Keane Southard (ks391262) | Scribd

Keane Southard

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Why has El Sistema Survived and Thrived?: Comparing the Political Histories of Venezuela’s "El Sistema" and Brazil’s "Projeto Espiral"
Author Keane Southard
Robin Holloway's 'Second Concerto for Orchestra': A Masterpiece Bridging Romanticism and Modernism
Author Keane Southard
Good Things Come to Those Who Wait: An Inclusive Long-Term Approach to Aesthetic Judgments
Author Keane Southard
Leonardo Balada's 'Guernica' as Musical Ekphrasis
Author Keane Southard
Modernist Classical Music on the Bad Plus's "For All I Care"
Author Keane Southard
Musical Metaphor in John Luther Adams’ 'Become Ocean'
Author Keane Southard
The Use of Variation Form in Frederic Rzewski's 'The People United Will Never Be Defeated!'
Author Keane Southard