The Regency Vows Series

Named a Best Romance of April by Goodreads, Popsugar, Bustle, and more! “A laugh out loud Regency romp—if you loved the Bridgertons, you’ll adore To Have and to Hoax!” —Lauren Willig, New York Times bestselling author In this fresh and hilarious historical rom-com, an estranged husband and wife in Regency England feign accidents and illness in an attempt to gain attention—and maybe just win each other back in the process. Five years ago, Lady Violet Grey and Lord James Audley met, fell in love, and got married. Four years ago, they had a fight to end all fights, and have barely spoken since. Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent. Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them? With charm, wit, and heart in spades, To Have and to Hoax is a fresh and eminently entertaining romantic comedy—perfect for fans of Jasmine Guillory and Julia Quinn.

“Sure to delight Bridgerton fans.” —USA TODAY The “sweet, sexy, and utterly fun” (Emily Henry, author of People We Meet on Vacation) Regency Vows series continues with a witty, charming, and joyful novel following a seasoned debutante and a rakish theater owner as they navigate a complicated marriage of convenience. Lady Emily Turner has been a debutante for six seasons now and should have long settled into a suitable marriage. However, due to her father’s large debts, her only suitor is the persistent and odious owner of her father’s favorite gambling house. Meanwhile, Lord Julian Belfry, the second son of a marquess, has scandalized society as an actor and owner of a theater—the kind of establishment where men take their mistresses, but not their wives. When their lives intersect at a house party, Lord Julian hatches a plan to benefit them both. With a marriage of convenience, Emily will use her society connections to promote the theater to a more respectable clientele and Julian will take her out from under the shadows of her father’s unsavory associates. But they soon realize they have very different plans for their marriage—Julian wants Emily to remain a society wife, while Emily discovers an interest in the theater. But when a fleeing actress, murderous kitten, and meddlesome friends enter the fray, Emily and Julian will have to confront the fact that their marriage of convenience comes with rather inconvenient feelings. With “an arch sense of humor and a marvelously witty voice that rivals the best of the Regency authors” (Entertainment Weekly), Martha Waters crafts another fresh romantic comedy that for fans of Julia Quinn and Evie Dunmore.

Named a best romance of the year by Entertainment Weekly Named a most anticipated romance by Oprah Daily, Marie Claire, BuzzFeed, PopSugar, and more! “There was no romance novel more fun this year than this extremely witty enemies-with-benefits confection.” —Entertainment Weekly The author of the “hilarious...joyful, elegant” (Publishers Weekly, starred review) To Have and to Hoax returns with an effervescent, charming, and swoon-worthy novel about a man and woman who never agree on anything—until they agree to a no-strings-attached affair in this Regency-era romp. The widowed Diana, Lady Templeton and Jeremy, Marquess of Willingham are infamous among English high society as much for their sharp-tongued bickering as their flirtation. One evening, an argument at a ball turns into a serious wager: Jeremy will marry within the year or Diana will forfeit one hundred pounds. So shortly after, just before a fortnight-long house party at Elderwild, Jeremy’s country estate, Diana is shocked when Jeremy appears at her home with a very different kind of proposition. After his latest mistress unfavorably criticized his skills in the bedroom, Jeremy is looking for reassurance, so he has gone to the only woman he trusts to be totally truthful. He suggests that they embark on a brief affair while at the house party—Jeremy can receive an honest critique of his bedroom skills and widowed Diana can use the gossip to signal to other gentlemen that she is interested in taking a lover. Diana thinks taking him up on his counter-proposal can only help her win her wager. With her in the bedroom and Jeremy’s marriage-minded grandmother, the formidable Dowager Marchioness of Willingham, helping to find suitable matches among the eligible ladies at Elderwild, Diana is confident her victory is assured. But while they’re focused on winning wagers, they stand to lose their own hearts. With Martha Waters’s signature “cheeky charm and wonderfully wry wit” (Booklist, starred review), To Love and to Loathe is another clever and delightful historical rom-com that is perfect for fans of Christina Lauren and Evie Dunmore.

“Bridgerton fans will like this one.” —Julia Quinn, #1 New York Times bestselling author The Regency Vows series that is “sure to delight Bridgerton fans” (USA TODAY) returns with this story about a viscount and his irascible new wife who hopes to chase her husband from their shared home so that she can finally get some peace and quiet—only to find that his company is not as onerous as she thought. Viscount Penvale has been working for years to buy back his ancestral home, Trethwick Abbey, from his estranged uncle. And so he’s thrilled when his uncle announces that he is ready to sell but with one major caveat—Penvale must marry his uncle’s ward, Jane Spencer. When the two meet in London, neither is terribly impressed. Penvale finds Jane headstrong and sharp-tongued. Jane finds him cold and aloof. Nevertheless, they agree to a marriage in name only and return to the estate. There, Jane enlists her housekeeper for a scheme: to stage a haunting so that Penvale will return to London, leaving her to do as she pleases at Trethwick Abbey. But Penvale is not as easily scared as his uncle and as their time together increases, Jane realizes that she might not mind her husband’s company all that much. With her trademark “arch sense of humor and a marvelously witty voice” (Entertainment Weekly), Martha Waters crafts another delightful romp for all historical romance fans.