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GEK1532 Differences in Color Vision

Thorsten Wohland Dep. Of Chemistry S8-03-06 Tel.: 6516 1248 E-mail: chmwt@nus.edu.sg

http://members.shaw.ca/hidden-talents/vision/color/colorblind1.html http://www.allpsych.uni-giessen.de/karl/colbook/sharpe.pdf

Problem
We remarked that we cannot find three actual colors that could mix all colors in the CIE diagram. Historically, the fact that we have three cones was derived from the fact that we can mix (almost) all colors by using only three primary colors, namely the colors discussed for additive and subtractive color mixing. The existence of exactly three cones was then confirmed by physiological research and the sensitivity curves for the three cones were measured.

Mixture of three colors


Assume you choose 460, 530, and 650 nm. We then proceeded to describe all colors by only three values. This should be possible since with three cones we get only three signals from our retina. We found out that we really need only three values to describe all colors. But no matter which existing color we chose, we always end up with some of the values beeing negative (meaning some of the exisiting colors are not in the gamut of our choice of colors).

STL, Chapter 9

Mixture of three colors


It turns out, though, that to describe colors with three POSITIVE values we need to assume some theoretical colors.

STL, Chapter 9

www.adobe.com

www.adobe.com

www.adobe.com

Additive vs subtractive color mixing


The CIE diagram is based on additive color mixing Subtractive color mixing is not easily predictable by the CIE diagram. And the mixture of two pigments often leads to curved lines in the CIE diagram.

additive mixing

The reason for this is that in additive mixing we work with three well defined colors. But in subtractive mixing we have to work with pigments and dyes which occur naturally. These compounds do not just reflect single defined wavelength but absorb differently over the whole visible spectrum.

subtractive mixing

Fig. 1-10 of Nassau

Different types of color deficiencies and their frequency


All defects we discussed up to now lead to people that are color deficient. People that are color blind are Monochromats (achromatic vision) cone monochromats (one cone works) rod monochromats (no cone) -> photophobic Defect monochromats deuteranopes protanopes tritanopes Anomalous trichromacy See chapter 14 of Kurt Nassau Frequency of occurrence in males 0.01 % 2% 2% < 0.1 % 5%

The color circle as viewd by redgreen deficient people

Normal vision

Red-green deficient

From Scientific American, Special on Color (German Version) See the following website for some pictures that demonstrate vision of color deficient people: http://en.wikipedia.org/wiki/Color_blindness

What colors do you see?


Same Hues, but ordered differently 100% Sat 100% Brightness

25 % Brightness

10% Saturation

The Anomaloscope

From Scientific American, Special on Color (German Version) a) Normal vision b) No red c) No green d) Red anomalous e) Green anomalous

The number of cones

Retina independent color anomalies


With age the lens of humans becomes more and more yellow (same happens with cataracts). Your brain adapts to that and you still perceive white as white etc. However, when you paint, the colors you use will contain more yellow (Metamers).

Retina independent color anomalies


Normal a) and b) Cataract c) and d) Color of object a) and c)

Color of paint chosen b) and d)

a) and b) are metamers for the normal painter c) and d) are not metamers since the yellow lens filters out different amounts of blue light in the object and paint color (note that the object color contains more blue than the paint color)

From Scientific American, Special on Color (German Version)

Claude Monet

From Scientific American, Special on Color (German Version)

Color defects
Roughly 10 % of males and 0.5 % of females have color defects. Rarer cases include one sided color defects (unilateral color deficiency) or Digit-color synesthesia in which digits can elicit a color perception (Nature 406, 365, July 27, 2000).

Do you see the shape?

Hearing Color, Tasting Shapes Scientific American, May 2003, p. 53 59.

Can you recognize the number?

3 353 3

Stare at the plus sign and try to identify the number on the right.

How does the retina now work?

There are several phenomena in nature which any theory how the retina works has to be able to explain: Lightness constancy Color Constancy Webers law

Lightness and Brightness


Brightness: Attribute of a visual sensation that describes the intensity of the stimulus (bright - dim).

Lightness: Attribute of a visual sensation of an illuminated area that describes the intensity of the stimulus in relation to a white illuminated area. (light - dark)

Webers law
On the left the reflected light intensity increases by equal amounts.

On the right the ratio of adjacent intensities is constant. We call this a logarithmic scale:

a ! ln b

ea ! b

l a b ! b l a
Seeing the light, Fig. 7.4

2b 1 !2 b 2

l 2b ! b l 2 l
b 1

2 ! b  1 l

Webers law
On the left the reflected light intensity increases by equal amounts.

On the right the ratio of adjacent intensities is constant.


a ! ln x ea ! x

We call this a logarithmic scale: ln(1) = 0 = 0*ln(2) ln(2) = 0.693= 1*ln(2) ln(4) = 1.386= 2*ln(2) ln(8) = 2.079= 3*ln(2)

Seeing the light, Fig. 7.4

Lightness Constancy
Webers law states that we see brightness in logarithmic scale. However, we know as well that we perceive something white always as white, no matter how bright the illumination is. This phenomenon is called Lightness constancy. Lightness constancy thus means that we see objects always in relation to the surrounding. So when the illumination changes, the brightness (absolute intensity) changes, but not the lightness (the ratio of different brightnesses). Good illumination Darker illumination

http://www.purveslab.net/seeforyourself/

Color Constancy
Color constancy describes the same effect for the perception of color: Colors tend to stay the same, independent of the intensity of the illumination (remember that a change in color in the illumination will of course change as well the perceived colors). Why is this advantageous to a human beeing?

Two examples were lightness and color constancy do not work!

1. Lightness changes not uniformly everywhere. 2. At dim light, the rods are starting to work and add their signal to the cone signal.

Lightness changes not uniformly everywhere

The rod system


Scotopic vision: night vision, based on rods; maximum sensitivity: around 500 nm Mesopic vision: transition from photopic to scotopic vision, both systems operate (e.g. at dusk) Photopic vision: day vision, based on cones; maximum sensitivity around 550 nm

http://hyperphysics.phy-astr.gsu.edu/hbase/hframe.html Kurt Nassau, Fig. 1-16

Scotopic vs Photopic Vision


Scotopic vision: max sensitivity ~500 nm Photopic vision: max sensitivity ~550 nm

Purkinje shift Mesopic vision: Humans have characteristics of tetrachromat http://www.cquest.utoronto.ca/psych/psy280f/ch3/purkinje/ps.html

Short Summary
Color deficiencies Webers law and laws of color and lightness constancy Color of the cone system Influence of the rod system on color