood of the production - It may also function as a character signature. 9. Masks
- The special element of costume.
- An essential part of the Greek and Roman dramas. - It obviates the use of facial expression. - The universal symbols of the Theatre. 10. Make-up - It may also function as a mask, especially in the Oriental theatres. Two Functions of Make-up 1. To emphasize and reinforce facial features that might otherwise be lost under the bright light or at distance. 2. To alter signs of age, skin tone, nose end even the shape of the face. 11. Sound and Sound Effects - An essential element of theatrical performances which adds glitter to the damatical plays. - It now generally recorded due to some common reasons like: a. Cheaper cost b. Duration of the sound needed for the scene c. Timing d. Quick and easy to access Philippine Drama • Carillo or Shadow Play – held before a lamp, are shadows of cardboard figures projected on screen. - The prompter provides the dialogue with the storyline taken from the legends, fables or metrical romances. Komedya or Moro-moro • The most popular theatrical play during the Spain’s 100 years reign. • It is a mock battle between the Moros’ and the Christians’. Loa – is a short performance before a long drama to introduce the main drama and praise the performers Panunuluyan – a street play dramaticing the roaming of Mary and Joseph for shelter in Bethlehem during Christmas Eve. Cenakulo orPassion of the Christ - Dramatization of Jesus Christ’s life from his birth to crusifixtion. Tibag / Santa Cruzan – re-eneactment of Emperor Constantine’s or Empress Helena’s search for the true cross. - The procession served as the climax of the performance. Salubong – an Easter presentation re-eneacting the meeting of Mary and the ressurected Christ Sarsuela/ Zarzuela A three-in-one act play with songs and dances. It depicts the political condition of our country, feelings of love, fear, grief, sorrow or any sublime emotion. GAME ?