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FieldNotes #3: Traces

FieldNotes #3: Traces

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Published by muzack
Traces begins with Tom Lawrence’s fascinating and soon unsettling insights into Ireland’s largest wetland Pollardstown Fen and its ongoing destruction through men. Furthermore he describes his elaborate attempt to record the fen’s rich world of water beetles and talks about the startling discoveries he’s made. ♦ Regarding the question ‘Phonography: Art or Documentation?’ sculptor Scott Sherk examines the history of photography and its parallels to the developing world of phonography via selected historical imagery. ♦ From moments of excited listening in his childhood Jim Cummings carries us to the founding of his label EarthEar and his eventual step into scientific fields with the Acoustic Ecology Institute. ♦ ‘Something which lasts, passes by’ is Marcus Kürten’s diverse and diverting collection of (mostly) joyous hearing memories from 36 sound artists’ childhood days. ♦ Researcher Hein Schoer grants insight into his cultural soundscape project The Sounding Museum and the formation and reception of his soundscape composition Two Weeks in Alert Bay. ♦ The magazine closes with Budhaditya Chattopadhyay’s 3-monthlong hearing and recording journey through the sound-world of Bangalore – sharing his experiences, discoveries and thoughts.
Traces begins with Tom Lawrence’s fascinating and soon unsettling insights into Ireland’s largest wetland Pollardstown Fen and its ongoing destruction through men. Furthermore he describes his elaborate attempt to record the fen’s rich world of water beetles and talks about the startling discoveries he’s made. ♦ Regarding the question ‘Phonography: Art or Documentation?’ sculptor Scott Sherk examines the history of photography and its parallels to the developing world of phonography via selected historical imagery. ♦ From moments of excited listening in his childhood Jim Cummings carries us to the founding of his label EarthEar and his eventual step into scientific fields with the Acoustic Ecology Institute. ♦ ‘Something which lasts, passes by’ is Marcus Kürten’s diverse and diverting collection of (mostly) joyous hearing memories from 36 sound artists’ childhood days. ♦ Researcher Hein Schoer grants insight into his cultural soundscape project The Sounding Museum and the formation and reception of his soundscape composition Two Weeks in Alert Bay. ♦ The magazine closes with Budhaditya Chattopadhyay’s 3-monthlong hearing and recording journey through the sound-world of Bangalore – sharing his experiences, discoveries and thoughts.

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Published by: muzack on Sep 15, 2012
Copyright:Attribution Non-commercial

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09/19/2012

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josodk added this note
Please move this document somewhere else. This place is for SHEET MUSIC...

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